\n 如何參與 WOW | WOW故事
\n\nWOW世界女性藝術節
\n\nWOW 是 WOMEN OF THE WORLD 「世界的女性」的縮寫,由曾任英國南岸藝術中心藝術總監多年的裘德.凱莉(Jude KELLY)創辦,自2010年起,在全球六大洲30多個城市,鼓勵並提升女性的社會地位,累積超過3百萬名參與者。
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WOW高雄
\n\n2021年,衛武營首次將WOW世界女性藝術節引進臺灣,串連藝文、學術、社群、教育、企業、非營利組織等領域,收集各年齡層、不同背景的在地民眾聲音,整合出以 #連結對話 、#換位同理 、#歡慶共創 為核心精神的「WOW高雄2021世界女性藝術節」,內容包括講座、參與式演出、對談、身體工作坊及放映櫥窗等超過數十場精彩活動與節目,希望在聆聽、分享與重新學習的過程中,共同探討實踐平權的方向。期許以藝術節來讓每一位女人、女孩更有力量,營造性別友善的世界。
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「只要您是一位女性,或者認識至少一位女性,就不該錯過這場為您舉辦的藝術節!」—— 裘德.凱莉
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\n►WOW核心精神大圖下載
WOW高雄 | WOW節目總表
\n 如何參與 WOW | WOW故事
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WOW高雄 | WOW節目總表
\n 如何參與 WOW | WOW故事
如何參與WOW
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WOW高雄 | WOW節目總表
\n 如何參與 WOW | WOW故事
「共想」而生的WOW高雄
\n\nWOW共想工作坊(Think Ins)是全球每一個WOW的關鍵,我們透過創造一個安全、包容的對話空間,讓參與者主導對話,集結來自不同背景、職業和社會經驗的人們交流分享,來找到以性別為出發點的共同議題。
\n\n「WOW高雄共想工作坊」是藝術節的起點,三月起我們舉辦了3場線下、2場線上的共想工作坊,廣邀不同職業、學歷、年齡及性別的多元社群,一起腦力激盪、暢所欲言,同時,我們與旗山圓富國中及旗津家扶中心合作,主題涵蓋了青少年對性別框架的日常觀察、新住民姊妹和旗津在地身兼母職及經濟支柱的基層婦女們的生活景況與挑戰。在共想工作坊裡,參與者透過分享自身的經驗與觀點,共同堆疊出臺灣社會中角色與性別關係的現況,更形塑了將於11/5-11/14舉辦的「WOW高雄2021世界女性藝術節」的樣貌。
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關於WOW基金會
\n\nWOW基金會(The WOW Foundation)由曾獲頒英國司令勳章的裘德.凱莉(Jude Kelly)所創辦,她相信性別平等的理想世界不僅能夠予以實踐,同時也是現今社會迫切所需。透過舉辦藝術節、相關活動與創辦人裘德.凱莉的WOW Podcast節目,WOW以全球性的運動讚揚女性成就、正視女性所面臨的阻礙,並探討改變的解決方案。WOW世界女性藝術節致力於展現女性成就、提倡性別平等,是全球同領域最盛大、最全面、也最具影響力的盛事。
\n\nWOW世界女性藝術節始於2010年,由凱莉於英國倫敦南岸藝術中心擔任藝術總監期間所創辦。她於2018年辭去南岸藝術中心的職務後,更全心投入經營當時位於英國且規模不大的WOW基金會,並致力於推動提升女權的活動。
\n\nWOW的足跡至今已遍布全球六大洲17個國家、擁有超過300萬名參與者,涵蓋臺灣、澳洲、巴西、中國、埃及、芬蘭、印度、尼泊爾、奈及利亞、巴基斯坦、斯里蘭卡、索馬利蘭、土耳其等地,以及英國與美國的多個城市。2020年6月,WOW首次以線上方式舉辦「WOW全球24世界女性藝術節」(WOW Global 24),串聯英國、奈及利亞、巴基斯坦及澳洲等世界各地的國家,共同探討新冠肺炎對性別不平等所造成的間接影響,並響應美國「黑人的命也是命」(Black Lives Matter)的反種族歧視運動。
\n\n過去十年間,WOW世界女性藝術節已建立起自身的知名度,成為了全球著名藝術家、社運人士、思想家和表演者都會共襄盛舉的盛事,而成千上萬在各自的舞台上發光發熱的女性,也在此齊聚一堂。知名講者包括:安吉拉.戴維斯、馬拉拉.優薩福扎伊、安妮.藍妮克絲、康沃爾公爵夫人(卡蜜拉殿下)、派崔克.史都華、多琳.勞倫斯男爵夫人、斯維拉娜.亞歷塞維奇、蒙羅.貝姬多芙、茱莉亞.吉拉德,以及軒杜.伊芭謙、莉莉.艾倫和莎瑪.海耶克。此外,WOW藝術節也催化許多新興運動、網絡與組織的誕生,包含珊蒂.托克斯維克與凱薩琳.梅耶於2015年所成立的女性平權黨(Women’s Equality Party)。
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製作團隊
\n\n【WOW 高雄 2021 世界女性藝術節】工作小組
\n\n監製|黃國威
\n\n製作|朱逸群
\n\n協同製作|蔣昕
\n\n專案統籌|吳文基、陳怡靜、李奕萱
\n\n專案執行|徐珮瑜、盧耕如
\n\n行政協力|裘娃・伊斯巴里達夫、銀得貿
\n\n行銷宣傳|藍鴻苓、崔雅婷
\n\n視覺設計|顏銘毅
\n\n技術統籌|許志偉
\n\n執行舞監|劉晏綺
\n\n\n',tabs:[{programs:[{from:"programs",key:"615462b887c8d30008b19f52",title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量",data:{_id:"615462b887c8d30008b19f52",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636186200,discrete:[{time:1636186200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'
主持人
\n\n范琪斐|資深媒體人
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資深媒體人,曾擔任駐美特派記者二十餘年,3年前回到臺灣定居,於2018年開設《范琪斐的寰宇漫遊》節目,以清晰有條理的論述領觀眾認識國際時事議題;2019年製作《范琪斐的TODAY看世界》,以新型態網路媒體平台擔任國際新聞短評主持人; 2021年開始經營網路節目《斐姨所思》與Podcast《說故事的人》,樂於觀察社會脈動,串連起更多深度的交流對話。
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講者
\n\n小紅帽 Little Red Hood創辦人|林薇
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林薇Vivi,小紅帽 Little Red Hood(社團法人全球小紅帽協會)創辦人、作家、講師,曾獲得黛安娜人道主義獎、性別兒童與人權關懷類十大傑出青年。長期關注並深耕性別、人權、多元族群、貧窮、教育等議題,是倡議工作者,也是行動派一線工作者。因為相信每個人都值得被自己與他人好好對待,並擁有用真實的自己,自在生活的權利,所以持續在多元的領域裡,用溫柔的靈魂,堅毅的態度,和不怕死的勇氣,尋找讓世界變得更好一點點的可能性。
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\n崔媽媽基金會居住扶助部主任|馮麗芳
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投身崔媽媽基金會已23年,靠著一股雞婆和熱情的精神,服務弱勢居住扶助個案、租屋糾紛調處及法律諮詢,背負著滿身「家」的故事。經常至大專院校擔任居住議題講座講師,也曾主編相關手冊,近年來擔任社工與弱勢居服相關課程講師,亦受邀至Podcast、於媒體採訪中分享第一線社工的租屋實況觀察。
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珍珠家園資深工作人員|趙歆怡
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新加坡人,20年前因為五月天愛上臺灣。2009年開始在珍珠家園婦女中心工作,關心萬華的茶室工作者、性工作者、獨居老人和弱勢婦女。珍珠家園提供一個安全、溫暖的環境,希望婦女可以因著上帝的愛,做回自己,生命有所改變。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc20af4c5fe5d0fb97596844ebb3addf",title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量",cover:"694f65d1cb8f833583800aa7886e761b",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
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五月疫情爆發初期,萬華茶室成為眾矢之的;隨著疫情升溫、工作停擺,弱勢家戶的日常開始困境……。在這些動盪不安的時刻,致力關懷萬華地區茶室、性產業工作者的「珍珠家園」、為弱勢家戶租屋困境伸張正義的「崔媽媽基金會」、關注月經平權與致力彌平月經貧窮的「小紅帽」紛紛投入行動,成為動盪社會中的堅定力量。
\n\n「疫情底下的女性力量」邀請資深媒體人范琪斐,與三位非營利組織工作者—林薇、趙歆怡、馮麗芳,一同分享在疫情之下各組織關懷的對象所面臨的處境,與組織在疫情之下的行動,一同聊聊身為女性一線工作者的心路歷程。
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nFAN Chi-fei|Senior Media Professional
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A senior media professional, FAN worked as a special correspondent in the US for over 20 years and returned to Taiwan three years ago. In 2018, FAN began the program Fan Chi-fei's Global News, through which FAN unravels international affairs with clear, logical discourse. In 2019, FAN produced Fan Chi-fei's Line TODAY , with FAN as the short commentary show host for international news in the form of new internet media. In 2021, FAN started organizing the internet program Auntie Fan's World News Tonight and Podcast Our Stories. FAN is interested in observing social dynamics and connecting and inspiring deep conversations and exchanges.
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Speakers
\n\nVivi LIN|Founder of Little Red Hood
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The founder of Little Red Hood, Vivi is also an author, lecturer, and recipient of the Diana Award and Ten Outstanding Young Persons award in the category of gender, children, and humanistic concerns. Vivi is a campaigner and frontline activist who has long been devoted to issues including gender, human rights, ethnic diversity, poverty, and education. Rooted in her belief that everyone deserves to the treated fairly by themselves and others, live authentically, and the right to live in freedom, Vivi continues to work on issues regarding inclusivity with her gentle resilience and courage so that the world might become a better place.
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FENG Li-fang |Director of Residential Support, TSUEI MA MA Foundation for Housing and Community Servicest
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FENG has worked at Tsuei Ma Ma Foundation for Housing and Community Services for 23 years, supporting those who are disadvantaged in terms of residential rights, assisting in mediating disputes in housing rental, and providing legal consultation with deep enthusiasm and concern for "other people's business." Over the years, FENG has collected many tales about "homes" and frequently lecturers on housing issues at universities. FENG has also worked as an editor-in-chief for brochures on related topics. Throughout recent years, she has worked as a social worker and lecturer on housing services for the disadvantaged, and has been invited to share her observations as a frontline worker in house rental in Podcasts and media interviews.
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TEO Sin Ee|Pearl Family Garden Community Coordinator
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2009, TEO started working at Pearl Family Garden, caring for teahouse workers, sex workers, solitary elderly, and disadvantaged women in Wanhua. Pearl Family Garden provides a safe, caring environment with hopes that women can return to their authentic selves and change their lives through the love of God.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc20af4c5fe5d0fb97596844ebb3addf",title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Woman Power During Pandemic",cover:"694f65d1cb8f833583800aa7886e761b",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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When Taiwan's biggest Covid outbreak started in May, tea parlors in Wanhua became a target of public criticism. As the outbreak intensified and work was halted, disadvantaged employees of these tea parlors began finding it hard to make ends meet. During these turbulent times, certain groups took action to provide help and serve as a steady social force, as exemplified by assistance to tea parlors and sex workers given by Pearl Family Garden, the extension of a hand of justice to disadvantaged families in need of rent money by the Tsuei Ma Ma Foundation, and the effort to ensure menstrual hygiene rights and alleviate period poverty by Little Red Hood.
\n\nFor Woman Power During Covid, longstanding media personality FAN Chi-fei and three NGO workers –Vivi LIN, TEO Sin Ee, and FENG Li-fang – will share about the plights faced by people they have helped, how their organizations have taken action during the pandemic, and the psychological journey they have traveled as female frontline workers.
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Qualification
\n\n【WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632920248,updatedAt:1653046209,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"6154687d87c8d30008b1a06e",title:"【WOW高雄2021世界女性藝術節】對談時光—她們藝力不搖",data:{_id:"6154687d87c8d30008b1a06e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636198200,discrete:[{time:1636198200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:' 主持人
\n魏琬容|OISTAT國際劇場組織執行長、舞評人
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OISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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講者
\n\n王海玲| 國家文藝獎得主、臺灣豫劇演員
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國家文藝獎、教育部薪傳獎、亞洲傑出藝術家、傳藝金曲獎得主。
\n\n八歲習藝,投入戲曲藝術六十年,為臺灣戲曲代表性人物之一。
\n\n現為臺灣豫劇團、奇巧劇團藝術總監;高雄師範大學、中山大學、高雄大學兼任副教授。
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\n羅珮嘉|台灣國際女性影展策展人
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倫敦大學birkbeck分校電影史與視覺藝術碩士,加州州立大學Northridge分校廣電系學士。曾任公共電視節目執行及社區大學電影及性別學程講師,2012年起擔任女性影展策展人迄今。文章散見LEZ、Openbook、Giloo紀實影音等各處。
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蘇品文|女性主義藝術家
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女性主義藝術家,看名字常被誤認為男的。以身體為創作媒材,獨立藝術、舞蹈(?)、三十八歲單身女人、素食者、Skoliosexual;從哲學背景到舞蹈創作,將舞蹈視為觀念藝術,不能只為美學服務。他有兩個完全獨立的藝術路線:蘇品文女性主義三年計畫以性別、女性主義與Nudity為藝術形式,於臺北藝穗節發表《少女須知》系列作品。嘉義縣看嘸舞蹈劇場現任藝術總監與主要管理者。每週往返於臺北、嘉義之間邁向第九年—— 身體在哪裡,當代舞蹈就在哪。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc2b9661319252cdd25a2b792e3a0e70",title:"【WOW高雄2021世界女性藝術節】對談時光—她們藝力不搖"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 她們藝力不搖",cover:"97450482259f27c31aa9fb48800a7390",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
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邀請豫劇皇后王海玲、台灣國際女性影展策展人羅珮嘉,與看嘸舞蹈劇場藝術總監蘇品文三位不同領域的女性藝術工作者,展開一場關於性別的跨界、跨域對談。從她們不同世代的性別經驗,分享以女性視角與姿態對女性處境的觀察,以及從表演、影像與舞蹈各展其長,將性別議題轉化為感性的藝術作品,以「藝」力推動性別平等的實踐經驗。
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nWEI Wan-jung|Executive Director of OISTAT、Dance Critic
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Wan-Jung Wei is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
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Speakers
\n\nWANG Hai-ling|Winner of National Award for Arts, Taiwan Bangzi Opera Actress
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Recipient of the National Award for Arts, Ministry of Education National Folk Art Heritage Award, the Outstanding Asian Artist Award, and the Golden Melody Awards for Traditional Arts and Music.
\n\nWANG started learning art at the age of eight and has devoted 60 years in traditional opera; she is an iconic figure in the field of traditional Taiwanese opera.
\n\nWANG is currently the artistic director of Taiwan Bangzi Opera Company and ChiChiao Musical Theatre, and an adjunct associate professor of National Kaohsiung Normal University, National Sun Yat-sen University, and National University of Kaohsiung.
\n\n\n\n
Peicha LO |Curator of Women Make Waves Film Festival
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LO has a master's degree in History of Film and Visual Media from Birkbeck University of London, and a bachelor's degree in radio and television from California State University, Northridge . LO was a program executive for Public Television Service and lectured for film and gender studies in community college. LO has worked as a curator for Women Make Waves Film Festival since 2012, and her writings are seen in LEZ, Openbook, Giloo, and others.
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SU Pin-wen|Feminism Artist
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A feminism artist whose name often leads to being mistaken for a man, Pin-Wen uses the body as a medium of creation. An independent artist, dancer (?), 38-year-old single woman, vegetarian, and skoliosexual – from philosophical background to choreography, Pin-Wen sees dance as a conceptual art, rather than merely an aesthetic object to work for. Pin-Wen's artistic axes differ in two completely independent ways: Su Pin-Wen's Feminism, a three-year project employs Gender and Feminism issues, and uses Nudity as an art form; yet presented the "Girl's Notes"series in the Taipei Fringe Festival. Currently, Pin-Wen works as the artistic director and primary manager of Chiayi Kua Bo Dance Theatre. This marks the ninth year of weekly commutes between Taipei and Chiayi – wherever the body is, that is where contemporary dance is.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc2b9661319252cdd25a2b792e3a0e70",title:"【WOW高雄2021世界女性藝術節】對談時光—她們藝力不搖"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Female Artists Who Stand Their Ground",cover:"97450482259f27c31aa9fb48800a7390",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
"Queen of Henan opera" WANG Hai-ling, Women Make Waves Film Festival Curator Peicha LO, and KuaBo Dance Theatre Artistic Director SU Pin-wen will come together from three areas of art in holding a dialogue on gender discourse. Based on their differing gender experiences that have come about by being part of separate generations, they will share their observations of the plight of women from a female perspective and stance and turn gender issues into emotional pieces of art in their respective areas of expertise (performance, film, and dance), promoting gender equality through the power of art.
\n\n\n\n
Qualifications
\n\n【 WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632921725,updatedAt:1653908333,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"615479fe87c8d30008b1a3f0",title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩",data:{_id:"615479fe87c8d30008b1a3f0",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636204200,discrete:[{time:1636204200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'舞炯恩・ 加以法利得 Utjung TJAKIVALID|音樂製作人、演員
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臺灣原住民排灣族創作歌手、演員、音樂創作人及編曲師。曾於選秀節目《超級接班人》擔任編曲製作。舞炯恩創作之《擁抱世界擁抱你》,透過I-WANT星勢力演唱,並獲得2017年夏季世界大學運動會主題曲冠軍,打響知名度。同年所主演之電影《阿莉芙》替跨性別族群發聲,以強大的個人魅力展示了可男可女、顛龍倒鳳的魅力,更榮獲台北電影節最佳新演員獎。
\n'}],onShelf:!0,sliders:[{type:"image",key:"d5094ab3f9a18dabdfc7aee8db48607d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩",cover:"86488206861a4c8c8f25e62c4a7d6837",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'\n\n
關於女性藝術節,我有話要說!你說我唱,與舞炯恩共同創作一首歌。
\n「人的生命有很多不同的可能,在這個年頭如果只有男和女就太落伍了。」排灣族創作歌手舞炯恩這麼說。擅長結合排灣族傳統歌曲元素與當代流行電音,他的創作歌曲曾獲選為2017年夏季世界大學運動會主題曲冠軍,也曾在所主演之臺灣電影——《阿莉芙》中替跨性別族群發聲,希望透過作品淺移默化地影響社會對的刻板印象。
\n今年WOW高雄邀請到魅力四射的舞炯恩,為我們製作一首與觀眾共創的原創歌曲,只要是關於你對「性別議題」的看法,都歡迎投稿成為原創歌曲的一部分!
\n你有想說卻說不出口的話嗎?你有必須和更多人分享的話嗎?讓舞炯恩為你唱出來!
\n\n
如何投稿|我也要作曲
\n10/2(六)21:00 於「衛武營官方IG」與「舞炯恩官方IG」準時募集,限時24小時!
\n在投稿時段於官方IG限時動態留言,分享關於你/妳的「日常性別經驗」
\n#來點投稿靈感 #我有話要說
\n「我是棉花糖女孩,與你何干?」「誰說不能輕易流下男兒淚?!」「大齡女子的後青春,40歲才要開始!」
備註:歌曲創作素材除了IG限時募集,也將取材自2021年3月與7月所舉辦的5場WOW共想工作坊。
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
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溫馨提醒
\n\n\n\n\n\n
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Utjung TJALIVALID|Music Producer, Actor
\n\n\n\t\t |
Paiwan singer-songwriter, actor, musician, and music arranger. Utjung Tjakivalid was the arranger and producer for talent show Next Generations. Utjung Tjakivalid became a household name when his work Embrace The World With You was performed by I-WANT Star Power and received first prize as the theme song for 2017 Summer Universiade. Also in 2017, Utjung Tjakivalid's portrayal in film Alifu, the Prince/ssbecame a voice of the transgender community, and his charisma and masterful depiction of both male and female roles won him Best New Talent at the Taipei Film Festival.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d5094ab3f9a18dabdfc7aee8db48607d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Let Me Hear You Say WOW feat. Utjung TJAKIVALID",cover:"86488206861a4c8c8f25e62c4a7d6837",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
\n\n
We've got something to say about the Women of the World Festival! During You Talk, I Sing, let's make a song with Paiwan singer Utjung TJAKIVALID.
\n\n"There are a lot of possibilities in life, and you're just behind the times if you still think it's all about only men and women," says TJAKIVALID, who incorporates traditional Paiwan music into electronic music. One of his songs was chosen as the 2017 Universiade theme song, and he played the main role in Alifu, the Prince/ss, a film that spoke up for transgender people. Through his work, he looks to subtly influence the stereotypes society holds of transgender people.
\n\nThe magnetic TJAKIVALID will be at the Women of the World Festival to create an original song with participants: All you have to do is submit your thoughts in writing on what you think about gender issues, and some of them might be selected as part of the lyrics! Is there something you would like to say but have been unable to? Is there something you just need to tell more people? Let TJAKIVALID sing it out for you!
\n\n\n\n
Qulification
\n\n【WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member.
\n\n\n\n
Reminder
\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632926206,updatedAt:1635656567,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"61547ddf103d910007ffec5e",title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員",data:{_id:"61547ddf103d910007ffec5e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636272600,discrete:[{time:1636272600}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n戚海倫|亞洲體育記者聯盟執行委員、專欄作家及自由媒體工作者
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從事體育新聞採訪或相關工作超過20年,2017年曾擔任臺北世大運主新聞中心(MPC)副主任。現任亞洲體育記者聯盟唯一女性執行委員,在體記協會支持下,發起籌辦《亞洲女性在體壇》刊物。目前擔任News98新聞台新聞編播及節目主持人。
\n\n\n\n
講者
\n\n劉柏君|棒球裁判、作家、社團法人台灣運動好事協會創辦人兼執行長及台灣女子運動體育協會理事長
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照片出處:三采文化
\n\n臺灣首位女性國際棒球裁判,也是首位在臺灣全國性賽事執法的女性主審,長期以來積極推動臺灣女子棒球。2018年時獲得富比士體壇最具影響力女性第19名、2019年獲得國際奧會女性與運動獎世界獎座、2020年獲臺北市推動運動性別平等獎。
\n\n2020年成立社團法人台灣運動好事協會擔任執行長,以及台灣女子運動體育協會擔任理事長,致力推動弱勢運動培力、體育領域中的性別平等。
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王湘惠|臺灣女子足球員職業工會理事長
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\n\n
王湘惠,臺灣女子足球運動員,花蓮縣光復鄉阿美族人,為現今臺灣女子足球代表隊隊長及中場主將。曾效力日本撫子聯賽廣島紫天使及中國超級聯賽北京北控鳳凰等隊,目前效力於臺灣木蘭聯賽花蓮隊。
\n\n2019年回臺後開始創辦王湘惠公益足球教室,並且投入偏鄉行動,致力推廣足球運動不遺餘力。2020年成立臺灣女子足球員職業工會,為臺灣運動史上首度由女性所組成的工會團體。
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江貞億|「Fair Game!TAIWAN!體育改革聯會」成員、「VolleyCube 翻轉排球」創立成員
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因對於臺灣體育的熱愛,她曾創立 VolleyCube 翻轉排球社群平台;也曾跟著國家隊南征北討,見證了《夢想的角落》紀錄片誕生;甚至成立體育改革聯會,親眼見證、參與了臺灣第一次的體育改革。「雖然仍有許多未竟之路,但至少,臺灣體育仍在緩緩前進中。」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"dd0fc5db7c45cce3013aac41d3a61f8d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員",cover:"92b3aca3473041f50ca1233773e6a91a",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
\n\n
體壇中有哪些超「女」力!?
\n\n\n\n
「沒有極限:走出線外的運動員」邀請體壇中不同領域的女性,分享她們如何在各自的專業中,破除那條不可見的性別界線。而在體壇中擁有多元樣貌的她們,對於持續奮鬥的公共議題,一路走來的過程中又曾遇到什麼挑戰?
\n\n
\n本屆WOW藝術節邀請來自不同領域的體育專家—戚海倫、劉柏君、王湘惠及江貞億,透過第一線體育好手的性別經驗,以及來自體育平台的女性權利發聲者,一起聊聊是什麼限制了人們對運動場上女性的想像,開啟大眾共同討論運動界女性發展的不同可能性。
\n\n
報名資格
\n\n【 WOW PASS 專屬活動】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
\n\n\n\n
溫馨提醒
\n\n\n\n\n\n
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nHelen CHI|EC Member of AIPS Asia, Sports Journalist, Freelancer, Sports Journalist
\n\n\n\t\t |
CHI has worked as a sports reporter and in related fields for over 20 years and was appointed the deputy director for the Taipei Universiade Main Press Center (MPC) in 2017. CHI is currently the only female executive member of International Sports Press Association Asia and initiated Asian Women in Sports through the support of the Sports Press Association. CHI is the news editor and broadcaster and show host of news channel News98 .
\n\n\n\n
Speakers
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Sophiyah Liu|Taiwan Sport Forward Association / Founder and Secretary-general ; Taiwan Women Sports Association / Chairwoman
\n\n\n\n
\n\t\t |
Photo©:Suncolor
\n\nNot only is LIU the first female umpire for international baseball but she is also the first female head umpire at Taiwan national competitions. LIU has long been dedicated to promoting Taiwan women's baseball. In 2018, LIU ranked 19th in "The Most Powerful Women in International Sports” by Forbes and received the International Olympic Committee Women and Sport Awards in 2019, as well as the Taipei City Sports Gender Equality Award in 2020.
\n\nIn 2020, LIU established the Taiwan Sport Forward Association and became its CEO, as well as the president of Taiwan Women's Sport Association. LIU devotes her efforts to empowering the disadvantaged and gender equality in the field of sports.
\n\n\n\n
Panay|President of Taipei Women's Football Player Union
\n\n\n\t\t |
\n\n
Panay, Taiwanese female football player, from the Amis tribe in Guangfu Township, Hualien County, is the captain and midfielder of the current Taiwanese Women's Football Team. She has played for Ange Violet Hiroshima in the Japanese Nadeshiko League and Beijing BG Phoenix F.C. in the Chinese Super League, and currently plays for the Hualien team in the Taiwan Mulan Football League.
\n\nAfter returning to Taiwan in 2019, she has founded the Panay's Charitable Football Classroom, and devoted herself to rural activities, and spared no effort to promote football. In 2020, the Taiwan Women's Football Players Association was established, which is the first women's union in the history of sports in Taiwan.
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CHIANG Chen-i|Member of Fair Game! TAIWAN!, Founding Member of VolleyCube
\n\n\n\t\t |
Fueled by her love for Taiwan sports, CHIANG established social media platform VolleyCube and followed national sports teams in their travels, and witnessed the birth of documentary Corner of the Dream. CHIANG even founded Fair Game! TAIWAN!, witnessing and participating in Taiwan's first sports reform. "Although there are still unfinished missions, at least Taiwan sports is slowly moving forward."
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"dd0fc5db7c45cce3013aac41d3a61f8d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – No Limits: Athletes Who Go Out of Bounds",cover:"92b3aca3473041f50ca1233773e6a91a",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
\n\n
Know any feminist freedom fighters in sports?
\n\n\n\n
Women from different areas of the sporting world have been invited to No Limits: Athletes Who Go Out of Bounds to share about how they step past that invisible gender boundary and about challenges they have encountered while fighting on social issues.
\n\n\n\n
Based on their gender experiences on the front lines of their fields, sports experts and women's rights advocates Helen CHI, Sophiyah LIU, Panay and CHIANG Chen-yi will talk about what limits people's ideas on women in sports to get the public discussing the possibilities for women's development in the realm of sports.
\n\n\n\n
Qulification
\n\n【WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member.
\n\n\n\n
Reminder
\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632927199,updatedAt:1635564201,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614ea014103d910007ff0f85",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!",data:{_id:"614ea014103d910007ff0f85",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636371e3,discrete:[{time:1636371e3}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n李玉華|還我特色公園行動聯盟 (特公盟) 創始理事
\n\n\n\t\t |
臺灣童年與遊戲讀書會總召,性別自學研究社群版主。遊戲權倡議者,踏查全球兒少友善公共空間,看圖、宣講、翻譯、書寫,接受過 BBC 和加國 TVO 訪問,受邀在兒童友善城市歐洲聯盟分享臺灣經驗。
\n\n\n\n
講者
\n\n尤美女|人權律師、前立法委員
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尤美女,人權律師,從事婦女運動30年,對於國內婦女地位的提升不遺餘力。俟於2012-2020年擔任民進黨不分區立委,於任內推動同志婚姻合法化,於2019年使臺灣成為亞洲第一個同志婚姻合法化的國家。因其長期捍衛人權、推動性別平權而於2020年獲頒法國國家功勳騎士勳位勳章。
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盧碧春|臺灣彩劵經銷商、身障桌球國手
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幼年因罹患小兒麻痺不良於行,後隨父母舉家遠赴印尼。17歲返臺半工半讀完成高中學業後從事婚紗製造業。24歲時與先生結縭一起經營玉石工廠及銷售。目前是臺灣彩劵經銷商。42歲時在家人的鼓勵與支持下開始學習桌球,雖然遇到很多困難和運動傷害,但以堅毅的精神與持之以恆的練習,才有目前些許的成績!
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\n許荏涵|攀樹師
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許荏涵是臺灣首位拿到國際認證攀樹師證照的女性,在獲得臺灣攀樹比賽女子組冠軍後,更代表臺灣到美國參與國際賽事。荏涵說:「從來沒有想過怕高、怕黑,甚至怕死的我,有一天會成為攀樹師,當穿上屬於自己國家國旗的賽服時,仍覺得很夢幻。」這條路不僅讓她學會並運用攀樹技術、克服怕高的恐懼,更認識了一群志同道合的朋友,發自內心渴望能在樹上創造更多可能性。
\n'}],onShelf:!0,sliders:[{type:"image",key:"9ac8936c12c28d843dcea9d28a338a97",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!",cover:"b3575628dacdfc80473a17bce591781e",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'\n\n
妳有什麼想做、卻不能做,敢夢、卻不敢行動的事?
\n\n「女孩,你當然能OO!」鼓勵女性勇敢突破社會期待,走出屬於自己的路。主持人李玉華倡議不一樣的家庭教育—讓女孩勇敢冒險、嘗試受傷,她將與三位女性跨界對談—尤美女畢生推動法律朝向性別平權與人權改革;盧碧春42歲甫走入桌球世界,如今代表臺灣參與帕運;許荏涵於26歲成為臺灣首位獲國際證照的女性攀樹師,她們將分享自身經驗,聊聊如何從自身位置支持女性、創造更加友善的社會。
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溫馨提醒
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閱讀更多
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\n\nChristine LEE|Founding Board Member, Taiwan Parks & Playgrounds for Children by Children
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A play activist for child-friendly environments, as well a convenor of 'Childhoods & Play in Taiwan' and 'Gender Studies'
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Speakers
\n\nYU Mei-nu|Human Rights Lawyer, Former Legislator
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YU Mei-nu is a human rights lawyer who has been devoted to women's movements for 30 years. She is dedicated to promoting the position of women in Taiwan and served as a legislator of the Democratic Progressive Party between 2012 and 2020. During her post, YU strived for the legalization of same-sex marriage, and in 2019, Taiwan became the first country in Asia to legalize same-sex marriage. YU received the National Order of Merit with the rank of knight by the government of France in 2020 for her long devotion to human rights and her work in promoting gender equality.
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LU Pi-chun|Taiwan Lottery Dealer, National Athlete of Disability Table Tennis
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LU suffered polio from a young age and moved to Indonesia with her parents. At the age of 17, LU managed to finish her senior high school studies while working part-time in wedding dress manufacturing. LU married her husband when she was 24 and worked in the production and sales of jade and stones. LU is currently a Taiwan Lottery dealer. With the encouragement and support from her family, LU started practicing table tennis when she was 42, and despite numerous difficulties and injuries, LU persisted and became the accomplished woman she is today.
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\nHSU Ren-han|Certified Tree Worker Climber Specialist
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HSU is the first woman in Taiwan to receive the international certificate for tree climbing. After winning first prize at the women's category of Taiwan Tree Climbing Championship, HSU went on to represent Taiwan in participating in international competitions held in the US. Ren-han states: "I never thought that someone like me, who is afraid of heights, afraid of the dark, and has a fear for death, will one day become a Certified Tree Worker Climber Specialist. Putting on the competition costume with our nation's flag is still a surreal experience." HSU’s experience has not only taught her the skills of tree climbing and allowed her to overcome her fear of heights, but it has also allowed her to becomes friends with a group of like-minded people. HSU genuinely hopes to create more possibilities on treetops.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"9ac8936c12c28d843dcea9d28a338a97",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – You Go, Girls!",cover:"b3575628dacdfc80473a17bce591781e",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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Is there anything you want to do but haven't had the guts to, or any dreams you have but don't dare to take action on?
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\nYou Go, Girl! will encourage women to break free from the shackles of social expectation and live out their lives as they wish. Moderator Lee Yu-hua advocates a different kind of education at home in which girls are encouraged to take chances and risk getting hurt. She will speak with three women of different professions: YOU Mei-nu, who has spent her whole life promoting law-based gender equality and human rights reform; LU Pi-chun, who entered the world of table tennis at the age of 42 and has represented Taiwan at the Paralympics; and HSU Ren-han, who, at the age of 26, became Taiwan's first woman to obtain an international license as a tree-climbing instructor. They will share their experiences and about how they support women and are working to make society more gender friendly from their positions in society.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632542740,updatedAt:1635656698,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e927f87c8d30008afdbf1",title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談",data:{_id:"614e927f87c8d30008afdbf1",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636457400,discrete:[{time:1636457400}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!1,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n龍煒璿|台灣國際家庭互助協會(TIFA)高雄辦公室主任
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台灣國際家庭互助協會南部辦公室主任
\n\n內政部火炬計畫高屏澎東區域委員
\n\n高師大通識中心兼任講師
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講者
\n\n阮金紅 |《失婚記》導演、越在嘉文化棧棧長
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越南裔臺灣人,出身農民家庭,因家貧未完成國小學業。2000年透過仲介嫁來臺灣,遭遇家庭暴力而於2008年離婚,獨立撫養女兒。2009年再婚,擔任新移民團體志工,連續兩年獲新移民之美攝影比賽第一名,並開始學習紀錄片拍攝。 2010年入選雲門流浪者計劃,2011年獲國家文化藝術基金會補助,返鄉拍攝家族故事與失婚越南姐妹,《失婚記》是第一部紀錄片作品,入圍2013年台北電影節及南方影展最佳紀錄片,獲南方影展最佳新人獎。紀錄非法移工的《可愛陌生人》獲2014年金穗獎優等獎,完整版《再見 可愛陌生人》於2016年推出後,入圍南方影展,並獲桃園電影節桃園市民獎,並為2017年南韓首爾移民工影展閉幕片。目前仍持續紀錄移民工及新移民二代議題,並於嘉義民雄成立「越在嘉文化棧」,推廣及策劃各種移民移工文化交流活動。
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吳郁瑩|《阿紫》導演
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吳郁瑩參與剪輯美籍紀錄片導演David Sutherland長達六小時 PBS FRONTLINE系列 “Country Boys”,於2006年1月在PBS全國播出,並於同年受邀荷蘭IDFA 特別播映。她剪接的Run Granny Run獲得SXSW 2007 最佳觀眾獎,2007 年於HBO 播出,也是Sutherland的PBS “Kind Hearted Woman”(2013) 的剪接。《阿紫》是吳郁瑩第一部執導作品。《阿紫》入圍2019年金馬獎最佳紀錄片, 並獲得2020 年台北電影節最佳紀錄片與最佳剪輯獎項。
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\n葉美秀|南高雄家扶中心資深社工師
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任職於家扶基金會南高雄家扶中心已16年,目前擔任旗津服務處組長,主要負責旗津地區因經濟問題導致生活陷入困境的家庭扶助工作,另外亦有負責旗津社區連結、維繫等方案計畫的執行。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"8ec9cde6687f3ddc663b0e6dddd0bbed",title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談",cover:"eea551c925fb55384c32892cc8f89b21",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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根據官方統計至2020年,有超過55萬新住民遠渡重洋來到臺灣與國人結婚建立「新」家,其中九成以上是女性,因此,女性新住民在臺灣已是不容忽視的女性力量,更是女性議題不可或缺的一塊拼圖。
\n\n透過放映臺灣第一部以新住民角度觀看跨國婚姻的紀錄片–《失婚記》,從越南裔導演阮金紅從她的親身故事出發,與四位新住民嫁到臺灣後所經歷的失婚之路,感受新住民女性的心聲。映後座談則邀請到南高雄家扶中心資深社工師葉美秀、《阿紫》導演吳郁瑩與《失婚記》導演阮金紅三方對談,讓我們藉由長期協助臺灣新住民女性的第一線工作者的分享,和兩位貼身紀錄跨國婚姻的困境與壓力的兩位創作者的觀點,看見新住民女性在臺灣的處境,而《阿紫》和《失婚記》這兩部相距十餘年的作品,也反映臺灣新住民權益的發展歷程。
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溫馨提醒
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\n\nLUNG Wei-hsuan|Director of Taiwan International Family Association Kaohsiung Office
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Kaohsiung-Pingtung-Penghu-Taitung Regional Committee, New Immigrant Torch Project, Ministry of the Interior
\n\nAdjunct Lecture of Center For General Education, National Kaohsiung Normal University
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Speakers
\n\nNGUYEN Kim-hong|Director of "Out/Marriage"
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NGUYEN is a new immigrant in Taiwan from Vietnam. She was raised in rural countryside and was unable to complete elementary education due to poverty. In 2000, she was married to a man in Taiwan through a marriage agency, divorced in 2008 because she experienced domestic violence. She raised her daughter by herself since then. She was remarried in 2009 and started to volunteer with communities of new immigrants. Kim-Hong Nguyen won the first prize twice in the Beauty of New Immigrants Photo Contest and started to shoot documentaries since then. She received the grant from the 2010 Cloud gate Wanderer Project and another grant from the National Culture and Arts Foundation in 2011 to shoot her family story and other Vietnam sisters who experienced divorce. Out/Marriage is her first documentary and was nominated as Best Documentary in both Taipei Film Festival and South Taiwan Film Festival. It won the Best Newcomer Award of the South Taiwan Film Festival.
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WU Yu-ying |Director/Producer
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YuYing Wu began her career by collaborating as an editor with David Sutherland on his FRONTLINE series, Country Boys, which aired on PBS in 2006 (IDFA). She was a co-editor on HBO's ''Run Granny Run” ( SXSW 2007) and was also the editor on Sutherland's PBS series ''Kind Hearted Woman”. She also co-produced Sutherland's new film "Marcos Doesn't Live Here Anymore" (2019). Her debut feature documentary ''The Good Daughter” was nominated for Best Documentary in the 56th Golden Horse Film Festival and won Best Documentary and Best Editing in the 2020 Taipei Film Festival.
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\nYEH Mei-hsiu|Senior social worker of Taiwan Fund for Children and Families Southern Kaohsiung Branch
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YEH has worked at Taiwan Fund for Children and Families Southern Kaohsiung Branch for 16 years and is currently the section chief of the Qijin service station. Her professional responsibilities mainly consist of assisting and supporting families that are going through hard times due to financial difficulties and she is also in charge of projects that aim to connect and maintain the Qijin community.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"8ec9cde6687f3ddc663b0e6dddd0bbed",title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Screening of Out/Marriage and Follow-up Discussion",cover:"eea551c925fb55384c32892cc8f89b21",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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Based on official statistics, over 550,000 "new immigrants" (a term that usually refers, though not exclusively, to immigrants from Southeast Asia and China who have married Taiwanese citizens in recent decades) had come to Taiwan and married locals by 2020. 90% of these immigrants were women, which means they are a force that can no longer be ignored and an indispensable part of the push for women's rights.
\n\nOut/Marriage, Taiwan's first documentary on a transnational marriage from the perspective of an immigrant, was directed by Vietnamese Kim-Hong Nguyen based on her own story. It tells the stories of four immigrants and how their marriages in Taiwan crumbled. After it is screened, South Kaohsiung Taiwan Fund for Children and Families Center social worker YEH Mei-hsiu(who has long been on the front lines of working to help female new immigrants), director Yu Ying Wu of The Good Daughter (a film about the plight of a Vietnamese bride in Taiwan), and NGUYEN will discuss the difficulties faced by female new immigrants in Taiwan. Having been filmed over ten years apart, these two works combined portray well the developmental history of new immigrant rights in Taiwan.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632539263,updatedAt:1635656758,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e8b8187c8d30008afdae2",title:"【WOW高雄2021世界女性藝術節】對談時光 — WOW Bites一口聊",data:{_id:"614e8b8187c8d30008afdae2",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636543800,discrete:[{time:1636543800}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n吳映軒(酸酸)|喜劇演員
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吳映軒又名酸酸,臺灣站立喜劇演員、脫口秀主持人。活躍於現場演出及網路影片創作,亦以公開出櫃女同志身分,在其作品中推廣性別平權。
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講者
\n王曉書|公視手語新聞主播
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知名模特兒、作家、插畫創作者 、手語節目主持人、手語新聞主播、手語老師、舞台劇演員。2000年首度出書《我看見聲音》成為暢銷作家。曾以公視手語節目《聽聽看》獲2003第38屆金鐘獎「最佳文教資訊節目主持人」獎,2012第47屆金鐘獎「綜合節目主持人」獎,現為公視手語新聞主播。2019獲得第23屆身心楷模金鷹獎。
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\n林美霞|現任紅十字會救災隊員
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全臺灣最高齡女性特搜隊員,曾是九二一受災戶的她,在自身生命故事中,看見解決社會問題的需要,積極參與專業訓練成為紅十字會救災隊員並曾於消防局的鳳凰志工陣營服務了14年,在汶川地震、維冠大樓倒塌、花蓮地震等都能見到她救援的身影 ,用自己的力量協助家鄉的民眾,實踐的精神是眾人的榜樣。
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\n陳蓓蓓|桃園市機師職業工會常務理事
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桃園市機師職業工會常務理事、華航前驅女機師,以專業能力打破職場上的性別框架。關心社會議題,疫苗短缺時承載疫苗回國,面對勞權問題,當仁不讓,挺身而出為其發聲。
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莊傳芬|自耕農
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27歲開始種田,創立品牌「有塊田」,迄今六年餘,習慣忙碌,但現在給自己的新課題是學習放慢腳步。今年從美濃搬到花蓮,在中央山脈的另一邊重新感受獨屬此地的風土節氣,期待自己除了是一位食物生產者,也能向更多人分享土地的價值與力量。
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黃星樺|Podcast 讀書節目「衣櫥裡的讀者」主持人
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臺大政治學系碩士,策展人,公共議題評論者,男性的女性主義者,Podcast 讀書節目「衣櫥裡的讀者」主持人。擅長用平易但準確的語言,帶領讀者/聽眾探索複雜的知識內容和社會議題。
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「WOW Bites 一口聊」是全球WOW藝術節的經典節目,集結各領域的傑出女性,以短講形式分享她們的人生經驗與自我實踐,更有以嶄新觀點深入剖析女性議題的觀察者,帶我們跳脫傳統視角,聊聊學校沒教的事!
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今年藝術節有幸邀請到手語主播王曉書、全臺灣最高齡特搜隊員林美霞、華航第一批女性機師陳蓓蓓、「有塊田」共同創辦人莊傳芬、Podcast 「衣櫥裡的讀者」主持人黃星樺,以每人8分鐘的明快節奏,濃縮最精采的人生體悟一次呈現給您。
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溫馨提醒
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\n\nWU Ying-hsuan(Suan Suan)|Stand-up Comedian
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WU Ying-hsuan, also known as Suan Suan (@acidcomedy), is a stand-up comedian and talk show host.
\n\nShe is active in live performance and online video career. As an openly lesbian, she promotes gender equality in her works.
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Speakers
\n\nSue WANG |Sign language anchor of Public Television Service
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WANG is a famous model, author, illustrator, the host of a sign language TV program, sign language news anchor, sign language teacher, and play actress. In 2000, WANG became a bestselling author through book I See a Voice. She was awarded Best Host in Cultural and Education Programs at the 38th Golden Bell Awards for Public Television program Listening Eye in 2003, Best Host in a Comprehensive Program at the 47thGolden Bell Awards in 2012, and the 23rd Golden Eagle Award for disabled people in 2019. WANG is currently a sign language anchor of Public Television Service.
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\nLIN Mei-shia|Member of the Red Cross Disaster Relief Team
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LIN is the most senior female member of the special search team. A victim of the 921 Earthquake, LIN sees the need for solving the problems of society through her own life experiences and plays an active role in receiving training to become a member of the Red Cross Disaster Relief Team. LIN worked as a Phoenix Volunteer in Municipal Fire Departments for 14 years, and was seen assisting with the relief of the 2008 Sichuan Earthquake, the collapse of the Wei-guan Building, and the Hualien Earthquake. LIN helps the people of her land and puts her values into practice, making her a role model for many.
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\nCHEN PEI-pei|Executive council member of Taoyuan Pilots Union
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CHEN is the executive council member of Taoyuan Pilots Union and a pioneering female pilot for China Airlines. CHEN breaks the limitations of women in the workplace through professionalism and cares about social issues. During the vaccine shortage, CHEN was responsible for transporting the shipment to Taiwan, and is seen fighting for labor rights.
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JHUANG Chuan-fen|Owner-Farmer
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JHUANG began life as a farmer at the age of 27 and founded the brand Sato kirimaya six years ago . JHUANG is now used to being busy, and her new task is to learn to slow down. JHUANGmoved from Meinong to Hualien this year and familiarized herself with the land and seasons of the other side of the Central Mountain Range. JHUANG hopes to become a food producer but also wishes to share the value and energy of the land with more people.
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HUANG Hsing-hua|Host of Closet Reader podcast
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HUANG has a master's degree from National Taiwan University Department of Political Science and is a curator, public issue critique, male feminist, and the host of the Closet Reader podcast. HUANG specializes in explaining and exploring complex concepts and social issues using wording that is plain and simple while being precise.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d320d3a277da0ec7a959f5614cbd3960",title:"【WOW高雄2021世界女性藝術節】對談時光 — WOW Bites一口聊"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – WOW Bites",cover:"09350dfda6f3269be073e2b72d29aa5b",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel /Cisco Webex"},cautions:'
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WOW Bites is a classic program at WOW Festivals around the world at which accomplished women from various sectors come together and give short talks on their life experiences and self-actualization. Also, with new viewpoints on the analysis of women's issues, they will help us get out of the traditional mindset and learn things not taught at school.
\n\nTaiwanese Sign Language news anchor WANG Sue, Taiwan's oldest female search-and-rescue team member LIN Mei-shia, one of China Airlines' first female pilots CHEN Pei-pei, founder of the organic farm “Sato kirimaya" JHUANG Chuan-fen, and host of the podcast Closet Reader HUANG Hsing-hua will each have eight minutes to share the essence of their life experiences and what they have learned from them.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632537473,updatedAt:1635561668,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e9c0487c8d30008afdd52",title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性",data:{_id:"614e9c0487c8d30008afdd52",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636630200,discrete:[{time:1636630200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n童嵩珍|嵩馥性健康管理中心創辦人兼主任
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嵩馥性健康管理中心( 臺北、北京、上海、深圳) 創辦人、主任。中華性健康促進協會 理事長、國際性醫學會 ( ISSM ) 會員、臺灣男性性醫學會(TAA)永久會員,畢業於樹德科技大學人類性學研究所,目前博士研究中,是國際認證資格的專業性健康管理師。
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講者
\n\n汪曉薇|性、愛與親密關係教練
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性愛講師、也是一名訓練中的性、愛與關係教練(Sex, Love and Relationship Coach)。從 2019 年中開始,她在臺灣開設「我的第一堂性愛課」、「和自己做愛」等課程,迄今與上百人分享重新理解性的視角,引導大家慢慢地放下對性的羞恥,並和自己的身體建立起有愛的關係,在性當中自在地享受並表達自己。
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\n林南妤|性愛講師、開放式關係實踐者
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人妻、地方媽媽、開放式關係實踐者。研究所時主修性別研究,後因懷孕育兒而中輟,曾任臺灣同志諮詢熱線教育小組志工、裸體模特兒、性愛工作坊講師、手天使性義工,相關報導散見各媒體,近期為拆框工作坊的工作夥伴,不定期參與各式活動,並於節目與公開演講分享開放式關係的實踐經驗與心得。文章與照片不定期於Instagram帳號:yolandaxxlin分享。
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\n林靜儀|婦產科醫師、作家
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現職中山醫學大學附設醫院國際醫療中心主任、中華民國無任所大使、中山醫學大學附設醫院婦產部主治醫師、中山醫學大學臨床講師、民主基金會董事、台北病理中心董事、台灣女子運動體育協會理事、台灣健康服務協會理事。曾著《 診間裡的女人》、《診間裡的女人2》為真人真事寫實小說和同名podcast節目,以婦產科醫師角度,觀察現今社會體制下,剖析現代女性肩負的家庭角色責任與社會壓力。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"4c5ae39bbd9fb3a68b989d5746b84c77",title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性",cover:"dc28b04bcdedab3f0ef2dea7179926d6",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
彈性談性!我們如何來談性?
\n
「做人要談性(Sexibility)」將帶領大眾重新探索生活中所知道的性,來自各領域的性教育專家,引導觀眾慢慢地從開口談性,到了解性的發言權與身體自主權,重新思考「性」背後的不同意義。
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本次講座邀請到性治療師童嵩珍、性愛講師汪曉薇、開放式關係實踐者林南妤及醫師作家林靜儀的經驗與觀點分享,從日常的不同面向切入,打破你對於性的認知與想像!
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nTUNG Sung-chen|Founder and Director of SungFul Sexual Health Center
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TUNG is the founder and director of SungFul Sexual Health Center (Taipei, Beijing, Shanghai, Shenzhen), president of Chung-Hua Sexual Health Promotion Association, member of International Society for Sexual Medicine (ISSM), and permanent member of Taiwanese Association of Andrology (TAA). TUNG graduated from Shu-Te University Graduate School of Human Sexuality and is currently working towards a doctorate degree. TUNG is an international-certified professional sexual health advisor .
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Speakers
\n\nWANG Hsiao-wei|Sex, Love and Relationship Coach
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Hsiao-wei is a sex, love and relationship coach (in training). Since 2019, she has been leading sex classes in Taiwan helping hundreds of women reconnecting with their sexuality and sensuality. Her sharing has inspired women to create a positive relationship with their bodies and sexuality, guiding people returning back to their original and natural expressions in sex.
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\nLIN Nan-yu | Sex Couch, Open-Relationship Practitioner
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A wife, a mother and a polyamorist.
\n\nShe was major in gender/sexuality in grad school, and dropped off because of pregnancy and raising kid.
\n\nShe used to be a volunteer in Taiwan Tongzhi Hotline Association, nude model, sex workshop teacher and volunteer in Hand Angel, and interviewed several times.
\n\nRecently she is working with "Frame Removing Workshop", joining different activities and sharing her thoughts and practical experience as a polyamorist.
\n\n
\nLIN Ching-yi|OB-GYN, author
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LIN is currently the director of Chung Shan Medical University Hospital International Medical Service Center, an ambassador-at-large, the attending physician of Obstetrics and Gynecology at Chung Shan Medical University Hospital, clinical instructor of Chung Shan Medical University Hospital, chairperson of Taiwan Foundation for Democracy, chairperson of Taipei Institute of Pathology, council member of Taiwan Women's Sport Association, and council member of Taiwan Health Corps. LIU's publications include The Women in the Appointment Rooms, The Women in the Appointment Rooms 2 , which are based on real events. She is also the host of a Podcast with the same title. LIN observes the pressure and burden of women in the home and the workplace within the context of current social systems from the perspective of an OB-GYN.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"4c5ae39bbd9fb3a68b989d5746b84c77",title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性"}],related:[],title:"【WOW Kaousiung 2021】In Conversation – Sexibility",cover:"dc28b04bcdedab3f0ef2dea7179926d6",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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How should we talk about sex?
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Sexibility will bring participants on an exploration of what we know about sex. Sex education experts from several fields will gradually guide participants in growing from gaining the courage to talk about it to understanding the rights to have a voice about it and bodily autonomy so that people will reconsider the different meanings that lie behind the word "sex." Sex Therapist TUNG Sung-chen, Sex Lecturer WANG Hsiao-wei, Open-Relationship Practitioner LIN Nan-yu, and Physician-writer LIN Ching-yi will share their experiences and viewpoints and challenge your concepts of sex from numerous angles of everyday life.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632541700,updatedAt:1635560577,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e8f99103d910007ff0d0f",title:"【WOW高雄2021世界女性藝術節】對談時光—暗鍵傷人,沒有人是局外人",data:{_id:"614e8f99103d910007ff0d0f",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636791e3,discrete:[{time:1636791e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441244417518731267"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n林燕卿|樹德科技大學人類性學研究所 兼任講座教授
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從事性教育推廣及傳授30年;性學領域20年;著書20餘本,在高雄廣播電臺擔任彩虹旗世界節目主持人。專長:人類性學、性教育、性諮詢、性健康教育 。
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講者
\n\n王阿法| 唱作人、現任聽天湯主唱
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畢業於高師大跨領域藝術研究所。早期創作題材圍繞階級與性別,想做過一堆瘋狂的藝術計畫,最終屈服於資本的力量,成為簽約藝人。
\n\n深受九零年代銳舞文化與搖滾樂的影響,生不逢時的憂鬱氣息曝在暖色系潮流濾鏡下,尷尬是常態。擅長用高雅的語言罵人祖宗十八代。
\n\n目前引以為傲的事物包括:一頭粉紅色長髮、十台底片相機。喜歡攻殼機動隊。
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\n李秀芬|自由創作者、即使我們生無可戀發起人、「他們說這是愛」計畫主持人
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國立臺灣大學政治系政治理論組學士畢,現為自由創作者,媒介包含身體、聲音、研究與文字。 2017年成立即使我們生無可戀,核心創作圍繞在身體、精神、社會與個體能動,關注所有參與者的生命與身體敘事,作品曾獲臺北藝穗節原創精神獎、台新藝術獎提名。 2020年發起「他們說這是愛」三年期計畫,連結自身經驗與創作,希望喚起非典型性暴力、身體平權議題之關注。
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張丹丹|邊邊女力協會秘書長
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為香港中文大學哲學博士,現為社團法人邊邊女力協會秘書長。目前亦擔任全球婦女緊急救援基金Urgent Action Fund亞太區顧問以及國際女性主義組織RESURJ委員。她在過去曾任國際同志聯合會亞洲區聯合主席、聯合國發展署Being LGBT in Asia項目顧問,國際基金會FRIDA婦女基金亞洲區顧問、以及擔任國際婦女組織新世紀婦女發展選擇(Development Alternative with Women for a New Era, DAWN)研究員。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"35e81e25b8a67f92f3d19f8dd0761959",title:"【WOW高雄2021世界女性藝術節】對談時光—暗鍵傷人,沒有人是局外人"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光—按鍵傷人,沒有人是局外人",cover:"52106977ca31fbc2627c6a54c550a3c7",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
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衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"網路帶來的便利,也可能是傷人的利器!",introduction:'\n\n\n\n
網路帶來的便利,也可能是傷人的利器!
\n\n網路帶來的資訊便利和可匿名特性,使其成為極富爭議的犯罪溫床,「按鍵傷人,沒有人是局外人」剖析螢幕與鍵盤下潛藏的數位性別暴力,透過輕鬆且知識量爆表的對談,帶你認識什麼是數位性別暴力。
\n\n本屆WOW藝術節邀請性別專家與性平倡議者-樹德科技大學人類性學研究所所長林燕卿、唱作人王阿法、 即使我們生無可戀發起人李秀芬及邊邊女力協會秘書長張丹丹,從貼近生活的案例與個人經驗出發,聊聊數位性別暴力的樣貌、網路中的性別教育與臺灣網路政策現況,如果你有用網路,就絕對不能錯過這場實用又具教育意義的對談!
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溫馨提醒
\n\n現場購票觀眾
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線上參與WOW PASS觀眾
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nLIN Yen-chin|Adjunct chair professor at Shu-Te University Graduate school of Human Sexuality
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LIN has been devoted to promoting sex education for 30 years and the field of human sexuality for 20 years. LIN has written over 20 books and is the show host of "World of the Rainbow Flag " at Kaohsiung Broadcasting Station. Lin's expertise includes human sexuality, sex education, sex consultation, and sexual health education.
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Speakers
\n\nAlfa WANG| Singer-songwriter, Lead Singer of Tin Ten Tan
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Alfa Ann graduated from National Kaohsiung Normal University Graduate Institute of Transdisciplinary Art and her early works explore the themes of class and gender. She has thought about creating insane art projects, but ultimately gave in to the power of capital and became a contract performer.
\n\nAlfa Ann is deeply influenced by rave culture and rock and roll of the 90s. The gloom of not feeling a sense of belonging in her own times seeps through the warm-colored filters of her images, while awkwardness has become the norm. She excels at insulting other using elegant words.
\n\nAccomplishments that Alfa Ann takes pride in include her pink hair and her ten film cameras. She is a fan of Ghost in the Shell.
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\nLI Shiou-fen|Independent Creative, Founder of Life Holds No More, Project Director of "They Call This Love "
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LI has a bachelor's degree from National Taiwan University Department of Political Science (political theory) and is currently an independent creative. Her creative mediums include the body, sound, research, and text. LI established Life Holds No More in 2017, which focuses the creative practice on the body, mind, society, and individual agency, and spotlights the life and body narrative of all participants. The works of Life Holds No More has been awarded the Taipei Fringe Festival Genuinely Fringe award and shortlisted by Taishin Arts Award. In 2020, LI initiated the three-year project "They Call This Love," which connects personal experiences with creativity and hopes to draw attention to unconventional forms of violence and body equality.
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ZHANG Dandan|Executive Director
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ZHANG Dandan gained her Doctor of Philosophy from the Chinese University of Hong Kong, and is currently the executive director of FLAME, Feminist Leadership and Mobilization on the Edge. She is the member of RESURJ, a South-led transnational feminist organization, and the advisor of Urgent Action Fund for Women in Asia Pacific. In the past, she served as the co-chair of ILGA-Asia, as a consultant for the project of Being LGBT in Asia of the UN Development Programme, the advisor of FRIDA feminist Fund, and as a researcher for Development Alternative with Women for a New Era (DAWN).
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"35e81e25b8a67f92f3d19f8dd0761959",title:"【WOW高雄2021世界女性藝術節】對談時光—暗鍵傷人,沒有人是局外人"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Digital Sexual Violence - No One's an Outsider",cover:"52106977ca31fbc2627c6a54c550a3c7",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
On-site ticket prices
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The Internet is a very helpful tool but can also cause major damage.
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The convenience of the Internet in obtaining information and the way it allows users to remain anonymous have made it into a highly controversial hotbed for crime. Digital Sexual Assault: No One's Untouchable analyzes the potential for sexual assault online. Through a relaxed, fully informed dialogue, you will learn what digital sexual assault is.
\n\n\n\n
Gender issue experts and gender equality advocates Dean of Shu-Te University Graduate School of Human Sexuality LIN Yen-chin, Singer-songwriter Alfa WANG, Life Holds No More (a Facebook page) Creator LI Shiou-fen, and Head Secretary of the gender rights association Feminist Leadership and Mobilization on the Edge (FLAME) ZHANG Dandan will talk about what digital sexual assault looks like, sex education online, and the state of Taiwan's Internet policy from the springboard of everyday life stories and their personal experiences. If you use the Internet, you definitely will not want to miss this highly useful and educational discussion!
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Reminder
\n\nCustomers who buy tickets on-site
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Online WOW PASS participants
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632538521,updatedAt:1653365778,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"61545ed3103d910007ffe63b",title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可",data:{_id:"61545ed3103d910007ffe63b",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636877400,discrete:[{time:1636877400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441320930615005189"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'裘德.凱莉|WOW基金會創辦人
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裘德.凱莉是WOW基金會的創辦人及總監,在各地策劃WOW世界女性藝術節,表揚世界各地的女性的成就、挑戰性別不平等。首屆WOW藝術節於2010年在倫敦舉辦,直到現在已涉足到6大洲30個地區。她從2006至2018年為英國倫敦南岸藝術中心的藝術總監,是全英國最具規模的藝術機構。此外她曾參與多項文化事務工作,包括創辦巴特西藝術中心(Battersea Arts Centre)及里茲劇院(Leeds Playhouse),亦曾代表英國出席聯合國教科文組織協會(UNESCO),以及擔任文化奧運委員會成員,領導2012倫敦奧運和殘奧會的創意、文化及教育事宜。
\n\n\n\n
凱莉在藝術上獲獎無數,包括兩度獲得奧利弗獎及BASCA金牌獎,更於2015年2月獲頒大英帝國司令勳章(CBE),表揚她在藝術上的建樹;2018年獲頒丹麥騎士勳章,以示嘉許她在文化、性別及可持續發展的貢獻。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"c3b1f1b3a13e85994d884dd70a65c932",title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可",cover:"ee51c1f8c00f65e0f574dc2cd0ed0548",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"你覺得臺灣性別平等嗎?",introduction:'\n\n\n\n
你覺得臺灣性別平等嗎?
\n\n\n\n
1999年,臺灣成為亞洲首個正式實施《家暴防治法》的國家。2019年,臺灣成為了亞洲第一個合法化同性婚姻的亞洲國家。根據聯合國開發計劃署的「性別不平等指數」,2021年的臺灣表現為全球第6名,居亞洲之冠。過去幾十年很多很多的女性爭取投票權、教育權、財產權、工作權及身體自主權等,我們才能有今天豐富的社會。
\n\n\n\n
然而,臺灣,真的性別平等了嗎?
\n\n\n\n
臺灣女性勞動參與率超過5成,平均薪資卻只有男性的85%,女性公司高階主管佔比率低於3成,女性董事只佔13%;疫情底下女性的工作、身分、國籍持續被污名化、成為獵巫對象;日久失修的而不安全的路,讓女生回家提心吊膽,時刻擔心被騷擾或施暴;2020年性侵害案件9,212宗,當中女性受害人數達7,406,佔總體達8成;女性申請法定生理假,卻仍被主管老闆諸多刁難,甚至被違法要求提供證明;女性與男性皆已在職分擔家庭收入,但大部分女性,不論年齡,卻仍無法擺脫家務、育兒,以至跨代家庭照顧責任……女性在臺灣遇到的不平等,不一而足。
\n\n\n\n
那今天我們要爭取的要是什麼,才能提供往後女性以至社會所能享受的更良好的條件?
\n\n\n\n
「平權路上缺你不可」邀請WOW基金會創辦人裘德.凱莉,分享她與團隊多年來作為藝術家及策劃者,在英國當地及國際藝文圈上的性別觀察,討論藝術文化作為性別平權的途徑,以及她是如何領導藝文機構、推動社會議題,倡議一個性別平等、多元共融的理想社會。
\n\n\n\n
臺灣性別平等的大路還在施工中,希望能在路上遇到你。
\n\n\n\n
溫馨提醒
\n\n現場購票觀眾
\n\n\n\n
線上參與WOW PASS觀眾
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Jude KELLY |Founder of The WOW Foundation
\n\n\n\t\t |
Jude KELLY is Founder and Director of The WOW Foundation which runs WOW - Women of the World Festivals to celebrate the achievements of women and girls and confront gender injustice across the globe. Starting in London in 2010 the Festival now takes place in 30 locations across six continents.
\n\n\n\n
Jude was the Artistic Director of Southbank Centre in London for 12 years from 2006 to 2018, where she established the WOW Festival. Southbank Centre is Europe's largest Arts Institution and London's third biggest tourist attraction. In February 2013 she was named as one of the 100 most powerful women in the UK by BBC Radio 4's Woman's Hour.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"c3b1f1b3a13e85994d884dd70a65c932",title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Equality for All - You'll Never Walk Alone",cover:"ee51c1f8c00f65e0f574dc2cd0ed0548",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel /Cisco Webex"},cautions:'
On-site ticket prices
\n\n\n\n
Do you think there is gender equality in Taiwan?
\n\n\n\n
In 1999, Taiwan became the first Asian nation to pass a law on domestic violence prevention. In 2019, it became the first Asian nation to legalize same-sex marriage. And in 2021, it was sixth on the UN Development Programme's global gender inequality index, boasting the highest rank in Asia. Over the past few decades, many women in Taiwan have fought for equal rights in the aspects of voting, education, property ownership, work, and bodily autonomy, which is why our society is so amazing today.
\n\n\n\n
But is there really gender equality in Taiwan now?
\n\n\n\n
The labor participation rate of women in Taiwan exceeds 50%, but a woman's average salary is only 85% that of a man's, women only hold less than 30% of high-level corporate management positions, and only 13% of organizational board directors are women. Women's work, identities, and citizenship have been continually stigmatized since the outbreak of Covid-19, so women have become victims of witch hunts. There were 9,212 instances of sexual assault reported in 2020, women being the victims in 80% (7,406) of them. Women can legally apply for menstrual leave from work, but their supervisors make it difficult through such means as (illegally) requesting proof. Women and men are both responsible for bringing home the bacon, but most women, regardless of age, still have to single-handedly do the housework, rear the children, and even care for their husband's parents. Such inequality is widespread in Taiwan.
\n\n
\n
So what should we fight for now to provide women and society in general a better future? For Gender Equality Needs You Too!, Women of the World Foundation founder Jude KELLY will share what she and her team as artists and event planners have observed over the years regarding gender issues in the UK and among international art and culture circles. She will talk about how art and culture are a path to gender equality and how she has led art and culture organizations in promoting social issues and advocating the ideal society of gender equality, diversity, and inclusiveness.
\n\n\n\n
Taiwan's road to gender equality is still under construction, and we hope to see you working on it too!
\n\n\n\n
Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n
Online WOW PASS participants
\n\n\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632919251,updatedAt:1653365048,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"614e9e6087c8d30008afdda9",title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈",data:{_id:"614e9e6087c8d30008afdda9",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636809600,discrete:[{time:1636809600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441318519622942725"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:' 演出者
\n巴奈.庫穗|歌手、創作者、原住民族權力倡議者
\n\t\t |
在臺灣多項環境運動中選擇挺身而出,以音樂與全副身心的生活,來作出反抗,目前仍為原住民族傳統領域劃設辦法夜宿凱道第1654天(截至2021年9月7日),並於夜宿期間推出EP《凱道上的稻穗》、《凱道巴奈流浪記》、專輯《愛,不到》。
\n'}],onShelf:!0,sliders:[{type:"image",key:"c4ed7daf530749b450db16d6053ee013",title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈",cover:"1dd4478e2f9714df714f5bc2373e3595",site:{isOther:!0,site:"5aec47d3b01ea6000520f663",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"倔強的想法,溫柔地唱。",introduction:'\n\n\n\n
倔強的想法,溫柔地唱。
\n\n\n\n
從20年前開始,巴奈就用獨特渾厚的歌聲,唱出年輕原住民女性在城市流浪受到的衝擊。一路走來,她的關注從原住民族身分與權利、環境與土地,到跨國民主議題上都挺身而出,以音樂作出反抗。她長期以堅毅的精神力量,一直讓公平正義的價值體現在臺灣的各個角落。身為母親、身為阿美族與卑南族的女性,名字意為「稻穗」的她帶著大地般的厚實溫度,以坦率、細膩的歌聲與行動,保衛孩子及族人回家的路,不遺餘力。
\n\n\n\n
沒有人是局外人。環境如是,權力如是,性別如是。「再來一首,音樂不插電!」邀請巴奈以演出為我們示範,倔強正是因為溫柔。
\n\n\n\n
溫馨提醒
\n\n現場購票觀眾
\n\n\n\n
線上參與WOW PASS觀眾
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Speaker
\n\nPanai KUSUI|Singer, Creator, Indigenous Rights Activist
\n\n\n\t\t |
Panai KUSUI proactively participates in numerous enivronmental movements in Taiwan, dedicating her music, her whole body and mind in the protests. Currently she is continuing her sit-in protest at the Ketagalan Boulevard against the "Regulations on Land or Tribal Land Allocation for Indigenous" for the 1654th day (as of 2021/9/7). During the sit-in, she has released EPs "Panai on Ketagalan Blvd", "Panai: Wandering" and LP "Love, and yet..."
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"c4ed7daf530749b450db16d6053ee013",title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Saturday Night Unplugged feat. Panai KUSUI",cover:"1dd4478e2f9714df714f5bc2373e3595",site:{isOther:!0,site:"",other:"Concert Hall/Cisco Webex Online Platform"},cautions:'
On-site ticket prices
\n\nMembers of The Four Cards Of Weiwuying: 300 NTD
\n\tNon-members: 600 NTD
\n\t\n\n
Unyielding ideas sung out tenderly.
\n\n\n\n
20 years ago, Panai KUSUI started using her unique, simple voice to sing about the difficulties she had as a young indigenous woman who had moved to the city. Over time, her range of outspoken resistance through music has grown from indigenous identity, indigenous people's rights, the environment, and the land to include issues related to transnational democracy. She has long been persistent in working to bring fairness and justice to every corner of Taiwan. Her name means "spike of rice," and as a mother with Amis and Puyuma blood running through her veins, she emanates a warmth as solid as the land, sparing no effort to protect her children and people's road home with her frank yet refined voice and deeds.
\n\n\n\n
No one is untouchable when it comes to the environment, rights, and gender. During Unplugged with Panai KUSUI, she will demonstrate to us that unyielding strength comes through tenderness.
\n\n\n\n
Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n
Online WOW PASS participants
\n\n\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632542304,updatedAt:1653365578,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"615465dc87c8d30008b19fef",title:"【WOW高雄2021世界女性藝術節】對談時光 —媽呀~我的故事上電視了",data:{_id:"615465dc87c8d30008b19fef",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636803e3,discrete:[{time:1636803e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441320074336534533"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n楊芳枝|國立成功大學臺灣文學系 教授
\n\n\n\t\t |
楊芳枝教授任教於國立成功大學臺灣文學系,長期關注臺灣和東亞流行文化中性別政治、國族形構和全球資本主義之間的交錯動態,近年特別聚焦臺灣電視劇生產,從偶像劇的盛行、華劇的沒落,以至新臺劇的新近興起。著述見於國際期刊如:Boundary 2: International Journal of Literature and Culture等,以及專書篇章如:Television Histories in Asia(2016)等,並編有《邊緣主體:性別與身分認同政治》(2017)。
\n\n\n\n
講者
\n陳慧翎|編劇、導演、監製
\n\t\t |
職涯初期為紀錄片導演,2005年開始戲劇創作。以電視劇作品2008年《黃金線》、2010年《那年,雨不停國》、2019年《你的孩子不是你的孩子》三度獲得金鐘獎最佳導演。2008年《人生劇展-與男友的前女友密談》獲得金鐘獎電視電影最佳編劇、最佳剪輯。2021年監製、導演作品為《媽,別鬧了!》。
\n
\n劉中薇|作家、編劇
\n\t\t |
作家、編劇、講師、說故事的創意人、烹字燒菜的職業婦女,喜歡生活信仰愛。文字作品《暖活---愛得還不錯的那些故事》、《把全世界的溫暖都給你—劉中薇短篇故事集》等。以劇本《未來媽媽》入圍第56屆電視金鐘編劇獎。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"2042183e070449a75ebd50e5197ca61d",title:"【WOW高雄2021世界女性藝術節】對談時光 —媽呀~我的故事上電視了"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 媽呀~我的故事上電視了",cover:"771242eb5c049d049babbe146ffaedea",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"你曾在《你的孩子不是你的孩子》劇情中,聽過似曾相似的對話嗎?",introduction:'\n\n\n\n
你曾在《你的孩子不是你的孩子》劇情中,聽過似曾相似的對話嗎?
\n
\n你曾跟《未來媽媽》中的家妃、郭沁、立芳遇見過的類似的婚、育選擇嗎?
\n
\n在追劇時,劇中的角色經常會說出自己的內心話,與我們產生強烈的共鳴,而情節裡頭藏著許多女性議題,正是現代社會或家庭處境的寫照,本次講座邀請到《你的孩子不是你的孩子》、《媽,別鬧了!》導演陳慧翎及《未來媽媽》編劇劉中薇,讓我們共同細細品味到底是戲如人生,還是人生如戲。
\n\n
溫馨提醒
\n\n現場購票觀眾
\n\n\n\n
線上參與WOW PASS觀眾
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nYANG, Fang-chih|professor
\n\n\n\t\t |
Professor Yang currently teaches in the Taiwan Literature Department in National Cheng Kung University. Her research interests lies in the intersection of the changing dynamics of gender politics, ongoing nation formation and global capitalism in the field of popular culture in Taiwan and East Asia. She has published various essays on television dramas, pop music, and women's magazines in Taiwan and East Asia in well-established journals and field-defining books, such as Boundary 2: International Journal of Literature and Culture, International Journal of Cultural Studies, the Journal of Popular culture, and Analyzing the Korean Wave. Her edited books include 邊緣主體: 性別與身分認同政治(2017).
\n\n\n\n
Speakers
\n\nCHEN Wei-ling|Screenwriter, director, producer
\n\n\n\t\t |
CHEN began her career as a documentary director and started screenwriting in 2005. In 2008, 2010, and 2019, CHEN received the Golden Bell Awards Best Director for Gold Line, Year of the Rain, and On Children. In 2008, Life Story: Talking With Your Boyfriend's Ex-Girlfriend received the Mini-Series/Movie Screenplay Award and the Editing Award of the Golden Bell Awards. Her work in 2021 includes producing and directing Mom, Don't' Do That!.
\n\n
\nLIU Chung-wei|Author, screenwriter
\n\t\t |
Author, screenwriter, lecturer, creative storyteller, and a working woman who likes to write and cook. LIU loves life and believes in love. Her works include Stories of Good Love and Giving You the Warmth of the World: LIU Chung-wei Short Stories Collection, and she was awarded the 56th Golden Bell Awards Mini-Series/Movie Screenplay Award for her script for Mother To Be.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"2042183e070449a75ebd50e5197ca61d",title:"【WOW高雄2021世界女性藝術節】對談時光 —媽呀~我的故事上電視了"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – WOW That's Me on TV! - Narratives of Women in Pop Culture",cover:"771242eb5c049d049babbe146ffaedea",site:{isOther:!0,site:"",other:"Concert Hall/Cisco Webex Online Platform"},cautions:'
On-site ticket prices
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Has any of the conversation in your home sounded as if it were straight out of a TV series like On Children?
\n
\nOr have you ever had to make tough choices about marriage and having children, like GAO Jia-fei, GUO Qin, and SUN Li-fang in Mother to Be?
\nWhile watching TV dramas, you might feel a strong sense of resonance as you notice the characters frequently saying things you say to yourself and as women's issues are part of the plots. They are truly realistic depictions of our current society and lives. The director of On Children and Mom, Don't Do That and the screenwriter of Mother to Be will share with us and guide us in figuring out whether art is imitating life or vice-versa.
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Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n
Online WOW PASS participants
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\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632921052,updatedAt:1653365688,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"615481c0103d910007ffed20",title:"【WOW高雄2021世界女性藝術節】對談時光 — 聚光燈下的魅力女聲",data:{_id:"615481c0103d910007ffed20",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636871400,discrete:[{time:1636871400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441315309970821125"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:' 主持人
\n鍾適芳|政治大學傳播學院副教授
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音樂製作人、音樂節與影展策劃人,現也任教於政大傳播學院。創立「大大樹音樂圖像」與「流浪之歌音樂節」,並以「遷徙」為題、「邊界」為視角,策劃多個音樂影像的跨界展演。紀錄片作品《邊界移動兩百年》,獲2014台灣國際女性影展台灣競賽首獎。
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講者
\n\n萬芳|音樂唱作人、演員
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萬芳於1990年以歌手出道,出版超過20張專輯,2010年入圍金曲獎最佳女歌手;2021年以『給你們』專輯入圍七項金曲獎提名,並獲評審團大獎。
\n\n自1996年起進入劇場影視界,成為演員之後,成績絲毫不遜於在音樂界的表現,2004、2008年分別拿下金鐘獎最佳女主角、最佳女配角的獎項。曾經擔任中廣音樂網電台主持人長達十七年,陪伴無數聽眾青春歲月。
\n\n萬芳至今30年的舞台生涯,無疑是流行樂壇中重要的一頁,她用獨到細膩的觀點和感悟,吟唱女性生命中都可能體驗的段落或某個枝微細節,從被制約到還原,堅信真實比完美更有力量。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"575b3275a183500d8ceaad2fee63a954",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女聲的日常革命"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 女聲的日常革命",cover:"8736890bc2e210f58abf49c06e823029",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"重心穩了,便能無懼地翩翩起舞。自在而從容,就是萬芳的魅力。",introduction:'\n\n\n\n
重心穩了,便能無懼地翩翩起舞。自在而從容,就是萬芳的魅力。
\n\n因為「新不了情」而家喻戶曉的萬芳,站在流行樂壇上至今已經有30年。她帶著天生的敏感度,用力感受生命各種悲歡離合,將其轉化為作品撫慰許多女人心,溫柔擁抱各種迷惘的生命階段,她也不間斷探索自我、挑戰自我,更不吝發揮影響力,挺身支持同志,為性別平等發聲。
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在出道的第二個十年,萬芳正進行生命重要的蛻變,暫別歌壇,跨界舞台劇、戲劇與廣播,與音樂製作人鍾適芳合作了《萬芳的房間劇場》,以劇場形式,透過文字、聲音、肢體書寫傳達她關注的議題。萬芳用她獨特的細膩,為女性的共同體發聲,而如她自己所說,這演出太往生命底裡去,因此只演了兩場。
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十多年過去,萬芳與鍾適芳將在藝術節「女聲的日常革命」再次交會,聊聊《萬芳的房間劇場》之後的發展,以及年過知命的人生感悟。
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溫馨提醒
\n\n現場購票觀眾
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線上參與WOW PASS觀眾
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nCHUNG She-fong|Assistant Professor, National Chengchi University
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CHUNG Shefong is a producer and curator who regularly organizes a number of music and film festivals in Taiwan. In 1993, she founded Trees Music and Art, an independent folk and grassroots music record label that has nurtured some of the most vital Taiwanese music artists of today. In 2001, she started the Migration Music Festival, a major platform in Taiwan for folk and global music that embraces artistic experimentation and social activism. As a filmmaker, Chung gained acclaim for her first documentary, '"From Border to Border,'" which traces the history of Chinese immigrants in India. Chung currently teaches at the College of Communication at the National Chengchi University.
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Speaker
\n\nWAN Fang|Singer-songwriter, Actress
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WAN Fang emerged on the scene as a singer in 1990 and has since released over 20 albums. In 2010, Wan Fang was shortlisted for Best Female Singer at the Golden Melody Awards; the album Dear All was shortlisted for seven Golden Melody Awards in 2021 and she received the Jury Award.
\n\nSince entering the field of theater, television, and film in 1996, Wan Fang embarked on the journey as an actress, but this did not interfere with her accomplishments in music. Wan Fang received Best Leading Actress and Best Supporting Actress of the Golden Bell Awards in 2004 and 2008. Wan Fang also worked as a radio host for i radio for 17 years and is a notable figure in the memories of countless listeners.
\n\nWan Fang's 30 years of presence on the stage is, undoubtedly, an important chapter in the world of pop music. Her delicate portrayals, profound observations, and acute sensitivity towards experiences of being set free from confinement and her deep belief that authenticity is better than perfection has allowed her songs to resonate with the experiences of many women.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"575b3275a183500d8ceaad2fee63a954",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女聲的日常革命"}],related:[],title:"【WOW Kaohsiung 2021】Women's Voices: The Revolution of Everyday Life",cover:"8736890bc2e210f58abf49c06e823029",site:{isOther:!0,site:"",other:"Concert Hall/Cisco Webex Online Platform"},cautions:'
On-site ticket prices
\n\nMembers of The Four Cards Of Weiwuying : 300 NTD
\n\tNon-members: 600 NTD
\n\t\n\n
Wan Fang, who gained popularity with her hit song One Everlasting Love, has been in the pop music circle for 30 years. With her innate sensitivity, she deeply feels the joys and sorrows of life and has turned them into music that has soothed the hearts of countless women. Gently embracing every puzzling stage of life, she has continually explored and challenged herself and made generous use of her influence in supporting LGBTQ+ community and advocating gender equality.
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In her second decade in the music world, she went through a major transformation in which she left the music scene and began work in theater and broadcasting, collaborating with music producer CHUNG Shefongin creating the stage performance Solo in My Room. The piece transmitted her ideas on issues she cared about through theatrical performance, text, vocals, and use of the body. With her unique subtlety, she gave a voice to the female community. But she said that the piece reached so far down inside of her that she could only give two performances of it.
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Over a decade since then, she and CHUNG will come together again for Women's Voices: The Revolution of Everyday Life, at which time they will discuss what has happened since the performances and share the wisdom they have accumulated in their over 50 years of life.
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Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632928192,updatedAt:1653365482,updatedBy:"通泰系統管理員",host:!0}}],seq:2,name:"對談時光",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"},{programs:[{from:"programs",key:"614ded0c103d910007fefac2",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 圈圈叉叉說說畫",data:{_id:"614ded0c103d910007fefac2",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636180200,discrete:[{time:1636180200}],type:"discrete"},activity:{type:"signup",signup:{limit:180,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n南方圓圈畫
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南方圓圈畫由共藝術合作社社員發起。團隊相信藝術是屬於所有人的;所有人都應該可以享受藝術。基於這種信念,我們努力開拓南方的共創藝術平台,以參與式的教學法,讓民眾可以由淺入深地認識自己,互相聆聽,建立更多維度的社會連結,讓大家可以在放鬆自在的情境裡,探索溫柔溝通的可能性。
\n\n我們活動的關鍵是解放性,致力化解大家對創作藝術的恐懼,發現與探索自己與別人的空間與彈性。我們希望,每一位參加者都能多一份自信、多一點啟發、多一位朋友。
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ⓘ 退費機制
\n\n「圈圈叉叉說說畫」引進風靡美國、臺灣及亞洲的圓圈繪畫(Circle Painting),引導參加者由自身的性別經驗出發,透過互相提問的方式一起想像心中的性別友善理想國,以畫畫形式將回饋送給對方,讓參加者可以在短暫的時光裡,化彼此的聆聽與傾吐為見面禮,也讓畫作成為性別平等的小提醒。
\n\n工作坊一步一步的藉由簡易入門、療癒、促進溝通的繪畫方法,讓性別成為眾人的靈感,提煉出最貼心的作品。無論你是否具有繪畫經驗,都歡迎參與。
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限180人,額滿為止。
\n\n參加對象|限衛武營持卡會員
\n\n報名期間|即日起至11月5日(五)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Circle Painting South Taiwan
\n\n\n\t\t |
Circle Painting South Taiwan(FB: @circlepainting.south ) is founded by members of Co-art Co-op. The team believes that the arts is for everyone, and everyone has the rights to enjoy the arts. We strive to cultivate a platform of co-creation in the South, through participatory pedagogy, empowering communities to explore ones' selves, listen to each other to build a multi-dimensional connections within the society, to explore the possibility of gentle communications. The key of our activities is liberation, overcoming the fear of creating arts, to discover and investigate into the space and flexibility of between self and others. We hope that every participant can get more confident, more inspired, and more friends.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"3bdd6b4b26ed4da5a17beaed65f1af6c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 圈圈叉叉說說畫"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Just Circle Paint What's on Your Mind",cover:"9386539b5bfbb0690fb91218124119df",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:"",benefits:'
Just Circle Paint What's on Your Mind uses Circle Painting, a fad that has taken the US and Taiwan by storm, to guide participants in thinking about what the ideal gender-friendly society would be like from the springboard of their gender experiences. After asking each other questions, they respond by painting pictures. In this way, everyone will be listened to and have the opportunity to express everything on their mind, and their paintings will serve as small reminders of gender equality thereafter.
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The painting instruction will proceed first with basic concepts and then on to therapy and communication facilitation. Gender will be the topic of inspiration to participants as they refine their artwork to truly reflect their inner selves. Regardless of painting skills and experience, all are welcome!
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Qualifications
\n\nRegistration Method|Online registration and payment, with a maximum of 180 participants.
\n\nProspective Participants|Exclusive to Weiwuying card members
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Workshop Registration Procedure
\n\nRegister online → qualification examination →receive notice and payment method → complete payment → registration complete.
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Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632496908,updatedAt:1635589974,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614def4d103d910007fefb17",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別",data:{_id:"614def4d103d910007fefb17",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636266600,discrete:[{time:1636266600}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n左涵潔|両両製造聚團藝術總監
\n\n\n\t\t |
從小學舞,卻始終想逃離舞蹈科班的包袱,大學時期在銀行工作、晚上念外文系,周末在舞團排練的狀況下,愛上了「劇場」。在表演、創作與製作的路徑上走了十年多;期間完成了跨藝所的學業,2014年在高雄成立「両両製造聚團」,從寶寶劇場到親子工作坊的製作研發,以及自身對於性別與女性議題的關注,開啟以《花瓶與她的主人》的系列創作。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"fedb87b9131227826080213860542f9b",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別",cover:"a5d9d9f84e1075232e7e31c64e05fe14",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n家長如何跟小孩溝通性別?不要只用說的,動手動腳一起學!
\n\n「我的身體 它的性別」以撫觸、觀看等等感官劇場的方式,透過家長與小孩跟自我或他人的即興接觸,引導身體覺察,讓大人跟小朋友都先回到身體無性別的純粹狀態,再來思考自己的身體性別是怎麼被建構起來的。
\n\n工作坊以親子一組為單位報名,限年齡為8至12歲的小孩及其照顧者一同參與。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限40人(或20組親子),額滿為止。
\n\n參加對象|限衛武營持卡會員,建議須為8-12歲孩子參與,且必須有家長陪同參與。
\n\n報名期間|即日起至11月6日(六)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'TSO Han-cheih|Double & Cross Theater Group Artistic Director
\n\n\n\t\t |
TSO Han-chieh is a theater producer, performer, and a mother. In 2014, she founded Double & Cross Theater Group in Kaohsiung (Taiwan), and created the first baby theater production in Taiwan, called Ci Vuole Un Fiore (2016). In order to fulfill the future vision of baby theater in Taiwan, we cooperated with Starcatchers (Scotland, UK) since 2018. In 2020, Han Chieh established "Taiwan Baby Theater Lab (TBTL)". In 2021, Han Chieh starts to focus on the female and sexuality issue, and make a series of shows to respond the reality.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"fedb87b9131227826080213860542f9b",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – My Body and Its Gender",cover:"a5d9d9f84e1075232e7e31c64e05fe14",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
How should parents teach their kids about gender? Well, besides your mouth, how about using the rest of your body!
\n\n\n\n
My Body and Its Gender is conducted through touching and observation between child and parent. They will engage in improvisational contact with themselves and each other in achieving body awareness and allowing participants to return to the purity of a genderless state so that they may consider how their gender has developed.
\n\n\n\n
Each parent and her/his child (8-12 years old) will register and participate as a couple.
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 40 participants (or 20 parent-child groups) . Availability is limited.
\n\nProspective participants | exclusive to Weiwuying card members.Recommended age for participating children is between 8 to 12 years old. All children should be accompanied by parents.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Notice
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632497485,updatedAt:1635583501,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df35387c8d30008af8f48",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!",data:{_id:"614df35387c8d30008af8f48",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636284600,discrete:[{time:1636284600}],type:"discrete"},activity:{type:"signup",signup:{limit:64,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n曾靖雯|木有枝劇場工作室負責人
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2007年起結合戲劇方法與審議民主精神,與各年齡層的多元社群工作,促進「生活處境的覺察與發聲、議題教育及社群組織工作」,同時從事互動式、議題性的演出,如:教習劇場、紅鼻子醫生、一人一故事劇場等;亦參與數個公民組織之運作。
\n\n\n\n
李雯薪|國立中山大學公共事務管理研究所碩士生
\n\n\n\t\t |
曾擔任審議民主活動桌長,引導參與者分享經驗和討論,以落實活動理念。是一位高雄在地女性,渴望平等的世界,並相信每個人的力量可以使世界邁向更平等。
\n\n\n\n
阮敬瑩|教育部青年發展署第二屆青年諮詢委員
\n\n\n\t\t |
一位剛晉升成為擁有兩個寶寶的媽媽,同時也是一位熱愛參與公眾討論的職業婦女,喜歡在討論場域彼此互相傾聽、包容的氛圍,還有各種想法互相碰撞的過程。
\n\n\n\n
林怡伶|非營利組織工作者
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來自屏東,目前在高雄工作,最喜歡的地方之一是花蓮。
\n\n搬到城市生活將近四年,但心中最想住的地方是鄉村,那是心靈的故鄉。最近因為疫情開始研究懶人料理,試著每天煮飯做便當。
\n\n\n\n
吳淨文|社團法人臺南市台南新芽協會執行秘書
\n\n\n\t\t |
認為在恐懼與憤怒面前,嘗試言說與理解就是最強大的武器;認為歸類與標籤只是方法,重要的是回應與選擇如何讓想看見的事情發生。
\n\n目前任職於臺南在地公民團體,喜愛透過活動設計中的不同互動與討論,看見公民參與的各種可能性。
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周家慧|非營利組織工作者
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來自臺北,因為喜歡南方的天氣與氛圍,目前在高雄工作與生活。目前為止的職涯都在非營利組織工作,近幾年的工作型態裡,出差與移動是工作日常,疫情期間難得有整整三個多月都待在高雄,是另一種新的生活體驗。
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陳敏勤|高雄市第一社區大學工作者
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在廣播圈走跳幾年後走入非營利組織,近年工作主要投入終身教育並積極探索公共社會建構的可行性。「世界與未來會變得如何呢?我很感興趣。」
\n\n\n\n
黃盈語|國立中山大學公共事務管理研究所助理
\n\n\n\t\t |
土生土長的高雄人,前幾年在藥妝店浮沉,近兩年回歸校園重拾書本、接觸公民參與審議活動,喜歡與人對談,從話語中傾聽領略生命和視野角度的不同。「希望我們能在WOW的舞台上快樂地透過討論共舞。」
\n
許婷婷|業務代表
\n\n\n\t\t |
許婷婷,身為臺灣骨英國魂,有創新獨立、開朗隨和的個性,對世界充滿好奇心,由臺灣向西到英國旅遊和求學,再洄游臺灣就業定居。現在雖是傳產業務,喜歡天文/人類學/文史/行銷等知識&活動的心一直都在,「一起用經驗和熱情為WOW創造回憶吧!」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"8582b54669a42e36d6753286b187fdd8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!",cover:"45c10bfc79d1648da656545ecaca8dc0",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n每個女孩呱呱落地就會收到一本「女性生存須知」作為第一份禮物。翻開第一篇,便明文規定應該要穿粉紅色的裙子、要輕聲細語、要安靜坐好,才是個淑女的樣子。往下翻頁,許多關於如何當一位乖女兒、如何當一位賢妻良母、如何扮演一位得體的女性,也都有詳盡的守則期待每位女性遵守。當然也有避開危險的生存法則,像是褲子不可以太短、不可以深夜出門,以避免引人犯罪;要守護自己貞潔,以夫為天,以避免不幸的婚姻……
\n\n這些你熟悉的「女性生存須知」,你同意嗎?如果讓你重新編寫這本「女性生存須知」,你會想刪除什麼?加入什麼?歡迎你帶著幽默的腦、或者認真以對,一起來聊聊你要(或者不要)什麼樣的「女性生存須知」!
\n\n\n\n
活動回顧
\n\n在一場熱烈的生存手冊編輯大會之後,十來位編輯齊聚一堂,改寫了古老、傳統的「女性生存手冊」,讓原先連編輯群都不願翻開的論述、對女性的限制,都被一一破解與回應,放入了務實的觀點、天馬行空的創意,成為一本新的、真正適合女性的「生存手冊」。
\n\n這本書「未完待續」,接下來也期許每一位民眾,繼續一起編寫這個社會應有的樣貌,共創平權的社會。
\n\n\n\n\n\n
\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限56人,額滿為止。
\n\n參加對象|限衛武營持卡會員
\n\n報名期間|即日起至11月6日(六)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'TSENG Jing-wen|Director of Wood-with-Branches Theatre Studio
\n\n\n\t\t |
Being an applied theatre facilitator whose practice bases on deliberative democracy value, she is passionate to promote developmental work through individual and collective dialogue and creative expression.
\n\n\n\n
LEE Wen-shin|National Sun Yat-sen University Public Affairs Management Master's Student
\n\n\n\t\t |
Lee was a table leader for a deliberative democracy event and was responsible for guiding participants in sharing experiences and encouraging discussions. A local Kaohsiung girl, Lee yearns for a world with equality and believes that each individual has the power to make the world a place of more equality.
\n\n\n\n
JUAN Ching-ying|Ministry of Education
\n\n\n\t\t |
As a new mother of two children and a career woman who is passionate about participating in public discussions, JUAN enjoys the atmosphere of listening and inclusivity during discussions, as well as the inspirations brought forth by different ideas.
\n\n\n\n
LIN Yi-ling|NGO Worker
\n\n\n\t\t |
Lucy, come from Pingtung, and live in Kaohsiung now, one of her most favorite place is Hualien. She lives in the city almost four years, and started to prepare bento every day because of Covid-19.
\n\n\n\n
WU Jing-wen|Executive Secretary at Tainan Sprout
\n\n\n\t\t |
Wu believes reason to be the most powerful weapon in the face of fear and anger and that categorizations and labels are merely methods; what's more important is to respond and make decisions about how to let certain issues be seen.
\n\nWU currently works at a local civil group in Tainan and loves to explore the different possibilities of civil participation through varying interactions and discussions amid events.
\n\n\n\n
CHOU Chia-hui|NGO Worker
\n\n\n\t\t |
CHOU is from Taipei. Fueled by her love for the weather and atmosphere of the south, CHOU moved to Kaohsiung to live and work. CHOU's past work experiences have been in NGOs, and frequent travels have become a norm in her work life throughout recent years. During the pandemic, CHOU's spent three months at home, something CHOU had never experienced before.
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CHEN Min-chin|Director of Kaohsiung 1st Community University
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After working for a few years in radio, CHEN entered the field of NGOs, and her recent works are centered around lifelong learning and exploring possibilities of public social constructions. "What would the world be like in the future? I am interested in finding out."
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HUANG Ying-yu |Assistant to the Institute of Public Affairs Management, National Sun Yat-sen University
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A native of Kaohsiung, HUANG spent a few years working in drug stores before returning to school and participating in civil participation and deliberation two years ago. HUANG likes to engage in conversations with others and cultivate different perspectives. "I hope we will be able to dance together happily on the stage of WOW."
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HSU Tia|Sales Representative
\n\n\n\t\t |
As a Taiwanese with a British soul, HSU is known for her independent and easy-going personality. HSU is curious about the world and relocated to the UK for travel and study before returning and settling in Taiwan. Although HSU currently works in the conventional industry, HSU's love for astronomy /anthropology/literature and history/marketing and event planning has remained the same. "Let's create memories of WOW through past experiences and enthusiasm!"
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"8582b54669a42e36d6753286b187fdd8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!"}],related:[],title:"【WOW Kaohsiung 2021】Workshop –Women's Survival Handbook!?",cover:"45c10bfc79d1648da656545ecaca8dc0",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
Every female is given a manual entitled "Survival Rules for Women" at birth as their first gift. Upon opening to the first page, they read explicitly stipulated rules: a lady must wear pink skirts, speak softly, and sit quietly. The next page and on talk about how to be a good daughter, wife, and mother; describe how to properly live out the role of a woman; and provide a detailed list of expectations and rules to follow. Of course, there are also rules on avoiding danger, like not wearing skirts that are too short and not going out late at night to keep from provoking criminal intent in men. Among the many more stipulations, they must remain chaste and always yield to their husbands to keep their marriages happy.
\n\n\n\n
Do you agree with these rules that you are surely familiar with? If you could rewrite the manual, which parts would you delete? Whether you want to be humorous or serious, come and join our discussion on what rules you want (or don't want)!
\n\n\n\n
Qualifications
\n\n【Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 56 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632498515,updatedAt:1638328923,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df4fb87c8d30008af8f7e",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書",data:{_id:"614df4fb87c8d30008af8f7e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636377e3,discrete:[{time:1636377e3}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"615430fa103d910007ffde97",text:"年齡Age(※此活動須年滿15歲。Must be at least 15 years old.)",english:"年齡Age(※此活動須年滿15歲。Must be at least 15 years old.)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n坤娜Queena|PATH身解構・心還元課程中心共同創辦人
\n\n\n\t\t |
朱倩儀,劇場勞動九年,以表演、策展、與製作發表超過40齣作品,亦有豐富的教學經驗。擅長將議題性作品以活動方式推廣予社會大眾,並以藝術作品做為公民對話的途徑。自2019年投入心靈探索教育工作,共同創辦PATH身解構・心還元課程中心,致力陪伴大眾透過探索身體,回到心靈的居所。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f886fae8f3004da6450fd8e62907fa37",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書",cover:"af17ac02f8f4e965225744916e0f59c0",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n你有多久沒有好好與自己相處、好好傾聽自己的聲音?
\n工作坊將透過對話與引導,以肢體活動作為暖身,讓身體舒展也將心漸漸展開,並藉由繪畫、書寫的方式與生命故事產生連結,進而從心靈層面探索自我,釋放平日累積的壓力,在過程中重新認識自己、擁抱自己。
好好傾聽內心,是給自己最好的情書。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限30人,額滿為止。
\n\n參加對象|限衛武營持卡會員,並需須年滿15歲。
\n\n報名期間|即日起至11月7日(日)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Queena|Facilitator
\n\n\n\t\t |
Worked as a theatre practitioner with huge passion for 9 years. Experienced in art administration/management, curation, performance, director and teaching.
\n\nSince 2019, she's devoted herself to spiritual exploration and education, dedicated to accompany the public to return to the home of the soul through the body.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f886fae8f3004da6450fd8e62907fa37",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Love Letter for Myself",cover:"af17ac02f8f4e965225744916e0f59c0",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
How long has it been since you spent some time with and really listened to yourself?
\n\n\n\n
After a physical activity as a warm-up and through dialogue and guidance, this workshop will help you stretch your muscles and open up your heart. With the added dimension of connection to life stories via drawing and writing, we will explore the self at the spiritual level and find relief from the accumulated stress of daily life, through which we will become reacquainted with and embrace ourselves.
\n\n\n\n
The sweetest love letter you can write to yourself is the one that listens to your heart.
\n\n\n\n
Qualifications
\n\n【Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 30 participants. Availability is limited.
\n\nProspective participants|exclusive to Weiwuying card members. Participants should be at least 15 years old.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632498939,updatedAt:1635590692,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614dfa85103d910007fefc99",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光",data:{_id:"614dfa85103d910007fefc99",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636636200,discrete:[{time:1636636200}],type:"discrete"},activity:{type:"signup",signup:{limit:45,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"61542fc687c8d30008b196bd",text:"身分證字號/統一證號 ID Number/ Unified Number ",english:"身分證字號/統一證號 ID Number/ Unified Number "},{required:!0,key:"61542e13103d910007ffddf2",text:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)",english:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)"},{required:!0,key:"61542e5a103d910007ffddff",text:"年齡Age(※須年滿18歲。Must be at least 18 years old.)",english:"年齡Age(※須年滿18歲。Must be at least 18 years old.)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n許怡蘭|芳療教育家
\n\n\n\t\t |
芳香療法界知名講師及作家,教學領域橫跨英系、法系、德系學派,及各國傳統自然療法。結合神秘學及豐富人文學養,建構出獨特而有趣的精油知識系統,是一位最會說故事的芳療師。
\n\n\n\n
助教介紹
\n\n何欣潔|香氣故事設計師
\n\n\n\t\t |
拾心香研主理人。讓香氣成為敘事的語彙,把走過的風景、遇見的人、到訪過的城市街道,轉譯化成香氣作品,透過香氣策展與芳香書寫的方式,分享溝通氣味的世界。說香氣的故事,也用香氣說生活的故事。
\n\n\n\n
薑|芳香課程特別助理
\n\n\n\t\t |
具備眾多芳香線上課程協助經驗,以理工背景的邏輯穩定排除問題,深暗芳香療法的核心細節與實作流程。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"50e96eabb833b36932911941f8d9a9ef",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光",cover:"9021696d4d16906f500b848f4a5d721c",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n深呼吸,喘口氣,愛自己。
\n\n「共創工坊 — 給自己的按摩小時光」邀請每位參與者在芳香放鬆的氛圍中,學習使用天然精油照顧自己。知名芳療師與講師-許怡蘭,將結合各國的芳療學派與傳統自然療法,從神秘學及豐富人文學養的角度,分享實用有趣的精油小知識。
\n\n工作坊更將規劃輕鬆聊天的婦科Q&A,並傳授簡易的按摩技巧,提供舒適安全的線上空間,帶領你走進這條呵護自己的小徑,展開一趟自我療癒之旅。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限45人,額滿為止。
\n\n參加對象|限衛武營持卡會員;僅限生理女性參與,且須年滿18歲以上。
\n\n報名期間|即日起至11月10日(四)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Gina HSU|Aromatherapy Educator
\n\n\n\t\t |
Gina is a renowned lecturer and author specializing in aromatherapy schools from the UK, France, and Germany, as well as traditional natural therapy methods of different countries. An aromatherapy storyteller, Gina's unique and fascinating knowledge system of essential oils combines Mysticism and her rich background in culture and literature.
\n\n\n\n
Assistant
\n\nPoky HO|Fragrance Story Designer
\n\n\n\t\t |
The founder of Shixin Natural Scent Studio, HO puts scents at the center of narratives and translates sceneries, encounters, and street scenes of the past into fragrance products. Through curating and writing about scents, HO shares and communicates through the world of scents. HO tells the stories of scents and uses scents as vocabularies of articulating our everyday lives.
\n\n\n\n
Ginger LIU|Aroma Course Assistant
\n\n\n\t\t |
With various experiences in assisting with online scent courses, Ginger solves problems from the perspective of someone with training in science and technology. Ginger is knowledgeable about the key points and procedures of aromatherapy.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"50e96eabb833b36932911941f8d9a9ef",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光"}],related:[],title:"【WOW Kaohsiung 2021】Workshop –Massage for Soul and Body",cover:"9021696d4d16906f500b848f4a5d721c",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
Breathe deeply and love yourself.
\n\nIn an aromatic, relaxing environment, Relax with a Self-Massage teaches participants how to care for themselves with natural essential oils. From the angles of mysticism and the humanities, aromatherapist and lecturer Gina HSU will integrate aromatherapy techniques from around the world and traditional methods while sharing useful, interesting knowledge on essential oil use.
\n\n\n\n
In addition, there will be a chat and Q&A on gynecology while simple massage techniques are taught. On our comfy, safe online space, you'll embark on a path of care and healing for yourself.
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 45 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.This event is restricted to female (physiological) participants at least 18 years old.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632500357,updatedAt:1635580865,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df6dd103d910007fefc1e",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲",data:{_id:"614df6dd103d910007fefc1e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636716600,discrete:[{time:1636716600}],type:"discrete"},activity:{type:"signup",signup:{limit:60,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n一一擬爾劇團
\n\n\n\t\t |
『一一擬爾劇團』成立於2004年,為臺灣第一個創立一人一故事劇場(Playback Theatre,簡稱PB)的團隊。PB是一種即興表演的形式,由台下觀眾提供自身的經驗與故事,台上演員立即運用簡潔有系統的表演形式,將故事呈現出來,促進人與人之間的傾聽、同理、平等、尊重及情感連結。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"3568a21f39678e64fc1547d3712239a8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲",cover:"acd45da05f15e1d67bd167ce8d650736",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n阿嬤的魔法是怎樣煉成的?她們帶著一身的辛酸、責任與故事,由誰講、有誰聽?
\n\n「阿嬤阿嬤叨未去?進劇場,來看戲」邀請祖母、未來祖母及有祖母故事的朋友,以一人一故事劇場的形式,由觀眾分享阿嬤的故事,再由演出團隊根據現場的分享,以音樂、戲劇等即興演出,作為禮物回饋給故事分享者,共同體驗一個又一個生命故事的交響與迴盪。
\n\n走過舊日的足跡,在人生走到阿嬤階段的她們,何時才能先照顧自己的需求與渴望?有否機會擺脫跨代家庭照顧者的角色,而活出自己?阿嬤阿嬤,下一步,你想要去叨未?
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限40人,額滿為止。
\n\n參加對象|限衛武營持卡會員
\n\n報名期間|即日起至11月11日(四)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Even Near Playback Theatre
\n\n\n\t\t |
Even Near Playback Theatre, founded in 2004, is the first Playback Theatre in Taiwan. Playback Theatre is an interactive form of theatre, in which the audience would first tell their stories and experience, and then the actors would re-create the stories with concise and systematic forms of performance, promoting listening, empathy, equality, respect and emotional connections.
\n\n\n\n
\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"3568a21f39678e64fc1547d3712239a8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Magic Grandma in Playback Theater",cover:"acd45da05f15e1d67bd167ce8d650736",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
How do elderly women get that magic of theirs? Who will tell, and who will listen to their stories of bitter experience and responsibility?
\n\n\n\n
Grandma's Stories in Improv Theater invites women who are grandmothers, will be grandmothers, or have anecdotes related to grandmothers to share their stories, after which, based on each story, performers will come up with an improv performance as a means of thanking the story-sharer. You won't want to miss this amazing anthology.
\n\n\n\n
Having lived long enough to make it to grandmotherhood, when will these women be able to fulfill their own needs and desires? Is there any way for them to cast off their role in grandparenting and live out their own lives? Our dear grandmas, what's your next step?
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 40 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632499421,updatedAt:1635582145,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614dfbeb87c8d30008af9073",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 私密畫,大膽談!",data:{_id:"614dfbeb87c8d30008af9073",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636716600,discrete:[{time:1636716600}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"61542fc687c8d30008b196bd",text:"身分證字號/統一證號 ID Number/ Unified Number ",english:"身分證字號/統一證號 ID Number/ Unified Number "},{required:!0,key:"61542e13103d910007ffddf2",text:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)",english:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n林秀蘋|自由藝術工作者/藝術家/金工Design&maker
\n\n\n\t\t |
不斷的突破創作的疆界,以『金工』作為創作的起點,這幾年走入森林採集大地素材,感受到自然野性之美,內心有份感動,2015-2017 年創作一系列大型的藝術雕塑,以女性的子宮作為原點長出源源不絕的生命力,邀請女人,小孩,男人一起共同創造參與的藝術計劃『我的子宮,我的大地母親』,同時跨入策展,空間設計等領域。
\n
ⓘ 退費機制
\n\n「我們相視看見彼此,創造了圈,帶著燭火,說起女性最原始的聖殿,一切從女人身體的野性談起,那個野被蓋住了,那狂被掩埋在好深好深的夢中,我們一直尋找,那自然中的自己,原來她在心中從來沒有離開過我。」
\n\n工作坊將透過團體分享與彩繪,引導女性一步步開啟自我覺察,探索身體、陰部與自我的連結。
\n\n這場工作坊將是一個安全的場域,讓我們練習更加敞開自己,並嘗試用藝術、繪畫的方式,陪伴自己、更認識自己。
\n\n\n\n
工作坊內容:
\n\n\n\n
這是一場心的交織,聆聽她/他人、擁抱自我身體故事,
\n\n與畫筆共創一份專屬於妳的「秘密花園彩繪」。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限30人,額滿為止。
\n\n參加對象|限衛武營持卡會員;僅限生理女性參與,建議未滿18歲者,需家長陪同參與。
\n\n報名期間|即日起至11月11日(四)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'LIN Hsiu-ping|Independent Art Worker/Artist/Metalwork Design&Maker
\n\n\n\t\t |
\n
"We look at each other, holding candles in a circle together, and talk about the most primitive sanctuary of women. Everything begins with the wild nature of the female body, but that nature has been covered over; that untamed spirit has been buried deep within dreams. We are forever searching for that natural self, which has, in fact, always been in our hearts."
\n\nThrough group discussions and painting, women will be guided to open up their self-awareness step by step and explore the connection between their bodies, their genitalia, and themselves.
\n\nWithin this safe venue, let's practice opening up, spending time with ourselves, and getting to know ourselves better through art and painting.
\n\n\n\n
Workshop content:
\n\n\n\n
This is a place where hearts will interweave and where you will listen to others' stories, embrace your body, and create a picture of your own secret garden.
\n\n\n\n
Qualifications
\n\nRegistration Method|Online payment registration, each session with a maximum of 30 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.|This event is restricted to female (physiological) participants. Those under 18 years old should be accompanied by parents.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632500715,updatedAt:1635657055,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"61540fb1103d910007ffd85b",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落",data:{_id:"61540fb1103d910007ffd85b",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636785e3,discrete:[{time:1636785e3}],type:"discrete"},activity:{type:"signup",signup:{limit:15,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n周雅淳|性別教育自由講師
\n\n\n\t\t |
「單親媽媽和她的小孩粉絲頁」作者,有一個十一歲小孩,單親媽媽資歷十二年。臺灣大學社會學研究所博士候選人,專長性、性別、性侵害防治教育,有超過六百場相關授課及演講經驗。曾任清華大學人文社會學系及東華大學通識教育中心兼任講師前後共十年,開設性別理論及性別教育等相關課程;2015-2021年擔任花蓮勵馨倡議專員,除大量公眾教育、法案倡議外,在2019年勵馨創設Aher性╱別教育體驗中心花蓮館時,負責教案及場館導覽內容設計。2021年下半,她和朋友們成立「不會教小孩行動聯盟」,九月之後,進入東華諮商與臨床心理學系碩士班就讀,期待更精進自己在兒少心理、早期治療等方面之專業知識。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"aaed5b391fd7d0da3f42d2f0f0ff874c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落",cover:"4d50ebbd035f177f9cb9fb01ee2efdba",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n女性主義聽起來好難喔!要如何跟孩子說呢?
\n\n「10歲以下女性主義角落(Under 10’s Feminist Corner)」是全球WOW藝術節皆有的重點項目,讓7至10歲的孩童透過生活及遊戲,分享他們腦海中對性別的想法與希望,透過彼此的想像激盪,為未來創作出對性別更友善的藍圖。
\n\n工作坊邀請性別教育專家周雅淳,用童趣活潑的聊天方式,帶領孩童一起從日常玩中學、學中玩,慢慢地探索女性主義帶來的思考與想像!
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限10人,額滿為止。
\n\n參加對象|歡迎家長與您的孩子一起報名,惟僅限10歲以下(建議7-10歲)、任何性別之孩童,並限衛武營持卡會員報名。
\n\n報名期間|即日起至11月12日(五)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'CHOU Ya-chun|Freelance lecturer in Sex/Gender Education
\n\n\n\t\t |
The writer behind the fan page "Single Mother and Her Children," CHOU is a mother to an 11-year-old and has twelve years of experience as a single mother. A Ph.D. candidate at National Taiwan University Department of Sociology, CHOU's expertise lies in sex, gender, and education in sexual assault prevention and has given over 600 talks and lectures on related topics. CHOU served as a part-time lecturer at National Tsing Hua University Interdisciplinary Program of Humanities and Social Sciences and National Dong Hwa University General Education Center for ten years, teaching classes related to gender theories and gender education. Between 2015 and 2021, CHOU was a campaigner at Garden of Hope Hualien. Apart from extensive experiences in public education and promoting legislation, CHOU was responsible for designing the curriculum and tour for Aher Gender and Sexuality Educational Center (Hualien) when it was established in 2019. Throughout the second half of 2021, CHOU established Not So Tiny with friends. In September, CHOU enrolled in the master's program of National Dong Hwa University Department of Counseling and Clinical Psychology, hoping to extend her knowledge in child psychology and early treatment.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"aaed5b391fd7d0da3f42d2f0f0ff874c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Under 10's Feminist Corner",cover:"4d50ebbd035f177f9cb9fb01ee2efdba",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
Helping my kids understand feminism sounds hard! How do I explain it?
\n\nUnder 10's Feminist Corner is a major program at WOW Festivals around the world. Through sharing life experiences and games, children of ages seven to ten share their thoughts and expectations related to gender. Through creative brainstorming, we will draft blueprints for a more gender-friendly society in the future.
\n\nGender education expert CHOU Ya-chun will lead participants in a style of conversation that's fun for kids in learning through playing and playing through learning as a means of exploring thoughts and ideas on feminism.
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Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 10 participants. Availability is limited.
\n\nProspective participants|Children should be under the age of 10 (the recommended age group is 7 to 10 years old); both sexes are welcome. Exclusive to Weiwuying card members.
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Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Notice
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632898993,updatedAt:1635583042,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df87c103d910007fefc52",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!",data:{_id:"614df87c103d910007fefc52",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636785e3,discrete:[{time:1636785e3}],type:"discrete"},activity:{type:"signup",signup:{limit:40,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n藍翊云|創造焦點團員
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現為Eye Catching Circus創造焦點團員。27歲,出生於臺北,五歲時被家人送去學跳舞,媽媽說這樣身體才會健康,似乎是因為養身踏入表演藝術的世界(?)
\n\n國立臺灣戲曲學院民俗技藝學系畢業,10歲到22歲接受特技馬戲專業訓練,是一名軟骨功演員、高空馬戲表演者。
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梅芷菱|創造焦點團員、女馬系列《#Since1994》導演
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現為Eye Catching Circus創造焦點團員,專長為高空特技,近幾年從演員轉為創作者,研究如何利用馬戲獨特的身體語彙,探索性別意識與社會議題之間的連結與思考,2019推出以「女性」為核心的馬戲創作作品《女馬系列#Since1994》,擔任導演與演員,未來將持續以女性議題為主要研究與創作核心。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"165d10b7754f99a3afc19ce5c2aa5261",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!",cover:"d016a0ae8108e6c462189aebb6ec880b",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n用一場與身體的感官甦醒之旅,打開肢體與心靈,翻轉想像!
\n\n工作坊透過動態的肌力與伸展放鬆的練習,引領參與者覺察自我、意識到身體每一吋的存在,讓平日緊繃的身軀得到舒緩的釋放。並藉由靜態感受、觸摸的方式,讓參與者更了解每天與我們形影不離的身體樣貌,並在重新認識自我的過程中,用紙筆描繪出腦海中那獨一無二的自己。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限40人,額滿為止。
\n\n參加對象|限衛武營持卡會員,且須年滿18歲以上。
\n\n報名期間|即日起至11月12日(五)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'LAN Yi-yun|Member of Eye Catching Circus
\n\n\n\t\t |
Currently a member of Eye Catching Circus, LAN was born in Taipei and sent to learn dance by family members at the age of five. LAN's mother stated that dancing was good for the health; you might say LAN entered the world of performance for the sake of wellbeing(?)
\n\nLAN graduated from National Taiwan College of Performing Arts Department of Acrobatics and received professional circus training between the age of 10 to 22. LAN is a contortionist and aerial circus performer.
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MEI Chih-ling |Member of Eye Catching Circus and Director of The Female Circus Series #Since1994
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Currently a member of Eye Catching Circus, MEI is an expert at aerial circus and her recent focus is shifting her role from actress to creator. MEI explores ways to utilize the unique bodily expressions of the circus as a way of delving into discussions on gender and social issues. In 2019, MEI initiated the female-focused circus series #Since1994 as both director and actress. In the future, MEI will continue to focus her research and creative practice on topics related to feminism.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"165d10b7754f99a3afc19ce5c2aa5261",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Roll Up! Circus Girls",cover:"d016a0ae8108e6c462189aebb6ec880b",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
Through muscle exercises and stretching, participants will be guided toward self-awareness and consciousness of every inch of their physiques, allowing their normally tense bodies to relax and bask in a sense of liberation. Also, through the more static means of feelings and touching, participants will be led to gain a deeper understanding of their bodies, and while becoming reacquainted with the self, they will draw portraits of their unique selves.
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 40 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.Participants should be at least 18 years old.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632499836,updatedAt:1635581585,updatedBy:"林蔚行",host:!0}}],seq:3,name:"共創工坊",content:"",color:{a:1,r:220,g:12,b:21},type:"reference"},{programs:[{from:"programs",key:"614e821c87c8d30008afd9a7",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 為妳辦場藝術節",data:{_id:"614e821c87c8d30008afd9a7",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636196400,discrete:[{time:1636196400}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'簡文彬|衛武營國家藝術文化中心藝術總監
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1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院〈Deutsche Oper am Rhein〉駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第十八屆國家文藝獎。
\n\n2018年10月「衛武營國家藝術文化中心」正式啟用後,成為該場館受任藝術總監。
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蔣昕|衛武營國家藝術文化中心行銷部行銷策略組長
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因樂旗隊及當代舞蹈踏入表演藝術,在藝術行政領域找到自己的位置。畢業於國立清華大學社會學研究所。2011年投入藝術行政工作,2019年7月加入衛武營國家藝術文化中心節目部,2020年10月起擔任行銷部行銷策略組長。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"c2f9bc47bb6f2bbd29119ce8350eab53",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 衛妳辦場藝術節"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 為妳辦場藝術節",cover:"a5cca0bffcc2be8049fd5567766b3d2d",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
今年衛武營引進臺灣首個WOW藝術節,串連不同領域,蒐集在地民眾的聲音,整合出以 #連結對話 、#換位同理 、#歡慶共創為核心精神的「WOW高雄2021世界女性藝術節」!
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本屆WOW藝術節「放映櫥窗 — 為妳辦場藝術節」邀請衛武營藝術總監簡文彬與行銷部策略組長蔣昕,帶領眾人一同探索你不知道的藝術節秘辛,以及我們為何需要一場女性藝術節?讓我們一起「哇-嗚」迎接衛武營與藝術節共織的美好藍圖!
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溫馨提醒
\n\n\n\n\n\n
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'CHIEN Wen-pin|General and Artistic Director, National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\t\t |
Born in 1967, CHIEN graduated from the National Taiwan Academy of Arts (currently the National Taiwan University of Arts), majoring in piano, and has a master's degree from National University for Music and Performing Arts Vienna, majoring in conducting. Since 1996, CHIEN has been the Kapellmeister of Deutsche Oper am Rhein for 22 years. Between 1998 and 2004, CHIEN was the conductor-in-residence at the Pacific Music Festival, and he served as the music director for National Symphony Orchestra (NSO). CHIEN's notable achievements during his post at NSO include promoting the subscription series, commissioning and recording works by Taiwanese artists, and the opera series. Commemorating NSO's 20th anniversary in 2006, CHIEN presented the first production of the complete "Ring des Nibelungen" by Richard Wagner, the first in Mandarin-speaking areas. CHIEN was an artistic advisor at National Taiwan Symphony Orchestra between 2015 and 2016. CHIEN was awarded the 18th National Award for Arts in September 2014.
\n\nCHIEN was appointed as the artistic director when National Kaohsiung Center for the Arts (Weiwuying) opened to the public in October 2018.
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Cynthia CHIANG|
\n\nHead of Strategic Marketing, Marketing and Communications, National Kaohsiung Center for the Arts (Weiwuying)
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CHIANG entered the world of performing arts through color guard and contemporary dance, and found her position in the field of art administration. CHIANG graduated from National Tsing-Hua University Institute of Sociology and started working as an art administrator in 2011. CHIANG joined Weiwuying's Artistic Planning and Production team in July of 2019 and was appointed as the head of Marketing and Communications in October, 2020.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"c2f9bc47bb6f2bbd29119ce8350eab53",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 衛妳辦場藝術節"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – An Arts Festival for YOU!",cover:"a5cca0bffcc2be8049fd5567766b3d2d",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
Weiwuying is holding Taiwan's first Women of the World Festival, bringing together different sectors and the voices of locals for the WOW Kaohsiung 2021—Women of the World Festival, which will be based on #ConnectedDialogue, #EmpathyThroughTransposition, and #CelebratoryCocreation.
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For the WOW Screening – An Art Festival for YOU!, Weiwuying general and artistic director CHIEN Wen-pin and marketing department head Cynthia CHIANG will lead attendees in exploring the secrets of holding an art festival and discussing why we need an art festival dedicated to women. Let's work together in drafting the perfect blueprint for Weiwuying and WOW Kaohsiung 2021.
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Reminder
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\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632535068,updatedAt:1636512593,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e7f8087c8d30008afd94d",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》",data:{_id:"614e7f8087c8d30008afd94d",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636282800,discrete:[{time:1636282800}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"影片介紹",content:'《美麗天生》
\n\n\n\t\t |
李湘郡 LEE Hsiang-Chun/ 2019/ 臺灣/ 彩色/ 24分鐘
\n\n出生在聾人家庭的天生,愛的表達是肢體、是眼神,沒有多加修飾的話語。還未懂事,天生就成了父母和外界溝通的管道,在父親去世後,早晨要陪母親去菜市場,大小事要幫忙翻譯,還要翻譯那些令人難以啟齒的話語,這是身為聾人兒子的日常。
\n\n\n\n
然而這樣的日常隨著青春期的到來,他發現自己漸漸失去聽力了,舞蹈比賽又即將到來,他選擇逃避不敢讓母親知道。一點一點消失的聽力,就像父親過世三年的合爐儀式一樣,逝去的不會復返…
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a92c29b23884eec4c0a7ca431bf2d80e",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》",cover:"22d10ff6dc49fab760adf2e3bfdb7799",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
「台灣女性影像學會」為「WOW藝術節」,專業選片挑選三部探討不同性別議題的短片,透過女性創作者的「看見」,將視角延伸到不同角落,了解不同生命的樣貌,呈現女性用影像書寫世界的多元觀點。
\n\n\n\n
合作夥伴
\n\n台灣女性影像學會成立於2000年,為一非營利組織(前身為台北市女性影像學會)。本學會先進自1993年即創辦「Women Make Waves台灣國際女性影展」,持續舉辦至今,旨在提供女性導演另類視角的影片映演,並建構國際交流的平台,也為國人引介了近千部難得一見的外片,以及別具匠心的國片。
\n\n本學會自2001年起辦理女性影展全國巡迴映演,與各縣市轄下戲院、社區、校園及藝文中心共同辦理,此舉為全國首創。以消弭影像教育城鄉差距,遍灑「女影。學」種子為職志。耕耘迄今,「Women Make Waves台灣國際女性影展」不僅是臺灣歷史最悠久的議題性影展,更成為亞洲兼具重要性與代表性的影展之一。 除影展外,本學會更將觸角擴及書籍刊物出版,以及DVD發行等業務。並於2009年起,系統性擴充網站資料庫,除提供各界所需教育資源外,也豐富國內女性電影理論與性別研究論述。近年來亦著手辦理紀錄片培訓營,透過鏡頭執掌轉移,推動公民傳播賦權並提升大眾媒介素養,令更多人得以發聲。
\n\n\n\n
溫馨提醒
\n\n本節目全程24分鐘,節目前10分鐘開放入場,無中場休息。
\n\n\t持卡會員請使用官網連結取得WOW PASS,憑報名WOW PASS後所獲得之活動連結登入Cisco Webex 視訊平台,並可接續參與「對談時光」活動,享有【WOW PASS限定演後座談】;非持卡會員請由衛武營YouTube頻道連結觀賞。 加入卡友會員
\n\t若以Cisco Webex視訊平台參與,請自備可網路連線、具攝影鏡頭及麥克風之電腦設備、手機或平板,並事先下載Google Chrome瀏覽器或Cisco Webex 視訊軟體。並於報到入場時,以報名者本人真實姓名報到。\n\n
\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"FILM",content:'CODA+
\n\n\n\t\t |
LEE Hsiang-chun/2019/Taiwan/Color/24min
\n\nBorn into a deaf family, Tien-Sheng cannot express love in words and instead does so through body language and the gaze. When he was still little, Tien-Sheng became the channel for communication between his parents and the world. After his father passes away, Tien-Sheng has to accompany his mother to go shopping at the wet market as a translator; he even has to translate things that are awkward. This is the daily life of a child of deaf adults.
\n\nAs Tien-Sheng reaches adolescence, Tien-Sheng finds that he is losing his hearing ability. With the dance competition coming up, Tien-Sheng chooses to hide the truth from his mother. His hearing is like the Incense Burner Reunion that happens on the three-year anniversary of his father's death, gone forever.
\n\nCurrently a master's student, I hope to extend my knowledge in child psychology and early treatment.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"a92c29b23884eec4c0a7ca431bf2d80e",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》"}],related:[],title:"【WOW Kaohsing 2021】WOW Screening – Coda",cover:"22d10ff6dc49fab760adf2e3bfdb7799",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex "},cautions:'
\n\n
The Taiwan Women's Film Association has chosen three short films for the WOW Festival that explore different gender issues and turn the perspective to different areas through the eyes of female artists. In this way, viewers can gain an understanding of different women's lives as women depict diverse viewpoints through film.
\n\n\n\n
Partner
\n\nThe Taiwan Women's Film Association (originally the Taipei Women Film and Video Association[M1] ) was established in 2000 as an NGO. Since 1993, we have held Women Make Waves, a film festival aimed at providing female directors screenings outside of the traditionally androcentric perspective and creating an international exchange platform. We have brought nearly a thousand rarely seen foreign films to Taiwan and screened unique local films as well.
\n\nIn 2001, we were the first organization in Taiwan to cooperate with theaters, art centers, communities, and school campuses in holding a touring version of our film festival. While working to close the urban-rural gap in Taiwanese film education, we have made the promotion of women in film production our mission. The festival is not only Taiwan's most longstanding social issue-based film festival but has become one of the most important and well-known film festivals in Asia. In addition, we have expanded operations to include the publication and release of books, periodicals, and DVDs. In 2009, our website database was augmented to provide educational materials in a variety of fields and to add to local feminist film theory and the stockpile of research on gender issues. In recent years, we have held documentary production courses, advancing more women's understanding of the use of media and giving them a voice through the camera.
\n\n\n\n
Reminder
\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632534400,updatedAt:1635594727,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e808c87c8d30008afd973",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》",data:{_id:"614e808c87c8d30008afd973",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636369200,discrete:[{time:1636369200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"影片介紹",content:'《非法母親》
\n\n\n\t\t |
朱詩倩 Michelle CHU/ 2020/ 臺灣/ 紀錄片/ 彩色/ 21分鐘
\n\n小雨和世平仍不被法律「允許」擁有自己的孩子,但她們並不妥協,於是開啟了一趟424天的求子旅程。這是一部同時擁有女人、妻子、母親這三種角色的導演,獻給天下女人的愛情紀錄片,紀錄同婚通過後,依然無解的非法求子故事。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"23194a01860be228db57e6f940e644f6",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》",cover:"7d4331315ea78985143845bf62037b7c",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
「台灣女性影像學會」為「WOW藝術節」,專業選片挑選三部探討不同性別議題的短片,透過女性創作者的「看見」,將視角延伸到不同角落,了解不同生命的樣貌,呈現女性用影像書寫世界的多元觀點。
\n\n\n\n
合作夥伴
\n\n台灣女性影像學會成立於2000年,為一非營利組織(前身為台北市女性影像學會)。本學會先進自1993年即創辦「Women Make Waves台灣國際女性影展」,持續舉辦至今,旨在提供女性導演另類視角的影片映演,並建構國際交流的平台,也為國人引介了近千部難得一見的外片,以及別具匠心的國片。
\n\n本學會自2001年起辦理女性影展全國巡迴映演,與各縣市轄下戲院、社區、校園及藝文中心共同辦理,此舉為全國首創。以消弭影像教育城鄉差距,遍灑「女影。學」種子為職志。耕耘迄今,「Women Make Waves台灣國際女性影展」不僅是臺灣歷史最悠久的議題性影展,更成為亞洲兼具重要性與代表性的影展之一。 除影展外,本學會更將觸角擴及書籍刊物出版,以及DVD發行等業務。並於2009年起,系統性擴充網站資料庫,除提供各界所需教育資源外,也豐富國內女性電影理論與性別研究論述。近年來亦著手辦理紀錄片培訓營,透過鏡頭執掌轉移,推動公民傳播賦權並提升大眾媒介素養,令更多人得以發聲。
\n\n\n\n
溫馨提醒
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"FILM",content:'Legit Moms, Illegitimate Kid
\n\n\n\t\t |
Michelle CHU/2020/ Taiwan/Documentary/Color/21min
\n\nAccording to the law, Mota and City are still not "allowed" to have their own children. Refusing to give in, the couple embarks on a 424-day journey to conceive a child of their own. This is a film by a director who is at the same time a woman, wife, and mother. Dedicated to all women, Legit Moms, Illegitimate Kid is a documentary of love that chronicles the unresolved issue of illegal means of childbearing that remains in existence even after the legitimization of same-sex marriage.
\n\n\n\n
\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"23194a01860be228db57e6f940e644f6",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – Legit Moms, Illegitimate Kid",cover:"7d4331315ea78985143845bf62037b7c",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
The Taiwan Women's Film Association has chosen three short films for the WOW Festival that explore different gender issues and turn the perspective to different areas through the eyes of female artists. In this way, viewers can gain an understanding of different women's lives as women depict diverse viewpoints through film.
\n\n\n\n
Partner
\n\nThe Taiwan Women's Film Association (originally the Taipei Women Film and Video Association[M1] ) was established in 2000 as an NGO. Since 1993, we have held Women Make Waves, a film festival aimed at providing female directors screenings outside of the traditionally androcentric perspective and creating an international exchange platform. We have brought nearly a thousand rarely seen foreign films to Taiwan and screened unique local films as well.
\n\nIn 2001, we were the first organization in Taiwan to cooperate with theaters, art centers, communities, and school campuses in holding a touring version of our film festival. While working to close the urban-rural gap in Taiwanese film education, we have made the promotion of women in film production our mission. The festival is not only Taiwan's most longstanding social issue-based film festival but has become one of the most important and well-known film festivals in Asia. In addition, we have expanded operations to include the publication and release of books, periodicals, and DVDs. In 2009, our website database was augmented to provide educational materials in a variety of fields and to add to local feminist film theory and the stockpile of research on gender issues. In recent years, we have held documentary production courses, advancing more women's understanding of the use of media and giving them a voice through the camera.
\n\n\n\n
Reminder
\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632534668,updatedAt:1635593785,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e7e0b103d910007ff0a94",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃",data:{_id:"614e7e0b103d910007ff0a94",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636455600,discrete:[{time:1636455600}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'洪金枝|南洋台灣姊妹會多元文化講師
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洪金枝,十多年前自越南移民至臺灣。金枝在越南是位幼兒園教師,非常喜歡與孩子玩耍,她的夢想是成立幼兒園,陪伴孩子成長。金枝目前在小學教孩子越南語,並在晚間開授成人的越語課程;而為了實踐成立幼兒園的夢想,同時就讀空中大學社會科學系。金枝自從參與南洋台灣姊妹會開設的「多元文化師資」培訓課程後,便積極參與姊妹會;她是「南洋姊妹劇團」的前任團長,以及「南洋台灣姊妹會」的前任理事長。
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金枝說:「我來自一個舉家移民的家庭,帶著滿身對於教育的熱血與多元文化的寶藏生活在臺灣。我是A剖老師,一位生長在越南、臺灣的教學狂!」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"6e839e2e04900a744d7818e7b30763ed",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃",cover:"275cb33e8166ccc8e1dfdc3d91f6a1b7",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
吃一口南洋美食,除了交織著陌生與熟悉的味道,更是濃郁嗆辣的流浪滋味。刀起刀落、蔬果、肉串、河鮮、香料、炭火、蒸氣,瀰漫在空氣中的,不是異國,是南洋姊妹一同調出的家鄉。一代一代,旅人和遊子帶著記憶和食物來到這島嶼,留下了家鄉的味道,卻獨自嚐著鄉愁離去。這些食物早在無形中融入臺灣,成為庶民生活的一部分,但它們承載的文化與記憶卻始終被視為遙遠的異國故事,堆疊在角落。
\n\n
\n「南洋姊妹教你吃」不只是南洋料理烹飪教學,更是一首關於想念、關於想望、關於離開家鄉的嘆歌。
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Apple HUNG|Multicultural Speaker / Vietnamese Teacher, TransAsia Sisters Association, Taiwan
\n\n\n\t\t |
Apple HUNG, a Vietnamese immigrated to Taiwan eleven years ago. She was a kindergarten teacher in Vietnam and enjoys playing with kids. Her dream is to run a kindergarten to accompany children to grow up. Currently, she teaches Vietnamese language at elementary schools and evening courses for adults in Taiwan. To realize her dream to establish a kindergarten, she is studying at the Department of Social Sciences at the Open University in Taipei. Chin-Chih has been active in TransAsia Sisters Association, Taiwan (TASAT), since she joined TASAT's program on trainings for multicultural speakers. She is the former Chairperson of TASAT Theater Troupe, and the present Chairperson of TASAT.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"6e839e2e04900a744d7818e7b30763ed",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening –Spice Girls - From Me to Us",cover:"275cb33e8166ccc8e1dfdc3d91f6a1b7",site:{isOther:!0,site:"",other:"Weiwuying YouTube Chennel /Cisco Webex"},cautions:'
\n\n
When you take a bite of Southeast Asian food, besides experiencing a mixture of tastes both familiar and unfamiliar, there is also a strong sense of wandering. These foods, including fruit, vegetables, kebabs, freshwater animals, and spices cooked in many ways, such as over charcoal fires or steamed, filling the air with their fragrance, are not exotic to the women from overseas who make them. For generations, travelers and wanderers have brought and shared their memories and food of their native countries to this island yet have felt quite alone while missing their homes. These foods have quietly integrated into Taiwan's cuisine and become part of people's everyday lives, but they are vehicles of culture and memory that have been viewed merely as stories from faraway countries to be piled together in a corner.
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Longing for Southeast Asian Home Cooking is not only about teaching you how to make Southeast Asian cuisine; it is a song of nostalgia, desires, and being far from home.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632534027,updatedAt:1635592124,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e85ca103d910007ff0bb2",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!",data:{_id:"614e85ca103d910007ff0bb2",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636542e3,discrete:[{time:1636542e3}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'共室 Hair Café
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經常有人這麼說,共室Co-Space是咖啡館、是美髮沙龍、也是解憂雜貨店,更是分享交流學習的平臺。共室是一群熱愛咖啡、旅行、生活與分享的美髮人,因為凝結了許許多多的共識與共嗜,讓她們決定一起共室再共事,讓美的事物和故事在這裡蘊釀發生。邁入第二年,辦過十數場分享會,包含攝影、義剪、心靈課程、針織手作課、新書發表和服⋯等等大小活動,未來還會串連出更多的美好。「歡迎你來,一起共室。」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f24706bb24f2a20f7ca371eeb97e21fb",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!",cover:"fa8cb62bb0de7caaad5d991919f36d1e",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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剪了瀏海,讓妳瞬間減齡又提升魅力?!
\n\n「有一種整容叫剪瀏海!」邀請專業的美髮團隊,針對不同臉型、氣質,提供自己在家剪瀏海可以依循的造型知識與剪髮技巧。
\n\n本屆WOW邀請到扎根高雄的在地創業女性「共室 Hair Café」,透過簡易的整髮、剪髮教學,一同聊聊關於「美」這件事,每個女孩都有最適合自己的髮型,讓共室和妳一起尋找屬於妳的專屬瀏海!
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Co-space HairCafé
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Many people say that Co-Space is a café, hair salon, a grocery store that relives worries, and a platform for sharing and learning. Co-Space Hair Café is a group of hairdressers passionate about coffee, traveling, life, and sharing. Due to their like-mindedness and shared hobbies, they decided to open Co-Space Hair Café, a space for beauty and stories. As they approach their second year, Co-Space Hair Café has arranged over ten events of varying scales, sharing topics including photography, charity haircuts, spiritual classes, knitting and DIY classes, book releases, and kimonos. Co-Space Hair Café will continue to arrange more excellent events in the future.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f24706bb24f2a20f7ca371eeb97e21fb",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – Cut Your Bangs with Confidence",cover:"fa8cb62bb0de7caaad5d991919f36d1e",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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Cutting your bangs can automatically make you look younger and more attractive!?
\n\nIn Cut Your Bangs with Confidence, a professional team of hairstylists will teach you concepts and techniques on cutting your bangs on your own in a way that will fit the shape of your face and your disposition.
\n\nThe team consists of women from Kaohsiung's Hair Café. While providing basic teaching on hair management and cutting, we will discuss the idea of "beauty." There is a hairstyle that's just right for every girl, so let Hair Café help you find the look for your bangs that's perfect!
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632536010,updatedAt:1635594229,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e846a103d910007ff0b7d",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!",data:{_id:"614e846a103d910007ff0b7d",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636628400,discrete:[{time:1636628400}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'凡妮莎|凱娜棉條品牌總監
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於2004年開始利用社群介紹全球生理用品給臺灣女性,於2010年創業開賣臺灣首支塑膠導管棉條,2015年發起月亮杯群眾募資,總募資金額達1135萬元,並於2017年取得販售許可、而後於公共政策網路參與平臺提案修改相關法律完成。長期在臺灣推廣生理期教育,演講百場以上,同時著有「小月飼養日記」。最喜歡的事情:在講座現場感受女同學們閃閃發亮的求知眼神、還有男同學們跌破眼鏡的性教育時光。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"58cc7921012460fd7ae92a415e387233",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!",cover:"d2a1a9f1bdfce2ed2a2c12fd7c9241fd",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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本屆WOW邀請到「月經一姐凡妮莎」,來跟大家聊聊關於月經的大小事,一次教會妳使用所有的生理用品!
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凡妮莎一直相信,每個女生都值得擁有更多「選擇」,因此她推動月經教育,熱血走上開創生理用品品牌《凱娜》的路。短短的20分鐘,凡妮莎將從「月經父權」聊到「月經賦權」,從女性身體聊到臺灣現行醫療法規的制定開端。女性的身體有豐富的樣貌與各種可能性,給自己一段時間更認識自己,也探索與月經共處的各種路徑吧!
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Vanessa|Brand Director of KiraKira Tampon
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Vanessa started introducing worldwide sanitary products to Taiwanese women through social media in 2004. In 2010, Vanessa started her own company and began selling the first applicator tampons in Taiwan. In 2015, Vanessa initiated the crowdfund for moon cups and raised 11.35 million NTD, and gained license for sales in 2017. Afterward, Vanessa started participating in amending related legislation on online public policy platforms. As someone who has devoted many years to promoting period education, Vanessa has given over 100 talks and is the author of "Diary of Hsiao-yueh." Vanessa's favorite things include the hunger for knowledge shining through the glittering eyes of girls among the talk audience and moments of shock among boys when they receive new information on sex education.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"58cc7921012460fd7ae92a415e387233",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – Sanitary Products of Your Own Choice",cover:"d2a1a9f1bdfce2ed2a2c12fd7c9241fd",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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Period-product guru Vanessa will share about all you need to know on menstruation and the use of each kind of period product.
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She has always believed that girls should have more choices, hence her promotion of menstrual education and passionate work toward developing the period-product brand KiraKira. In just 20 minutes, she will tell the story of how period products have evolved from their androcentric origins to a means of female empowerment and share about the female body and the beginning of the formulation of related laws (such as menstrual leave from work). The female body is full of variety and all kinds of possibilities, so take a little time to get to know yourself better and explore all the different paths to coexisting with your period.
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632535658,updatedAt:1635593122,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e836b103d910007ff0b60",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 臺灣布袋戲界的第一代女演師 江賜美",data:{_id:"614e836b103d910007ff0b60",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636714800,discrete:[{time:1636714800}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'江賜美|真快樂掌中劇團創辦人暨藝術總監
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真快樂掌中劇團創辦人,她於16歲從事布袋戲藝術迄今,以88歲的高齡持續活躍於布袋戲界,沒有間斷的演出歷程,也為臺灣布袋戲發展史上,增添不同的人文特色。「真快樂掌中劇團」參與許多國際重要藝術節,推廣布袋戲表演藝術,近年來更跨界創作與並在文化傳承有其顯著的成績。她於2010年登錄為新北市政府布袋戲傳統藝術保存者,並於2018年榮獲新北文化貢獻獎。
\n'}],onShelf:!0,sliders:[{type:"image",key:"06157794a2e31accc7c73b918ae341ca",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 臺灣第一代掌中戲女演師 江賜美"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 臺灣第一代掌中戲女演師 江賜美",cover:"cc1952f7e56cab0c71e545d7e922ba1e",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'\n\n
作為臺灣布袋戲界的第一代女演師,江賜美女士是臺灣少數仍活躍於掌中藝術舞台的女性,她打破早期禁止女性登上傳統戲曲舞台的社會風氣,縱橫臺灣傳統戲劇界七十餘年,由她創辦的「真快樂掌中劇團」,更以女性觀點詮釋布袋戲劇目,探討傳統戲劇中女性角色的思維。
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放映櫥窗邀請她和我們聊聊身為一位由男性主導的掌中戲演藝界的女演師的心路歷程,也分享她心中的布袋戲之美。
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'CHIANG Szu-mei|Artistic Director of Jin Kwei Lo Puppetry Company
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The founder of Jin Kwei Lo Puppetry Company, CHIANG has devoted herself to glove puppetry since the age of 16. Today, CHIANG is 88 years old and continues to be an active figure in the stage of glove puppetry. Her ongoing performances are a unique chapter in the history of Taiwanese glove puppetry. Jin Kwei Lo Puppetry Company has participated in many prominent international art festivals, dedicating efforts to promoting the performing art of glove puppetry. Throughout recent years, the company has also participated in interdisciplinary collaborations, achieving impressive results in passing on the legacy. In 2010, CHIANG was listed as a preserver of traditional arts by New Taipei City Government and received the New Taipei City Cultural Contribution Award in 2018.
\n'}],onShelf:!0,sliders:[{type:"image",key:"06157794a2e31accc7c73b918ae341ca",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 臺灣第一代掌中戲女演師 江賜美"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – CHIANG Szu-mei, First-ever Female Palmar Drama Puppet Master",cover:"cc1952f7e56cab0c71e545d7e922ba1e",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex "},cautions:'\n\n
One of the first female puppeteers in Taiwan, CHIANG Szu-mei, is now one of the few remaining women active in the industry. She overcame the traditional custom of women being prohibited from taking part in stage performances and has been part of the traditional theater sector in Taiwan for over 70 years. The Jin Kwei Lo Puppetry Company, which she founded, puts on puppet shows from a female perspective in probing people's mindsets on the role of women in traditional theater.
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She will share her thoughts on the history of a field dominated by men and her ideas on the beauty of puppetry.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632535403,updatedAt:1653376562,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"614e7a0387c8d30008afd894",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《更衣室之爭》",data:{_id:"614e7a0387c8d30008afd894",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636801200,discrete:[{time:1636801200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"影片介紹",content:'《更衣室之爭》
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瑪琳.哈斯羅德 Marin HASKJOLD/ 2020/ 挪威/ 彩色/ 15分鐘
\n\n一位跨性別女性被要求離開泳池更衣室。裡面有人認為,女人是天生被賦予的身份,而非能夠選擇成為的角色。隨著越來越多人加入爭論,眾人的情緒逐漸高昂。究竟何謂女人?更衣室裡的每個人都抱有不同的觀點和想法。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"4939c537c5609d62de22dc6fd2df6cc0",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《更衣室之爭》"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 《更衣室之爭》",cover:"6f64a48a417bb5c989fbf438ba9ffffd",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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「台灣女性影像學會」為「WOW藝術節」,專業選片挑選三部探討不同性別議題的短片,透過女性創作者的「看見」,將視角延伸到不同角落,了解不同生命的樣貌,呈現女性用影像書寫世界的多元觀點。
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合作夥伴
\n\n台灣女性影像學會成立於2000年,為一非營利組織(前身為台北市女性影像學會)。本學會先進自1993年即創辦「Women Make Waves台灣國際女性影展」,持續舉辦至今,旨在提供女性導演另類視角的影片映演,並建構國際交流的平台,也為國人引介了近千部難得一見的外片,以及別具匠心的國片。
\n\n本學會自2001年起辦理女性影展全國巡迴映演,與各縣市轄下戲院、社區、校園及藝文中心共同辦理,此舉為全國首創。以消弭影像教育城鄉差距,遍灑「女影。學」種子為職志。耕耘迄今,「Women Make Waves台灣國際女性影展」不僅是臺灣歷史最悠久的議題性影展,更成為亞洲兼具重要性與代表性的影展之一。 除影展外,本學會更將觸角擴及書籍刊物出版,以及DVD發行等業務。並於2009年起,系統性擴充網站資料庫,除提供各界所需教育資源外,也豐富國內女性電影理論與性別研究論述。近年來亦著手辦理紀錄片培訓營,透過鏡頭執掌轉移,推動公民傳播賦權並提升大眾媒介素養,令更多人得以發聲。
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"FILM",content:'What is a Woman?
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Marin HASKJOLD/2020/Norway/Color/15 min
\n\nA transgender woman is asked to leave the changing room of a swimming pool. Some people within the changing room believe gender to be an inherent identity and not something that can be chosen. The situation escalates rapidly as more people join in the debate. What is a woman? Each person in the changing room has different opinions.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"4939c537c5609d62de22dc6fd2df6cc0",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《更衣室之爭》"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – What is a Woman?",cover:"6f64a48a417bb5c989fbf438ba9ffffd",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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The Taiwan Women's Film Association has chosen three short films for the WOW Festival that explore different gender issues and turn the perspective to different areas through the eyes of female artists. In this way, viewers can gain an understanding of different women's lives as women depict diverse viewpoints through film.
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Partner
\n\nThe Taiwan Women's Film Association (originally the Taipei Women Film and Video Association[M1] ) was established in 2000 as an NGO. Since 1993, we have held Women Make Waves, a film festival aimed at providing female directors screenings outside of the traditionally androcentric perspective and creating an international exchange platform. We have brought nearly a thousand rarely seen foreign films to Taiwan and screened unique local films as well.
\n\nIn 2001, we were the first organization in Taiwan to cooperate with theaters, art centers, communities, and school campuses in holding a touring version of our film festival. While working to close the urban-rural gap in Taiwanese film education, we have made the promotion of women in film production our mission. The festival is not only Taiwan's most longstanding social issue-based film festival but has become one of the most important and well-known film festivals in Asia. In addition, we have expanded operations to include the publication and release of books, periodicals, and DVDs. In 2009, our website database was augmented to provide educational materials in a variety of fields and to add to local feminist film theory and the stockpile of research on gender issues. In recent years, we have held documentary production courses, advancing more women's understanding of the use of media and giving them a voice through the camera.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632532995,updatedAt:1635592653,updatedBy:"林蔚行",host:!0}}],seq:4,name:"放映櫥窗",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"},{programs:[{from:"programs",key:"6153c41d103d910007ffcb0c",title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院",data:{_id:"6153c41d103d910007ffcb0c",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636111800,discrete:[{time:1636111800},{time:1636889400}],type:"discrete"},activity:{type:"free",free:{description:"報名參與(費用1,000)",englishDescription:"Registration ($1000)"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講師介紹",content:'Jude KELLY|WOW基金會創辦人
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裘德.凱莉是WOW基金會的創辦人及總監,在各地策劃WOW世界女性藝術節,表揚世界各地的女性的成就、挑戰性別不平等。首屆WOW藝術節於2010年在倫敦舉辦,直到現在已橫跨6大洲30個地區。
\n\n凱莉從2006至2018年為英國倫敦南岸藝術中心(Southbank Centre)的藝術總監,經營全英最具規模的藝術機構、同時是倫敦的第3大的觀光景點。此外,她擔任導演亦獲獎無數,曾為皇家莎士比亞劇團(Royal Shakespeare Company)、巴黎夏特雷劇院(Théatre du Châtelet)等世界級劇場執導超過100部作品。她參與創立了巴特西藝術中心(Battersea Arts Centre),亦是里茲劇院(Leeds Playhouse)的創始人,將之發展為公認的卓越文化場地。
\n\n凱莉參與多項文化藝術事務工作。她曾代表英國出席聯合國教科文組織協會(UNESCO),同時是皇家藝術學會(Royal Society of Arts)的藝術顧問委員,並與普特南勛爵(Lord Puttnam)一同擔任藝術及創意課程諮詢委員會的主席。她曾領導文化奧運委員會,負責2012倫敦奧運和帕運的創意、文化及教育事宜。
\n\n凱莉因為對劇場的貢獻,於1997年獲頒官佐大英帝國勳章(OBE),更於2015年獲頒大英帝國司令勳章(CBE),表揚她在藝術上的建樹。她於2013年2月獲英國廣播公司BBC廣播四台《女性時光》節目,推選為英國100名最有影響力的女性之一。2018年卸下南岸藝術中心藝術總監一職,創辦WOW 基金會,全心投入WOW藝術節。
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多米諾.派特門|WOW基金會藝術節與節目總監
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雪蓮.彼莉拉|WOW的資深製作人
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她的每項工作都結合了她的兩大熱情 — 創意及社會公義,並發源於破除刻板印象、推動跨文化對話及建立弱勢發聲平台的信念。彼莉拉曾帶領一支國際女性樂團巡迴大英國協運動會、製作巴比肯藝術中心《巴斯奇亞:真正的繁榮》展覽閉幕節目、統籌可倫坡雙年展,並在2020年6月創辦了WOW首個音樂節目WOW Sounds,呈獻以音樂作為社會行動的女性及非二元性別樂手。雪蓮.彼莉拉的熱衷於創造新穎複合的藝術節形式,以創造不同觀眾與講者連結的機會。
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薩比娜・阿赫塔|作家兼編輯、英國坦誠文學節策展人
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薩比娜是一名作家兼編輯,也是許多藝術慶典的藝文節目設計者。現為英國坦誠文學節策展人,旨在表揚海外傑出作家;普里瑪當娜藝術節共同創辦人,聚焦女性作家作品。她也是普里瑪當娜寫作獎與坦誠兒童文學節創辦人,後者是英國首個展示有色人種作家作品的兒童藝術節。薩比娜同時為WOW基金會資深節目設計者,在英國倫敦南岸藝術中心協助倫敦音樂節的策劃。作為一名獨立運動提倡者,2017年,她參與了BBC印度獨立70週年報導,並與女兒共同為兒童拍攝了關於印度獨立的節目。此後,她常受邀在各大媒體上討論該主題。薩比娜發表了各式各樣的作品,包括編輯阿歇特出版的《衣模衣樣?》,這是一部英國穆斯林婦女勢力抬頭的選集,內容在講述伊斯蘭恐懼症;她目前也正在撰寫小說。歡迎關注她的推特@pocobookreader。
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凱薩琳・芬頓|英國劇院公司「大混沌」的共同創辦人
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凱薩琳是一名逐漸嶄露頭角的酷兒製作人,目前在WOW世界女性藝術節擔任專案助理。凱薩琳是英國劇院公司「大混沌」的共同創辦人,製作許多關於女權主義、友誼與勤勉的作品。
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凱西・亨特|WOW澳洲藝術節執行製作人、「正向解方」創始董事、入行藝術基金會創辦人、昆士蘭銀幕工作室董事
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(照片來源:Christine SHARP)
\n\n凱西是「正向解方」創始董事之一,畢生投入於文化經濟,在英國、澳洲、紐西蘭與香港擔任製作人、藝術節總監、文化策略家及顧問。身為非營利組織「一心一意」的執行董事,她與倫敦WOW基金會合作,並在澳洲舉辦WOW世界女性藝術節,範圍擴及澳洲北領地凱瑟琳鎮。她同時也是2018年WOW澳洲藝術節的執行製作人;該活動旨在讚揚大英國協的婦女。
\n\n在澳洲昆士蘭州政府的支持之下,凱西領導了一支團隊,預計要在該州連續三年舉辦WOW澳洲藝術節。本應於2020年4月在布里斯本舉行,但因疫情的爆發而被迫取消,後續則改以線上方式進行。第二屆WOW澳洲2021原本預計將在昆士蘭及偏遠地區舉辦一系列的小型節慶與活動,但由於封城的關係而遭到部分取消,將延後至2022上半年舉行(wowaustralia.com.au)。凱西是入行藝術基金會的創辦人,專為藝術家提供小額貸款,同時也是昆士蘭銀幕工作室董事。曾獲2019年國際崇她布里斯本社婦女進步就職獎,也是昆士蘭州政府新成立的婦女策略諮詢委員會成員。
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蘿拉・格里爾|紐約阿波羅WOW藝術節製作人、阿波羅劇院資深製作人
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在從事表演藝術工作二十多年後,蘿拉・格里爾於2005年加入了舉世聞名的阿波羅劇院。她致力於與非裔藝術家合作,並向形形色色的觀眾介紹藝術新血與才華。
\n\n蘿拉現為阿波羅劇院資深製作人。就職期間,她一直是領導團隊的一員,並在設計、執行阿波羅表演藝術、教育與社區計劃,以及檔案計劃等「新興」藝術願景與策略中扮演重要角色。
\n\n阿波羅劇院的許多知名計畫皆出自蘿拉之手:聚焦於新作品的駐留及表演的「沙龍系列」,給予當代新作品的創作與發展非常重要的支持;聚焦於新一代音樂藝術家的深夜歌舞表演的「音樂咖啡廳」,以及一年一度、慶祝當今非洲好音樂的節慶「現代非洲!」。身為藝術先鋒,她促成了多項國際合作,包括與英國倫敦沙德勒之井劇院共同舉辦的國際嘻哈舞蹈戲劇節「打破常規」(2013、2015、2017);與歐洲首屈一指的法國維也納爵士音樂節合作,在維也納與紐約舉辦表演;在倫敦哈克尼帝國劇場舉辦「業餘之夜在倫敦」(2012)國際首演,以及成功協助阿波羅劇場舉辦倫敦南岸紐約2015、2017世界女性藝術節的首演。
\n\n在加入阿波羅劇院以前,蘿拉曾任美國喬治亞州亞特蘭大國家黑人藝術節製作助理(1999-2005),在準備一年一度為期十天的藝術節期間負責監督藝術與製作。她也曾任布魯克林音樂學院美琪大戲院651藝術節目總監,專門負責與非洲僑民的相關作品。她更於紐約城市學院的亞倫戴維斯表演藝術廳(現名哈林舞台)擔任過多種領導職務(1985-1998)。
\n\n蘿拉曾為許多決策團隊與委員會的一員,包括大西洋中部藝術基金會、紐約州藝術委員會、哈林藝術節、喬治亞州藝術委員會、651藝術非洲交流計劃主要夥伴,以及紐約貝西舞蹈工作坊。
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團隊介紹
\n\nWOW基金會
\n\nWOW基金會(The WOW Foundation)由裘德.凱莉(Jude Kelly)於2010年所創辦,她相信性別平等的理想世界不僅能夠予以實踐,同時也是現今社會迫切所需。透過舉辦藝術節、相關活動與創辦人裘德.凱莉的WOW Podcast節目,WOW以全球性的運動讚揚女性成就、正視女性所面臨的阻礙,並探討改變的解決方案。WOW世界女性藝術節致力於展現女性成就、提倡性別平等,是全球同領域最盛大、最全面、也最具影響力的盛事。
\n\nWOW的足跡至今已遍布全球六大洲17個國家、擁有超過300萬名參與者,涵蓋臺灣、澳洲、巴西、中國、埃及、芬蘭、印度、尼泊爾、奈及利亞、巴基斯坦、斯里蘭卡、索馬利蘭、土耳其等地,以及英國與美國的多個城市。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"ddec3d6f44548732eac7ad857b0ec77e",title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院"}],related:[],title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院",cover:"4a992a257ef144a1ec5161b9e32d44dd",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
非活動主辦單位,本活動全程禁止拍照、截圖、錄影與錄音。
\n\t主辦單位同步螢幕錄製影像以藝文推廣或非營利之目的為限,請於報名表單「肖像授權」欄位同意肖像權露出相關事宜。
\n\t主辦單位保留本活動變更權利。
\n\tⓘ 退費機制
\n\n報名人須於活動舉辦5天前主動聯絡主辦單位申請退費(wowkaohsiung@npac-weiwuying.org),取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前完成退費。
\n\t如對本活動有任何問題,請聯絡 WOW高雄工作小組 wowkaohsiung@npac-weiwuying.org或致電07-262-6941(週一至週五,每日10:00 - 18:00)。
\n\t以藝術節作為方法,策劃席捲全球的社會變革運動,也是你的理想嗎?
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WOW高雄2021世界女性藝術節邀請WOW的創辦人裘德.凱莉(Jude KELLY)、英國WOW基金會團隊,夥同世界各地WOW藝術節的領袖,為你帶來兩場充滿互動與國際視野的創意製作人專業學院。
\n\n學院會梳理WOW的全球運動脈絡,內容將涵蓋領導方法、藝術節策劃、跨文化合作與文化行動,以及以藝術推動社會變革等議題。來自全球4個國家的WOW領袖將親身分享她們的想法跟經驗,同時提供大量空間與參加者答問互動。
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學院課程
\n\n11/5(五) | \n\t\t\t第一天課程 | \n\t\t
19:30-20:30 | \n\t\t\t裘德.凱莉專題演講 | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t 原因與方式——WOW的願景與使命 \n\n\t\t\tWOW創辦人兼執行長裘德・凱莉女士將親自介紹WOW的願景與使命。在本活動中,裘德將40年來發展女性領導力、推動文化運動的經驗,以及為改變社會而打造戲劇與藝術節的歷程層層堆疊,描繪出藝術如何改變世界。 \n\n\t\t\t您將在本活動中與WOW團隊面對面,了解世界女性藝術節的運作方式、如何與各式各樣出色的團隊合作並在全球舉辦各地專屬的藝術節,以及WOW近期的任務案例分享。 \n\n\t\t\t過程中,也會有許多提問的機會。 \n\n\t\t\tWOW澳洲凱西・亨特談談領導力 \n\n\t\t\t來聽聽凱西・亨特回顧自己創辦WOW澳洲的經歷。凱西將與裘德展開對談,聊聊從大方向思考到實際舉辦WOW澳洲活動的過程,重點將放在偏遠地區工作、數位化以及權衡影響的方式。 \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\t總結及討論 | \n\t\t
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11/6(六)-11/14(日) | \n\t\t\tWOW高雄2021世界女性藝術節 | \n\t\t
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※藝術節必須另外報名,並參與至少三個不同場次之節目 \n\t\t\t | \n\t\t
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11/14(日) | \n\t\t\t第二天課程 | \n\t\t
19:30-20:30 | \n\t\t\t裘德.凱莉專題演講 | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t WOW共想工作坊 \n\n\t\t\t加入WOW共想工作坊,了解WOW世界女性藝術節的起始點。 \n\n\t\t\tWOW共想工作坊將邀請參與者一起腦力激盪:想邀請至WOW的嘉賓人選、藝術節需要解決的問題及疑慮、希望舉辦哪些有趣的節目,以及具體說明在當地舉辦WOW將遇到哪些獨一無二的事情。 \n\n\t\t\t共想工作坊也會提出藝術節的架構或藍圖,供節目設計團隊參考。 \n\n\t\t\t原因與方式:數位世界中的WOW \n\n\t\t\t從2020年3月開始,WOW基金會將部分活動轉移到線上。 \n\n\t\t\t一起來了解WOW基金會如何透過線上方式,成功舉辦自身主打的系列節目「WOW英國2021」,或是如何順利舉辦24小時全球直播的演講與表演「WOW全球24世界女性藝術節」,又是如何將世界各地80多位青年社會運動家集結成WOW青年領袖名錄。 \n\n\t\t\tWOW阿波羅劇院蘿拉・格里爾談談領導力 \n\n\t\t\t蘿拉・格里爾是美國紐約哈林區世界著名的阿波羅劇院資深製作人,將與各位聊聊文化運動、藝術空間以及WOW阿波羅劇院在建立社區連結方面的作用。 \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\t總結及討論 | \n\t\t
※如因講者安排以致節目更動,主辦單位保留課程最終決定權
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隨著衛武營主辦WOW高雄、首度引進WOW藝術節,創意製作人專業學院希望可以建立一個平台,讓志同道合的策劃人發展更緊密的跨文化合作。
\n\n活動時間|2021年11月5日(五)19:30-22:30 (GMT+8)
\n\n2021年11月14日(日)19:30-22:30 (GMT+8)
\n\n活動地點|Cisco Webex 視訊平台
\n\n活動費用|1,000元
\n\n授課語言|英文授課(可於報名時勾選中文翻譯、手語翻譯及即時聽打服務)
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報名資格
\n\n報名期間|即日起至10月29日(五)中午12:00止
\n\n報名方式|採線上付費報名,上限30人,於報名截止後,以電子郵件通知審核結果。
\n\n參加對象|適合3年以上相關經驗之專業藝術經理人、表演藝術與視覺藝術製作人、策展人、藝術家、教育工作者及文化機構工作者參與。開放所有性別人士。
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※必須同時報名WOW高雄2021世界女性藝術節,參與至少三個不同場次之節目。
\n\n※完整參與兩天學院節目的報名者會優先考慮。
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本活動可核發教師研習時數,如下:
\n\n11月5日(五)創意製作人專業學院|發予3小時。
\n\n11月14日(日)創意製作人專業學院|發予3小時。
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工作坊報名流程
\n\n線上報名→資格篩選→收到審核通知及繳費方式→繳交費用→完成報名。
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speakers",content:'Jude Kelly| Founder and Director of The WOW Foundation
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Jude Kelly is the Founder and Director of The WOW Foundation, which runs WOW - Women of the World Festivals across the globe to celebrate the achievements of women and girls and confront global gender injustice. Starting at London's Southbank Centre in 2010, where Jude was Artistic Director for 12 years, the festival now takes place in 30 locations across six continents. In 2018 Jude established The WOW Foundation as an independent charity dedicated to building the WOW movement as a force for change.
\n\nJude Kelly has directed over 200 theatre and opera productions, including at the Royal Shakespeare Company, English National Opera, National Theatre, and the Châtalet in Paris including Ian McKellen in The Seagull, Patrick Stewart in Johnson over Jordon and Dawn French in When We Are Married. She is the recipient of two Olivier Awards, a BASCA Gold Badge Award for contribution to music and a Southbank Award for opera. She was headhunted to join the bidding team for the 2012 London Olympics and create the programme for culture and ceremonies, she subsequently advised both Rio and Tokyo on their successful bids.
\n\nJude Kelly has founded a range of arts institutions and has commissioned and supported the work of thousands of artists across all genres.
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Domino Pateman|Director of Festivals and Programmes at The WOW Foundation
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Sabeena Akhtar|Writer/Editor, Festival Coordinator of Bare Lit (UK)
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Shereen Perera is WOW's Senior Producer. All of her work combines her two passions - creativity and social justice and stems from a belief to breakdown stereotypes, promote intercultural dialogue and creating platforms for marginalised voices to be heard. So far in her career she's toured an international girl band to the Commonwealth Games, produced the finale event to the Barbican's ‘Basquiat: Boom for Real' exhibition, project managed the Colombo Art Biennale and in June 2020 created WOW's first ever dedicated music programme WOW Sounds which works with women and non binary musicians who are using music as a form of activism. She's interested in creating innovative hybrid festival models that create opportunities to link different audiences and speakers together.
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Cathryn Fenton|Co-founder of Big Mess
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Sabeena Akhtar is a Writer/Editor and an Arts and Culture programmer working across a variety of literary festivals. She is the Festival Coordinator of Bare Lit, the U.K's principal festival celebrating remarkable writers in the diaspora. A co-founder of the Primadonna Festival which spotlights the work of women writers, the Primadonna Prize for writing and Bare Lit Kids, the UK's first children's festival showcasing the work of writers of colour. She is also Senior Programmer at the WOW Foundation, working on it's London festival at the Southbank Centre. A keen advocate for Partition commemoration, in 2017 she partook in the BBC's coverage of the 70th anniversary of Indian independence and alongside her daughter, filmed a programme on the Partition of India for children. She has since been invited to discuss the subject on various media outlets. She has published a wide variety of work including editing Cut From The Same Cloth? an anthology by visibly Muslim women in Britain, Talking About Islamophobia published by Hachette and is currently working on a novel. You can find Sabeena tweeting at @pocobookreader
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Cathryn Fenton|Co-founder of Big Mess
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Cathryn Fenton (she/her) is a queer emerging producer and currently works at WOW - Women of the World Festival as their Projects Assistant. Cathryn is co-founder of big mess, a theatre company making work about feminism, friendship and working hard.
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Cathy Hunt|Executive Producer of WOW Australia, Founding Director of Positive Solutions, Founder of the QuickstART, Board Director of Screen Queensland
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(Photo Credit:Christine SHARP)
\n\nCathy has spent her life working in the cultural economy as one of the founding Directors of Positive Solutions, across the UK, Australia, New Zealand and Hong
\n\nKong, as a producer, festival director, cultural strategist and consultant. As Executive Director of non profit company Of One Mind Cathy works with the WOW Foundation in London to develop WOW (Women of the World) Festivals in Australia, including in the Northern Territory town of Katherine and was the Executive Producer of WOW at Festival 2018 (Celebrating the Women of the Commonwealth)
\n\nWith support from the Queensland Government, Cathy is leading a team for the creation of three years of ‘WOW Australia' Festivals in the State, the first planned for Brisbane in April 2020 and cancelled due to the Pandemic with content and new commissions pivoted to digital presentation. The second WOW Australia 2021, devised as a series of smaller festivals and events across regional and rural Queensland was also partly cancelled due to lockdowns and will be presented during the first half of 2022 (wowaustralia.com.au). Cathy is the founder of the QuickstART microloan fund for artists, a Board Director of Screen Queensland, was the recipient of the Advancement of Women Inaugural Award from the Zonta Club of Brisbane in 2019 and is on the Advisory Committee for the new Queensland Government Women's Strategy.
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Laura Greer|Producer of WOW Apollo , Senior Producer of Apollo Theater
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Laura Greer joined the world-famous Apollo Theater in 2005 after over twenty years of working in the performing arts. She is dedicated to presenting and commissioning artists of African descent and introducing new voices and talents to the attention of diverse audiences.
\n\nGreer is currently a Senior Producer at the Apollo Theater. Throughout her tenure, she has been a member of the leadership team and instrumental in shaping the design and implementation of the "new" artistic vision and strategies for the Apollo's performing arts, education and community programs, and archive project.
\n\nMs. Greer has created several of the Apollo Signature Programs: the Salon Series, a new works residency and performance series providing critical support in the creation and development of contemporary new work; Music Café, a late-night cabaret series spotlighting the next generation of music artists; and Africa Now!, an annual festival that celebrates the best of today's African music. She's spearheaded and managed several international collaborations including Breakin' Convention (2013, 2015, 2017) , an international hip hop dance theater festival with Sadler's Wells, London; a collaboration with Jazz à Vienne (2014, 2016), a leading European jazz festival in Vienne, France, featuring presentations in Vienne and New York; Amateur Night Goes to London (2012), the first international presentation of Amateur Night at Hackney Empire; and the Apollo's successful presentation of Southbank London's New York premiere of the Women of the World Festival 2015, 2017 (WOW).
\n\nPrior to her work at the Apollo, Ms. Greer was the Associate Producer at the National Black Arts Festival in Atlanta, Georgia (1999-2005), where she was responsible for the artistic and production oversight of the annual ten-day festival. She has also served as the Director of Programming at 651 Arts at the Brooklyn Academy of Music (BAM) Majestic Theater, specializing in works grounded in the African Diaspora. She has held various leadership positions at Aaron Davis Hall at City College of New York (1985-1998), now known as Harlem Stage.
\n\nGreer has served on numerous panels and committees, including the Mid-Atlantic Arts Foundation, New York State Council on the Arts, Harlem Arts Festival, Georgia Council on the Arts, a primary partner of the 651 Arts Africa Exchange Project, and the New York Dance Bessie Committee.
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The WOW Foundation
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The WOW Foundation exists to build, convene and sustain a global movement that believes a gender equal world is desirable, possible and urgently required. WOW's global movement celebrates women, girls and non-binary people, takes a frank look at the obstacles that prevent positive change and develops and supports their individual and collective activism. WOW is for everyone.
\n\nWOW's work raises awareness about intersectional gender inequalities. By amplifying the varied barriers and challenges that impact every aspect of all of our lives, and connecting the dots between us, WOW aims to unite people around the common understanding that a gender equal world is actually possible - and would be preferable for everyone.
\n\nWOW always starts with optimism, recognising a gender equal world is possible, and uses this optimism to build the stamina and momentum required to get there.
\n\nWOW helps people to imagine the change they want to see, and inspires them to take urgent action towards gender justice. WOW acknowledges different starting points, and aims to meet people where they are. WOW facilitates a journey wherever you stand.
\n\nWOW works locally, nationally and internationally because WOW believes all our stories and lives are interconnected.
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\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"ddec3d6f44548732eac7ad857b0ec77e",title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院"}],related:[],title:"【WOW Kaohsiung 2021】Academy for Creative Producers",cover:"4a992a257ef144a1ec5161b9e32d44dd",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
All participants who are not part of the organizer are prohibited from taking video or audio recordings at any time during the performance. If participants need to take pictures or screenshots, please do not infringe with individuals' portrait rights and privacy rights or the speaker's intellectual property.
\n\tVideos recorded by the organizer are only used for cultural promotion or other non-profit purposes. Please agree to the “portrait rights” conditions during registration.
\n\tPlease contact the WOW Kaohsiung team at wowkaohsiung@npac-weiwuying.org or call 07-262-6941 (10:00 - 18:00, Monday to Friday) for any inquiries.
\n\tCan you see the potential of an art festival-propelled social reform movement that sweeps the globe?
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Women of the World Festival founder Jude KELLY, the WOW Foundation team from the UK, and WOW festival leaders from around the world will come together to offer two sessions of the Academy for Creative Producers, which will be full of interaction and an international perspective, at WOW Kaohsiung 2021.
\n\nDuring the sessions, the history and direction of the WOW global movement will be explained, including leadership methods, art festival planning, cross-cultural collaboration, cultural activism, and the use of art in pushing social reform. WOW leaders from four countries will share their thoughts and experiences in an unconfined space where attendees may ask questions and interact.
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Course Content
\n\n11/5 (Fri) | \n\t\t\tDay 1 | \n\t\t
19:30-20:30 | \n\t\t\tKeynote speech by Jude KELLY | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t \n\n\t\t\t WHY AND HOW - WOW's Vision and Mission \n\n\t\t\t\n\n\t\t\t Jude Kelly CBE, WOW's CEO and Founder, introduces WOW's vision and mission. Here, Jude weaves together over 40 years of experience in developing women's leadership, cultural activism, and creating theatre and festivals for social change to create a picture of how art can change the world. \n\n\t\t\tHere, you'll also meet the WOW Team to hear about WOW's festival methodology and how WOW builds local festivals globally in partnership with a range of fantastic organisations, and here case studies for some of WOW's most recent work. \n\n\t\t\tThere will be plenty of chances to ask questions throughout. \n\n\t\t\tWOW Leadership with WOW Australia's Cathy Hunt \n\n\t\t\tCome and hear Cathy Hunt reflect on how she created WOW Australia. From the big picture thinking to how she works practically to build the WOW Movement in Australia, Cathy will be in conversation with Jude Kelly, focussing on working rurally, digitally, and how they measure impact. \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\tConclusion and discussion | \n\t\t
\n\n
11/6(Sat)-11/14(Sun) | \n\t\t\tWOW Kaohsiung 2021 Women of the World Festival | \n\t\t
\n\t\t\t | \n\t\t\t
※You must register separately for the festival and attend at least three different festival programs to be involved in the course. \n\t\t\t | \n\t\t
\n\n
11/14(Sun) | \n\t\t\tDay 2 | \n\t\t
19:30-20:30 | \n\t\t\tKeynote speech by Jude KELLY | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t WOW Think In \n\n\t\t\tSee how every WOW Festival begins, by joining us for a WOW Think In. \n\n\t\t\tWOW Think Ins ask attendees to consider; which speakers they would like to invite to WOW, what issues and concerns need addressing at the festival, what fun things they would like to see, and what will be specific about their local WOW which wouldn't occur anywhere else. \n\n\t\t\tThink Ins provides the programming team with a festival skeleton or blueprint. \n\n\t\t\tWHY AND HOW: WOW in the Digital Space \n\n\t\t\tSince March 2020, The WOW Foundation has needed to move some of our activity online.Find out about how The WOW Foundation took their flagship festival online to make WOW UK 2021, how they put together WOW Global 24, a global marathon of talks and performances that streamed for 24 hours, and how they have brought over 80 Young Activists from all over the world to be part of their Young Leaders Directory. \n\n\t\t\tWOW Leadership with WOW Apollo's Laura Greer \n\n\t\t\tJoin Laura Greer, Senior Producer at Harlem's world famous Apollo Theatre, as she discusses Cultural Activism, arts spaces, and WOW Apollo's role in connecting the community. \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\tConclusion and discussion | \n\t\t
※The event organizer reserves the right to cancel certain parts of the course in case of time conflicts with speakers.
\n\n\n\n
As this is the first time a WOW Festival has been held in Taiwan, the organizers of the Academy for Creative Producers would like to establish a platform so that those who are keen on planning similar events in the future may engage in closer cross-cultural collaboration.
\n\nDate|2021/11/5(Fri) 19:30-22:30 (GMT+8)
\n\n2021/11/14(Fri) 19:30-22:30 (GMT+8)
\n\nLocation|Cisco Webex
\n\nFee|NT$1,000
\n\nLanguage|English (participants can select options for Mandarin interpretation , sign language interpretation, and simultaneous transcription services during registration)
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\n\n
Qualifications
\n\nRegistration|Until midday (12 pm) in Friday, October 29.
\n\nRegistration Method|Online registration and payment, with a maximum of 30 participants. Participants will receive an email stating the registration results after the registration is closed.
\n\nProspective Participants|Professional art agents, performing arts and visual arts producers, curators, artists, educators, and cultural professionals with over three years of related experience. All genders are welcome.
\n\n\n\n
※ Registrations should also be made to at least three different events of WOW Kaohsiung 2021 Women of the World Festival.
\n\n※ Priority will be given to those who register for two whole days of the college program.
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Participants will be credited with study hours:
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Workshop Registration Procedure
\n\nRegister online → qualification examination →receive notice and payment method → complete payment → registration complete.
\n\n\n\n
After the registration is complete, participants will receive a confirmation email and event email. The link to the online event will be listed in the event email. To ensure participation rights, please do not forward or share the mail and secure the notice for further use.
\n\tPlease complete payment before the deadline after receiving the notice email from the organizer. Places of those who fail to complete payment before the deadline will automatically be released to others.
\n\t\n\n
Notice
\n\nThis event uses the Cisco Webex platform. Please ensure you are using a computer, phone, or tablet equipped with internet connection, video camera, and microphone, and install the Google Chrome browser or Cisco Webex software before the event. Please check in using your real name when arriving on site.
\n\tThis event is carried out in English. Participants can select options for Mandarin interpretation , sign language interpretation, and simultaneous transcription services in the registration form.
\n\tEntrance will be granted 20 minutes before the event commences. To ensure that the event runs smoothly, those who are over 15 minutes late will be denied access with no refund.
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\n\n
Learn More
\n\n►WOW Kaohsiung 2021 Women of the World Festival
\n',team:""},createdAt:1632879645,updatedAt:1635730346,updatedBy:"林蔚行",host:!0}}],seq:5,name:"專業學院",content:"",color:{a:1,r:220,g:12,b:21},type:"reference"},{programs:[{from:"programs",key:"617e010dc4b672000843fbba",title:"【WOW高雄2021世界女性藝術節】女性創意市集",data:{_id:"617e010dc4b672000843fbba",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636779600,discrete:[],type:"continuous",continuous:{time:[1635656400],endTime:[1635679800],start:1636732800,end:1636819200}},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"598b1b1b69ee6c1b121d42b35940a26d",title:"【WOW高雄2021世界女性藝術節】女性創意市集"}],related:[],title:"【WOW高雄2021世界女性藝術節】女性創意市集",cover:"8f280ff778a54bc81e5d5f3190b40ee9",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"以WOW核心精神出發,號召各地女性創業者品牌齊聚一堂,打造獨一無二的「女性創意市集」,帶給現場更多有趣體驗及創作能量,與民眾近距離展開更多對話的可能。
\n
\n\n
參與品牌
\n\nMitopia Art | \n\t\t\t海熊 | \n\t\t\t小天喵喵子 | \n\t\t
Golden Rain | \n\t\t\tQB好芃友 | \n\t\t\tFun購放Go阿美的顏色 | \n\t\t
sweethouse手作 | \n\t\t\tCraftsman Workshop 米蘭達做作 | \n\t\t\t伊奶奶 i-Granny | \n\t\t
Daily.Lazy | \n\t\t\t懿品乳酪 | \n\t\t\tCiAo手作屋 | \n\t\t
Lanfystore | \n\t\t\t貴妃麻手作 | \n\t\t\tWAWOW 襪襪屋 | \n\t\t
TESS ACCESSORY | \n\t\t\tJasmmeggy茉莉美姬手作飾物 | \n\t\t\t蘼蕪 | \n\t\t
橘的耽溺古董飾品美物 | \n\t\t\t肉男子 | \n\t\t\tLaurel Craft | \n\t\t
手作樂空間 | \n\t\t\t拿鐵戒不掉 | \n\t\t\t拾億時藝 | \n\t\t
SunWhere ACC | \n\t\t\t林針嬤鹹水G | \n\t\t\t豆豆樂烤醬糰子 | \n\t\t
小栗郎日式栗き燒 | \n\t\t\t玩食糖partysugardessert | \n\t\t\t這邊 tortilla de patatas | \n\t\t
OMoR Caffè | \n\t\t\tMaru日式糰子 | \n\t\t\t定夏手工冰淇淋 | \n\t\t
Wufu 五福軒 | \n\t\t\t泡出幸芙 | \n\t\t\tLeFrenchQuiche 法式鹹派 | \n\t\t
我的甜點⻝驗室 | \n\t\t\t泰渴 | \n\t\t\t舔點 | \n\t\t
凱娜衛⽣棉條 | \n\t\t\t\n\t\t\t | \n\t\t |
\n\n
WOW高雄專屬優惠
\n\n活動期間憑「WOW高雄2021世界女性藝術節」節目票券或出示與WOW裝置物互動之合照,即可享以下專屬優惠:
\n\n編號 | \n\t\t\t品牌名稱 | \n\t\t\t優惠方案 | \n\t\t
1 | \n\t\t\tSunWhere ACC | \n\t\t\t兩頂現折100塊優惠 | \n\t\t
2 | \n\t\t\tFun購放Go阿美的顏色 | \n\t\t\t購買任兩件商品8折優惠(特價商品除外) | \n\t\t
3 | \n\t\t\t豆豆樂烤醬糰子 | \n\t\t\t一次購兩串折10元,最高折10元 | \n\t\t
4 | \n\t\t\t奇罐 magican | \n\t\t\t單筆折10元 | \n\t\t
5 | \n\t\t\tMaru日式糰子 | \n\t\t\t買兩串可享有5折優惠(限一次) | \n\t\t
6 | \n\t\t\t橘的耽溺古董飾品美物 | \n\t\t\t可享有9折優惠(特價商品除外) | \n\t\t
7 | \n\t\t\t肉男子 | \n\t\t\t贈送盆栽小裝飾品 | \n\t\t
8 | \n\t\t\tLaurel Craft | \n\t\t\t滿千折百 | \n\t\t
9 | \n\t\t\t蘼蕪 | \n\t\t\t購買即贈送天然礦石一顆 | \n\t\t
10 | \n\t\t\tGolden Rain | \n\t\t\t可享全品項95折優惠 | \n\t\t
11 | \n\t\t\t定夏手工冰淇淋 | \n\t\t\t單球冰淇淋折扣5元 | \n\t\t
12 | \n\t\t\t小天喵喵子 | \n\t\t\t繪製對象為「生理、心理女性」,每一人可折100元 | \n\t\t
13 | \n\t\t\t泡出幸芙 | \n\t\t\t購買小泡芙給予增量優惠 | \n\t\t
14 | \n\t\t\t伊奶奶 i-Granny | \n\t\t\t按讚追蹤臉書或IG,每個品項可折20元且可累計,例如買兩樣折20x2=40元(需出示畫面) | \n\t\t
15 | \n\t\t\t拾億時藝 | \n\t\t\t韓式餐具任選三件以上9折優惠 | \n\t\t
16 | \n\t\t\tParty Sugar Dessert 玩食糖 | \n\t\t\t不限金額消費即可獲贈馬林糖一份。(數量有限,送完為止) | \n\t\t
17 | \n\t\t\tDaily.Lazy | \n\t\t\t享有耳環9折 | \n\t\t
18 | \n\t\t\tMitopia Art | \n\t\t\t前十名畫彩繪可折50元 | \n\t\t
19 | \n\t\t\tCraftsman Workshop 米蘭達做作 | \n\t\t\t與攤位合照上傳標註品牌即可現場單次消費折抵50元 | \n\t\t
\n\n
協力廠商
\n\n\n\t\t |
WOW香氛蠟燭
\n\n香氛,代表女性的氣場。蠟燭本身並無特定名稱, 邀您一同走進女性創意市集,嗅聞這獨特香氣,感受屬於你的WOW力量。
\n\n\n\t\t |
\n 商品說明
建議售價:590元
\n\n市集限定價:480元
\n憑會員卡及「WOW高雄2021世界女性藝術節」節目票券,享 399 元優惠價。
\n\n
商品規格
\n\n用途:外用,薰香。
\n\n用法:參照一般薰香蠟燭使用。
\n\n保存方法:請置於孩童與寵物拿不到的地方,避免日曬與高溫,並避開潮溼環境存放,以確保品質。
\n\n保存期限:未開封三年,開封後一年。
\n\n容量:120g
\n\n原產地:臺灣
\n\n製造日期:2021年11月
\n
注意事項
\n\n本產品僅供薰香外用;請在空氣流通之處點燃,使用時請遠離易燃物品,使用完畢請立刻熄滅;禁止食用。為維持最佳使用品質,建議定期修剪燭芯長度至0.5公分左右。
\n\n\t本產品已投保1400萬產品責任險
\n\t\n\t\t |
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"598b1b1b69ee6c1b121d42b35940a26d",title:"【WOW高雄2021世界女性藝術節】女性創意市集"}],related:[],title:"【WOW Kaohsiung 2021】WOW Bazaar",cover:"8f280ff778a54bc81e5d5f3190b40ee9",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"Based on the core values of the WOW Festival, Weiwuying invites female entrepreneurs from all over Taiwan to bring their brands to the unique WOW Bazaar as a way of adding even more fun experiences and creative energy to the event and promoting more dialogue with attendees.
\n
\n\n
Participating brands
\n\nMitopia Art | \n\t\t\t海熊 | \n\t\t\t小天喵喵子 | \n\t\t
Golden Rain | \n\t\t\tQB好芃友 | \n\t\t\tFun購放Go阿美的顏色 | \n\t\t
sweethouse手作 | \n\t\t\tCraftsman Workshop 米蘭達做作 | \n\t\t\t伊奶奶 i-Granny | \n\t\t
Daily.Lazy | \n\t\t\t懿品乳酪 | \n\t\t\tCiAo手作屋 | \n\t\t
Lanfystore | \n\t\t\t貴妃麻手作 | \n\t\t\tWAWOW 襪襪屋 | \n\t\t
TESS ACCESSORY | \n\t\t\tJasmmeggy茉莉美姬手作飾物 | \n\t\t\t蘼蕪 | \n\t\t
橘的耽溺古董飾品美物 | \n\t\t\t肉男子 | \n\t\t\tLaurel Craft | \n\t\t
手作樂空間 | \n\t\t\t拿鐵戒不掉 | \n\t\t\t拾億時藝 | \n\t\t
SunWhere ACC | \n\t\t\t林針嬤鹹水G | \n\t\t\t豆豆樂烤醬糰子 | \n\t\t
小栗郎日式栗き燒 | \n\t\t\t玩食糖partysugardessert | \n\t\t\t這邊 tortilla de patatas | \n\t\t
OMoR Caffè | \n\t\t\tMaru日式糰子 | \n\t\t\t定夏手工冰淇淋 | \n\t\t
Wufu 五福軒 | \n\t\t\t泡出幸芙 | \n\t\t\tLeFrenchQuiche 法式鹹派 | \n\t\t
我的甜點⻝驗室 | \n\t\t\t泰渴 | \n\t\t\t舔點 | \n\t\t
凱娜衛⽣棉條 | \n\t\t\t\n\t\t\t | \n\t\t |
\n\n
Third party
\n\n\n\t\t |
WOW Scented Candles
\n\nFragrance represents the female aura. These candles don’t have a specific name, so come to the bazaar and smell them for yourself to experience the WOW power they inspire you with!
\n\n\n\t\t |
\n About the Product
Original price: NT$590
\n\nSpecial price: NT$480
\n\nWith your membership card and “WOW Kaohsiung 2021” ticket, you’ll be able to buy products at the discounted price of NT$399 each.
\n\n\n\n
Item
\n\nFor external use only as a source of fragrance.
\n\nTo be used as other scented candles.
\n\nKeep out of reach of children and pets. Store in a cool, dry place.
\n\nShelf life: 3 years unopened; 1 year opened.
\n\nWeight: 120g
\n\nCountry of origin: Taiwan
\n\nDate of production: Nov. 2021
\n\n\n\n
Notice
\n\nDo not eat. For external use only as a source of fragrance. Light only in spaces with proper airflow and keep away from flammable items. Extinguish the flame when you are finished using the candle. Keep wick trim to 5mm.
\n\tProduct liability insurance of NT$14 million.
\n\t\n\t\t |
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1635647757,updatedAt:1636681160,updatedBy:"林蔚行",host:!0}},{from:"news",key:"6180e406207c7f00098b5418",title:"【WOW高雄2021世界女性藝術節】《時代女性》線上展覽",data:{_id:"6180e406207c7f00098b5418",chinese:{title:"【WOW高雄2021世界女性藝術節】《時代女性》線上展覽",content:'「時代女性」透過民眾投稿,募集了超過70位藏身日常的堅強女力。呈現一個世紀的女性身影,堅韌地各個角落默默付出,撐起一個家庭、社會,甚至國家,成就現在每一個你與我。她們值得被看見,值得被肯定,就在此刻。
\n\n\n\n\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',description:"",picture:{key:"dbae3e27b5543fc2964f7a28325e3601",description:""},attachments:[],start:1635836880,end:4791542399},english:{title:"【WOW Kaohsiung 2021】 “Women of Our Times” Online Exhibition",content:'Women of Our Times is a participatory exhibition, presenting 70 unsung heroines nominated by the public. With an array of women's images and stories over a decade, contributing to our families, our society and our nation from every corner, making the life we enjoy possible. They deserve to be seen, to be recognized and to be celebrated.
\n\n\n\n\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',description:"",picture:{key:"dbae3e27b5543fc2964f7a28325e3601",description:""},attachments:[],start:1635836902,end:4791542399},catalog:{_id:"5b1debd99a9fc60005a4d6b0",chinese:"活動公告",english:"Event",seq:3,createdAt:1528687577,updatedAt:1642473963,updatedBy:"林蔚行"},programs:[],top:!1,seq:0,createdAt:1635836934,updatedAt:1637285450,updatedBy:"林蔚行"}},{from:"topics",key:"61658bbc3b16240007bd406d",title:"女生一定要____嗎?《WOW 高雄 2021 世界女性藝術節》即將登場衛武營",data:{_id:"61658bbc3b16240007bd406d",chinese:{title:"女生一定要____嗎?《WOW 高雄 2021 世界女性藝術節》即將登場衛武營",content:'「很少看到像妳這麼會開車的女生」(女生會開車很難得?)
\n\n「妳怎麼吃得比男生還要多」(女生不能食量大?)
\n\n「人家女生都不怕、你怎麼怕成這樣」(男生不能展露害怕?)⠀ ⠀
\n\n\n\n
有著類似經歷、相同困惑的每一個你
\n\n絕對不能錯過【WOW高雄2021世界女性藝術節】!
\n\n\n\n
WOW世界女性藝術節在全球已累積超過三百萬名參與者
\n\n今年衛武營首次將WOW引進臺灣
\n\n從WOW共想工作坊開始延伸
\n\n完整策劃講座對談、參與式演出、身體工作坊等數十場精彩節目
\n\n串連藝文、學術、教育、企業、非營利組織等領域
\n\n整合出以連結對話、換位同理、歡慶共創的核心精神
\n\n期許在聆聽、分享與重新學習的過程中
\n\n共同探討、實踐性別和文化平權
\n\n\n\n
相信不管你的性別、性向 都可以在這裡得到力量
\n\n並更了解、靠近性別友善的世界。
\n\n\n\n\n\n
11/5(五) - 11/14(日)
\n\n\n',description:"",film:{type:"youtube",key:"Ia2F7MTYLPc"},picture:{key:"b38a9a9e42b687bd87c13fb558a9075c",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},english:{title:"Women of the World Kaohsiung Festival, One Step Closer to Gender Equality!",content:"",description:"",film:{type:"youtube",key:"zB3jLNKbSmA"},picture:{key:"0bad52dc69b5bcc7c03166b3803cb980",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:["5fe428fac920560007475c08"],programs:[],createdAt:1634044860,updatedAt:1635508802,updatedBy:"林蔚行"}},{from:"programs",key:"6153bbb2103d910007ffc9aa",title:"【WOW高雄2021世界女性藝術節 X 飛碟聯播網】性別多元話",data:{_id:"6153bbb2103d910007ffc9aa",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1635764400,discrete:[],type:"continuous",continuous:{time:[1632913200],endTime:[1632916800],start:1635696e3,end:1636041600}},activity:{type:"free",free:{description:"電台播出",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'
主持人
\n\n光禹|臺灣知名廣播主持人、主持人、散文作家、小說作家、作詞人、作曲人等
\n\n\n\t\t |
現為飛碟電台知名節目《夜光家族》主持人,亦為飛碟電台開台人物之一,行事十分低調,二十幾年來在深夜陪伴許多七、八年級生求學時期時光,獨特招牌聲線與文學主持風格,深受學生與夜貓族歡迎。
\n\n\n\n
講者
\n\n温貞菱|演員
\n\n\n\t\t |
以《牽紙鷂的手》、《共犯》、《一把青》、《血觀音》等作品展露頭角,並在2017年以《最後的詩句》獲得金鐘獎迷你劇集女主角獎。近期因接連演出電影《陽光普照》、歷史旗艦大劇《斯卡羅》獲得華語影視圈高度關注與評價。
\n\n細膩、純粹、清新、自信、個性,為演出而專注,為公益而發聲。
\n\n\n\n
那那大師|YouTuber
\n\n\n\t\t |
YouTuber那那大師以專業、風趣,且極具個人特色的訪問風格席捲音樂圈,許多知名歌手如李玟、莫文蔚、徐若瑄、周興哲與許富凱等都蒞臨受訪。頻道創立至今三年多,累積觀看次數超過16,000,000次,是唱片公司紛紛指定合作的網路音樂頻道。
\n\n\n\n
酒與妹仔的日常
\n\n\n\t\t |
透過發佈關於職場資訊、公關職場日記和相關活動的分享,能洗刷大眾對酒店的刻板印象 ; 期望讓人們理解酒店陪侍不是不能見光的都市傳說,去年創立了「臺北市娛樂公關經紀職業工會」,希望能藉由工會讓現在與未來的公關陪侍增加一份保障。
\n\n\n\n
鄧惠文|精神科醫師、榮格分析師、作家及廣播主持人
\n\n\n\t\t |
學經歷:臺北醫學院醫學系學士、臺北醫學大學醫學人文所碩士。
\n曾任臺大醫院、萬芳醫院精神科主治醫師,臺北醫學大學醫學系講師。於英國榮格分析心理學會、塔維史托克中心及伴侶關係研究中心、美國國際心理治療機構等,進修榮格分析、精神分析與婚姻治療。
\n著作:《媽媽變成鴨》、《我不想說對不起》、《婚內失戀》、《愛情非童話》、《不夠好也可以》、《有你,更能做自己》、《學習。在一起的幸福》、《非常關係2:直說無妨》、《別來無恙》、《非常關係》、《還想遇到我嗎》、《寂寞收據》、《寫給妳的愛情床邊故事》、《解開愛情的鈕扣》。
\nPodcast: 〈 鄧惠文 不想說 〉
\n\n
李佳燕|醫師
\n\n\n\t\t |
畢業於高雄醫學院,目前為傳家家庭醫學科診所負責醫師、「還孩子做自己行動聯盟」發起人、《人本教育札記》專欄作家,曾經擔任高雄市婦女新知協會理事長,行政院婦權會委員。已出版《帶孩子到這世界的初衷》、《親愛的大人──其實我沒有那麼壞,我只是靜不下來》(與幸佳慧合著)、《寶貝生病了》。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"0a95ecc4d8ecbfcd64816f1169ee1061",title:"【WOW高雄2021世界女性藝術節 X 飛碟聯播網】性別多元話"}],related:[],title:"【WOW高雄2021世界女性藝術節 X 飛碟聯播網】性別多元話",cover:"d0a87c823eb87abb51f2cd323fbf8acf",site:{isOther:!0,site:"",other:"飛碟聯播網全國電台頻道/飛碟聯播網FB粉專"},cautions:'
今天我要來聽「話」!
\n\n本屆WOW藝術節推出「性別多元話」企劃,與飛碟聯播網合作,由夜光家族/DJ 光禹擔任主持人,邀請演員温貞菱、人氣YouTuber那那大師、「酒與妹仔的日常」2位創辦人蛹與筠、作家與精神科醫師鄧惠文、家醫科醫師與性平倡議者李佳燕,共6位來自不同領域的來賓,不藏私地聊聊自己的生命故事、人生經驗與體悟,從身份、生活、家庭、職業、社會、數位時代與性別等主題切入,共同討論那些不斷在日常發生,卻經常被遺忘的重要議題。
\n\n邀請你放鬆心情、喬好家裡最喜歡的舒適角落、打開收音機或臉書,帶著敞開的心和我們在空中相會
\n\n\n\n
日期 | \n\t\t\t時間 | \n\t\t\t主題 | \n\t\t\t來賓 | \n\t\t
11/1(一) | \n\t\t\t19:00-20:00 | \n\t\t\t妳的故事,我來聽 | \n\t\t\t温貞菱 | \n\t\t
11/2(二) | \n\t\t\t我的選擇,彩虹色 | \n\t\t\t那那大師 | \n\t\t|
11/3(三) | \n\t\t\t情深深、慾濛濛 | \n\t\t\t酒與妹仔的日常 | \n\t\t|
11/4(四) | \n\t\t\t要不要,我說了算 | \n\t\t\t鄧惠文 | \n\t\t|
11/5(五) | \n\t\t\t性別角色,對對碰 | \n\t\t\t李佳燕 | \n\t\t
\n\n
妳的故事,我來聽-温貞菱
\n\n螢光幕前的温貞菱,以演員的姿態承載了許多故事,她如何詮釋個性迥異的角色並和角色一起成長?螢光幕後的她,對自己的不同人生角色又有什麼觀察?對生活充滿熱情的她,將在空中與我們聊聊她的人生哲學。
\n
我的選擇,彩虹色-那那大師
\n\n人氣YouTuber那那大師透過自身創作、變裝反串、充滿獨特趣味的笑點及一片真誠的心,讓不少上節目的女藝人卸下心房。影片中樂觀搞笑的他,曾因「做自己」而嚐過霸凌的痛,然而是什麼讓他繼續勇敢地做自己?那那大師將從自己的生命經驗啟程,聊聊同志與多元性別的大小事,從準備自已到踏上舞台的這段路,帶領我們探索內心深處,屬於自我的故事。
\n
情深深、慾濛濛-酒與妹仔的日常
\n\n身為新冠肺炎疫情下全臺灣唯一被停業的工作者,她們如何面對?而身為非典型勞雇者的八大行業從業者在申請「紓困補助」時,又碰到了什麼困難?讓我們一起透過酒與妹仔的日常,重新認識酒店公關業,洗刷社會對公關的汙名化-如果你也相信每個行業都有權利追求更友善的勞動環境,就讓我們從這裡開始!
\n
要不要,我說了算-鄧惠文
\n\n從曖昧關係、到性騷擾、霸凌及暴力之間的距離是否可能只有一線之隔?在數位時代下,人與人的相處又出現了什麼變化?作家與精神科醫師鄧惠文,除了細數她的入微觀察,更將分享如何學習在日常人際交往的關係中,說出生活中難以啟齒的「不」!
\n
性別角色,對對碰-李佳燕
\n\n身兼性平倡議者、家醫科醫師,與南臺灣第一家性別主題書店「好書店」創辦人之一的李佳燕,持續在不同平台帶領大眾反思家庭裡的性別分工與母職的不同面向,她將與我們聊聊在家庭、職場與生活中常見的性別刻板印象,並從個人經驗出發,分享如何翻轉這些「不是刻意卻造成傷害」的實用小撇步。
\n\n\n\n
播出時段
\n\n11/1 (一) 至11/5 (五)
\n\n\n\n
電台頻道
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speakers",content:'Moderator
\n\nKuang Yu|Renowned Taiwanese radio host, host, prose and fiction writer, lyricist, composer, etc.
\n\n\n\t\t |
KUANG Yu is the host of the famous UFO Radio program Family Midnight and one of the founding members of UFO Radio. With a style that is low-key and understated, KUANG Yu has accompanied many listeners born in the 70s and 80s throughout their student years over the past two decades. KUANG Yu's unique voice and hosting style have made him popular amongst students and night owls.
\n\n\n\n
Speakers
\n\nWEN Chen-ling|Actress
\n\n\n\t\t |
WEN Chen-Ling emerged on the scene through her appearances in works including The Kite Soaring, Partners in Crime, A Touch of Green, and The Bold, the Corrupt and the Beautiful, and she was awarded Best Actress at Golden Bell Award for Best Miniseries or Television Film in 2017 for her portrayal in The Last Verse. WEN's recent notable works include the film A Sun and Taiwan historical drama Seqalu, which has been critically received.
\n\nWEN is known for her delicate, refreshing nature and her confidence. She is a person who is both devoted to her work and charity.
\n\n\n\n
Nana|YouTuber
\n\n\n\t\t |
Nana Master is known throughout the music world for his professional, humorous, and unique interview style. Nana Master's program has invited many famous singers, including CoCo Lee, Karen Mok, Vivian Hsu, Eric Chou, and Henry Hsu. Throughout the past three years of its establishment, Tinana Master's channel has attracted over 16 million views and is a popular online music platform that many record companies want to work with.
\n\n\n\n
Diary of The Hostess
\n\n\n\t\t |
By sharing information about the workplace, snippets of life as a hostess, and information about relevant events, Diary of the Hostess is devoted to overturning the stigma towards clubs and hopes to provide the public with a glimpse into the urban myths surrounding hostesses. Founded last year, Entertainment Worker and Hostess Union is dedicated to safeguarding the workplace rights of current and future hostesses.
\n\n\n\n
TENG Hui-wen|Psychiatrist, Jungian analyst, author, and radio show host.
\n\nEducational background: Bachelor's degree from Taipei Medical University School of Medicine, Master's degree from Taipei Medical University Graduate Institute of Humanities in Medicine.
\n\n\n\t\t |
TENG's previous professional posts include attending psychiatrist at National Taiwan University Hospital and Wanfang Hospital, and lecturer of Taipei Medical University School of Medicine. TENG has engaged in Jungian research, psychoanalysis, and marriage therapy at institutions including the British Jungian Analytic Association, the Tavistock Center and Tavistock Center for Couple Relationships, and the International Psychotherapy Institute.
\n\nPublications include: Mom Turns into a Duck, I Don't Want to Say Sorry, Hello Marriage, Goodbye Love, Love Is Not a Fairytale, Perfectly Imperfect Women, Being Myself Because of You, Learning to be Happy Together, Just Say It, How Have You Been, Unusual Relationship, Do You Still Want to Meet Me, Receipts of Loneliness, Bedtime Stories Written for You, and Unbuttoning Love.
\n\nPodcast: Teng Hui-Wen I'd Rather Not Say .
\n\n\n\n
LEE Chia-yen|Physician
\n\n\n\t\t |
LEE graduated from Kaohsiung Medical University and is currently the leading doctor at Chuan-Chia Clinic for Family Medicine, the founder of Let Children Be Organization, and a columnist at Humanistic Education Magazine. LEE was previously the chairperson of Kaohsiung Women Awakening Association and a member of the Committee of Women's Rights Promotion. LEE's publications include Bringing a Child into the World, Dear Adult: I'm Not Being Bad, I'm Just Unsettled (co-authored with Arlene Hsing ), and Baby is Sick.
\n\n\n\n
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Today is a day to listen!
\n\n\n\n
The Gender Chitchats at the WOW Festival will be coordinated with the help of UFO Radio and are to be moderated by the station's Midnight Family and DJ KUANG Yu. On the topics of identity, life, family, profession, society, the Digital Age, and gender, six celebrity guests (actress WEN Chen-ling, YouTuber Tinana Master, Diary of the Hostess founders Yong and Jun, writer and psychiatrist TENG Hui-wen, and general practitioner and gender equality advocate LEE Chia-yen) will openly share their life stories and experiences and what they've learned as a result regarding issues of everyday life that are frequently forgotten.
\n\nSo find the coziest corner of your house, turn on your radio or get onto Facebook, and open yourself up to this relaxing meeting over the airwaves.
\n\n\n\n
Date | \n\t\t\tTime | \n\t\t\tTitle | \n\t\t\tGuest | \n\t\t
11/1(Mon) | \n\t\t\t19:00-20:00 | \n\t\t\tLet Me Hear Your Story | \n\t\t\tWEN Chen-Ling | \n\t\t
11/2(Tue) | \n\t\t\tRainbow is My Choice | \n\t\t\tNana | \n\t\t|
11/3(Wed) | \n\t\t\tThe Plight of Entertainment Workers | \n\t\t\tDiary of the Hostess | \n\t\t|
11/4(Thu) | \n\t\t\tYes or No? It's My Say | \n\t\t\tTENG Hui-Wen | \n\t\t|
11/5(Fri) | \n\t\t\tGender Roles and Stereotypes | \n\t\t\tLEE Chia-Yen | \n\t\t
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Let Me Hear Your Story – WEN Chen-ling
\n\nWEN Chen-Ling emerged on the scene through her appearances in works including The Kite Soaring, Partners in Crime, A Touch of Green, and The Bold, the Corrupt and the Beautiful, and she was awarded Best Actress at Golden Bell Award for Best Miniseries or Television Film in 2017 for her portrayal in The Last Verse. WEN's recent notable works include the film A Sun and Taiwan historical drama Seqalu, which has been critically received.
\n\nWEN is known for her delicate, refreshing nature and her confidence. She is a person who is both devoted to her work and charity.
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Rainbow is My Choice – Nana
\n\nOn the silver screen, WEN Chen-ling is a vehicle for so many people's stories. How does she interpret roles with personalities that greatly differ from her own and grow from them? And how does she view the different roles in her own life? Get ready to hear the philosophy of someone with a passion for life.
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The Plight of Entertainment Workers – Diary of the Hostess
\n\nHow did workers in the only industry to have been shut down because of Covid-19 cope? As "non-standard employees" of the adult entertainment industry, what difficulties did they encounter while applying for relief subsidies from the government? Let's have a look at Diary of the Hostess (a Facebook page) to rid the adult entertainment industry of its bad name and become reacquainted with it. If you believe workers in every industry have the right to pursue a friendlier work environment, then let's start here together!
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Yes or No? It's My Say – TENG Hui-wen
\n\nJust how thin is the line between flirting and sexual harassment, bullying, and assault? What changes have taken place in interaction during the Digital Age? Besides sharing her detailed observations, writer and psychiatrist TENG Hui-wen will share about how to say that really hard word, "no," in everyday situations.
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Gender Roles and Stereotypes – LEE Chia-yen
\n\nGender equality advocate, general practitioner, and a founder of HER Bookstore (southern Taiwan's first bookstore themed on gender issues) LEE Chia-yen continues on several platforms to guide people in thinking about the division of housework based on gender and the different aspects of motherhood. She will talk with us about the gender stereotypes related to the home/ workplace and in life and, based on her personal experiences, share tips on how to overturn these concepts that (often inadvertently) cause pain.
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Time
\n\n11/1 (Mon) to11/5 (Fri)
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Radio channel
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632877490,updatedAt:1635597492,updatedBy:"林蔚行",host:!0}},{from:"articles",key:"60d2b186de66e700072de180",title:"為什麼我們需要女性藝術節",data:{_id:"60d2b186de66e700072de180",chinese:{title:"為什麼我們需要女性藝術節",introduction:"雖然世界上有50%的女性和50%的男性,但是,我們的社會,卻以男性作為人類的範本。一提到「人類」,往往自動預設是男性,唯有指明「女人」,腦中才會想到「喔,她在講女性」,明明女人和男人都是人類,不是嗎。",content:'文|魏琬容 OISTAT國際劇場組織執行長
\n\n\n\n
有一隻年老的金魚,遇上了一隻年輕的金魚。
\n\n老金魚開口問「你好啊,今天的水游起來如何?」
\n\n年輕金魚說:「水?水是什麼?」
\n\n\n\n
我很愛這個故事,它精準捕捉了女性所面對的困境,雖然這故事的本意跟女性主義不見得有關聯。
\n\n\n\n
對於人類而言,我們的「水」是什麼呢?
\n\n水是我們每一天睜開眼睛,所碰到的一切:書、電影、文學、戲劇、法律、制度、飯桌上的談話、手機的尺寸....... 所有圍繞在我們身邊的一切。
\n\n\n\n
雖然世界上有50%的女性和50%的男性,但是,我們的社會,卻以男性作為人類的範本。一提到「人類」,往往自動預設是男性,唯有指明「女人」,腦中才會想到「喔,她在講女性」,明明女人和男人都是人類,不是嗎。
\n\n\n\n
男性是社會預設值,就像電腦預設字型是新細明體。
\n\n把男性當作人類的預設值,是一個歷史久遠的思考偏誤,這樣的思考偏誤,滲透到每一個面向,從車子到手機,眾多設計只考量男性的尺寸,就連看似中立的醫學也逃不過,某支新冠肺炎疫苗,受試者竟然八成是男性。(女性也會感染新冠肺炎啊)
\n\n人們所讀的所聽的內容,只有極少數是女性創作的。電影中,男性露臉的機會高於女性,男性角色的對白也遠遠超過女性。如果有女性角色,他們多半被描繪成被動、順從、環繞男性的存在。女性是服務者,男性是掌權者,男性的視角掌握了大多數的內容,然後這些內容再回過頭來,強化人們心中對於性別的錯誤期待。
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換言之,雖然女性人口占了總人口的一半,但我們所建構的社會,並非忠實反映「自然性別比」,而是一個嚴重失衡的曲解版世界。女性被認為是「小眾」、「少數」,儘管統計上並不如此。
\n\n任何一個制度設計如果排除了地表一半的人口,我們都不可能讓它通過,但是,如果被排除的是女性,人們就覺得沒關係。
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這就是我們的「水」,並不中立,也不透明。如果沒有覺察到我們的社會是建構在某種偏誤之上,那我們就會是那隻年輕金魚:一輩子都活在水裡,卻從來沒有見過水。
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身為女性,活在一個以男性為預設值的社會,像是穿了一件太小的衣服,並不是從小到大都穿同一件衣服,而是隨著身體成長,每一次換到的衣服鞋子總是小一號,然後,被迫穿著這小一號的鞋子去賽跑、去競爭。
\n\n穿著小一號的鞋子賽跑,並不是最難的。最難的是「穿著衣服改衣服,試圖把衣服改成合適尺寸」,從出生起,每個人的思考行為都受到社會影響,我們無法像做實驗一樣,按個鈕先清除所有的偏見,再來重新塑造一個新可能。我們無法離群索居去打造一個中立社會,也不需如此,而我們可以透過思辨,去梳理社會的缺口、我們可以透過討論,去想像社會可能的樣貌。
\n\n\n\n
這就是我們為何需要女性藝術節。
\n\n女性藝術節提供一個自在空間,讓我們去剖析女性所面對的障礙,深入看看究竟是何種阻礙,讓女性無法百分百的發揮潛能。
\n\n\n\n
是職場把男性設為主體,制定了對女性不利的規則?
\n\n是家庭丟了太多無薪照顧責任在女性身上?
\n\n是學校灌輸了不合時宜性別的期待?
\n\n\n\n
女性藝術節是不是排擠男性呢?不是的,長頸鹿藝術節(如果真的有這個藝術節的話)是給關心長頸鹿處境的生物,而不是只有長頸鹿才能參加。
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所以,故事開頭那兩隻金魚,在你腦中雌性、還是雄性呢?
\n\n如果你腦海中的金魚是雄性,沒關係,你不孤單,百分九十的人都是如此,連我也不例外。我讀到這個金魚故事時,腦中浮現的聲音是男性聲音,老金魚是摩根費里曼,年輕金魚是賽斯羅根,明明我知道那麼多優秀的演員,但直覺仍然跳出男性聲音,你看,社會灌輸的思考偏誤威力有多大。
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也許有些人會質疑「憑什麼沒有男性藝術節」,我的回答是,我也非常希望那一天來到,那表示女性聲音不再被視為少數、小眾。於是,男性與女性的的困境需要花同等篇幅來討論。如果真有那一天,應該是孩子讀到「人類」二字,也會想到女性,而不是只有理所當然的只想到男性。
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但我們還沒走到那裡。
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我們應該要停止假裝這社會已經很平等,好好認識我們所處的「水」,而女性藝術節,是一個很好的開始。
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閱讀更多 :
\n\n\n\n\n',picture:{key:"8bd3e29e306e45a0a4f6d43905a7d81f",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},english:{title:"Why We Need the Women of the World Festival",introduction:" ",content:'
PHOTO: ©WOW Bradford in the UK (Karol Wyszynski/The WOW Foundation)
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Written by WEI Wan-jung Executive Director of OISTAT
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An old goldfish came across a young one and said,
\n\n“Hello! How's the water today?”
\n\nThe young one replied, "Water? What's that?
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Even though the story was not really meant to be a comment on feminism, I love it because it hits the nail on the head in portraying the difficulties faced by women. What is the "water" for humans? It's everything we see each day, everything in our lives: the size of your smartphone, conversation at the dinner table, books, films, literature, theater, law, systems, etc. Though the global population is 50% female and 50% male, society holds the male as the representative of what a human is. Whenever someone mentions the word "human," the listener usually automatically thinks of men. The brain only realizes, "Oh, this person is talking about women," if such words as "women" are explicitly stated. But that's weird, because women and men are both human, right?
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Men are the "default" of society, just like your computer's default font might be Times New Roman. Holding men as the default of society is a cognitive bias that has endured for ages and has penetrated every aspect of our lives. From cars to phones, the grand majority of product designs only take the size of the male body into consideration. Even medicine, which one would think to be neutral, is no exception: 80% of trial subjects for one of the Covid vaccines were male! (Didn't the developers know that women get Covid too?)
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Of everything that people hear and read, only a small number come from women. In film, the amount of screen time and number of lines a male actor gets are far greater than those of his female counterpart. Moreover, female characters are usually portrayed as passive and obedient, and their lives usually revolve around those of the male characters. Women serve and men hold authority. Most of the content is delivered from the male perspective, reinforcing people's erroneous gender-based expectations. In other words, even though women account for half of the population, the society we have established does not faithfully reflect the natural sex ratio. Instead, the world has been twisted into a serious imbalance. Women are viewed as a minority even though statistics prove otherwise. If you disregarded half the people on the earth in the design of any system, it would by no means be approved—that is, unless those being disregarded were women, in which case people wouldn't really care. This is our "water," neither neutral nor transparent. If we can't see that our society is founded on a certain bias, then we are just like that young goldfish: Despite living in water our whole lives, we will have never seen it.
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Being a woman in a society with men as the default is like wearing clothes that are too small. You can't wear the same size your whole life; you have to get bigger clothes as you grow. But every time I get a new outfit and shoes, they're always a size too small, yet I'm forced to wear them. I'm forced to run races while wearing shoes that are too small. But racing in shoes that are too small is not the hardest thing. The hardest thing is trying to alter my clothes so they'll be the right size while wearing them. From birth, everyone's thoughts and behaviors are influenced by society. You can't just press a button and make all the bias go away to start over and create new possibilities. We can't leave this society to create a new, equal one. Nor do we need to. Through critically thinking, we can figure out where the breaches are in society, and through discussion, we can imagine what society can be like.
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This is why we need the Women of the World Festival.
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It provides a space where we can analyze the obstacles faced by women and look deep inside to find out just what is keeping women from reaching their full potential. Is it that the workplace default is men and thus sets rules that are unfavorable to women? Is it that too much of the responsibility of unpaid care work at home is placed on women's shoulders? Is it that schools are instilling inappropriate expectations for gender roles? Does the Women of the World Festival exclude men? No. The Giraffes of the World Festival (if such an event existed) would not only be for Giraffes to participate in—it would be open to any animal that cared about the plight of giraffes.
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How about those goldfish I mentioned, did you think of them as female or male? If you thought of them as male, that's fine, you're not the only one. You're with 90% of people who hear the story—even me. When I first read it, I imagined their voices were male voices, the old one sounding like Morgan Freeman and the young one like Seth Rogen. I know of so many great performers, but I unconsciously chose male voices. This shows just how strongly society has instilled a cognitive bias in me.
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Some people might think, "So why isn't there a Men of the World Festival?” My answer is that I really look forward to that day, because it would mean that women's voices would no longer be viewed as the minority. The plight of men would have to be discussed just as much as that of women. If such a day really comes, it means that when kids read the word "human," they will think of women just as readily as men instead of only thinking of the latter. But we’re not there yet. We should really stop pretending there's equality in society and need to truly get to know our "water." The Women of the World Festival is a good springboard for that.
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Learn More:
\n\n\n\n\n',picture:{key:"2ea1dc15a847484d3cc4a96b4664251d",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:["5b10e484f295ec000672a6e8"],programs:[],top:!1,createdAt:1624420742,updatedAt:1634031595,updatedBy:"林蔚行"}},{from:"topics",key:"612dc60a103d910007fadb64",title:"衛武營 WOW 高雄 共想工作坊",data:{_id:"612dc60a103d910007fadb64",chinese:{title:"衛武營 WOW 高雄 共想工作坊",content:'
「只要你是一位女性,或者認識至少一位女性,就不該錯過這場為你舉辦的藝術節!」
\n\n今年 3/13-14 舉辦的 WOW 高雄 共想工作坊,
\n\n是 11 月 #WOW高雄2021世界女性藝術節 的起點...
\n\n我們看到不分年齡、超越生理限制的與會者們,
\n\n一起腦力激盪著11 月藝術節的活動設計,
\n\n覺得非常感動!!
\n\n邀請大家加入討論、響應WOW活動,
\n\n共創能更同理不同性別差異的平等社會!
\n\n\n\n
11/5(五) - 11/14(六)
\n\n\n\n\n',description:" ",film:{type:"youtube",key:"3V5olwKluc0"},picture:{key:"0705333f43582deb1942cd5db550fdb7",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:["5fe428fac920560007475c08"],programs:[],createdAt:1630389770,updatedAt:1634711733,updatedBy:"林蔚行"}},{from:"articles",key:"613abe08103d910007fc81b2",title:"說不出口的性別主張 就用藝術來解放- 吳瑪悧x藍貝芝x衛武營",data:{_id:"613abe08103d910007fc81b2",chinese:{title:"說不出口的性別主張 就用藝術來解放-吳瑪悧x藍貝芝x衛武營",introduction:"八月午後,戶外陽光正炙,一場關於女性權益及性別意識的對談正在線上舉行。",content:'
文|Arya.S.H
\n\n八月午後,戶外陽光正炙,一場關於女性權益及性別意識的對談正在線上舉行。螢幕裡,臺灣知名藝術家吳瑪悧和劇場工作者藍貝芝侃侃而談,與衛武營國家藝術文化中心代表蔣昕分享自己對臺灣土地的女權發展觀察,也訴說這數十年來,她們積極以藝術為媒介,與群眾互動的生命交流經驗,為11月即將登場的「WOW高雄2021世界女性藝術節」暖身。
\n\n吳瑪悧和藍貝芝,出生在不同世代、鑽研不同的創作領域。前者曾走過解嚴前後的時空,無懼傳統眼光,勇敢碰撞、挑戰,推動性別平權,是陪伴社會從傳統父權環境掙脫的實踐者。後者則是從小在男尊女卑環境下成長,在西方開化文化衝擊裡,解放守舊想法,並在過程中重獲自信的劇場女青年。她們的生命際遇截然不同,卻承先啟後為提出女權倡議,以各自藝術專業發聲,替臺灣性別意識發展注入精彩滋養。
\n\n圖說:吳瑪悧(左二)與藍貝芝(右一)合作,和高師大跨域所學生一起進行的「旗津本事」演出。(2020,照片由吳瑪悧提供)
\n\n性別議題不遠,每個人都曾經歷其中
\n\n「講到『女性主義』,多數人常認為它過於嚴肅、偏學術研究,有一定的距離感,但事實上,性別無處不在,無論年紀、身分、背景,在每個人的生命經驗裡,一定都曾有所體會並產生共鳴。」蔣昕說起去年前往英國觀摩「WOW世界女性藝術節」的心情。
\n\n藍貝芝極為認同,她舉了個有趣的例子,「想像一下,你正在做一個肢體表演,但身體被切成兩半,上身是女性、但下身是男性,你會怎麼表現?」這則題目是藍貝芝在美國研讀戲劇暨性別研究時,老師在課堂上提出的思考,引起熱烈討論。學生們開始意識到自己會直覺地做出既定動作,像是女子柔媚、男人粗曠等,並進一步反思,自己對事物的理解背後是否存在性別僵化?我是不是被教導著如何成為男人或女人?倘若今天我仍是我,但生理性別轉換了,自己會被如何審視?怎麼立足?藍貝芝說:「很多時候,人是活在社會結構的期待下。」
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女性主義是一種思辨工具
\n\n從小被灌輸女生該有女生的樣子,抱持著內心衝突及對女性主義的好奇,藍貝芝潛入西方文化裡探索,在研究性別與劇場連結過程中,找到啟蒙的力量。她曾在美國百老匯遇見《陰道獨白》(The Vagina Monologues)演出,四位演員分飾多角,大辣辣在舞台上詮釋女性身體記憶,例如月經、生產,使用衛生棉條、性高潮等等經驗,衝擊巨大。她說:「過去我們總被叮嚀身體話題是禁忌、害羞而隱晦的,當你發現性別討論能如此勇敢而袒露的被呈現,是意識的大解放。」
\n\n這些接觸促使著藍貝芝日後將國外演出引進臺灣,並從中萌發臺灣慰安婦、外籍移工等在地議題的結合。女性主義之於藍貝芝,猶如一個思辨工具,帶來了更開放性的思考,而她也深信,「性別」存在於每個人的生活經驗裡,成長歷程中一定都有過好奇、迷惘、衝突與矛盾。
\n\n吳瑪悧也說:「我們可以將性別意識的討論視為圓心,拉大尺度,它可能還涉及到社會正義,連結族群、人與環境,城市跟鄉村議題等,這種壓迫概念其實是一樣的。女性運動非常大的價值在於,能從個人生命裡的微觀出發,觸發視角廣度,去同理面對、看待各種不公平,這是我在參與過程中學習到的。」
\n\n她是在從大學時期接觸女性主義,1980年代臺灣解嚴前後,社會運動蓬勃,吳瑪悧結識許多性別平權倡議者。當時女性在社會裡仍屬弱勢,無論是身體自主、就業保障、社會福利、法律規範等等皆無保障,種種處境都激勵著前衛女性站出來爭取權益,並以大量展演、投書、論壇、抗爭運動等提出倡議,讓女權思維漸漸席捲臺灣。早年吳瑪悧除了參與婦女運動、專注視覺藝術創作,也與出版社合作,引進《女姓 藝術 與權力》等系列叢書,為臺灣視覺藝術跟女性主義結合立下重要基礎,讓後輩藍貝芝深受啟發。
\n\n吳瑪悧曾應邀參與黃玉珊策畫的臺灣第一屆女性影展,由於早期從事影像工作的女性不多,所以也邀請視覺藝術家共同參加。她說,相較視覺藝術創作的含蓄,影像和敘事電影呈現的性別議題更直接,例如女性對著鏡頭講訴自己的月經、被性侵、身體醫療或戰爭經驗。她說:「片單涵蓋了非常多尖銳的性別問題,而這些身體經驗不是每個人都願意談論,透過影像或紀錄片、敘事電影,非常直白地把不同的問題面向呈現出來,所以特別動人,也更具說服力。」
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同理生命的不同,讓藝術成為彼此的力量
\n\n在持續推動女性主義的過程中,社運家、藝術創作者及民間組織也開始思考將性別意識深植於各社會階層的可能。1999年,藍貝芝大學畢業,帶著豐厚的西方女權滋養返臺;同一時間,吳瑪悧也展開與臺北市婦女新知協會的合作,帶領一般民眾投入創作,為社區媽媽設計工作坊活動,用「布」作為媒材訴說自我生命故事。
\n\n吳瑪悧回憶當時參與民眾都是家庭主婦,大多未有過藝術創作經驗,一開始談論起生命故事,總會說自己的生活沒什麼,但在實際參與之後,大家慢慢拉近距離,開始談論夫妻關係、婆媳問題、子女教養等,從生命經驗交流中拓展視野,聆聽並同理各種生命樣態,建立了個人自信心、意識自主性及社群支持系統。吳瑪悧說,這對民風保守,普遍女性必須相夫教子、犧牲自我成全家庭的時空中,帶來很大的鼓舞,更重要的是,溝通渠道是建立在良性的理解上。
\n\n某次,吳瑪悧請大家用一條線勾勒自我生命的起伏。有人拉出平順弧度、有人作成類心電圖,更有人發揮創意,將經歷拉成一格格的大富翁桌遊,這位媽媽返家後,還發展出與孩子互動的枕邊故事,拉近親子關係,成果令人十分驚喜。
\n\n「藝術,是用一種非口語的表達方式,我們都會說話,但不是每個人都能有好的語言邏輯去整理自己的生命經驗。透過藝術表現,不管是文字、音樂、劇場、視覺符號轉換,生命經驗能自然流露出來,為大家找到更多的語彙來傳達自我,這就是藝術的力量。」吳瑪悧說。
\n\n對此,蔣昕非常認同,在三月進行的女性藝術節共想工作坊中,參與群眾們有的是在地小農,有的專研藝術創作或環保議題,甚至年僅七歲的孩子也加入討論,分享心中對女性藝術節的期待。蔣昕說:「創造一個友善的平台,讓大家都能放鬆投入、分享性別經驗,在交流之間產生新的想法及領會、長出社群連結,正是衛武營期望帶給大家的。」
\n\n\n\n圖說:吳瑪悧在野百合時代參與婦運團體抗爭。(攝影:Andreas Meyer)
\n\n每個時代都要有專屬的女性藝術節
\n\n走過臺灣女權發展的變革,藍貝芝分享,過去女性運動著重父權對抗、推行性別平權,而今法律及公部門已全面落實婦女基本權益,如就業保障名額、性平工作法、性騷擾防治法等,女人不再受壓迫,男女有了相同的機會實現自我,因此近代性別議題的討論不再只圍繞著女人,更有男性研究、跨性別運動、BDSM多元性實踐......等多層次意涵,觀點差異性慢慢生成,是很健康的進展。
\n\n「相較十年前出演女同志劇場,網路上毫無討論聲浪、十年後則發現群眾討論及接受度大增,可以發現性別討論逐漸開放跟普遍。」藍貝芝接著說,韓國首爾女性影展開始融入男性導演拍的女權電影,而臺灣自2014年成立的酷兒影展,也更加彰顯了多元性別討論的趨勢,「如果連身體的性別都可以轉換,性別意識討論也應該隨時代流動。」她說。
\n\n而在近代視覺藝術表現裡,吳瑪悧觀察到男性創作者會開始談論自己的同志情慾,通過藝術去展現對跨性別的渴望,即便議題仍屬小眾,大家已不認為談論它是問題,代表社會已有更友善的態度面對,可惜的是,他們在自己的原生家庭脈絡裡面,仍有很多困境,不一定能得到家人的諒解,而這正是每個時代都必須要有藝術節的原因,平台的存在能幫大家創造對話交流、增進相互理解的空間。
\n\n蔣昕也留意到了藝術及性別討論的分眾化,但值得慶幸的是,相較過去,不同族群現在各有天空,有多元機會找出屬於自己的路。她說,儘管女性藝術節已不是首創行動,相信仍能在不同時代開展出新局面,帶來劃時代的意義;而衛武營作為一個國家級藝文場館,會為不同群眾敞開大門,廣納多元的性別討論,也非常希望透過「WOW高雄2021 世界女性藝術節」帶領,讓性別意識滲透到各個環境,期待未來能有越來越多單位、機構唱和,讓社會上的性別理解邁向更友善的狀態,讓每一個群體都不再孤單,閃耀出屬於自己的生命精彩。
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閱讀更多 :
\n\n\n\n\n',picture:{key:"507252a5da96435d16a1e76f4880f0e0",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},english:{title:"If You Can't Discuss Gender Advocacy Verbally, Do So Through Art! WU Mali, LAN Pei-chih, and Weiwuying",introduction:" On a scorching August afternoon, a conversation on women's rights and gender awareness took place...",content:'
Written by Arya.S.H
\n\nOn a scorching August afternoon, a conversation on women's rights and gender awareness took place. Well-reputed Taiwanese artist WU Mali and theater worker LAN Pei-chih boldly spoke and shared with Weiwuying representative Cynthia CHIANG about what they have observed regarding women's rights in Taiwan. They also related their experiences of active interaction with people through the medium of art over the past few decades. It was the perfect warm-up for the WOW Kaohsiung 2021—Women of the World Festival in November.
\n\nWU and LAN are of different generations and work in different fields of art. WU experienced life during martial law and has been fearless in the face of traditional views. Courageously engaging in conflict and challenging others to promote equal gender rights, she has always been part of the effort of relieving Taiwan of its traditional androcentric structure. LAN grew up in an environment that esteemed men over women, but her traditional concepts were dissolved when she came across Western culture, and through the process, gained self-confidence. Though their lives have been different, they are carrying on the legacy of advocating women's rights, making their voices heard in their own artistic ways and injecting spirit into the development of gender awareness in Taiwan.
\n\n(©WU Mali)
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Gender Issues Affect EVERYONE
\n\n"Most people think feminism is overly serious and academically biased, so they feel a certain distance from it. In fact, gender issues are everywhere. Regardless of age, identity, and background, everyone has experienced and resonated with it to some extent," CHIANG said, based on her experiences, at the previous Women of the World Festival in the UK.
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LAN fervently agreed: "Imagine that you are involved in a physical theater performance but your body has been divided into two parts: the top is female and the bottom is male. How would you perform?" This question had been posed (and triggered a heated discussion) by one of her instructors while she was studying theater and gender issues in the US. The students began to become conscious of the fact that they would perform stereotypically established movements: gentle movements for the female aspect and crude ones for the male. They then considered further whether their understanding of things was undermined by a rigid understanding of gender, whether they had been taught how to be a man or woman, and how they would be viewed and what they would do if their physical gender suddenly changed but everything else about them remained the same. In response to this, LAN said, "A lot of times, people live bound by the expectations of society."
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Feminism, a Tool for Critical Thinking
\n\nHaving been taught from childhood that girls should look and behave in a certain way yet feeling conflict within and curiosity about feminism, LAN delved into Western culture to explore and, while studying the connection between gender and theater, found an inspirational force. She saw The Vagina Monologues on Broadway, in which four performers played numerous roles, giving boldly expressive interpretations of things women do, such as menstruation, giving birth, using tampons, and climaxing.
\n\nThese experiences later prompted LAN to bring overseas programs to Taiwan, producing a connection with the issues of sex slaves and migrant workers from Southeast Asia in Taiwan. For her, feminism became a tool for critical thinking, allowing for more open-minded reasoning. She deeply believes that gender issues exist within the life experiences of everyone, and everyone has experienced curiosity, confusion, conflict, and paradoxes related to these issues.
\n\nWU said, "We can view the discussion on gender awareness as a circle, and if we view it in the bigger picture, it is even part of social justice, connecting with such issues as ethnicity, people's relation to the environment, and the urban-rural gap, as they all deal with oppression. A lot of the value of the women's movement lies in how one can start from one's microcosmos, broaden his/her perspective, and become empathetic to all kinds of unfairness. This is what I've learned through my participation."
\n\nShe first encountered feminism in university. There were a lot of social movements in 1980s Taiwan (martial law ended in 1987), at which time she met many gender equality advocates. Women were disadvantaged and had little assurance in many aspects, such as bodily autonomy, employment, social welfare, and the law. Many things motivated feminist pioneers to stand up and fight for their rights, advocating through a massive amount of performances, books, forums, and resistance movements, causing ideas on women’s rights to sweep across Taiwan. Besides participating in the feminist movement and focusing on the visual arts, she worked with publishers in bringing such books as Women, Art, and Power and Other Essays to Taiwan, establishing an important foundation for the connection between Taiwan's visual arts and its feminist movement, which greatly inspired, among many other people, LAN.
\n\nWU was at one time invited to show work in Women Make Waves, Taiwan's first film festival dedicated to women, organized by director Huang Yu-shan. (Since few women were involved in film at that time, visual artists were invited to take part.) WU said that compared with the reservation in visual arts, film allows for a much more direct presentation of gender issues. For example, women could speak directly to the camera about menstruation, being sexually assaulted, medical care, and wartime experiences. She said, "The list of films included a lot of incisive aspects of gender issues. Not everyone is willing to talk about these bodily experiences, but through narratives and documentaries, the different aspects of problems can be stated directly, so they were especially touching and more persuasive."
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Empathy for Different Life Experiences and Support Through the Power of Art
\n\nWhile continuing to promote feminism, social activists, artists, and private organizations started thinking about how to instill gender awareness into each level of the social hierarchy. In 1999, LAN graduated from university and returned to Taiwan with a strong foundation in Western feminism. Meanwhile, WU initiated collaboration with the Taipei Awakening Association, inviting people from the general public to create related art and designing workshop events in which mothers in the community were encouraged to tell their stories through the use of cloth.
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WU recalls that all the participants were homemakers, the grand majority of whom had never done anything artistic. Upon talking about their lives, they would always start out by saying there was nothing special to talk about, but after participating in the events, they would become closer and talk with each other about their relationships with their husbands, conflicts with their mothers-in-law, and parenting. Through such sharing, they expanded their horizons, hearing and empathizing with women who had different life experiences. This helped them boost their confidence, gain a sense of autonomy, and establish a social support system. It greatly encouraged women at a time that custom required them to just support their husbands, rear their children, and sacrifice themselves for the sake of the family. More importantly, the channels of communication were built on understanding.
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As part of the event, WU had participants outline the ups and downs of their lives using a piece of string. Some people produced a smooth arc, and some produced one that looked more like an electrocardiogram. One person even produced a whole series of squares like a Monopoly game board, and upon returning home, went a surprising step further and developed an interactive bedtime story with her kids, bringing her closer to them.
\n\n"Art is a non-verbal form of expression. Everyone can talk, but not everyone is able to verbally organize their life experiences. Through the many vocabularies of art, whether it be writing, music, theater, or visual symbols, life experiences can naturally gain expression. This is the power of art," said WU.
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CHIANG affirmed this. At the March think-ins for the Women of the World Festival this year, some participants were small farmers, some were professional artists, some were environmental activists, and some were only seven years old! Each shared their expectations for the event. CHIANG said, "Creating a friendly platform in which everyone can readily invest themselves, share their gender experiences, generate new ideas and understanding through exchanges, and create social connections is Weiwuying's aim."
\n\n\n\n(© Andreas Meyer)
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Each Generation Needs Women's Art Festivals
\n\nHaving witnessed the evolution of women's rights in Taiwan, LAN stated that, in the past, the focus was on resistance to androcentrism and the promotion of gender equality, but now the law and public agencies have comprehensively endowed women with basic rights via such mechanisms as employment quotas, the Act of Gender Equality in Employment, and the Sexual Harassment Prevention Act. Women are no longer oppressed as they once were, and they have the same opportunities as men to be themselves. As a result, gender issues have recently shifted from focusing on women to including research on men, the LGBTQ+ movement, BDSM, etc., and differences in viewpoint are gradually growing in a healthy way.
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"Compared with the complete lack of online discussion ten years ago in the wake of a theater performance on lesbianism, we can see now that the degree of discussion and acceptance among people has greatly increased and that the gender debate is gradually opening up and gaining attention among the public," LAN said. The Seoul International Women's Film Festival has started to include films on women's rights directed by men, and the Taiwan International Queer Film Festival, established in 2014, presents the discussion on the multiplicity of gender. LAN continued, "If even physical gender can be changed, gender awareness should also be able to change with the times."
\n\nIn the visual arts recently, WU has seen male artists starting to talk about and express their homosexual and transgender desires. Even though it is only a minority who deal with these issues personally, the general public no longer believes it a problem to discuss them, which means society is more friendly in such aspect. Unfortunately, some LGBTQ+ people still have a lot of difficulties with acceptance and understanding in their families, which is why every generation needs these art festivals as a platform where people engage in dialogue and exchange to promote mutual understanding.
\n\nCHIANG has also noticed fragmentation in art and the discussion of gender issues, but what is good is that, compared with the past, people of different social groups now have a variety of opportunities to find their own paths. Even though women’s art festivals are no longer novel, she believes they will open up new frontiers in each generation and mark the beginnings of new eras. As a national-level art and culture venue, Weiwuying is opening the door for participation by different groups of the public in the discussion of gender issues. CHIANG earnestly hopes that the festival this year will allow gender awareness to penetrate all areas of Taiwan's society and that more and more organizations will become involved in promoting greater understanding and friendliness regarding gender issues so that no one will feel alone anymore and so everyone will be able to shine with their inherent brilliance.
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Learn More:
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WOW - Women of the World Festival
\n\n"WOW" is an acronym for the Women of the World Festival, which was founded by Jude Kelly CBE, former Artistic Director of the Southbank Centre in London, UK to celebrate women, girls and non-binary people. Since 2010, WOW has reached more than three million participants with festivals and events in over 30 cities on six continents.
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WOW Kaohsiung 2021
\n\nWOW - Women of the World Festival will make its Taiwan debut at Weiwuying this year as WOW Kaohsiung 2021, linking art, culture, academics, communities, education, businesses, and non-profit organizations. The voices of people of all ages and backgrounds will be heard, bringing together the core spirit of #ConnectedDialogue, #EmpathyThroughTransposition, and #CelebratoryCocreation. Content includes dozens of brilliant activities and programs, including forums, participatory performances, dialogue, body and movement workshops, and a showcase screening. While listening, sharing, and re-learning, we will cooperatively explore how to achieve equality so that every woman and girl who comes will be more empowered to create a world that is equally friendly to all genders.
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"If you identify as a woman or know a woman, WOW is for you" —— Jude Kelly
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WOW Kaohsiung 2021 Birthed by WOW - Think Ins
\n\nWOW - Think Ins are a critical aspect of every WOW Festival. By creating a safe, inclusive space for discussion, participants guide the conversation to bring together ideas from people of different backgrounds, professions, and social experiences so as to find common topics of discussion related to gender issues.
\n\nThe WOW Kaohsiung Think Ins, which started in March (three live and two online), were the beginning of the festival. For the Think Ins, people of different professions, levels of education, ages, and genders came together to brainstorm and speak freely. We also collaborated with Yuanfu Junior High School in Qishan and the Taiwan Fund for Children and Families Center in Qijin in discussing the daily observations of teens regarding gender molds and the states and challenges of life for female Southeast Asian immigrants and local mothers who must support their families economically. During the Think Ins, participants shared their experiences and viewpoints in giving an overall picture of roles and gender relationships in Taiwanese society, providing direction for the festival, which will take place from November 5 to 14.
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Schedule
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The WOW Foundation
\n\nThe WOW Foundation is a charity founded by Jude Kelly CBE that believes a gender equal world is desirable, possible and urgently required. Through festivals, events and The WOW Podcast with Jude Kelly, WOW’s global movement celebrates women, girls and non-binary people, takes a frank look at the obstacles they face and discusses solutions for change. WOW's festivals around the world are the biggest, most comprehensive and most significant festivals dedicated to presenting work by women and promoting equality for women and girls.
\n\nWOW Festivals began in the UK in 2010, launched by Kelly at Southbank Centre London where she was Artistic Director. In 2018 Kelly left the Southbank Centre to run The WOW Foundation, a small UK-based organisation that produces WOW activities to empower women and girls all year-round.
\n\nTo date, WOW has reached over three million people in 17 countries on six continents, in locations including Australia, Brazil, China, Egypt, Finland, India, Nepal, Nigeria, Pakistan, Sri Lanka, Somaliland, Turkey, and cities across the UK and USA. In June 2020, WOW held its first ever worldwide online festival focused on women and girls — WOW Global 24. The festival travelled around the world everywhere from the UK to Nigeria, and Pakistan to Australia exploring the intersectional impact of COVID-19 on gender inequality, and responding to Black Lives Matter.
\n\nOver the last 10 years the Festivals have developed a reputation as a space for world renowned artists, activists, thinkers and performers to come and participate alongside thousands of women and girls who don't have public profiles but are doing amazing things. High profile speakers include Angela Davis, Malala Yousafzai, Annie Lennox, HRH The Duchess of Cornwall, Patrick Stewart, Baroness Doreen Lawrence, Svetlana Alexievich, Munroe Bergdorf, Julia Gillard, Hindou Ibrahim, Lily Allen and Salma Hayek. The festivals have been the catalyst for the creation of many new campaigns, networks and organisations, including the founding of the Women's Equality Party by Sandi Toksvig and Catherine Mayer in 2015.
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WOW Festivals and events are presented by arrangement with Southbank Centre.
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【WOW Kaohsiung 2021 Women of the World Festival】Production Team
\n\nExecutive Producer|Raymond WONG
\n\nProducer|CHU Yi-chun
\n\nAssociate Producer|Cynthia CHIANG
\n\nProject Coordinator|Eric NG, CHEN Yi-ching, LI I-hsuan
\n\nProject Administrator|HSU Pei-yu, LU Keng-ju
\n\nAdministration Assistant|Kiuua ISPALIDAV, Silver YIN
\n\nMarketing Coordinator|LAN Hung-ling, TSUI Ya-ting
\n\nGraphic Design|YEN Ming-yi
\n\nTechnical Coordinator|Slash HSU
\n\nProduction Stage Manager|LIU Yen-chi
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主持人
\n\n范琪斐|資深媒體人
\n\n\n\t\t |
資深媒體人,曾擔任駐美特派記者二十餘年,3年前回到臺灣定居,於2018年開設《范琪斐的寰宇漫遊》節目,以清晰有條理的論述領觀眾認識國際時事議題;2019年製作《范琪斐的TODAY看世界》,以新型態網路媒體平台擔任國際新聞短評主持人; 2021年開始經營網路節目《斐姨所思》與Podcast《說故事的人》,樂於觀察社會脈動,串連起更多深度的交流對話。
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講者
\n\n小紅帽 Little Red Hood創辦人|林薇
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林薇Vivi,小紅帽 Little Red Hood(社團法人全球小紅帽協會)創辦人、作家、講師,曾獲得黛安娜人道主義獎、性別兒童與人權關懷類十大傑出青年。長期關注並深耕性別、人權、多元族群、貧窮、教育等議題,是倡議工作者,也是行動派一線工作者。因為相信每個人都值得被自己與他人好好對待,並擁有用真實的自己,自在生活的權利,所以持續在多元的領域裡,用溫柔的靈魂,堅毅的態度,和不怕死的勇氣,尋找讓世界變得更好一點點的可能性。
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\n崔媽媽基金會居住扶助部主任|馮麗芳
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投身崔媽媽基金會已23年,靠著一股雞婆和熱情的精神,服務弱勢居住扶助個案、租屋糾紛調處及法律諮詢,背負著滿身「家」的故事。經常至大專院校擔任居住議題講座講師,也曾主編相關手冊,近年來擔任社工與弱勢居服相關課程講師,亦受邀至Podcast、於媒體採訪中分享第一線社工的租屋實況觀察。
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珍珠家園資深工作人員|趙歆怡
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新加坡人,20年前因為五月天愛上臺灣。2009年開始在珍珠家園婦女中心工作,關心萬華的茶室工作者、性工作者、獨居老人和弱勢婦女。珍珠家園提供一個安全、溫暖的環境,希望婦女可以因著上帝的愛,做回自己,生命有所改變。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc20af4c5fe5d0fb97596844ebb3addf",title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量",cover:"694f65d1cb8f833583800aa7886e761b",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
\n\n
五月疫情爆發初期,萬華茶室成為眾矢之的;隨著疫情升溫、工作停擺,弱勢家戶的日常開始困境……。在這些動盪不安的時刻,致力關懷萬華地區茶室、性產業工作者的「珍珠家園」、為弱勢家戶租屋困境伸張正義的「崔媽媽基金會」、關注月經平權與致力彌平月經貧窮的「小紅帽」紛紛投入行動,成為動盪社會中的堅定力量。
\n\n「疫情底下的女性力量」邀請資深媒體人范琪斐,與三位非營利組織工作者—林薇、趙歆怡、馮麗芳,一同分享在疫情之下各組織關懷的對象所面臨的處境,與組織在疫情之下的行動,一同聊聊身為女性一線工作者的心路歷程。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
\n\n\n\n
溫馨提醒
\n\n\n\n\n\n
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nFAN Chi-fei|Senior Media Professional
\n\n\n\t\t |
A senior media professional, FAN worked as a special correspondent in the US for over 20 years and returned to Taiwan three years ago. In 2018, FAN began the program Fan Chi-fei's Global News, through which FAN unravels international affairs with clear, logical discourse. In 2019, FAN produced Fan Chi-fei's Line TODAY , with FAN as the short commentary show host for international news in the form of new internet media. In 2021, FAN started organizing the internet program Auntie Fan's World News Tonight and Podcast Our Stories. FAN is interested in observing social dynamics and connecting and inspiring deep conversations and exchanges.
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Speakers
\n\nVivi LIN|Founder of Little Red Hood
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The founder of Little Red Hood, Vivi is also an author, lecturer, and recipient of the Diana Award and Ten Outstanding Young Persons award in the category of gender, children, and humanistic concerns. Vivi is a campaigner and frontline activist who has long been devoted to issues including gender, human rights, ethnic diversity, poverty, and education. Rooted in her belief that everyone deserves to the treated fairly by themselves and others, live authentically, and the right to live in freedom, Vivi continues to work on issues regarding inclusivity with her gentle resilience and courage so that the world might become a better place.
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FENG Li-fang |Director of Residential Support, TSUEI MA MA Foundation for Housing and Community Servicest
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FENG has worked at Tsuei Ma Ma Foundation for Housing and Community Services for 23 years, supporting those who are disadvantaged in terms of residential rights, assisting in mediating disputes in housing rental, and providing legal consultation with deep enthusiasm and concern for "other people's business." Over the years, FENG has collected many tales about "homes" and frequently lecturers on housing issues at universities. FENG has also worked as an editor-in-chief for brochures on related topics. Throughout recent years, she has worked as a social worker and lecturer on housing services for the disadvantaged, and has been invited to share her observations as a frontline worker in house rental in Podcasts and media interviews.
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TEO Sin Ee|Pearl Family Garden Community Coordinator
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2009, TEO started working at Pearl Family Garden, caring for teahouse workers, sex workers, solitary elderly, and disadvantaged women in Wanhua. Pearl Family Garden provides a safe, caring environment with hopes that women can return to their authentic selves and change their lives through the love of God.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc20af4c5fe5d0fb97596844ebb3addf",title:"【WOW高雄2021世界女性藝術節】對談時光 — 疫情底下的女性力量"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Woman Power During Pandemic",cover:"694f65d1cb8f833583800aa7886e761b",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
When Taiwan's biggest Covid outbreak started in May, tea parlors in Wanhua became a target of public criticism. As the outbreak intensified and work was halted, disadvantaged employees of these tea parlors began finding it hard to make ends meet. During these turbulent times, certain groups took action to provide help and serve as a steady social force, as exemplified by assistance to tea parlors and sex workers given by Pearl Family Garden, the extension of a hand of justice to disadvantaged families in need of rent money by the Tsuei Ma Ma Foundation, and the effort to ensure menstrual hygiene rights and alleviate period poverty by Little Red Hood.
\n\nFor Woman Power During Covid, longstanding media personality FAN Chi-fei and three NGO workers –Vivi LIN, TEO Sin Ee, and FENG Li-fang – will share about the plights faced by people they have helped, how their organizations have taken action during the pandemic, and the psychological journey they have traveled as female frontline workers.
\n\n\n\n
Qualification
\n\n【WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632920248,updatedAt:1653046209,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"6154687d87c8d30008b1a06e",title:"【WOW Kaohsiung 2021】In Conversation – Female Artists Who Stand Their Ground",data:{_id:"6154687d87c8d30008b1a06e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636198200,discrete:[{time:1636198200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:' 主持人
\n魏琬容|OISTAT國際劇場組織執行長、舞評人
\n\t\t |
OISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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講者
\n\n王海玲| 國家文藝獎得主、臺灣豫劇演員
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國家文藝獎、教育部薪傳獎、亞洲傑出藝術家、傳藝金曲獎得主。
\n\n八歲習藝,投入戲曲藝術六十年,為臺灣戲曲代表性人物之一。
\n\n現為臺灣豫劇團、奇巧劇團藝術總監;高雄師範大學、中山大學、高雄大學兼任副教授。
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\n羅珮嘉|台灣國際女性影展策展人
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倫敦大學birkbeck分校電影史與視覺藝術碩士,加州州立大學Northridge分校廣電系學士。曾任公共電視節目執行及社區大學電影及性別學程講師,2012年起擔任女性影展策展人迄今。文章散見LEZ、Openbook、Giloo紀實影音等各處。
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蘇品文|女性主義藝術家
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女性主義藝術家,看名字常被誤認為男的。以身體為創作媒材,獨立藝術、舞蹈(?)、三十八歲單身女人、素食者、Skoliosexual;從哲學背景到舞蹈創作,將舞蹈視為觀念藝術,不能只為美學服務。他有兩個完全獨立的藝術路線:蘇品文女性主義三年計畫以性別、女性主義與Nudity為藝術形式,於臺北藝穗節發表《少女須知》系列作品。嘉義縣看嘸舞蹈劇場現任藝術總監與主要管理者。每週往返於臺北、嘉義之間邁向第九年—— 身體在哪裡,當代舞蹈就在哪。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc2b9661319252cdd25a2b792e3a0e70",title:"【WOW高雄2021世界女性藝術節】對談時光—她們藝力不搖"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 她們藝力不搖",cover:"97450482259f27c31aa9fb48800a7390",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
\n\n
邀請豫劇皇后王海玲、台灣國際女性影展策展人羅珮嘉,與看嘸舞蹈劇場藝術總監蘇品文三位不同領域的女性藝術工作者,展開一場關於性別的跨界、跨域對談。從她們不同世代的性別經驗,分享以女性視角與姿態對女性處境的觀察,以及從表演、影像與舞蹈各展其長,將性別議題轉化為感性的藝術作品,以「藝」力推動性別平等的實踐經驗。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
\n\n\n\n
溫馨提醒
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nWEI Wan-jung|Executive Director of OISTAT、Dance Critic
\n\n\n\t\t |
Wan-Jung Wei is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
Speakers
\n\nWANG Hai-ling|Winner of National Award for Arts, Taiwan Bangzi Opera Actress
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Recipient of the National Award for Arts, Ministry of Education National Folk Art Heritage Award, the Outstanding Asian Artist Award, and the Golden Melody Awards for Traditional Arts and Music.
\n\nWANG started learning art at the age of eight and has devoted 60 years in traditional opera; she is an iconic figure in the field of traditional Taiwanese opera.
\n\nWANG is currently the artistic director of Taiwan Bangzi Opera Company and ChiChiao Musical Theatre, and an adjunct associate professor of National Kaohsiung Normal University, National Sun Yat-sen University, and National University of Kaohsiung.
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Peicha LO |Curator of Women Make Waves Film Festival
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LO has a master's degree in History of Film and Visual Media from Birkbeck University of London, and a bachelor's degree in radio and television from California State University, Northridge . LO was a program executive for Public Television Service and lectured for film and gender studies in community college. LO has worked as a curator for Women Make Waves Film Festival since 2012, and her writings are seen in LEZ, Openbook, Giloo, and others.
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SU Pin-wen|Feminism Artist
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A feminism artist whose name often leads to being mistaken for a man, Pin-Wen uses the body as a medium of creation. An independent artist, dancer (?), 38-year-old single woman, vegetarian, and skoliosexual – from philosophical background to choreography, Pin-Wen sees dance as a conceptual art, rather than merely an aesthetic object to work for. Pin-Wen's artistic axes differ in two completely independent ways: Su Pin-Wen's Feminism, a three-year project employs Gender and Feminism issues, and uses Nudity as an art form; yet presented the "Girl's Notes"series in the Taipei Fringe Festival. Currently, Pin-Wen works as the artistic director and primary manager of Chiayi Kua Bo Dance Theatre. This marks the ninth year of weekly commutes between Taipei and Chiayi – wherever the body is, that is where contemporary dance is.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"bc2b9661319252cdd25a2b792e3a0e70",title:"【WOW高雄2021世界女性藝術節】對談時光—她們藝力不搖"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Female Artists Who Stand Their Ground",cover:"97450482259f27c31aa9fb48800a7390",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
"Queen of Henan opera" WANG Hai-ling, Women Make Waves Film Festival Curator Peicha LO, and KuaBo Dance Theatre Artistic Director SU Pin-wen will come together from three areas of art in holding a dialogue on gender discourse. Based on their differing gender experiences that have come about by being part of separate generations, they will share their observations of the plight of women from a female perspective and stance and turn gender issues into emotional pieces of art in their respective areas of expertise (performance, film, and dance), promoting gender equality through the power of art.
\n\n\n\n
Qualifications
\n\n【 WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member
\n\n\n\n
Reminder
\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632921725,updatedAt:1653908333,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"615479fe87c8d30008b1a3f0",title:"【WOW Kaohsiung 2021】In Conversation – Let Me Hear You Say WOW feat. Utjung TJAKIVALID",data:{_id:"615479fe87c8d30008b1a3f0",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636204200,discrete:[{time:1636204200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'舞炯恩・ 加以法利得 Utjung TJAKIVALID|音樂製作人、演員
\n\n\n\t\t |
臺灣原住民排灣族創作歌手、演員、音樂創作人及編曲師。曾於選秀節目《超級接班人》擔任編曲製作。舞炯恩創作之《擁抱世界擁抱你》,透過I-WANT星勢力演唱,並獲得2017年夏季世界大學運動會主題曲冠軍,打響知名度。同年所主演之電影《阿莉芙》替跨性別族群發聲,以強大的個人魅力展示了可男可女、顛龍倒鳳的魅力,更榮獲台北電影節最佳新演員獎。
\n'}],onShelf:!0,sliders:[{type:"image",key:"d5094ab3f9a18dabdfc7aee8db48607d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩",cover:"86488206861a4c8c8f25e62c4a7d6837",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'\n\n
關於女性藝術節,我有話要說!你說我唱,與舞炯恩共同創作一首歌。
\n「人的生命有很多不同的可能,在這個年頭如果只有男和女就太落伍了。」排灣族創作歌手舞炯恩這麼說。擅長結合排灣族傳統歌曲元素與當代流行電音,他的創作歌曲曾獲選為2017年夏季世界大學運動會主題曲冠軍,也曾在所主演之臺灣電影——《阿莉芙》中替跨性別族群發聲,希望透過作品淺移默化地影響社會對的刻板印象。
\n今年WOW高雄邀請到魅力四射的舞炯恩,為我們製作一首與觀眾共創的原創歌曲,只要是關於你對「性別議題」的看法,都歡迎投稿成為原創歌曲的一部分!
\n你有想說卻說不出口的話嗎?你有必須和更多人分享的話嗎?讓舞炯恩為你唱出來!
\n\n
如何投稿|我也要作曲
\n10/2(六)21:00 於「衛武營官方IG」與「舞炯恩官方IG」準時募集,限時24小時!
\n在投稿時段於官方IG限時動態留言,分享關於你/妳的「日常性別經驗」
\n#來點投稿靈感 #我有話要說
\n「我是棉花糖女孩,與你何干?」「誰說不能輕易流下男兒淚?!」「大齡女子的後青春,40歲才要開始!」
備註:歌曲創作素材除了IG限時募集,也將取材自2021年3月與7月所舉辦的5場WOW共想工作坊。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
\n\n\n\n
溫馨提醒
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Utjung TJALIVALID|Music Producer, Actor
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Paiwan singer-songwriter, actor, musician, and music arranger. Utjung Tjakivalid was the arranger and producer for talent show Next Generations. Utjung Tjakivalid became a household name when his work Embrace The World With You was performed by I-WANT Star Power and received first prize as the theme song for 2017 Summer Universiade. Also in 2017, Utjung Tjakivalid's portrayal in film Alifu, the Prince/ssbecame a voice of the transgender community, and his charisma and masterful depiction of both male and female roles won him Best New Talent at the Taipei Film Festival.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"d5094ab3f9a18dabdfc7aee8db48607d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 先唱再說,音樂電起來!feat.舞炯恩"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Let Me Hear You Say WOW feat. Utjung TJAKIVALID",cover:"86488206861a4c8c8f25e62c4a7d6837",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
\n\n
We've got something to say about the Women of the World Festival! During You Talk, I Sing, let's make a song with Paiwan singer Utjung TJAKIVALID.
\n\n"There are a lot of possibilities in life, and you're just behind the times if you still think it's all about only men and women," says TJAKIVALID, who incorporates traditional Paiwan music into electronic music. One of his songs was chosen as the 2017 Universiade theme song, and he played the main role in Alifu, the Prince/ss, a film that spoke up for transgender people. Through his work, he looks to subtly influence the stereotypes society holds of transgender people.
\n\nThe magnetic TJAKIVALID will be at the Women of the World Festival to create an original song with participants: All you have to do is submit your thoughts in writing on what you think about gender issues, and some of them might be selected as part of the lyrics! Is there something you would like to say but have been unable to? Is there something you just need to tell more people? Let TJAKIVALID sing it out for you!
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Qulification
\n\n【WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632926206,updatedAt:1635656567,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"61547ddf103d910007ffec5e",title:"【WOW Kaohsiung 2021】In Conversation – No Limits: Athletes Who Go Out of Bounds",data:{_id:"61547ddf103d910007ffec5e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636272600,discrete:[{time:1636272600}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n戚海倫|亞洲體育記者聯盟執行委員、專欄作家及自由媒體工作者
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從事體育新聞採訪或相關工作超過20年,2017年曾擔任臺北世大運主新聞中心(MPC)副主任。現任亞洲體育記者聯盟唯一女性執行委員,在體記協會支持下,發起籌辦《亞洲女性在體壇》刊物。目前擔任News98新聞台新聞編播及節目主持人。
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講者
\n\n劉柏君|棒球裁判、作家、社團法人台灣運動好事協會創辦人兼執行長及台灣女子運動體育協會理事長
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照片出處:三采文化
\n\n臺灣首位女性國際棒球裁判,也是首位在臺灣全國性賽事執法的女性主審,長期以來積極推動臺灣女子棒球。2018年時獲得富比士體壇最具影響力女性第19名、2019年獲得國際奧會女性與運動獎世界獎座、2020年獲臺北市推動運動性別平等獎。
\n\n2020年成立社團法人台灣運動好事協會擔任執行長,以及台灣女子運動體育協會擔任理事長,致力推動弱勢運動培力、體育領域中的性別平等。
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王湘惠|臺灣女子足球員職業工會理事長
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王湘惠,臺灣女子足球運動員,花蓮縣光復鄉阿美族人,為現今臺灣女子足球代表隊隊長及中場主將。曾效力日本撫子聯賽廣島紫天使及中國超級聯賽北京北控鳳凰等隊,目前效力於臺灣木蘭聯賽花蓮隊。
\n\n2019年回臺後開始創辦王湘惠公益足球教室,並且投入偏鄉行動,致力推廣足球運動不遺餘力。2020年成立臺灣女子足球員職業工會,為臺灣運動史上首度由女性所組成的工會團體。
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江貞億|「Fair Game!TAIWAN!體育改革聯會」成員、「VolleyCube 翻轉排球」創立成員
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因對於臺灣體育的熱愛,她曾創立 VolleyCube 翻轉排球社群平台;也曾跟著國家隊南征北討,見證了《夢想的角落》紀錄片誕生;甚至成立體育改革聯會,親眼見證、參與了臺灣第一次的體育改革。「雖然仍有許多未竟之路,但至少,臺灣體育仍在緩緩前進中。」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"dd0fc5db7c45cce3013aac41d3a61f8d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員",cover:"92b3aca3473041f50ca1233773e6a91a",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
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體壇中有哪些超「女」力!?
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「沒有極限:走出線外的運動員」邀請體壇中不同領域的女性,分享她們如何在各自的專業中,破除那條不可見的性別界線。而在體壇中擁有多元樣貌的她們,對於持續奮鬥的公共議題,一路走來的過程中又曾遇到什麼挑戰?
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\n本屆WOW藝術節邀請來自不同領域的體育專家—戚海倫、劉柏君、王湘惠及江貞億,透過第一線體育好手的性別經驗,以及來自體育平台的女性權利發聲者,一起聊聊是什麼限制了人們對運動場上女性的想像,開啟大眾共同討論運動界女性發展的不同可能性。
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報名資格
\n\n【 WOW PASS 專屬活動】
\n\n報名方式|採線上免費報名 線上參與WOW PASS
\n\n參加對象|限衛武營持卡會員 加入卡友會員
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nHelen CHI|EC Member of AIPS Asia, Sports Journalist, Freelancer, Sports Journalist
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CHI has worked as a sports reporter and in related fields for over 20 years and was appointed the deputy director for the Taipei Universiade Main Press Center (MPC) in 2017. CHI is currently the only female executive member of International Sports Press Association Asia and initiated Asian Women in Sports through the support of the Sports Press Association. CHI is the news editor and broadcaster and show host of news channel News98 .
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Speakers
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Sophiyah Liu|Taiwan Sport Forward Association / Founder and Secretary-general ; Taiwan Women Sports Association / Chairwoman
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Photo©:Suncolor
\n\nNot only is LIU the first female umpire for international baseball but she is also the first female head umpire at Taiwan national competitions. LIU has long been dedicated to promoting Taiwan women's baseball. In 2018, LIU ranked 19th in "The Most Powerful Women in International Sports” by Forbes and received the International Olympic Committee Women and Sport Awards in 2019, as well as the Taipei City Sports Gender Equality Award in 2020.
\n\nIn 2020, LIU established the Taiwan Sport Forward Association and became its CEO, as well as the president of Taiwan Women's Sport Association. LIU devotes her efforts to empowering the disadvantaged and gender equality in the field of sports.
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Panay|President of Taipei Women's Football Player Union
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Panay, Taiwanese female football player, from the Amis tribe in Guangfu Township, Hualien County, is the captain and midfielder of the current Taiwanese Women's Football Team. She has played for Ange Violet Hiroshima in the Japanese Nadeshiko League and Beijing BG Phoenix F.C. in the Chinese Super League, and currently plays for the Hualien team in the Taiwan Mulan Football League.
\n\nAfter returning to Taiwan in 2019, she has founded the Panay's Charitable Football Classroom, and devoted herself to rural activities, and spared no effort to promote football. In 2020, the Taiwan Women's Football Players Association was established, which is the first women's union in the history of sports in Taiwan.
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CHIANG Chen-i|Member of Fair Game! TAIWAN!, Founding Member of VolleyCube
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Fueled by her love for Taiwan sports, CHIANG established social media platform VolleyCube and followed national sports teams in their travels, and witnessed the birth of documentary Corner of the Dream. CHIANG even founded Fair Game! TAIWAN!, witnessing and participating in Taiwan's first sports reform. "Although there are still unfinished missions, at least Taiwan sports is slowly moving forward."
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\n'}],onShelf:!0,sliders:[{type:"image",key:"dd0fc5db7c45cce3013aac41d3a61f8d",title:"【WOW高雄2021世界女性藝術節】對談時光 — 沒有極限:走出線外的運動員"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – No Limits: Athletes Who Go Out of Bounds",cover:"92b3aca3473041f50ca1233773e6a91a",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
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Know any feminist freedom fighters in sports?
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Women from different areas of the sporting world have been invited to No Limits: Athletes Who Go Out of Bounds to share about how they step past that invisible gender boundary and about challenges they have encountered while fighting on social issues.
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Based on their gender experiences on the front lines of their fields, sports experts and women's rights advocates Helen CHI, Sophiyah LIU, Panay and CHIANG Chen-yi will talk about what limits people's ideas on women in sports to get the public discussing the possibilities for women's development in the realm of sports.
\n\n\n\n
Qulification
\n\n【WOW PASS Exclusive Events】
\n\nRegistration Method|Free online registration Free Registration for WOW PASS
\n\nProspective Participants|Exclusive to Weiwuying card members Become a card member.
\n\n\n\n
Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632927199,updatedAt:1635564201,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614ea014103d910007ff0f85",title:"【WOW Kaohsiung 2021】In Conversation – You Go, Girls!",data:{_id:"614ea014103d910007ff0f85",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636371e3,discrete:[{time:1636371e3}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n李玉華|還我特色公園行動聯盟 (特公盟) 創始理事
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臺灣童年與遊戲讀書會總召,性別自學研究社群版主。遊戲權倡議者,踏查全球兒少友善公共空間,看圖、宣講、翻譯、書寫,接受過 BBC 和加國 TVO 訪問,受邀在兒童友善城市歐洲聯盟分享臺灣經驗。
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講者
\n\n尤美女|人權律師、前立法委員
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尤美女,人權律師,從事婦女運動30年,對於國內婦女地位的提升不遺餘力。俟於2012-2020年擔任民進黨不分區立委,於任內推動同志婚姻合法化,於2019年使臺灣成為亞洲第一個同志婚姻合法化的國家。因其長期捍衛人權、推動性別平權而於2020年獲頒法國國家功勳騎士勳位勳章。
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盧碧春|臺灣彩劵經銷商、身障桌球國手
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幼年因罹患小兒麻痺不良於行,後隨父母舉家遠赴印尼。17歲返臺半工半讀完成高中學業後從事婚紗製造業。24歲時與先生結縭一起經營玉石工廠及銷售。目前是臺灣彩劵經銷商。42歲時在家人的鼓勵與支持下開始學習桌球,雖然遇到很多困難和運動傷害,但以堅毅的精神與持之以恆的練習,才有目前些許的成績!
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\n許荏涵|攀樹師
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許荏涵是臺灣首位拿到國際認證攀樹師證照的女性,在獲得臺灣攀樹比賽女子組冠軍後,更代表臺灣到美國參與國際賽事。荏涵說:「從來沒有想過怕高、怕黑,甚至怕死的我,有一天會成為攀樹師,當穿上屬於自己國家國旗的賽服時,仍覺得很夢幻。」這條路不僅讓她學會並運用攀樹技術、克服怕高的恐懼,更認識了一群志同道合的朋友,發自內心渴望能在樹上創造更多可能性。
\n'}],onShelf:!0,sliders:[{type:"image",key:"9ac8936c12c28d843dcea9d28a338a97",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!",cover:"b3575628dacdfc80473a17bce591781e",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'\n\n
妳有什麼想做、卻不能做,敢夢、卻不敢行動的事?
\n\n「女孩,你當然能OO!」鼓勵女性勇敢突破社會期待,走出屬於自己的路。主持人李玉華倡議不一樣的家庭教育—讓女孩勇敢冒險、嘗試受傷,她將與三位女性跨界對談—尤美女畢生推動法律朝向性別平權與人權改革;盧碧春42歲甫走入桌球世界,如今代表臺灣參與帕運;許荏涵於26歲成為臺灣首位獲國際證照的女性攀樹師,她們將分享自身經驗,聊聊如何從自身位置支持女性、創造更加友善的社會。
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nChristine LEE|Founding Board Member, Taiwan Parks & Playgrounds for Children by Children
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A play activist for child-friendly environments, as well a convenor of 'Childhoods & Play in Taiwan' and 'Gender Studies'
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Speakers
\n\nYU Mei-nu|Human Rights Lawyer, Former Legislator
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YU Mei-nu is a human rights lawyer who has been devoted to women's movements for 30 years. She is dedicated to promoting the position of women in Taiwan and served as a legislator of the Democratic Progressive Party between 2012 and 2020. During her post, YU strived for the legalization of same-sex marriage, and in 2019, Taiwan became the first country in Asia to legalize same-sex marriage. YU received the National Order of Merit with the rank of knight by the government of France in 2020 for her long devotion to human rights and her work in promoting gender equality.
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LU Pi-chun|Taiwan Lottery Dealer, National Athlete of Disability Table Tennis
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LU suffered polio from a young age and moved to Indonesia with her parents. At the age of 17, LU managed to finish her senior high school studies while working part-time in wedding dress manufacturing. LU married her husband when she was 24 and worked in the production and sales of jade and stones. LU is currently a Taiwan Lottery dealer. With the encouragement and support from her family, LU started practicing table tennis when she was 42, and despite numerous difficulties and injuries, LU persisted and became the accomplished woman she is today.
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\nHSU Ren-han|Certified Tree Worker Climber Specialist
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HSU is the first woman in Taiwan to receive the international certificate for tree climbing. After winning first prize at the women's category of Taiwan Tree Climbing Championship, HSU went on to represent Taiwan in participating in international competitions held in the US. Ren-han states: "I never thought that someone like me, who is afraid of heights, afraid of the dark, and has a fear for death, will one day become a Certified Tree Worker Climber Specialist. Putting on the competition costume with our nation's flag is still a surreal experience." HSU’s experience has not only taught her the skills of tree climbing and allowed her to overcome her fear of heights, but it has also allowed her to becomes friends with a group of like-minded people. HSU genuinely hopes to create more possibilities on treetops.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"9ac8936c12c28d843dcea9d28a338a97",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女孩,你當然能OO!"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – You Go, Girls!",cover:"b3575628dacdfc80473a17bce591781e",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
Is there anything you want to do but haven't had the guts to, or any dreams you have but don't dare to take action on?
\n
\nYou Go, Girl! will encourage women to break free from the shackles of social expectation and live out their lives as they wish. Moderator Lee Yu-hua advocates a different kind of education at home in which girls are encouraged to take chances and risk getting hurt. She will speak with three women of different professions: YOU Mei-nu, who has spent her whole life promoting law-based gender equality and human rights reform; LU Pi-chun, who entered the world of table tennis at the age of 42 and has represented Taiwan at the Paralympics; and HSU Ren-han, who, at the age of 26, became Taiwan's first woman to obtain an international license as a tree-climbing instructor. They will share their experiences and about how they support women and are working to make society more gender friendly from their positions in society.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632542740,updatedAt:1635656698,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e927f87c8d30008afdbf1",title:"【WOW Kaohsiung 2021】In Conversation – Screening of Out/Marriage and Follow-up Discussion",data:{_id:"614e927f87c8d30008afdbf1",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636457400,discrete:[{time:1636457400}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!1,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n龍煒璿|台灣國際家庭互助協會(TIFA)高雄辦公室主任
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台灣國際家庭互助協會南部辦公室主任
\n\n內政部火炬計畫高屏澎東區域委員
\n\n高師大通識中心兼任講師
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講者
\n\n阮金紅 |《失婚記》導演、越在嘉文化棧棧長
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越南裔臺灣人,出身農民家庭,因家貧未完成國小學業。2000年透過仲介嫁來臺灣,遭遇家庭暴力而於2008年離婚,獨立撫養女兒。2009年再婚,擔任新移民團體志工,連續兩年獲新移民之美攝影比賽第一名,並開始學習紀錄片拍攝。 2010年入選雲門流浪者計劃,2011年獲國家文化藝術基金會補助,返鄉拍攝家族故事與失婚越南姐妹,《失婚記》是第一部紀錄片作品,入圍2013年台北電影節及南方影展最佳紀錄片,獲南方影展最佳新人獎。紀錄非法移工的《可愛陌生人》獲2014年金穗獎優等獎,完整版《再見 可愛陌生人》於2016年推出後,入圍南方影展,並獲桃園電影節桃園市民獎,並為2017年南韓首爾移民工影展閉幕片。目前仍持續紀錄移民工及新移民二代議題,並於嘉義民雄成立「越在嘉文化棧」,推廣及策劃各種移民移工文化交流活動。
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吳郁瑩|《阿紫》導演
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吳郁瑩參與剪輯美籍紀錄片導演David Sutherland長達六小時 PBS FRONTLINE系列 “Country Boys”,於2006年1月在PBS全國播出,並於同年受邀荷蘭IDFA 特別播映。她剪接的Run Granny Run獲得SXSW 2007 最佳觀眾獎,2007 年於HBO 播出,也是Sutherland的PBS “Kind Hearted Woman”(2013) 的剪接。《阿紫》是吳郁瑩第一部執導作品。《阿紫》入圍2019年金馬獎最佳紀錄片, 並獲得2020 年台北電影節最佳紀錄片與最佳剪輯獎項。
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\n葉美秀|南高雄家扶中心資深社工師
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任職於家扶基金會南高雄家扶中心已16年,目前擔任旗津服務處組長,主要負責旗津地區因經濟問題導致生活陷入困境的家庭扶助工作,另外亦有負責旗津社區連結、維繫等方案計畫的執行。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"8ec9cde6687f3ddc663b0e6dddd0bbed",title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談",cover:"eea551c925fb55384c32892cc8f89b21",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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根據官方統計至2020年,有超過55萬新住民遠渡重洋來到臺灣與國人結婚建立「新」家,其中九成以上是女性,因此,女性新住民在臺灣已是不容忽視的女性力量,更是女性議題不可或缺的一塊拼圖。
\n\n透過放映臺灣第一部以新住民角度觀看跨國婚姻的紀錄片–《失婚記》,從越南裔導演阮金紅從她的親身故事出發,與四位新住民嫁到臺灣後所經歷的失婚之路,感受新住民女性的心聲。映後座談則邀請到南高雄家扶中心資深社工師葉美秀、《阿紫》導演吳郁瑩與《失婚記》導演阮金紅三方對談,讓我們藉由長期協助臺灣新住民女性的第一線工作者的分享,和兩位貼身紀錄跨國婚姻的困境與壓力的兩位創作者的觀點,看見新住民女性在臺灣的處境,而《阿紫》和《失婚記》這兩部相距十餘年的作品,也反映臺灣新住民權益的發展歷程。
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nLUNG Wei-hsuan|Director of Taiwan International Family Association Kaohsiung Office
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Kaohsiung-Pingtung-Penghu-Taitung Regional Committee, New Immigrant Torch Project, Ministry of the Interior
\n\nAdjunct Lecture of Center For General Education, National Kaohsiung Normal University
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Speakers
\n\nNGUYEN Kim-hong|Director of "Out/Marriage"
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NGUYEN is a new immigrant in Taiwan from Vietnam. She was raised in rural countryside and was unable to complete elementary education due to poverty. In 2000, she was married to a man in Taiwan through a marriage agency, divorced in 2008 because she experienced domestic violence. She raised her daughter by herself since then. She was remarried in 2009 and started to volunteer with communities of new immigrants. Kim-Hong Nguyen won the first prize twice in the Beauty of New Immigrants Photo Contest and started to shoot documentaries since then. She received the grant from the 2010 Cloud gate Wanderer Project and another grant from the National Culture and Arts Foundation in 2011 to shoot her family story and other Vietnam sisters who experienced divorce. Out/Marriage is her first documentary and was nominated as Best Documentary in both Taipei Film Festival and South Taiwan Film Festival. It won the Best Newcomer Award of the South Taiwan Film Festival.
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WU Yu-ying |Director/Producer
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YuYing Wu began her career by collaborating as an editor with David Sutherland on his FRONTLINE series, Country Boys, which aired on PBS in 2006 (IDFA). She was a co-editor on HBO's ''Run Granny Run” ( SXSW 2007) and was also the editor on Sutherland's PBS series ''Kind Hearted Woman”. She also co-produced Sutherland's new film "Marcos Doesn't Live Here Anymore" (2019). Her debut feature documentary ''The Good Daughter” was nominated for Best Documentary in the 56th Golden Horse Film Festival and won Best Documentary and Best Editing in the 2020 Taipei Film Festival.
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\nYEH Mei-hsiu|Senior social worker of Taiwan Fund for Children and Families Southern Kaohsiung Branch
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YEH has worked at Taiwan Fund for Children and Families Southern Kaohsiung Branch for 16 years and is currently the section chief of the Qijin service station. Her professional responsibilities mainly consist of assisting and supporting families that are going through hard times due to financial difficulties and she is also in charge of projects that aim to connect and maintain the Qijin community.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"8ec9cde6687f3ddc663b0e6dddd0bbed",title:"【WOW高雄2021世界女性藝術節】對談時光 — 「新」家-《失婚記》放映+映後座談"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Screening of Out/Marriage and Follow-up Discussion",cover:"eea551c925fb55384c32892cc8f89b21",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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Based on official statistics, over 550,000 "new immigrants" (a term that usually refers, though not exclusively, to immigrants from Southeast Asia and China who have married Taiwanese citizens in recent decades) had come to Taiwan and married locals by 2020. 90% of these immigrants were women, which means they are a force that can no longer be ignored and an indispensable part of the push for women's rights.
\n\nOut/Marriage, Taiwan's first documentary on a transnational marriage from the perspective of an immigrant, was directed by Vietnamese Kim-Hong Nguyen based on her own story. It tells the stories of four immigrants and how their marriages in Taiwan crumbled. After it is screened, South Kaohsiung Taiwan Fund for Children and Families Center social worker YEH Mei-hsiu(who has long been on the front lines of working to help female new immigrants), director Yu Ying Wu of The Good Daughter (a film about the plight of a Vietnamese bride in Taiwan), and NGUYEN will discuss the difficulties faced by female new immigrants in Taiwan. Having been filmed over ten years apart, these two works combined portray well the developmental history of new immigrant rights in Taiwan.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632539263,updatedAt:1635656758,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e8b8187c8d30008afdae2",title:"【WOW Kaohsiung 2021】In Conversation – WOW Bites",data:{_id:"614e8b8187c8d30008afdae2",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636543800,discrete:[{time:1636543800}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n吳映軒(酸酸)|喜劇演員
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吳映軒又名酸酸,臺灣站立喜劇演員、脫口秀主持人。活躍於現場演出及網路影片創作,亦以公開出櫃女同志身分,在其作品中推廣性別平權。
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講者
\n王曉書|公視手語新聞主播
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知名模特兒、作家、插畫創作者 、手語節目主持人、手語新聞主播、手語老師、舞台劇演員。2000年首度出書《我看見聲音》成為暢銷作家。曾以公視手語節目《聽聽看》獲2003第38屆金鐘獎「最佳文教資訊節目主持人」獎,2012第47屆金鐘獎「綜合節目主持人」獎,現為公視手語新聞主播。2019獲得第23屆身心楷模金鷹獎。
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\n林美霞|現任紅十字會救災隊員
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全臺灣最高齡女性特搜隊員,曾是九二一受災戶的她,在自身生命故事中,看見解決社會問題的需要,積極參與專業訓練成為紅十字會救災隊員並曾於消防局的鳳凰志工陣營服務了14年,在汶川地震、維冠大樓倒塌、花蓮地震等都能見到她救援的身影 ,用自己的力量協助家鄉的民眾,實踐的精神是眾人的榜樣。
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\n陳蓓蓓|桃園市機師職業工會常務理事
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桃園市機師職業工會常務理事、華航前驅女機師,以專業能力打破職場上的性別框架。關心社會議題,疫苗短缺時承載疫苗回國,面對勞權問題,當仁不讓,挺身而出為其發聲。
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莊傳芬|自耕農
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27歲開始種田,創立品牌「有塊田」,迄今六年餘,習慣忙碌,但現在給自己的新課題是學習放慢腳步。今年從美濃搬到花蓮,在中央山脈的另一邊重新感受獨屬此地的風土節氣,期待自己除了是一位食物生產者,也能向更多人分享土地的價值與力量。
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黃星樺|Podcast 讀書節目「衣櫥裡的讀者」主持人
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臺大政治學系碩士,策展人,公共議題評論者,男性的女性主義者,Podcast 讀書節目「衣櫥裡的讀者」主持人。擅長用平易但準確的語言,帶領讀者/聽眾探索複雜的知識內容和社會議題。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d320d3a277da0ec7a959f5614cbd3960",title:"【WOW高雄2021世界女性藝術節】對談時光 — WOW Bites一口聊"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — WOW Bites一口聊",cover:"09350dfda6f3269be073e2b72d29aa5b",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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「WOW Bites 一口聊」是全球WOW藝術節的經典節目,集結各領域的傑出女性,以短講形式分享她們的人生經驗與自我實踐,更有以嶄新觀點深入剖析女性議題的觀察者,帶我們跳脫傳統視角,聊聊學校沒教的事!
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今年藝術節有幸邀請到手語主播王曉書、全臺灣最高齡特搜隊員林美霞、華航第一批女性機師陳蓓蓓、「有塊田」共同創辦人莊傳芬、Podcast 「衣櫥裡的讀者」主持人黃星樺,以每人8分鐘的明快節奏,濃縮最精采的人生體悟一次呈現給您。
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nWU Ying-hsuan(Suan Suan)|Stand-up Comedian
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WU Ying-hsuan, also known as Suan Suan (@acidcomedy), is a stand-up comedian and talk show host.
\n\nShe is active in live performance and online video career. As an openly lesbian, she promotes gender equality in her works.
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Speakers
\n\nSue WANG |Sign language anchor of Public Television Service
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WANG is a famous model, author, illustrator, the host of a sign language TV program, sign language news anchor, sign language teacher, and play actress. In 2000, WANG became a bestselling author through book I See a Voice. She was awarded Best Host in Cultural and Education Programs at the 38th Golden Bell Awards for Public Television program Listening Eye in 2003, Best Host in a Comprehensive Program at the 47thGolden Bell Awards in 2012, and the 23rd Golden Eagle Award for disabled people in 2019. WANG is currently a sign language anchor of Public Television Service.
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\nLIN Mei-shia|Member of the Red Cross Disaster Relief Team
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LIN is the most senior female member of the special search team. A victim of the 921 Earthquake, LIN sees the need for solving the problems of society through her own life experiences and plays an active role in receiving training to become a member of the Red Cross Disaster Relief Team. LIN worked as a Phoenix Volunteer in Municipal Fire Departments for 14 years, and was seen assisting with the relief of the 2008 Sichuan Earthquake, the collapse of the Wei-guan Building, and the Hualien Earthquake. LIN helps the people of her land and puts her values into practice, making her a role model for many.
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\nCHEN PEI-pei|Executive council member of Taoyuan Pilots Union
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CHEN is the executive council member of Taoyuan Pilots Union and a pioneering female pilot for China Airlines. CHEN breaks the limitations of women in the workplace through professionalism and cares about social issues. During the vaccine shortage, CHEN was responsible for transporting the shipment to Taiwan, and is seen fighting for labor rights.
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JHUANG Chuan-fen|Owner-Farmer
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JHUANG began life as a farmer at the age of 27 and founded the brand Sato kirimaya six years ago . JHUANG is now used to being busy, and her new task is to learn to slow down. JHUANGmoved from Meinong to Hualien this year and familiarized herself with the land and seasons of the other side of the Central Mountain Range. JHUANG hopes to become a food producer but also wishes to share the value and energy of the land with more people.
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HUANG Hsing-hua|Host of Closet Reader podcast
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HUANG has a master's degree from National Taiwan University Department of Political Science and is a curator, public issue critique, male feminist, and the host of the Closet Reader podcast. HUANG specializes in explaining and exploring complex concepts and social issues using wording that is plain and simple while being precise.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d320d3a277da0ec7a959f5614cbd3960",title:"【WOW高雄2021世界女性藝術節】對談時光 — WOW Bites一口聊"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – WOW Bites",cover:"09350dfda6f3269be073e2b72d29aa5b",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel /Cisco Webex"},cautions:'
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WOW Bites is a classic program at WOW Festivals around the world at which accomplished women from various sectors come together and give short talks on their life experiences and self-actualization. Also, with new viewpoints on the analysis of women's issues, they will help us get out of the traditional mindset and learn things not taught at school.
\n\nTaiwanese Sign Language news anchor WANG Sue, Taiwan's oldest female search-and-rescue team member LIN Mei-shia, one of China Airlines' first female pilots CHEN Pei-pei, founder of the organic farm “Sato kirimaya" JHUANG Chuan-fen, and host of the podcast Closet Reader HUANG Hsing-hua will each have eight minutes to share the essence of their life experiences and what they have learned from them.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632537473,updatedAt:1635561668,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e9c0487c8d30008afdd52",title:"【WOW Kaousiung 2021】In Conversation – Sexibility",data:{_id:"614e9c0487c8d30008afdd52",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636630200,discrete:[{time:1636630200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n童嵩珍|嵩馥性健康管理中心創辦人兼主任
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嵩馥性健康管理中心( 臺北、北京、上海、深圳) 創辦人、主任。中華性健康促進協會 理事長、國際性醫學會 ( ISSM ) 會員、臺灣男性性醫學會(TAA)永久會員,畢業於樹德科技大學人類性學研究所,目前博士研究中,是國際認證資格的專業性健康管理師。
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講者
\n\n汪曉薇|性、愛與親密關係教練
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性愛講師、也是一名訓練中的性、愛與關係教練(Sex, Love and Relationship Coach)。從 2019 年中開始,她在臺灣開設「我的第一堂性愛課」、「和自己做愛」等課程,迄今與上百人分享重新理解性的視角,引導大家慢慢地放下對性的羞恥,並和自己的身體建立起有愛的關係,在性當中自在地享受並表達自己。
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\n林南妤|性愛講師、開放式關係實踐者
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人妻、地方媽媽、開放式關係實踐者。研究所時主修性別研究,後因懷孕育兒而中輟,曾任臺灣同志諮詢熱線教育小組志工、裸體模特兒、性愛工作坊講師、手天使性義工,相關報導散見各媒體,近期為拆框工作坊的工作夥伴,不定期參與各式活動,並於節目與公開演講分享開放式關係的實踐經驗與心得。文章與照片不定期於Instagram帳號:yolandaxxlin分享。
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\n林靜儀|婦產科醫師、作家
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現職中山醫學大學附設醫院國際醫療中心主任、中華民國無任所大使、中山醫學大學附設醫院婦產部主治醫師、中山醫學大學臨床講師、民主基金會董事、台北病理中心董事、台灣女子運動體育協會理事、台灣健康服務協會理事。曾著《 診間裡的女人》、《診間裡的女人2》為真人真事寫實小說和同名podcast節目,以婦產科醫師角度,觀察現今社會體制下,剖析現代女性肩負的家庭角色責任與社會壓力。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"4c5ae39bbd9fb3a68b989d5746b84c77",title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性",cover:"dc28b04bcdedab3f0ef2dea7179926d6",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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彈性談性!我們如何來談性?
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「做人要談性(Sexibility)」將帶領大眾重新探索生活中所知道的性,來自各領域的性教育專家,引導觀眾慢慢地從開口談性,到了解性的發言權與身體自主權,重新思考「性」背後的不同意義。
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本次講座邀請到性治療師童嵩珍、性愛講師汪曉薇、開放式關係實踐者林南妤及醫師作家林靜儀的經驗與觀點分享,從日常的不同面向切入,打破你對於性的認知與想像!
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nTUNG Sung-chen|Founder and Director of SungFul Sexual Health Center
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TUNG is the founder and director of SungFul Sexual Health Center (Taipei, Beijing, Shanghai, Shenzhen), president of Chung-Hua Sexual Health Promotion Association, member of International Society for Sexual Medicine (ISSM), and permanent member of Taiwanese Association of Andrology (TAA). TUNG graduated from Shu-Te University Graduate School of Human Sexuality and is currently working towards a doctorate degree. TUNG is an international-certified professional sexual health advisor .
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Speakers
\n\nWANG Hsiao-wei|Sex, Love and Relationship Coach
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Hsiao-wei is a sex, love and relationship coach (in training). Since 2019, she has been leading sex classes in Taiwan helping hundreds of women reconnecting with their sexuality and sensuality. Her sharing has inspired women to create a positive relationship with their bodies and sexuality, guiding people returning back to their original and natural expressions in sex.
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\nLIN Nan-yu | Sex Couch, Open-Relationship Practitioner
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A wife, a mother and a polyamorist.
\n\nShe was major in gender/sexuality in grad school, and dropped off because of pregnancy and raising kid.
\n\nShe used to be a volunteer in Taiwan Tongzhi Hotline Association, nude model, sex workshop teacher and volunteer in Hand Angel, and interviewed several times.
\n\nRecently she is working with "Frame Removing Workshop", joining different activities and sharing her thoughts and practical experience as a polyamorist.
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\nLIN Ching-yi|OB-GYN, author
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LIN is currently the director of Chung Shan Medical University Hospital International Medical Service Center, an ambassador-at-large, the attending physician of Obstetrics and Gynecology at Chung Shan Medical University Hospital, clinical instructor of Chung Shan Medical University Hospital, chairperson of Taiwan Foundation for Democracy, chairperson of Taipei Institute of Pathology, council member of Taiwan Women's Sport Association, and council member of Taiwan Health Corps. LIU's publications include The Women in the Appointment Rooms, The Women in the Appointment Rooms 2 , which are based on real events. She is also the host of a Podcast with the same title. LIN observes the pressure and burden of women in the home and the workplace within the context of current social systems from the perspective of an OB-GYN.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"4c5ae39bbd9fb3a68b989d5746b84c77",title:"【WOW高雄2021世界女性藝術節】對談時光 — 做人要談性"}],related:[],title:"【WOW Kaousiung 2021】In Conversation – Sexibility",cover:"dc28b04bcdedab3f0ef2dea7179926d6",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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How should we talk about sex?
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Sexibility will bring participants on an exploration of what we know about sex. Sex education experts from several fields will gradually guide participants in growing from gaining the courage to talk about it to understanding the rights to have a voice about it and bodily autonomy so that people will reconsider the different meanings that lie behind the word "sex." Sex Therapist TUNG Sung-chen, Sex Lecturer WANG Hsiao-wei, Open-Relationship Practitioner LIN Nan-yu, and Physician-writer LIN Ching-yi will share their experiences and viewpoints and challenge your concepts of sex from numerous angles of everyday life.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632541700,updatedAt:1635560577,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e8f99103d910007ff0d0f",title:"【WOW Kaohsiung 2021】In Conversation – Digital Sexual Violence - No One's an Outsider",data:{_id:"614e8f99103d910007ff0d0f",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636791e3,discrete:[{time:1636791e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441244417518731267"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n林燕卿|樹德科技大學人類性學研究所 兼任講座教授
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從事性教育推廣及傳授30年;性學領域20年;著書20餘本,在高雄廣播電臺擔任彩虹旗世界節目主持人。專長:人類性學、性教育、性諮詢、性健康教育 。
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講者
\n\n王阿法| 唱作人、現任聽天湯主唱
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畢業於高師大跨領域藝術研究所。早期創作題材圍繞階級與性別,想做過一堆瘋狂的藝術計畫,最終屈服於資本的力量,成為簽約藝人。
\n\n深受九零年代銳舞文化與搖滾樂的影響,生不逢時的憂鬱氣息曝在暖色系潮流濾鏡下,尷尬是常態。擅長用高雅的語言罵人祖宗十八代。
\n\n目前引以為傲的事物包括:一頭粉紅色長髮、十台底片相機。喜歡攻殼機動隊。
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\n李秀芬|自由創作者、即使我們生無可戀發起人、「他們說這是愛」計畫主持人
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國立臺灣大學政治系政治理論組學士畢,現為自由創作者,媒介包含身體、聲音、研究與文字。 2017年成立即使我們生無可戀,核心創作圍繞在身體、精神、社會與個體能動,關注所有參與者的生命與身體敘事,作品曾獲臺北藝穗節原創精神獎、台新藝術獎提名。 2020年發起「他們說這是愛」三年期計畫,連結自身經驗與創作,希望喚起非典型性暴力、身體平權議題之關注。
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張丹丹|邊邊女力協會秘書長
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為香港中文大學哲學博士,現為社團法人邊邊女力協會秘書長。目前亦擔任全球婦女緊急救援基金Urgent Action Fund亞太區顧問以及國際女性主義組織RESURJ委員。她在過去曾任國際同志聯合會亞洲區聯合主席、聯合國發展署Being LGBT in Asia項目顧問,國際基金會FRIDA婦女基金亞洲區顧問、以及擔任國際婦女組織新世紀婦女發展選擇(Development Alternative with Women for a New Era, DAWN)研究員。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"35e81e25b8a67f92f3d19f8dd0761959",title:"【WOW高雄2021世界女性藝術節】對談時光—暗鍵傷人,沒有人是局外人"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光—按鍵傷人,沒有人是局外人",cover:"52106977ca31fbc2627c6a54c550a3c7",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"網路帶來的便利,也可能是傷人的利器!",introduction:'\n\n\n\n
網路帶來的便利,也可能是傷人的利器!
\n\n網路帶來的資訊便利和可匿名特性,使其成為極富爭議的犯罪溫床,「按鍵傷人,沒有人是局外人」剖析螢幕與鍵盤下潛藏的數位性別暴力,透過輕鬆且知識量爆表的對談,帶你認識什麼是數位性別暴力。
\n\n本屆WOW藝術節邀請性別專家與性平倡議者-樹德科技大學人類性學研究所所長林燕卿、唱作人王阿法、 即使我們生無可戀發起人李秀芬及邊邊女力協會秘書長張丹丹,從貼近生活的案例與個人經驗出發,聊聊數位性別暴力的樣貌、網路中的性別教育與臺灣網路政策現況,如果你有用網路,就絕對不能錯過這場實用又具教育意義的對談!
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溫馨提醒
\n\n現場購票觀眾
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線上參與WOW PASS觀眾
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nLIN Yen-chin|Adjunct chair professor at Shu-Te University Graduate school of Human Sexuality
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LIN has been devoted to promoting sex education for 30 years and the field of human sexuality for 20 years. LIN has written over 20 books and is the show host of "World of the Rainbow Flag " at Kaohsiung Broadcasting Station. Lin's expertise includes human sexuality, sex education, sex consultation, and sexual health education.
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Speakers
\n\nAlfa WANG| Singer-songwriter, Lead Singer of Tin Ten Tan
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Alfa Ann graduated from National Kaohsiung Normal University Graduate Institute of Transdisciplinary Art and her early works explore the themes of class and gender. She has thought about creating insane art projects, but ultimately gave in to the power of capital and became a contract performer.
\n\nAlfa Ann is deeply influenced by rave culture and rock and roll of the 90s. The gloom of not feeling a sense of belonging in her own times seeps through the warm-colored filters of her images, while awkwardness has become the norm. She excels at insulting other using elegant words.
\n\nAccomplishments that Alfa Ann takes pride in include her pink hair and her ten film cameras. She is a fan of Ghost in the Shell.
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\nLI Shiou-fen|Independent Creative, Founder of Life Holds No More, Project Director of "They Call This Love "
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LI has a bachelor's degree from National Taiwan University Department of Political Science (political theory) and is currently an independent creative. Her creative mediums include the body, sound, research, and text. LI established Life Holds No More in 2017, which focuses the creative practice on the body, mind, society, and individual agency, and spotlights the life and body narrative of all participants. The works of Life Holds No More has been awarded the Taipei Fringe Festival Genuinely Fringe award and shortlisted by Taishin Arts Award. In 2020, LI initiated the three-year project "They Call This Love," which connects personal experiences with creativity and hopes to draw attention to unconventional forms of violence and body equality.
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ZHANG Dandan|Executive Director
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ZHANG Dandan gained her Doctor of Philosophy from the Chinese University of Hong Kong, and is currently the executive director of FLAME, Feminist Leadership and Mobilization on the Edge. She is the member of RESURJ, a South-led transnational feminist organization, and the advisor of Urgent Action Fund for Women in Asia Pacific. In the past, she served as the co-chair of ILGA-Asia, as a consultant for the project of Being LGBT in Asia of the UN Development Programme, the advisor of FRIDA feminist Fund, and as a researcher for Development Alternative with Women for a New Era (DAWN).
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"35e81e25b8a67f92f3d19f8dd0761959",title:"【WOW高雄2021世界女性藝術節】對談時光—暗鍵傷人,沒有人是局外人"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Digital Sexual Violence - No One's an Outsider",cover:"52106977ca31fbc2627c6a54c550a3c7",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
On-site ticket prices
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The Internet is a very helpful tool but can also cause major damage.
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The convenience of the Internet in obtaining information and the way it allows users to remain anonymous have made it into a highly controversial hotbed for crime. Digital Sexual Assault: No One's Untouchable analyzes the potential for sexual assault online. Through a relaxed, fully informed dialogue, you will learn what digital sexual assault is.
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Gender issue experts and gender equality advocates Dean of Shu-Te University Graduate School of Human Sexuality LIN Yen-chin, Singer-songwriter Alfa WANG, Life Holds No More (a Facebook page) Creator LI Shiou-fen, and Head Secretary of the gender rights association Feminist Leadership and Mobilization on the Edge (FLAME) ZHANG Dandan will talk about what digital sexual assault looks like, sex education online, and the state of Taiwan's Internet policy from the springboard of everyday life stories and their personal experiences. If you use the Internet, you definitely will not want to miss this highly useful and educational discussion!
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Reminder
\n\nCustomers who buy tickets on-site
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Online WOW PASS participants
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632538521,updatedAt:1653365778,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"61545ed3103d910007ffe63b",title:"【WOW Kaohsiung 2021】In Conversation – Equality for All - You'll Never Walk Alone",data:{_id:"61545ed3103d910007ffe63b",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636877400,discrete:[{time:1636877400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441320930615005189"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'裘德.凱莉|WOW基金會創辦人
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裘德.凱莉是WOW基金會的創辦人及總監,在各地策劃WOW世界女性藝術節,表揚世界各地的女性的成就、挑戰性別不平等。首屆WOW藝術節於2010年在倫敦舉辦,直到現在已涉足到6大洲30個地區。她從2006至2018年為英國倫敦南岸藝術中心的藝術總監,是全英國最具規模的藝術機構。此外她曾參與多項文化事務工作,包括創辦巴特西藝術中心(Battersea Arts Centre)及里茲劇院(Leeds Playhouse),亦曾代表英國出席聯合國教科文組織協會(UNESCO),以及擔任文化奧運委員會成員,領導2012倫敦奧運和殘奧會的創意、文化及教育事宜。
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凱莉在藝術上獲獎無數,包括兩度獲得奧利弗獎及BASCA金牌獎,更於2015年2月獲頒大英帝國司令勳章(CBE),表揚她在藝術上的建樹;2018年獲頒丹麥騎士勳章,以示嘉許她在文化、性別及可持續發展的貢獻。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"c3b1f1b3a13e85994d884dd70a65c932",title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可",cover:"ee51c1f8c00f65e0f574dc2cd0ed0548",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"你覺得臺灣性別平等嗎?",introduction:'\n\n\n\n
你覺得臺灣性別平等嗎?
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1999年,臺灣成為亞洲首個正式實施《家暴防治法》的國家。2019年,臺灣成為了亞洲第一個合法化同性婚姻的亞洲國家。根據聯合國開發計劃署的「性別不平等指數」,2021年的臺灣表現為全球第6名,居亞洲之冠。過去幾十年很多很多的女性爭取投票權、教育權、財產權、工作權及身體自主權等,我們才能有今天豐富的社會。
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然而,臺灣,真的性別平等了嗎?
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臺灣女性勞動參與率超過5成,平均薪資卻只有男性的85%,女性公司高階主管佔比率低於3成,女性董事只佔13%;疫情底下女性的工作、身分、國籍持續被污名化、成為獵巫對象;日久失修的而不安全的路,讓女生回家提心吊膽,時刻擔心被騷擾或施暴;2020年性侵害案件9,212宗,當中女性受害人數達7,406,佔總體達8成;女性申請法定生理假,卻仍被主管老闆諸多刁難,甚至被違法要求提供證明;女性與男性皆已在職分擔家庭收入,但大部分女性,不論年齡,卻仍無法擺脫家務、育兒,以至跨代家庭照顧責任……女性在臺灣遇到的不平等,不一而足。
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那今天我們要爭取的要是什麼,才能提供往後女性以至社會所能享受的更良好的條件?
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「平權路上缺你不可」邀請WOW基金會創辦人裘德.凱莉,分享她與團隊多年來作為藝術家及策劃者,在英國當地及國際藝文圈上的性別觀察,討論藝術文化作為性別平權的途徑,以及她是如何領導藝文機構、推動社會議題,倡議一個性別平等、多元共融的理想社會。
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臺灣性別平等的大路還在施工中,希望能在路上遇到你。
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溫馨提醒
\n\n現場購票觀眾
\n\n\n\n
線上參與WOW PASS觀眾
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Jude KELLY |Founder of The WOW Foundation
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Jude KELLY is Founder and Director of The WOW Foundation which runs WOW - Women of the World Festivals to celebrate the achievements of women and girls and confront gender injustice across the globe. Starting in London in 2010 the Festival now takes place in 30 locations across six continents.
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Jude was the Artistic Director of Southbank Centre in London for 12 years from 2006 to 2018, where she established the WOW Festival. Southbank Centre is Europe's largest Arts Institution and London's third biggest tourist attraction. In February 2013 she was named as one of the 100 most powerful women in the UK by BBC Radio 4's Woman's Hour.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"c3b1f1b3a13e85994d884dd70a65c932",title:"【WOW高雄2021世界女性藝術節】對談時光 — 平權路上缺你不可"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Equality for All - You'll Never Walk Alone",cover:"ee51c1f8c00f65e0f574dc2cd0ed0548",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel /Cisco Webex"},cautions:'
On-site ticket prices
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Do you think there is gender equality in Taiwan?
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In 1999, Taiwan became the first Asian nation to pass a law on domestic violence prevention. In 2019, it became the first Asian nation to legalize same-sex marriage. And in 2021, it was sixth on the UN Development Programme's global gender inequality index, boasting the highest rank in Asia. Over the past few decades, many women in Taiwan have fought for equal rights in the aspects of voting, education, property ownership, work, and bodily autonomy, which is why our society is so amazing today.
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But is there really gender equality in Taiwan now?
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The labor participation rate of women in Taiwan exceeds 50%, but a woman's average salary is only 85% that of a man's, women only hold less than 30% of high-level corporate management positions, and only 13% of organizational board directors are women. Women's work, identities, and citizenship have been continually stigmatized since the outbreak of Covid-19, so women have become victims of witch hunts. There were 9,212 instances of sexual assault reported in 2020, women being the victims in 80% (7,406) of them. Women can legally apply for menstrual leave from work, but their supervisors make it difficult through such means as (illegally) requesting proof. Women and men are both responsible for bringing home the bacon, but most women, regardless of age, still have to single-handedly do the housework, rear the children, and even care for their husband's parents. Such inequality is widespread in Taiwan.
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So what should we fight for now to provide women and society in general a better future? For Gender Equality Needs You Too!, Women of the World Foundation founder Jude KELLY will share what she and her team as artists and event planners have observed over the years regarding gender issues in the UK and among international art and culture circles. She will talk about how art and culture are a path to gender equality and how she has led art and culture organizations in promoting social issues and advocating the ideal society of gender equality, diversity, and inclusiveness.
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Taiwan's road to gender equality is still under construction, and we hope to see you working on it too!
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Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n
Online WOW PASS participants
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632919251,updatedAt:1653365048,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"614e9e6087c8d30008afdda9",title:"【WOW Kaohsiung 2021】In Conversation – Saturday Night Unplugged feat. Panai KUSUI",data:{_id:"614e9e6087c8d30008afdda9",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636809600,discrete:[{time:1636809600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441318519622942725"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:' 演出者
\n巴奈.庫穗|歌手、創作者、原住民族權力倡議者
\n\t\t |
在臺灣多項環境運動中選擇挺身而出,以音樂與全副身心的生活,來作出反抗,目前仍為原住民族傳統領域劃設辦法夜宿凱道第1654天(截至2021年9月7日),並於夜宿期間推出EP《凱道上的稻穗》、《凱道巴奈流浪記》、專輯《愛,不到》。
\n'}],onShelf:!0,sliders:[{type:"image",key:"c4ed7daf530749b450db16d6053ee013",title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈",cover:"1dd4478e2f9714df714f5bc2373e3595",site:{isOther:!0,site:"5aec47d3b01ea6000520f663",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"倔強的想法,溫柔地唱。",introduction:'\n\n\n\n
倔強的想法,溫柔地唱。
\n\n\n\n
從20年前開始,巴奈就用獨特渾厚的歌聲,唱出年輕原住民女性在城市流浪受到的衝擊。一路走來,她的關注從原住民族身分與權利、環境與土地,到跨國民主議題上都挺身而出,以音樂作出反抗。她長期以堅毅的精神力量,一直讓公平正義的價值體現在臺灣的各個角落。身為母親、身為阿美族與卑南族的女性,名字意為「稻穗」的她帶著大地般的厚實溫度,以坦率、細膩的歌聲與行動,保衛孩子及族人回家的路,不遺餘力。
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沒有人是局外人。環境如是,權力如是,性別如是。「再來一首,音樂不插電!」邀請巴奈以演出為我們示範,倔強正是因為溫柔。
\n\n\n\n
溫馨提醒
\n\n現場購票觀眾
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線上參與WOW PASS觀眾
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Speaker
\n\nPanai KUSUI|Singer, Creator, Indigenous Rights Activist
\n\n\n\t\t |
Panai KUSUI proactively participates in numerous enivronmental movements in Taiwan, dedicating her music, her whole body and mind in the protests. Currently she is continuing her sit-in protest at the Ketagalan Boulevard against the "Regulations on Land or Tribal Land Allocation for Indigenous" for the 1654th day (as of 2021/9/7). During the sit-in, she has released EPs "Panai on Ketagalan Blvd", "Panai: Wandering" and LP "Love, and yet..."
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\n'}],onShelf:!0,sliders:[{type:"image",key:"c4ed7daf530749b450db16d6053ee013",title:"【WOW高雄2021世界女性藝術節】對談時光 — 再來一首,音樂不插電!feat.巴奈"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – Saturday Night Unplugged feat. Panai KUSUI",cover:"1dd4478e2f9714df714f5bc2373e3595",site:{isOther:!0,site:"",other:"Concert Hall/Cisco Webex Online Platform"},cautions:'
On-site ticket prices
\n\nMembers of The Four Cards Of Weiwuying: 300 NTD
\n\tNon-members: 600 NTD
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Unyielding ideas sung out tenderly.
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20 years ago, Panai KUSUI started using her unique, simple voice to sing about the difficulties she had as a young indigenous woman who had moved to the city. Over time, her range of outspoken resistance through music has grown from indigenous identity, indigenous people's rights, the environment, and the land to include issues related to transnational democracy. She has long been persistent in working to bring fairness and justice to every corner of Taiwan. Her name means "spike of rice," and as a mother with Amis and Puyuma blood running through her veins, she emanates a warmth as solid as the land, sparing no effort to protect her children and people's road home with her frank yet refined voice and deeds.
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No one is untouchable when it comes to the environment, rights, and gender. During Unplugged with Panai KUSUI, she will demonstrate to us that unyielding strength comes through tenderness.
\n\n\n\n
Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n
Online WOW PASS participants
\n\n\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632542304,updatedAt:1653365578,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"615465dc87c8d30008b19fef",title:"【WOW Kaohsiung 2021】In Conversation – WOW That's Me on TV! - Narratives of Women in Pop Culture",data:{_id:"615465dc87c8d30008b19fef",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636803e3,discrete:[{time:1636803e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441320074336534533"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'主持人
\n\n楊芳枝|國立成功大學臺灣文學系 教授
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楊芳枝教授任教於國立成功大學臺灣文學系,長期關注臺灣和東亞流行文化中性別政治、國族形構和全球資本主義之間的交錯動態,近年特別聚焦臺灣電視劇生產,從偶像劇的盛行、華劇的沒落,以至新臺劇的新近興起。著述見於國際期刊如:Boundary 2: International Journal of Literature and Culture等,以及專書篇章如:Television Histories in Asia(2016)等,並編有《邊緣主體:性別與身分認同政治》(2017)。
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講者
\n陳慧翎|編劇、導演、監製
\n\t\t |
職涯初期為紀錄片導演,2005年開始戲劇創作。以電視劇作品2008年《黃金線》、2010年《那年,雨不停國》、2019年《你的孩子不是你的孩子》三度獲得金鐘獎最佳導演。2008年《人生劇展-與男友的前女友密談》獲得金鐘獎電視電影最佳編劇、最佳剪輯。2021年監製、導演作品為《媽,別鬧了!》。
\n
\n劉中薇|作家、編劇
\n\t\t |
作家、編劇、講師、說故事的創意人、烹字燒菜的職業婦女,喜歡生活信仰愛。文字作品《暖活---愛得還不錯的那些故事》、《把全世界的溫暖都給你—劉中薇短篇故事集》等。以劇本《未來媽媽》入圍第56屆電視金鐘編劇獎。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"2042183e070449a75ebd50e5197ca61d",title:"【WOW高雄2021世界女性藝術節】對談時光 —媽呀~我的故事上電視了"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 媽呀~我的故事上電視了",cover:"771242eb5c049d049babbe146ffaedea",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"你曾在《你的孩子不是你的孩子》劇情中,聽過似曾相似的對話嗎?",introduction:'\n\n\n\n
你曾在《你的孩子不是你的孩子》劇情中,聽過似曾相似的對話嗎?
\n
\n你曾跟《未來媽媽》中的家妃、郭沁、立芳遇見過的類似的婚、育選擇嗎?
\n
\n在追劇時,劇中的角色經常會說出自己的內心話,與我們產生強烈的共鳴,而情節裡頭藏著許多女性議題,正是現代社會或家庭處境的寫照,本次講座邀請到《你的孩子不是你的孩子》、《媽,別鬧了!》導演陳慧翎及《未來媽媽》編劇劉中薇,讓我們共同細細品味到底是戲如人生,還是人生如戲。
\n\n
溫馨提醒
\n\n現場購票觀眾
\n\n\n\n
線上參與WOW PASS觀眾
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nYANG, Fang-chih|professor
\n\n\n\t\t |
Professor Yang currently teaches in the Taiwan Literature Department in National Cheng Kung University. Her research interests lies in the intersection of the changing dynamics of gender politics, ongoing nation formation and global capitalism in the field of popular culture in Taiwan and East Asia. She has published various essays on television dramas, pop music, and women's magazines in Taiwan and East Asia in well-established journals and field-defining books, such as Boundary 2: International Journal of Literature and Culture, International Journal of Cultural Studies, the Journal of Popular culture, and Analyzing the Korean Wave. Her edited books include 邊緣主體: 性別與身分認同政治(2017).
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Speakers
\n\nCHEN Wei-ling|Screenwriter, director, producer
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CHEN began her career as a documentary director and started screenwriting in 2005. In 2008, 2010, and 2019, CHEN received the Golden Bell Awards Best Director for Gold Line, Year of the Rain, and On Children. In 2008, Life Story: Talking With Your Boyfriend's Ex-Girlfriend received the Mini-Series/Movie Screenplay Award and the Editing Award of the Golden Bell Awards. Her work in 2021 includes producing and directing Mom, Don't' Do That!.
\n\n
\nLIU Chung-wei|Author, screenwriter
\n\t\t |
Author, screenwriter, lecturer, creative storyteller, and a working woman who likes to write and cook. LIU loves life and believes in love. Her works include Stories of Good Love and Giving You the Warmth of the World: LIU Chung-wei Short Stories Collection, and she was awarded the 56th Golden Bell Awards Mini-Series/Movie Screenplay Award for her script for Mother To Be.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"2042183e070449a75ebd50e5197ca61d",title:"【WOW高雄2021世界女性藝術節】對談時光 —媽呀~我的故事上電視了"}],related:[],title:"【WOW Kaohsiung 2021】In Conversation – WOW That's Me on TV! - Narratives of Women in Pop Culture",cover:"771242eb5c049d049babbe146ffaedea",site:{isOther:!0,site:"",other:"Concert Hall/Cisco Webex Online Platform"},cautions:'
On-site ticket prices
\n\n\n\n
Has any of the conversation in your home sounded as if it were straight out of a TV series like On Children?
\n
\nOr have you ever had to make tough choices about marriage and having children, like GAO Jia-fei, GUO Qin, and SUN Li-fang in Mother to Be?
\nWhile watching TV dramas, you might feel a strong sense of resonance as you notice the characters frequently saying things you say to yourself and as women's issues are part of the plots. They are truly realistic depictions of our current society and lives. The director of On Children and Mom, Don't Do That and the screenwriter of Mother to Be will share with us and guide us in figuring out whether art is imitating life or vice-versa.
\n\n
Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n
Online WOW PASS participants
\n\n\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632921052,updatedAt:1653365688,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"615481c0103d910007ffed20",title:"【WOW Kaohsiung 2021】Women's Voices: The Revolution of Everyday Life",data:{_id:"615481c0103d910007ffed20",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636871400,discrete:[{time:1636871400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600],link:"https://www.opentix.life/event/1441315309970821125"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:' 主持人
\n鍾適芳|政治大學傳播學院副教授
\n\t\t |
音樂製作人、音樂節與影展策劃人,現也任教於政大傳播學院。創立「大大樹音樂圖像」與「流浪之歌音樂節」,並以「遷徙」為題、「邊界」為視角,策劃多個音樂影像的跨界展演。紀錄片作品《邊界移動兩百年》,獲2014台灣國際女性影展台灣競賽首獎。
\n\n\n\n
講者
\n\n萬芳|音樂唱作人、演員
\n\n\n\t\t |
萬芳於1990年以歌手出道,出版超過20張專輯,2010年入圍金曲獎最佳女歌手;2021年以『給你們』專輯入圍七項金曲獎提名,並獲評審團大獎。
\n\n自1996年起進入劇場影視界,成為演員之後,成績絲毫不遜於在音樂界的表現,2004、2008年分別拿下金鐘獎最佳女主角、最佳女配角的獎項。曾經擔任中廣音樂網電台主持人長達十七年,陪伴無數聽眾青春歲月。
\n\n萬芳至今30年的舞台生涯,無疑是流行樂壇中重要的一頁,她用獨到細膩的觀點和感悟,吟唱女性生命中都可能體驗的段落或某個枝微細節,從被制約到還原,堅信真實比完美更有力量。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"575b3275a183500d8ceaad2fee63a954",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女聲的日常革命"}],related:[],title:"【WOW高雄2021世界女性藝術節】對談時光 — 女聲的日常革命",cover:"8736890bc2e210f58abf49c06e823029",site:{isOther:!0,site:"",other:"衛武營音樂廳(另購門票)/Cisco Webex 視訊平台(會員報名)"},cautions:'
門票方案
\n\n 加入卡友會員
\n※300元(含)以下票級不提供折扣。
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。 綁定教學
\n',benefits:"",description:"重心穩了,便能無懼地翩翩起舞。自在而從容,就是萬芳的魅力。",introduction:'\n\n\n\n
重心穩了,便能無懼地翩翩起舞。自在而從容,就是萬芳的魅力。
\n\n因為「新不了情」而家喻戶曉的萬芳,站在流行樂壇上至今已經有30年。她帶著天生的敏感度,用力感受生命各種悲歡離合,將其轉化為作品撫慰許多女人心,溫柔擁抱各種迷惘的生命階段,她也不間斷探索自我、挑戰自我,更不吝發揮影響力,挺身支持同志,為性別平等發聲。
\n\n\n\n
在出道的第二個十年,萬芳正進行生命重要的蛻變,暫別歌壇,跨界舞台劇、戲劇與廣播,與音樂製作人鍾適芳合作了《萬芳的房間劇場》,以劇場形式,透過文字、聲音、肢體書寫傳達她關注的議題。萬芳用她獨特的細膩,為女性的共同體發聲,而如她自己所說,這演出太往生命底裡去,因此只演了兩場。
\n\n\n\n
十多年過去,萬芳與鍾適芳將在藝術節「女聲的日常革命」再次交會,聊聊《萬芳的房間劇場》之後的發展,以及年過知命的人生感悟。
\n\n\n\n
溫馨提醒
\n\n現場購票觀眾
\n\n\n\n
線上參與WOW PASS觀眾
\n\n\n\n\n\n
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Moderator
\n\nCHUNG She-fong|Assistant Professor, National Chengchi University
\n\n\n\t\t |
CHUNG Shefong is a producer and curator who regularly organizes a number of music and film festivals in Taiwan. In 1993, she founded Trees Music and Art, an independent folk and grassroots music record label that has nurtured some of the most vital Taiwanese music artists of today. In 2001, she started the Migration Music Festival, a major platform in Taiwan for folk and global music that embraces artistic experimentation and social activism. As a filmmaker, Chung gained acclaim for her first documentary, '"From Border to Border,'" which traces the history of Chinese immigrants in India. Chung currently teaches at the College of Communication at the National Chengchi University.
\n\n\n\n
Speaker
\n\nWAN Fang|Singer-songwriter, Actress
\n\n\n\t\t |
WAN Fang emerged on the scene as a singer in 1990 and has since released over 20 albums. In 2010, Wan Fang was shortlisted for Best Female Singer at the Golden Melody Awards; the album Dear All was shortlisted for seven Golden Melody Awards in 2021 and she received the Jury Award.
\n\nSince entering the field of theater, television, and film in 1996, Wan Fang embarked on the journey as an actress, but this did not interfere with her accomplishments in music. Wan Fang received Best Leading Actress and Best Supporting Actress of the Golden Bell Awards in 2004 and 2008. Wan Fang also worked as a radio host for i radio for 17 years and is a notable figure in the memories of countless listeners.
\n\nWan Fang's 30 years of presence on the stage is, undoubtedly, an important chapter in the world of pop music. Her delicate portrayals, profound observations, and acute sensitivity towards experiences of being set free from confinement and her deep belief that authenticity is better than perfection has allowed her songs to resonate with the experiences of many women.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"575b3275a183500d8ceaad2fee63a954",title:"【WOW高雄2021世界女性藝術節】對談時光 — 女聲的日常革命"}],related:[],title:"【WOW Kaohsiung 2021】Women's Voices: The Revolution of Everyday Life",cover:"8736890bc2e210f58abf49c06e823029",site:{isOther:!0,site:"",other:"Concert Hall/Cisco Webex Online Platform"},cautions:'
On-site ticket prices
\n\nMembers of The Four Cards Of Weiwuying : 300 NTD
\n\tNon-members: 600 NTD
\n\t\n\n
Wan Fang, who gained popularity with her hit song One Everlasting Love, has been in the pop music circle for 30 years. With her innate sensitivity, she deeply feels the joys and sorrows of life and has turned them into music that has soothed the hearts of countless women. Gently embracing every puzzling stage of life, she has continually explored and challenged herself and made generous use of her influence in supporting LGBTQ+ community and advocating gender equality.
\n\n\n\n
In her second decade in the music world, she went through a major transformation in which she left the music scene and began work in theater and broadcasting, collaborating with music producer CHUNG Shefongin creating the stage performance Solo in My Room. The piece transmitted her ideas on issues she cared about through theatrical performance, text, vocals, and use of the body. With her unique subtlety, she gave a voice to the female community. But she said that the piece reached so far down inside of her that she could only give two performances of it.
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Over a decade since then, she and CHUNG will come together again for Women's Voices: The Revolution of Everyday Life, at which time they will discuss what has happened since the performances and share the wisdom they have accumulated in their over 50 years of life.
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Reminder
\n\nCustomers who buy tickets on-site
\n\n\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632928192,updatedAt:1653365482,updatedBy:"通泰系統管理員",host:!0}}],seq:2,name:"In Conversation",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"},{programs:[{from:"programs",key:"614ded0c103d910007fefac2",title:"【WOW Kaohsiung 2021】Workshop – Just Circle Paint What's on Your Mind",data:{_id:"614ded0c103d910007fefac2",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636180200,discrete:[{time:1636180200}],type:"discrete"},activity:{type:"signup",signup:{limit:180,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n南方圓圈畫
\n\n\n\t\t |
南方圓圈畫由共藝術合作社社員發起。團隊相信藝術是屬於所有人的;所有人都應該可以享受藝術。基於這種信念,我們努力開拓南方的共創藝術平台,以參與式的教學法,讓民眾可以由淺入深地認識自己,互相聆聽,建立更多維度的社會連結,讓大家可以在放鬆自在的情境裡,探索溫柔溝通的可能性。
\n\n我們活動的關鍵是解放性,致力化解大家對創作藝術的恐懼,發現與探索自己與別人的空間與彈性。我們希望,每一位參加者都能多一份自信、多一點啟發、多一位朋友。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"3bdd6b4b26ed4da5a17beaed65f1af6c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 圈圈叉叉說說畫"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 圈圈叉叉說說畫",cover:"9386539b5bfbb0690fb91218124119df",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n「圈圈叉叉說說畫」引進風靡美國、臺灣及亞洲的圓圈繪畫(Circle Painting),引導參加者由自身的性別經驗出發,透過互相提問的方式一起想像心中的性別友善理想國,以畫畫形式將回饋送給對方,讓參加者可以在短暫的時光裡,化彼此的聆聽與傾吐為見面禮,也讓畫作成為性別平等的小提醒。
\n\n工作坊一步一步的藉由簡易入門、療癒、促進溝通的繪畫方法,讓性別成為眾人的靈感,提煉出最貼心的作品。無論你是否具有繪畫經驗,都歡迎參與。
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限180人,額滿為止。
\n\n參加對象|限衛武營持卡會員
\n\n報名期間|即日起至11月5日(五)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Circle Painting South Taiwan
\n\n\n\t\t |
Circle Painting South Taiwan(FB: @circlepainting.south ) is founded by members of Co-art Co-op. The team believes that the arts is for everyone, and everyone has the rights to enjoy the arts. We strive to cultivate a platform of co-creation in the South, through participatory pedagogy, empowering communities to explore ones' selves, listen to each other to build a multi-dimensional connections within the society, to explore the possibility of gentle communications. The key of our activities is liberation, overcoming the fear of creating arts, to discover and investigate into the space and flexibility of between self and others. We hope that every participant can get more confident, more inspired, and more friends.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"3bdd6b4b26ed4da5a17beaed65f1af6c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 圈圈叉叉說說畫"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Just Circle Paint What's on Your Mind",cover:"9386539b5bfbb0690fb91218124119df",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:"",benefits:'
Just Circle Paint What's on Your Mind uses Circle Painting, a fad that has taken the US and Taiwan by storm, to guide participants in thinking about what the ideal gender-friendly society would be like from the springboard of their gender experiences. After asking each other questions, they respond by painting pictures. In this way, everyone will be listened to and have the opportunity to express everything on their mind, and their paintings will serve as small reminders of gender equality thereafter.
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The painting instruction will proceed first with basic concepts and then on to therapy and communication facilitation. Gender will be the topic of inspiration to participants as they refine their artwork to truly reflect their inner selves. Regardless of painting skills and experience, all are welcome!
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Qualifications
\n\nRegistration Method|Online registration and payment, with a maximum of 180 participants.
\n\nProspective Participants|Exclusive to Weiwuying card members
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination →receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632496908,updatedAt:1635589974,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614def4d103d910007fefb17",title:"【WOW Kaohsiung 2021】Workshop – My Body and Its Gender",data:{_id:"614def4d103d910007fefb17",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636266600,discrete:[{time:1636266600}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n左涵潔|両両製造聚團藝術總監
\n\n\n\t\t |
從小學舞,卻始終想逃離舞蹈科班的包袱,大學時期在銀行工作、晚上念外文系,周末在舞團排練的狀況下,愛上了「劇場」。在表演、創作與製作的路徑上走了十年多;期間完成了跨藝所的學業,2014年在高雄成立「両両製造聚團」,從寶寶劇場到親子工作坊的製作研發,以及自身對於性別與女性議題的關注,開啟以《花瓶與她的主人》的系列創作。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"fedb87b9131227826080213860542f9b",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別",cover:"a5d9d9f84e1075232e7e31c64e05fe14",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n家長如何跟小孩溝通性別?不要只用說的,動手動腳一起學!
\n\n「我的身體 它的性別」以撫觸、觀看等等感官劇場的方式,透過家長與小孩跟自我或他人的即興接觸,引導身體覺察,讓大人跟小朋友都先回到身體無性別的純粹狀態,再來思考自己的身體性別是怎麼被建構起來的。
\n\n工作坊以親子一組為單位報名,限年齡為8至12歲的小孩及其照顧者一同參與。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限40人(或20組親子),額滿為止。
\n\n參加對象|限衛武營持卡會員,建議須為8-12歲孩子參與,且必須有家長陪同參與。
\n\n報名期間|即日起至11月6日(六)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'TSO Han-cheih|Double & Cross Theater Group Artistic Director
\n\n\n\t\t |
TSO Han-chieh is a theater producer, performer, and a mother. In 2014, she founded Double & Cross Theater Group in Kaohsiung (Taiwan), and created the first baby theater production in Taiwan, called Ci Vuole Un Fiore (2016). In order to fulfill the future vision of baby theater in Taiwan, we cooperated with Starcatchers (Scotland, UK) since 2018. In 2020, Han Chieh established "Taiwan Baby Theater Lab (TBTL)". In 2021, Han Chieh starts to focus on the female and sexuality issue, and make a series of shows to respond the reality.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"fedb87b9131227826080213860542f9b",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 我的身體 它的性別"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – My Body and Its Gender",cover:"a5d9d9f84e1075232e7e31c64e05fe14",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
How should parents teach their kids about gender? Well, besides your mouth, how about using the rest of your body!
\n\n\n\n
My Body and Its Gender is conducted through touching and observation between child and parent. They will engage in improvisational contact with themselves and each other in achieving body awareness and allowing participants to return to the purity of a genderless state so that they may consider how their gender has developed.
\n\n\n\n
Each parent and her/his child (8-12 years old) will register and participate as a couple.
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 40 participants (or 20 parent-child groups) . Availability is limited.
\n\nProspective participants | exclusive to Weiwuying card members.Recommended age for participating children is between 8 to 12 years old. All children should be accompanied by parents.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Notice
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632497485,updatedAt:1635583501,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df35387c8d30008af8f48",title:"【WOW Kaohsiung 2021】Workshop –Women's Survival Handbook!?",data:{_id:"614df35387c8d30008af8f48",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636284600,discrete:[{time:1636284600}],type:"discrete"},activity:{type:"signup",signup:{limit:64,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n曾靖雯|木有枝劇場工作室負責人
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2007年起結合戲劇方法與審議民主精神,與各年齡層的多元社群工作,促進「生活處境的覺察與發聲、議題教育及社群組織工作」,同時從事互動式、議題性的演出,如:教習劇場、紅鼻子醫生、一人一故事劇場等;亦參與數個公民組織之運作。
\n\n\n\n
李雯薪|國立中山大學公共事務管理研究所碩士生
\n\n\n\t\t |
曾擔任審議民主活動桌長,引導參與者分享經驗和討論,以落實活動理念。是一位高雄在地女性,渴望平等的世界,並相信每個人的力量可以使世界邁向更平等。
\n\n\n\n
阮敬瑩|教育部青年發展署第二屆青年諮詢委員
\n\n\n\t\t |
一位剛晉升成為擁有兩個寶寶的媽媽,同時也是一位熱愛參與公眾討論的職業婦女,喜歡在討論場域彼此互相傾聽、包容的氛圍,還有各種想法互相碰撞的過程。
\n\n\n\n
林怡伶|非營利組織工作者
\n\n\n\t\t |
來自屏東,目前在高雄工作,最喜歡的地方之一是花蓮。
\n\n搬到城市生活將近四年,但心中最想住的地方是鄉村,那是心靈的故鄉。最近因為疫情開始研究懶人料理,試著每天煮飯做便當。
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吳淨文|社團法人臺南市台南新芽協會執行秘書
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認為在恐懼與憤怒面前,嘗試言說與理解就是最強大的武器;認為歸類與標籤只是方法,重要的是回應與選擇如何讓想看見的事情發生。
\n\n目前任職於臺南在地公民團體,喜愛透過活動設計中的不同互動與討論,看見公民參與的各種可能性。
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周家慧|非營利組織工作者
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來自臺北,因為喜歡南方的天氣與氛圍,目前在高雄工作與生活。目前為止的職涯都在非營利組織工作,近幾年的工作型態裡,出差與移動是工作日常,疫情期間難得有整整三個多月都待在高雄,是另一種新的生活體驗。
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陳敏勤|高雄市第一社區大學工作者
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在廣播圈走跳幾年後走入非營利組織,近年工作主要投入終身教育並積極探索公共社會建構的可行性。「世界與未來會變得如何呢?我很感興趣。」
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黃盈語|國立中山大學公共事務管理研究所助理
\n\n\n\t\t |
土生土長的高雄人,前幾年在藥妝店浮沉,近兩年回歸校園重拾書本、接觸公民參與審議活動,喜歡與人對談,從話語中傾聽領略生命和視野角度的不同。「希望我們能在WOW的舞台上快樂地透過討論共舞。」
\n
許婷婷|業務代表
\n\n\n\t\t |
許婷婷,身為臺灣骨英國魂,有創新獨立、開朗隨和的個性,對世界充滿好奇心,由臺灣向西到英國旅遊和求學,再洄游臺灣就業定居。現在雖是傳產業務,喜歡天文/人類學/文史/行銷等知識&活動的心一直都在,「一起用經驗和熱情為WOW創造回憶吧!」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"8582b54669a42e36d6753286b187fdd8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!",cover:"45c10bfc79d1648da656545ecaca8dc0",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n每個女孩呱呱落地就會收到一本「女性生存須知」作為第一份禮物。翻開第一篇,便明文規定應該要穿粉紅色的裙子、要輕聲細語、要安靜坐好,才是個淑女的樣子。往下翻頁,許多關於如何當一位乖女兒、如何當一位賢妻良母、如何扮演一位得體的女性,也都有詳盡的守則期待每位女性遵守。當然也有避開危險的生存法則,像是褲子不可以太短、不可以深夜出門,以避免引人犯罪;要守護自己貞潔,以夫為天,以避免不幸的婚姻……
\n\n這些你熟悉的「女性生存須知」,你同意嗎?如果讓你重新編寫這本「女性生存須知」,你會想刪除什麼?加入什麼?歡迎你帶著幽默的腦、或者認真以對,一起來聊聊你要(或者不要)什麼樣的「女性生存須知」!
\n\n\n\n
活動回顧
\n\n在一場熱烈的生存手冊編輯大會之後,十來位編輯齊聚一堂,改寫了古老、傳統的「女性生存手冊」,讓原先連編輯群都不願翻開的論述、對女性的限制,都被一一破解與回應,放入了務實的觀點、天馬行空的創意,成為一本新的、真正適合女性的「生存手冊」。
\n\n這本書「未完待續」,接下來也期許每一位民眾,繼續一起編寫這個社會應有的樣貌,共創平權的社會。
\n\n\n\n\n\n
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限56人,額滿為止。
\n\n參加對象|限衛武營持卡會員
\n\n報名期間|即日起至11月6日(六)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'TSENG Jing-wen|Director of Wood-with-Branches Theatre Studio
\n\n\n\t\t |
Being an applied theatre facilitator whose practice bases on deliberative democracy value, she is passionate to promote developmental work through individual and collective dialogue and creative expression.
\n\n\n\n
LEE Wen-shin|National Sun Yat-sen University Public Affairs Management Master's Student
\n\n\n\t\t |
Lee was a table leader for a deliberative democracy event and was responsible for guiding participants in sharing experiences and encouraging discussions. A local Kaohsiung girl, Lee yearns for a world with equality and believes that each individual has the power to make the world a place of more equality.
\n\n\n\n
JUAN Ching-ying|Ministry of Education
\n\n\n\t\t |
As a new mother of two children and a career woman who is passionate about participating in public discussions, JUAN enjoys the atmosphere of listening and inclusivity during discussions, as well as the inspirations brought forth by different ideas.
\n\n\n\n
LIN Yi-ling|NGO Worker
\n\n\n\t\t |
Lucy, come from Pingtung, and live in Kaohsiung now, one of her most favorite place is Hualien. She lives in the city almost four years, and started to prepare bento every day because of Covid-19.
\n\n\n\n
WU Jing-wen|Executive Secretary at Tainan Sprout
\n\n\n\t\t |
Wu believes reason to be the most powerful weapon in the face of fear and anger and that categorizations and labels are merely methods; what's more important is to respond and make decisions about how to let certain issues be seen.
\n\nWU currently works at a local civil group in Tainan and loves to explore the different possibilities of civil participation through varying interactions and discussions amid events.
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CHOU Chia-hui|NGO Worker
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CHOU is from Taipei. Fueled by her love for the weather and atmosphere of the south, CHOU moved to Kaohsiung to live and work. CHOU's past work experiences have been in NGOs, and frequent travels have become a norm in her work life throughout recent years. During the pandemic, CHOU's spent three months at home, something CHOU had never experienced before.
\n\n\n\n
CHEN Min-chin|Director of Kaohsiung 1st Community University
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After working for a few years in radio, CHEN entered the field of NGOs, and her recent works are centered around lifelong learning and exploring possibilities of public social constructions. "What would the world be like in the future? I am interested in finding out."
\n\n\n\n
HUANG Ying-yu |Assistant to the Institute of Public Affairs Management, National Sun Yat-sen University
\n\n\n\t\t |
A native of Kaohsiung, HUANG spent a few years working in drug stores before returning to school and participating in civil participation and deliberation two years ago. HUANG likes to engage in conversations with others and cultivate different perspectives. "I hope we will be able to dance together happily on the stage of WOW."
\n\n\n\n
HSU Tia|Sales Representative
\n\n\n\t\t |
As a Taiwanese with a British soul, HSU is known for her independent and easy-going personality. HSU is curious about the world and relocated to the UK for travel and study before returning and settling in Taiwan. Although HSU currently works in the conventional industry, HSU's love for astronomy /anthropology/literature and history/marketing and event planning has remained the same. "Let's create memories of WOW through past experiences and enthusiasm!"
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"8582b54669a42e36d6753286b187fdd8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 臺灣女性生存須知?!"}],related:[],title:"【WOW Kaohsiung 2021】Workshop –Women's Survival Handbook!?",cover:"45c10bfc79d1648da656545ecaca8dc0",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
Every female is given a manual entitled "Survival Rules for Women" at birth as their first gift. Upon opening to the first page, they read explicitly stipulated rules: a lady must wear pink skirts, speak softly, and sit quietly. The next page and on talk about how to be a good daughter, wife, and mother; describe how to properly live out the role of a woman; and provide a detailed list of expectations and rules to follow. Of course, there are also rules on avoiding danger, like not wearing skirts that are too short and not going out late at night to keep from provoking criminal intent in men. Among the many more stipulations, they must remain chaste and always yield to their husbands to keep their marriages happy.
\n\n\n\n
Do you agree with these rules that you are surely familiar with? If you could rewrite the manual, which parts would you delete? Whether you want to be humorous or serious, come and join our discussion on what rules you want (or don't want)!
\n\n\n\n
Qualifications
\n\n【Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 56 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632498515,updatedAt:1638328923,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df4fb87c8d30008af8f7e",title:"【WOW Kaohsiung 2021】Workshop – Love Letter for Myself",data:{_id:"614df4fb87c8d30008af8f7e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636377e3,discrete:[{time:1636377e3}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"615430fa103d910007ffde97",text:"年齡Age(※此活動須年滿15歲。Must be at least 15 years old.)",english:"年齡Age(※此活動須年滿15歲。Must be at least 15 years old.)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n坤娜Queena|PATH身解構・心還元課程中心共同創辦人
\n\n\n\t\t |
朱倩儀,劇場勞動九年,以表演、策展、與製作發表超過40齣作品,亦有豐富的教學經驗。擅長將議題性作品以活動方式推廣予社會大眾,並以藝術作品做為公民對話的途徑。自2019年投入心靈探索教育工作,共同創辦PATH身解構・心還元課程中心,致力陪伴大眾透過探索身體,回到心靈的居所。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f886fae8f3004da6450fd8e62907fa37",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書",cover:"af17ac02f8f4e965225744916e0f59c0",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n你有多久沒有好好與自己相處、好好傾聽自己的聲音?
\n工作坊將透過對話與引導,以肢體活動作為暖身,讓身體舒展也將心漸漸展開,並藉由繪畫、書寫的方式與生命故事產生連結,進而從心靈層面探索自我,釋放平日累積的壓力,在過程中重新認識自己、擁抱自己。
好好傾聽內心,是給自己最好的情書。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限30人,額滿為止。
\n\n參加對象|限衛武營持卡會員,並需須年滿15歲。
\n\n報名期間|即日起至11月7日(日)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Queena|Facilitator
\n\n\n\t\t |
Worked as a theatre practitioner with huge passion for 9 years. Experienced in art administration/management, curation, performance, director and teaching.
\n\nSince 2019, she's devoted herself to spiritual exploration and education, dedicated to accompany the public to return to the home of the soul through the body.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f886fae8f3004da6450fd8e62907fa37",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的一封情書"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Love Letter for Myself",cover:"af17ac02f8f4e965225744916e0f59c0",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
How long has it been since you spent some time with and really listened to yourself?
\n\n\n\n
After a physical activity as a warm-up and through dialogue and guidance, this workshop will help you stretch your muscles and open up your heart. With the added dimension of connection to life stories via drawing and writing, we will explore the self at the spiritual level and find relief from the accumulated stress of daily life, through which we will become reacquainted with and embrace ourselves.
\n\n\n\n
The sweetest love letter you can write to yourself is the one that listens to your heart.
\n\n\n\n
Qualifications
\n\n【Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 30 participants. Availability is limited.
\n\nProspective participants|exclusive to Weiwuying card members. Participants should be at least 15 years old.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632498939,updatedAt:1635590692,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614dfa85103d910007fefc99",title:"【WOW Kaohsiung 2021】Workshop –Massage for Soul and Body",data:{_id:"614dfa85103d910007fefc99",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636636200,discrete:[{time:1636636200}],type:"discrete"},activity:{type:"signup",signup:{limit:45,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"61542fc687c8d30008b196bd",text:"身分證字號/統一證號 ID Number/ Unified Number ",english:"身分證字號/統一證號 ID Number/ Unified Number "},{required:!0,key:"61542e13103d910007ffddf2",text:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)",english:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)"},{required:!0,key:"61542e5a103d910007ffddff",text:"年齡Age(※須年滿18歲。Must be at least 18 years old.)",english:"年齡Age(※須年滿18歲。Must be at least 18 years old.)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n許怡蘭|芳療教育家
\n\n\n\t\t |
芳香療法界知名講師及作家,教學領域橫跨英系、法系、德系學派,及各國傳統自然療法。結合神秘學及豐富人文學養,建構出獨特而有趣的精油知識系統,是一位最會說故事的芳療師。
\n\n\n\n
助教介紹
\n\n何欣潔|香氣故事設計師
\n\n\n\t\t |
拾心香研主理人。讓香氣成為敘事的語彙,把走過的風景、遇見的人、到訪過的城市街道,轉譯化成香氣作品,透過香氣策展與芳香書寫的方式,分享溝通氣味的世界。說香氣的故事,也用香氣說生活的故事。
\n\n\n\n
薑|芳香課程特別助理
\n\n\n\t\t |
具備眾多芳香線上課程協助經驗,以理工背景的邏輯穩定排除問題,深暗芳香療法的核心細節與實作流程。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"50e96eabb833b36932911941f8d9a9ef",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光",cover:"9021696d4d16906f500b848f4a5d721c",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n深呼吸,喘口氣,愛自己。
\n\n「共創工坊 — 給自己的按摩小時光」邀請每位參與者在芳香放鬆的氛圍中,學習使用天然精油照顧自己。知名芳療師與講師-許怡蘭,將結合各國的芳療學派與傳統自然療法,從神秘學及豐富人文學養的角度,分享實用有趣的精油小知識。
\n\n工作坊更將規劃輕鬆聊天的婦科Q&A,並傳授簡易的按摩技巧,提供舒適安全的線上空間,帶領你走進這條呵護自己的小徑,展開一趟自我療癒之旅。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限45人,額滿為止。
\n\n參加對象|限衛武營持卡會員;僅限生理女性參與,且須年滿18歲以上。
\n\n報名期間|即日起至11月10日(四)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Gina HSU|Aromatherapy Educator
\n\n\n\t\t |
Gina is a renowned lecturer and author specializing in aromatherapy schools from the UK, France, and Germany, as well as traditional natural therapy methods of different countries. An aromatherapy storyteller, Gina's unique and fascinating knowledge system of essential oils combines Mysticism and her rich background in culture and literature.
\n\n\n\n
Assistant
\n\nPoky HO|Fragrance Story Designer
\n\n\n\t\t |
The founder of Shixin Natural Scent Studio, HO puts scents at the center of narratives and translates sceneries, encounters, and street scenes of the past into fragrance products. Through curating and writing about scents, HO shares and communicates through the world of scents. HO tells the stories of scents and uses scents as vocabularies of articulating our everyday lives.
\n\n\n\n
Ginger LIU|Aroma Course Assistant
\n\n\n\t\t |
With various experiences in assisting with online scent courses, Ginger solves problems from the perspective of someone with training in science and technology. Ginger is knowledgeable about the key points and procedures of aromatherapy.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"50e96eabb833b36932911941f8d9a9ef",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 給自己的按摩小時光"}],related:[],title:"【WOW Kaohsiung 2021】Workshop –Massage for Soul and Body",cover:"9021696d4d16906f500b848f4a5d721c",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
Breathe deeply and love yourself.
\n\nIn an aromatic, relaxing environment, Relax with a Self-Massage teaches participants how to care for themselves with natural essential oils. From the angles of mysticism and the humanities, aromatherapist and lecturer Gina HSU will integrate aromatherapy techniques from around the world and traditional methods while sharing useful, interesting knowledge on essential oil use.
\n\n\n\n
In addition, there will be a chat and Q&A on gynecology while simple massage techniques are taught. On our comfy, safe online space, you'll embark on a path of care and healing for yourself.
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 45 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.This event is restricted to female (physiological) participants at least 18 years old.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632500357,updatedAt:1635580865,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df6dd103d910007fefc1e",title:"【WOW Kaohsiung 2021】Workshop – Magic Grandma in Playback Theater",data:{_id:"614df6dd103d910007fefc1e",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636716600,discrete:[{time:1636716600}],type:"discrete"},activity:{type:"signup",signup:{limit:60,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n一一擬爾劇團
\n\n\n\t\t |
『一一擬爾劇團』成立於2004年,為臺灣第一個創立一人一故事劇場(Playback Theatre,簡稱PB)的團隊。PB是一種即興表演的形式,由台下觀眾提供自身的經驗與故事,台上演員立即運用簡潔有系統的表演形式,將故事呈現出來,促進人與人之間的傾聽、同理、平等、尊重及情感連結。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"3568a21f39678e64fc1547d3712239a8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲",cover:"acd45da05f15e1d67bd167ce8d650736",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n阿嬤的魔法是怎樣煉成的?她們帶著一身的辛酸、責任與故事,由誰講、有誰聽?
\n\n「阿嬤阿嬤叨未去?進劇場,來看戲」邀請祖母、未來祖母及有祖母故事的朋友,以一人一故事劇場的形式,由觀眾分享阿嬤的故事,再由演出團隊根據現場的分享,以音樂、戲劇等即興演出,作為禮物回饋給故事分享者,共同體驗一個又一個生命故事的交響與迴盪。
\n\n走過舊日的足跡,在人生走到阿嬤階段的她們,何時才能先照顧自己的需求與渴望?有否機會擺脫跨代家庭照顧者的角色,而活出自己?阿嬤阿嬤,下一步,你想要去叨未?
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限40人,額滿為止。
\n\n參加對象|限衛武營持卡會員
\n\n報名期間|即日起至11月11日(四)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Even Near Playback Theatre
\n\n\n\t\t |
Even Near Playback Theatre, founded in 2004, is the first Playback Theatre in Taiwan. Playback Theatre is an interactive form of theatre, in which the audience would first tell their stories and experience, and then the actors would re-create the stories with concise and systematic forms of performance, promoting listening, empathy, equality, respect and emotional connections.
\n\n\n\n
\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"3568a21f39678e64fc1547d3712239a8",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 阿嬤阿嬤叨未去?進劇場,來看戲"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Magic Grandma in Playback Theater",cover:"acd45da05f15e1d67bd167ce8d650736",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
How do elderly women get that magic of theirs? Who will tell, and who will listen to their stories of bitter experience and responsibility?
\n\n\n\n
Grandma's Stories in Improv Theater invites women who are grandmothers, will be grandmothers, or have anecdotes related to grandmothers to share their stories, after which, based on each story, performers will come up with an improv performance as a means of thanking the story-sharer. You won't want to miss this amazing anthology.
\n\n\n\n
Having lived long enough to make it to grandmotherhood, when will these women be able to fulfill their own needs and desires? Is there any way for them to cast off their role in grandparenting and live out their own lives? Our dear grandmas, what's your next step?
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 40 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.
\n\n\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632499421,updatedAt:1635582145,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614dfbeb87c8d30008af9073",title:"【WOW Kaohsiung 2021】Workshop – A Date with My Vulva",data:{_id:"614dfbeb87c8d30008af9073",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636716600,discrete:[{time:1636716600}],type:"discrete"},activity:{type:"signup",signup:{limit:30,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"61542fc687c8d30008b196bd",text:"身分證字號/統一證號 ID Number/ Unified Number ",english:"身分證字號/統一證號 ID Number/ Unified Number "},{required:!0,key:"61542e13103d910007ffddf2",text:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)",english:"我是生理女性 I am female.(※此活動僅限生理女性。No male allowed.)"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n林秀蘋|自由藝術工作者/藝術家/金工Design&maker
\n\n\n\t\t |
不斷的突破創作的疆界,以『金工』作為創作的起點,這幾年走入森林採集大地素材,感受到自然野性之美,內心有份感動,2015-2017 年創作一系列大型的藝術雕塑,以女性的子宮作為原點長出源源不絕的生命力,邀請女人,小孩,男人一起共同創造參與的藝術計劃『我的子宮,我的大地母親』,同時跨入策展,空間設計等領域。
\n
ⓘ 退費機制
\n\n「我們相視看見彼此,創造了圈,帶著燭火,說起女性最原始的聖殿,一切從女人身體的野性談起,那個野被蓋住了,那狂被掩埋在好深好深的夢中,我們一直尋找,那自然中的自己,原來她在心中從來沒有離開過我。」
\n\n工作坊將透過團體分享與彩繪,引導女性一步步開啟自我覺察,探索身體、陰部與自我的連結。
\n\n這場工作坊將是一個安全的場域,讓我們練習更加敞開自己,並嘗試用藝術、繪畫的方式,陪伴自己、更認識自己。
\n\n\n\n
工作坊內容:
\n\n\n\n
這是一場心的交織,聆聽她/他人、擁抱自我身體故事,
\n\n與畫筆共創一份專屬於妳的「秘密花園彩繪」。
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限30人,額滿為止。
\n\n參加對象|限衛武營持卡會員;僅限生理女性參與,建議未滿18歲者,需家長陪同參與。
\n\n報名期間|即日起至11月11日(四)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'LIN Hsiu-ping|Independent Art Worker/Artist/Metalwork Design&Maker
\n\n\n\t\t |
\n
"We look at each other, holding candles in a circle together, and talk about the most primitive sanctuary of women. Everything begins with the wild nature of the female body, but that nature has been covered over; that untamed spirit has been buried deep within dreams. We are forever searching for that natural self, which has, in fact, always been in our hearts."
\n\nThrough group discussions and painting, women will be guided to open up their self-awareness step by step and explore the connection between their bodies, their genitalia, and themselves.
\n\nWithin this safe venue, let's practice opening up, spending time with ourselves, and getting to know ourselves better through art and painting.
\n\n\n\n
Workshop content:
\n\n\n\n
This is a place where hearts will interweave and where you will listen to others' stories, embrace your body, and create a picture of your own secret garden.
\n\n\n\n
Qualifications
\n\nRegistration Method|Online payment registration, each session with a maximum of 30 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.|This event is restricted to female (physiological) participants. Those under 18 years old should be accompanied by parents.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
\n\n
Reminder
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632500715,updatedAt:1635657055,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"61540fb1103d910007ffd85b",title:"【WOW Kaohsiung 2021】Workshop – Under 10's Feminist Corner",data:{_id:"61540fb1103d910007ffd85b",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636785e3,discrete:[{time:1636785e3}],type:"discrete"},activity:{type:"signup",signup:{limit:15,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n周雅淳|性別教育自由講師
\n\n\n\t\t |
「單親媽媽和她的小孩粉絲頁」作者,有一個十一歲小孩,單親媽媽資歷十二年。臺灣大學社會學研究所博士候選人,專長性、性別、性侵害防治教育,有超過六百場相關授課及演講經驗。曾任清華大學人文社會學系及東華大學通識教育中心兼任講師前後共十年,開設性別理論及性別教育等相關課程;2015-2021年擔任花蓮勵馨倡議專員,除大量公眾教育、法案倡議外,在2019年勵馨創設Aher性╱別教育體驗中心花蓮館時,負責教案及場館導覽內容設計。2021年下半,她和朋友們成立「不會教小孩行動聯盟」,九月之後,進入東華諮商與臨床心理學系碩士班就讀,期待更精進自己在兒少心理、早期治療等方面之專業知識。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"aaed5b391fd7d0da3f42d2f0f0ff874c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落",cover:"4d50ebbd035f177f9cb9fb01ee2efdba",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n女性主義聽起來好難喔!要如何跟孩子說呢?
\n\n「10歲以下女性主義角落(Under 10’s Feminist Corner)」是全球WOW藝術節皆有的重點項目,讓7至10歲的孩童透過生活及遊戲,分享他們腦海中對性別的想法與希望,透過彼此的想像激盪,為未來創作出對性別更友善的藍圖。
\n\n工作坊邀請性別教育專家周雅淳,用童趣活潑的聊天方式,帶領孩童一起從日常玩中學、學中玩,慢慢地探索女性主義帶來的思考與想像!
\n\n\n\n
報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限10人,額滿為止。
\n\n參加對象|歡迎家長與您的孩子一起報名,惟僅限10歲以下(建議7-10歲)、任何性別之孩童,並限衛武營持卡會員報名。
\n\n報名期間|即日起至11月12日(五)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
\n\n
工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
\n\n\n\n
溫馨提醒
\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'CHOU Ya-chun|Freelance lecturer in Sex/Gender Education
\n\n\n\t\t |
The writer behind the fan page "Single Mother and Her Children," CHOU is a mother to an 11-year-old and has twelve years of experience as a single mother. A Ph.D. candidate at National Taiwan University Department of Sociology, CHOU's expertise lies in sex, gender, and education in sexual assault prevention and has given over 600 talks and lectures on related topics. CHOU served as a part-time lecturer at National Tsing Hua University Interdisciplinary Program of Humanities and Social Sciences and National Dong Hwa University General Education Center for ten years, teaching classes related to gender theories and gender education. Between 2015 and 2021, CHOU was a campaigner at Garden of Hope Hualien. Apart from extensive experiences in public education and promoting legislation, CHOU was responsible for designing the curriculum and tour for Aher Gender and Sexuality Educational Center (Hualien) when it was established in 2019. Throughout the second half of 2021, CHOU established Not So Tiny with friends. In September, CHOU enrolled in the master's program of National Dong Hwa University Department of Counseling and Clinical Psychology, hoping to extend her knowledge in child psychology and early treatment.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"aaed5b391fd7d0da3f42d2f0f0ff874c",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 10歲以下女性主義角落"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Under 10's Feminist Corner",cover:"4d50ebbd035f177f9cb9fb01ee2efdba",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
Helping my kids understand feminism sounds hard! How do I explain it?
\n\nUnder 10's Feminist Corner is a major program at WOW Festivals around the world. Through sharing life experiences and games, children of ages seven to ten share their thoughts and expectations related to gender. Through creative brainstorming, we will draft blueprints for a more gender-friendly society in the future.
\n\nGender education expert CHOU Ya-chun will lead participants in a style of conversation that's fun for kids in learning through playing and playing through learning as a means of exploring thoughts and ideas on feminism.
\n\n\n\n
Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 10 participants. Availability is limited.
\n\nProspective participants|Children should be under the age of 10 (the recommended age group is 7 to 10 years old); both sexes are welcome. Exclusive to Weiwuying card members.
\n\n\n\n\n\n
\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
\n\n\n\n
Notice
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632898993,updatedAt:1635583042,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614df87c103d910007fefc52",title:"【WOW Kaohsiung 2021】Workshop – Roll Up! Circus Girls",data:{_id:"614df87c103d910007fefc52",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636785e3,discrete:[{time:1636785e3}],type:"discrete"},activity:{type:"signup",signup:{limit:40,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"5f4f45d8f8c7db00067a92df",text:"年齡 Age",english:"年齡 Age"},{required:!0,key:"5f58677ef8c7db00067ce81d",text:"手機號碼 Cell phone number",english:"手機號碼 Cell phone number"},{required:!0,key:"603dec80b4417f00078fa8f8",text:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)",english:"電子郵件地址 E-mail Address (行前通知信將寄至此信箱,請填寫常用收件信箱)"},{required:!0,key:"61541bf687c8d30008b19370",text:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use.",english:"由於【WOW高雄2021世界女性藝術節】以線上直播形式執行,並將全程進行攝影、錄影及錄音,本人同意國家表演藝術中心衛武營國家藝術文化中心(下稱衛武營) 得攝錄、修飾、剪輯、使用本人之肖像,針對上述攝影及視聽著作(內含本人肖像、聲音),本人同意授權衛武營得無償以不限時間、地域、次數且不限方式於本活動紀錄、行銷宣傳、新聞報導、藝文推廣、成果發表及其他非營利目的自由使用,本人同意不向衛武營主張肖像、姓名等人格權及相關著作權利。By attending the WOW Kaohsiung 2021 Women of the World Festival, I consent to photography, audio recording, video recording and its/their release, publication, or reproduction to be used for news, webcasts, promotional purposes, telecasts, advertising, inclusion on websites, social media, or any other non-profit purpose, by National Performing Arts Center – National Kaohsiung Center for the Arts (Weiwuying), its affiliates and representatives. I consent to waive all rights related to my image you may have to any claims for payment or royalties in connection with above use."},{required:!1,key:"61541c1287c8d30008b1937b",text:"無障礙服務 Accessibility Services",english:"無障礙服務 Accessibility Services"}],description:'ⓘ 退費機制
\n\n藍翊云|創造焦點團員
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現為Eye Catching Circus創造焦點團員。27歲,出生於臺北,五歲時被家人送去學跳舞,媽媽說這樣身體才會健康,似乎是因為養身踏入表演藝術的世界(?)
\n\n國立臺灣戲曲學院民俗技藝學系畢業,10歲到22歲接受特技馬戲專業訓練,是一名軟骨功演員、高空馬戲表演者。
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梅芷菱|創造焦點團員、女馬系列《#Since1994》導演
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現為Eye Catching Circus創造焦點團員,專長為高空特技,近幾年從演員轉為創作者,研究如何利用馬戲獨特的身體語彙,探索性別意識與社會議題之間的連結與思考,2019推出以「女性」為核心的馬戲創作作品《女馬系列#Since1994》,擔任導演與演員,未來將持續以女性議題為主要研究與創作核心。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"165d10b7754f99a3afc19ce5c2aa5261",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!"}],related:[],title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!",cover:"d016a0ae8108e6c462189aebb6ec880b",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
ⓘ 退費機制
\n\n用一場與身體的感官甦醒之旅,打開肢體與心靈,翻轉想像!
\n\n工作坊透過動態的肌力與伸展放鬆的練習,引領參與者覺察自我、意識到身體每一吋的存在,讓平日緊繃的身軀得到舒緩的釋放。並藉由靜態感受、觸摸的方式,讓參與者更了解每天與我們形影不離的身體樣貌,並在重新認識自我的過程中,用紙筆描繪出腦海中那獨一無二的自己。
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報名資格
\n\n【 WOW PASS 專屬活動 】
\n\n報名方式|採線上付費報名,每場上限40人,額滿為止。
\n\n參加對象|限衛武營持卡會員,且須年滿18歲以上。
\n\n報名期間|即日起至11月12日(五)23:59止
\n※ 如需手語翻譯或即時聽打的需求於11月3日(三)23:59前完成報名。
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工作坊報名流程
\n\n官網報名→繳交費用→檢視官網報名狀況→完成報名
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'LAN Yi-yun|Member of Eye Catching Circus
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Currently a member of Eye Catching Circus, LAN was born in Taipei and sent to learn dance by family members at the age of five. LAN's mother stated that dancing was good for the health; you might say LAN entered the world of performance for the sake of wellbeing(?)
\n\nLAN graduated from National Taiwan College of Performing Arts Department of Acrobatics and received professional circus training between the age of 10 to 22. LAN is a contortionist and aerial circus performer.
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MEI Chih-ling |Member of Eye Catching Circus and Director of The Female Circus Series #Since1994
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Currently a member of Eye Catching Circus, MEI is an expert at aerial circus and her recent focus is shifting her role from actress to creator. MEI explores ways to utilize the unique bodily expressions of the circus as a way of delving into discussions on gender and social issues. In 2019, MEI initiated the female-focused circus series #Since1994 as both director and actress. In the future, MEI will continue to focus her research and creative practice on topics related to feminism.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"165d10b7754f99a3afc19ce5c2aa5261",title:"【WOW高雄2021世界女性藝術節】共創工坊 — 翻滾吧,女孩!"}],related:[],title:"【WOW Kaohsiung 2021】Workshop – Roll Up! Circus Girls",cover:"d016a0ae8108e6c462189aebb6ec880b",site:{isOther:!0,site:"",other:"Cisco Webex "},cautions:'
Through muscle exercises and stretching, participants will be guided toward self-awareness and consciousness of every inch of their physiques, allowing their normally tense bodies to relax and bask in a sense of liberation. Also, through the more static means of feelings and touching, participants will be led to gain a deeper understanding of their bodies, and while becoming reacquainted with the self, they will draw portraits of their unique selves.
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Qualifications
\n\n【 Events Exclusive to Weiwuying Card Members】
\n\nRegistration Method|Online payment registration, each session with a maximum of 40 participants. Availability is limited.
\n\nProspective participants|Exclusive to Weiwuying card members.Participants should be at least 18 years old.
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Workshop Registration Procedure
\n\nRegister online → qualification examination → receive notice and payment method → complete payment → registration complete.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632499836,updatedAt:1635581585,updatedBy:"林蔚行",host:!0}}],seq:3,name:"Workshop",content:"",color:{a:1,r:220,g:12,b:21},type:"reference"},{programs:[{from:"programs",key:"614e821c87c8d30008afd9a7",title:"【WOW Kaohsiung 2021】WOW Screening – An Arts Festival for YOU!",data:{_id:"614e821c87c8d30008afd9a7",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636196400,discrete:[{time:1636196400}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'簡文彬|衛武營國家藝術文化中心藝術總監
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1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院〈Deutsche Oper am Rhein〉駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第十八屆國家文藝獎。
\n\n2018年10月「衛武營國家藝術文化中心」正式啟用後,成為該場館受任藝術總監。
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蔣昕|衛武營國家藝術文化中心行銷部行銷策略組長
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因樂旗隊及當代舞蹈踏入表演藝術,在藝術行政領域找到自己的位置。畢業於國立清華大學社會學研究所。2011年投入藝術行政工作,2019年7月加入衛武營國家藝術文化中心節目部,2020年10月起擔任行銷部行銷策略組長。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"c2f9bc47bb6f2bbd29119ce8350eab53",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 衛妳辦場藝術節"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 為妳辦場藝術節",cover:"a5cca0bffcc2be8049fd5567766b3d2d",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
今年衛武營引進臺灣首個WOW藝術節,串連不同領域,蒐集在地民眾的聲音,整合出以 #連結對話 、#換位同理 、#歡慶共創為核心精神的「WOW高雄2021世界女性藝術節」!
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本屆WOW藝術節「放映櫥窗 — 為妳辦場藝術節」邀請衛武營藝術總監簡文彬與行銷部策略組長蔣昕,帶領眾人一同探索你不知道的藝術節秘辛,以及我們為何需要一場女性藝術節?讓我們一起「哇-嗚」迎接衛武營與藝術節共織的美好藍圖!
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溫馨提醒
\n\n\n\n\n\n
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'CHIEN Wen-pin|General and Artistic Director, National Kaohsiung Center for the Arts (Weiwuying)
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Born in 1967, CHIEN graduated from the National Taiwan Academy of Arts (currently the National Taiwan University of Arts), majoring in piano, and has a master's degree from National University for Music and Performing Arts Vienna, majoring in conducting. Since 1996, CHIEN has been the Kapellmeister of Deutsche Oper am Rhein for 22 years. Between 1998 and 2004, CHIEN was the conductor-in-residence at the Pacific Music Festival, and he served as the music director for National Symphony Orchestra (NSO). CHIEN's notable achievements during his post at NSO include promoting the subscription series, commissioning and recording works by Taiwanese artists, and the opera series. Commemorating NSO's 20th anniversary in 2006, CHIEN presented the first production of the complete "Ring des Nibelungen" by Richard Wagner, the first in Mandarin-speaking areas. CHIEN was an artistic advisor at National Taiwan Symphony Orchestra between 2015 and 2016. CHIEN was awarded the 18th National Award for Arts in September 2014.
\n\nCHIEN was appointed as the artistic director when National Kaohsiung Center for the Arts (Weiwuying) opened to the public in October 2018.
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Cynthia CHIANG|
\n\nHead of Strategic Marketing, Marketing and Communications, National Kaohsiung Center for the Arts (Weiwuying)
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CHIANG entered the world of performing arts through color guard and contemporary dance, and found her position in the field of art administration. CHIANG graduated from National Tsing-Hua University Institute of Sociology and started working as an art administrator in 2011. CHIANG joined Weiwuying's Artistic Planning and Production team in July of 2019 and was appointed as the head of Marketing and Communications in October, 2020.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"c2f9bc47bb6f2bbd29119ce8350eab53",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 衛妳辦場藝術節"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – An Arts Festival for YOU!",cover:"a5cca0bffcc2be8049fd5567766b3d2d",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
Weiwuying is holding Taiwan's first Women of the World Festival, bringing together different sectors and the voices of locals for the WOW Kaohsiung 2021—Women of the World Festival, which will be based on #ConnectedDialogue, #EmpathyThroughTransposition, and #CelebratoryCocreation.
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For the WOW Screening – An Art Festival for YOU!, Weiwuying general and artistic director CHIEN Wen-pin and marketing department head Cynthia CHIANG will lead attendees in exploring the secrets of holding an art festival and discussing why we need an art festival dedicated to women. Let's work together in drafting the perfect blueprint for Weiwuying and WOW Kaohsiung 2021.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632535068,updatedAt:1636512593,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e7f8087c8d30008afd94d",title:"【WOW Kaohsing 2021】WOW Screening – Coda",data:{_id:"614e7f8087c8d30008afd94d",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636282800,discrete:[{time:1636282800}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"影片介紹",content:'《美麗天生》
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李湘郡 LEE Hsiang-Chun/ 2019/ 臺灣/ 彩色/ 24分鐘
\n\n出生在聾人家庭的天生,愛的表達是肢體、是眼神,沒有多加修飾的話語。還未懂事,天生就成了父母和外界溝通的管道,在父親去世後,早晨要陪母親去菜市場,大小事要幫忙翻譯,還要翻譯那些令人難以啟齒的話語,這是身為聾人兒子的日常。
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然而這樣的日常隨著青春期的到來,他發現自己漸漸失去聽力了,舞蹈比賽又即將到來,他選擇逃避不敢讓母親知道。一點一點消失的聽力,就像父親過世三年的合爐儀式一樣,逝去的不會復返…
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a92c29b23884eec4c0a7ca431bf2d80e",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》",cover:"22d10ff6dc49fab760adf2e3bfdb7799",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
「台灣女性影像學會」為「WOW藝術節」,專業選片挑選三部探討不同性別議題的短片,透過女性創作者的「看見」,將視角延伸到不同角落,了解不同生命的樣貌,呈現女性用影像書寫世界的多元觀點。
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合作夥伴
\n\n台灣女性影像學會成立於2000年,為一非營利組織(前身為台北市女性影像學會)。本學會先進自1993年即創辦「Women Make Waves台灣國際女性影展」,持續舉辦至今,旨在提供女性導演另類視角的影片映演,並建構國際交流的平台,也為國人引介了近千部難得一見的外片,以及別具匠心的國片。
\n\n本學會自2001年起辦理女性影展全國巡迴映演,與各縣市轄下戲院、社區、校園及藝文中心共同辦理,此舉為全國首創。以消弭影像教育城鄉差距,遍灑「女影。學」種子為職志。耕耘迄今,「Women Make Waves台灣國際女性影展」不僅是臺灣歷史最悠久的議題性影展,更成為亞洲兼具重要性與代表性的影展之一。 除影展外,本學會更將觸角擴及書籍刊物出版,以及DVD發行等業務。並於2009年起,系統性擴充網站資料庫,除提供各界所需教育資源外,也豐富國內女性電影理論與性別研究論述。近年來亦著手辦理紀錄片培訓營,透過鏡頭執掌轉移,推動公民傳播賦權並提升大眾媒介素養,令更多人得以發聲。
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溫馨提醒
\n\n本節目全程24分鐘,節目前10分鐘開放入場,無中場休息。
\n\n\t持卡會員請使用官網連結取得WOW PASS,憑報名WOW PASS後所獲得之活動連結登入Cisco Webex 視訊平台,並可接續參與「對談時光」活動,享有【WOW PASS限定演後座談】;非持卡會員請由衛武營YouTube頻道連結觀賞。 加入卡友會員
\n\t若以Cisco Webex視訊平台參與,請自備可網路連線、具攝影鏡頭及麥克風之電腦設備、手機或平板,並事先下載Google Chrome瀏覽器或Cisco Webex 視訊軟體。並於報到入場時,以報名者本人真實姓名報到。\n\n
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"FILM",content:'CODA+
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LEE Hsiang-chun/2019/Taiwan/Color/24min
\n\nBorn into a deaf family, Tien-Sheng cannot express love in words and instead does so through body language and the gaze. When he was still little, Tien-Sheng became the channel for communication between his parents and the world. After his father passes away, Tien-Sheng has to accompany his mother to go shopping at the wet market as a translator; he even has to translate things that are awkward. This is the daily life of a child of deaf adults.
\n\nAs Tien-Sheng reaches adolescence, Tien-Sheng finds that he is losing his hearing ability. With the dance competition coming up, Tien-Sheng chooses to hide the truth from his mother. His hearing is like the Incense Burner Reunion that happens on the three-year anniversary of his father's death, gone forever.
\n\nCurrently a master's student, I hope to extend my knowledge in child psychology and early treatment.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"a92c29b23884eec4c0a7ca431bf2d80e",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《美麗天生》"}],related:[],title:"【WOW Kaohsing 2021】WOW Screening – Coda",cover:"22d10ff6dc49fab760adf2e3bfdb7799",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex "},cautions:'
\n\n
The Taiwan Women's Film Association has chosen three short films for the WOW Festival that explore different gender issues and turn the perspective to different areas through the eyes of female artists. In this way, viewers can gain an understanding of different women's lives as women depict diverse viewpoints through film.
\n\n\n\n
Partner
\n\nThe Taiwan Women's Film Association (originally the Taipei Women Film and Video Association[M1] ) was established in 2000 as an NGO. Since 1993, we have held Women Make Waves, a film festival aimed at providing female directors screenings outside of the traditionally androcentric perspective and creating an international exchange platform. We have brought nearly a thousand rarely seen foreign films to Taiwan and screened unique local films as well.
\n\nIn 2001, we were the first organization in Taiwan to cooperate with theaters, art centers, communities, and school campuses in holding a touring version of our film festival. While working to close the urban-rural gap in Taiwanese film education, we have made the promotion of women in film production our mission. The festival is not only Taiwan's most longstanding social issue-based film festival but has become one of the most important and well-known film festivals in Asia. In addition, we have expanded operations to include the publication and release of books, periodicals, and DVDs. In 2009, our website database was augmented to provide educational materials in a variety of fields and to add to local feminist film theory and the stockpile of research on gender issues. In recent years, we have held documentary production courses, advancing more women's understanding of the use of media and giving them a voice through the camera.
\n\n\n\n
Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632534400,updatedAt:1635594727,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e808c87c8d30008afd973",title:"【WOW Kaohsiung 2021】WOW Screening – Legit Moms, Illegitimate Kid",data:{_id:"614e808c87c8d30008afd973",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636369200,discrete:[{time:1636369200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"影片介紹",content:'《非法母親》
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朱詩倩 Michelle CHU/ 2020/ 臺灣/ 紀錄片/ 彩色/ 21分鐘
\n\n小雨和世平仍不被法律「允許」擁有自己的孩子,但她們並不妥協,於是開啟了一趟424天的求子旅程。這是一部同時擁有女人、妻子、母親這三種角色的導演,獻給天下女人的愛情紀錄片,紀錄同婚通過後,依然無解的非法求子故事。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"23194a01860be228db57e6f940e644f6",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》",cover:"7d4331315ea78985143845bf62037b7c",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
「台灣女性影像學會」為「WOW藝術節」,專業選片挑選三部探討不同性別議題的短片,透過女性創作者的「看見」,將視角延伸到不同角落,了解不同生命的樣貌,呈現女性用影像書寫世界的多元觀點。
\n\n\n\n
合作夥伴
\n\n台灣女性影像學會成立於2000年,為一非營利組織(前身為台北市女性影像學會)。本學會先進自1993年即創辦「Women Make Waves台灣國際女性影展」,持續舉辦至今,旨在提供女性導演另類視角的影片映演,並建構國際交流的平台,也為國人引介了近千部難得一見的外片,以及別具匠心的國片。
\n\n本學會自2001年起辦理女性影展全國巡迴映演,與各縣市轄下戲院、社區、校園及藝文中心共同辦理,此舉為全國首創。以消弭影像教育城鄉差距,遍灑「女影。學」種子為職志。耕耘迄今,「Women Make Waves台灣國際女性影展」不僅是臺灣歷史最悠久的議題性影展,更成為亞洲兼具重要性與代表性的影展之一。 除影展外,本學會更將觸角擴及書籍刊物出版,以及DVD發行等業務。並於2009年起,系統性擴充網站資料庫,除提供各界所需教育資源外,也豐富國內女性電影理論與性別研究論述。近年來亦著手辦理紀錄片培訓營,透過鏡頭執掌轉移,推動公民傳播賦權並提升大眾媒介素養,令更多人得以發聲。
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"FILM",content:'Legit Moms, Illegitimate Kid
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Michelle CHU/2020/ Taiwan/Documentary/Color/21min
\n\nAccording to the law, Mota and City are still not "allowed" to have their own children. Refusing to give in, the couple embarks on a 424-day journey to conceive a child of their own. This is a film by a director who is at the same time a woman, wife, and mother. Dedicated to all women, Legit Moms, Illegitimate Kid is a documentary of love that chronicles the unresolved issue of illegal means of childbearing that remains in existence even after the legitimization of same-sex marriage.
\n\n\n\n
\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"23194a01860be228db57e6f940e644f6",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《非法母親》"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – Legit Moms, Illegitimate Kid",cover:"7d4331315ea78985143845bf62037b7c",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
The Taiwan Women's Film Association has chosen three short films for the WOW Festival that explore different gender issues and turn the perspective to different areas through the eyes of female artists. In this way, viewers can gain an understanding of different women's lives as women depict diverse viewpoints through film.
\n\n\n\n
Partner
\n\nThe Taiwan Women's Film Association (originally the Taipei Women Film and Video Association[M1] ) was established in 2000 as an NGO. Since 1993, we have held Women Make Waves, a film festival aimed at providing female directors screenings outside of the traditionally androcentric perspective and creating an international exchange platform. We have brought nearly a thousand rarely seen foreign films to Taiwan and screened unique local films as well.
\n\nIn 2001, we were the first organization in Taiwan to cooperate with theaters, art centers, communities, and school campuses in holding a touring version of our film festival. While working to close the urban-rural gap in Taiwanese film education, we have made the promotion of women in film production our mission. The festival is not only Taiwan's most longstanding social issue-based film festival but has become one of the most important and well-known film festivals in Asia. In addition, we have expanded operations to include the publication and release of books, periodicals, and DVDs. In 2009, our website database was augmented to provide educational materials in a variety of fields and to add to local feminist film theory and the stockpile of research on gender issues. In recent years, we have held documentary production courses, advancing more women's understanding of the use of media and giving them a voice through the camera.
\n\n\n\n
Reminder
\n\n\n\n\n\n
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632534668,updatedAt:1635593785,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e7e0b103d910007ff0a94",title:"【WOW Kaohsiung 2021】WOW Screening –Spice Girls - From Me to Us",data:{_id:"614e7e0b103d910007ff0a94",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636455600,discrete:[{time:1636455600}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'洪金枝|南洋台灣姊妹會多元文化講師
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洪金枝,十多年前自越南移民至臺灣。金枝在越南是位幼兒園教師,非常喜歡與孩子玩耍,她的夢想是成立幼兒園,陪伴孩子成長。金枝目前在小學教孩子越南語,並在晚間開授成人的越語課程;而為了實踐成立幼兒園的夢想,同時就讀空中大學社會科學系。金枝自從參與南洋台灣姊妹會開設的「多元文化師資」培訓課程後,便積極參與姊妹會;她是「南洋姊妹劇團」的前任團長,以及「南洋台灣姊妹會」的前任理事長。
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金枝說:「我來自一個舉家移民的家庭,帶著滿身對於教育的熱血與多元文化的寶藏生活在臺灣。我是A剖老師,一位生長在越南、臺灣的教學狂!」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"6e839e2e04900a744d7818e7b30763ed",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃",cover:"275cb33e8166ccc8e1dfdc3d91f6a1b7",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
吃一口南洋美食,除了交織著陌生與熟悉的味道,更是濃郁嗆辣的流浪滋味。刀起刀落、蔬果、肉串、河鮮、香料、炭火、蒸氣,瀰漫在空氣中的,不是異國,是南洋姊妹一同調出的家鄉。一代一代,旅人和遊子帶著記憶和食物來到這島嶼,留下了家鄉的味道,卻獨自嚐著鄉愁離去。這些食物早在無形中融入臺灣,成為庶民生活的一部分,但它們承載的文化與記憶卻始終被視為遙遠的異國故事,堆疊在角落。
\n\n
\n「南洋姊妹教你吃」不只是南洋料理烹飪教學,更是一首關於想念、關於想望、關於離開家鄉的嘆歌。
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speaker",content:'Apple HUNG|Multicultural Speaker / Vietnamese Teacher, TransAsia Sisters Association, Taiwan
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Apple HUNG, a Vietnamese immigrated to Taiwan eleven years ago. She was a kindergarten teacher in Vietnam and enjoys playing with kids. Her dream is to run a kindergarten to accompany children to grow up. Currently, she teaches Vietnamese language at elementary schools and evening courses for adults in Taiwan. To realize her dream to establish a kindergarten, she is studying at the Department of Social Sciences at the Open University in Taipei. Chin-Chih has been active in TransAsia Sisters Association, Taiwan (TASAT), since she joined TASAT's program on trainings for multicultural speakers. She is the former Chairperson of TASAT Theater Troupe, and the present Chairperson of TASAT.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"6e839e2e04900a744d7818e7b30763ed",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 南洋姊妹教你吃"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening –Spice Girls - From Me to Us",cover:"275cb33e8166ccc8e1dfdc3d91f6a1b7",site:{isOther:!0,site:"",other:"Weiwuying YouTube Chennel /Cisco Webex"},cautions:'
\n\n
When you take a bite of Southeast Asian food, besides experiencing a mixture of tastes both familiar and unfamiliar, there is also a strong sense of wandering. These foods, including fruit, vegetables, kebabs, freshwater animals, and spices cooked in many ways, such as over charcoal fires or steamed, filling the air with their fragrance, are not exotic to the women from overseas who make them. For generations, travelers and wanderers have brought and shared their memories and food of their native countries to this island yet have felt quite alone while missing their homes. These foods have quietly integrated into Taiwan's cuisine and become part of people's everyday lives, but they are vehicles of culture and memory that have been viewed merely as stories from faraway countries to be piled together in a corner.
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Longing for Southeast Asian Home Cooking is not only about teaching you how to make Southeast Asian cuisine; it is a song of nostalgia, desires, and being far from home.
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Reminder
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Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632534027,updatedAt:1635592124,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e85ca103d910007ff0bb2",title:"【WOW Kaohsiung 2021】WOW Screening – Cut Your Bangs with Confidence",data:{_id:"614e85ca103d910007ff0bb2",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636542e3,discrete:[{time:1636542e3}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'共室 Hair Café
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經常有人這麼說,共室Co-Space是咖啡館、是美髮沙龍、也是解憂雜貨店,更是分享交流學習的平臺。共室是一群熱愛咖啡、旅行、生活與分享的美髮人,因為凝結了許許多多的共識與共嗜,讓她們決定一起共室再共事,讓美的事物和故事在這裡蘊釀發生。邁入第二年,辦過十數場分享會,包含攝影、義剪、心靈課程、針織手作課、新書發表和服⋯等等大小活動,未來還會串連出更多的美好。「歡迎你來,一起共室。」
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f24706bb24f2a20f7ca371eeb97e21fb",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!",cover:"fa8cb62bb0de7caaad5d991919f36d1e",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
\n\n
剪了瀏海,讓妳瞬間減齡又提升魅力?!
\n\n「有一種整容叫剪瀏海!」邀請專業的美髮團隊,針對不同臉型、氣質,提供自己在家剪瀏海可以依循的造型知識與剪髮技巧。
\n\n本屆WOW邀請到扎根高雄的在地創業女性「共室 Hair Café」,透過簡易的整髮、剪髮教學,一同聊聊關於「美」這件事,每個女孩都有最適合自己的髮型,讓共室和妳一起尋找屬於妳的專屬瀏海!
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Co-space HairCafé
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Many people say that Co-Space is a café, hair salon, a grocery store that relives worries, and a platform for sharing and learning. Co-Space Hair Café is a group of hairdressers passionate about coffee, traveling, life, and sharing. Due to their like-mindedness and shared hobbies, they decided to open Co-Space Hair Café, a space for beauty and stories. As they approach their second year, Co-Space Hair Café has arranged over ten events of varying scales, sharing topics including photography, charity haircuts, spiritual classes, knitting and DIY classes, book releases, and kimonos. Co-Space Hair Café will continue to arrange more excellent events in the future.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"f24706bb24f2a20f7ca371eeb97e21fb",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 有一種整容叫剪瀏海!"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – Cut Your Bangs with Confidence",cover:"fa8cb62bb0de7caaad5d991919f36d1e",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
\n\n
Cutting your bangs can automatically make you look younger and more attractive!?
\n\nIn Cut Your Bangs with Confidence, a professional team of hairstylists will teach you concepts and techniques on cutting your bangs on your own in a way that will fit the shape of your face and your disposition.
\n\nThe team consists of women from Kaohsiung's Hair Café. While providing basic teaching on hair management and cutting, we will discuss the idea of "beauty." There is a hairstyle that's just right for every girl, so let Hair Café help you find the look for your bangs that's perfect!
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Reminder
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632536010,updatedAt:1635594229,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e846a103d910007ff0b7d",title:"【WOW Kaohsiung 2021】WOW Screening – Sanitary Products of Your Own Choice",data:{_id:"614e846a103d910007ff0b7d",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636628400,discrete:[{time:1636628400}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'凡妮莎|凱娜棉條品牌總監
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於2004年開始利用社群介紹全球生理用品給臺灣女性,於2010年創業開賣臺灣首支塑膠導管棉條,2015年發起月亮杯群眾募資,總募資金額達1135萬元,並於2017年取得販售許可、而後於公共政策網路參與平臺提案修改相關法律完成。長期在臺灣推廣生理期教育,演講百場以上,同時著有「小月飼養日記」。最喜歡的事情:在講座現場感受女同學們閃閃發亮的求知眼神、還有男同學們跌破眼鏡的性教育時光。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"58cc7921012460fd7ae92a415e387233",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!",cover:"d2a1a9f1bdfce2ed2a2c12fd7c9241fd",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'
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本屆WOW邀請到「月經一姐凡妮莎」,來跟大家聊聊關於月經的大小事,一次教會妳使用所有的生理用品!
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凡妮莎一直相信,每個女生都值得擁有更多「選擇」,因此她推動月經教育,熱血走上開創生理用品品牌《凱娜》的路。短短的20分鐘,凡妮莎將從「月經父權」聊到「月經賦權」,從女性身體聊到臺灣現行醫療法規的制定開端。女性的身體有豐富的樣貌與各種可能性,給自己一段時間更認識自己,也探索與月經共處的各種路徑吧!
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'Vanessa|Brand Director of KiraKira Tampon
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Vanessa started introducing worldwide sanitary products to Taiwanese women through social media in 2004. In 2010, Vanessa started her own company and began selling the first applicator tampons in Taiwan. In 2015, Vanessa initiated the crowdfund for moon cups and raised 11.35 million NTD, and gained license for sales in 2017. Afterward, Vanessa started participating in amending related legislation on online public policy platforms. As someone who has devoted many years to promoting period education, Vanessa has given over 100 talks and is the author of "Diary of Hsiao-yueh." Vanessa's favorite things include the hunger for knowledge shining through the glittering eyes of girls among the talk audience and moments of shock among boys when they receive new information on sex education.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"58cc7921012460fd7ae92a415e387233",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 自己的生理用品自己挑!"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – Sanitary Products of Your Own Choice",cover:"d2a1a9f1bdfce2ed2a2c12fd7c9241fd",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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Period-product guru Vanessa will share about all you need to know on menstruation and the use of each kind of period product.
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She has always believed that girls should have more choices, hence her promotion of menstrual education and passionate work toward developing the period-product brand KiraKira. In just 20 minutes, she will tell the story of how period products have evolved from their androcentric origins to a means of female empowerment and share about the female body and the beginning of the formulation of related laws (such as menstrual leave from work). The female body is full of variety and all kinds of possibilities, so take a little time to get to know yourself better and explore all the different paths to coexisting with your period.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632535658,updatedAt:1635593122,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"614e836b103d910007ff0b60",title:"【WOW Kaohsiung 2021】WOW Screening – CHIANG Szu-mei, First-ever Female Palmar Drama Puppet Master",data:{_id:"614e836b103d910007ff0b60",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636714800,discrete:[{time:1636714800}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'江賜美|真快樂掌中劇團創辦人暨藝術總監
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真快樂掌中劇團創辦人,她於16歲從事布袋戲藝術迄今,以88歲的高齡持續活躍於布袋戲界,沒有間斷的演出歷程,也為臺灣布袋戲發展史上,增添不同的人文特色。「真快樂掌中劇團」參與許多國際重要藝術節,推廣布袋戲表演藝術,近年來更跨界創作與並在文化傳承有其顯著的成績。她於2010年登錄為新北市政府布袋戲傳統藝術保存者,並於2018年榮獲新北文化貢獻獎。
\n'}],onShelf:!0,sliders:[{type:"image",key:"06157794a2e31accc7c73b918ae341ca",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 臺灣第一代掌中戲女演師 江賜美"}],related:[],title:"【WOW高雄2021世界女性藝術節】放映櫥窗 — 臺灣第一代掌中戲女演師 江賜美",cover:"cc1952f7e56cab0c71e545d7e922ba1e",site:{isOther:!0,site:"",other:"衛武營YouTube頻道/Cisco Webex 視訊平台"},cautions:'\n\n
作為臺灣布袋戲界的第一代女演師,江賜美女士是臺灣少數仍活躍於掌中藝術舞台的女性,她打破早期禁止女性登上傳統戲曲舞台的社會風氣,縱橫臺灣傳統戲劇界七十餘年,由她創辦的「真快樂掌中劇團」,更以女性觀點詮釋布袋戲劇目,探討傳統戲劇中女性角色的思維。
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放映櫥窗邀請她和我們聊聊身為一位由男性主導的掌中戲演藝界的女演師的心路歷程,也分享她心中的布袋戲之美。
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Facilitator",content:'CHIANG Szu-mei|Artistic Director of Jin Kwei Lo Puppetry Company
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The founder of Jin Kwei Lo Puppetry Company, CHIANG has devoted herself to glove puppetry since the age of 16. Today, CHIANG is 88 years old and continues to be an active figure in the stage of glove puppetry. Her ongoing performances are a unique chapter in the history of Taiwanese glove puppetry. Jin Kwei Lo Puppetry Company has participated in many prominent international art festivals, dedicating efforts to promoting the performing art of glove puppetry. Throughout recent years, the company has also participated in interdisciplinary collaborations, achieving impressive results in passing on the legacy. In 2010, CHIANG was listed as a preserver of traditional arts by New Taipei City Government and received the New Taipei City Cultural Contribution Award in 2018.
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One of the first female puppeteers in Taiwan, CHIANG Szu-mei, is now one of the few remaining women active in the industry. She overcame the traditional custom of women being prohibited from taking part in stage performances and has been part of the traditional theater sector in Taiwan for over 70 years. The Jin Kwei Lo Puppetry Company, which she founded, puts on puppet shows from a female perspective in probing people's mindsets on the role of women in traditional theater.
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She will share her thoughts on the history of a field dominated by men and her ideas on the beauty of puppetry.
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Reminder
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632535403,updatedAt:1653376562,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"614e7a0387c8d30008afd894",title:"【WOW Kaohsiung 2021】WOW Screening – What is a Woman?",data:{_id:"614e7a0387c8d30008afd894",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636801200,discrete:[{time:1636801200}],type:"discrete"},activity:{type:"free",free:{description:" ",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"影片介紹",content:'《更衣室之爭》
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瑪琳.哈斯羅德 Marin HASKJOLD/ 2020/ 挪威/ 彩色/ 15分鐘
\n\n一位跨性別女性被要求離開泳池更衣室。裡面有人認為,女人是天生被賦予的身份,而非能夠選擇成為的角色。隨著越來越多人加入爭論,眾人的情緒逐漸高昂。究竟何謂女人?更衣室裡的每個人都抱有不同的觀點和想法。
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「台灣女性影像學會」為「WOW藝術節」,專業選片挑選三部探討不同性別議題的短片,透過女性創作者的「看見」,將視角延伸到不同角落,了解不同生命的樣貌,呈現女性用影像書寫世界的多元觀點。
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合作夥伴
\n\n台灣女性影像學會成立於2000年,為一非營利組織(前身為台北市女性影像學會)。本學會先進自1993年即創辦「Women Make Waves台灣國際女性影展」,持續舉辦至今,旨在提供女性導演另類視角的影片映演,並建構國際交流的平台,也為國人引介了近千部難得一見的外片,以及別具匠心的國片。
\n\n本學會自2001年起辦理女性影展全國巡迴映演,與各縣市轄下戲院、社區、校園及藝文中心共同辦理,此舉為全國首創。以消弭影像教育城鄉差距,遍灑「女影。學」種子為職志。耕耘迄今,「Women Make Waves台灣國際女性影展」不僅是臺灣歷史最悠久的議題性影展,更成為亞洲兼具重要性與代表性的影展之一。 除影展外,本學會更將觸角擴及書籍刊物出版,以及DVD發行等業務。並於2009年起,系統性擴充網站資料庫,除提供各界所需教育資源外,也豐富國內女性電影理論與性別研究論述。近年來亦著手辦理紀錄片培訓營,透過鏡頭執掌轉移,推動公民傳播賦權並提升大眾媒介素養,令更多人得以發聲。
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溫馨提醒
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\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"FILM",content:'What is a Woman?
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Marin HASKJOLD/2020/Norway/Color/15 min
\n\nA transgender woman is asked to leave the changing room of a swimming pool. Some people within the changing room believe gender to be an inherent identity and not something that can be chosen. The situation escalates rapidly as more people join in the debate. What is a woman? Each person in the changing room has different opinions.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"4939c537c5609d62de22dc6fd2df6cc0",title:"【WOW高雄2021世界女性藝術節】放映櫥窗 —《更衣室之爭》"}],related:[],title:"【WOW Kaohsiung 2021】WOW Screening – What is a Woman?",cover:"6f64a48a417bb5c989fbf438ba9ffffd",site:{isOther:!0,site:"",other:"Weiwuying YouTube Channel/Cisco Webex"},cautions:'
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The Taiwan Women's Film Association has chosen three short films for the WOW Festival that explore different gender issues and turn the perspective to different areas through the eyes of female artists. In this way, viewers can gain an understanding of different women's lives as women depict diverse viewpoints through film.
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Partner
\n\nThe Taiwan Women's Film Association (originally the Taipei Women Film and Video Association[M1] ) was established in 2000 as an NGO. Since 1993, we have held Women Make Waves, a film festival aimed at providing female directors screenings outside of the traditionally androcentric perspective and creating an international exchange platform. We have brought nearly a thousand rarely seen foreign films to Taiwan and screened unique local films as well.
\n\nIn 2001, we were the first organization in Taiwan to cooperate with theaters, art centers, communities, and school campuses in holding a touring version of our film festival. While working to close the urban-rural gap in Taiwanese film education, we have made the promotion of women in film production our mission. The festival is not only Taiwan's most longstanding social issue-based film festival but has become one of the most important and well-known film festivals in Asia. In addition, we have expanded operations to include the publication and release of books, periodicals, and DVDs. In 2009, our website database was augmented to provide educational materials in a variety of fields and to add to local feminist film theory and the stockpile of research on gender issues. In recent years, we have held documentary production courses, advancing more women's understanding of the use of media and giving them a voice through the camera.
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\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632532995,updatedAt:1635592653,updatedBy:"林蔚行",host:!0}}],seq:4,name:"WOW Screening",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"},{programs:[{from:"programs",key:"6153c41d103d910007ffcb0c",title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院",data:{_id:"6153c41d103d910007ffcb0c",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636111800,discrete:[{time:1636111800},{time:1636889400}],type:"discrete"},activity:{type:"free",free:{description:"報名參與(費用1,000)",englishDescription:"Registration ($1000)"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講師介紹",content:'Jude KELLY|WOW基金會創辦人
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裘德.凱莉是WOW基金會的創辦人及總監,在各地策劃WOW世界女性藝術節,表揚世界各地的女性的成就、挑戰性別不平等。首屆WOW藝術節於2010年在倫敦舉辦,直到現在已橫跨6大洲30個地區。
\n\n凱莉從2006至2018年為英國倫敦南岸藝術中心(Southbank Centre)的藝術總監,經營全英最具規模的藝術機構、同時是倫敦的第3大的觀光景點。此外,她擔任導演亦獲獎無數,曾為皇家莎士比亞劇團(Royal Shakespeare Company)、巴黎夏特雷劇院(Théatre du Châtelet)等世界級劇場執導超過100部作品。她參與創立了巴特西藝術中心(Battersea Arts Centre),亦是里茲劇院(Leeds Playhouse)的創始人,將之發展為公認的卓越文化場地。
\n\n凱莉參與多項文化藝術事務工作。她曾代表英國出席聯合國教科文組織協會(UNESCO),同時是皇家藝術學會(Royal Society of Arts)的藝術顧問委員,並與普特南勛爵(Lord Puttnam)一同擔任藝術及創意課程諮詢委員會的主席。她曾領導文化奧運委員會,負責2012倫敦奧運和帕運的創意、文化及教育事宜。
\n\n凱莉因為對劇場的貢獻,於1997年獲頒官佐大英帝國勳章(OBE),更於2015年獲頒大英帝國司令勳章(CBE),表揚她在藝術上的建樹。她於2013年2月獲英國廣播公司BBC廣播四台《女性時光》節目,推選為英國100名最有影響力的女性之一。2018年卸下南岸藝術中心藝術總監一職,創辦WOW 基金會,全心投入WOW藝術節。
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多米諾.派特門|WOW基金會藝術節與節目總監
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雪蓮.彼莉拉|WOW的資深製作人
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她的每項工作都結合了她的兩大熱情 — 創意及社會公義,並發源於破除刻板印象、推動跨文化對話及建立弱勢發聲平台的信念。彼莉拉曾帶領一支國際女性樂團巡迴大英國協運動會、製作巴比肯藝術中心《巴斯奇亞:真正的繁榮》展覽閉幕節目、統籌可倫坡雙年展,並在2020年6月創辦了WOW首個音樂節目WOW Sounds,呈獻以音樂作為社會行動的女性及非二元性別樂手。雪蓮.彼莉拉的熱衷於創造新穎複合的藝術節形式,以創造不同觀眾與講者連結的機會。
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薩比娜・阿赫塔|作家兼編輯、英國坦誠文學節策展人
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薩比娜是一名作家兼編輯,也是許多藝術慶典的藝文節目設計者。現為英國坦誠文學節策展人,旨在表揚海外傑出作家;普里瑪當娜藝術節共同創辦人,聚焦女性作家作品。她也是普里瑪當娜寫作獎與坦誠兒童文學節創辦人,後者是英國首個展示有色人種作家作品的兒童藝術節。薩比娜同時為WOW基金會資深節目設計者,在英國倫敦南岸藝術中心協助倫敦音樂節的策劃。作為一名獨立運動提倡者,2017年,她參與了BBC印度獨立70週年報導,並與女兒共同為兒童拍攝了關於印度獨立的節目。此後,她常受邀在各大媒體上討論該主題。薩比娜發表了各式各樣的作品,包括編輯阿歇特出版的《衣模衣樣?》,這是一部英國穆斯林婦女勢力抬頭的選集,內容在講述伊斯蘭恐懼症;她目前也正在撰寫小說。歡迎關注她的推特@pocobookreader。
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凱薩琳・芬頓|英國劇院公司「大混沌」的共同創辦人
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凱薩琳是一名逐漸嶄露頭角的酷兒製作人,目前在WOW世界女性藝術節擔任專案助理。凱薩琳是英國劇院公司「大混沌」的共同創辦人,製作許多關於女權主義、友誼與勤勉的作品。
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凱西・亨特|WOW澳洲藝術節執行製作人、「正向解方」創始董事、入行藝術基金會創辦人、昆士蘭銀幕工作室董事
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(照片來源:Christine SHARP)
\n\n凱西是「正向解方」創始董事之一,畢生投入於文化經濟,在英國、澳洲、紐西蘭與香港擔任製作人、藝術節總監、文化策略家及顧問。身為非營利組織「一心一意」的執行董事,她與倫敦WOW基金會合作,並在澳洲舉辦WOW世界女性藝術節,範圍擴及澳洲北領地凱瑟琳鎮。她同時也是2018年WOW澳洲藝術節的執行製作人;該活動旨在讚揚大英國協的婦女。
\n\n在澳洲昆士蘭州政府的支持之下,凱西領導了一支團隊,預計要在該州連續三年舉辦WOW澳洲藝術節。本應於2020年4月在布里斯本舉行,但因疫情的爆發而被迫取消,後續則改以線上方式進行。第二屆WOW澳洲2021原本預計將在昆士蘭及偏遠地區舉辦一系列的小型節慶與活動,但由於封城的關係而遭到部分取消,將延後至2022上半年舉行(wowaustralia.com.au)。凱西是入行藝術基金會的創辦人,專為藝術家提供小額貸款,同時也是昆士蘭銀幕工作室董事。曾獲2019年國際崇她布里斯本社婦女進步就職獎,也是昆士蘭州政府新成立的婦女策略諮詢委員會成員。
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蘿拉・格里爾|紐約阿波羅WOW藝術節製作人、阿波羅劇院資深製作人
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在從事表演藝術工作二十多年後,蘿拉・格里爾於2005年加入了舉世聞名的阿波羅劇院。她致力於與非裔藝術家合作,並向形形色色的觀眾介紹藝術新血與才華。
\n\n蘿拉現為阿波羅劇院資深製作人。就職期間,她一直是領導團隊的一員,並在設計、執行阿波羅表演藝術、教育與社區計劃,以及檔案計劃等「新興」藝術願景與策略中扮演重要角色。
\n\n阿波羅劇院的許多知名計畫皆出自蘿拉之手:聚焦於新作品的駐留及表演的「沙龍系列」,給予當代新作品的創作與發展非常重要的支持;聚焦於新一代音樂藝術家的深夜歌舞表演的「音樂咖啡廳」,以及一年一度、慶祝當今非洲好音樂的節慶「現代非洲!」。身為藝術先鋒,她促成了多項國際合作,包括與英國倫敦沙德勒之井劇院共同舉辦的國際嘻哈舞蹈戲劇節「打破常規」(2013、2015、2017);與歐洲首屈一指的法國維也納爵士音樂節合作,在維也納與紐約舉辦表演;在倫敦哈克尼帝國劇場舉辦「業餘之夜在倫敦」(2012)國際首演,以及成功協助阿波羅劇場舉辦倫敦南岸紐約2015、2017世界女性藝術節的首演。
\n\n在加入阿波羅劇院以前,蘿拉曾任美國喬治亞州亞特蘭大國家黑人藝術節製作助理(1999-2005),在準備一年一度為期十天的藝術節期間負責監督藝術與製作。她也曾任布魯克林音樂學院美琪大戲院651藝術節目總監,專門負責與非洲僑民的相關作品。她更於紐約城市學院的亞倫戴維斯表演藝術廳(現名哈林舞台)擔任過多種領導職務(1985-1998)。
\n\n蘿拉曾為許多決策團隊與委員會的一員,包括大西洋中部藝術基金會、紐約州藝術委員會、哈林藝術節、喬治亞州藝術委員會、651藝術非洲交流計劃主要夥伴,以及紐約貝西舞蹈工作坊。
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團隊介紹
\n\nWOW基金會
\n\nWOW基金會(The WOW Foundation)由裘德.凱莉(Jude Kelly)於2010年所創辦,她相信性別平等的理想世界不僅能夠予以實踐,同時也是現今社會迫切所需。透過舉辦藝術節、相關活動與創辦人裘德.凱莉的WOW Podcast節目,WOW以全球性的運動讚揚女性成就、正視女性所面臨的阻礙,並探討改變的解決方案。WOW世界女性藝術節致力於展現女性成就、提倡性別平等,是全球同領域最盛大、最全面、也最具影響力的盛事。
\n\nWOW的足跡至今已遍布全球六大洲17個國家、擁有超過300萬名參與者,涵蓋臺灣、澳洲、巴西、中國、埃及、芬蘭、印度、尼泊爾、奈及利亞、巴基斯坦、斯里蘭卡、索馬利蘭、土耳其等地,以及英國與美國的多個城市。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"ddec3d6f44548732eac7ad857b0ec77e",title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院"}],related:[],title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院",cover:"4a992a257ef144a1ec5161b9e32d44dd",site:{isOther:!0,site:"",other:"Cisco Webex 視訊平台"},cautions:'
非活動主辦單位,本活動全程禁止拍照、截圖、錄影與錄音。
\n\t主辦單位同步螢幕錄製影像以藝文推廣或非營利之目的為限,請於報名表單「肖像授權」欄位同意肖像權露出相關事宜。
\n\t主辦單位保留本活動變更權利。
\n\tⓘ 退費機制
\n\n報名人須於活動舉辦5天前主動聯絡主辦單位申請退費(wowkaohsiung@npac-weiwuying.org),取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前完成退費。
\n\t如對本活動有任何問題,請聯絡 WOW高雄工作小組 wowkaohsiung@npac-weiwuying.org或致電07-262-6941(週一至週五,每日10:00 - 18:00)。
\n\t以藝術節作為方法,策劃席捲全球的社會變革運動,也是你的理想嗎?
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WOW高雄2021世界女性藝術節邀請WOW的創辦人裘德.凱莉(Jude KELLY)、英國WOW基金會團隊,夥同世界各地WOW藝術節的領袖,為你帶來兩場充滿互動與國際視野的創意製作人專業學院。
\n\n學院會梳理WOW的全球運動脈絡,內容將涵蓋領導方法、藝術節策劃、跨文化合作與文化行動,以及以藝術推動社會變革等議題。來自全球4個國家的WOW領袖將親身分享她們的想法跟經驗,同時提供大量空間與參加者答問互動。
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學院課程
\n\n11/5(五) | \n\t\t\t第一天課程 | \n\t\t
19:30-20:30 | \n\t\t\t裘德.凱莉專題演講 | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t 原因與方式——WOW的願景與使命 \n\n\t\t\tWOW創辦人兼執行長裘德・凱莉女士將親自介紹WOW的願景與使命。在本活動中,裘德將40年來發展女性領導力、推動文化運動的經驗,以及為改變社會而打造戲劇與藝術節的歷程層層堆疊,描繪出藝術如何改變世界。 \n\n\t\t\t您將在本活動中與WOW團隊面對面,了解世界女性藝術節的運作方式、如何與各式各樣出色的團隊合作並在全球舉辦各地專屬的藝術節,以及WOW近期的任務案例分享。 \n\n\t\t\t過程中,也會有許多提問的機會。 \n\n\t\t\tWOW澳洲凱西・亨特談談領導力 \n\n\t\t\t來聽聽凱西・亨特回顧自己創辦WOW澳洲的經歷。凱西將與裘德展開對談,聊聊從大方向思考到實際舉辦WOW澳洲活動的過程,重點將放在偏遠地區工作、數位化以及權衡影響的方式。 \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\t總結及討論 | \n\t\t
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11/6(六)-11/14(日) | \n\t\t\tWOW高雄2021世界女性藝術節 | \n\t\t
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※藝術節必須另外報名,並參與至少三個不同場次之節目 \n\t\t\t | \n\t\t
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11/14(日) | \n\t\t\t第二天課程 | \n\t\t
19:30-20:30 | \n\t\t\t裘德.凱莉專題演講 | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t WOW共想工作坊 \n\n\t\t\t加入WOW共想工作坊,了解WOW世界女性藝術節的起始點。 \n\n\t\t\tWOW共想工作坊將邀請參與者一起腦力激盪:想邀請至WOW的嘉賓人選、藝術節需要解決的問題及疑慮、希望舉辦哪些有趣的節目,以及具體說明在當地舉辦WOW將遇到哪些獨一無二的事情。 \n\n\t\t\t共想工作坊也會提出藝術節的架構或藍圖,供節目設計團隊參考。 \n\n\t\t\t原因與方式:數位世界中的WOW \n\n\t\t\t從2020年3月開始,WOW基金會將部分活動轉移到線上。 \n\n\t\t\t一起來了解WOW基金會如何透過線上方式,成功舉辦自身主打的系列節目「WOW英國2021」,或是如何順利舉辦24小時全球直播的演講與表演「WOW全球24世界女性藝術節」,又是如何將世界各地80多位青年社會運動家集結成WOW青年領袖名錄。 \n\n\t\t\tWOW阿波羅劇院蘿拉・格里爾談談領導力 \n\n\t\t\t蘿拉・格里爾是美國紐約哈林區世界著名的阿波羅劇院資深製作人,將與各位聊聊文化運動、藝術空間以及WOW阿波羅劇院在建立社區連結方面的作用。 \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\t總結及討論 | \n\t\t
※如因講者安排以致節目更動,主辦單位保留課程最終決定權
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隨著衛武營主辦WOW高雄、首度引進WOW藝術節,創意製作人專業學院希望可以建立一個平台,讓志同道合的策劃人發展更緊密的跨文化合作。
\n\n活動時間|2021年11月5日(五)19:30-22:30 (GMT+8)
\n\n2021年11月14日(日)19:30-22:30 (GMT+8)
\n\n活動地點|Cisco Webex 視訊平台
\n\n活動費用|1,000元
\n\n授課語言|英文授課(可於報名時勾選中文翻譯、手語翻譯及即時聽打服務)
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報名資格
\n\n報名期間|即日起至10月29日(五)中午12:00止
\n\n報名方式|採線上付費報名,上限30人,於報名截止後,以電子郵件通知審核結果。
\n\n參加對象|適合3年以上相關經驗之專業藝術經理人、表演藝術與視覺藝術製作人、策展人、藝術家、教育工作者及文化機構工作者參與。開放所有性別人士。
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※必須同時報名WOW高雄2021世界女性藝術節,參與至少三個不同場次之節目。
\n\n※完整參與兩天學院節目的報名者會優先考慮。
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本活動可核發教師研習時數,如下:
\n\n11月5日(五)創意製作人專業學院|發予3小時。
\n\n11月14日(日)創意製作人專業學院|發予3小時。
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工作坊報名流程
\n\n線上報名→資格篩選→收到審核通知及繳費方式→繳交費用→完成報名。
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溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speakers",content:'Jude Kelly| Founder and Director of The WOW Foundation
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Jude Kelly is the Founder and Director of The WOW Foundation, which runs WOW - Women of the World Festivals across the globe to celebrate the achievements of women and girls and confront global gender injustice. Starting at London's Southbank Centre in 2010, where Jude was Artistic Director for 12 years, the festival now takes place in 30 locations across six continents. In 2018 Jude established The WOW Foundation as an independent charity dedicated to building the WOW movement as a force for change.
\n\nJude Kelly has directed over 200 theatre and opera productions, including at the Royal Shakespeare Company, English National Opera, National Theatre, and the Châtalet in Paris including Ian McKellen in The Seagull, Patrick Stewart in Johnson over Jordon and Dawn French in When We Are Married. She is the recipient of two Olivier Awards, a BASCA Gold Badge Award for contribution to music and a Southbank Award for opera. She was headhunted to join the bidding team for the 2012 London Olympics and create the programme for culture and ceremonies, she subsequently advised both Rio and Tokyo on their successful bids.
\n\nJude Kelly has founded a range of arts institutions and has commissioned and supported the work of thousands of artists across all genres.
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Domino Pateman|Director of Festivals and Programmes at The WOW Foundation
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Sabeena Akhtar|Writer/Editor, Festival Coordinator of Bare Lit (UK)
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Shereen Perera is WOW's Senior Producer. All of her work combines her two passions - creativity and social justice and stems from a belief to breakdown stereotypes, promote intercultural dialogue and creating platforms for marginalised voices to be heard. So far in her career she's toured an international girl band to the Commonwealth Games, produced the finale event to the Barbican's ‘Basquiat: Boom for Real' exhibition, project managed the Colombo Art Biennale and in June 2020 created WOW's first ever dedicated music programme WOW Sounds which works with women and non binary musicians who are using music as a form of activism. She's interested in creating innovative hybrid festival models that create opportunities to link different audiences and speakers together.
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Cathryn Fenton|Co-founder of Big Mess
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Sabeena Akhtar is a Writer/Editor and an Arts and Culture programmer working across a variety of literary festivals. She is the Festival Coordinator of Bare Lit, the U.K's principal festival celebrating remarkable writers in the diaspora. A co-founder of the Primadonna Festival which spotlights the work of women writers, the Primadonna Prize for writing and Bare Lit Kids, the UK's first children's festival showcasing the work of writers of colour. She is also Senior Programmer at the WOW Foundation, working on it's London festival at the Southbank Centre. A keen advocate for Partition commemoration, in 2017 she partook in the BBC's coverage of the 70th anniversary of Indian independence and alongside her daughter, filmed a programme on the Partition of India for children. She has since been invited to discuss the subject on various media outlets. She has published a wide variety of work including editing Cut From The Same Cloth? an anthology by visibly Muslim women in Britain, Talking About Islamophobia published by Hachette and is currently working on a novel. You can find Sabeena tweeting at @pocobookreader
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Cathryn Fenton|Co-founder of Big Mess
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Cathryn Fenton (she/her) is a queer emerging producer and currently works at WOW - Women of the World Festival as their Projects Assistant. Cathryn is co-founder of big mess, a theatre company making work about feminism, friendship and working hard.
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Cathy Hunt|Executive Producer of WOW Australia, Founding Director of Positive Solutions, Founder of the QuickstART, Board Director of Screen Queensland
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(Photo Credit:Christine SHARP)
\n\nCathy has spent her life working in the cultural economy as one of the founding Directors of Positive Solutions, across the UK, Australia, New Zealand and Hong
\n\nKong, as a producer, festival director, cultural strategist and consultant. As Executive Director of non profit company Of One Mind Cathy works with the WOW Foundation in London to develop WOW (Women of the World) Festivals in Australia, including in the Northern Territory town of Katherine and was the Executive Producer of WOW at Festival 2018 (Celebrating the Women of the Commonwealth)
\n\nWith support from the Queensland Government, Cathy is leading a team for the creation of three years of ‘WOW Australia' Festivals in the State, the first planned for Brisbane in April 2020 and cancelled due to the Pandemic with content and new commissions pivoted to digital presentation. The second WOW Australia 2021, devised as a series of smaller festivals and events across regional and rural Queensland was also partly cancelled due to lockdowns and will be presented during the first half of 2022 (wowaustralia.com.au). Cathy is the founder of the QuickstART microloan fund for artists, a Board Director of Screen Queensland, was the recipient of the Advancement of Women Inaugural Award from the Zonta Club of Brisbane in 2019 and is on the Advisory Committee for the new Queensland Government Women's Strategy.
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Laura Greer|Producer of WOW Apollo , Senior Producer of Apollo Theater
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Laura Greer joined the world-famous Apollo Theater in 2005 after over twenty years of working in the performing arts. She is dedicated to presenting and commissioning artists of African descent and introducing new voices and talents to the attention of diverse audiences.
\n\nGreer is currently a Senior Producer at the Apollo Theater. Throughout her tenure, she has been a member of the leadership team and instrumental in shaping the design and implementation of the "new" artistic vision and strategies for the Apollo's performing arts, education and community programs, and archive project.
\n\nMs. Greer has created several of the Apollo Signature Programs: the Salon Series, a new works residency and performance series providing critical support in the creation and development of contemporary new work; Music Café, a late-night cabaret series spotlighting the next generation of music artists; and Africa Now!, an annual festival that celebrates the best of today's African music. She's spearheaded and managed several international collaborations including Breakin' Convention (2013, 2015, 2017) , an international hip hop dance theater festival with Sadler's Wells, London; a collaboration with Jazz à Vienne (2014, 2016), a leading European jazz festival in Vienne, France, featuring presentations in Vienne and New York; Amateur Night Goes to London (2012), the first international presentation of Amateur Night at Hackney Empire; and the Apollo's successful presentation of Southbank London's New York premiere of the Women of the World Festival 2015, 2017 (WOW).
\n\nPrior to her work at the Apollo, Ms. Greer was the Associate Producer at the National Black Arts Festival in Atlanta, Georgia (1999-2005), where she was responsible for the artistic and production oversight of the annual ten-day festival. She has also served as the Director of Programming at 651 Arts at the Brooklyn Academy of Music (BAM) Majestic Theater, specializing in works grounded in the African Diaspora. She has held various leadership positions at Aaron Davis Hall at City College of New York (1985-1998), now known as Harlem Stage.
\n\nGreer has served on numerous panels and committees, including the Mid-Atlantic Arts Foundation, New York State Council on the Arts, Harlem Arts Festival, Georgia Council on the Arts, a primary partner of the 651 Arts Africa Exchange Project, and the New York Dance Bessie Committee.
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The WOW Foundation
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The WOW Foundation exists to build, convene and sustain a global movement that believes a gender equal world is desirable, possible and urgently required. WOW's global movement celebrates women, girls and non-binary people, takes a frank look at the obstacles that prevent positive change and develops and supports their individual and collective activism. WOW is for everyone.
\n\nWOW's work raises awareness about intersectional gender inequalities. By amplifying the varied barriers and challenges that impact every aspect of all of our lives, and connecting the dots between us, WOW aims to unite people around the common understanding that a gender equal world is actually possible - and would be preferable for everyone.
\n\nWOW always starts with optimism, recognising a gender equal world is possible, and uses this optimism to build the stamina and momentum required to get there.
\n\nWOW helps people to imagine the change they want to see, and inspires them to take urgent action towards gender justice. WOW acknowledges different starting points, and aims to meet people where they are. WOW facilitates a journey wherever you stand.
\n\nWOW works locally, nationally and internationally because WOW believes all our stories and lives are interconnected.
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\n'}],onShelf:!0,sliders:[{type:"image",key:"ddec3d6f44548732eac7ad857b0ec77e",title:"【WOW高雄2021世界女性藝術節】創意製作人專業學院"}],related:[],title:"【WOW Kaohsiung 2021】Academy for Creative Producers",cover:"4a992a257ef144a1ec5161b9e32d44dd",site:{isOther:!0,site:"",other:"Cisco Webex"},cautions:'
All participants who are not part of the organizer are prohibited from taking video or audio recordings at any time during the performance. If participants need to take pictures or screenshots, please do not infringe with individuals' portrait rights and privacy rights or the speaker's intellectual property.
\n\tVideos recorded by the organizer are only used for cultural promotion or other non-profit purposes. Please agree to the “portrait rights” conditions during registration.
\n\tPlease contact the WOW Kaohsiung team at wowkaohsiung@npac-weiwuying.org or call 07-262-6941 (10:00 - 18:00, Monday to Friday) for any inquiries.
\n\tCan you see the potential of an art festival-propelled social reform movement that sweeps the globe?
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Women of the World Festival founder Jude KELLY, the WOW Foundation team from the UK, and WOW festival leaders from around the world will come together to offer two sessions of the Academy for Creative Producers, which will be full of interaction and an international perspective, at WOW Kaohsiung 2021.
\n\nDuring the sessions, the history and direction of the WOW global movement will be explained, including leadership methods, art festival planning, cross-cultural collaboration, cultural activism, and the use of art in pushing social reform. WOW leaders from four countries will share their thoughts and experiences in an unconfined space where attendees may ask questions and interact.
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Course Content
\n\n11/5 (Fri) | \n\t\t\tDay 1 | \n\t\t
19:30-20:30 | \n\t\t\tKeynote speech by Jude KELLY | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t \n\n\t\t\t WHY AND HOW - WOW's Vision and Mission \n\n\t\t\t\n\n\t\t\t Jude Kelly CBE, WOW's CEO and Founder, introduces WOW's vision and mission. Here, Jude weaves together over 40 years of experience in developing women's leadership, cultural activism, and creating theatre and festivals for social change to create a picture of how art can change the world. \n\n\t\t\tHere, you'll also meet the WOW Team to hear about WOW's festival methodology and how WOW builds local festivals globally in partnership with a range of fantastic organisations, and here case studies for some of WOW's most recent work. \n\n\t\t\tThere will be plenty of chances to ask questions throughout. \n\n\t\t\tWOW Leadership with WOW Australia's Cathy Hunt \n\n\t\t\tCome and hear Cathy Hunt reflect on how she created WOW Australia. From the big picture thinking to how she works practically to build the WOW Movement in Australia, Cathy will be in conversation with Jude Kelly, focussing on working rurally, digitally, and how they measure impact. \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\tConclusion and discussion | \n\t\t
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11/6(Sat)-11/14(Sun) | \n\t\t\tWOW Kaohsiung 2021 Women of the World Festival | \n\t\t
\n\t\t\t | \n\t\t\t
※You must register separately for the festival and attend at least three different festival programs to be involved in the course. \n\t\t\t | \n\t\t
\n\n
11/14(Sun) | \n\t\t\tDay 2 | \n\t\t
19:30-20:30 | \n\t\t\tKeynote speech by Jude KELLY | \n\t\t
20:30-22:00 | \n\t\t\t\n\t\t\t WOW Think In \n\n\t\t\tSee how every WOW Festival begins, by joining us for a WOW Think In. \n\n\t\t\tWOW Think Ins ask attendees to consider; which speakers they would like to invite to WOW, what issues and concerns need addressing at the festival, what fun things they would like to see, and what will be specific about their local WOW which wouldn't occur anywhere else. \n\n\t\t\tThink Ins provides the programming team with a festival skeleton or blueprint. \n\n\t\t\tWHY AND HOW: WOW in the Digital Space \n\n\t\t\tSince March 2020, The WOW Foundation has needed to move some of our activity online.Find out about how The WOW Foundation took their flagship festival online to make WOW UK 2021, how they put together WOW Global 24, a global marathon of talks and performances that streamed for 24 hours, and how they have brought over 80 Young Activists from all over the world to be part of their Young Leaders Directory. \n\n\t\t\tWOW Leadership with WOW Apollo's Laura Greer \n\n\t\t\tJoin Laura Greer, Senior Producer at Harlem's world famous Apollo Theatre, as she discusses Cultural Activism, arts spaces, and WOW Apollo's role in connecting the community. \n\t\t\t | \n\t\t
22:00-22:30 | \n\t\t\tConclusion and discussion | \n\t\t
※The event organizer reserves the right to cancel certain parts of the course in case of time conflicts with speakers.
\n\n\n\n
As this is the first time a WOW Festival has been held in Taiwan, the organizers of the Academy for Creative Producers would like to establish a platform so that those who are keen on planning similar events in the future may engage in closer cross-cultural collaboration.
\n\nDate|2021/11/5(Fri) 19:30-22:30 (GMT+8)
\n\n2021/11/14(Fri) 19:30-22:30 (GMT+8)
\n\nLocation|Cisco Webex
\n\nFee|NT$1,000
\n\nLanguage|English (participants can select options for Mandarin interpretation , sign language interpretation, and simultaneous transcription services during registration)
\n\n\n\n
\n\n
\n\n
Qualifications
\n\nRegistration|Until midday (12 pm) in Friday, October 29.
\n\nRegistration Method|Online registration and payment, with a maximum of 30 participants. Participants will receive an email stating the registration results after the registration is closed.
\n\nProspective Participants|Professional art agents, performing arts and visual arts producers, curators, artists, educators, and cultural professionals with over three years of related experience. All genders are welcome.
\n\n\n\n
※ Registrations should also be made to at least three different events of WOW Kaohsiung 2021 Women of the World Festival.
\n\n※ Priority will be given to those who register for two whole days of the college program.
\n\n\n\n
\n\n
Participants will be credited with study hours:
\n\n\n\n
Workshop Registration Procedure
\n\nRegister online → qualification examination →receive notice and payment method → complete payment → registration complete.
\n\n\n\n
After the registration is complete, participants will receive a confirmation email and event email. The link to the online event will be listed in the event email. To ensure participation rights, please do not forward or share the mail and secure the notice for further use.
\n\tPlease complete payment before the deadline after receiving the notice email from the organizer. Places of those who fail to complete payment before the deadline will automatically be released to others.
\n\t\n\n
Notice
\n\nThis event uses the Cisco Webex platform. Please ensure you are using a computer, phone, or tablet equipped with internet connection, video camera, and microphone, and install the Google Chrome browser or Cisco Webex software before the event. Please check in using your real name when arriving on site.
\n\tThis event is carried out in English. Participants can select options for Mandarin interpretation , sign language interpretation, and simultaneous transcription services in the registration form.
\n\tEntrance will be granted 20 minutes before the event commences. To ensure that the event runs smoothly, those who are over 15 minutes late will be denied access with no refund.
\n\t\n\n
\n\n
\n\n
Learn More
\n\n►WOW Kaohsiung 2021 Women of the World Festival
\n',team:""},createdAt:1632879645,updatedAt:1635730346,updatedBy:"林蔚行",host:!0}}],seq:5,name:"Academy for Creative Producers",content:"",color:{a:1,r:220,g:12,b:21},type:"reference"},{programs:[{from:"programs",key:"617e010dc4b672000843fbba",title:"【WOW Kaohsiung 2021】WOW Bazaar",data:{_id:"617e010dc4b672000843fbba",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1636779600,discrete:[],type:"continuous",continuous:{time:[1635656400],endTime:[1635679800],start:1636732800,end:1636819200}},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"598b1b1b69ee6c1b121d42b35940a26d",title:"【WOW高雄2021世界女性藝術節】女性創意市集"}],related:[],title:"【WOW高雄2021世界女性藝術節】女性創意市集",cover:"8f280ff778a54bc81e5d5f3190b40ee9",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"以WOW核心精神出發,號召各地女性創業者品牌齊聚一堂,打造獨一無二的「女性創意市集」,帶給現場更多有趣體驗及創作能量,與民眾近距離展開更多對話的可能。
\n
\n\n
參與品牌
\n\nMitopia Art | \n\t\t\t海熊 | \n\t\t\t小天喵喵子 | \n\t\t
Golden Rain | \n\t\t\tQB好芃友 | \n\t\t\tFun購放Go阿美的顏色 | \n\t\t
sweethouse手作 | \n\t\t\tCraftsman Workshop 米蘭達做作 | \n\t\t\t伊奶奶 i-Granny | \n\t\t
Daily.Lazy | \n\t\t\t懿品乳酪 | \n\t\t\tCiAo手作屋 | \n\t\t
Lanfystore | \n\t\t\t貴妃麻手作 | \n\t\t\tWAWOW 襪襪屋 | \n\t\t
TESS ACCESSORY | \n\t\t\tJasmmeggy茉莉美姬手作飾物 | \n\t\t\t蘼蕪 | \n\t\t
橘的耽溺古董飾品美物 | \n\t\t\t肉男子 | \n\t\t\tLaurel Craft | \n\t\t
手作樂空間 | \n\t\t\t拿鐵戒不掉 | \n\t\t\t拾億時藝 | \n\t\t
SunWhere ACC | \n\t\t\t林針嬤鹹水G | \n\t\t\t豆豆樂烤醬糰子 | \n\t\t
小栗郎日式栗き燒 | \n\t\t\t玩食糖partysugardessert | \n\t\t\t這邊 tortilla de patatas | \n\t\t
OMoR Caffè | \n\t\t\tMaru日式糰子 | \n\t\t\t定夏手工冰淇淋 | \n\t\t
Wufu 五福軒 | \n\t\t\t泡出幸芙 | \n\t\t\tLeFrenchQuiche 法式鹹派 | \n\t\t
我的甜點⻝驗室 | \n\t\t\t泰渴 | \n\t\t\t舔點 | \n\t\t
凱娜衛⽣棉條 | \n\t\t\t\n\t\t\t | \n\t\t |
\n\n
WOW高雄專屬優惠
\n\n活動期間憑「WOW高雄2021世界女性藝術節」節目票券或出示與WOW裝置物互動之合照,即可享以下專屬優惠:
\n\n編號 | \n\t\t\t品牌名稱 | \n\t\t\t優惠方案 | \n\t\t
1 | \n\t\t\tSunWhere ACC | \n\t\t\t兩頂現折100塊優惠 | \n\t\t
2 | \n\t\t\tFun購放Go阿美的顏色 | \n\t\t\t購買任兩件商品8折優惠(特價商品除外) | \n\t\t
3 | \n\t\t\t豆豆樂烤醬糰子 | \n\t\t\t一次購兩串折10元,最高折10元 | \n\t\t
4 | \n\t\t\t奇罐 magican | \n\t\t\t單筆折10元 | \n\t\t
5 | \n\t\t\tMaru日式糰子 | \n\t\t\t買兩串可享有5折優惠(限一次) | \n\t\t
6 | \n\t\t\t橘的耽溺古董飾品美物 | \n\t\t\t可享有9折優惠(特價商品除外) | \n\t\t
7 | \n\t\t\t肉男子 | \n\t\t\t贈送盆栽小裝飾品 | \n\t\t
8 | \n\t\t\tLaurel Craft | \n\t\t\t滿千折百 | \n\t\t
9 | \n\t\t\t蘼蕪 | \n\t\t\t購買即贈送天然礦石一顆 | \n\t\t
10 | \n\t\t\tGolden Rain | \n\t\t\t可享全品項95折優惠 | \n\t\t
11 | \n\t\t\t定夏手工冰淇淋 | \n\t\t\t單球冰淇淋折扣5元 | \n\t\t
12 | \n\t\t\t小天喵喵子 | \n\t\t\t繪製對象為「生理、心理女性」,每一人可折100元 | \n\t\t
13 | \n\t\t\t泡出幸芙 | \n\t\t\t購買小泡芙給予增量優惠 | \n\t\t
14 | \n\t\t\t伊奶奶 i-Granny | \n\t\t\t按讚追蹤臉書或IG,每個品項可折20元且可累計,例如買兩樣折20x2=40元(需出示畫面) | \n\t\t
15 | \n\t\t\t拾億時藝 | \n\t\t\t韓式餐具任選三件以上9折優惠 | \n\t\t
16 | \n\t\t\tParty Sugar Dessert 玩食糖 | \n\t\t\t不限金額消費即可獲贈馬林糖一份。(數量有限,送完為止) | \n\t\t
17 | \n\t\t\tDaily.Lazy | \n\t\t\t享有耳環9折 | \n\t\t
18 | \n\t\t\tMitopia Art | \n\t\t\t前十名畫彩繪可折50元 | \n\t\t
19 | \n\t\t\tCraftsman Workshop 米蘭達做作 | \n\t\t\t與攤位合照上傳標註品牌即可現場單次消費折抵50元 | \n\t\t
\n\n
協力廠商
\n\n\n\t\t |
WOW香氛蠟燭
\n\n香氛,代表女性的氣場。蠟燭本身並無特定名稱, 邀您一同走進女性創意市集,嗅聞這獨特香氣,感受屬於你的WOW力量。
\n\n\n\t\t |
\n 商品說明
建議售價:590元
\n\n市集限定價:480元
\n憑會員卡及「WOW高雄2021世界女性藝術節」節目票券,享 399 元優惠價。
\n\n
商品規格
\n\n用途:外用,薰香。
\n\n用法:參照一般薰香蠟燭使用。
\n\n保存方法:請置於孩童與寵物拿不到的地方,避免日曬與高溫,並避開潮溼環境存放,以確保品質。
\n\n保存期限:未開封三年,開封後一年。
\n\n容量:120g
\n\n原產地:臺灣
\n\n製造日期:2021年11月
\n
注意事項
\n\n本產品僅供薰香外用;請在空氣流通之處點燃,使用時請遠離易燃物品,使用完畢請立刻熄滅;禁止食用。為維持最佳使用品質,建議定期修剪燭芯長度至0.5公分左右。
\n\n\t本產品已投保1400萬產品責任險
\n\t\n\t\t |
\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"598b1b1b69ee6c1b121d42b35940a26d",title:"【WOW高雄2021世界女性藝術節】女性創意市集"}],related:[],title:"【WOW Kaohsiung 2021】WOW Bazaar",cover:"8f280ff778a54bc81e5d5f3190b40ee9",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"Based on the core values of the WOW Festival, Weiwuying invites female entrepreneurs from all over Taiwan to bring their brands to the unique WOW Bazaar as a way of adding even more fun experiences and creative energy to the event and promoting more dialogue with attendees.
\n
\n\n
Participating brands
\n\nMitopia Art | \n\t\t\t海熊 | \n\t\t\t小天喵喵子 | \n\t\t
Golden Rain | \n\t\t\tQB好芃友 | \n\t\t\tFun購放Go阿美的顏色 | \n\t\t
sweethouse手作 | \n\t\t\tCraftsman Workshop 米蘭達做作 | \n\t\t\t伊奶奶 i-Granny | \n\t\t
Daily.Lazy | \n\t\t\t懿品乳酪 | \n\t\t\tCiAo手作屋 | \n\t\t
Lanfystore | \n\t\t\t貴妃麻手作 | \n\t\t\tWAWOW 襪襪屋 | \n\t\t
TESS ACCESSORY | \n\t\t\tJasmmeggy茉莉美姬手作飾物 | \n\t\t\t蘼蕪 | \n\t\t
橘的耽溺古董飾品美物 | \n\t\t\t肉男子 | \n\t\t\tLaurel Craft | \n\t\t
手作樂空間 | \n\t\t\t拿鐵戒不掉 | \n\t\t\t拾億時藝 | \n\t\t
SunWhere ACC | \n\t\t\t林針嬤鹹水G | \n\t\t\t豆豆樂烤醬糰子 | \n\t\t
小栗郎日式栗き燒 | \n\t\t\t玩食糖partysugardessert | \n\t\t\t這邊 tortilla de patatas | \n\t\t
OMoR Caffè | \n\t\t\tMaru日式糰子 | \n\t\t\t定夏手工冰淇淋 | \n\t\t
Wufu 五福軒 | \n\t\t\t泡出幸芙 | \n\t\t\tLeFrenchQuiche 法式鹹派 | \n\t\t
我的甜點⻝驗室 | \n\t\t\t泰渴 | \n\t\t\t舔點 | \n\t\t
凱娜衛⽣棉條 | \n\t\t\t\n\t\t\t | \n\t\t |
\n\n
Third party
\n\n\n\t\t |
WOW Scented Candles
\n\nFragrance represents the female aura. These candles don’t have a specific name, so come to the bazaar and smell them for yourself to experience the WOW power they inspire you with!
\n\n\n\t\t |
\n About the Product
Original price: NT$590
\n\nSpecial price: NT$480
\n\nWith your membership card and “WOW Kaohsiung 2021” ticket, you’ll be able to buy products at the discounted price of NT$399 each.
\n\n\n\n
Item
\n\nFor external use only as a source of fragrance.
\n\nTo be used as other scented candles.
\n\nKeep out of reach of children and pets. Store in a cool, dry place.
\n\nShelf life: 3 years unopened; 1 year opened.
\n\nWeight: 120g
\n\nCountry of origin: Taiwan
\n\nDate of production: Nov. 2021
\n\n\n\n
Notice
\n\nDo not eat. For external use only as a source of fragrance. Light only in spaces with proper airflow and keep away from flammable items. Extinguish the flame when you are finished using the candle. Keep wick trim to 5mm.
\n\tProduct liability insurance of NT$14 million.
\n\t\n\t\t |
\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1635647757,updatedAt:1636681160,updatedBy:"林蔚行",host:!0}},{from:"news",key:"6180e406207c7f00098b5418",title:"【WOW Kaohsiung 2021】 “Women of Our Times” Online Exhibition",data:{_id:"6180e406207c7f00098b5418",chinese:{title:"【WOW高雄2021世界女性藝術節】《時代女性》線上展覽",content:'「時代女性」透過民眾投稿,募集了超過70位藏身日常的堅強女力。呈現一個世紀的女性身影,堅韌地各個角落默默付出,撐起一個家庭、社會,甚至國家,成就現在每一個你與我。她們值得被看見,值得被肯定,就在此刻。
\n\n\n\n\n\n\n\n
閱讀更多
\n\n\n\n\n\n\n\n\n',description:"",picture:{key:"dbae3e27b5543fc2964f7a28325e3601",description:""},attachments:[],start:1635836880,end:4791542399},english:{title:"【WOW Kaohsiung 2021】 “Women of Our Times” Online Exhibition",content:'Women of Our Times is a participatory exhibition, presenting 70 unsung heroines nominated by the public. With an array of women's images and stories over a decade, contributing to our families, our society and our nation from every corner, making the life we enjoy possible. They deserve to be seen, to be recognized and to be celebrated.
\n\n\n\n\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',description:"",picture:{key:"dbae3e27b5543fc2964f7a28325e3601",description:""},attachments:[],start:1635836902,end:4791542399,onShelfRange:{start:1635836902,end:4791542399}},catalog:{_id:"5b1debd99a9fc60005a4d6b0",chinese:"活動公告",english:"Event",seq:3,createdAt:1528687577,updatedAt:1642473963,updatedBy:"林蔚行"},programs:[],top:!1,seq:0,createdAt:1635836934,updatedAt:1637285450,updatedBy:"林蔚行"}},{from:"topics",key:"61658bbc3b16240007bd406d",title:"女生一定要____嗎?《WOW 高雄 2021 世界女性藝術節》即將登場衛武營",data:{_id:"61658bbc3b16240007bd406d",chinese:{title:"女生一定要____嗎?《WOW 高雄 2021 世界女性藝術節》即將登場衛武營",content:'「很少看到像妳這麼會開車的女生」(女生會開車很難得?)
\n\n「妳怎麼吃得比男生還要多」(女生不能食量大?)
\n\n「人家女生都不怕、你怎麼怕成這樣」(男生不能展露害怕?)⠀ ⠀
\n\n\n\n
有著類似經歷、相同困惑的每一個你
\n\n絕對不能錯過【WOW高雄2021世界女性藝術節】!
\n\n\n\n
WOW世界女性藝術節在全球已累積超過三百萬名參與者
\n\n今年衛武營首次將WOW引進臺灣
\n\n從WOW共想工作坊開始延伸
\n\n完整策劃講座對談、參與式演出、身體工作坊等數十場精彩節目
\n\n串連藝文、學術、教育、企業、非營利組織等領域
\n\n整合出以連結對話、換位同理、歡慶共創的核心精神
\n\n期許在聆聽、分享與重新學習的過程中
\n\n共同探討、實踐性別和文化平權
\n\n\n\n
相信不管你的性別、性向 都可以在這裡得到力量
\n\n並更了解、靠近性別友善的世界。
\n\n\n\n\n\n
11/5(五) - 11/14(日)
\n\n\n',description:"",film:{type:"youtube",key:"Ia2F7MTYLPc"},picture:{key:"b38a9a9e42b687bd87c13fb558a9075c",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},english:{title:"Women of the World Kaohsiung Festival, One Step Closer to Gender Equality!",content:"",description:"",film:{type:"youtube",key:"zB3jLNKbSmA"},picture:{key:"0bad52dc69b5bcc7c03166b3803cb980",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:["5fe428fac920560007475c08"],programs:[],createdAt:1634044860,updatedAt:1635508802,updatedBy:"林蔚行"}},{from:"programs",key:"6153bbb2103d910007ffc9aa",title:"【WOW高雄2021世界女性藝術節 X 飛碟聯播網】性別多元話",data:{_id:"6153bbb2103d910007ffc9aa",catalogs:[{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1710905433,updatedBy:"林蔚行",seq:31}],dateTime:{first:1635764400,discrete:[],type:"continuous",continuous:{time:[1632913200],endTime:[1632916800],start:1635696e3,end:1636041600}},activity:{type:"free",free:{description:"電台播出",englishDescription:" "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'
主持人
\n\n光禹|臺灣知名廣播主持人、主持人、散文作家、小說作家、作詞人、作曲人等
\n\n\n\t\t |
現為飛碟電台知名節目《夜光家族》主持人,亦為飛碟電台開台人物之一,行事十分低調,二十幾年來在深夜陪伴許多七、八年級生求學時期時光,獨特招牌聲線與文學主持風格,深受學生與夜貓族歡迎。
\n\n\n\n
講者
\n\n温貞菱|演員
\n\n\n\t\t |
以《牽紙鷂的手》、《共犯》、《一把青》、《血觀音》等作品展露頭角,並在2017年以《最後的詩句》獲得金鐘獎迷你劇集女主角獎。近期因接連演出電影《陽光普照》、歷史旗艦大劇《斯卡羅》獲得華語影視圈高度關注與評價。
\n\n細膩、純粹、清新、自信、個性,為演出而專注,為公益而發聲。
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那那大師|YouTuber
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YouTuber那那大師以專業、風趣,且極具個人特色的訪問風格席捲音樂圈,許多知名歌手如李玟、莫文蔚、徐若瑄、周興哲與許富凱等都蒞臨受訪。頻道創立至今三年多,累積觀看次數超過16,000,000次,是唱片公司紛紛指定合作的網路音樂頻道。
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酒與妹仔的日常
\n\n\n\t\t |
透過發佈關於職場資訊、公關職場日記和相關活動的分享,能洗刷大眾對酒店的刻板印象 ; 期望讓人們理解酒店陪侍不是不能見光的都市傳說,去年創立了「臺北市娛樂公關經紀職業工會」,希望能藉由工會讓現在與未來的公關陪侍增加一份保障。
\n\n\n\n
鄧惠文|精神科醫師、榮格分析師、作家及廣播主持人
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學經歷:臺北醫學院醫學系學士、臺北醫學大學醫學人文所碩士。
\n曾任臺大醫院、萬芳醫院精神科主治醫師,臺北醫學大學醫學系講師。於英國榮格分析心理學會、塔維史托克中心及伴侶關係研究中心、美國國際心理治療機構等,進修榮格分析、精神分析與婚姻治療。
\n著作:《媽媽變成鴨》、《我不想說對不起》、《婚內失戀》、《愛情非童話》、《不夠好也可以》、《有你,更能做自己》、《學習。在一起的幸福》、《非常關係2:直說無妨》、《別來無恙》、《非常關係》、《還想遇到我嗎》、《寂寞收據》、《寫給妳的愛情床邊故事》、《解開愛情的鈕扣》。
\nPodcast: 〈 鄧惠文 不想說 〉
\n\n
李佳燕|醫師
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畢業於高雄醫學院,目前為傳家家庭醫學科診所負責醫師、「還孩子做自己行動聯盟」發起人、《人本教育札記》專欄作家,曾經擔任高雄市婦女新知協會理事長,行政院婦權會委員。已出版《帶孩子到這世界的初衷》、《親愛的大人──其實我沒有那麼壞,我只是靜不下來》(與幸佳慧合著)、《寶貝生病了》。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"0a95ecc4d8ecbfcd64816f1169ee1061",title:"【WOW高雄2021世界女性藝術節 X 飛碟聯播網】性別多元話"}],related:[],title:"【WOW高雄2021世界女性藝術節 X 飛碟聯播網】性別多元話",cover:"d0a87c823eb87abb51f2cd323fbf8acf",site:{isOther:!0,site:"",other:"飛碟聯播網全國電台頻道/飛碟聯播網FB粉專"},cautions:'
今天我要來聽「話」!
\n\n本屆WOW藝術節推出「性別多元話」企劃,與飛碟聯播網合作,由夜光家族/DJ 光禹擔任主持人,邀請演員温貞菱、人氣YouTuber那那大師、「酒與妹仔的日常」2位創辦人蛹與筠、作家與精神科醫師鄧惠文、家醫科醫師與性平倡議者李佳燕,共6位來自不同領域的來賓,不藏私地聊聊自己的生命故事、人生經驗與體悟,從身份、生活、家庭、職業、社會、數位時代與性別等主題切入,共同討論那些不斷在日常發生,卻經常被遺忘的重要議題。
\n\n邀請你放鬆心情、喬好家裡最喜歡的舒適角落、打開收音機或臉書,帶著敞開的心和我們在空中相會
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日期 | \n\t\t\t時間 | \n\t\t\t主題 | \n\t\t\t來賓 | \n\t\t
11/1(一) | \n\t\t\t19:00-20:00 | \n\t\t\t妳的故事,我來聽 | \n\t\t\t温貞菱 | \n\t\t
11/2(二) | \n\t\t\t我的選擇,彩虹色 | \n\t\t\t那那大師 | \n\t\t|
11/3(三) | \n\t\t\t情深深、慾濛濛 | \n\t\t\t酒與妹仔的日常 | \n\t\t|
11/4(四) | \n\t\t\t要不要,我說了算 | \n\t\t\t鄧惠文 | \n\t\t|
11/5(五) | \n\t\t\t性別角色,對對碰 | \n\t\t\t李佳燕 | \n\t\t
\n\n
妳的故事,我來聽-温貞菱
\n\n螢光幕前的温貞菱,以演員的姿態承載了許多故事,她如何詮釋個性迥異的角色並和角色一起成長?螢光幕後的她,對自己的不同人生角色又有什麼觀察?對生活充滿熱情的她,將在空中與我們聊聊她的人生哲學。
\n
我的選擇,彩虹色-那那大師
\n\n人氣YouTuber那那大師透過自身創作、變裝反串、充滿獨特趣味的笑點及一片真誠的心,讓不少上節目的女藝人卸下心房。影片中樂觀搞笑的他,曾因「做自己」而嚐過霸凌的痛,然而是什麼讓他繼續勇敢地做自己?那那大師將從自己的生命經驗啟程,聊聊同志與多元性別的大小事,從準備自已到踏上舞台的這段路,帶領我們探索內心深處,屬於自我的故事。
\n
情深深、慾濛濛-酒與妹仔的日常
\n\n身為新冠肺炎疫情下全臺灣唯一被停業的工作者,她們如何面對?而身為非典型勞雇者的八大行業從業者在申請「紓困補助」時,又碰到了什麼困難?讓我們一起透過酒與妹仔的日常,重新認識酒店公關業,洗刷社會對公關的汙名化-如果你也相信每個行業都有權利追求更友善的勞動環境,就讓我們從這裡開始!
\n
要不要,我說了算-鄧惠文
\n\n從曖昧關係、到性騷擾、霸凌及暴力之間的距離是否可能只有一線之隔?在數位時代下,人與人的相處又出現了什麼變化?作家與精神科醫師鄧惠文,除了細數她的入微觀察,更將分享如何學習在日常人際交往的關係中,說出生活中難以啟齒的「不」!
\n
性別角色,對對碰-李佳燕
\n\n身兼性平倡議者、家醫科醫師,與南臺灣第一家性別主題書店「好書店」創辦人之一的李佳燕,持續在不同平台帶領大眾反思家庭裡的性別分工與母職的不同面向,她將與我們聊聊在家庭、職場與生活中常見的性別刻板印象,並從個人經驗出發,分享如何翻轉這些「不是刻意卻造成傷害」的實用小撇步。
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播出時段
\n\n11/1 (一) 至11/5 (五)
\n\n\n\n
電台頻道
\n\n\n\n
溫馨提醒
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閱讀更多
\n\n\n\n\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speakers",content:'Moderator
\n\nKuang Yu|Renowned Taiwanese radio host, host, prose and fiction writer, lyricist, composer, etc.
\n\n\n\t\t |
KUANG Yu is the host of the famous UFO Radio program Family Midnight and one of the founding members of UFO Radio. With a style that is low-key and understated, KUANG Yu has accompanied many listeners born in the 70s and 80s throughout their student years over the past two decades. KUANG Yu's unique voice and hosting style have made him popular amongst students and night owls.
\n\n\n\n
Speakers
\n\nWEN Chen-ling|Actress
\n\n\n\t\t |
WEN Chen-Ling emerged on the scene through her appearances in works including The Kite Soaring, Partners in Crime, A Touch of Green, and The Bold, the Corrupt and the Beautiful, and she was awarded Best Actress at Golden Bell Award for Best Miniseries or Television Film in 2017 for her portrayal in The Last Verse. WEN's recent notable works include the film A Sun and Taiwan historical drama Seqalu, which has been critically received.
\n\nWEN is known for her delicate, refreshing nature and her confidence. She is a person who is both devoted to her work and charity.
\n\n\n\n
Nana|YouTuber
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Nana Master is known throughout the music world for his professional, humorous, and unique interview style. Nana Master's program has invited many famous singers, including CoCo Lee, Karen Mok, Vivian Hsu, Eric Chou, and Henry Hsu. Throughout the past three years of its establishment, Tinana Master's channel has attracted over 16 million views and is a popular online music platform that many record companies want to work with.
\n\n\n\n
Diary of The Hostess
\n\n\n\t\t |
By sharing information about the workplace, snippets of life as a hostess, and information about relevant events, Diary of the Hostess is devoted to overturning the stigma towards clubs and hopes to provide the public with a glimpse into the urban myths surrounding hostesses. Founded last year, Entertainment Worker and Hostess Union is dedicated to safeguarding the workplace rights of current and future hostesses.
\n\n\n\n
TENG Hui-wen|Psychiatrist, Jungian analyst, author, and radio show host.
\n\nEducational background: Bachelor's degree from Taipei Medical University School of Medicine, Master's degree from Taipei Medical University Graduate Institute of Humanities in Medicine.
\n\n\n\t\t |
TENG's previous professional posts include attending psychiatrist at National Taiwan University Hospital and Wanfang Hospital, and lecturer of Taipei Medical University School of Medicine. TENG has engaged in Jungian research, psychoanalysis, and marriage therapy at institutions including the British Jungian Analytic Association, the Tavistock Center and Tavistock Center for Couple Relationships, and the International Psychotherapy Institute.
\n\nPublications include: Mom Turns into a Duck, I Don't Want to Say Sorry, Hello Marriage, Goodbye Love, Love Is Not a Fairytale, Perfectly Imperfect Women, Being Myself Because of You, Learning to be Happy Together, Just Say It, How Have You Been, Unusual Relationship, Do You Still Want to Meet Me, Receipts of Loneliness, Bedtime Stories Written for You, and Unbuttoning Love.
\n\nPodcast: Teng Hui-Wen I'd Rather Not Say .
\n\n\n\n
LEE Chia-yen|Physician
\n\n\n\t\t |
LEE graduated from Kaohsiung Medical University and is currently the leading doctor at Chuan-Chia Clinic for Family Medicine, the founder of Let Children Be Organization, and a columnist at Humanistic Education Magazine. LEE was previously the chairperson of Kaohsiung Women Awakening Association and a member of the Committee of Women's Rights Promotion. LEE's publications include Bringing a Child into the World, Dear Adult: I'm Not Being Bad, I'm Just Unsettled (co-authored with Arlene Hsing ), and Baby is Sick.
\n\n\n\n
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Today is a day to listen!
\n\n\n\n
The Gender Chitchats at the WOW Festival will be coordinated with the help of UFO Radio and are to be moderated by the station's Midnight Family and DJ KUANG Yu. On the topics of identity, life, family, profession, society, the Digital Age, and gender, six celebrity guests (actress WEN Chen-ling, YouTuber Tinana Master, Diary of the Hostess founders Yong and Jun, writer and psychiatrist TENG Hui-wen, and general practitioner and gender equality advocate LEE Chia-yen) will openly share their life stories and experiences and what they've learned as a result regarding issues of everyday life that are frequently forgotten.
\n\nSo find the coziest corner of your house, turn on your radio or get onto Facebook, and open yourself up to this relaxing meeting over the airwaves.
\n\n\n\n
Date | \n\t\t\tTime | \n\t\t\tTitle | \n\t\t\tGuest | \n\t\t
11/1(Mon) | \n\t\t\t19:00-20:00 | \n\t\t\tLet Me Hear Your Story | \n\t\t\tWEN Chen-Ling | \n\t\t
11/2(Tue) | \n\t\t\tRainbow is My Choice | \n\t\t\tNana | \n\t\t|
11/3(Wed) | \n\t\t\tThe Plight of Entertainment Workers | \n\t\t\tDiary of the Hostess | \n\t\t|
11/4(Thu) | \n\t\t\tYes or No? It's My Say | \n\t\t\tTENG Hui-Wen | \n\t\t|
11/5(Fri) | \n\t\t\tGender Roles and Stereotypes | \n\t\t\tLEE Chia-Yen | \n\t\t
\n\n
Let Me Hear Your Story – WEN Chen-ling
\n\nWEN Chen-Ling emerged on the scene through her appearances in works including The Kite Soaring, Partners in Crime, A Touch of Green, and The Bold, the Corrupt and the Beautiful, and she was awarded Best Actress at Golden Bell Award for Best Miniseries or Television Film in 2017 for her portrayal in The Last Verse. WEN's recent notable works include the film A Sun and Taiwan historical drama Seqalu, which has been critically received.
\n\nWEN is known for her delicate, refreshing nature and her confidence. She is a person who is both devoted to her work and charity.
\n\n\n\n
Rainbow is My Choice – Nana
\n\nOn the silver screen, WEN Chen-ling is a vehicle for so many people's stories. How does she interpret roles with personalities that greatly differ from her own and grow from them? And how does she view the different roles in her own life? Get ready to hear the philosophy of someone with a passion for life.
\n\n\n\n
The Plight of Entertainment Workers – Diary of the Hostess
\n\nHow did workers in the only industry to have been shut down because of Covid-19 cope? As "non-standard employees" of the adult entertainment industry, what difficulties did they encounter while applying for relief subsidies from the government? Let's have a look at Diary of the Hostess (a Facebook page) to rid the adult entertainment industry of its bad name and become reacquainted with it. If you believe workers in every industry have the right to pursue a friendlier work environment, then let's start here together!
\n\n\n\n
Yes or No? It's My Say – TENG Hui-wen
\n\nJust how thin is the line between flirting and sexual harassment, bullying, and assault? What changes have taken place in interaction during the Digital Age? Besides sharing her detailed observations, writer and psychiatrist TENG Hui-wen will share about how to say that really hard word, "no," in everyday situations.
\n\n\n\n
Gender Roles and Stereotypes – LEE Chia-yen
\n\nGender equality advocate, general practitioner, and a founder of HER Bookstore (southern Taiwan's first bookstore themed on gender issues) LEE Chia-yen continues on several platforms to guide people in thinking about the division of housework based on gender and the different aspects of motherhood. She will talk with us about the gender stereotypes related to the home/ workplace and in life and, based on her personal experiences, share tips on how to overturn these concepts that (often inadvertently) cause pain.
\n\n\n\n
Time
\n\n11/1 (Mon) to11/5 (Fri)
\n\n\n\n
Radio channel
\n\n\n\n
Learn More
\n\n\n\n\n\n\n\n\n',team:""},createdAt:1632877490,updatedAt:1635597492,updatedBy:"林蔚行",host:!0}},{from:"articles",key:"60d2b186de66e700072de180",title:"為什麼我們需要女性藝術節",data:{_id:"60d2b186de66e700072de180",chinese:{title:"為什麼我們需要女性藝術節",introduction:"雖然世界上有50%的女性和50%的男性,但是,我們的社會,卻以男性作為人類的範本。一提到「人類」,往往自動預設是男性,唯有指明「女人」,腦中才會想到「喔,她在講女性」,明明女人和男人都是人類,不是嗎。",content:'文|魏琬容 OISTAT國際劇場組織執行長
\n\n\n\n
有一隻年老的金魚,遇上了一隻年輕的金魚。
\n\n老金魚開口問「你好啊,今天的水游起來如何?」
\n\n年輕金魚說:「水?水是什麼?」
\n\n\n\n
我很愛這個故事,它精準捕捉了女性所面對的困境,雖然這故事的本意跟女性主義不見得有關聯。
\n\n\n\n
對於人類而言,我們的「水」是什麼呢?
\n\n水是我們每一天睜開眼睛,所碰到的一切:書、電影、文學、戲劇、法律、制度、飯桌上的談話、手機的尺寸....... 所有圍繞在我們身邊的一切。
\n\n\n\n
雖然世界上有50%的女性和50%的男性,但是,我們的社會,卻以男性作為人類的範本。一提到「人類」,往往自動預設是男性,唯有指明「女人」,腦中才會想到「喔,她在講女性」,明明女人和男人都是人類,不是嗎。
\n\n\n\n
男性是社會預設值,就像電腦預設字型是新細明體。
\n\n把男性當作人類的預設值,是一個歷史久遠的思考偏誤,這樣的思考偏誤,滲透到每一個面向,從車子到手機,眾多設計只考量男性的尺寸,就連看似中立的醫學也逃不過,某支新冠肺炎疫苗,受試者竟然八成是男性。(女性也會感染新冠肺炎啊)
\n\n人們所讀的所聽的內容,只有極少數是女性創作的。電影中,男性露臉的機會高於女性,男性角色的對白也遠遠超過女性。如果有女性角色,他們多半被描繪成被動、順從、環繞男性的存在。女性是服務者,男性是掌權者,男性的視角掌握了大多數的內容,然後這些內容再回過頭來,強化人們心中對於性別的錯誤期待。
\n\n\n\n
換言之,雖然女性人口占了總人口的一半,但我們所建構的社會,並非忠實反映「自然性別比」,而是一個嚴重失衡的曲解版世界。女性被認為是「小眾」、「少數」,儘管統計上並不如此。
\n\n任何一個制度設計如果排除了地表一半的人口,我們都不可能讓它通過,但是,如果被排除的是女性,人們就覺得沒關係。
\n\n\n\n
這就是我們的「水」,並不中立,也不透明。如果沒有覺察到我們的社會是建構在某種偏誤之上,那我們就會是那隻年輕金魚:一輩子都活在水裡,卻從來沒有見過水。
\n\n\n\n
身為女性,活在一個以男性為預設值的社會,像是穿了一件太小的衣服,並不是從小到大都穿同一件衣服,而是隨著身體成長,每一次換到的衣服鞋子總是小一號,然後,被迫穿著這小一號的鞋子去賽跑、去競爭。
\n\n穿著小一號的鞋子賽跑,並不是最難的。最難的是「穿著衣服改衣服,試圖把衣服改成合適尺寸」,從出生起,每個人的思考行為都受到社會影響,我們無法像做實驗一樣,按個鈕先清除所有的偏見,再來重新塑造一個新可能。我們無法離群索居去打造一個中立社會,也不需如此,而我們可以透過思辨,去梳理社會的缺口、我們可以透過討論,去想像社會可能的樣貌。
\n\n\n\n
這就是我們為何需要女性藝術節。
\n\n女性藝術節提供一個自在空間,讓我們去剖析女性所面對的障礙,深入看看究竟是何種阻礙,讓女性無法百分百的發揮潛能。
\n\n\n\n
是職場把男性設為主體,制定了對女性不利的規則?
\n\n是家庭丟了太多無薪照顧責任在女性身上?
\n\n是學校灌輸了不合時宜性別的期待?
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女性藝術節是不是排擠男性呢?不是的,長頸鹿藝術節(如果真的有這個藝術節的話)是給關心長頸鹿處境的生物,而不是只有長頸鹿才能參加。
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所以,故事開頭那兩隻金魚,在你腦中雌性、還是雄性呢?
\n\n如果你腦海中的金魚是雄性,沒關係,你不孤單,百分九十的人都是如此,連我也不例外。我讀到這個金魚故事時,腦中浮現的聲音是男性聲音,老金魚是摩根費里曼,年輕金魚是賽斯羅根,明明我知道那麼多優秀的演員,但直覺仍然跳出男性聲音,你看,社會灌輸的思考偏誤威力有多大。
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也許有些人會質疑「憑什麼沒有男性藝術節」,我的回答是,我也非常希望那一天來到,那表示女性聲音不再被視為少數、小眾。於是,男性與女性的的困境需要花同等篇幅來討論。如果真有那一天,應該是孩子讀到「人類」二字,也會想到女性,而不是只有理所當然的只想到男性。
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但我們還沒走到那裡。
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我們應該要停止假裝這社會已經很平等,好好認識我們所處的「水」,而女性藝術節,是一個很好的開始。
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閱讀更多 :
\n\n\n\n\n',picture:{key:"8bd3e29e306e45a0a4f6d43905a7d81f",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},english:{title:"Why We Need the Women of the World Festival",introduction:" ",content:'
PHOTO: ©WOW Bradford in the UK (Karol Wyszynski/The WOW Foundation)
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Written by WEI Wan-jung Executive Director of OISTAT
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An old goldfish came across a young one and said,
\n\n“Hello! How's the water today?”
\n\nThe young one replied, "Water? What's that?
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Even though the story was not really meant to be a comment on feminism, I love it because it hits the nail on the head in portraying the difficulties faced by women. What is the "water" for humans? It's everything we see each day, everything in our lives: the size of your smartphone, conversation at the dinner table, books, films, literature, theater, law, systems, etc. Though the global population is 50% female and 50% male, society holds the male as the representative of what a human is. Whenever someone mentions the word "human," the listener usually automatically thinks of men. The brain only realizes, "Oh, this person is talking about women," if such words as "women" are explicitly stated. But that's weird, because women and men are both human, right?
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Men are the "default" of society, just like your computer's default font might be Times New Roman. Holding men as the default of society is a cognitive bias that has endured for ages and has penetrated every aspect of our lives. From cars to phones, the grand majority of product designs only take the size of the male body into consideration. Even medicine, which one would think to be neutral, is no exception: 80% of trial subjects for one of the Covid vaccines were male! (Didn't the developers know that women get Covid too?)
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Of everything that people hear and read, only a small number come from women. In film, the amount of screen time and number of lines a male actor gets are far greater than those of his female counterpart. Moreover, female characters are usually portrayed as passive and obedient, and their lives usually revolve around those of the male characters. Women serve and men hold authority. Most of the content is delivered from the male perspective, reinforcing people's erroneous gender-based expectations. In other words, even though women account for half of the population, the society we have established does not faithfully reflect the natural sex ratio. Instead, the world has been twisted into a serious imbalance. Women are viewed as a minority even though statistics prove otherwise. If you disregarded half the people on the earth in the design of any system, it would by no means be approved—that is, unless those being disregarded were women, in which case people wouldn't really care. This is our "water," neither neutral nor transparent. If we can't see that our society is founded on a certain bias, then we are just like that young goldfish: Despite living in water our whole lives, we will have never seen it.
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Being a woman in a society with men as the default is like wearing clothes that are too small. You can't wear the same size your whole life; you have to get bigger clothes as you grow. But every time I get a new outfit and shoes, they're always a size too small, yet I'm forced to wear them. I'm forced to run races while wearing shoes that are too small. But racing in shoes that are too small is not the hardest thing. The hardest thing is trying to alter my clothes so they'll be the right size while wearing them. From birth, everyone's thoughts and behaviors are influenced by society. You can't just press a button and make all the bias go away to start over and create new possibilities. We can't leave this society to create a new, equal one. Nor do we need to. Through critically thinking, we can figure out where the breaches are in society, and through discussion, we can imagine what society can be like.
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This is why we need the Women of the World Festival.
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It provides a space where we can analyze the obstacles faced by women and look deep inside to find out just what is keeping women from reaching their full potential. Is it that the workplace default is men and thus sets rules that are unfavorable to women? Is it that too much of the responsibility of unpaid care work at home is placed on women's shoulders? Is it that schools are instilling inappropriate expectations for gender roles? Does the Women of the World Festival exclude men? No. The Giraffes of the World Festival (if such an event existed) would not only be for Giraffes to participate in—it would be open to any animal that cared about the plight of giraffes.
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How about those goldfish I mentioned, did you think of them as female or male? If you thought of them as male, that's fine, you're not the only one. You're with 90% of people who hear the story—even me. When I first read it, I imagined their voices were male voices, the old one sounding like Morgan Freeman and the young one like Seth Rogen. I know of so many great performers, but I unconsciously chose male voices. This shows just how strongly society has instilled a cognitive bias in me.
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Some people might think, "So why isn't there a Men of the World Festival?” My answer is that I really look forward to that day, because it would mean that women's voices would no longer be viewed as the minority. The plight of men would have to be discussed just as much as that of women. If such a day really comes, it means that when kids read the word "human," they will think of women just as readily as men instead of only thinking of the latter. But we’re not there yet. We should really stop pretending there's equality in society and need to truly get to know our "water." The Women of the World Festival is a good springboard for that.
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Learn More:
\n\n\n\n\n',picture:{key:"2ea1dc15a847484d3cc4a96b4664251d",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:["5b10e484f295ec000672a6e8"],programs:[],top:!1,createdAt:1624420742,updatedAt:1634031595,updatedBy:"林蔚行"}},{from:"topics",key:"612dc60a103d910007fadb64",title:"衛武營 WOW 高雄 共想工作坊",data:{_id:"612dc60a103d910007fadb64",chinese:{title:"衛武營 WOW 高雄 共想工作坊",content:'
「只要你是一位女性,或者認識至少一位女性,就不該錯過這場為你舉辦的藝術節!」
\n\n今年 3/13-14 舉辦的 WOW 高雄 共想工作坊,
\n\n是 11 月 #WOW高雄2021世界女性藝術節 的起點...
\n\n我們看到不分年齡、超越生理限制的與會者們,
\n\n一起腦力激盪著11 月藝術節的活動設計,
\n\n覺得非常感動!!
\n\n邀請大家加入討論、響應WOW活動,
\n\n共創能更同理不同性別差異的平等社會!
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11/5(五) - 11/14(六)
\n\n\n\n\n',description:" ",film:{type:"youtube",key:"3V5olwKluc0"},picture:{key:"0705333f43582deb1942cd5db550fdb7",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:["5fe428fac920560007475c08"],programs:[],createdAt:1630389770,updatedAt:1634711733,updatedBy:"林蔚行"}},{from:"articles",key:"613abe08103d910007fc81b2",title:"說不出口的性別主張 就用藝術來解放- 吳瑪悧x藍貝芝x衛武營",data:{_id:"613abe08103d910007fc81b2",chinese:{title:"說不出口的性別主張 就用藝術來解放-吳瑪悧x藍貝芝x衛武營",introduction:"八月午後,戶外陽光正炙,一場關於女性權益及性別意識的對談正在線上舉行。",content:'
文|Arya.S.H
\n\n八月午後,戶外陽光正炙,一場關於女性權益及性別意識的對談正在線上舉行。螢幕裡,臺灣知名藝術家吳瑪悧和劇場工作者藍貝芝侃侃而談,與衛武營國家藝術文化中心代表蔣昕分享自己對臺灣土地的女權發展觀察,也訴說這數十年來,她們積極以藝術為媒介,與群眾互動的生命交流經驗,為11月即將登場的「WOW高雄2021世界女性藝術節」暖身。
\n\n吳瑪悧和藍貝芝,出生在不同世代、鑽研不同的創作領域。前者曾走過解嚴前後的時空,無懼傳統眼光,勇敢碰撞、挑戰,推動性別平權,是陪伴社會從傳統父權環境掙脫的實踐者。後者則是從小在男尊女卑環境下成長,在西方開化文化衝擊裡,解放守舊想法,並在過程中重獲自信的劇場女青年。她們的生命際遇截然不同,卻承先啟後為提出女權倡議,以各自藝術專業發聲,替臺灣性別意識發展注入精彩滋養。
\n\n圖說:吳瑪悧(左二)與藍貝芝(右一)合作,和高師大跨域所學生一起進行的「旗津本事」演出。(2020,照片由吳瑪悧提供)
\n\n性別議題不遠,每個人都曾經歷其中
\n\n「講到『女性主義』,多數人常認為它過於嚴肅、偏學術研究,有一定的距離感,但事實上,性別無處不在,無論年紀、身分、背景,在每個人的生命經驗裡,一定都曾有所體會並產生共鳴。」蔣昕說起去年前往英國觀摩「WOW世界女性藝術節」的心情。
\n\n藍貝芝極為認同,她舉了個有趣的例子,「想像一下,你正在做一個肢體表演,但身體被切成兩半,上身是女性、但下身是男性,你會怎麼表現?」這則題目是藍貝芝在美國研讀戲劇暨性別研究時,老師在課堂上提出的思考,引起熱烈討論。學生們開始意識到自己會直覺地做出既定動作,像是女子柔媚、男人粗曠等,並進一步反思,自己對事物的理解背後是否存在性別僵化?我是不是被教導著如何成為男人或女人?倘若今天我仍是我,但生理性別轉換了,自己會被如何審視?怎麼立足?藍貝芝說:「很多時候,人是活在社會結構的期待下。」
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女性主義是一種思辨工具
\n\n從小被灌輸女生該有女生的樣子,抱持著內心衝突及對女性主義的好奇,藍貝芝潛入西方文化裡探索,在研究性別與劇場連結過程中,找到啟蒙的力量。她曾在美國百老匯遇見《陰道獨白》(The Vagina Monologues)演出,四位演員分飾多角,大辣辣在舞台上詮釋女性身體記憶,例如月經、生產,使用衛生棉條、性高潮等等經驗,衝擊巨大。她說:「過去我們總被叮嚀身體話題是禁忌、害羞而隱晦的,當你發現性別討論能如此勇敢而袒露的被呈現,是意識的大解放。」
\n\n這些接觸促使著藍貝芝日後將國外演出引進臺灣,並從中萌發臺灣慰安婦、外籍移工等在地議題的結合。女性主義之於藍貝芝,猶如一個思辨工具,帶來了更開放性的思考,而她也深信,「性別」存在於每個人的生活經驗裡,成長歷程中一定都有過好奇、迷惘、衝突與矛盾。
\n\n吳瑪悧也說:「我們可以將性別意識的討論視為圓心,拉大尺度,它可能還涉及到社會正義,連結族群、人與環境,城市跟鄉村議題等,這種壓迫概念其實是一樣的。女性運動非常大的價值在於,能從個人生命裡的微觀出發,觸發視角廣度,去同理面對、看待各種不公平,這是我在參與過程中學習到的。」
\n\n她是在從大學時期接觸女性主義,1980年代臺灣解嚴前後,社會運動蓬勃,吳瑪悧結識許多性別平權倡議者。當時女性在社會裡仍屬弱勢,無論是身體自主、就業保障、社會福利、法律規範等等皆無保障,種種處境都激勵著前衛女性站出來爭取權益,並以大量展演、投書、論壇、抗爭運動等提出倡議,讓女權思維漸漸席捲臺灣。早年吳瑪悧除了參與婦女運動、專注視覺藝術創作,也與出版社合作,引進《女姓 藝術 與權力》等系列叢書,為臺灣視覺藝術跟女性主義結合立下重要基礎,讓後輩藍貝芝深受啟發。
\n\n吳瑪悧曾應邀參與黃玉珊策畫的臺灣第一屆女性影展,由於早期從事影像工作的女性不多,所以也邀請視覺藝術家共同參加。她說,相較視覺藝術創作的含蓄,影像和敘事電影呈現的性別議題更直接,例如女性對著鏡頭講訴自己的月經、被性侵、身體醫療或戰爭經驗。她說:「片單涵蓋了非常多尖銳的性別問題,而這些身體經驗不是每個人都願意談論,透過影像或紀錄片、敘事電影,非常直白地把不同的問題面向呈現出來,所以特別動人,也更具說服力。」
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同理生命的不同,讓藝術成為彼此的力量
\n\n在持續推動女性主義的過程中,社運家、藝術創作者及民間組織也開始思考將性別意識深植於各社會階層的可能。1999年,藍貝芝大學畢業,帶著豐厚的西方女權滋養返臺;同一時間,吳瑪悧也展開與臺北市婦女新知協會的合作,帶領一般民眾投入創作,為社區媽媽設計工作坊活動,用「布」作為媒材訴說自我生命故事。
\n\n吳瑪悧回憶當時參與民眾都是家庭主婦,大多未有過藝術創作經驗,一開始談論起生命故事,總會說自己的生活沒什麼,但在實際參與之後,大家慢慢拉近距離,開始談論夫妻關係、婆媳問題、子女教養等,從生命經驗交流中拓展視野,聆聽並同理各種生命樣態,建立了個人自信心、意識自主性及社群支持系統。吳瑪悧說,這對民風保守,普遍女性必須相夫教子、犧牲自我成全家庭的時空中,帶來很大的鼓舞,更重要的是,溝通渠道是建立在良性的理解上。
\n\n某次,吳瑪悧請大家用一條線勾勒自我生命的起伏。有人拉出平順弧度、有人作成類心電圖,更有人發揮創意,將經歷拉成一格格的大富翁桌遊,這位媽媽返家後,還發展出與孩子互動的枕邊故事,拉近親子關係,成果令人十分驚喜。
\n\n「藝術,是用一種非口語的表達方式,我們都會說話,但不是每個人都能有好的語言邏輯去整理自己的生命經驗。透過藝術表現,不管是文字、音樂、劇場、視覺符號轉換,生命經驗能自然流露出來,為大家找到更多的語彙來傳達自我,這就是藝術的力量。」吳瑪悧說。
\n\n對此,蔣昕非常認同,在三月進行的女性藝術節共想工作坊中,參與群眾們有的是在地小農,有的專研藝術創作或環保議題,甚至年僅七歲的孩子也加入討論,分享心中對女性藝術節的期待。蔣昕說:「創造一個友善的平台,讓大家都能放鬆投入、分享性別經驗,在交流之間產生新的想法及領會、長出社群連結,正是衛武營期望帶給大家的。」
\n\n\n\n圖說:吳瑪悧在野百合時代參與婦運團體抗爭。(攝影:Andreas Meyer)
\n\n每個時代都要有專屬的女性藝術節
\n\n走過臺灣女權發展的變革,藍貝芝分享,過去女性運動著重父權對抗、推行性別平權,而今法律及公部門已全面落實婦女基本權益,如就業保障名額、性平工作法、性騷擾防治法等,女人不再受壓迫,男女有了相同的機會實現自我,因此近代性別議題的討論不再只圍繞著女人,更有男性研究、跨性別運動、BDSM多元性實踐......等多層次意涵,觀點差異性慢慢生成,是很健康的進展。
\n\n「相較十年前出演女同志劇場,網路上毫無討論聲浪、十年後則發現群眾討論及接受度大增,可以發現性別討論逐漸開放跟普遍。」藍貝芝接著說,韓國首爾女性影展開始融入男性導演拍的女權電影,而臺灣自2014年成立的酷兒影展,也更加彰顯了多元性別討論的趨勢,「如果連身體的性別都可以轉換,性別意識討論也應該隨時代流動。」她說。
\n\n而在近代視覺藝術表現裡,吳瑪悧觀察到男性創作者會開始談論自己的同志情慾,通過藝術去展現對跨性別的渴望,即便議題仍屬小眾,大家已不認為談論它是問題,代表社會已有更友善的態度面對,可惜的是,他們在自己的原生家庭脈絡裡面,仍有很多困境,不一定能得到家人的諒解,而這正是每個時代都必須要有藝術節的原因,平台的存在能幫大家創造對話交流、增進相互理解的空間。
\n\n蔣昕也留意到了藝術及性別討論的分眾化,但值得慶幸的是,相較過去,不同族群現在各有天空,有多元機會找出屬於自己的路。她說,儘管女性藝術節已不是首創行動,相信仍能在不同時代開展出新局面,帶來劃時代的意義;而衛武營作為一個國家級藝文場館,會為不同群眾敞開大門,廣納多元的性別討論,也非常希望透過「WOW高雄2021 世界女性藝術節」帶領,讓性別意識滲透到各個環境,期待未來能有越來越多單位、機構唱和,讓社會上的性別理解邁向更友善的狀態,讓每一個群體都不再孤單,閃耀出屬於自己的生命精彩。
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閱讀更多 :
\n\n\n\n\n',picture:{key:"507252a5da96435d16a1e76f4880f0e0",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},english:{title:"If You Can't Discuss Gender Advocacy Verbally, Do So Through Art! WU Mali, LAN Pei-chih, and Weiwuying",introduction:" On a scorching August afternoon, a conversation on women's rights and gender awareness took place...",content:'
Written by Arya.S.H
\n\nOn a scorching August afternoon, a conversation on women's rights and gender awareness took place. Well-reputed Taiwanese artist WU Mali and theater worker LAN Pei-chih boldly spoke and shared with Weiwuying representative Cynthia CHIANG about what they have observed regarding women's rights in Taiwan. They also related their experiences of active interaction with people through the medium of art over the past few decades. It was the perfect warm-up for the WOW Kaohsiung 2021—Women of the World Festival in November.
\n\nWU and LAN are of different generations and work in different fields of art. WU experienced life during martial law and has been fearless in the face of traditional views. Courageously engaging in conflict and challenging others to promote equal gender rights, she has always been part of the effort of relieving Taiwan of its traditional androcentric structure. LAN grew up in an environment that esteemed men over women, but her traditional concepts were dissolved when she came across Western culture, and through the process, gained self-confidence. Though their lives have been different, they are carrying on the legacy of advocating women's rights, making their voices heard in their own artistic ways and injecting spirit into the development of gender awareness in Taiwan.
\n\n(©WU Mali)
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Gender Issues Affect EVERYONE
\n\n"Most people think feminism is overly serious and academically biased, so they feel a certain distance from it. In fact, gender issues are everywhere. Regardless of age, identity, and background, everyone has experienced and resonated with it to some extent," CHIANG said, based on her experiences, at the previous Women of the World Festival in the UK.
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LAN fervently agreed: "Imagine that you are involved in a physical theater performance but your body has been divided into two parts: the top is female and the bottom is male. How would you perform?" This question had been posed (and triggered a heated discussion) by one of her instructors while she was studying theater and gender issues in the US. The students began to become conscious of the fact that they would perform stereotypically established movements: gentle movements for the female aspect and crude ones for the male. They then considered further whether their understanding of things was undermined by a rigid understanding of gender, whether they had been taught how to be a man or woman, and how they would be viewed and what they would do if their physical gender suddenly changed but everything else about them remained the same. In response to this, LAN said, "A lot of times, people live bound by the expectations of society."
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Feminism, a Tool for Critical Thinking
\n\nHaving been taught from childhood that girls should look and behave in a certain way yet feeling conflict within and curiosity about feminism, LAN delved into Western culture to explore and, while studying the connection between gender and theater, found an inspirational force. She saw The Vagina Monologues on Broadway, in which four performers played numerous roles, giving boldly expressive interpretations of things women do, such as menstruation, giving birth, using tampons, and climaxing.
\n\nThese experiences later prompted LAN to bring overseas programs to Taiwan, producing a connection with the issues of sex slaves and migrant workers from Southeast Asia in Taiwan. For her, feminism became a tool for critical thinking, allowing for more open-minded reasoning. She deeply believes that gender issues exist within the life experiences of everyone, and everyone has experienced curiosity, confusion, conflict, and paradoxes related to these issues.
\n\nWU said, "We can view the discussion on gender awareness as a circle, and if we view it in the bigger picture, it is even part of social justice, connecting with such issues as ethnicity, people's relation to the environment, and the urban-rural gap, as they all deal with oppression. A lot of the value of the women's movement lies in how one can start from one's microcosmos, broaden his/her perspective, and become empathetic to all kinds of unfairness. This is what I've learned through my participation."
\n\nShe first encountered feminism in university. There were a lot of social movements in 1980s Taiwan (martial law ended in 1987), at which time she met many gender equality advocates. Women were disadvantaged and had little assurance in many aspects, such as bodily autonomy, employment, social welfare, and the law. Many things motivated feminist pioneers to stand up and fight for their rights, advocating through a massive amount of performances, books, forums, and resistance movements, causing ideas on women’s rights to sweep across Taiwan. Besides participating in the feminist movement and focusing on the visual arts, she worked with publishers in bringing such books as Women, Art, and Power and Other Essays to Taiwan, establishing an important foundation for the connection between Taiwan's visual arts and its feminist movement, which greatly inspired, among many other people, LAN.
\n\nWU was at one time invited to show work in Women Make Waves, Taiwan's first film festival dedicated to women, organized by director Huang Yu-shan. (Since few women were involved in film at that time, visual artists were invited to take part.) WU said that compared with the reservation in visual arts, film allows for a much more direct presentation of gender issues. For example, women could speak directly to the camera about menstruation, being sexually assaulted, medical care, and wartime experiences. She said, "The list of films included a lot of incisive aspects of gender issues. Not everyone is willing to talk about these bodily experiences, but through narratives and documentaries, the different aspects of problems can be stated directly, so they were especially touching and more persuasive."
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Empathy for Different Life Experiences and Support Through the Power of Art
\n\nWhile continuing to promote feminism, social activists, artists, and private organizations started thinking about how to instill gender awareness into each level of the social hierarchy. In 1999, LAN graduated from university and returned to Taiwan with a strong foundation in Western feminism. Meanwhile, WU initiated collaboration with the Taipei Awakening Association, inviting people from the general public to create related art and designing workshop events in which mothers in the community were encouraged to tell their stories through the use of cloth.
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WU recalls that all the participants were homemakers, the grand majority of whom had never done anything artistic. Upon talking about their lives, they would always start out by saying there was nothing special to talk about, but after participating in the events, they would become closer and talk with each other about their relationships with their husbands, conflicts with their mothers-in-law, and parenting. Through such sharing, they expanded their horizons, hearing and empathizing with women who had different life experiences. This helped them boost their confidence, gain a sense of autonomy, and establish a social support system. It greatly encouraged women at a time that custom required them to just support their husbands, rear their children, and sacrifice themselves for the sake of the family. More importantly, the channels of communication were built on understanding.
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As part of the event, WU had participants outline the ups and downs of their lives using a piece of string. Some people produced a smooth arc, and some produced one that looked more like an electrocardiogram. One person even produced a whole series of squares like a Monopoly game board, and upon returning home, went a surprising step further and developed an interactive bedtime story with her kids, bringing her closer to them.
\n\n"Art is a non-verbal form of expression. Everyone can talk, but not everyone is able to verbally organize their life experiences. Through the many vocabularies of art, whether it be writing, music, theater, or visual symbols, life experiences can naturally gain expression. This is the power of art," said WU.
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CHIANG affirmed this. At the March think-ins for the Women of the World Festival this year, some participants were small farmers, some were professional artists, some were environmental activists, and some were only seven years old! Each shared their expectations for the event. CHIANG said, "Creating a friendly platform in which everyone can readily invest themselves, share their gender experiences, generate new ideas and understanding through exchanges, and create social connections is Weiwuying's aim."
\n\n\n\n(© Andreas Meyer)
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Each Generation Needs Women's Art Festivals
\n\nHaving witnessed the evolution of women's rights in Taiwan, LAN stated that, in the past, the focus was on resistance to androcentrism and the promotion of gender equality, but now the law and public agencies have comprehensively endowed women with basic rights via such mechanisms as employment quotas, the Act of Gender Equality in Employment, and the Sexual Harassment Prevention Act. Women are no longer oppressed as they once were, and they have the same opportunities as men to be themselves. As a result, gender issues have recently shifted from focusing on women to including research on men, the LGBTQ+ movement, BDSM, etc., and differences in viewpoint are gradually growing in a healthy way.
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"Compared with the complete lack of online discussion ten years ago in the wake of a theater performance on lesbianism, we can see now that the degree of discussion and acceptance among people has greatly increased and that the gender debate is gradually opening up and gaining attention among the public," LAN said. The Seoul International Women's Film Festival has started to include films on women's rights directed by men, and the Taiwan International Queer Film Festival, established in 2014, presents the discussion on the multiplicity of gender. LAN continued, "If even physical gender can be changed, gender awareness should also be able to change with the times."
\n\nIn the visual arts recently, WU has seen male artists starting to talk about and express their homosexual and transgender desires. Even though it is only a minority who deal with these issues personally, the general public no longer believes it a problem to discuss them, which means society is more friendly in such aspect. Unfortunately, some LGBTQ+ people still have a lot of difficulties with acceptance and understanding in their families, which is why every generation needs these art festivals as a platform where people engage in dialogue and exchange to promote mutual understanding.
\n\nCHIANG has also noticed fragmentation in art and the discussion of gender issues, but what is good is that, compared with the past, people of different social groups now have a variety of opportunities to find their own paths. Even though women’s art festivals are no longer novel, she believes they will open up new frontiers in each generation and mark the beginnings of new eras. As a national-level art and culture venue, Weiwuying is opening the door for participation by different groups of the public in the discussion of gender issues. CHIANG earnestly hopes that the festival this year will allow gender awareness to penetrate all areas of Taiwan's society and that more and more organizations will become involved in promoting greater understanding and friendliness regarding gender issues so that no one will feel alone anymore and so everyone will be able to shine with their inherent brilliance.
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Learn More:
\n\n\n\n\n',picture:{key:"507252a5da96435d16a1e76f4880f0e0",description:""},onShelf:!0,onShelfRange:{start:null,end:null}},tags:[],programs:[],top:!1,createdAt:1631239688,updatedAt:1634286336,updatedBy:"林蔚行"}}],seq:6,name:"More",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"1e3ea05e98d98193c87228bbe98ec649",title:"WOW高雄2021世界女性藝術節"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:6,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:1},createdAt:1627272509,updatedAt:1637285263,updatedBy:"林蔚行",content:{title:"About WOW",cover:"0062819e3ea5bdff6da32fd2ee9e6a29",menu:{append:!0,appendTo:"program",text:"WOW Kaohsiung 2021"},seq:0,description:'"WOW" is an acronym for the Women of the World Festival, which was founded by Jude KELLY, former artistic director of the Southbank Centre. Since 2010, the festival has been held with over three million participants in over 30 cities on six continents to encourage and boost the status of women in society.',introduction:'
WOW - Women of the World Festival
\n\n"WOW" is an acronym for the Women of the World Festival, which was founded by Jude Kelly CBE, former Artistic Director of the Southbank Centre in London, UK to celebrate women, girls and non-binary people. Since 2010, WOW has reached more than three million participants with festivals and events in over 30 cities on six continents.
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WOW Kaohsiung 2021
\n\nWOW - Women of the World Festival will make its Taiwan debut at Weiwuying this year as WOW Kaohsiung 2021, linking art, culture, academics, communities, education, businesses, and non-profit organizations. The voices of people of all ages and backgrounds will be heard, bringing together the core spirit of #ConnectedDialogue, #EmpathyThroughTransposition, and #CelebratoryCocreation. Content includes dozens of brilliant activities and programs, including forums, participatory performances, dialogue, body and movement workshops, and a showcase screening. While listening, sharing, and re-learning, we will cooperatively explore how to achieve equality so that every woman and girl who comes will be more empowered to create a world that is equally friendly to all genders.
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"If you identify as a woman or know a woman, WOW is for you" —— Jude Kelly
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WOW Kaohsiung 2021 Birthed by WOW - Think Ins
\n\nWOW - Think Ins are a critical aspect of every WOW Festival. By creating a safe, inclusive space for discussion, participants guide the conversation to bring together ideas from people of different backgrounds, professions, and social experiences so as to find common topics of discussion related to gender issues.
\n\nThe WOW Kaohsiung Think Ins, which started in March (three live and two online), were the beginning of the festival. For the Think Ins, people of different professions, levels of education, ages, and genders came together to brainstorm and speak freely. We also collaborated with Yuanfu Junior High School in Qishan and the Taiwan Fund for Children and Families Center in Qijin in discussing the daily observations of teens regarding gender molds and the states and challenges of life for female Southeast Asian immigrants and local mothers who must support their families economically. During the Think Ins, participants shared their experiences and viewpoints in giving an overall picture of roles and gender relationships in Taiwanese society, providing direction for the festival, which will take place from November 5 to 14.
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Schedule
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The WOW Foundation
\n\nThe WOW Foundation is a charity founded by Jude Kelly CBE that believes a gender equal world is desirable, possible and urgently required. Through festivals, events and The WOW Podcast with Jude Kelly, WOW’s global movement celebrates women, girls and non-binary people, takes a frank look at the obstacles they face and discusses solutions for change. WOW's festivals around the world are the biggest, most comprehensive and most significant festivals dedicated to presenting work by women and promoting equality for women and girls.
\n\nWOW Festivals began in the UK in 2010, launched by Kelly at Southbank Centre London where she was Artistic Director. In 2018 Kelly left the Southbank Centre to run The WOW Foundation, a small UK-based organisation that produces WOW activities to empower women and girls all year-round.
\n\nTo date, WOW has reached over three million people in 17 countries on six continents, in locations including Australia, Brazil, China, Egypt, Finland, India, Nepal, Nigeria, Pakistan, Sri Lanka, Somaliland, Turkey, and cities across the UK and USA. In June 2020, WOW held its first ever worldwide online festival focused on women and girls — WOW Global 24. The festival travelled around the world everywhere from the UK to Nigeria, and Pakistan to Australia exploring the intersectional impact of COVID-19 on gender inequality, and responding to Black Lives Matter.
\n\nOver the last 10 years the Festivals have developed a reputation as a space for world renowned artists, activists, thinkers and performers to come and participate alongside thousands of women and girls who don't have public profiles but are doing amazing things. High profile speakers include Angela Davis, Malala Yousafzai, Annie Lennox, HRH The Duchess of Cornwall, Patrick Stewart, Baroness Doreen Lawrence, Svetlana Alexievich, Munroe Bergdorf, Julia Gillard, Hindou Ibrahim, Lily Allen and Salma Hayek. The festivals have been the catalyst for the creation of many new campaigns, networks and organisations, including the founding of the Women's Equality Party by Sandi Toksvig and Catherine Mayer in 2015.
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WOW Festivals and events are presented by arrangement with Southbank Centre.
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【WOW Kaohsiung 2021 Women of the World Festival】Production Team
\n\nExecutive Producer|Raymond WONG
\n\nProducer|CHU Yi-chun
\n\nAssociate Producer|Cynthia CHIANG
\n\nProject Coordinator|Eric NG, CHEN Yi-ching, LI I-hsuan
\n\nProject Administrator|HSU Pei-yu, LU Keng-ju
\n\nAdministration Assistant|Kiuua ISPALIDAV, Silver YIN
\n\nMarketing Coordinator|LAN Hung-ling, TSUI Ya-ting
\n\nGraphic Design|YEN Ming-yi
\n\nTechnical Coordinator|Slash HSU
\n\nProduction Stage Manager|LIU Yen-chi
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