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\n'},{title:"Photographs",content:'
2022.7-9
\n\nChoreographer|SU Wei-chia
\n\nPhotographer|LIN Chun-yung
\n\nKaohsiung-born choreographer SU Wei-chia explores the choreographic and physical possibilities with his ten-year project Freesteps, launched in 2013, which depicts and discovers the forms of different dancers. With the purely dancing body as material, SU ponders the possibilities of the performer-audience relationship in contemporary dance, looking to introduce a different viewing experience.
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2022.6
\n\nKaohsiung Museum of Fine Arts
\n\nChoreographer|CHOU Shu-yi
\n\nPhotographer|CHEN Chang-chih
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2022.6
\n\nWeiwuying, Banyan Plaza
\n\nChoreographer|CHOU Shu-yi
\n\nPhotographer|LIN Chun-yung
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Weiwuying's very first artist-in-residence, CHOU Shu-yi, plans to restart the "Dance-Travel Project" by inviting professionals to teach dance to the dance students of Zuoying High School through educational cooperation. Moreover, thanks to Weiwuying, CHOU intends to recruit freelance dancers to perform a dance piece across Kaohsiung, bringing performing arts out of the theater and into the city.
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2021.11
\n\nCHOU Shu-yi x CHEN Singing
\n\nPhotographer|LIN Chun-yung
\n\nIn 2021, the world is still getting accustomed to the epidemic situation and everyone is looking for traces of ordinary memories in their daily lives in the search for balance. "Afterimage for Tomorrow – Weiwuying Special Performance Edition" (2021) is a 40-minute, site-specific creation that allows audiences to compare their life experiences to the remnants of the after-image landscape, bringing to them warmth.
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2021.9
\n\nChoreographer|Helen LAI
\n\nPhotographer|LIU Chen-hsiang
\n\n2021, Weiwuying and Hong Kong's City Contemporary Dance Company have joined forces to perform PIAZZOLLA's María de Buenos Aires,—the world's first tango opera and a novelty at the time of its writing. A hyperrealistic narrative style is used to depict the life and death experiences of the heroine María in the Argentine capital, which acts as a metaphor for this South American country's religious and historical links to Western culture. As soon as the sound of the accordion in the overture takes off, audience members' established ideas about "Western opera" are sure to be overturned. Instantly, Weiwuying's Recital Hall is transformed into a tiny South American tavern, giving way to production full of irresistible and tantalizing charm!
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2021.10
\n\nBulareyaung Dance Company
\n\nPhotographer|CHEN Chien-hao
\n\nAfter five years of planning and two years of development, Not Afraid of the Sun and Rain, the newest and the seventh production by the Bulareyaung Dance Company since its founding in Taitung in 2015, has finally come into being. Following LUNA, which won the 2019 Taishin Arts Award Grand Prize, the work is also based on tribal fieldwork, this time on Pakarongay, an Amis training system for youngsters to undergo to be officially recognized as adults. As a celebration piece for the 5th anniversary of the Company, Not Afraid of the Sun and Rain is dedicated to those who require strength during personal development, as it delves into the introspective world of the dancers as they plod along the path of self-growth and renewal.
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2022.5
\n\nCloud Gate Dance Theatre of Taiwan
\n\nPhotographer|LIN Chun-yung
\n\nEmerging like clouds, dancers reveal facets of self-loneliness, hesitation, fear… Their bodies – whether in movement or stillness – appear against shifting bursts of color, animating the creative processes of the human experience.
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2021.4
\n\nKiss&Cry Collective
\n\nPhotographer|LIN Chun-yung
\n\nA plane journey, a forest in the fog, seven unexpected deaths...Cold Blood unveils a series of different lives in a hypnotic story laced with offbeat humour. The show explores the minuscule and surveys little worlds where life is viewed through a kaleidoscope. With a certain lightness, life celebrates its final moments of happiness and memories file past, at times languid, at times more vibrant.
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2022.2
\n\nHUANG YI STUDIO +
\n\nPhotographer|LIN Chun-yung
\n\nHUANG Yi has dazzled audiences around the world with his ground-breaking work, HUANG Yi & KUKA, in which he and his dancers perform alongside an industrial robot he programmed. In Little Ant and Robot, HUANG and his robotic friends will team up to run a cafe, unveiling a harmonious new world shared by man and robot.
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2021.12
\n\nfeat. LEE Yin-ying
\n\nPhotographer|Kito LI
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2022.1
\n\nfeat. LEE Yin-ying
\n\nPhotographer|Kito LI
\n\nAfter a meal, people who wish to exercise generally go to gyms, parks, and activity centers. Now, people can go to Weiwuying as well! Weiwuying offers a variety of dance options including street dances, international standard dances, impromptu dances, contemporary dances, ballet, and tai chi. Visit the Weiwuying Banyan plaza and enjoy the joy of exercising and dancing together!
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2020.6
\n\nYEH Ming-hwa
\n\nPhotographer|Kito LI
\n\nIn January 2020, choreographer YEH Ming-hwa’s presentation was themed Nostalgia, the final part of the Museum of Human Emotions project. Nostalgia is a remembrance of things past and a reminiscence of good times and encounters with friends and loved ones. In an age that gives precedence to the contemporary and experimental, it takes courage to declare that people miss the past, which—good or bad, happy or sad—can never be recaptured. This work is staged in the foyer of Weiwuying's Opera House, where a peek into the glass windows is like looking into your own living room and seeing a reflection of your past. With its rocking chair, small red table, and familiar melodies, this is a space that evokes the fondest of memories.
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2022.6
\n\nMeimageDance
\n\nPhotographer|CHEN Chien-hao
\n\nWelcome to New Paradise of Silent Island 2022!
\n\nThe glamorous and colorful party with giant Barbies is back! Your Taiwanese dress-up night is coming soon.
\n\nChoreographer HO Hsiao-mei's New Paradise of Silent Island brings the cultural landscape of the temple square and deity procession back to the theater. This classic performance at Weiwuying Playhouse brings together highly recognizable Taiwanese cultural symbols, such as family deities, betel nut beauties, glove puppetry, and Barbie dolls. It incorporates strong visual installations to interpret traditional Taiwanese elements through contemporary theatrical expressions.
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2022.9
\n\nLegend Lin Dance Theater
\n\nPhotographer|LIN Chun-yung
\n\n"There was a mysterious river, a mysterious eagle race, and a mysterious realm where time and space did not yet exist. The two brothers who led the eagle race vowed to protect this stunningly beautiful land forever as it was. One day, however, the vows were broken and the land encountered change…… The river of Life is mutable. And desires are variable and multiple. Change, therefore, is a basic condition we rehearse every day….
\n\nListening to the chanting of the shaman and watching the landscape metamorphosis, one beholds how the fluctuating rhythm of life echoes the illusive voice of the Primordial Soul. But no one can predict the form in which any transformation eventually settles." – LIN Lee-chen
\n\nOnce again, Legend Lin Dance Theatre presents for the entire humanity in praise of its complexity that breeds the utmost poetry.
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2021.9
\n\nCHOU Shu-yi X CHENG Chih-chung
\n\nPhotographer|Kito LI
\n\nHe is CHOU Shu-yi. He is CHENG Chih-chung.
\n\nThis is a discussion about equivalence and in-equivalence. Modern dancer CHOU Shu-Yi invited CHENG Chih-chung, who has been involved in theater performances since 1988, to engage in a chat, with their bodies, about life, family, and society.
\n\nThese two performers, of distinct physical conditions, convey discourses about human rights that never stop, attempting to drag the whole society into this dialogue.
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