\n\tFor details, please see Weiwuying Members Benefit\n\n',cautions:"
Ugorski's interpretations are informed by his personal beliefs. An intrinsic aspect of his artistic personality is that he challenges audiences and critics to discourse. Some considered his tempo to be a wholehearted intellectual testing of the musical material, others were outraged by the freedom he took with his interpretation. Unaffected by such debates, Ugorski holds to the musico-philosophical mantra that there is no supreme interpretative rule or ‘definative’ interpretation, only the “truth of the moment.”
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Anatol Ugorski is one of the very few pianists who experienced a meteoric rise in fame who also kept up and even refined his deep pianistic beliefs. Deeply rooted in the often-cited “Russian tradition” he is also a highly individualistic virtuoso personality. His distinctive commitment to 20th century composers like Messiaen and Boulez is characterized in an anecdote from 1967 when he attended one of the few guest concerts of Pierre Boulez in the Soviet Union. In May 2019, this extraordinary pianist is going to make his debut in Taiwan for all the Weiwuying's Audiences!
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Anatol Ugorski
\n\nAnatol Ugorski was born in Leningrad in 1942 and grew up in a poor background: a xylophone and his voice were his only instruments. When he was six years old he took part at the qualifying exam for Leningrad Conservatory, having had no previous musical education. He was accepted, despite never having played a piano before. He left the school in 1960 and continued his studies with Nadeshda Golubovskaya until 1965.
\n\nIn February 2000 Anatol Ugorski was nominated for the American Grammy for his recording of Scriabin's piano concerts and “Promethée. Le Poème du feu” with the Chicago Symphony Orchestra, conducted by Pierre Boulez.
\n\nToday Anatol Ugorski lives in Detmold, where he taught as professor for piano at the Music Academy until 2007.
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Program
\n\nD. Shostakovich: 24 Preludes and Fugues, Op. 87, No. 1 in C major, No. 19 in E-flat major, No. 24 in D minor
\n\tStravinsky: Three Movements from Petrushka
\n\tF. Liszt: Von der Wiege bis zum Grabe, S. 512
\n\tF. Liszt: Toccata, S. 197/a
\n\tF. Liszt: Piano Sonata in B minor, S. 178
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Photo by Susesch Bayat、Blooming Arts
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Sponsor
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\n'}],time:["2019/05/05 (Sun) 14:30"],title:"Anatol UGORSKI Piano Recital - Taiwan Debut",related:[]},relatedPrograms:[{title:"Feng Chia University Symphonic Orchestra and Alumni 2023 Concert",introduction:"Classic Dance About Wind Ensemble Feng Chia University Alumni Symphonic Band 2023 Annual Concert",image:"9e6bf38f1a4de08c0b379d2217f83f30",link:"/programs/6513a1731305b60008c33c7c?lang=en",catalogs:[],date:"2023.12.26"},{title:"【2024 Weiwuying Organ Festival】SCHMITT and His Friends- One Night in Baroque Classics",introduction:"This concert will be chamber music with organ, in which different instruments—trumpet, flute, and piano—are used to showcase the many faces of the organ",image:"8e9d5069aa69fa936413e220d6a6b364",link:"/programs/6535d2eafaff850007bca334?lang=en",catalogs:[],date:"2024.03.15"}]},fetched:!0},shippingAreas:{rows:[],loaded:!1},userAuth:{logined:!1,status:"NORMAL",inited:!1,data:null,showNsoOverlay:!1},announce:{show:!0},youthOverlay:{show:!1,showed:!1},featureCategories:{rows:[],loaded:!1,loading:!1},features:{rows:[],loaded:!1,loading:!1},newsCatalogs:{rows:[],loaded:!1,loading:!1},chronologies:{rows:[],loaded:!1,loading:!1}},routing:{locationBeforeTransitions:null}}