\n\tGirl's Notes: Duration is 40 minutes.
\n\tWith a 20-minute intermission.\n\t
The program will be filmed on November 12th. at 19:30
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
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TIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning Liederzyklus
\n\nIf life is like a river, is the chapter that follows each encounter serendipitous or inevitable?
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In classical music, the German term Liederzyklus refers to a series of songs that are designed to be performed in a sequence which forms a story. Based on this idea, Liederzyklus consists of three artists who initiate conversations with their musical instruments and their bodies. They reflect both the moment and the eternity of music and dance through addressing the delicate lights of lives. They are like members of a chamber music group who all begin performing at the same starting point and tempo but then improvise within a rehearsed construction and limited form.
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In the Liederzyklus project, begun in 2019, musicians respond to the movement and tempo of dancers' bodies and aim to understand their body language. In return, dancers need to be aware of music theory and sound structure as they respond to the way musical phrases develop. By rehearsing together regularly, musicians and dancers become familiar with one another and adapt, enlighten, contend and comply with each other as they perform. There is no longer a set relationship of dominance and submission between them; they constantly compete and jostle for position. When the rationale of music meets the sensibility of dance, the performers must listen to one another, mutually reacting to each other's breath. Every choice may appear random, but is nevertheless an inevitable development of an accumulation of a lifetime's experience which we all act upon at every moment of life. This is how Liederzyklus responds to the improvisation of life.
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The project is led by three artists: pianist LEE Shih-yang, multi-awarded winner of Taiwan's Golden Indie Music Awards, Golden Melody Awards (both for Popular Music, and for Traditional Arts and Music); violaist TAI Zih-ning who creates experimental improvisation music and music theater, and aims to break free from the inertia of musical instruments, timbre, and physicality; dancer TIEN Hsiao-tzu who continuously explores herself, responds to society through her work and attempts to portray the unique shape of new generation artists with dance as an art form. The three performers invite local artists to join them in the project when touring different venues in order to create a unique improvisation. This not only reflects the accidental nature of life, but also the witty deliberation of intelligence in the flowing image of Liederzyklus.
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SU Pin-wen Girl's Notes
\n\nGirl's Notes is a book with the sentence "A young girl's fantasy is nothing but a poem." on its cover. Even in the year of 2022, it's still interesting to read the book. "You need to know, there are many things that you shouldn't do while in love, such as kissing, touching, and sex, etc." "All males are conceited and arrogant. They hope that women will depend on them. Although you are a brilliant woman, you should pretend you are helpless." From contemporary feminists' points of view, SU Pin-wen created the production "Single-Body" based on Girl's Notes, with nudity instead of written words, inviting audience to join SU's in this alternative theatrical book review.
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Post-talk
\n\n2022/11/12(Sat) Playhouse Auditorium
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Creative and Production Team
\n\nTIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning Liederzyklus
\n\nArtists|TIEN Hsiao-tzu, LEE Shih-yang, TAI Zih-ning
\n\nGuest Dancer|KAO Hsin-yu
\n\nArtistic Concept|LIN Fang-yi
\n\nDance Advisor|CHEN Pin-hsiu
\n\nLighting Design|GOH Boon-ann
\n\nPhotographer|CHEN Chang-chih
\n\nProduction Manager|HUANG Pei-jie
\n\nInternational Affairs|WANG Yung-chieng
\n\nProduction|Katzenfänger Production
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Sponsor|National Culture and Arts Foundation (NCAF)
\n\nSpecial Thanks | PEGA Design & Engineering
\n\nCo-produced by National Kaohsiung Center for the Arts (Weiwuying), SIDance and Cloud Gate Theater
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SU Pin-wen Girl's Notes
\n\nArtist|SU Pin-wen
\n\nPiano|LIN Mai-ke
\n\nLighting Design|LIN Ping-hsin
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Photo © 陳長志
\n\nPhoto © HUANG Jyong-jhe
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Learn More
\n\n\n\n\n\n\n'},{title:"Artists Introduction",content:'
TIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning - Liederzyklus
\n\nTIEN Hsiao-tzu
\n\nBorn in Tainan in 1984, TIEN is a performer and teacher currently based in Taipei and works as. Her work is centred around the human body, and she constantly endeavours to accumulate and develop new possibilities of physical movement, with the aim to bridge different cultures and artistic fields via the body.
\n\nIn 2020, TIEN received the 18th Taishin Arts Award for Performing Arts for her joint creation with WANG Shih-wei, LI Tzi-mei, and Helmi FITA. In 2016 she was awarded a grant from the Ministry of Culture for a residency in Paris. Thereon, she has received grants from the National Culture and Arts Foundation, the Cloud Gate Foundation, and the Lo Man-fei Dance Scholarship for the development of her work as well as international exchanges. Her performances have been invited to events such as the CDC-Les Hivernales' On (y) Danse Aussi L’été!, Shenzhen Theatre Biennale, Busan Art Market, and Dance Bridge Festival. Since 2008, she has been publishing her work across many different platforms, both at home and abroad, including Mixed Program, Art Makers Project, Young Star New Vision in Performing Arts, We Island Dance Festival, Taipei Arts Festival, Next Choreography Project, Grasstraw Festival, and Chiayi New Style Choreography. More recently, she has reached out to a variety of art fields and created collaborations with visual, new media, and performance artists, while also serving as a performer and movement designer for a number of theatre productions.
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LEE Shih-yang
\n\nLEE was born in 1982. As a musician, he finds inspiration in improvisation. He has collaborated with artists from all across the creative spectrum, including painting, theatre, multimedia, and dance. He founded the band Ka Dao Yin, and together they have won multiple Golden Indie Music Awards as well as the Golden Melody Awards for Traditional Arts and Music. LEE has been invited to perform throughout the Americas, Europe, and Asia. In the past decade, he has been facilitating exchanges between improvised and experimental music in Taiwan, connecting nearly a hundred domestic and international musicians. He also curated New Talents of Taiwan and Malaysia, Primal CHAOS - Dance X Sounds Improvisation, and Trois Chapeaux. He co-founded the Taiwan International Improvised Music Festival, for which he serves as the music director.
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TAI Zih-ning
\n\nBorn in 1992, TAI explores the possibilities of sound in her creative process. Her keen sense of perception helps her improvise in her experimental music, while she also composes carefully constructed neo-music for theatre. She moves fluidly between the two disparate states of mind to find her creative balance. Through her creative process, TAI seeks to uncover unknown secrets of the universe and the cultural backgrounds of their evolution. TAI seeks a pure and direct conversation with space, the environment, and people, thus evoking the echo in the ears of the beholder.
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KAO Hsin-yu
\n\nKAO was born in Taiwan. He graduated from Taipei National University of the Arts. Currently, he is a part-time lecturer in Dance Faculty of National Taiwan University of Sports, Performing Arts of Shu-Te University and dance division of Tso-Ying senior high school, Kaohsiung. He was a full-time lecturer in Faculty of Music and Performing Arts of Burapha University in Thailand. A dancer with Compagnie Kafig in France, Dance Forum Taipei in Taiwan, a guest dancer with T.H.E. dance company in Singapore. He has choreographed for many dance programs at educational institutions in Taiwan. Also, has taught dance workshops in America, Cambodia, France, Netherlands, Turkey, Nepal, Singapore, Korea, Thailand and Taiwan etc…
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Studio Acht & Katzefänger Production
\n\nStudio Acht is a professional team of musicians, composers, artists, and art administrators. Through administrative coordination and resource integration, the team assists and guides artists to explore possibilities and capitalise on their professional excellence, strong creativity, and powerful performance energy in an often challenging field. The team scouts for outstanding Taiwanese talents, organises performances on behalf of the artists, and paves the way to the international stage through global networking and touring programs. The company's subsidiary, Taiwan Musicians & Artists Promotion, draws up comprehensive career plans and international development for young artists, integrating art management, commissioning, publishing, distribution, and collaborates with Studio Acht's production and exhibition programs to create a comprehensive music and art ecology. Katzefänger Production, in the meantime, is targetted at innovative production and helps artists to realise their visions.
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SU Pin-wen - Girl's Notes
\n\nSU Pin-wen
\n\nSU Pin-wen, feminism artist, dance(?), free will, 38 years old and single, a flexi-vegan and skoliosexual, often being mistaken for a biological male by SU's name. SU uses tactile sensation for training and regards dance as conceptual art, which serves more than just aesthetics. In 2018, SU launchedthe "SU Pin-wen's Feminism, a three-year project" and presented the independent work Girl's Notes series at the Taipei Fringe Festival. The artist believes that the audience are only interested in SU's nudity.
\n\nRecent important projects include 2018-2020 Girl's Notes series, A Radical Nipple photography Project, 2057: Rehearsing ways of living - Transgender Exercise, and the ongoing feminism reading sessions.
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LIN Mai-ke
\n\nBorn in Kaohsiung in 1990. He studied in the gifted music class of Kaohsiung Hsin Hsing Junior High School and Hsin Chuang Senior High School, graduated from National Kaohsiung Normal University with a degree in Music, and studied German lieder from Alexander Schmalcz in Germany. He was the rehearsal pianist in several well-known operas, such as Mozart's Don Giovanni, Cosi fan tutte, and Die Zauberflote, as well as Die Fledermaus by Strauss and The Telephone by Menotti. LIN was also a collaborative pianist with KSO Principal Trumpet, David Argenta, in 2018. He has played in several concerts, including Concert Salon of Pingtung Performing Arts Center from 2019 to 2022, Beethoven vs. Lehar and Arts Evolution Music Festival in 2020, Let's Opera by Weiwuying from 2020 to 2022, and performed with Yuan Pu,Soprano KUO Ching-hi, Tenor LIN Chien-chi,Baritone CHAO Fan-hao and Soprano CHENG Szu-yun in Fun Opera by NTT from 2021 to 2022.
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