\n\tFor details, please see Weiwuying Members Benefit\n\n',cautions:"
● Duration is 130 mins with 30 mins intermission.
\n● Latecomers must follow staff instructions for entry and re-entry.
\n● This performance will be recorded.
Let loose your imagination and explore the interplay of electronic music and sound art.
\nSit down. Stand up. Or lie on your back. Walk, run, or hop among the dozens of speakers. You get to decide how you want to enjoy electronic music. Cinema for Ears is a concert for all your senses. The two concerts are organized by Tout Pour la Musique Contemporaine, a Paris-based organization that promotes East-West exchange in music, and has toured in Paris, Bordeaux, and Tokyo. The two concerts include works by French electronic music master Christian Eloy, Japanese composer Mikako Mizuno, Chiao-Tung University electronic music professor Yu-Chung Tseng, and Lin-Ni Liao, Taiwanese composer in France as well as winner of 2018 Taiwan-France-Japan Electronic Music Composition Competition. Each event begins with a short talk and is followed by a post-concert discussion.
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About TPMC(Tout Pour la Musique Contemporaine)
\nSince 2010, TPMC (Tout Pour la Musique Contemporaine) has promoted 52 concerts and presented 181 works, from over 150 composers, with 67 musicians who have performed 35 world premiers and 42 French creations, all in the spirit of cultural exchange. TPMC offers an interdisciplinary and intercultural approach with diverse perspectives on the Far East and the West through the presentation of works complementary to the direction of the ensemble of programmed pieces as a whole (instrumental, acousmatic and mixed music, acoustic and electroacoustic, live electronic music). While the musical characteristics of each musician is so different, musical continuity as an integral element of a comprehensive narrative is manifested by stage lighting and the absence of an intermission or interruption in the chain of pieces, which are classically considered as autonomous entities. This choice leads to a perception of space and time which are generated from and by the music. The staging, lighting and set design introduce an additional dimension beyond that of a simple concert in the presentation of a contemporary music performance which offers as much to see as to hear.
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Sponsor
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