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24 Hours TCHAIKOVSKY - 【Songs and Arias of TCHAIKOVSKY Lecture Concert】

►[Libretto] 24 Hours TCHAIKOVSKY-Songs and Arias of TCHAIKOVSKY Lecture Concert

 

Program Curator｜CHIAO Yuan-pu

TCHAIKOVSKY's vocal works and operas span his entire career and exhibit his extraordinary talent in both melody and literary capacity. This concert and songs chosen for the Selected Vocal Works series will together present some of his 103 vocal works, representing each of his song collections that have opus numbers and giving us a subtle, detailed look at how he handled this genre. In the realm of opera, the concert will focus on his late works, The Queen of Spades and Iolanta, showing his increasingly ingenious organizational technique and mastery of structure. We will talk about how the composer designed the settings for his vocal works, contemplated texts, composed works based on the work of famous Russian authors, and wrote his own poetry. To finish, we will shift our focus to his insight in composing for music-based theatrical works, including how he applied motivation and tonality to shape his characters. If you’re a classical music lover, come to learn about the tragedy, joy, and originality in TCHAIKOVSKY's vocal works.

 

  Time  

2025/2/22(Sat) 21:00-22:00

Duration is approximately 60 minutes.

Venue: Recital Hall

 

  Program  

"Не отходи от меня (Do Not Leave Me)," Op. 27, No. 3

"Страшная минута (The Fearful Minute)," Op. 28, No. 6

"Легенда (Legend)," Op. 54, No. 5

"На нивы желтые (On The Golden Cornfields)," Op. 57, No. 2

"Соловей (Nightingale)," Op. 60, No. 4

"Sérénade," Op. 65, No. 1

Ариозо короля Рене "Господь мой, если грешен я" из Иоланта, Op. 69

(King René's Aria "My Lord, If I am Sinful" from Iolanta)

Ариа Лизы "Уж полночь близится" из Пиковая дама, Op. 68

(Lisa's Aria "Midnight is Nearing" from The Queen of Spades)

Сцена и баллада Томского, из Пиковая дама, Op. 68

(Scene and Tomsky's Ballad, from The Queen of Spades)

 

  Performer(s)  

Program Curator & Speaker｜CHIAO Yuan-pu

Soprano｜Grace LIN

Baritone｜CHAO Fang-hao

Bass｜Julian LO

Piano｜HSU Chia-chi

 

  Team Introduction  

Program Curator & Speaker｜CHIAO Yuan-pu

CHIAO is a PhD of Musicology, King's College, London and an Edison Fellow of the Sound Archive, British Library. He is an author of 12 books, including The Colors between Black and White, Listening to Chopin, Road to the Classical Music, etc., and has been awarded Taiwan’s Golden Bell Awards (Best Non-Pop Music Radio Program) and Golden Melody Awards for Traditional Arts and Music (Best Album Producer).

 

Soprano｜Grace LIN

Grace LIN graduated from the Music Department at the National Taiwan Academy of Arts, and earned the Bachelor of Music degree and diploma of Distinction in Vocal Performance from the Royal Academy of Music.

After returning from studies abroad, LIN has been active in the fields of opera, oratorio, and art songs both domestically and internationally. Recent performances include Falstaff by VERDI at the National Taichung Theater, BACH's Mass in b minor, HANDEL's Messiah, the Soprano Grace Lin 2023 Recital, the opera Portent at Weiwuying and Taipei Performing Arts Center, Tannhäuser at the National Taichung Theater, MAHLER's Symphony No. 4 and Symphony No. 2, and Die lustige Witwe with National Symphony Orchestra.

In 2016, she was awarded as Distinguished Alumna of the National Taiwan University of Arts, while in 2022, she was elected as Associate of Royal Academy of Music. Together with writer CHIAO Yuan-pu and other musicians, she co-produced the CD and book Pushkin in Music and toured with themed concerts.

 

Baritone｜CHAO Fang-hao

Baritone CHAO Fang-hao holds the Konzertexamen from Germany's University of Music Franz Liszt Weimar. Currently, CHAO teaches music at National Taiwan Normal University and National Taipei University of Education. CHAO has performed in several opera lecture-concerts, and has extensive opera experiences.

In 2022, he participated in productions of National Taichung Theater in HUMPERDINCK's Hänsel und Gretel and MOZART's Die Zauberflöte. In 2023, CHAO took part in the hybrid contemporary opera Portent at the National Kaohsiung Center for the Arts (Weiwuying), L'elisir d'amore at the Kaohsiung Spring Arts Festival, Der Freischütz, co-prodcution of National Kaohsiung Center for the Arts (Weiwuying) and Taipei Symphony Orchestra, and Cendrillon in National Taichung Theater. In the first half of 2024, he participated in BEETHOVEN'S Fidelio- Opera in Concert in Weiwuying, Tosca in Kaohsiung Spring Arts Festival, Manon Lescaut produced by Weiwuying and La Bohème with Taipei Symphony Orchestra.

 

Bass｜Julian LO

Bass Julian LO was the First-Prize winner of Japan Performers Association's Operatic Aria Competition, and is active on stages both domestically and internationally. Renowned for his masterful vocal technique and vivid character portrayals, he was highly praised for his "deep velvety voice and strong presence on stage." He is proficient in performing in multiple languages, including Italian, French, German, Russian, Japanese, Chinese, and English, and has been offered more than 30 principal roles in many opera productions. He was invited to perform with orchestras such as National Symphony Orchestra (Taiwan) and Tokyo City Symphony Orchestra.

Currently a member of the Fujiwara Opera Company in Japan and a faculty member at Soochow University in Taiwan, LO is highly regarded and beloved by music enthusiasts. His published works include the Russian art song album Enchanted by Rachmaninoff and participation in the production of the CD and book Pushkin in Music, produced by Golden Melody Award-winning producer CHIAO Yuan-pu.

 

Piano｜HSU Chia-chi

HSU Chia-chi has frequented the concert stage since 2000. Through her nuanced interpretation and masterful command of music, HSU collaborates closely with artists and production teams as a vocal coach. Her contributions encompass productions such as ROSSINI's Il barbiere di Siviglia, WAGNER's Tannhäuser, MOZART's Die Zauberflöte, MASSENET's Cendrillon, VERDI's Falstaff, LEHÁR's Das Land des Lächelns at the National Taichung Theater; BIZET's Carmen; PUCCINI's La Bohème, Madama Butterfly, Tosca; DONIZETTI's L'elisir d’amore at the Kaohsiung Spring Festival; and BRITTEN's The Turn of the Screw at BenFang Festival.

HSU received Bachelor's and Master's degrees in Piano Performance from Peabody Institute of Johns Hopkins University. Currently, she is an Adjunct Associate Professor at National Taiwan Normal University and Shih-chien University.

 

 

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