Nov.12 (Mon.) - Nov.16 (Sat.) l 09:30 – 17:00（6 Hours per Day）Six days in total (30 hours), The participants should engage the entire course.
■ Registration
LINK: https://goo.gl/fhNbUp
★ Registration Process
Fill in the Form Online → Await Confirmation from Host → Receive Confirmation → Pay Registration Fee → Registration Successful.
★ Contact Lydia Chang at +886-2626816 / lydia.chang@npac-weiwuying.org with any additional questions.
■FEE
NT$ 7,200
■Qualifications
- ●20 participants In total
- ●Participants must be at least twenty-one years old; the workshop is designed for performers for disciplines and not restricted to circus artists. Actor or dancer who has a basic background regarding movements of physical bodies are especially welcome.
2018 Weiwuying Circus Platform CNAC x Acrobatic Dance Professional Training Programme
In the diversity of circus disciplines, the acro-dance creates its own path. Here the acrobatics becomes the alter-ego of dance. The leap is no longer presented as a performance, but as a way of expression of a state-of-mind, a feeling, a narration. In this two-way exchange, the dancing gives the acrobatics its choreographic dimension, and in return, the acrobatics gives the dancing a different vocabulary, which is more massive and more perilous. It is, therefore, a vast universe composed of as many visions as there are interpretations.
Among all these possible interpretations, this course will try to answer several essential questions :
- Which kinds of acrobatics qualities do I own?
- What is my relationship to the movements and the dancing ?
- How and in what proportions do the acrobatics and the dancing merge?
■Course Objectives
- Improve technical skills in acrobatics and dance
- Enrich everyone's repertoire with new figures
- Develop « body fluency »
- Take good use of the space
- Learn from dance and acrobatics, find connections between them
- Work on physical preparation and recovery
■Dates for all Courses
Nov.12 (Mon.) - Nov.15 (Thu.) l 09:30 – 17:00（6 Hours per Day）
Nov.16 (Fri.) l 09:30 – 12:30（3 Hours）
Nov.16 (Sat.) l 09:30 – 12:30（3 Hours）
Six days in total (30 hours), The participants should engage the entire course.
- Venue: Studio in National Kaohsiung Center for the Arts (Weiwuying)
- Address: No.1, Sanduo 1st Rd., Fengshan Dist., Kaohsiung City
■Agenda of the Week
The group will be divided into 2 homogeneous subgroups.
- Every morning (3 hours), one group will work on the acrobatics with the acrobat teacher and the other group will work on the dancing with the dance teacher.
- Every afternoon (3 hours), the groups will be swapped. Therefore, each participant will have a dance workshop and an acrobatic workshop every day.
- The last two days will be the devoted to combining and composing everything that was seen in the acrobatics and the dancing at the beginning of the week in order to mix disciplines.
A space for education, innovation, and research
The National Center for Circus Arts, an internationally recognized institution, was established in 1985 by the French Ministry of Culture and Communication. It is comprised of two centers—one for higher education in circus arts and the other for resources, studies, and academic research.
The CNAC, which continues to garner international acclaim, has stayed true to its roots and is committed to protecting the fundamental spirit of the circus and its values, including rigor, self-control, teamwork, and respect for others.
Offering first-class training, the CNAC endeavors to be at the cutting edge of educational, artistic, and technical innovation in order to better serve students, researchers, circus professionals, and more broadly, the field of live performance.
David Soubies Circus artist (acrobat)
After training at the circus school of Chambery, he was an acrobat for several companies. The body language of Mad Birds and Peddlers, Giorgio Barberio Corsetti's dramaturgy, Mourad Merzouki's Hip-Hop, Vincent Gomez's aesthetic and Maestre Prethinio's encounter with Abadà capoeira, have made his acrobatics evolve towards acro-dance. Today, his exploration continues while being an author with Daraomaï company and a teacher at CNAC. |
|
Marlène Rubinell Giodiano
A gymnast by training, she left the competition to join the Rosny Circus School and then the CNAC Châlons-en-Champagne.
After graduation, with Marc Pareti, she rised on a vertiginous dangling trapeze act and created the AOC Collective with five other acrobats of the same year. On her gymnastic equipment, with a full range of her carnal identity, she cultivates the mad desire for a fluidity that unleashes the force into energy, linked herself to the other. Same for the acrobat, she discovers aerobatics banquine and masters the lifiting and trampoline technique. She collaborates with Cie Anomalie, Chloé Moglia, Pierrot Bidon / the circus studios of Marseille, Mathurin Bolze and participates in several short films directed by Delphine Lanson and Jambenoix Mollet. |
|
In 2013, she created Maalâm: in this solo trapeze and knives-throwing, she dismembers the feminine and the wound/ womb, enlarges the notion of confinement. In early 2016, she directed the graduating class of the school of scenic arts CODARTS-Rotterdam, and then performing the choreography of Vanavara, the show of the 28th CNAC promotion directed by Gaëtan Levêque.
Since then, she has been working with the students of the CNAC and the Circus School of Brussels.
Starting from May 2018, at the side of Julien Fournier, Ali Ben Lofti Thabet and Melissa Von Pepy, she is the interpreter of Talk Show, Gaël Santisteva’s “ conference-performance”.
She is currently working as the art directer of the next show of the AOC collective "on edges of self"( Des bords de soi), which will be released in November 2018.
※ Please see the official website (www.npac-weiwuying.org) for any updated terms and conditions.
Weiwuying reserves the right to change the terms and conditions of all the events.
2018 Weiwuying Circus Platform CNAC x Acrobatic Dance Professional Training Programme
In the diversity of circus disciplines, the acro-dance creates its own path. Here the acrobatics becomes the alter-ego of dance. The leap is no longer presented as a performance, but as a way of expression of a state-of-mind, a feeling, a narration. In this two-way exchange, the dancing gives the acrobatics its choreographic dimension, and in return, the acrobatics gives the dancing a different vocabulary, which is more massive and more perilous. It is, therefore, a vast universe composed of as many visions as there are interpretations.
Among all these possible interpretations, this course will try to answer several essential questions :
- Which kinds of acrobatics qualities do I own?
- What is my relationship to the movements and the dancing ?
- How and in what proportions do the acrobatics and the dancing merge?
■Course Objectives
- Improve technical skills in acrobatics and dance
- Enrich everyone's repertoire with new figures
- Develop « body fluency »
- Take good use of the space
- Learn from dance and acrobatics, find connections between them
- Work on physical preparation and recovery
■Dates for all Courses
Nov.12 (Mon.) - Nov.15 (Thu.) l 09:30 – 17:00（6 Hours per Day）
Nov.16 (Fri.) l 09:30 – 12:30（3 Hours）
Nov.16 (Sat.) l 09:30 – 12:30（3 Hours）
Six days in total (30 hours), The participants should engage the entire course.
- Venue: Studio in National Kaohsiung Center for the Arts (Weiwuying)
- Address: No.1, Sanduo 1st Rd., Fengshan Dist., Kaohsiung City
■Agenda of the Week
The group will be divided into 2 homogeneous subgroups.
- Every morning (3 hours), one group will work on the acrobatics with the acrobat teacher and the other group will work on the dancing with the dance teacher.
- Every afternoon (3 hours), the groups will be swapped. Therefore, each participant will have a dance workshop and an acrobatic workshop every day.
- The last two days will be the devoted to combining and composing everything that was seen in the acrobatics and the dancing at the beginning of the week in order to mix disciplines.
A space for education, innovation, and research
The National Center for Circus Arts, an internationally recognized institution, was established in 1985 by the French Ministry of Culture and Communication. It is comprised of two centers—one for higher education in circus arts and the other for resources, studies, and academic research.
The CNAC, which continues to garner international acclaim, has stayed true to its roots and is committed to protecting the fundamental spirit of the circus and its values, including rigor, self-control, teamwork, and respect for others.
Offering first-class training, the CNAC endeavors to be at the cutting edge of educational, artistic, and technical innovation in order to better serve students, researchers, circus professionals, and more broadly, the field of live performance.
David Soubies Circus artist (acrobat)
After training at the circus school of Chambery, he was an acrobat for several companies. The body language of Mad Birds and Peddlers, Giorgio Barberio Corsetti's dramaturgy, Mourad Merzouki's Hip-Hop, Vincent Gomez's aesthetic and Maestre Prethinio's encounter with Abadà capoeira, have made his acrobatics evolve towards acro-dance. Today, his exploration continues while being an author with Daraomaï company and a teacher at CNAC. |
|
Marlène Rubinell Giodiano
A gymnast by training, she left the competition to join the Rosny Circus School and then the CNAC Châlons-en-Champagne.
After graduation, with Marc Pareti, she rised on a vertiginous dangling trapeze act and created the AOC Collective with five other acrobats of the same year. On her gymnastic equipment, with a full range of her carnal identity, she cultivates the mad desire for a fluidity that unleashes the force into energy, linked herself to the other. Same for the acrobat, she discovers aerobatics banquine and masters the lifiting and trampoline technique. She collaborates with Cie Anomalie, Chloé Moglia, Pierrot Bidon / the circus studios of Marseille, Mathurin Bolze and participates in several short films directed by Delphine Lanson and Jambenoix Mollet. |
|
In 2013, she created Maalâm: in this solo trapeze and knives-throwing, she dismembers the feminine and the wound/ womb, enlarges the notion of confinement. In early 2016, she directed the graduating class of the school of scenic arts CODARTS-Rotterdam, and then performing the choreography of Vanavara, the show of the 28th CNAC promotion directed by Gaëtan Levêque.
Since then, she has been working with the students of the CNAC and the Circus School of Brussels.
Starting from May 2018, at the side of Julien Fournier, Ali Ben Lofti Thabet and Melissa Von Pepy, she is the interpreter of Talk Show, Gaël Santisteva’s “ conference-performance”.
She is currently working as the art directer of the next show of the AOC collective "on edges of self"( Des bords de soi), which will be released in November 2018.
※ Please see the official website (www.npac-weiwuying.org) for any updated terms and conditions.
Weiwuying reserves the right to change the terms and conditions of all the events.
Nov.12 (Mon.) - Nov.16 (Sat.) l 09:30 – 17:00（6 Hours per Day）Six days in total (30 hours), The participants should engage the entire course.
■ Registration
LINK: https://goo.gl/fhNbUp
★ Registration Process
Fill in the Form Online → Await Confirmation from Host → Receive Confirmation → Pay Registration Fee → Registration Successful.
★ Contact Lydia Chang at +886-2626816 / lydia.chang@npac-weiwuying.org with any additional questions.
■FEE
NT$ 7,200
■Qualifications
- ●20 participants In total
- ●Participants must be at least twenty-one years old; the workshop is designed for performers for disciplines and not restricted to circus artists. Actor or dancer who has a basic background regarding movements of physical bodies are especially welcome.
