\n\t11/8(二)12:00至11/9(三)12:00止衛武營會員優先選購6檔衛武營小時光節目各1張,不限票級。\n\t
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Go Go Machine Orchestra 跑跑機器人,2017年成立於臺灣高雄,由鋼琴、打擊樂器、吉他、電子噪音與模組合成器組成,成員皆為音樂與聲音藝術家,風格以極微主義為創作中心,並融合多樣音樂元素。
\n\n2019年發行首張創作專輯《TIME》,先後入圍第9屆金音獎最佳現場演奏獎、第10屆金音獎最佳跨界音樂專輯與最佳現場演奏獎,並於同年受邀「Asia Rolling Music Festival」演出,現場展現影像合成器與極簡搖滾的音樂之間的完美結合。當年度也受邀至法國、荷蘭、波蘭演出,為首位登上法國雷恩音樂節(Les Transmusicales de Rennes),並成為首度受邀為美國知名電台KEXP錄製 live session的臺灣樂團。2020年7月及2021年1月受高雄市立美術館邀請,企劃演出「Shift in Space」及高美館 REOPEN 系列活動,6月獲邀於西班牙巴塞隆納Primavera Pro音樂節演出線上音樂會,2022年 更於高雄鯨魚堤岸夢境現實館,演出全臺第一場結合視覺與立體聲效的全息投影沉浸式現場音樂會《浮音幻影》,大大呈現音樂科技的完美結合與感官饗宴,亦受到國內外樂迷熱烈好評。
\n\n這次將演出第一張專輯《TIME》與即將錄製的第二張專輯《Symbol》的樂曲,其中包含以時通時斷的訊號代碼為靈感創作的〈Morse Code〉,通過不同的排列順序來表達不同的英文字母、數字和標點符號,與以化學元素發想結合科技、理性、冷調與時尚感的曲子的〈原子〉,以及發想來自神奇的數學巴斯卡三角形的〈Pascal's Triangle〉,融合極簡音樂、數學搖滾、緩飆、打擊樂及電子噪音等不同的音樂元素,重組後衝擊聽眾與表演者間的感官,令觀眾更深入其境地感受詩意,從視覺、聽覺的管道中進入心靈。
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演出曲目
\n\n〈時間迴旋〉
\n\n〈時間旅行〉
\n\n〈摩斯密碼〉
\n\n〈巴斯卡三角型〉
\n\n〈原子〉
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演出者
\n\n製作人|跑跑機器人
\n\n吉他|陳冠穎
\n\n鋼琴|湯妮莉
\n\n模組合成器|王品心
\n\n打擊|葉庭均
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周邊活動
\n\n5/27(六)15:30-16:30
\n\n音樂現場主題講座
\n\n主題:衛武營小時光「時間密碼」音樂與視覺概念分享會
\n\n地點:3F展覽廳-誠品書店衛武營限定店
\n\n講者:跑跑機器人Go Go Machine Orchestra
\n\n參與方式:現場自由參與
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6/18(日)19:30
\n\n主題:從古典中叛逆:跑跑機器人的音樂旅程
\n\n地點:高雄三餘書店
\n\n►了解更多
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文章閱讀
\n\n在古典中叛逆、當代裡找到破口 — 跑跑機器人Go Go Machine Orchestra極微又磅礡的樂曲
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團隊介紹
\n\nGo Go Machine Orchestra 跑跑機器人
\n\n2017年成立於臺灣高雄,由鋼琴、打擊樂器、吉他、電子噪音與模組合成器組成,成員皆為音樂與聲音藝術家,風格以極微主義為創作中心,並融合多樣音樂元素。
\n首張專輯《TIME》入圍第9屆金音獎最佳現場演奏獎、第10屆金音獎最佳跨界音樂專輯與最佳現場演奏獎,並受邀至法國、荷蘭、波蘭及西班牙演出,為首位登上法國雷恩音樂節(Les Transmusicales de Rennes),並首度受邀為美國知名電台KEXP錄製live session的臺灣樂團。
融合極簡音樂、數學搖滾、緩飆、打擊樂及電子噪音等不同的音樂元素,重組後衝擊聽眾與表演者間的感官,同時也尋求與不同領域的藝術家合作、在各式各樣多元的場域演出,令觀眾更深入其境地感受詩意,從視覺、聽覺的管道中進入心靈。
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\n',team:""},english:{onShelfRange:{start:1667444400,end:4823164799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b31fe04740acea48f599d74f963a6637",title:"【衛武營小時光】跑跑機器人《時間密碼》"}],related:[],title:"【Weiwuying Showtime】Go Go Machine Orchestra - Timecode",cover:"28205815482bb19c55972fe7a841cfb5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 11/16(Wed)12:00 !
\n\tThe performance may partially contain loud noise. Viewer discretion is advised.
\n\t\n\n
Go Go Machine Orchestra was founded in Kaohsiung, Taiwan in 2017 by 5 musicians or sound artists with great performance skills and classical music background. Its music composes of the piano, percussion, guitar, electronic instruments and module synthesizer
\n\nThe debut album TIME was released in 2019, it was successively nominated by Golden Indie Music Awards (GIMA) for Best Live Performance (GIMA 2018), Best Live Performance and Best Album Across All Music Genres (GIMA 2019). Go Go Machine Orchestra was also invited by Asia Rolling Music Festival in the same year, to perform live with a perfect music combination of video synthesizer and minimal rock. Invitation from France, Netherlands and Poland were also received, Go Go Machine Orchestra became the first Taiwanese band on stage in Les Transmusicales de Rennes in France, and also the first Taiwanese band to be invited to record a live session by popular American radio station KEXP.
\n\nIn July 2020 and January 2021, The Kaohsiung Museum of Fine Arts invited Go Go Machine Orchestra to perform in the project "Shift in Space" and a series of activities in KMFA REOPEN. In June, Go Go Machine Orchestra was invited to perform an online concert in the Music Festival Primavera Pro in Barcelona, Spain. In 2022, Go Go Machine Orchestra went further to perform Illusion Fantasy in MoonRealitys in Kaohsiung Whale Promenade, it was the first immersive holographic live concert in Taiwan, in which vision and stereo sound effects were integrated to present the perfect combination of music technology and sensory feast. Great reviews were rated by audiences domestically and internationally.
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Program
\n\nTime Circle
\n\nTime Travel
\n\nMorse Code
\n\nPascal's Triangle
\n\nAtom
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Performer
\n\nProducer|Go Go Machine Orchestra
\n\nGuitar|CHEN Kuan-yin
\n\nPiano|TANG Ni-li
\n\nModular Synthesizer|WANG Pin-hsin
\n\nPercussion|YEH Ting-chun
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Team Introduction
\n\nGo Go Machine Orchestra
\n\nFounded in Kaohsiung, Taiwan in 2017, Go Go Machine Orchestra includes five musicians and sound artists. Combining multiple musical elements, their music is composed of piano, percussion, guitar, electronic instruments and module synthesizer, especially known for the style of minimalism.
\n\nTheir debut album TIME was nominated by Golden Indie Music Awards (GIMA) for Best Live Performance (GIMA 2018), Best Live Performance and Best Album Across All Music Genres (GIMA 2019). They also received invitations from France, the Netherlands and Poland, becoming the first Taiwanese band that performed at the French music festival Les Transmusicales de Rennes, as well as the first Taiwanese band invited by the popular American radio station KEXP to record a live session.
\n\nGo Go Machine Orchestra always seeks cooperation with artists from all fields to perform in various venues. Moreover, they incorporate multiple musical elements such as minimalism, math rock, slowcore, percussion and electronic noise, which are all reconstructed to excite both the performers and the audience's senses, leading the audience to a poetic experience through vision and hearing.
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臺灣台語演出,臺灣華語、英文雙語字幕。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂於6月17日(六)至6月18日(日)於衛武營歌劇院演出二場次之拾念劇集✕無獨有偶✕施如芳《鯨之嶋》,演出者 陳忻 因故無法參與,更換為副導演暨動作設計 小得 演出。造成不便,敬請見諒。 \n\n\t\t\t※親愛的觀眾您好,為演出技術需求,提供更好的觀賞品質,原購買P1、P2排之觀眾,請您於演出當日至歌劇院2F服務台服務人員協助換票。 \n\t\t\t | \n\t\t
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表演自在到位,空間走位如舞者般精準!製偶功夫向上無極限!——舞蹈空間舞團 藝術總監 平珩
\n\n《鯨之嶋》以奇幻、抽離的方式講述我們切身的環境問題。音樂的部分,唸唱鑼鼓經、南管、北管官話與網路用語,以一種非常特別的組織方式交融,如夢一般難以言喻。——獨立樂團百合花 主唱兼創作 林奕碩
\n\n開場的燈光氣氛結合南北管樂曲還有一群唱功了得的演員,整體相當震撼。——和平歸來電視影集 導演 林世章
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一鯨現,寰宇驚
\n\n一鯨鳴,滄海靜
\n\n一鯨落,動生機
\n\n《鯨之嶋》的奇幻漂流即將啟航
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故事從一位末日汪洋中的少女娜娜及其隨身玩偶咘咘為起點,在少女漂流彌留之際,路過的黑潮見狀不忍,娓娓道出古老神話,「這曾是一座眾神眷顧的豐饒島嶼,黑潮與火山島相遇留情,火山島領受黑潮的神諭,養育著天地靈氣初生的鯤與鯢,鯤鯢姊妹一動一靜,彼此是最熟悉的陌生人,她們有著不同的個體,而宿命卻終將把她們交織為一體......」。《鯨之嶋》將臺灣的土地與自然生態透過神話故事的擬人描繪,在黑潮、火山島之間的愛恨情仇與鯤鯢姊妹找尋自我的過程中,重新詮釋臺灣島生成的地理現象,打造奇幻的《鯨之嶋》宇宙。
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拾念劇集×無獨有偶工作室劇團結合了眾領域的藝術團隊成員,在為期三年的激盪下,除了擴大探索南北管與偶戲的無限可能,更試圖藉著貼近土地與環境的劇本核心,開創全新的說故事形式。透過有趣的地理視角,喚起觀眾對島嶼的共鳴,一起跟著南北管音樂哼哼哈兮,享受這場超越時空的島嶼奇幻漫遊。
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照片版權由 Mile End Photography、林筱倩 提供
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演前導聆
\n\n2023/6/17(六)19:00 歌劇院二樓大廳
\n\n2023/6/18(日)14:00 歌劇院二樓大廳
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演後座談
\n\n2023/6/18(日)16:50 歌劇院觀眾席
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延伸閱讀
\n\n►衛武營 Call Cue 青少年-拾念劇集×無獨有偶×施如芳《鯨之嶋》.pdf
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文章閱讀
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周邊活動
\n\n►【夜遊劇場】探索拾念劇集×無獨有偶×施如芳《鯨之嶋》後台風景
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演出暨製作團隊
\n\n導演|李易修
\n\n南北管編腔、作曲|許淑慧
\n\n劇作家|施如芳
\n\n劇作協力|魏于嘉
\n\n偶戲導演|鄭嘉音
\n\n戲劇顧問|張啟豐
\n\n演員|朱安麗、劉毓真、小得、大甜、崔台鎬、邱米溱、盧侑典、馮文星、黃思瑋、楊柏煒
\n\n樂師|許淑慧、廖梒瑜、劉忻龍、楊晴儀
\n\n製作人|蔡菁芳
\n\n副導演暨動作設計|小得
\n\n燈光設計|高一華
\n\n舞台設計|謝均安
\n\n服裝設計|林玉媛
\n\n戲偶設計|余孟儒
\n\n聲音設計|吳修銘
\n\n執行製作|許沛青
\n\n宣傳統籌|田珈伃
\n\n臺語指導|鄭順聰
\n\n劇本英譯|劉微明
\n\n舞台監督|黃國鋒
\n\n導演助理|邱米溱
\n\n排練助理|林雨璇
\n\n宣傳影片攝製|邱条影室
\n\n平面設計|洋蔥設計
\n\n劇照拍攝|Sapere aude Photography
\n\n委託製作|衛武營國家藝術文化中心、臺中國家歌劇院、國家兩廳院
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特別感謝:趨勢教育基金會
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團隊介紹
\n\n共同製作團隊|拾念劇集
\n\n以藝術總監李易修及南北管作曲家許淑慧為主要核心創作者,創團理念乃在以臺灣文化多元創生的肥沃養料與精神,為傳統南北管音樂導入多元的創作活水,同時也開拓出新穎動人的劇場美學新典範,其創作特色多取材自臺灣本島,融合傳統與當代表演藝術的美感元素,以體現臺灣的藝術特色與人文思考。
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共同製作團隊|無獨有偶工作室劇團
\n\n無獨有偶工作室劇團創立於 1999 年,秉持「無物不成偶」的創作觀點,打造臺灣當代偶戲劇場的新風貌,以及奇幻哲思的變身美學。以多樣豐富的探索實驗和專業製偶技術,開創獨特的劇場敘事手法,充滿創意的造型以及詩意的演繹能力,並以各種跨領域合作,開發「人」所不能為的自由想像空間。
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藝術總監暨導演|李易修
\n\n拾念劇集創團者與主要創作者,現任趨勢教育基金會劇場總監,曾任實踐大學音樂學系講師、中央大學黑盒子表演藝術中心執行長。國立臺北藝術大學劇場藝術研究所表演碩士,主修表演,並學習南管,曾赴中國泉州學習梨園戲,後進入漢唐樂府擔任舞者。2008年創作了南北管音樂劇「超神話系列首部曲《大神魃》」,並於2009年赴法參加外亞維儂藝術節。2016年11月製作全新的南北管神話音樂劇《蓬萊》,為超神話系列的二部曲,入圍第15屆台新藝術獎,並受邀參與2018年TIFA藝術節及馬來西亞喬治城藝術節。表演類型廣泛,包括南管音樂、梨園戲、崑曲、歌仔戲、現代劇場等。演出作品有創作社《少年金釵男孟母》、狂想劇場《哥本哈根》、台南人劇團《海鷗》等,編導作品有拾念劇集《玉茗堂私夢》、NSO 實驗音場《漂流的音符》等跨界於音樂與劇場之作品。自2012年起受趨勢教育基金會執行長陳怡蓁女士邀請,擔任【趨勢文學劇場】編劇暨導演,推出2012《東坡在路上》、2013《杜甫夢李白》、2014-15《尋訪陶淵明》、2016《屈原,遠遊中》、2017《采采詩經》、2018《東坡在臺灣》、2019《大風起兮》、2020《詩人有影放輕鬆》等作品,並擔任2015年趨勢向大師致敬《瘂弦.紅玉米之歌》詩劇場編導。
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南北管編腔、作曲暨樂師|許淑慧
\n\n2000年畢業於國立臺北藝術大學傳統音樂系。1996年起參與漢唐樂府南管古典樂舞團國內外巡演數百場卅餘城。以傳統為根基參與音樂創作展演作品:2007年臺北藝術節【跨.舞蹈】《泡泡奇慾鏡》、國立故宮博物院及江詩丹頓主辦【Les Masques】《死亡~詩樂舞》;2008年法國小艇歌劇院主辦新編南管戲《擺渡人》、拾念劇集《大神魃》;2014年TIFA《風月》、趨勢經典文學劇場《尋訪陶淵明》「讀山海經」;2016-2018年拾念劇集《蓬萊》;2019-2021年拾念劇集《大神魃.世界之夢》;2019年國立臺灣圖書館與陽明山中山樓主辦「福壽康寧-篆刻教育特展」 播放影片《季康印話》,三合院音像工作室製作;2020年國立傳統藝術中心臺灣戲曲中心戲曲夢工場飛人集社劇團《虗轉》;2021年NTT-TIFA國家表演藝術中心臺中歌劇院國際藝術節無獨有偶工作室劇團╳德國圖賓根形體劇團《穿越真實的邊界》、高雄電影節首映之高雄原創VR企劃案〈Project Zero|首部曲〉,動態自造實驗室製作。
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劇作家|施如芳
\n\n專職編劇,臺灣大學戲劇系所兼任助理教授。
\n\n擅於量身設戲,取材不拘一格,對歷史別有情懷,跨界觸角甚廣,冶異質創意、文化深意於一劇的本子常誘發出新穎的劇場形式,作品多次獲國家文化藝術基金會創作、出版補助,入圍台新藝術獎、金鐘獎、傳藝金曲獎;近年極愛寫到臺灣,近作《當迷霧漸散》將林獻堂搬上戲曲舞台,突破劇種敘事的極限,隨後應邀擔任第五屆臺灣戲曲藝術節策展人;國光劇團藝術總監王安祈教授稱其劇作格局超出戲曲傳統,文學評論家王德威譽為「當代臺灣戲曲的最佳詮釋者」。
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偶戲導演|鄭嘉音
\n\n現任無獨有偶工作室劇團聯合創辦人與藝術總監;利澤國際偶戲藝術村創辦人、國際駐村計畫藝術總監;利澤偶聚祭國際偶戲節策展人;臺大戲劇系講師。鄭嘉音曾於國際工作坊中追隨多位國際偶戲大師工作,如德國懸絲偶大師Albrecht Roser、法國導演Philippe Genty、澳洲影戲大師Richard Bradshaw、美國光影導演Larry Reed等,是為國際間少數同時能跨越多種戲偶形式、集偶戲導演、戲偶設計製作、表演於一身的創作者。鄭嘉音以跨文化視野及跨領域美學編導多齣現代偶劇,擅長使用形體與物件在空間中的流動營造詩意豐美的視覺意象,引發將「偶」作為當代劇場重要表現媒介的前衛思潮,近期代表作《夜鶯》、《剪紙人》展現東方簡約美學風格,《降靈會》、《洪通計畫》實驗偶戲與劇場空間可能性、《微塵・望鄉》與《洋子》(與Baboo合導)探討人文關懷議題。其作品展現獨特的實驗手法,創意探索人偶同台表演與觀眾對話的各種可能,作品多次入圍或被提名台新藝術獎,並受邀於15個國家的國際藝術節演出。近作與真快樂掌中劇團合作《孟婆.湯》,引領傳統布袋戲走向當代表現手法,獲得國立傳統藝術中心第一屆創意競演首獎、傳藝金曲獎最佳團體年度演出獎,並獲邀至外亞維儂藝術節及法國沙勒維爾-梅濟耶爾世界偶戲節演出。鄭嘉音在2019年Routledge出版社所出版的《Woman and Puppetry》,收錄為世界七位具代表性的女性偶戲藝術家之一,並發表「A Puppeteer in Taiwan」專文。2020年受邀參與UNIMA世界偶戲聯盟「國際策展人線上會議」。被上海戲劇學者王曉鑫譽為「立足臺灣、享譽國際的亞洲現代偶戲旗幟性人物。在融合古今與中西的當代偶戲之路上,走出了自己另闢蹊徑的路。」
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委託製作:
\n\n衛武營國家藝術文化中心、臺中國家歌劇院、國家兩廳院
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巡演場次:
\n臺北|5/5(五)-5/7(日) 國家戲劇院
\n臺中|10/21(六)-10/22(日) 臺中國家歌劇院
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
A whale appears, starting the cosmos;
\n\nA whale calls, silencing the ocean;
\n\nA whale falls, triggering the force of life.
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The Strange Drifting Adventure of Whale Island Sets Sail
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A tsunami swallowed an island; the sole survivor was a girl named Nana, who huddled adrift upon a deadly quiet garbage pile with her doll Booboo. Kuro, the spirit of the Black Stream ocean current in the western Pacific, dropped in to tell the two friends an ancient story...
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Once upon a time, there was a verdant, rich island, blessed by the gods with crisscrossing mountains, plains and valleys. Kuro met Bixi, deity of a volcanic island off of the island's eastern shore, who received an oracle to foster Kun and Ni, twin sisters born of the spiritual energies between heaven and earth. Just as the way the two halves of a whale's brain function in alternating turns, the twins are complementary opposites of each other: one quiet, one active, always in harmony. That is, until one day a faraway whale call awakened the longing for the ocean within the sisters. Faced with the breaking down of what she believed to be her predestined path, Bixi decided to risk it all...
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Inspired by and based around the geological imagery of Taiwan, Whale Island incorporates scientific intrigue as part of its narrative, to create a mythical epic akin to the Book of Mountains and Seas, but specific to Taiwan.
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The production team, comprised of members from various disciplines called out by La Cie Maxmind and Puppet and Its Double, has worked over these three years to not only expand the realms of Nanguan, Beiguan and puppetry, but also create a whole new approach to storytelling through the dramatic central throughline of land and environment. Taking an intriguing geological perspective, the project hopes to entice the audience to sing along with the sounds of Nanguan and Beiguan, and enjoy this time-and-space-traveling island fantasy.
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Photo © Mile End Photography、林筱倩 提供
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Pre-talk
\n\n2023/6/17(Sat)19:00 Opera House 2nd Floor
\n\n2023/6/18(Sun)14:00 Opera House 2nd Floor
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Post-talk
\n\n2023/6/18(Sun)16:50 Opera House
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Creative and Production Team
\n\nDirector|LEE Yi-hsiu
\n\nComposer of Nanguan and Beiguan music|HSU Shu-hui
\n\nPlaywright|SHIH Ju-fang
\n\nCo-playwright|WEI Yu-chia
\n\nPuppetry Director|CHENG Chia-yin
\n\nDramaturg|CHANG Chi-feng
\n\nPerformers|CHU An-li, LIU Yu-jane, Eddie chun-hui LIN, Datian, TSUEI Tai-hao, CHIU Mi-chen, LU You-tien, FENG Wen-hsing, HUANG Ssu-wei, YANG Bo-wei
\n\nMusicians|HSU Shu-hui, LIAO Han-yu, LIU Xin-long, YANG Ching-yi
\n\nProducer|TSAI Ching-fang
\n\nAssistant Director & Movement Coach|Eddie chun-hui LIN
\n\nLighting Designer|KAO I-hua
\n\nScenic Designer|HSIEH Chun-an
\n\nCostume Designer|LIN Yu-yuan
\n\nPuppet Design|YU Meng-ju
\n\nSound Designer|WU Siou-ming
\n\nExecutive Producer|HSU Pei-ching
\n\nPublicity Manager|TIEN Chia-yu
\n\nLanguage Coach - Spoken Taiwanese|TĒNN Sūn-tshong
\n\nTranslator|Wei-ming Liu Egelman
\n\nStage Manager|HUANG Kuo-feng
\n\nAssistant to Director|CHIU Mi-chen
\n\nRehearsal Assistant|LIN Yu-shiuan
\n\nTrailer Maker|TshioTiô Studio
\n\nGraphic Design|Onion Design
\n\nPhotographor|Sapere aude Photography
\n\nCo-production|National Kaohsiung Center for the Arts (Weiwuying), National Taichung Theater, National Theater & Concert Hall
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Special Thanks: Trend Education Foundation
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Team Introduction
\n\nCo-Production Team|La Cie MaxMind
\n\nArtistic Director LEE Yi-hsiu and Nanguan/Beiguan composer HSU Shu-hui are the central creative forces of La Cie MaxMind. It is the company’s mission to inject diverse sources of creative energy into traditional Nanguan and Beiguan music with material garnered from the rich multicultural grounds of Taiwan; and through this process, to establish an affecting new paradigm of theatrical form. The company’s work is often inspired by Taiwanese culture and merging of traditional and contemporary artistic forms and elements to demonstrate the Taiwanese artistic characteristics and humanistic thinking.
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Co-Production Team|Puppet & Its Double
\n\nSince its establishment in 1999, Puppet & Its Double strongly believes that “everything can be a puppet,” as it makes great effort to expand the theatrical potentiality of puppetry in contemporary performing arts and to welcome every possible interdisciplinary experiment. It is particularly known for its exquisite puppet-making and design. By bringing actors and puppets together on stage and adopting a poetic theatrical language, it visualizes a world of imagination beyond what humans can do and fascinates us with its thought-provoking fantasy and transformative identities.
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Playwright|SHIH Ju-fang
\n\nSHIH Ju-fang works full-time as a playwright and part-time as Assistant Professor at National Taiwan University's Department of Drama and Theatre.
\n\nWith a knack for tailoring the play to its subjects, SHIH is uniquely open to writing inspirations from all corners. That said, she is especially intrigued by historical events, and is wide-ranging in her genre-crossing interdisciplinary forays. Her plays, melding diverse creative textures and cultural profundity all at once, often become nurturing grounds for innovative theatrical forms. SHIH's works have repeatedly received commissioning and publication grants from the National Culture and Arts Foundation; and have been nominated for the Taishin Arts Awards, the Golden Bell Awards, and the Golden Melody Awards for Traditional Arts and Music. In recent years, she has been obsessed with writing about Taiwan. Her 2019 play "Me, Myself and I" brought Taiwanese politician and activist LIN Xian-tang's story to the traditional opera stage, breaking through the narrative limitations of theatrical genres. She was then invited to curate the 2022 Taiwan Traditional Theatre Festival.
\n\nWANG Anqi, Artistic Director of GuoGuang Opera Company, praised SHIH for expanding the scope of her work beyond traditional opera; and cultural critic David Der-wei Wang called SHIH "The best interpreter of contemporary Taiwanese traditional opera".
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Co-producation: National Kaoshiung Center for the Arts (Weiwuying), National Taichung Theatre, National Theater & Concert Hall
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Tour:
\n\nTaipei|2023/5/5-5/7 National Theater & Concert Hall
\n\nTaichung|2023/10/21-10/22 National Taichung Theatre
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
鹿特丹和高雄分別是荷蘭與臺灣兩大海港城市,以文化連結,以樂會友,【焦點荷蘭】鹿特丹愛樂管絃樂團音樂會應運而生,邀請眾樂迷親臨音樂盛宴。
\n\n未滿三十即入主鹿特丹愛樂擔任首席指揮,2020/21樂季又從大師祖賓.梅塔手中,接下以色列愛樂總監一職,曾獲馬勒國際指揮大賽首獎指揮家沙尼近年以富含情感又穩重大器的風格,成為歐洲當代最受矚目的指揮之一。沙尼指揮時動作並不誇張,但雙手細膩自由的變化,總能讓各聲部線條交織出最綿密飽滿的聲響。這次兩場演出,將與鹿特丹愛樂帶來布拉姆斯琢磨二十年、突破生涯瓶頸的第一號交響曲,與柴可夫斯基寫盡人生體悟的《悲愴》交響曲,展現其成熟品味。
\n\n6月16日節目在布拉姆斯交響曲外,小提琴家黃俊文還將帶來布拉姆斯小提琴協奏曲,呈現作曲家更內在、融合狂想與寧靜的一面。6月17日節目上半場聚焦貝多芬以狂飆精神拓展古典音樂語彙的第三號鋼琴協奏曲,由2021蕭邦大賽首獎得主劉曉禹擔綱獨奏,這是他首次在臺演出協奏曲,令人引頸期待。
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演前導聆
\n\n2023/6/16(五)19:00 音樂廳觀眾席
\n\n2023/6/17(六)19:00 音樂廳觀眾席
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演出曲目
\n\n2023/6/16(五)19:30
\n\n布拉姆斯:D大調小提琴協奏曲,作品77
\n\n布拉姆斯:c小調第一號交響曲,作品68
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2023/6/17(六)19:30
\n\n貝多芬:c小調第三號鋼琴協奏曲,作品37
\n\n柴科夫斯基:b小調第六號交響曲《悲愴》,作品74
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演後簽名會
\n\n6/16場次-
\n\n本場音樂會演後將於音樂廳三樓出口樹冠大廳(興趣 x simtree 咖啡店旁)進行親筆簽名會。每人限簽一樣物件,簽名物件僅限現場販售之節目冊、專輯及免費節目單;不開放物件署名、現場合影。歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
\n\n※簽名會於音樂會正式曲目演出結束後開放排隊。
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6/17場次-
\n\n本場音樂會演後將於音樂廳三樓大廳進行親筆簽名會每人限簽一樣物件。簽名物件僅限現場販售之節目冊、專輯及免費節目單;不開放物件署名、現場合影。歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
\n\n※簽名會於音樂會正式曲目演出結束後開放排隊。
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快閃演出
\n\n時間|6.17(六)18:00
\n\n地點|衛武營公共鋼琴
\n\n演出人員|拉哈夫.沙尼、劉曉禹
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延伸閱讀
\n\n►衛武營 Call Cue 青少年-【焦點荷蘭】鹿特丹愛樂管絃樂團.pdf
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周邊活動
\n\n2023/6/16(五)14:00
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演出暨製作團隊
\n\n指揮|拉哈夫.沙尼
\n\n小提琴|黃俊文(6/16(五))
\n\n鋼琴|劉曉禹 (6/17(六))
\n\n鹿特丹愛樂管絃樂團
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藝術家介紹
\n\n首席指揮|拉哈夫.沙尼
\n\n2018 年 9 月拉哈夫.沙尼接下鹿特丹愛樂首席指揮一 職,成為該樂團史上最年輕的首席指揮。 2020/21 樂季,沙尼繼祖賓.梅塔之後,接下以色列愛 樂音樂總監的職位。
\n\n2017/18 樂季,沙尼成為了維也納 交響樂團的首席客座指揮。此外,他也定期與柏林國家 管絃樂團合作。
\n\n沙尼受邀擔任許多重要的交響樂團客座指揮,近期曾與 柏林愛樂樂團、維也納愛樂樂團、巴伐利亞廣播交響樂 團、倫敦交響樂團、荷蘭皇家大會堂管絃樂團、德勒斯 登國家管絃樂團、蘇黎世音樂廳管絃樂團、布達佩斯節 慶管絃樂團、波士頓交響樂團、柏林廣播交響樂團⋯⋯ 等合作演出。
\n\n1989 年生於以色列特拉維夫的沙尼,自小便開始修習鋼 琴,後來則前往柏林學習指揮技巧。2013 年,在德國 班貝格舉行的馬勒國際指揮大賽中,他一舉奪下首獎殊 榮。2016 年 6 月,沙尼以指揮家和鋼琴獨奏家的身分, 首次與鹿特丹愛樂展開合作。
\n\n沙尼作為一名鋼琴家,以領奏的方式演出鋼琴協奏曲, 包括倫敦的愛樂管絃樂團、柏林國家管絃樂團和法國 廣播愛樂樂團。沙尼在室內樂表演也有豐富的經驗,曾 於歐陸多個音樂節演出,並曾錄製發行了鋼琴三重奏專輯。
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小提琴|黃俊文
\n\n2015 年艾佛瑞.費雪事業獎以及 2017 年林肯中心新銳 藝術家獎得主的臺灣小提琴家黃俊文,已迅速在國際樂 壇獲得高度肯定。《華盛頓郵報》讚賞他「充滿說服力 的音樂內涵,淬煉的技巧與品味,充滿吸引力的琴音, 加上渾然天成的舞台魅力。」
\n\n近 期 樂 季 裡, 於 美 國 維 爾 音 樂 節(Bravo! Vail Music Festival)為小提琴家安 - 蘇菲.慕特代打演出。合作的 樂團包含馬林斯基管絃樂團、鹿特丹愛樂管絃樂團、達 拉斯交響樂團、日本廣島交響樂團、NHK 交響樂團、巴 爾的摩交響樂團、休士頓交響樂團、溫哥華交響樂團、 臺北市立交響樂團,以及臺灣國家交響樂團。
\n\n2021 年,黃俊文亦成為美國首位古典小提琴家受邀站上 NFL 美式足球大聯盟賽開幕演奏美國國歌。2023 年於臺 北創立「黃俊文與好朋友們」國際室內樂音樂節。同年 並正式簽約法國唱片大廠 Naïve 成為旗下專屬藝人,其 第一張唱片將於十月全球發行。
\n\n黃俊文目前所使用的琴為 1742 年「維尼奧夫斯基」耶 穌.瓜奈里,由芝加哥史特拉底瓦里協會所慷慨長期提供。
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鋼琴|劉曉禹
\n\n2021 年十月,劉曉禹在第 18 屆國際蕭邦鋼琴比賽中獲 得了首獎,成為此重要音樂賽事有史以來第一位拿到首 獎的加拿大人,從此享譽國際。次年三月,他與德意志 留聲機簽署獨家專輯發行。
\n\n劉曉禹在 2022/23 樂季中的重要演出,包括他首登卡內 基音樂廳的史坦禮堂、維也納音樂廳和里德哈勒音樂廳 舉辦獨奏音樂會。在此樂季中,劉曉禹也會和維也納交 響樂團、愛樂管絃樂團、舊金山交響樂團、聖西西里亞 管絃樂團、洛杉磯愛樂樂團和費城交響樂團同台演出。
\n\n在此之前,他曾與多個世界頂尖樂團合作,包括克里夫 蘭管絃樂團、以色列愛樂樂團、盧森堡愛樂樂團和蒙特 婁交響樂團等,並曾在全球重要的音樂廳演奏,包括倫 敦的皇家節日音樂廳、巴黎的香榭麗舍劇院和維也納音 樂廳等。
\n\n劉曉禹很喜歡說一句話:「我們所有人的共同點就在於 我們的不同。」出生於巴黎,成長於加拿大蒙特婁,師 承理查・雷蒙(R. RAYMOND)及鄧泰山的他,會以微 笑和樂觀的態度開展他的藝術之旅。
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鹿特丹愛樂管絃樂團
\n\n成立於 1918 年的鹿特丹愛樂管絃樂團,素來以充滿活力的表演風格、備受讚譽的錄音作品,以及創新的觀眾互動 手法而聞名,並因此在歐洲一流樂團中佔有一席之地。在歷經最初幾年的摸索和開拓後,樂團便在首席指揮愛德華. 弗普斯的帶領下,自 1930 年開始逐漸躋身荷蘭當地最重要的樂團之列。1970 年代,在吉恩.富納特和艾度.迪華 特相繼擔任首席指揮期間,該樂團進一步打開國際知名度。而在瓦列里.葛濟夫接下首席指揮一職後,更帶領該樂 團邁入一個蓬勃發展的嶄新時代。其後接棒的亞尼克.聶澤.賽金,以及於 2018 年接任的拉哈夫.沙尼,則繼續 將這股發展動能延續下去。
\n\n多倫音樂廳為樂團的駐點音樂廳,自 2010 年起,鹿特丹愛樂也成為了巴黎香榭麗舍劇院的常駐樂團,每年前往各 地表演場館、世界知名音樂廳演出,其中也包含教育演出和社區推廣項目。
\n\n鹿特丹愛樂自 1950 年代便陸續發行了許多廣受好評的錄音。樂團目前除了與德意志留聲機唱片公司和北歐的 BIS 唱片公司簽約,亦與 EMI 和維京經典唱片公司合作。此外,樂團也註冊自己的錄音品牌「鹿特丹愛樂經典唱片」來 重新發行歷史專輯。樂迷更可以通過直播平台「麥迪西 TV」(Medici.tv)觀看音樂會的現場直播。在新冠疫情時代, 鹿特丹愛樂也為聽眾製作精彩線上內容,其中最著名的便是樂手在家錄製的貝多芬《歡樂頌》,瀏覽次數破三百萬, 成為世界關注的焦點新聞。
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贊助單位
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藝文支持
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Before he was even thirty, Lahav SHANI joined the Rotterdam Philharmonic Orchestra as Chief Conductor. In the 2020/21 music season, he took over the position of Music Director of the Israel Philharmonic Orchestra from Maestro Zubin MEHTA, and has become one of the preeminent conductors in Europe with his emotional, calm, and dignified style. Instead of exaggerating conducting gestures, SHANI excels in delicate and unrestrained hand movements, bringing up the more dense and full acoustic from each instrument section. In these two performances, SHANI and the Rotterdam Philharmonic Orchestra will be presenting Johannes BRAHMS's Symphony No.1, which took the composer twenty years to finish and was the breakthrough of his career bottleneck, and Pyotr Ilyich TCHAIKOVSKY's Symphony Pathétique, into which TCHAIKOVSKY instilled his life experiences and sophisticated taste.
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In both concerts, the Rotterdam Philharmonic will be joined by soloists for concertos. On June 16th, violinist Paul HUANG will perform BRAHMS's Violin Concerto, which shows the composer's intimate thoughts, integrating wildness and tranquility.
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On June 17th, in his highly anticipated Taiwan debut, Bruce LIU, first prize winner of the 2021 Chopin Competition, will play Ludwig van BEETHOVEN's Piano Concerto No. 3, which expanded the vocabulary of classical music with a hurricane spirit.
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Pre-talk
\n\n2023/6/16(Fri)19:00 Concert Hall Auditorium
\n\n2023/6/17(Sat)19:00 Concert Hall Auditorium
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Program
\n\n2023/6/16(Fri)19:30
\n\nJ. BRAHMS: Violin Concerto in D Major, Op. 77
\n\nJ. BRAHMS: Symphony No.1 in c minor, Op. 68
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2023/6/17(Sat)19:30
\n\nL. v. BEETHOVEN: Piano Concerto No.3 in c minor, Op. 37
\n\nP. I. TCHAIKOVSKY: Symphony No.6 in b minor, Op. 74, Pathétique
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Creative and Production Team
\n\nConductor|Lahav SHANI
\n\nViolin|Paul HUANG(6/16(Fri))
\n\nPiano|Bruce LIU(6/17(Sat))
\n\nRotterdam Philharmonic Orchestra
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Artists Introduction
\n\nChief Conductor|Lahav SHANI
\n\nLahav SHANI is the Chief Conductor of the Rotterdam Philharmonic Orchestra. He assumed his position in September 2018, becoming the youngest Chief Conductor in the orchestra's history.
\n\nIn the 2020/21 season, SHANI succeeded Zubin MEHTA as Music Director of the Israel Philharmonic Orchestra. He became Principal Guest Conductor of the Vienna Symphony Orchestra in the 2017/18 season, and works regularly with the Staatskapelle Berlin.
\n\nRecent and upcoming highlights as a Guest Conductor include engagements with the Berliner Philharmoniker, Vienna Philharmonic, Symphonieorchester des Bayerischen Rundfunks, London Symphony Orchestra, Royal Concertgebouw Orchestra, Dresden Staatskapelle, Tonhalle-Orchester Zürich, Budapest Festival Orchestra, Boston Symphony and RundfunkSinfonieorchester Berlin, to name a few.
\n\nBorn in Tel Aviv in 1989, SHANI started his piano studies at a young age and went on to Berlin to complete his studies in conducting. He won First Prize in the Gustav Mahler International Conducting Competition in 2013, by 2016 SHANI first performed with the Rotterdam Philharmonic Orchestra as a conductor and as a piano soloist. SHANI as a pianist has play-directed piano concerti with many orchestras including the Philharmonia Orchestra, Staatskapelle Berlin, and Orchestre Philharmonique de Radio France.
\n\nSHANI also has considerable experience performing chamber music appearing at festivals as well as recordings.
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Violin|Paul HUANG
\n\nRecipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, violinist Paul HUANG is one of the most distinctive artists of his generation. After his debut at the Kennedy Center, The Washington Post remarked that HUANG "possesses a big, luscious tone, spot-on intonation and a technique that makes the most punishing string phrases feel as natural as breathing."
\n\nHis recent appearances included the Detroit Symphony, Baltimore Symphony, Mariinsky Orchestra, Rotterdam Philharmonic and the Houston Symphony. Forthcoming engagements include appearances with Hiroshima Symphony, Dallas Symphony, NHK Symphony, Vancouver Symphony, and his return to the National Symphony Orchestra of Taiwan. A frequent Guest Artist at music festivals worldwide, he recently stepped in for Anne-Sophie MUTTER at Bravo! Vail Music Festival and made recital debuts at the Lucerne Festival and Aspen Music Festival.
\n\nIn 2021, HUANG became the first classical violinist to perform his own arrangement of the U.S. National Anthem for the opening game of the NFL at the Bank of America Stadium. This year, HUANG launched "Paul Huang & Friends" International Chamber Music Festival in Taipei. An exclusive recording artist for France’s Naïve Records, HUANG's debut album for the label will be released worldwide in October 2023.
\n\nHe plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.
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Piano|Bruce LIU
\n\nBruce LIU achieved worldwide fame in October 2021 when he won the 18th International Chopin Piano Competition, becoming the first Canadian ever to take First Prize in the long history of this most prestigious event. He signed an exclusive agreement with Deutsche Grammophon the following March.
\n\nBruce LIU's highlights for the 2022/23 season include debut recitals at Carnegie Hall's Stern Hall, Konzerthaus Wien, and Liederhalle Stuttgart, as well as performances with Vienna Symphony Orchestra, Philharmonia Orchestra, San Francisco Symphony, Orchestra dell'Accademia Nazionale di Santa Cecilia, Los Angeles Philharmonic and with Philadelphia Orchestra.
\n\nIn addition, he has already performed with some of the world's leading ensembles, such as the Cleveland Orchestra, Israel Philharmonic Orchestra, Orchestre Philharmonique du Luxembourg, Orchestre symphonique de Montréal and at prestigious venues such as London's Royal Festival Hall, Paris's Théâtre des Champs-Élysées, and the Vienna Konzerthaus.
\n\n"What we all have in common is our difference." Bruce LIU likes to say. Born in Paris and grew up in Montreal, he has studied with teachers such as Richard RAYMOND and DANG Thai-son and approaches his artistic journey with optimism and a smile.
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Rotterdam Philharmonic Orchestra
\n\nThe Rotterdam Philharmonic Orchestra distinguishes itself with its intensely energetic performances, acclaimed recordings and innovative audience approach. Founded in 1918, it has claimed its own position among Europe's most foremost orchestras. After the first pioneering years, the Rotterdam Philharmonic developed into one of the foremost orchestras of the Netherlands under Eduard FLIPSE, Principal Conductor from 1930. In the 1970s, under Jean FOURNET and Edo DE WAART, the orchestra gained international recognition. Valery GERGIEV's appointment heralded a new period of bloom, which continued with Yannick NÉZET-SÉGUIN and with Lahav SHANI, Principal Conductor from 2018.
\n\nHome of the Rotterdam Philharmonic Orchestra is De Doelen Concert Hall. Since 2010, the Rotterdam Philharmonic has been a resident orchestra of the Paris Théâtre des Champs-Elysées, with performances from the local venues to concert halls worldwide, including educational performances and community projects.
\n\nThe Rotterdam Philharmonic Orchestra has made critically lauded recordings since the 1950s, with recording companies such as Deutsche Grammophon, BIS Records, EMI, Virgin Classics, as well as its own label Rotterdam Philharmonic Vintage Recordings. Live streams of concerts can be seen regularly via Medici.tv, especially during the pandemic, the stay-at-home rendition of BEETHOVEN's Ode to Joy was viewed 3 million times and became world news.
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Sponsor
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Arts Supporting
\n\n\n',team:""},createdAt:1666591363,updatedAt:1686880934,updatedBy:"林蔚行",host:!0},{_id:"635cadcfcf05170008afcd36",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11","64812f1feb9a240007c8c8c7"],dateTime:{first:1686396600,discrete:[{time:1686396600},{time:1686465e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1500],link:"https://www.opentix.life/event/1594293812744699907"}},attachment:{key:"c3106b06962164dc51eb49d38cf29dc1",name:"安銀美《千禧之龍》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[{reference:[],type:"content",name:"創作宗旨",content:'
「2020年是一個重要時刻。我們正處在轉捩點上:出生於第三千禧年的第一代孩子已屆成年,他們手中不但掌握著未來,更決定了未來世界的樣貌。
\n\n對我來說,人類的身體蘊含著豐富語言,甚至超越文字的表述能力。身體所映照出的不僅僅是個人的歷史,甚至在更大程度上反映出我們的生活方式,以及社會的運作模式。20歲正是身體和心理快速變化的時候,也是各種思想(承襲而來和自我建立的想法)碰撞交融後塑成性格的重要階段。
\n\n與年輕舞者合作是個很棒的機會,能夠近距離觀察其身體和心理層面迸發的能量與純粹性,更可透過其肢體語言捕捉其所屬國家、甚或大陸的真實面貌。
\n\n我既是韓國人,也是亞洲人,並為此感到自豪。亞洲是一塊複雜的大陸,散布其中的國家各自擁有不同的歷史、宗教、社會模式和傳統。儘管乍看之下大相逕庭,但實則擁有許多共通之處。
\n\n長久以來,亞洲人始終在經濟和藝術層面上,將西方世界視作可仿效的對象和現代性的發源地。然而時至今日,情況已有所改變,現在正是將目光拉回己身,好好檢視自身形象的時候。
\n\n20世紀下半葉,「亞洲四小虎」或「亞洲四小龍」的說法用來指稱南韓、臺灣、香港和新加坡等發展中國家,其經濟發展動能備受讚揚,並因此立下成功典範。
\n\n我的想法是把來自不同國家的舞者、不同的身體匯聚一處,以從中觀察並勾勒出一幅貼近亞洲當代面貌的圖像,同時利用這個機會探索貫穿整個舞蹈作品的動態力量,藉此推想舞蹈界的未來走向。
\n\n誰知道呢?也許會有新生代的龍群出現在舞台上。
\n\n當然,這些龍肯定會在台上翩翩起舞。」
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安銀美
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"66c76a4715e164bc03889330874e82a3",title:"安銀美《千禧之龍》"}],related:[],title:"安銀美《千禧之龍》",cover:"bd2047cddf5122f491efa22653b3dc01",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
表演期間有特殊閃光燈效果
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
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顧盼千禧下一波之與龍共舞
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「2020年,出生於千禧世代的孩子已屆成年。
\n\n他們手中不但握著未來,還決定了未來世界的樣貌。」
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作為亞洲地區土生土長的年輕世代,20歲意味著前途無限,也是身心靈快速變化、開始獨立思考的起點。他們一方面與時代緊密相依,另一方面也肩負守護千年傳統的重擔,在這個前浪與後浪交替夾擊的處境下,他們會為亞洲舞蹈界帶來什麼樣貌與未來? 南韓編舞教母安銀美二度造訪衛武營,繼2019年引領阿珠嬤台上歡跳,這次將腦筋動到剛滿20歲的千禧龍寶寶。他們來自不同國家、擁有不同身體、但同生於西元2000年。承載著世界的期許,六位屬龍的舞者將與安銀美舞團成員攜手共舞,深入探索貫穿舞蹈作品的動態力量,揣想亞洲舞蹈的未來走向;而丟出問題的那顆石子,就是舞台上翩翩起舞的一群龍。(文/蔡瑞伶)
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演前導聆
\n\n2023/6/10(六)19:00 戲劇院二樓大廳
\n\n2023/6/11(日)14:00 戲劇院二樓大廳
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延伸閱讀
\n\n►衛武營 Call Cue 青少年-安銀美《千禧之龍》.pdf
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文章閱讀
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演出暨製作團隊
\n\n編舞暨藝術總監|安銀美
\n\n音樂|張領圭
\n\n服裝暨舞台設計|安銀美
\n\n燈光設計|張晉榮
\n\n影像|李台錫
\n\n動作設計|李台錫、李旼晶(Addnine)
\n\n創作技術總監|金智明
\n\n舞者|安銀美、金知妍、金慧徑、盧藝瑟、趙善材、鄭意泳、韓高安、文勇植
\n\n影像舞者|周冠廷(臺灣)、諾.希雅斯妲 哈茲米(馬來西亞)、高橋灯(日本)、鄭紙完(南韓)、 思寇.賽炎托(印尼)、蒂.娜薩.阿吉.伊娜諾(印尼)
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製作單位:安銀美舞團、Gadja Productions
\n\n本節目由衛武營國家藝術文化中心、韓國首爾藝術文化基金會、韓國首爾永登浦藝術廳、韓國釜山文化會館、法國巴黎市立劇院、法國里昂舞蹈雙年展、奧地利聖波爾坦藝術中心、盧森堡市立劇院及比利時布魯塞爾藝術展演空間共同製作
\n\n本製作獲韓國文化藝術委員會、印尼舞蹈節、馬來西亞國家藝術學院、橫濱紅磚倉庫2號館、舞者職業發展中心支持
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合作夥伴:高雄春天藝術節
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藝術家介紹
\n\n編舞暨藝術總監|安銀美
\n\n安銀美為韓國表演藝術界首屈一指的藝術家,1988年於首爾成立舞團,並於1999年移居美國紐約。2001年返回韓國持續進行舞碼創作,致力於重新演繹韓國經典舞蹈並探討時下社會議題,常與非科班舞者合作。深受各國藝術界肯定的她,編創舞碼超過150齣,作品包括經典舞碼《巴里公主辛佛卡》(Symphoca Princess Bari)、《讓我改變你的名字》(Let Me Change Your Name)和《跳舞ㄚ嬤》(Dancing Grandmothers)等,均曾在世界各地知名舞台上演出。安銀美現為巴黎市立劇院合作駐館藝術家。
\n\n每個藝術家都曾經面對這樣的掙扎:一方面理解、整合古代藝術,另一方面又需要遺忘、克服這些框架而尋求創新。在這個議題上,安銀美找到了一個既新穎又超乎眾人期待的方式。這個靈感來自她的旅行:學習與探索薩滿教傳統的過程、多年在紐約的經驗以及她和碧娜・鮑許深厚的友誼(碧娜.鮑許多次邀請安銀美前往烏伯塔)。韓國與大都會;一個前衛主義者與2002大邱世界盃足球賽開幕典禮的官方編舞家,並曾在許多重要國際藝術節演出,安銀美知道該如何凸顯對比的美,例如碎花、條紋與圓點;她知道如何在最肅穆的苦行前運用最流行的色彩;知道如何將剎那轉換於陰陽之間;知道如何運用慢的節奏營造狂熱節奏的爆發。
\n\n在嚴苛、準確、高標準的韓國教育系統中,安銀美也是一位夜魔俠般的表演者,隨時準備好進行各種破壞行為。曾有人目睹她從起重機上一躍而下,並用斧頭和剪刀摧毀一台鋼琴;在表演舞作《泰迪熊》時撕毀自己仙女般的白色洋裝,並將碎片發給觀眾;在氣球中將自己埋在小丑的衣服下;將自己與雞鎖在同一個籠子裡;將自己裝扮成蘑菇⋯⋯。但這些不應被視為挑釁,而是一種好奇心,在作品中以出奇不意的風格展現自由。
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©Sukmu Yun
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[{reference:[],type:"content",name:"Intention Note",content:"
"2020 is an important moment. We are at a turning point : the first generation born in the third millennium is becoming adults. The future is theirs and they will be making the world what it will be tomorrow.
\n\nFor me, a body tells a lot, often more than words. It is the reflection of our personal history and, more largely of our way of life, of the way our societies function. At 20, body is changing fast. Menalities too. It is an age where ideas – the ones you inherit and the ones you build yourself - assert themselves to build a personality.
\n\nWorking with young dancers is an opportunity to see an energy, a purity – both physically and mentally, and through their body seize the reality of a country, of a continent.
\n\nI am Korean but I'm also Asian, and proud to be. Asia is a complex continent, gathering countries with different Histories, religions, societal models and traditions, that often confront each other but yet have a lot in common.
\n\nFor a long time, we've been looking up to the West as a model to follow and the source of modernity, on the economical as well as on the artistic level. But things have evolved and it is time to look at ourselves in the mirror.
\n\nIn the second half of 20th Century, the expressions 'the Four Asian Tigers' or 'the Four Asian Dragons' was used to refer to South Korea, Taiwan, Hong-Kong and Singapore, the developing countries of the region praised for their dynamism that became a model of success.
\n\nBringing together dancers from different countries, bringing together different bodies, my idea is to sketch a portrait of contemporary Asia and explore the dynamics running through the dance practice there to see what dance could become in the future.
\n\nAnd who knows? Maybe make some new dragons appear on stage.
\n\nDancing Dragons of course."
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Eun-Me AHN
\n\n\n"}],onShelf:!0,sliders:[{type:"image",key:"66c76a4715e164bc03889330874e82a3",title:"安銀美《千禧之龍》"}],related:[],title:"Eun-Me AHN - Dragons",cover:"bd2047cddf5122f491efa22653b3dc01",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Anticipating the Next Dance with Dragons
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"In 2020, the children of the millennial generation will have reached adulthood. They have their future and the world's future in their hands."
\n\nFor young people in Asia, reaching 20 means unlimited prospects, rapid physical and mental changes, and a starting point for independent thinking. While they are closely tied to the times, they also bear the burden of preserving thousand-year-old traditions. What will they bring to the Asian dance world and its future in this transitional climate?
\n\nAfter leading ajummas on stage in 2019, the Godmother of South Korean choreography, Eun-Me AHN, returns to Weiwuying alongside six twenty-year-old millennial dragons. They are of different nationalities and physical attributes, but all were born in 2000. The six dragon dancers, carrying the expectations of the world, will join hands with the dancers of Eun-Me Ahn Company to explore dynamics and energy and to imagine the trend of Asian dance. The ones to raise the issue are the dragons dancing on the stage. (written by TSAI Ruiling)
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Pre-talk
\n\n2023/6/10(Sat)19:00 Playhouse 2F Lobby
\n\n2023/6/11(Sun)14:00 Playhouse 2F Lobby
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Creative and Production Team
\n\nChoreography & Artistic Direction|Eun-Me AHN
\n\nMusic|Young-Gyu JANG
\n\nCostumes & Set Design|Eun-Me AHN
\n\nLighting Design|Jin-Young JANG
\n\nVideo Direction|Tae-Seok LEE
\n\nMotion Design|Tae-Seok LEE, Min-Jeong LEE (Addnine)
\n\nCreation Technical Director|Jim-Yung KIM
\n\nDancers|Eun-Me AHN , Jee-yeun KIM, Hye-kyoung KIM, Ye-seul ROH, Sun-jae JO, Ui-young JUNG, Gaon HAN, Yong-sik MOON
\n\nDancers on Screen|Guan-Ting ZHOU (Taiwan), Nur Syahidah Binti Hazmi (Malaisia), Akari TAKAHASHI (Japan), Ji-Wan JUNG (South Korea), Siko Setyanto (Indonésie), Dwi Nusa Aji Winarno (Indonésie)
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Production: Eun-Me Ahn Company, Gadja Productions
\n\nCo-produced by National Kaohsiung Center for the Arts (Weiwuying), Seoul Foundation for Arts and Culture, Yeongdeungpo Art Hall, Busan Cultural Center, Théâtre de la Ville-Paris, Biennale de la Danse de Lyon, Festspielhaus St Pölten, Les Théâtres de la Ville de Luxembourg and Les Halles de Schaerbeek
\n\nWith the support of Arts Council Korea, Indonesian Dance Festival, ASWARA - Akademi Seni Budaya Dan Warisan Kebangsaan, Yokohama Red Brick Warehouse N°1, Dancers' Career Development Center
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Partner: Kaohsiung Spring Arts Festival
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Artists Introduction
\n\nChoregraphy & Artistic Direction|Eun-Me AHN
\n\nEun-Me AHN is one of the leading artists in the Korean performing arts industry. She established a dance company in Seoul in 1988 and moved to New York in 1999. In 2001, she returned to Korea to continue choreographing, reinterpreting Korean classics and exploring current social issues, often collaborating with non-traditionally trained dancers. She has received international acclaim from the arts community and has created over 150 dance pieces, including Symphoca Princess Bari, Let Me Change Your Name, and Dancing Grandmothers, all of which have been staged at renowned venues around the world. AHN is taking residency at the Théâtre de la Ville in Paris.
\n\nHow many creators have struggled to find the way to describe what is finally the lot of every artist : on the one hand to know, understand, integrate what the ancients did ; on the other to forget them, overcome them and hope to find something new. Quite a vast program...
\n\nOn this level, Eun-Me AHN that France discovered in 2013 and 2014 thanks to Festival Paris Quartier d'Eté, has found new, unexpected and Eun-Me AHN "La gaité appellee le bonheur. La danse appelle le bonheur." exciting ways. This comes first from her own itinerary, marked as much by the learning and exploration of shamanic traditions as by the many years spent in New York or a profound friendship with the missed Pina BAUSCH (who invited her many times in Wuppertal). Korean and cosmopolitan, figure of the avant-garde but also choreographer of the very official opening ceremony of the FIFA World Cup in Daegu in 2002 and presented in the most important international festivals, she knows how to improve the beauties of contrast, mix polka dots, stripes and flowers, how to play with the most pop colors before switching to the most solemn austerity, how to play with the most subtle shades of androgyny, or use slowness to make trance rhythm burst...
\n\nEducated at the school of rigor, precise, demanding and of all Korean discipline, Eun-Me AHN is also a daredevil performer, ready for all kinds of piracies. One have seen her jump from the top of a crane, then attack a piano with axe and scissors, rip off herself her fairy dress made of white ties to distribute the pieces to the audiences while performing a teddy bear dance, bury herself with a clown costume under a rain of balloons, locked up behind bars in a duet with a chicken, or dressed up as a mushroom... But one would be wrong thinking it is provocation. It is rather the affirmation of a curiosity and a freedom held by work and style pushed to their most unexpected limits.
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©Sukmu Yun
\n',team:""},createdAt:1667018191,updatedAt:1686205031,updatedBy:"林蔚行",host:!0},{_id:"6360dafb76d3890009114654",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1685705400,discrete:[{time:1685705400},{time:1685773800},{time:1685860200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1598309868586475524"}},attachment:{key:"5c09be8fea09e2ed8646aff45784609c",name:"《沒有人想交作業》劇場版Round2 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b1c28c12405fa4bb208349fd5b3bbe64",title:"《沒有人想交作業》劇場版Round 2"}],related:[],title:"《沒有人想交作業》劇場版Round 2",cover:"1510cd9f899703deb4d201d60ff45327",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
不知道我自己目前的成就,究竟是實力還是幸運
\n\n只好裝得堅強鎮定,堅強裝太久,臉都模糊到認不出自己
\n\n好多想要的東西不是努力就能擁有
\n\n但即使不是長成自己想要的模樣,仍然想擁有現在的夢想
\n\n因為我的存在就是某人的禮物
\n\n人生的旅程還未結束,讓我們再次出發!
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「大叔」是個什麼樣的生物?成熟、有魅力、充滿男人香氣?或是在小輩面前被稱哥,卻心虛自覺一事無成?在這個不上不下的尷尬時期,大叔們心裡也有好多話想說:「你有發現我幹話背後的真心嗎?」
\n\n六個相識多年的演員好朋友,每一次的定期聚會總是五缺一,看似把酒言歡、幹話連連的輕鬆場合,六人之間卻各有解不開的心結;一趟說了多年才成行的離島之旅,參與成員一一歸隊,心底的祕密也在旅程中逐漸解封、釋放⋯⋯
\n\n大獲好評的讀演版本走上舞台,男人同時像個男孩,各種煩惱不願直白,每個人都是孤單島嶼想要有愛。誰說男人只剩一張嘴,男人也能成為指南針,通往重視的人心中,接住彼此,時代在走改變要有,這次讓我們來用新時代男人的真心話陪你迎接盛夏來臨。
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最俗濫的療癒系喜劇
\n\n男人四十,還好有兄弟
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演前導聆
\n\n2023/6/2(五)19:00 戲劇院二樓大廳
\n\n2023/6/3(六)14:00 戲劇院二樓大廳
\n\n2023/6/4(日)14:00 戲劇院二樓大廳
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周邊活動
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相關報導
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限定活動
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演出暨製作團隊
\n\n主辦單位|衛武營國家藝術文化中心
\n\n製作單位|春河劇團、笨鳥工作室
\n\n製作人|楊帛翰
\n\n編劇|王詩淳
\n\n導演|吳維緯
\n\n演員|王鏡冠、韋以丞、高英軒、吳定謙、梁正群、葉文豪(依姓氏筆劃排序)
\n\n舞台設計|陳慧
\n\n服裝設計|謝建國
\n\n燈光設計|賴科竹
\n\n音樂設計|卓士堯
\n\n影像設計|黃彥勳
\n\n舞台監督|陳昭郡
\n\n主視覺設計|H.Stuff Room
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合作夥伴:高雄春天藝術節
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©王志偉
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b1c28c12405fa4bb208349fd5b3bbe64",title:"《沒有人想交作業》劇場版Round 2"}],related:[],title:"Never Grow Up Ver. Theatre Round 2",cover:"1510cd9f899703deb4d201d60ff45327",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
I often wonder whether I should attribute my success to hard work or sheer luck.
\n\nI had hidden behind feigned strength and calmness until one day, I realized that I no longer recognized the man in the mirror.
\n\nNot everything I want in life can be obtained through hard work.
\n\nEven though I am not the person I wish to be, I am never giving up on my dreams because my very existence is a gift from a special someone.
\n\nI am not done with my story yet, so join me as I continue on with the journey of life!
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How do you define a middle-aged man? Is he a creature of maturity, charisma, and manliness, or is he simply a fraud who feels a bottomless pit of emptiness deep within despite being revered by his juniors? Stuck in an age that is no longer considered young but far from being old, six middle-aged men have a lot to say, but is anyone there to hear them out?
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Six long-time actor friends see each other regularly, but at every get-together, one of them is always missing. Underneath their seemingly cordial gatherings lie unresolved resentment that can only be settled in one way and one way only—a round-island trip which took years to plan. As the gang embarks on their journey, their secrets, which had been carefully tucked away for years, begin to unfold…
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The crassness of the group becomes a healing comedy of its own.
\n\nWhat will ever I do without you, my brothers? — says every 40-year-old man.
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Pre-talk
\n\n2023/6/2(Fri)19:00 Playhouse 2nd Floor
\n\n2023/6/3(Sat)14:00 Playhouse 2nd Floor
\n\n2023/6/4(Sun)14:00 Playhouse 2nd Floor
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Creative and Production Team
\n\nPresenter|National Kaohsiung Center for the Arts (Weiwuying)
\n\nProduction|Spring River Performing Arts Troupe, Stupid Bird Studio
\n\nProducer|YANG Po-han
\n\nScriptwriter|WANG Shih-chun
\n\nDirector|WU Wei-wei
\n\nActors|WANG Ching-kuan, WEI Yi-cheng, KAO Yin-hsuan, WU Ting-chien, LIANG Cheng-chun, YEH Wen-hao
\n\nSet Design|CHEN Hui
\n\nCostume Design|Jeffy CHEAH
\n\nLight Design|LAI Ke-chu
\n\nMusic Design|JUO Shr-yau
\n\nMedia Design|HUANG Yen-hsun
\n\nStage Manager|CHEN Chao-chun
\n\nVision Design|H. Stuff Room
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©王志偉
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\n',team:""},createdAt:1667291899,updatedAt:1685520586,updatedBy:"林蔚行",host:!0},{_id:"63623a25cf05170008b2dd3b",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1686396600,discrete:[{time:1686396600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1598158286589968388"}},attachment:{key:"d82004749f2929d23c2eed768cf00f21",name:"NSO國家交響樂團《呂紹嘉與史蒂芬.賀夫》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"35d6dc358b63ea63a43a8170d8ef473b",title:"NSO《呂紹嘉與史蒂芬.賀夫》"}],related:[],title:"NSO國家交響樂團《呂紹嘉與史蒂芬.賀夫》",cover:"f8c99816f4668350f4710dbe2fee8080",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'音樂會一開場,即是拉赫瑪尼諾夫扣人心弦的《無言歌》,如泣如訴的旋律在樂團各聲部間深情地歌唱,無比動人。緊接著將由曾多次來臺演出,讓樂迷朋友留下深刻印象的鋼琴家史蒂芬.賀夫,演奏拉赫瑪尼諾夫的第四號鋼琴協奏曲。這首經過作曲家耗時十餘年不斷修改力求完美的經典作品,現場演出機會難得,不容錯過。下半場將由榮譽指揮呂紹嘉攜手NSO帶來蕭斯塔科維契的第八號交響曲。這首於二戰期間完成的史詩鉅作,從悲劇性又充滿戲劇張力的音樂,走過低迷暗谷,逐漸露出曙光,直至昇華。這場音樂會將透過兩位俄羅斯音樂巨擘的作品,引領我們聽見俄式經典不一樣的聲音。
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文章閱讀
\n\nNSO 國家交響樂團《呂紹嘉與史蒂芬賀夫》導聆時間:
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演前導聆
\n\n2023/6/10(六)19:00 音樂廳三樓大廳
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演出曲目
\n\n拉赫瑪尼諾夫:《無言歌》,作品34
\n\n拉赫瑪尼諾夫:g小調第四號鋼琴協奏曲,作品40
\n\n蕭斯塔科維契:c小調第八號交響曲,作品65
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演出暨製作團隊
\n\n指揮|呂紹嘉
\n\n鋼琴|史蒂芬.賀夫
\n\n國家交響樂團
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藝術家介紹
\n\n指揮|呂紹嘉
\n\n出身臺灣,為享譽國際樂壇的旅歐名指揮家。自鋼琴啟蒙,後隨陳秋盛研習指揮,繼而赴美印第安那大學及維也納國立音樂院深造。在贏得法國貝桑頌、義大利佩卓地和荷蘭孔德拉辛三大國際指揮大賽首獎後,展開了他在歐洲的指揮生涯。
\n\n旅居德國期間先後擔任柏林喜歌劇院首席駐團指揮(1995-1998)、德國柯布倫茲市立歌劇院音樂總監(1998-2001)、德國國家萊茵愛樂交響樂團音樂總監(1998-2004)、德國漢諾威國家歌劇院音樂總監(2001-2006),並於2004年5月獲文化部長頒贈象徵該省文化最高榮譽的Peter CORNELIUS獎章,以及2022年獲第41屆行政院文化獎。
\n\n在歌劇的領域中,曾於英國國家歌劇院、雪梨歌劇院、柏林德意志歌劇院等客席登臺指揮。歌劇外,呂紹嘉在交響樂指揮的表現也同樣耀眼。近年來合作的交響樂團有:柏林、巴伐利亞廣播、荷蘭皇家音樂大會堂管絃樂團等。在亞洲,與香港管絃樂團、NHK、首爾愛樂,及北京、上海等地的代表性樂團合作演出。
\n\n2010至2020年間,呂紹嘉擔任NSO國家交響樂團音樂總監,並於2021/22樂季起,被授予該團榮譽指揮頭銜。自2020年9月起,受聘擔任臺北藝術大學音樂系特聘講座教授。
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鋼琴|史蒂芬.賀夫
\n\n史蒂芬.賀夫被《經濟學人》評為二十位在世博學家之一,結合了傑出的鋼琴家生涯與作曲家及作家,他成為第一位獲得麥克阿瑟獎學金的古典演奏家,在2014年的新年榮譽中被授予大英帝國勳章(CBE),並在 2022年的女王生日榮譽中被授予音樂服務騎士勳章。
\n\n在2022/23樂季,賀夫在五大洲舉辦了九十多場音樂會。重點演出包括了與皇家音樂廳管絃樂團、底特律、辛辛那提和華盛頓的國家交響樂團、BBC愛樂管絃樂團,以及臺灣國家交響樂團的合作演出。
\n\n賀夫收錄了大約七十張CD,大量唱片獲得了國際獎項,包括年度金音叉獎、多項葛萊美提名以及包括年度唱片和金唱片在內的八項留聲機獎。作為作曲家,賀夫的單曲Songs of Love and Loss由威格莫爾音樂廳、紐約第92街Y和蒙大拿州的Tippet Rise藝術中心共同委託,於2023年1月全球首演。
\n\n目前賀夫是中殿律師學院的名譽主席、皇家愛樂協會的名譽會員、牛津大學瑪格麗特夫人音樂廳的客座研究員、英國皇家音樂學院的客座教授、曼徹斯特皇家北方音樂學院鋼琴研究國際主席,並在紐約茱莉亞音樂學院任教。
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國家交響樂團(NSO)
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任NSO藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身分和情感。
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'The concert starts with Sergei RACHMANINOFF's Vocalise. The weeping and cantabile melody is played expressively among the various instrument sections. Next, RACHMANINOFF's Piano Concerto No. 4 in g minor will be played by pianist Stephen HOUGH, who has performed in Taiwan many times and impressed Taiwanese fans. RACHMANINOFF spent more than a decade revising this work, and it is rarely performed. You shouldn't miss this great opportunity to hear it. In the second half, Shao-c hia LÜ, the Conductor Emeritus of the National Symphony Orchestra, will lead the orchestra, presenting Dmitri SHOSTAKOVICH's Symphony No. 8. This epic masterpiece was completed during World War II. It is tragic and full of dramatic tension, leading the audience through the dark valley, gradually revealing the dawn, and later turning sublime. Through these two great Russian giants, we will hear the different sounds of Russian classics.
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Pre-talk
\n\n2023/6/10(Sat)19:00 Concert Hall 3F Lobby
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Program
\n\nS. RACHMANINOFF: Vocalise, Op. 34
\n\nS. RACHMANINOFF: Piano Concerto No. 4 in g minor, Op. 40
\n\nD. SHOSTAKOVICH: Symphony No. 8 in c minor, Op. 65
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Creative and Production Team
\n\nConductor|Shao-chia LÜ
\n\nPiano|Stephen HOUGH
\n\nNational Symphony Orchestra
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Artists Introduction
\n\nConductor|Shao-chia LÜ
\n\nTaiwan-born conductor LÜ studied music in Taipei, later at the Indiana University in Bloomington, USA, and also at Vienna's College of Music. His training resulted in important first prizes at three renowned international conductor competitions: Besancon (France), Pedrotti (Italy) and Kondrashin (the Netherlands).
\n\nLÜ accepted positions as General Music Director of the Koblenz Theatre (1998-2001),the Staatsorchester Rheinische Philharmonie Koblenz (1998-2004), and the Staatsoper Hannover (2001- 2006). He has also been Chief Conductor of the South Denmark Philharmonic from 2014 to 2017.
\n\nLÜ appears regularly as guest conductor at several world-renowned opera houses, including Deutsche Oper Berlin, English National Opera, Opera Australia and More. Alongside his opera activities, LÜ is equally at home on concert podiums. LÜ has worked repeatedly with many leading European orchestras, such as the Concertgebouw Orchestra Amsterdam, Münchner Philharmoniker, the Oslo Philharmonic and more. In Asia, LÜ has worked with the Hong Kong Philharmonic, NHK, Seoul Philharmonic and more.
\n\nLÜ was Music Director of the Taiwan Philharmonic (the National Symphony Orchestra) from 2010 to 2020, and has been honored with the title Conductor Emeritus in 2021. He has also held the Distinguished Chair Professor at Taipei National University of the Arts since September 2020.
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Piano|Stephen HOUGH
\n\nNamed by The Economist as one of Twenty Living Polymaths, Sir Stephen HOUGH combines a distin-guished career as a pianist with those of composer and writer. He was the first classical performer to be awarded a MACARTHUR Fellowship, was made a Commander of the Order of the British Empire (CBE) in the New Year Honours 2014, and was awarded a Knighthood for Services to Music in the Queen's Birth-day Honours 2022.
\n\nIn the 2022/23 season HOUGH performs over 90 concerts across five continents. Concerto highlights include returns to the Concertgebouworkest, Detroit, Cincinnati and Washington's National symphony orchestras, BBC Symphony and Philharmonia orchestras, and the National Symphony Orchestra, Taiwan.
\n\nHOUGH's extensive discography of around 70 CDs has garnered international awards including the Diapason d'Or de l'Année, several Grammy nominations, and eight Gramophone Awards including Record of the Year and the Gold Disc. As a composer, HOUGH's song cycle Songs of Love and Loss, co-commissioned by Wigmore Hall, The 92nd Street Y, New York, and Tippet Rise in Montana, receives its world premiere in January 2023.
\n\nHOUGH is an Honorary Bencher of the Middle Temple, an Honorary Member of the Royal Philharmonic Society, a Visiting Fellow at Lady Margaret Hall, Oxford University, a Visiting Professor at the Royal Academy of Music, the International Chair of Piano Studies at the Royal Northern College of Music (of which he was made a Companion in 2019), and is on the faculty of The Juilliard School in New York.
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Taiwan Philharmonic, the National Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of music director Jun MÄRKL since January 2022, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin MAAZEL, Luciano PAVAROTTI, Mirella FREN, and Mstislav ROSTROPOVICH. The orchestra's extensive and varied activities include chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
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大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
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上半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
1/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t 秋杉所在 \n\t\t\t授課:林廷緒 \n\t\t\t助教:陳欣瑜 | \n\t\t\t《日復一日 - 身體的狀態》 | \n\t\t\t立即報名 | \n\t\t
2/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t《老中青 - 身體的動能》 | \n\t\t||
3/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t《你我的故事 - 身體的符號》 | \n\t\t||
4/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t稻草人現代舞蹈團 \n\t\t\t授課:羅文瑾 \n\t\t\t助教:李佩珊 | \n\t\t\t《聽與看》 | \n\t\t\t立即報名 | \n\t\t
5/3(三) \n\t\t\t19:00-20:30 | \n\t\t\t《味道》 | \n\t\t||
6/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t《觸‧動》 | \n\t\t
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秋杉所在
\n藝術家:林廷緒、助教:陳欣瑜
©攝影 李欣哲
\n\n「秋杉所在」成立於2019年
\n\n秋杉過去創作鑽研於臺灣民間文化,透過田野走訪探尋具臺灣草根性素材來做為作品的題材及走向之一。近年在身體觀點發展上專注在與大自然的關係和個體之精神狀態,透過各類社會議題來體現當代身體介入其精神性的可能,也展現舞蹈創作為其反思身體存在的意義。
\n\n其創作作品三度受台新藝術獎提名與一入圍,年度入圍作品有2020年《八 八》,提名作品有2020年《八 八》、2022年《在山海來去》、2022年《不存在的金烏》。
\n\n曾獲2019年日本YDC橫濱舞蹈大賽決賽入選作品《八八》;2019年西班牙24MASDANZA國際編舞大賽《金烏雲薦》「最佳表演獎」、南韓SCF首爾國際編舞節官方頒授藝術總監林廷緒「傑出舞蹈藝術家」證書。
\n\n在臺作品受邀及發表2022年如衛武營國家藝術文化中心臺灣舞蹈平台、國藝會14th新人新視野國家三館巡演、高雄春天藝術節;2021年臺中國家歌劇院-孵育計畫、雲門創計畫、漂鳥舞蹈平台;2020年臺南藝術節、相遇舞蹈節;2019年三十沙龍創作空間。過去也積極參與國際表演藝術平台足跡至西班牙、南韓、日本、香港、中國、澳門等。
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課程簡介
\n\n「秋杉動身軀」
\n\n勞動的身軀、身體的意義、當代的舞、當下的我們。
\n\n當代舞一點都不抽象,抽象的是當和它有距離時,來跟著秋杉一起動身軀~
\n\n拉近與身體的距離~透過狀態、動能、符號來去觸發更多的身體幫助、好奇與樣貌,來體現舞蹈介入其個人精神性的可能,也展現當代舞為其反思身體存在的意義。
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稻草人現代舞蹈團
\n藝術家:羅文瑾、助教:李佩珊
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©攝影 陳長志
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2022年再度獲選為「Taiwan Top演藝團隊」(財團法人國家文化藝術基金會演藝團隊年度獎助專案),於2007年起便已連續10年榮獲「文化部扶植/演藝團隊分級獎助」專案補助之臺南市傑出演藝團隊(2005-2006)的稻草人現代舞蹈團,由藝術總監羅文瑾主導舞團開創性的創作與表演風格,行政總監及製作人羅文君負責策劃創新思維的跨界演出製作。舞團積極開發當代舞蹈和其他藝術及劇場領域間相互合作的各種可能性,藉結合來自各地優秀的舞蹈及藝術工作者,突破既有的舞蹈編創、表演概念及製作模式,以觀察生活、表現人性、關懷生命、反觀人生、省思社會為題展現獨樹一格的演出風格。
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課程簡介
\n\n《身體接收器》
\n\n課程將引導大家透過聽味嗅觸視五感與意識第六感,將各自的感官感受投射至空間之中,觀察、吸納、接收環境裡所存在的各種人物、事件、物體、氣體、時間所反射出的精力、狀態與能量,再透過身體線條、力度、手勢、姿勢、動作與行為來進行有意識與無意識、理性與感性、抽象與具象等多重意象與層次的生理反饋與身體語彙。
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\n',team:""},createdAt:1669088789,updatedAt:1681874481,updatedBy:"林蔚行",host:!0},{_id:"6386fc6e0f301d0007b6d449",catalogs:["5d08a4a8d6da88000647288c"],dateTime:{first:1678082400,discrete:[{time:1678082400},{time:1678156200},{time:1678168800},{time:1681106400},{time:1681180200},{time:1681192800},{time:1684735200},{time:1684809e3},{time:1684821600},{time:1686549600},{time:1686623400},{time:1686636e3}],type:"discrete"},activity:{type:"free",free:{description:"線上申請,媒合參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669867200,end:4825497599},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b65ebb67dac03745e535fcacd3f73a61",title:"2023【衛武營藝企學】上半年登場!"}],related:[],title:"2023【衛武營藝企學】上半年登場!",cover:"8346156b93a64dd51b75b6a58dc9e200",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴、全臺唯一葡萄園式座席設計音樂廳與全臺唯一凸出式可升降延伸舞台的戲劇院。",introduction:'
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衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴、全臺唯一葡萄園式座席設計音樂廳與全臺唯一凸出式可升降延伸舞台的戲劇院。為能讓全國學生有機會進入如此具有特色的國際表演廳院,並透過藝文欣賞的體驗,讓美感教育潛移默化,本計畫邀請專業表演團隊精心設計演出腳本,將「劇場禮儀」、「國際廳院介紹」融入精采表演中,期望師生透過親身蒞臨衛武營與表演欣賞,達到培養學生對於表演藝術美學的感受力與接觸美感場域之目的。
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演出場次
\n2023上半年共計12場,各場次日期時間如下表:
國小高年級場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/7 (二) | \n\t\t\t10:30-11:30 | \n\t\t
2 | \n\t\t\t3/7 (二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
4 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
8 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
國中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t3/6(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t3/7(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
3 | \n\t\t\t3/7(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t4/10(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t5/22(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
8 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
9 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
10 | \n\t\t\t6/12(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
11 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
12 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
高中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/6(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 4/10(一) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t5/22(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t6/12(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
\n\n
體驗內容
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國際廳院介紹:實際走進衛武營音樂廳,認識全亞洲最大管風琴以及葡萄園式座席,感受國際廳院的魅力。或是認識全臺唯一凸出式可升降延伸舞台的衛武營戲劇院(可變換作為觀眾席、樂池、供不同類型演出使用)。
\n\n劇場禮儀:實際體驗驗票進場流程、尋找票面上的座位入席,並在演出過程中學習遵守國際劇場禮儀。
\n\n精彩表演體驗:衛武營藝企學每年邀請音樂、舞蹈、馬戲、傳統戲曲四大類型的專業表演團隊,並精心設計適該年齡層的演出腳本,並搭配精美學習單,培養學生對於表演藝術美學的感受力。
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體驗時間
\n\n各場次約60分鐘
\n\n上午場 | \n\t\t\t下午場 | \n\t\t\t流程 | \n\t\t
09:30~10:00 | \n\t\t\t13:00~13:30 | \n\t\t\t集合整隊、發放票券及學習單 | \n\t\t
10:00~10:30 | \n\t\t\t13:30~14:00 | \n\t\t\t驗票入場、活動介紹、使用洗手間 | \n\t\t
10:30~11:30 | \n\t\t\t14:00~15:00 | \n\t\t\t正式演出 | \n\t\t
*因各場次人流眾多,等待時間可能較長,造成不便敬請見諒
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申請流程
\n\n本計畫提供全國各縣市學校進行申請(申請單位為「學校」)
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申請對象
\n\n全國各縣市之國小五年級生至高中職生
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媒合與公告時程
\n\n各場次演出前兩週發送詳細行前通知與演出內容簡介。
\n\n\n\n
聯絡窗口
\n\n衛武營國家藝術文化中心 學推部
\n\n李詠嫣 07-262-6413
\n\n\n',team:""},createdAt:1669790830,updatedAt:1700211168,updatedBy:"黃薏靜",host:!0},{_id:"63bcd7db72bcdc0007d5bf17",catalogs:["5aec4184b01ea6000520f633","5aec45edb01ea6000520f655","5fe2bffdde1961000737545c"],dateTime:{first:1677047400,discrete:[{time:1677047400},{time:1680071400},{time:1682490600},{time:1683700200},{time:1686724200}],type:"discrete"},activity:{type:"free",free:{description:"售票節目",englishDescription:"Tickets: $300"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"演出者介紹",content:'管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
\n\n\n\n
曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
\n\n\n\n
主持人|陳俊佑
\n\n高雄師大數學教育碩士及文藻外語大學藝術創作碩士,藝文工作者,長期在劇場擔任編劇/導演/演員,編導創作作品累積約二十部,現為放克劇團藝術總監。另一個身分是樂團樂手,參與過國內諸多音樂祭演出,並曾帶領樂團拿過全國熱門音樂大賽總冠軍及最佳貝斯手個人獎項,目前致力於推廣藝文及戲劇/音樂創作。
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管風琴家|Sean Jackson (四月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數, 包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、 1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博 士獎學金。2012 年起擔任斯坦威奇公理會教堂管風琴師及音樂總監。目前已錄製多張獨奏及合作專輯。
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小鼓手|陳揚 (四月場協演小鼓手)
\n\n定音鼓及打擊樂演奏家陳揚,於紐約大學取得音樂碩士,曾就讀於新加坡楊秀桃音樂學院,在新加坡及美國的六年期間皆獲得全額獎學金。師承定音鼓獨奏家Jonathan Haas,並曾師事Jim Saporito、Simon Boyar、Jonathan Fox 以及朱崇義。
\n陳揚專精於多種不同領域的音樂,是一位經驗極豐富的樂團打擊樂家,曾經擔任國立台灣交響樂團打擊樂職務代理人。他也擁有非常豐富的室內樂的演奏經驗,曾向So Percussion學習室內樂長達兩年,為現任的Cc打擊樂音樂總監,並參與大量樂團演出。
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n\n衛武營特別邀請臺灣管風琴協會理事長、美國華盛頓大學音樂博士劉信宏設計獨家節目:從音樂之父巴赫到電影配樂大師約翰.威廉斯、從《結婚進行曲》到《龍貓》主題曲,還有更換觀眾位置、搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n\n2023年2月至6月,每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
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\n 2023上半年活動場次表
\n\t\t\t 6/14(三)14:30-15:30 \n\n\t\t\t【毛小孩的狂歡】 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 六月管風琴要與觀眾一同狂歡!聖桑名作《動物狂歡節》將展現出管風琴活潑有趣的一面;更有趣的是,吉卜力動畫《龍貓》與《貓的報恩》配樂,還有人人都玩過的《超級瑪莉歐》電玩音樂,也都將出現獨一無二的管風琴音色詮釋;最終更有法國作曲家魏多的《第五號管風琴交響曲》,以華麗繁複、讓人目不轉睛的管風琴觸鍵,帶來毛小孩的狂歡音樂! \n\n\t\t\t\n\n\t\t\t 結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t日本動畫電玩主題曲:《龍貓》、《超級瑪利歐兄弟》、《貓的報恩》 \n\n\t\t\t聖桑:《動物狂歡節》選曲-化石、烏龜、大象、森林中的布穀鳥、天鵝、終曲 \n\n\t\t\t孟德爾頌:〈結婚進行曲〉,選自《仲夏夜之夢》,作品61 \n\n\t\t\t魏多:觸技曲,選自f小調第5號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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2023上半年結束之場次
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\n\t\t\t 2/22(三)14:30-15:30 \n\n\t\t\t【永恆的愛:巴洛克協奏曲】 | \n\t\t|
\n\t\t\t 在2月情人節的浪漫氣氛中,規劃兩首音樂史上最著名的《婚禮進行曲》─華格納與孟德爾頌筆下的動聽旋律,讓人彷彿置身教堂、為新人獻上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,將演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及華爾特.約翰《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶穌,世人仰望的喜悅》與米特爾《F大調幻想曲》兩首動聽小品,為2023年2月揭開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
\n\t\t\t 3/29(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 | \n\t\t|
\n\t\t\t 巴洛克作曲家J.S.巴赫,在現代樂迷心中是無人不曉的「音樂之父」,不過在同時代人的眼裡,巴赫可是不折不扣的「管風琴巨星」!從18歲起,巴赫就在教堂中擔任管風琴師,更為了教會寫下眾多聖詠作品,展現驚人不凡的演奏技巧。在3月的「2023探索管風琴音樂」系列中,將精選5首精采的巴赫作品,包含兩首旋律動聽、耳熟能詳的「不敗金曲」:《善牧羊群》與《醒來吧,那聲音在呼喚我們》,以及三首激昂高亢、技術高超的《前奏和賦格曲》,讓觀眾在短短一小時內,理解巴赫管風琴音樂的無邊魅力! \n\n\t\t\t\n\n\t\t\t 巴赫:c小調前奏曲與賦格,作品549 \n\n\t\t\t巴赫:《善牧羊群》,作品208 \n\n\t\t\t巴赫:《醒來吧,那聲音在呼喚我們》,作品645 \n\n\t\t\t巴赫:D大調前奏曲與賦格,作品532 \n\n\t\t\t巴赫:降E大調前奏曲與賦格《聖安妮》,作品552 \n\t\t\t | \n\t\t|
\n\t\t\t 4/26(三)14:30-15:30 \n\n\t\t\t【舞動管風琴】 \n\n\t\t\t※管風琴X大鍵琴X鋼琴X小管風琴 \n\n\t\t\t※特別來賓:Sean Jackson \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 古典音樂在走入浪漫時期後,作曲家與宮廷的關係脫鉤,管風琴音樂也因此變得極為多元。4月的「舞動管風琴」,管風琴家劉信宏力邀尚傑生博士一同合作,除了分別兩首獨奏作品展現法式浪漫之外,更以不同樂器編制激盪出新的火花:聖桑《骷髏之舞》搭配大鍵琴表現魔幻時刻,德布西《月光》與鋼琴展現不同氛圍,拉威爾《波麗露》則用管風琴四手聯彈加上著名的小鼓獨奏,發揮出管風琴「以一抵百」的驚人氣勢,而法國作曲家法朗克的名作《前奏、賦格與變奏》,更將以原始編制之一的「移動式管風琴+鋼琴」呈現。在舞台上一次放上四台鍵盤樂器的「鍵盤家族全餐」,只在「2023探索管風琴音樂」看得到! \n\n\t\t\t\n\n\t\t\t 聖桑:《骷髏之舞》,作品40(大鍵琴+管風琴版) \n\n\t\t\t玻耶利 :B降大調幻想曲與賦格 (管風琴獨奏) \n\n\t\t\t法朗克:前奏、賦格與變奏,作品18(移動式小管風琴+鋼琴) \n\n\t\t\t德布西 :〈月光〉,選自《貝加馬斯克組曲》作品 L75 - 第三首 (鋼琴 + 管風琴合奏) \n\n\t\t\t勒菲比赫-維利:降E大調出陣曲 (管風琴獨奏) \n\n\t\t\t拉威爾 :《波麗露》舞曲 (管風琴雙人四手聯彈+小鼓手) \n\t\t\t | \n\t\t|
\n\t\t\t 5/10(三)14:30-15:30 \n\n\t\t\t【星際之旅】 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 進入20世紀後,管風琴成為大眾音樂中不可或缺的靈感來源:電影作曲家約翰.威廉斯最知名的《星際大戰》〈帝國進行曲〉旋律,使用管風琴演奏磅礡震撼加倍;太空科幻電影《星際效應》裡,金獎配樂家漢斯.季默以管風琴重複的音符堆積,對比出宇宙的無垠巨大與人類的微不足道;無獨有偶,如此感受也能在當代音樂巨擘梅湘《耶穌升天》與法國作曲家阿蘭《連禱曲》中聽見,展現出當代宗教音樂更貼近人類自省的況味。 \n\n\t\t\t\n\n\t\t\t 約翰・威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t漢斯・季默:電影《星際效應》配樂組曲 \n\n\t\t\t梅湘:《耶穌升天》第一~三樂章 \n\n\t\t\t阿蘭:《連禱曲》 \n\t\t\t | \n\t\t|
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|Hsin-Hung LIU
\n\nDr. LIU Hsin-Hung holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. He was a visiting scholar at the University of British Columbia and Vancouver School of Theology in 2015 and 2016. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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He has served as a member of the Public Construction Commission, Executive Yuan's Infrastructure Review Committee, a consultant for the Organ for Families Concert at the National Concert Hall, and the convener for the Weiwuying Preparation Office's organ committee.
\nDr. LIU has made significant contributions to the organ scene in Taiwan, including the overhaul of the organs at the Chimei Museum in Tainan and the National Concert Hall, as well as the construction of Taiwan's largest church organ in Presbyterian Church of Taiwan Datong Church, the Pingtung Performing Arts Center, and the world-renowned Weiwuying Concert Hall, which has the largest and most advanced organ in Asia.
Host|CHEN Chun-yu
\n\nCHEN Chun-Yu holds two master's degrees, one in math education from National Kaohsiung Normal University and another in creative arts industries from Wenzao Ursuline University of Languages. He has extensive experience in theater, having worked as a playwright/director for about 12 productions and as a performer. CHEN is currently the artistic director for Funk theater and is also in a band that has played at various music festivals in Taiwan, including winning Taiwan's hottest music contest and receiving the award for best bassist. CHEN's focus is now on promoting art, theater, and music.
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Organist and pianist|Sean Jackson (April)
\n\nSean Jackson began his musical studies at the age of five and quickly demonstrated his talent by winning his first gold medal in the National Independence Festival of Creative Arts at the age of eleven. He received recognition for his achievements and was awarded the National Youth Award by the Barbados Government. Jackson went on to receive numerous prizes and awards at both the undergraduate and graduate levels, including the Parratt, Walford Davies, and Geoffrey Tankard organ prizes, the Douglas Whittaker Chamber Music Prize, the A.H. Kuhn Memorial Scholarship, the 1999 William Schumann Prize, and the C.V. Starr Doctoral Fellowship, all from prestigious institutions such as the Royal College of Music and the Juilliard School. In 2004, Jackson graduated from The Juilliard School with both a Master of Music and Doctorate degree.
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While still a student at the Juilliard School, Jackson won an organ competition in October 2000 and performed Stephen Paulus's Organ Concerto with the Juilliard Symphony at Alice Tully Hall. He was also featured again with the Juilliard Symphony in November 2003, performing the Saint-Saëns Organ Symphony at the Lincoln Center. Jackson has had numerous other performances as a guest organist, including with the New York Youth Symphony at Carnegie Hall, as a featured artist in the International Concert Series at Trinity, Wall Street, and in a solo concert at The Washington National Cathedral in 2006.
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Since 2012, Jackson has been presenting concerts, workshops, and masterclasses in Taipei, Taiwan as a featured guest of the Taiwan Chapter of the American Guild of Organists.
\n'},{reference:[],type:"content",name:"The pipe organ",content:"The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
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Dr. Hsin Hung Liu, the chair of the American Guild of Organists (Taiwan Chapter) with a DMA from the University of Washington, has been invited to exclusively arrange programs for Weiwuying. The audience will be able to enjoy a diverse range of music, from classical compositions by Bach to film scores by John Williams, including well-known works such as the "Bridal Chorus" and the theme song for My Neighbor Totoro. The experience will be enhanced with opportunities to switch seats for different acoustics, complementary performances on other keyboard instruments, special lighting effects, and informative explanations. These features aim to make the organ's diversity and charm more accessible and understandable to the audience.
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So for an hour each month from February to June this year, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
\n\nPrograms
\n\n\n\t\t\t 6/14(Wed)14:30-15:30 \n\n\t\t\tFurry Friends Carnival \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t In June, come and go wild with the organ as it livens up from SAINT-SAËNS' Carnival of the Animals. Then, we'll see some more fun and unique organ interpretations with scores from Studio Ghibli's My Neighbor Totoro and The Cat Returns, along with the music from the classic video game Super Mario Bros. To close this wild hour of animal-themed music, Dr. LIU will play French composer C. WIDOR's Toccata (from his Symphony No. 5), with its highly complex melody that the organ makes even more captivating. \n\t\t\t | \n\t\t|
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\n\t\t\t 2/22(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (close-up show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Valentine's Day, February's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\t\n\n\t\t\t To emphasize this distinction, BACH's Concerto in D Minor and WALTHER's Concerto in B Minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
\n\t\t\t 3/29(Wed)14:30-15:30 \n\n\t\t\tBach Do-Re-Mi \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Baroque composer BACH, known as the "father of classical music" and a household name in our day, was mostly famed as an organist in his own time. At the age of 18, he became the church organist and, as a devout Christian, wrote numerous hymns requiring exceptional skill. For the Explore the Pipe Organ event in March, five exquisite pieces by BACH, "Sheep May Safely Graze"and "Sleepers Awake," as well as three exciting and technically challenging prelude and fugues, will present the marvel of BACH's organ music. \n\t\t\t | \n\t\t|
\n\t\t\t 4/26(Wed)14:30-15:30 \n\n\t\t\tDancing Organ \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the advent of the Romantic period, composers became unshackled from the royal courts, which inspired more diversity in their music, that for the organ being no exception. For April's Dancing Organ program, organist Dr. LIU and Sean JACKSON will partner up in presenting France's Romantic period and adding interesting twists via other instruments: SAINT-SAËNS' Danse Macabre, Op. 40 will be performed on the harpsichord, creating a sense of fantasy, DEBUSSY's"Clair de lune" will be given a different atmosphere on the piano, and RAVEL's Boléro will be played jointly by both musicians on the organ (along with the well-known accompaniment of the snare) as proof of how the organ can indeed take the place of an entire orchestra. Meanwhile, French composer FRANCK's Prélude, Fugue and Variation will be performed on the positive organ and piano. You'll only see such a "family gathering" of keyboard instruments at Weiwuying's 2023 Explore the Pipe Organ series of events! \n\t\t\t | \n\t\t|
\n\t\t\t 5/10(Wed)14:30-15:30 \n\n\t\t\tInterstellar Journey \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t By the 20 th century, no longer relegated to the most sophisticated of venues, the organ had become an inseparable source of inspiration for popular music. One of film score composer John WILLIAMS' most famous pieces, "Imperial March" from Star Wars, grows even more resolute when played on the organ. "Interstellar Suite," composed by Golden Globe winner for Best Original Score Hans ZIMMER, produces a stark contrast between the boundlessness of the universe and the smallness of humanity by stacking notes on the organ. You can get a similar feeling from modern composers O. MESSIAN's L' Ascension and J. ALAIN's Litanies, which exhibit how modern religious music was brought closer to its human audience. You won't want to miss this journey through space with the organ in May! \n\t\t\t | \n\t\t|
在文明發展過程中,「動物」一直是啟發人類在科學與人文藝術等領域很重要的靈感,特別是在音樂方面,更是成為許多音樂家對於動物為創作的主題,無論是在模擬動物的型態、聲音,以及藉由動物的行為所引發人類情感層面的許多想像等,都反映在這些音樂創作當中。臺灣旅美青年鋼琴家涂祥,特別挑選古典音樂當中十多位作曲家所創作與動物主題相關的鋼琴作品,除了為數最多以鳥類為題的作品外,還有蝴蝶、企鵝、猴子、驢、烏龜、貓咪、老鼠、蛇以及瀕危物種等等,期盼在這些以動物等主角的音樂會中,透過涂祥精湛的鋼琴演奏,引領人們如同遨遊在動物王國的音樂綺想世界。
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演出曲目
\n\n畢琪:《傍晚的隱士畫眉鳥》,作品92,第1號
\n\n達岡:<布榖鳥>,選自大鍵琴作品第一冊第三組曲
\n\n庫普蘭:<黃鶯哀鳴>,選自第十四組曲
\n\n拉摩:<小鳥啾啾>,選自E小調組曲
\n\n梅湘:<白鴿>,選自《鋼琴前奏曲》
\n\n梅湘:<黃鸝鳥>,選自《鳥類圖鑑》
\n\n葛利格:<蝴蝶>、<小鳥>,選自《抒情小品集》,作品43
\n\n德弗斯基(約瑟夫.霍夫曼):<企鵝>,選自《三首印象》
\n\n維拉-羅伯斯:<紙板小貓>、<紙糊小老鼠>,選自《娃娃家族》第二冊
\n\n韓納:<小頭鼠海豚>、<穿山甲>、<遠東豹>,選自《瀕危物種》
\n\n伊貝爾:<小白驢>、<黃金龜首領>,選自鋼琴曲集《故事》
\n\n郭多夫斯基:<嘰嘰喳喳的猴子們>,選自《爪哇組曲》
\n\n蒙波:《悲鳥》
\n\n李斯特:<阿西吉的聖方濟向鳥兒佈道>,選自《傳奇曲》
\n\n舒曼(李斯特改編):《春夜》
\n\n波爾肯:<加州豪豬散拍>、<毒蛇之吻-散拍幻想曲>,選自《伊甸樂園》
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演出暨製作團隊
\n\n鋼琴|涂祥
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Praised by The New York Times for his "eloquent sensitivity" and The Boston Intelligencer for his "impeccable technique," pianist Hsiang Tu has graced the audience with his creative programming and wide range of repertoire. Hsiang is currently working on the complete cycle of piano solo works by Claude Debussy and Maurice Ravel. In this concert, the pianist Hsiang Tu will perform thematic recitals featuring animal-themed music from Messiaen, Beach, Grieg, Liszt, Ibert, Daquin, Hanna, Mompou, Michel Dvorsky, aka Josef Hofmann, Bolcom, Godowsky,Schumann, Villa-Lobos, and Copland.
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Program
\n\nAmy Beach, 1867-1944
\nA Hermit Thrush at Eve, Op. 92, No. 1
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Louis-Claude Daquin, 1694-1772
\nLe Coucou, from Premier Livre de Pieces de Clavecin, 3rd Suite
\n
\nFrançois Couperin, 1668-1733
\nLes Fauvettes Plaintives, from the 14th Ordre
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Jean-Philippe Rameau, 1683-1764
\nLe Rappel des Oisaeux, from Suite in E Minor
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Olivier Messiaen, 1908-1992
\nLa Colombe (The Dove), from Préludes pour piano
\nLe Loriot (The Golden Oriole), from Catologue d’oiseaux
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Edvard Grieg, 1843-1907
\nPapillon & Vöglein (Little Bird), from Lyric Pieces, Op. 43
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Michel Dvorsky, aka Josef Hofmann, 1876-1957
\nPenguine, from Trois Impressions
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Heitor Villa-Lobos, 1887-1959
\nO Gatinho de papelão & O Camondongo de Massa, from A Prole do bebê, II
\n\n
Pause
\n\n\n\n
Trent Hanna, b. 1969
\nEndangered Species (2015)
\n1. Vaquita
\n2. Pangolin
\n3. Amur Leopard
\n\n
Jacques Ibert, 1890-1962
\nLe Petit âne Blanc & La Meneuse de Tortues d’Or, from Histoires
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Leopold Godowsky, 1870-1938
\nChattering Monkeys, from Java Suite
\n\n
Federico Mompou, 1893-1987
\nPajaro triste
\n\n
Franz Liszt, 1811-1886
\n\nSt. François d’Assise. La prédication aux oiseaux, from Légendes
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Robert Schumann, 1810-1856 / F. Liszt
\nFrühlingsnacht
\n\n
William Bolcom, b. 1938
\nCalifornia Porcupine Rag
\nThe Serpent’s Kiss – Rag Fantasy, from The Garden of Eden
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Creative and Production Team
\n\nPiano|Hsiang Tu
\n\n\n\n
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輝昌因為只認識八個月的外遇對象梨花,要與結婚八年的妻子秀卿離婚。為守護自己的婚姻,秀卿不惜與丈夫對簿公堂,還是難留他的心。在秀卿與梨花之間,輝昌給不出任何承諾,最終作出讓兩個女人都心碎的決定,他的離開能否解決一切紛爭,秀卿與梨花又該如何撫平生命傷痛?
\n\n餐桌上難以下嚥的飯菜,婚姻關係中的無能與無奈——從痛苦到釋然,《清明時節》娓娓道來生命不可承受之「輕」。
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演出暨製作團隊
\n\n【演職人員名單】
\n\n原 著|鄭清文
\n\n改編/導演|吳念真
\n\n製 作|綠光創藝股份有限公司
\n\n執行導演|李明澤
\n\n演 員|柯一正、張玉嬿、游安順、張靜之、陳希聖、MCJJ、廖邱堃、王雅萍、林姿吟、林綉秦、曾意婷、許家瑋...等人(陸續增加中)
\n\n特別演出|吳念真
\n\n舞台設計|曾蘇銘
\n\n影像設計|王奕盛
\n\n音樂設計|聶琳
\n\n燈光設計|鄭智謙
\n\n服裝設計|林俞伶
\n\n舞台監督|鐘崇仁
\n\n舞台技術指導|曾嘉生
\n\n(主辦單位保留人員異動權)
\n\n\n\n
綠光劇團
\n\n創意顧問|吳靜吉
\n\n藝術監督|吳念真、柯一正
\n\n團 長|王芝方
\n\n行政總監|陳希聖
\n\n\n\n
綠光創藝股份有限公司
\n\n董 事 長|吳念真
\n\n總 經 理|王芝方
\n\n行政副總監|楊佩芬
\n\n行政經理|黃乃娟
\n\n行銷經理|李佳真
\n\n財務經理|吳青純
\n\n票 務|鄭睿芸
\n\n執行製作|陳右晏
\n\n行銷宣傳|羅明輝、陳良瑜
\n\n\n\n
場地合作夥伴|國家兩廳院(臺北場)
\n\n宣傳協力|PEPPER'S、法藍瓷
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f1050391bf792263b4b6e8d7731f780",title:"綠光30.創藝起飛《清明時節》2023 昇華版"}],related:[],title:"Light Moments",cover:"81c39960219671711704156504fd4fac",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Having an affair with Li-hua, a woman he met eight months ago, Chang-hui decides to divorce his wife Xiu-qing after eight years of marriage. To guard her marriage, Xiu-qing chooses to take her husband to court, still she fails to change his mind. Unable to make a commitment between Xiu-qing and Li-hua, Hui-chang eventually comes to a decision that breaks both women's heart. Will these issues be resolved with his leaving? How do Xiu-qing and Li-hua heal their pain?
\n\nFrom the dishes on the table that are hard to swallow to the inability and helplessness in marital relations, from feeling painful to feeling relieved, Light Moments slowly depicts the unbearable "lightness" of being.
\n\n\n\n
Creative and Production Team
\n\nAuthor|ZHENG Qing-wen
\n\nAdapted / Directed by|WU Nien-jen
\n\nProduced by|Greenray Inno-Art Inc.
\n\nExecutive Director|LEE Ming-ze
\n\nPerformers|KO I-chen, Crystal CHANG, YOU An-shun, Christine CHANG, CHEN Hsi-Sheng, MCJJ, Liao-chiu Kun, Cathy WANG, Bonnie LIN, LIN Xiu-qin, ZENG Yi-ting, Gary Hsu
\n\nGuest Appearance|WU Nien-jen
\n\nStage Design|ZENG Su-ming
\n\nMusic Design|NIEH Ling
\n\nLighting Design|ZHENG Zhi-qian
\n\nCostume Design|LIN Yu-ling
\n\nStage Director|ZHONG Chong-ren
\n\nStage Technical Support|ZHENG Jia-sheng
\n\n\n\n
\n',team:""},createdAt:1675333226,updatedAt:1686799907,updatedBy:"林蔚行",host:!1},{_id:"63e5af822d22db0007945260",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686465e3,discrete:[{time:1686465e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200],link:"https://www.opentix.life/event/1620268888037675013"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f657923787439382697fd52865dc64ae",title:"KSAF《自由的笙籟》吳巍與高雄市國樂團"}],related:[],title:"KSAF《自由的笙籟》吳巍與高雄市國樂團",cover:"8bbbd4f0cd6e58e5b5ed7d372632013c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
深具國際水準的演奏實力和獨特的個人魅力,旅德前衛笙演奏家-吳巍,再次受邀與台風充滿渲染力的指揮郭哲誠和高雄市國樂團同台演出。本場音樂會包含演奏實力深厚的高市國首席彭苙榳,以馬頭琴演繹《草原月夜》及《心語》,描繪蒙古草原渾然天成的生命氣息。音樂會壓軸則由創作量豐沛,並為世界各地音樂節,多次委創新曲的韓裔作曲家鄭逸鍊,在本場音樂會發表演出一首全新笙協奏曲,期盼能帶出國樂的更多表現性,結合吳巍擅長的現代風格大展拳腳。
\n\n\n\n
演出曲目
\n\n蘇文慶:《樂說大地》
\n\n青格勒:馬頭琴與樂隊《草原月夜》
\n\n青格勒:馬頭琴與樂隊《心語》
\n\n聶耳:《龍舞》
\n\n關迺忠:《墾丁三章》
\n\n鄭逸鍊:笙協奏曲(新創曲)世界首演
\n\n\n\n
演出暨製作團隊
\n\n指揮|郭哲誠
\n\n笙|吳巍
\n\n馬頭琴|彭苙榳
\n\n高雄市國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f657923787439382697fd52865dc64ae",title:"KSAF《自由的笙籟》吳巍與高雄市國樂團"}],related:[],title:"Wu Wei & KCO",cover:"8bbbd4f0cd6e58e5b5ed7d372632013c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Sheng virtuoso Wu, Wei is going to have another exciting collaboration with Kaohsiung Chinese Orchestra with his extraordinary skills and distinctive styles. Led by the conductor Kuo, Che-chen, the concert will present six works, including two pieces with horse head fiddle by the concertmaster of KCO, Peng, Li-ting. What's more, the concert will have a world premiere of a brand-new composition by the Korean-German Composer, Chung, Il-ryun, who specializes in writing music for western and Asian instruments.
\n\n\n\n
Program
\n\nSu, Wen-cheng: Beautiful Music on Our Land
\n\nChenghel: Prairie and Moonlit Night
\n\nChenghel: Words of Heart
\n\nNie, Er: Dragon Dance
\n\nKuan, Nai-chung: Three Chapters about Kenting
\n\nChung, Il-ryun: Sheng Concerto (World Premiere)
\n\n\n\n
Creative and Production Team
\n\nConductor|KUO, Che-chen
\n\nSheng|WU, Wei
\n\nHorse Head Fiddle|PENG, Li-ting
\n\nKaohsiung Chinese Orchestra
\n\n\n\n
\n',team:""},createdAt:1675997058,updatedAt:1676022937,updatedBy:"林蔚行",host:!1},{_id:"63e5f38263d885000ae595db",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1686396600,discrete:[{time:1686396600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1e3,1600,2200,2800,3200],link:"https://www.opentix.life/event/1621407892908937218"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9e077ff8ea7054b69af67c461fca2b88",title:"《寶島一村》"}],related:[{from:"programs",key:"63f872bcabd333000ac8e9df",title:"【大師講座】遇見當代達文西-探索羅伯.勒帕吉的創意世界"},{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"}],title:"《寶島一村》",cover:"0b4c1ee93aead92355890592db6daaf2",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
「看得我如醉如癡,時而感傷時而欣慰,有時大笑,有時哭得抽泣;淚還沒乾又破涕而笑;還沒笑完又哭將起來。」——林青霞,《蘋果日報》
\n\n「《寶島一村》是我們這個年代話劇舞臺上的巔峰之作……如果《暗戀桃花源》是清新雋永的散文,《寶島一村》就是盪氣迴腸的史詩。」——周黎明,《新京報》(北京)
\n\n「《寶島一村》在臺灣成就卓越,首演後立即加演,總是一票難求。」——《BBC 英國廣播公司》
\n\n「毫無疑問,『寶島一村』是2010年華語戲劇舞臺上最驚豔的一齣。」——中國新聞周刊
\n\n有觀眾在網上發表觀後感「無語」、「無題」,這位觀眾說,無語是因為高山仰止,不以言說;無語是因為想不出好標題匹配「寶島一村」的高度。——中央社
\n\n\n\n
《寶島一村》總演出場次將近300場,創造40萬名觀眾,魅力橫掃全球華人世界,是華語劇場罕見的紀錄。這是眷村的故事,也是臺灣的故事。願《寶島一村》散發出的生命力能讓我們更珍惜我們的歷史、我們的生命。
\n\n自2008年12月5日於國家劇院首演的那一天開始,這部戲演遍世界上有中國人的地方,把臺灣眷村這段差一點被歷史遺忘的故事深深植入各處中華子弟心中。《寶島一村》總演出場次將近300場,創造40萬名觀眾,魅力已經橫掃全球華人世界,是華語劇場罕見的紀錄。這是眷村的故事,也是臺灣的故事。願《寶島一村》散發出的生命力能讓我們更珍惜我們的歷史、及我們的生命。
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|表演工作坊文化創意股份有限公司
\n\n編劇、導演|賴聲川、王偉忠
\n\n演員|屈中恆、徐堰鈴、馮翊綱、范瑞君、那維勳、黃士偉、蕭艾、朱德剛等。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9e077ff8ea7054b69af67c461fca2b88",title:"《寶島一村》"}],related:[],title:"The Village",cover:"0b4c1ee93aead92355890592db6daaf2",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
"The pinnacle of our era of theatre." ——Beijing News
\n\n\n\n
The Village is based partially on childhood stories of Taiwan's most prominent television producer, Wang Weizhong, and is written and directed by Stan Lai, the most celebrated playwright-director of his generation. Since its premiere in 2008, the play has electrified audiences throughout the Chinese speaking world, becoming one of the milestone productions of recent years. The Village is a theatrical record of a special piece of history. It is an epic and radiant celebration of life in all its tragic and comic splendor.
\n\n\n\n
Creative and Production Team
\n\nPlaywright / Director|Stan LAI
\n\nCollaborating Playwright / Director|WANG Wei-Chung
\n\nProducer|DING Nai-Chu
\n\nExecutive Producer|HSIEH Ming-Chang and LAN Ta-Peng
\n\nSet Design|Austin WANG
\n\nLighting Design|Michael Lizen CHIEN
\n\n\n\n
\n',team:""},createdAt:1676014466,updatedAt:1677980970,updatedBy:"黃薏靜",host:!1},{_id:"63e609b163d885000ae59ae0",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686465e3,discrete:[{time:1686465e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,700,1e3],link:"https://www.opentix.life/event/1589497585020989442"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"be374b42110ac79f014b340f6496ebef",title:"《愛笑斯坦3號作品:科技笑年奇妙物語》"}],related:[],title:"《愛笑斯坦3號作品:科技笑年奇妙物語》",cover:"fcfa835164c7f57c125d06500222340a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
★「這場真的很好看!最後一個表演直接讓現場嗨翻天誒~唱跳那裡超級優秀且洗腦!很讚的一場演出~期待下次見到你們!」── 2022首演場觀眾
\n\n★「會說、能演、能唱、能跳,好可愛的一群相聲演員,而且對粉絲真好。聽完這場直接被圈粉了,孩子一路笑到岔氣!很愉快的相聲初體驗。」── 2022首演場觀眾
\n\n★「很喜歡看相聲,以為中國相聲很頂,看了愛笑斯坦發現你們真的是宇宙無敵史上最強相聲演員,奧斯卡都欠你們一座獎!」── 2022首演場觀眾
\n\n\n\n
愛笑斯坦 3號新作熱烈出巡!
\n\n臺北首演大好評,相聲男團首次前進國家級殿堂!
\n\n後疫情時代,黑科技當道
\n\n愛笑斯坦突破腦洞極限
\n\n用相聲、喜劇笑看科技與人心
\n\n打造當代奇妙物語!
\n\n相聲男團化身5G「笑」年
\n\n笑出科技の巔!
\n\n笑出相聲元宇宙!
\n\n\n\n
演出曲目
\n\n喜劇小品《愛呀!不要逼我》
\n\n對口相聲《遇見100%女孩》
\n\n對口相聲《超級騙遍遍》
\n\n對口相聲《超跑情人夢》
\n\n群口相聲《TQT Boys》
\n\n\n\n
演出暨製作團隊
\n\n製作人|葉怡均
\n\n總監|洪慶坤
\n\n編劇|全體演員
\n\n行政主任|蘇妙柔
\n\n企劃主任|林珮珍
\n\n執行製作|段彥希
\n\n平面設計|李盛弘
\n\n宣傳|北曲文化股份有限公司
\n\n演員|段彥希、宋明翰、洪子晏、吳思偉、吳胤頡
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"be374b42110ac79f014b340f6496ebef",title:"《愛笑斯坦3號作品:科技笑年奇妙物語》"}],related:[],title:"Tales of Tech Boys",cover:"fcfa835164c7f57c125d06500222340a",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Receiving sensational responses in 2022,
\n\n《Tales of Tech Boys》is heading to national theaters this year!
\n\nLiving in such a post-epidemic era,
\n\nWe are dedicated to explore the relationship between technology and humanity.
\n\nCombining crosstalk, technology, and anecdotes,
\n\nThis performance is full of unexpected punchlines and will never gonna let you down!
\n\n\n\n
Creative and Production Team
\n\nProducer|YEH Yi-Ceun
\n\nManaging Supervisor|HUNG Ching-Kun
\n\nPlaywright|The Entire Cast
\n\nAdministration Supervisor|SU Mao-Jou
\n\nPlanning Supervisor|LIN Pei-Chen
\n\nExecutive producer|TUAN Yan-Shi
\n\nVisual Designer|LEE Sheng-Hung
\n\nMarketing|TQT Culture Co., Ltd.
\n\nActor|TUAN Yan-Shi、SUNG Ming-Han、HONG Tzu-Yen、WU Shi-Wei、WU Yin-Chieh
\n\n\n\n
\n',team:""},createdAt:1676020145,updatedAt:1676366923,updatedBy:"林蔚行",host:!1},{_id:"63eb27e1abd333000ac6ea92",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685773800,discrete:[{time:1685773800},{time:1685791800},{time:1685860200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1200,1600,2e3,2500,3e3,3500],link:"https://www.opentix.life/event/1620331396179247105"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"71c56b9d1fdd0bf3882da06d9f7938dc",title:"KSAF歌劇《愛情靈藥》"}],related:[{from:"programs",key:"6449e8223fb0e90007c2dea2",title:"神啊!請賜給我愛情的靈藥—歌劇講座"},{from:"programs",key:"63faf904abd333000ac95899",title:"【大師講座】馬克・摹雍:巴洛克聲樂之獨特演繹"}],title:"KSAF歌劇《愛情靈藥》",cover:"64d277e4c8b5636403aaacd49c6afe35",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
【愛情靈藥】是義大利美聲歌劇家董尼采第代表作。《愛情靈藥》首演於1832年意大利米蘭,在這齣描寫鄉間男女情愛與江湖術士招搖撞騙的喜劇,卓越迷人的聲樂旋律、細膩人物刻畫、強烈的戲劇佈局,塑造了意大利歌劇藝術和聲樂藝術的深厚傳統。多年來歷演不衰,其中一個原因是劇中第二幕最美最著名的詠嘆調《一顆偷偷落下的眼淚》(Una furtiva lagrima),即使是不熟識歌劇的人也會聽過。」向人證明這位偉大作曲家的作品即使已過186年,其永恒的愛情主題和動人的聲樂旋律,仍經得起時間的考驗。直至今日,依舊是世界最受歡迎的喜歌劇。
\n
演出暨製作團隊
\n\n指 揮|楊智欽
\n\n導 演|安·霍奇斯Ann Hodges
\n\n樂 團|高雄市交響樂團
\n\n阿 蒂 娜Adina|凱瑟琳·聖阿諾Catherine St-Arnaud(下午場)、賴珏妤(晚上場)
\n\n內摩利諾Nemorino|安德魯·哈吉Andrew Haji(下午場)、黃亞中(晚上場)
\n\n杜卡馬拉Dulcamara|丁一憲
\n\n貝爾柯雷Belcore|趙方豪
\n\n江 妮 塔Giannetta|吳佳芬
\n\n合 唱 團|微行星聲樂藝術工房
\n\n聲樂指導|徐嘉琪
\n\n合唱指導|陳翰威、梁聖凱
\n\n助理導演|陳御弼
\n\n舞台設計|陳慧
\n\n服裝暨整體造型設計|林秉豪
\n\n燈光設計|林育誠
\n\n※主辦單位保留節目異動權。
\n\n\n\n
藝術家介紹
\n\n導演 Director|安·霍奇斯Ann Hodges
\n\n安・霍奇斯畢業於加拿大國家戲劇學導演專業,是加拿大溫尼伯的劇院/歌劇院導演和編劇,活躍於加拿大各地。她執導過無數歌劇作品,其中包含:《蝴蝶夫人》、《蝙蝠》、《愛情靈藥》、《伊多梅美尼》、《阿里歐唐德》、《托斯卡》、《杜蘭朵》、《魔笛》等。她曾在溫哥華歌劇院擔任駐場助理導演3季,參與完成多達11部歌劇。在此期間,她接受委託為青年觀眾編寫與執導了以下改編歌劇:《灰姑娘》、《巴克維爾理髮師》和《糖果屋》,這三齣歌劇後來在加拿大各地多次上演。由她擔任編劇和執導的溫哥華歌劇院備受讚譽的作品《娜歐蜜的路》創下全美與全加拿大超過400場的巡迴演出紀錄。安也為許多歌劇編寫全新英文台詞,包括《蝙蝠》、《聯隊之花》、《魔彈射手》以及《後宮誘逃》。
\n安擔任編劇和執導的溫哥華歌劇院備受讚譽的作品《娜歐蜜的路》,也創下全美與全加拿大超過400場的巡迴演出紀錄。 不僅是歌劇/音樂劇,安在電視劇界也是相火紅,執導作品有:《八月心風暴》、《雅嘎》、《金錢太保》、《頂尖女郎》、《惶惶不安》、《黑咖啡》、《哈維》、《關於鳥和蜜蜂的事(基本性知識)》、《屠夫》、《神秘面具》等知名劇碼。
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女高音 Soprano|凱瑟琳·聖阿諾Catherine St-Arnaud
\n\n凱瑟琳·聖阿諾是新興的加拿大女高音,以清澈的音色與豐富的演繹聞名於世。身為歐洲國際藝術大獎的歌唱類大獎得主,憑著優異表現在許多國際性比賽上嶄露頭角,包括蒙特婁交響樂團大賽以及拉梅克國際藝術節比大賽中獲獎。不管是美聲還是巴洛克風格的曲目她都熠熠生輝,合作過的交響及室內樂團包括:蒙特婁大都會交響樂團、斯洛伐克科希策國家愛樂、巴洛克音樂協會、演奏的大鍵琴樂團、蒙特婁古代音樂工作室、蒙特婁巴赫音樂節、蒙特婁巴洛克音樂節、蒙特婁歌唱藝術協會以及音樂藝術基金會等。
\n上個季度,凱薩琳首次與魁北克歌劇院合作,在董尼才第的作品《愛情靈藥》中扮演阿蒂娜以及與加拿大蒙特利爾大芭蕾舞團合作,在他們改版的胡桃鉗舞劇中擔任維拉羅伯斯的第五號巴哈風格的巴西舞曲的女高音獨唱。這位來自加拿大拉努迪爾的女高音也在《阿爾貝婷的五個階段工作室》中扮演30歲的阿爾貝婷,這齣全新歌劇的音樂創作人是凱薩琳梅傑,歌詞創作則是米卻崔伯。其他演出作品還包括在《大師班》(在魁北克歌劇節)中扮演傳女高音蘇菲狄帕瑪以及《公爵夫人的唐-吉诃德》 (與奇想合奏團合作)中扮演公爵夫人阿爾悉朵。
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女高音 Soprano|賴珏妤
\n\n畢業於國立臺灣師範大學音樂系,師事李靜美教授、楊艾琳教授,畢業後隨即考取台灣兩廳院第一屆歌劇工作坊,並於一年期滿後考取英國倫敦皇家音樂學院,師事女高音Amanda Roocroft、Rosa Mannion,2010年獲英國皇家音樂院音樂碩士學位。曾受邀至英國倫敦柯芬園皇家音樂廳參與董尼采第歌劇《夏莫尼的琳達》演出暨錄音;另也受邀至英國倫敦國家畫廊、英國倫敦聖史蒂芬教堂演出、德國威瑪《抒情歌劇工作坊》演出莫札特歌劇《魔笛》之夜后。
\n\n2014年獲選台北巴赫廳《巴赫新聲》、德國萊比錫克拉拉舒曼Lieder Duo大賽首獎。演出經歷包括兩廳院歌劇工作坊《睡美人》之公主,創世歌劇團《女人皆如此》之Despina、《卡門》之Frasquita,高雄春天藝術節《茶花女》之Annina、《卡門》之Frasquita,並受邀至義大利各地戶外音樂節巡迴演出、日本大槌音樂祭及日本花卷平和音樂祭等。NSO國家交響樂團《修女安潔莉卡》、兩廳院新點子樂展《遶境共生》之獨唱群、台北愛樂管弦樂團《女人皆如此》之Despina,陽光愛樂交響樂團《糖果屋》之Gretel,兩廳院歌劇工作坊《三隻小豬》《小木偶》及衛武營《憨第德》之Paquette。
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男高音 Tenor|安德魯·哈吉Andrew Haji
\n\n加拿大籍男高音安德魯·哈吉 是當前北美與歐洲歌劇界和音樂會最炙手可熱的歌手之一。哈吉在聖塔芭芭拉的歌唱大賽以及加拿大歌劇團的年度新秀工作室都有優異表現,也在荷蘭斯海爾托亨博斯舉辦的第50屆國際聲樂公開賽榮獲大獎以及 #蒙特婁國際音樂大賽的安大略獎及梅克倫堡-#西波美拉尼亞音樂獎獲得殊榮。
\n哈吉也與加拿大歌劇團合作,在溫哥華歌劇院上演的《愛情靈藥》擔綱男主內摩利諾、跟多倫多交響樂團合作貝多芬《第九號交響曲》、與基奇納-滑鐵盧愛樂大合唱團合作、在埃洛拉音樂節開幕夜音樂會演出《彌撒亞》等。他擔綱演出的作品包括《塞維利亞的理髮師》的阿爾瑪維瓦伯爵以及《女人皆如此》的費朗多軍官。哈吉在薩爾茲堡音樂節的首秀是在董尼才第的《盧克雷齊亞·波吉亞》挑大樑。在韋克斯福德歌劇節,哈吉在費利西安大衛的《赫庫蘭尼姆》擔綱演出赫利俄斯、在聖路易歌劇院上演的《波希米亞人》擔任男主魯道夫。
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男高音 Tenor|黃亞中
\n\n1989年生於臺北市。啟蒙於廖聰文老師,就讀東吳大學音樂學系期間師事於孫清吉教授,於2011年畢業。2018年畢業於德國柏林藝術大學(Universität der Künste Berlin),取得雙碩士學位,主修歌劇(Master Oper)以及藝術歌曲暨神劇(Master Lied/ Oratorium/ Konzert),師事於KS Markus Brück。
\n2017年黃亞中獲邀於柏林德意志歌劇院(Deutsche Oper Berlin)客席演出普契尼歌劇《蝴蝶夫人》,於其中飾演五郎 Goro一角。同年獲得 Förderkreis der Deutschen Oper Berlin之獎學金,旋即與柏林德意志歌劇院簽下合約,成為該劇院駐院男高音獨唱歌手至今。合作過的名指揮家如:Sir Simon Rattle, Sir Donald Runnicles, Carlo Rizzi..等,並與名歌手Anna Netrebko, Leo Nucci, Roberto Alagna, Klaus Florian Vogt, Sir Bryn Terfel, Diana Damrau..等人同台演出。黃亞中於柏林德意志歌劇院新製作華格納《尼貝龍根的指環》中飾演 Mime,以及於《紐倫堡的名歌手》中飾演 David,兩個製作皆由Naxos唱片公司錄製並出版。2023年他將與名指揮 K. Petrenko以及挪威卑爾根愛樂交響樂團(Bergen Philharmonic Orchestra)於卑爾根客席演出,也會在荷蘭阿姆斯特丹王家音樂廳(Koninklijk Concertgebouw)演出華格納《齊格飛》中 Mime一角。
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男中音 Baritone|丁一憲
\n\n德國歌劇院_森柏德勒斯登歌劇院駐院獨唱家_丁一憲,自韓國首爾國立大學畢業後,即前往德國慕尼黑音樂戲劇學院取得歌劇、神劇/藝術歌曲文憑,另外也取得了歌劇的最高文憑。
\n丁一憲也在歐洲許多重要劇院擔任嘉賓歌手,包含National Opera Basel, National Opera Prinzregententheater Munich, Metz Metropolitan Opera France, Tonhalle Zürich, KKL Luzern, Schlossoper Haldenstein Opera festivals in Swiss, Dresdner Musikfestspiele, Sächsische Staatskapelle, Dresden Philharmonic, Korean SymphonyOrchestra 等。丁一憲目前為南韓最炙手可熱的男中音。近年在首爾大劇院和韓國國家歌劇院擔任多部歌劇要角。近年在台灣亦有所發展,2021年於台中歌劇院歌劇製作《塞維亞理髮師》中,擔任主角費加洛;2018年曾在台灣高雄春天藝術節的歌劇《波希米亞人》” La Bohéme”中,受邀擔綱畫家馬切洛(Marcello)。現任國立臺灣藝術大學專任助理教授。
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男中音 Baritone|趙方豪
\n\n男中音,德國威瑪李斯特音樂學院最高演奏家演唱文憑。目前任教於東海大學、臺灣師範大學音樂系。歌劇演出經驗豐富,參與製作包括2014-2017年創世歌劇團《波希米亞人》、《女人皆如此》、《卡門》;2016年吉隆坡城市歌劇公司《波希米亞人》、臺北市立交響樂團《聰明的女人》;2017年台北歌劇劇場《浮士德》、NSO國家交響樂團浦契尼歌劇三部曲《強尼.史基基》;2018年臺北愛樂管弦樂團《女人皆如此》、高雄春天藝術節《波希米亞人》、國立臺灣交響樂團《西城故事》;2019年NSO《托斯卡》、《風流寡婦》、臺中國家歌劇院《諸神黃昏》;2020年臺中國家歌劇院《波希米亞人》;2021臺中國家歌劇院遇見巨人-華格納歌劇《唐懷瑟》;2022台中國家歌劇院夏日放/FUN時光—洪伯定克歌劇《糖果屋》、遇見巨人—莫札特歌劇《魔笛》。
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女高音 Soprano|吳佳芬
\n\n來自臺灣嘉義,旅居比利時多年的女高音吳佳芬,共取得國立臺北藝術大學學士及碩士學位、英國皇家音樂院(Royal College of Music)演唱文憑,及比利時國際歌劇學院(International Opera Academy)表演文憑等資格。其後獲得比利時法蘭德斯歌劇芭蕾舞劇院(Opera Ballet Vlaanderen)合唱團終身職,曾參與過近百部歌劇製作,目前並任比利時國際歌劇學院董事。旅歐期間,多次以聲音行動為臺灣發聲,將優秀臺灣音樂及音樂家介紹給歐洲的聽眾。
\n近年重要歌劇舞台演出包括威爾第《弄臣》吉爾達、《馬克白》馬克白夫人侍女、普羅高菲夫《賭徒》白色夫人、理夏德・史特勞斯《納克索斯島上的阿里亞德奈》迴聲仙子、佛朗茲・施雷克爾《根特的鐵匠》聖母瑪利亞。音樂會演出亦擔任莫札特《安魂曲》、《C小調彌撒》、韓德爾《彌賽亞》、馬勒《第四號交響曲》、舒曼清唱劇 《浮士德》等女高音獨唱。
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指揮 Conductor|楊智欽
\n\n現任高雄市交響樂團指揮。畢業於俄羅斯國立葛涅辛音樂學院。音樂風格細膩,流暢優美,嚴謹的工作態度與對樂譜的忠實解讀,使其演出均獲愛樂者熱烈迴響。其演出類型廣泛,除經典管絃曲目外,對於跨界、歌劇、芭蕾製作及演出經歷也極為豐富,包含高雄春天藝術節草地音樂會、大型自製節目與全本歌劇製作等。
\n敏銳的音樂性及靈活的樂團掌握能力,讓他跟國內外優秀獨奏家與樂團的合作,激盪出精彩火花,包括:小提琴家列賓、諏訪內晶子、鋼琴家波哥雷里奇、加伏里洛夫、白建宇,大提琴家蓋哈特、楊文信;俄羅斯史維特蘭諾夫交響樂團、德國符騰堡愛樂交響樂團、羅馬尼亞布拉索夫愛樂、日本金澤管弦樂團、國立台灣交響樂團、台北市立交響樂團..等。2017年率高雄市交響樂團赴日本金澤「貝多芬音樂節」演出,更獲聽眾及樂評一致讚賞。2021年率團於衛武營音樂廳錄製柴可夫斯基第四號交響曲專輯唱片。2022年應邀參加衛武營國家藝術文化中心製作之瘋迷24舒伯特與國際藝術節演出。
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高雄市交響樂團 Kaohsiung Symphony Orchestra
\n樂在,你也在。-年輕的樂團 堅定向前行
\n1981年初創,2000年正名為「高雄市交響樂團」,2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,成為國內首度以基金會營運樂團之先聲。成立迄今,樂團以高雄代表自許,不斷的與國際級指揮與名家大師們合作共鳴,勇於嘗試多元型態的演出,兼具古典與跨界是樂團發展的主軸,為樂迷創造更多優質的音樂饗宴,也培育無數表演與欣賞的種子,延展古典音樂創新的鴻翅。
近年來,樂團擔任高雄春天藝術節演出要角,成功打響藝術節「草地音樂會」及全本歌劇製作品牌;同時持續受邀參與衛武營國家藝術文化中心自製節目,精湛演出受國內樂壇及樂迷一致肯定。在國際舞台上,樂團足跡遍及多個國際城市,逐步跨越城市與國界,以國際級樂團為自我提升與成長目標,堅定向前。
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"71c56b9d1fdd0bf3882da06d9f7938dc",title:"KSAF歌劇《愛情靈藥》"}],related:[],title:"KSAF \"Donizetti:L'elisir D'amore\"",cover:"64d277e4c8b5636403aaacd49c6afe35",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
L'Elisir D'Amore, is a work vintage Donizetti, the famous Italian opera composer. This two-act opera combining touching romance and a quack's fool tricks contribute to an amusing comedy. With beautiful melodies, fine characterization and strong dramatic plots, it has shaped the deep tradition of Italian opera and vocal art. It remains the world's most popular and beloved comic opera to this day.
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Creative and Production Team
\n\nConductor|YANG Chih-Chin
\n\nDirector|Ann HODGES
\n\nOrchestra|Kaohsiung Symphony Orchestra
\n\nPerformer|Catherine STARNAUD / LAI Chueh-yu / Andrew HAJI / HUANG Ya-chung / Ilhun JUNG / CHAI Fang-hao / WU Chia-fen
\n\nChorus|Planetesimal Vocal Art Studio
\n\nVocal Coach|HSU Chia-chi
\n\nChorus Coach|CHEN Han-wei, LIANG Sheng-kai
\n\nSet Design|CHEN Hui
\n\nCostume|LIN Bing-hao
\n\nLighting|LIN Yu-cheng
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狂美精選多部話題度最高的動畫作品,從80年代起的七龍珠、灌籃高手、名偵探柯南、神奇寶貝,到近代的航海王、火影忍者、鬼滅之刃…等,與最具創意的「嚎哮排演」以多面向的戲劇表演、喜劇段子、復刻經典畫面和劇情橋段,加上狂美詮釋的主題曲,讓您一次滿足所有想像可能!
\n2023年盛夏,萬眾期待的狂美《卡通動畫跨世代》,絕對讓你秒秒沸騰、聲聲入魂。15首橫跨時代的卡通動畫主題曲,等您走進劇場與我們重溫笑容與感動!
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演出曲目
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演出暨製作團隊
\n\n製作人|劉可婕 (狂美交響管樂團 總監)
\n\n監製、指揮|謝韋民 (狂美交響管樂團 團長)
\n\n特邀演出|嚎哮排演-黃建豪、蕭東意
\n\n演出團隊|狂美交響管樂團
\n\n燈光設計|范植鈞
\n\n視覺設計|趙寶婷
\n\n文案企劃|劉可婕
\n\n燈光工程|榮陽藝術有限公司
\n\n音響工程|翰星藝聲光有限公司
\n\n行銷協力|獨秀文化有限公司
\n\n影音記錄|奧美視有限公司
\n\n影像紀錄|趙家緯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5d2b60cef4bb89726d0d40be02992518",title:"《卡通動畫跨世代》交響音樂會"}],related:[],title:"Symphonic Concert: Cartoons Across the Generations",cover:"e8c019209117e4961d7387b76e8b2c61",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Conbello Symphonic Band selects multiple high topicality animation works, from the 80's to modern, performing with the most creative group HaoxHsiao Troupe, acting muti-faceted drama and comedy jokes, re-engraved classic pictures and plots, allowing you to meet all imagination possibilities at once.
\nIn 2023 summer,the much-anticipated《Cartoons Across the Generations》definitely makes you powerful and emotional. We select 15 cartoon theme songs which across the generation, hoping you can join us relive the smiles and the touches.
\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nProducer|LIU Ke-Chieh
\n\nExecutive Producer, Conductor|HSIEH Wei-Min
\n\nGuest Performer|HaoxHsiao Troupe(HUANG Chien-Hao, HSIAO Tung-Yi)
\n\nPerformer|Con Bello Symphonic Band
\n\nLighting Designer|FAN Chih-Chun
\n\nVisual Desinger|CHAO Pao-Ting
\n\nCopywriter|LIU Ke-Chieh
\n\nLight Execution|Straw Star Art Co., Ltd.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\nVideo record|Ao Mei Shih Co., Ltd.
\n\nPhhotographer|CHAO Chia-Wei
\n\n\n\n
\n',team:""},createdAt:1676538768,updatedAt:1677980878,updatedBy:"黃薏靜",host:!1},{_id:"63f46e1eabd333000ac84d6d",catalogs:["5aec45edb01ea6000520f655","6007fc45ba34870007c22b8b"],dateTime:{first:1687010400,discrete:[{time:1687010400}],type:"discrete"},activity:{type:"signup",signup:{limit:25,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"custom_text_1676963316051",text:"姓名 Name",english:""},{required:!0,key:"custom_text_1676963316871",text:"電子郵件地址 E-mail Address",english:""},{required:!0,key:"custom_text_1676963317579",text:"聯絡手機號碼 Phone number",english:""},{required:!0,key:"custom_text_1676963318468",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:""},{required:!0,key:"custom_text_1676963319199",text:"郵寄地址(申請退費時使用)Mailing address",english:""}],vip:{start:1676959200,end:1686758399},open:{start:1676959200,end:1686758399},description:'
好奇一部精采節目的製作過程嗎?
\n\n好奇演出結束後的劇場舞台在做什麼嗎?
\n\n現今世界最大單一屋頂劇院—衛武營,不只舞台上的演出精彩,隱身背後的後台工作空間及製作過程一樣精采可期,由場館資深工作人員從製作為您解說這之中精準的設計執行與工作甘苦談,並率領觀眾走上衛武營歌劇院舞台,掀開劇場的神秘面紗!
\n\n歡迎對劇場有無限好奇、夜貓子一族的您,這一晚,邀您一起夜遊劇場!
\n\n限量席次,獨家體驗!
\n\n\n\n
★拾念劇集×無獨有偶×施如芳《鯨之嶋》
\n\n夜遊景點
\n\n營運辦公室入口集合 →歌劇院《鯨之嶋》舞台 → 歌劇院休息室後台化妝室 → 西碼頭
\n\n\n\n
夜遊領隊
\n\n《鯨之嶋》製作人│蔡菁芳
\n\n近期表演藝術經歷:拾念劇集《鯨之嶋》、《金銀鐲》、《大神魃.世界之夢》、《蓬萊》製作人。曾任寶藏巖國際藝術村專案經理、國立中央大學黑盒子表演藝術中心企劃經理暨宣傳統籌,2016年起迄今任趨勢教育基金會專案經理,期許自己能更多元地認識與執行劇場的各種面相,與大家一同感受表演藝術的魔力。
\n\n\n\n
《鯨之嶋》偶戲導演│鄭嘉音
\n\n無獨有偶劇團藝術總監,擅長使用形體與物件在空間中的流動營造詩意視覺意象,引領將「偶」作為當代劇場重要表現媒介的前衛思潮。其作品經常受邀於國際演出,並曾獲傳藝金曲獎,及多次入圍台新藝術獎。近年積極投入「利澤國際偶戲藝術村」、「國際偶戲職人學校」之國際交流與專業人才培育,對於臺灣當代偶戲蓬勃豐展貢獻卓著。
\n\n\n\n
報名對象與方式
\n\n\n\n
演出節目資訊
\n\n►2023/6/17(六)19:30、6/18(日)14:30 歌劇院
\n\n\n\n\n\n
\n',team:""},createdAt:1676963358,updatedAt:1685426783,updatedBy:"林蔚行",host:!0,hasSignup:!0},{_id:"63f5ac86abd333000ac87c30",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687347e3,discrete:[{time:1687347e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1500],link:"https://www.opentix.life/event/1624065698361954306"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0cb6fea2e186fbe547d91bac74e0d87",title:"《NTSO顛峰之作,馬勒第九—水藍與國臺交》"}],related:[{from:"programs",key:"63f872bcabd333000ac8e9df",title:"【大師講座】遇見當代達文西-探索羅伯.勒帕吉的創意世界"},{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"}],title:"《NTSO顛峰之作,馬勒第九—水藍與國臺交》",cover:"77b2efa1f7ed566051e7580b1aee21c8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
交響曲的創作,向來有「第九號魔咒」的說法。自貝多芬以降,交響曲越寫越精,越寫越長,數量越寫越少。新作要能有超越舊作之處,等到創作第九首時,作曲家已經窮究事理,參透世情,再寫下去,就會洩漏天機,所以會被「召回」。
\n\n「魔咒」當然有例外,但是沒有跨越第九號門檻的作曲家,世人就會把第九號看作創作的巔峰、人生的究極。是否如此,在國臺交臺北、臺中、高雄三場由水藍指揮的馬勒第九號交響曲,聽眾可以自己體會。
\n\n《大地之歌》與第九號交響曲是馬勒同時創作的作品,前者以管弦樂團搭配人聲,後者是純粹器樂作品,或許也可以把兩部作品看成馬勒面對人生終點的音樂表述,只是形式媒介不同而已。
\n\n《大地之歌》把〈送別〉放在結尾,最後以微弱的「永遠」結束。第九號交響曲第四樂章是「非常慢但有節制的」慢板,最後樂聲消散,復歸寂靜,沒有救贖的喜悅,沒有高張的情緒,但也沒有哭天搶地的哀傷,只有還諸天地的淡然與漠然──但是,不包括超然。馬勒在第二樂章寫了生氣勃發的蘭德勒舞曲,但音樂在旋轉中卻時有扭曲解體之虞。到了第三樂章的輪旋曲更是五味雜陳;這是「這個世界必須無所不包」的結果,而馬勒驅動賦格的技法來駕馭紛雜,終究維持了音樂於不墜。
\n\n\n\n
演出曲目
\n\n馬勒:D大調第九號交響曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|水藍
\n\n國立臺灣交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f0cb6fea2e186fbe547d91bac74e0d87",title:"《NTSO顛峰之作,馬勒第九—水藍與國臺交》"}],related:[],title:"Peak Masterpiece: Mahler No. 9 - Lan Shui & NTSO",cover:"77b2efa1f7ed566051e7580b1aee21c8",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Starting with Beethoven, composers began to produce lesser symphony compositions, yet the works became longer and more intricate. And when it comes to symphony composition, there is the so-called "Curse of the 9th": if the composer's ability improves with each symphony, then by the time they write their ninth symphony, it usually means the composer has learned the ultimate truth. If allowed to continue to create music, they will expose the secrets of the heavens and thus has to be "recalled".
\n\nOf course, there are exceptions to the Curse. However, if the composer does not have better creations than their ninth symphony, then the world would consider their ninth as the peak of their composition and life. Is this fair? Come experience Mahler's Symphony No. 9 in D Major presented by NTSO and conductor Lan Shui at Taipei, Taichung, or Kaohsiung, and decide for yourself.
\n\nMahler worked on "Das Lied von der Erde" and Symphony No. 9 in D Major at the same time. "Das Lied von der Erde" combines orchestral music with vocals while Symphony No. 9 is purely orchestral music. Maybe we can catch a glimpse of Mahler's thoughts on the end of life through these two different forms.
\n\n"Das Lied von der Erde" ends with "The Farewell" as the final movement and concludes with a fading "forever". The fourth movement of Mahler's Symphony No. 9 is a "very slowly and held back" adagio. In the end, the music fades away into silence, there is no joy of redemption, no passionate emotions, and no heart-wrenching sorrow. Only a sense of indifference of returning everything to heaven and earth - yet the composer is not completely at peace. In the second movement, Mahler wrote a lively Ländler which becomes distorted to a point that it no longer resembles a dance, and the rondo in the third movement is even more confusing. Wishing to express the idea of "this world must include everything", Mahler used the double-fugue technique to control the chaos and managed to maintain the integrity of the composition.
\n\n\n\n
Program
\n\nG. Mahler: Symphony No. 9 in D Major
\n\n\n\n
Creative and Production Team
\n\nConductor|Lan Shui
\n\nNational Taiwan Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1677044870,updatedAt:1679651678,updatedBy:"林蔚行",host:!1},{_id:"63f5b0f87700940008091d3d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1688279400,discrete:[{time:1688279400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,1500,2e3],link:"https://www.opentix.life/event/1624375106712784898"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e1be791492e9c55216aeb6e75bb28455",title:"《NTSO顛峰之作,布魯克納第九—水藍,堤剛與國臺交》"}],related:[],title:"《NTSO顛峰之作,布魯克納第九—水藍,堤剛與國臺交》",cover:"26202a43fcc6ca731401683c110774cb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
大藝術家走到人生邊上的風景,常人無從得見,只能從作品去體會。第九號是布魯克納最後一首交響曲,他從1887年開始創作,歷經將近十年,寫完前三個樂章,末樂章還沒完成,就於1896年去世。
\n\n眾所周知,布魯克納將此曲獻給上帝;只是,天不假以年,讓此曲留下殘篇,只能說天意難測。但或許布魯克納不會這麼想。布魯克納生在教會權威受到進一步打擊的年代,但是他卻如巴赫那一代的音樂家,在教會受管風琴師的訓練,創作彌撒等宗教音樂,而管風琴的堅實聲響也影響了他的器樂創作。另一方面,身為活躍於十九世紀後半葉的日耳曼音樂家,他不可能不受華格納的影響。這幾個層面持續表現在他的交響曲中,第九號自然也不例外。
\n\n布魯克納的第九號雖然厚重凝鍊,一整場音樂會若是只有這一首作品,恐怕會有意猶未盡的感覺。這場音樂會安排了柴科夫斯基的《洛可可主題變奏曲》得以完滿,由來臺多次的日本大提琴家堤剛擔任獨奏。
\n\n「洛可可」指稱的是接續在「巴洛克」之後的風格,是從繁複誇張到均衡節制之間的過渡,柴科夫斯基把握這個原則,採用小編制的樂團來烘托大提琴獨奏。主題優美典雅,以變奏讓大提琴家發揮技巧,產生了眾星拱月的效果。
\n\n\n\n
演出曲目
\n\n柴科夫斯基:洛可可主題變奏曲
\n\n布魯克納:D小調第九號交響曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|水藍
\n\n大提琴|堤剛
\n\n國立臺灣交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e1be791492e9c55216aeb6e75bb28455",title:"《NTSO顛峰之作,布魯克納第九—水藍,堤剛與國臺交》"}],related:[],title:"Peak Masterpiece: Bruckner No. 9 - Lan Shui, Tsuyoshi Tsutsumi & NTSO",cover:"3869d11e1132bb19e4a8ed46221c484a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Oftentimes the views on life and the life experiences of great artists can only be understood through their works. Symphony No. 9 in D minor was Bruckner's final symphony. He began to work on this composition in 1887 and spent nearly 10 years to complete the first three movements. He died in 1896 before he could finish the last part.
\n\nBruckner dedicated this piece to God, yet the heavens decided to leave this symphony unfinished. It is difficult to predict the will of God, but maybe Bruckner would disagree. Bruckner was born in an era during which the authority of the church was further challenged. However, like Bach and his generation of musicians, Bruckner was trained by church organ masters and wrote religious music for Mass. The solemn and solid sound of organs also affected his instrumental creations. On the other hand, as a German musician active during the second half of the 19th century, Bruckner was also influenced by Wagner. And these elements can be found in all of his symphonies, including No. 9.
\n\nBruckner's Symphony No. 9 in D minor is stately and well-rounded, yet if it is the only piece performed in a concert, it would leave the audience unsatisfied. So for this concert, NTSO also presents Tchaikovsky's Variations on a Rococo Theme to complete it. Japanese cellist Tsuyoshi Tsutsumi, who has visited Taiwan many times, will be the soloist.
\n\nRococo refers to the style that appeared after the Baroque. It is the transition between the elaborate and pompous to a more balanced and reserved style. Following this style, Tchaikovsky used a small orchestra to set off the cello solo. The main theme is elegant with lots of variations for the cellist to display their skills and shine.
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: Variations on a Rococo Theme, Op. 33
\n\nA. Bruckner: Symphony No. 9 in D minor
\n\n\n\n
Creative and Production Team
\n\nConductor|Lan Shui
\n\nCello|Tsuyoshi Tsutsumi
\n\nNational Taiwan Symphony Orchestra
\n\n\n',team:""},createdAt:1677046008,updatedAt:1679651741,updatedBy:"林蔚行",host:!1},{_id:"63f6d33077009400080a5d1a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685446200,discrete:[{time:1685446200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3,1200,1500,1800,2e3],link:"https://www.opentix.life/event/1625691026683854850"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79c6127679986149e4517bdb87000741",title:"《2023第十一屆臺灣國際打擊樂節-朱宗慶打擊樂團》"}],related:[{from:"programs",key:"63f872bcabd333000ac8e9df",title:"【大師講座】遇見當代達文西-探索羅伯.勒帕吉的創意世界"},{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"}],title:"《2023第十一屆臺灣國際打擊樂節-朱宗慶打擊樂團》",cover:"53a7006e510517a106e096e89084caff",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
朱宗慶打擊樂團由朱宗慶先生於1986年成立,是臺灣第一支職業打擊樂團,也是國際上少數能融合傳統與現代展演風格的團體,廣受專業社群與社會大眾的喜愛與肯定,是現代打擊樂在臺灣發展的重要推手。37年來,朱宗慶打擊樂團以臺灣為家、世界為舞台,結合演奏、教學、研究、推廣工作,持續分享感動的節奏。至今,樂團足跡遍及全球34個國家及地區,累積委託創作曲目達260首,並透過教學系統培育近15萬學習人口,致力推動臺灣成為世界打擊樂的發展重鎮。
\n\n\n\n
演出曲目
\n\n一、金‧科申斯基〈超越彎折〉
\n\n二、盧煥韋〈探〉
\n\n三、艾曼紐・塞瓊奈〈吸引力之二〉
\n\n四、張瓊櫻〈射日〉
\n\n五、高瀚諺〈菜市仔〉
\n\n\n\n
演出暨製作團隊
\n\n演 出|朱宗慶打擊樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79c6127679986149e4517bdb87000741",title:"《2023第十一屆臺灣國際打擊樂節-朱宗慶打擊樂團》"}],related:[],title:"2023 The 11th Taiwan International Percussion Convention",cover:"53a7006e510517a106e096e89084caff",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Ju Percussion Group (JPG), founded by percussionist Ju, Tzong-Ching in January 1986, comprises 14 talented percussionists and 1 composer in residence. The group devotes itself to performance, education and percussion promotion. JPG has become known worldwide for its innovative blends of the East and West, traditional and contemporary. The members possess transcendental virtuosity in playing Western Percussion instruments as well as different forms of traditional Asian music.Through more than 3,000 domestic and international performances, it has greatly expanded Taiwan's presence on the international percussion map. To date, the group has played in 34 different countries around the world, cultivating more than 150,000 percussion learners by means of its instruction system. Besides, the group has been commissioned to create as many as 260 pieces so far. The growth of Ju Percussion Group is, so to speak, a reflection of how contemporary percussion develops on the island.
\n\n\n\n
Program
\n\nGene Koshinski〈BeyonD the bEnd〉
\n\nLu, Huan-Wei〈Seek〉
\n\nEmmanuel Séjourné〈Attraction 2〉
\n\nChang, Chiung-Ying〈Solar Myth〉
\n\nKao, Han-Yen〈Tsa-Tshi〉
\n\n\n\n
Creative and Production Team
\n\nJu Percussion Group
\n\n\n\n
\n',team:""},createdAt:1677120304,updatedAt:1679879983,updatedBy:"林蔚行",host:!1},{_id:"640014937700940008134de0",catalogs:["600a39e9a6b9ff0007b87823","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1686362400,discrete:[{time:1686362400},{time:1686376800}],type:"discrete"},activity:{type:"signup",signup:{limit:60,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"5c516a2062156f0006731aa4",text:"家長性別 Gender of Parent",english:"家長性別 Gender of Parent"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!0,key:"custom_text_1677836257435",text:"小朋友腳 (掌)長幾公分?",english:""},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!1,key:"custom_text_1677726745163",text:"備註 Remarks",english:""}],vip:{start:1677718800,end:1686239999},open:{start:1677718800,end:1686239999},description:'
本活動全程90分鐘。
\n\t官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\t退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留本活動變更權利。
\n\t本活動全程90分鐘。
\n\t官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\t報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\t退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t退費日期:統一於該次活動結束後隔月月底前,完成退費。
\n\t主辦單位保留本活動變更權利。
\n\t熱鬧的森林裡有好多小動物,淘氣的彼得趁著爺爺不在溜去森林和動物玩。糟糕!鴨子被大野狼吞進了肚子裡了,彼得的森林大冒險即將開始…。以繪本彼得與狼為發想,將芭蕾元素帶入不同樂器的音色,代表不同角色的扮演,藉由肢體間的開發與探索,開啟音樂與舞蹈之間的對話,享受親子同樂,遨遊芭蕾的繽紛世界。
\n
\n※不是只有女生才可以跳芭蕾哦,本課程鼓勵有興趣的男生加入。
※課程含贈小朋友舞鞋一雙(大人無)。
\n\n\n\n
活動時間、活動地點
\n\n時間:2023/6/10(六)
\n\n10:00-11:30、14:00-15:30 (約90分鐘)
\n\n地點:1192排練室
\n\n\n\n
報名對象與方式
\n\n\n\n
其他補充注意事項
\n\n\n\n
授課老師
\n\n授課老師|吳翌綺
\n\n國立臺北藝術大學舞蹈表演所畢業。現任表演藝術教育工作者,專長兒童樂齡及課後才藝班舞蹈教師,亦可任肢體開發教學、舞蹈展演商業編創、個別體態指導;曾任中等表演藝術與人文教師,表演者偶爾為之,近期於專研嬰幼兒親子律動之能力發展。
\n\n\n\n
授課老師|藍又芝
\n\n畢業於國立臺北藝術大學七年一貫制舞蹈系,曾任美育奧福舞蹈老師、幼兒園舞蹈老師,曾擔任高雄城市芭蕾舞團舞者參與《彼得與狼&創作芭蕾綻》、《佩提帕逝世100年紀念演出》、《仙履奇緣》及巡演。現任張秀如舞蹈教學系統老師,喜歡與孩童互動並將舞蹈專業融合其中。
\n\n\n\n
合作團隊
\n\n高雄城市芭蕾舞團
\n\n高雄城市芭蕾舞團由藝術總監張秀如成立於1992年8月,是中南部第一個芭蕾舞團,迄今已進入第30年的演出,結合南部地區芭蕾專業舞者,共同為提升芭蕾舞蹈藝術而努力,並致力推廣芭蕾創作,讓芭蕾有更多無限的可能。
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},createdAt:1677726867,updatedAt:1684674859,updatedBy:"黃薏靜",host:!0,hasSignup:!0},{_id:"64019b30770094000814a44a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686137400,discrete:[{time:1686137400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,500],link:"https://www.opentix.life/event/1623562211685486597"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《德法雙B之幻想》南藝大音樂學系管弦樂團音樂會"}],related:[],title:"《德法雙B之幻想》南藝大音樂學系管弦樂團音樂會",cover:"e003a2e4150c27c5041b40cdea18dae0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2023南藝大管弦樂團演出,由指揮家范楷西、小提琴家卓家萱與南藝大優秀年輕音樂家們,帶來19世紀法德浪漫派作曲家白遼士(Hector Berlioz, 1803-1869)與布拉姆斯(Johannes Brahms, 1833-1897)交織著友情與愛情的精彩交響樂作品。布拉姆斯題獻給小提琴家姚阿幸(Joseph Joachim, 1831-1907),以古典時期傳統曲式寫成的《小提琴協奏曲,作品77》,有如一曲大型室內樂,在精湛的管弦樂寫作下,樂團與小提琴進行深刻嚴肅的對話。法國先鋒作曲家白遼士以他代表性的固定樂思(idée fixe)創作手法,藉《幻想交響曲,作品14》傳記式描繪他與對女演員史密森(Harriet Smithson, 1800-1854)的癡迷,並為此曲立下副標「一位藝術家人生中的插曲」(épisode de la vie d'un artiste)。
\n\n\n\n
演出曲目
\n\n布拉姆斯:《小提琴協奏曲,作品77》
\n\n白遼士:《幻想交響曲,作品14》
\n\n\n\n
演出暨製作團隊
\n\n指揮|范楷西
\n\n小提琴|卓家萱
\n\n樂團|國立臺南藝術大學管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《德法雙B之幻想》南藝大音樂學系管弦樂團音樂會"}],related:[],title:"The double Bs",cover:"e003a2e4150c27c5041b40cdea18dae0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Tainan University of the Arts Orchestra will perform works of Berlioz and Brahms, with conductor Fan Kai-Hsi, violinist Jia-Shiuan Juo and outstanding young musicians from TNNUA. The violin concerto Brahms dedicated to Joseph Joachim, was written in the traditional form of classical period. The orchestra and the violin have a deep and serious dialogue with the exquisite orchestral writing. French avant-garde composer Berlioz used his representative fixed musical idea to create a biographical description of his obsession with actress Smithson through "Symphony Fantastique," and set a subtitle for this work "Episode in the Life of an Artist."
\n\n\n\n
Program
\n\nJohannes Brahms: Violin Concerto, Op. 77, 1878
\n\nHector Berlioz: Symphonie fantastique, Op. 14, 1830
\n\n\n\n
Creative and Production Team
\n\nConductor|FAN Kai-Hsi
\n\nViolin|JUO Jia-Hsuan
\n\nPerforming|TNNUA Orchestra
\n\n\n\n
\n',team:""},createdAt:1677826864,updatedAt:1678094688,updatedBy:"林蔚行",host:!1},{_id:"6401a76e770094000814a689",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687676400,discrete:[{time:1687676400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,850],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P0365LZL"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6ce3779a4df8c2c920b0b2d0df83a6c3",title:"《2023 陳谷榕 《我想你》同名專輯音樂會》"}],related:[],title:"2023 陳谷榕 《我想你》同名專輯音樂會",cover:"84ae0ff865efe79fc0e1d6a90fc549bc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
《我想你》是一首原創的故事音樂,描述自己異國求學時與親人分別兩地卻無法在親人人生最後的旅程好好道別,希望透過音樂表達最深的思念。
\n\n因這一首歌曲而延伸製作整張專輯的想法,整張專輯委託國內作曲家創作原創歌曲外,更加入古典與探戈曲風的改編歌曲。
\n\n在現場音樂會除了薩克斯風與鋼琴演奏以及薩克斯風與長笛二重奏外,更加入低音提琴及打擊讓表演內容更豐富精采。
\n\n\n\n
演出曲目
\n\n我想你
\n\n流浪者的遺產
\n\n迷幻薩克
\n\n聖母頌
\n\n自由探戈
\n\n激情探戈
\n\n鈿女之舞
\n\n愛的旅程
\n\n為已逝公主的孔雀舞曲
\n\n\n\n
演出暨製作團隊
\n\n薩克斯風獨奏|陳谷榕
\n\n鋼琴|曾晧娪
\n\n長笛|鄭宇泰
\n\n打擊|何春頤
\n\n低音提琴|謝怡怜
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6ce3779a4df8c2c920b0b2d0df83a6c3",title:"《2023 陳谷榕 《我想你》同名專輯音樂會》"}],related:[],title:'CHEN Ku-Jung "TU ME MANQUES" Album Concert',cover:"84ae0ff865efe79fc0e1d6a90fc549bc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"TU ME MANQUES" is an original story music. It describes that when I was studying in a foreign country, I was unable to say goodbye to my relatives on the last journey of their lives. I hope to express my deepest thoughts through music.Because of this song, the idea of making an entire album was extended. In addition to entrusting domestic composers to create original songs for the entire album, they also added adapted songs in classical and tango styles.In the live concert, in addition to saxophone and piano performance and saxophone and flute duet, double bass and percussion are added to make the performance more colorful and exciting.
\n\n\n\n
Program
\n\nTu me manques
\n\nWanderer legacy
\n\nTechno Saxy
\n\nAve Maria
\n\nLiberTango
\n\nViolenTango
\n\nDance of Uzume
\n\nVoyage de l'amour
\n\nPavane pour une infante défunte
\n\n\n\n
Creative and Production Team
\n\nSaxophone Soloist|CHEN Ku-Jung
\n\nPianist|TSENG Hao-Wu
\n\nFlutist|CHENG Yu-Tai
\n\nPercussionist|HO Chun-Yi
\n\nContrabassist|HSIEH Yi-Ling
\n\n\n\n
\n',team:""},createdAt:1677829998,updatedAt:1681801549,updatedBy:"林蔚行",host:!1},{_id:"6401aca5abd333000acabc0d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685532600,discrete:[{time:1685532600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,400],link:"https://www.opentix.life/event/1623536031585894405"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e49c8df13cfec96daa9639a21f6f6fac",title:"國立臺南藝術大學音樂學系《弦樂團音樂會》"}],related:[],title:"《弦外之響》南藝大音樂系弦樂團音樂會",cover:"448d2a0bdeacd7f54b200a1b603f9a6f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
國立臺南藝術大學七年一貫制音樂學系為臺灣第一所七年一貫制學系,其目標為培植具國際宏觀視野的新生代音樂家,因此高品質的演出一直是其努力不懈的目標。弦樂團音樂會為音樂學系定期之演出,提供學生演出平台,也激發出更多音樂上的火花。此次弦樂團音樂會曲目橫跨多個風格,演繹難度高,精彩度更不在話下。
\n\n\n\n
演出曲目
\n\n彼得·沃洛克:卡普里奧組曲
\n\n約瑟夫 · 海頓:C大調第一號大提琴協奏曲
\n\n阿斯托爾 · 皮亞佐拉:自由探戈(改編給弦樂團)
\n\n卡爾 · 詹金斯:帕拉迪奧
\n\n\n\n
演出暨製作團隊
\n\n指 揮|李 音
\n\n演 出|南藝大弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e49c8df13cfec96daa9639a21f6f6fac",title:"國立臺南藝術大學音樂學系《弦樂團音樂會》"}],related:[],title:'TNNUA Music Department "String Orchestra Concert"',cover:"448d2a0bdeacd7f54b200a1b603f9a6f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Tainan National University of the Arts Music Department is the first seven-years undergraduate program in Taiwan. It aims to cultivate first-class musicians with global perspective, and devotes to providing the best performances to audience.String orchestra concert is a concert series for students to communicate and get inspired by each other. The concert consists different styles, which required the highest-level of skills and interpretations, will be a great memory to attendee.
\n\n\n\n
Program
\n\nPeter Warlock: capriol suite
\n\nJoseph Haydn: Cello concerto no.1 in C major
\n\nAstor Piazzolla: Libertango (arr. for string orchestra)
\n\nKarl Jenkins: Palladio
\n\n\n\n
Creative and Production Team
\n\nConductor|LI Yin
\n\nPerforming|TNNUA String Orchestra
\n\n\n\n
\n\n
\n',team:""},createdAt:1677831333,updatedAt:1679371137,updatedBy:"林蔚行",host:!1},{_id:"640e9152a82d780009214307",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686396600,discrete:[{time:1686396600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1631564447754698754"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5c0764c48b1e404c149af11246fa0c8d",title:"《聽! 音樂說故事》-2023陳鈺雯小提琴獨奏會"}],related:[],title:"《聽! 音樂說故事》-2023陳鈺雯小提琴獨奏會",cover:"3b7eeefa5d19956dba5be343a5cd5ede",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
大家都愛聽故事! 小朋友愛童話故事、大朋友愛心情故事、長青朋友愛懷舊故事,在故事裡懷念過去、想像未來、或純粹勾勒一個在現實生活中暫時還無法圓的夢。《聽! 音樂說故事》將以音樂為原點,使文字聲音化、音樂意象化,建構一個更多彩的世界。在畢伯、普羅柯菲夫、康果爾德、佛漢威廉斯及史特拉汶斯基的作品中聆聽樹葉與風竊竊私語、想像鳥兒振翅劃過天際的線條、感受善惡之間的對立與衝突、理智與慾望的拉扯,或只是蒼茫天地間的悠悠。
\n\n\n\n
演出曲目
\n\n畢伯:帕薩卡雅舞曲「守護天使」
\n\n普羅柯菲夫:羅密歐與茱麗葉
\n\n康果爾德:庸人自擾
\n\n佛漢威廉斯:雲雀飛翔
\n\n史特拉汶斯基:嬉遊曲
\n\n\n\n
演出暨製作團隊
\n\n小提琴|陳鈺雯
\n\n鋼琴|林瑩茜
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5c0764c48b1e404c149af11246fa0c8d",title:"《聽! 音樂說故事》-2023陳鈺雯小提琴獨奏會"}],related:[],title:"Listen! Music is Telling Stories",cover:"3b7eeefa5d19956dba5be343a5cd5ede",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Everybody loves stories! Children love fairy tales, young people enjoy love stories, and elder people are fond of nostalgic stories. "Listen! Music is Telling Stories" will lead you to a remembrance past, an imaginative future, or to outline a dazzling world through the magic of music by Biber, Prokofiev, Korngold, Vaughan Williams, and Stravinsky.
\n\n\n\n
Program
\n\nH. I. F. von Biber: Passagalia for Violin Solo 'Guardian Angel'
\n\nS. Prokofiev: Suite from Romeo and Juliet
\n\nE. W. Korgold: Much Ado About Nothing, Op. 11
\n\nV. Williams: The Lark Ascending
\n\nI. Stravinsky: Divertimento
\n\n\n\n
Creative and Production Team
\n\nViolin|Yu-Wen CHEN
\n\nPiano|Ying-Chien LIN
\n\n\n\n
\n',team:""},createdAt:1678676306,updatedAt:1678699035,updatedBy:"林蔚行",host:!1},{_id:"640e9ea37e3334000790223d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686310200,discrete:[{time:1686310200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,2e3],link:"https://www.opentix.life/event/1628692491947483141"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f88a0eaa497ae9e2b18d16def34fc207",title:"臺灣國樂團《登峰造擊》"}],related:[{from:"programs",key:"644b97c83fb0e90007c43c46",title:"《登峰造擊》鼓掌之間 推廣講座"},{from:"programs",key:"64524e4a3fb0e90007c93ede",title:"【樂團片段大師班】鹿特丹愛樂管絃樂團:小提琴與長笛"}],title:"「節目異動」臺灣國樂團《登峰造擊》",cover:"068e2c7d8ed0443e3527b68a469bdcc5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂6月9日(五)19:30於衛武營音樂廳演出之《登峰造擊》,本節目演出曲目《龍舞》將取消演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2023年6月8日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
\n\n
代表著「突破」和「創新」的《登峰造擊》音樂會,將邀集享譽國際,堪稱世界五大手鼓天王-Glen Velez(美國)、Andrea Piccioni(義大利)、Murat Coskun(德國)、Zohar Izhak Fresco(以色列)、黃馨慧(臺灣)同臺演出再次將中西音樂作一有機的越界結合,透過與世界手鼓天王、臺北So Good手鼓樂團與臺灣國樂團合作,激盪出多元而開闊的藝術火花,揉合「東方和西方」、「古典和前衛」、「復古和流行」、「經典和新潮」的擊樂印象,帶來旖旎異地的風情,賦予擊樂讓人耳目一新的千姿百態。
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n監製|陳悅宜
\n\n副監製|鄒求強、賴銘仁
\n\n製作|劉麗貞
\n\n指揮|張佳韻
\n\n策劃、打擊|黃馨慧
\n\n打擊|Glen Velez(美國)、Andrea Piccioni(義大利)、 Murat Coskun(德國)、Zohar Izhak Fresco(以色列)、NCO打擊組、台北So Good樂團
\n\n演出|臺灣國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f88a0eaa497ae9e2b18d16def34fc207",title:"臺灣國樂團《登峰造擊》"}],related:[],title:"(Program changed) The Fabulous Frame Drum Masters",cover:"068e2c7d8ed0443e3527b68a469bdcc5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-02-88669791. | \n\t\t
\n\n\n\n
\n\n
Representing "Breakthrough" and "Innovation", the "Breakthrough" concert will invite internationally renowned five tambourine kings in the world - Glen Velez (USA), Andrea Piccioni (Italy), Murat Coskun (Germany), Zohar Izhak Fresco (Israel) and Huang Xinhui (Taiwan) performed on the same stage, once again combining Chinese and Western music as an organic cross-border combination.
\n\n\n\n
Creative and Production Team
\n\nProduction Supervisor|CHEN Yue-Yi
\n\nDeputy Supervisor|TSOU Chiu-Chiang, LAI Ming-Jen
\n\nProducer|LIU Li-Chen
\n\nConductor|Amy CHANG
\n\nCreative Producer|HUANG Xinhui
\n\nPercussion|Glen VELEZ (USA), Andrea PICCIONI (Italy), Murat COSKUN (Germany), Zohar Izhak FRESCO (Israel), taipei So Good percussion band, National Chinese Orchestra Taiwan (NCO)
\n\n\n\n
\n',team:""},createdAt:1678679715,updatedAt:1684919605,updatedBy:"林蔚行",host:!1},{_id:"640f256e7e33340007903aec",catalogs:["5aec45edb01ea6000520f655","6007fc45ba34870007c22b8b"],dateTime:{first:1685772e3,discrete:[{time:1685772e3}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b484ae8e991e66b6885ff3abd1324be4",title:"【武營來開槓】舞蹈特效藥"}],related:[{from:"programs",key:"63eddd147700940008015729",title:"【創意學習工作坊】跳,我的款式"},{from:"programs",key:"635cadcfcf05170008afcd36",title:"安銀美《千禧之龍》"}],title:"【武營來開槓】舞蹈特效藥",cover:"5608c78fedd2ab8bc7d9fc393ea5f66f",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
過了某一個年紀,生命經驗與知識越發豐盛,而身體卻逐漸凋零,舞蹈在這其中,能成為怎樣的一帖特效藥?在舞蹈的世界裡,每一個人都有屬於自己獨一無二的生命經驗與專屬的身體,透過練習,我們的身心將是最好的藝術品。
\n\n\n\n
★ 誰來開槓:
\n\n驫舞劇場編舞/主創|蘇威嘉
\n\n活動時間:2023/06/03 (六)14:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來開槓!
\n\n報名方式:報名參加,免費入場(限量100名,額滿為止)。
\n\n報名網址: 報名請點我
\n\n活動地點:衛武營國家藝術文化中心3F演講廳
\n\n※全程參與者可享安銀美《千禧之龍》8折購票優惠,300元(含)以下票級不提供折扣。
\n\n\n\n
蘇威嘉|驫舞劇場編舞/主創
\n驫舞劇場創辦人之一,2004年成立驫舞劇場,長期為舞團編創新作與演出,2007年集體創作作品《速度》獲得第六屆台新藝術獎表演類年度大獎,2012年與陳武康合作的自傳式作品《兩男關係》於德國獲科特尤斯編舞大賽金獎與最佳觀眾票選獎,2009至2013年在美國芭蕾大師艾略特・費爾德邀請下加入Ballet Tech舞團。2013年開始進行以《自由步》為題的十年編舞計畫,加深探索線條、舞步、造型、律動與音樂及光線的關聯,追求舞蹈身體的細緻、極限,進而引領觀眾賦予表演者各種想像與情感的連結,被舞評形容為將美感耕耘至極致的演出。2016年蘇威嘉於國家兩廳院擔任駐館藝術家。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅於各地。
關於武營來開槓
\n\n藝術,是由生活經驗所累積。
\n\n《武營來開槓》透過邀請知名藝術家,無論音樂、戲劇、電影等,分享對藝術的所思所見,剖析藝術用什麼傳達方式,與觀眾產生共鳴?
\n\n創作皆是從生活小事延伸而成,就像對生活的日積月累、夢境的天馬行空、興趣的不斷鑽研,挖掘靈感,創造有生活記憶的故事!或許大家可以想想,你生活中的哪些小事,也是藝術表現的一部份呢?
\n\n《武營來開槓》一場與藝術零距離的交流,為你的日常生活創造驚喜!
\n',team:""},createdAt:1678714222,updatedAt:1700211399,updatedBy:"黃薏靜",host:!0},{_id:"641177027e3334000792c910",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685619e3,discrete:[{time:1685619e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,600],link:"https://www.opentix.life/event/1632918351952166913"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a42a2edb632b2868f938258b52c66835",title:"《2023國立臺南女中音樂班桔梗藝術季 弦.舞》"}],related:[],title:"《2023國立臺南女中音樂班桔梗藝術季 弦.舞》",cover:"c4e8dc7afe091d97b3c8fbfd7949b528",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'臺南女中音樂班位於文風鼎盛、人文薈萃的古都臺南,自1984成立以來,提供南部地區對音樂有志趣的孩子們,一個適性揚才且優質的音樂學習環境。今年桔梗藝術季特地邀請左中舞蹈班與弦樂團攜手合作波蘭基拉爾《歐拉瓦》,將悠揚的弦樂聲響結合奔放現代舞作,展現多元豐富的樣貌。另外,還有奧地利莫札特與法國德布西經典的弦樂四重奏作品,給弦樂團的義大利雷史畢基《古代歌謠與舞曲》組曲,管樂團則將帶領觀眾聆賞日本三浦秀秋的《快樂翱翔》與比利時魯斯特的《水星》,最後管弦樂團演出具浪漫愛情的柴可夫斯基《羅密歐與茱麗葉》幻想序曲與墨西哥作曲家馬奎茲的《丹戎舞曲》,藉由音樂和舞蹈的跨領域融合,展現藝術多樣性與感動。
\n\n\n\n
演出曲目
\n\n莫札特: 降B大調第十七號弦樂四重奏,作品K. 458《狩獵》第一樂章
\n\n德布西: g小調弦樂四重奏 Op. 10 第一樂章
\n\n雷史畢基:古代風格詠唱調與舞曲 No.3 Mov.I/II/IV
\n\n基拉爾:《歐拉瓦》
\n\n范德魯斯: 水星
\n\n三浦秀秋: 快樂翱翔
\n\n柴可夫斯基: 幻想序曲《羅密歐與茱麗葉》
\n\n馬奎茲: 第二號丹戎舞曲
\n\n\n\n
演出暨製作團隊
\n\n演出人|洪慶在
\n\n策畫執行|林宜貞
\n\n樂團指揮|梁兆豐
\n\n弦樂指導|杜冠璋 陳維音
\n\n管樂指導|黃子宜
\n\n舞蹈指導|蔡博丞、張雅婷、范瀞文
\n\n臺南女中音樂班
\n\n左營高中舞蹈班
\n\n\n\n
主辦單位:臺南女中音樂班
\n\n協演單位:左營高中舞蹈班
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a42a2edb632b2868f938258b52c66835",title:"《2023國立臺南女中音樂班桔梗藝術季 弦.舞》"}],related:[],title:"2023 TNGS Jie Geng Art Festival ",cover:"c4e8dc7afe091d97b3c8fbfd7949b528",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Music Talented Class of Tainan Girls' High School was established in 1984. It has provided young musicians who are interested in music with an adaptable and high-quality music learning environment. This year's Jie Geng Art Festival, The Dance Talented Class of Zuoying High School is invited to perform with TNGS string ensemble Polish composer Kilar's "Orawa", combining the melodious sound of string music with bold modern dances, showing a diverse performance. The repertoire also includes Mozart and Debussy's classic string quartet, "Ancient Airs and Dances No.3" by Respighi, and "Mercury" by Jan Van der Roost. Last but not lesat, Tchaikovsky's "Romeo and Juliet" fantasy overture and Mexican composer Marquez's "Danzon No.2" will be performed by TNGS Orchestra. The integration of music and dance shows artistic diversity and thier heart-moving power.
\n\n\n\n
Program
\n\nW.A.Mozrt: String Quartet No.17 in B-flat Major, K. 458, "The Hunt" Mov.I
\n\nC.Debussy: String Quartet in G minor, Op. 10 Mov.I
\n\nO.Respighi: Ancient Airs and Dances No.3 Mov.I/II/IV
\n\nW.Kilar: Orawa
\n\nJ.Roost: Mercury
\n\nM.Hideaki: Have a good flight!
\n\nP.Tchaikovsky: Fantasy Overture "Romeo and Juliet"
\n\nA.Marquez: Danzon No.2
\n\n\n\n
Creative and Production Team
\n\nThe Music Talented Class of Tainan Girls' High School
\n\nThe Dance Talented Class of Zuoying High School
\n\n\n\n
\n',team:""},createdAt:1678866178,updatedAt:1679469713,updatedBy:"林蔚行",host:!1},{_id:"64117d1fa82d78000921b4a3",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685862e3,discrete:[{time:1685862e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,2e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P03YD046"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"65329bed0604ffeceb904dd8c7e346e9",title:"《璀璨之聲》"}],related:[],title:"《璀璨之聲》",cover:"602b5b1f757408ca37a6243d753c99d2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市管樂團自2012年成立以來不斷邀請國內外優秀的音樂家及團體合作,在2023年首場音樂會『璀璨之聲』,我們將由樂團鋼琴演奏家黃楚涵與多位打擊演奏家共同詮釋大衛‧葛林翰「給鋼琴、打擊與管樂團的協奏曲」,搭配佛漢·威廉斯「黃蜂序曲」及威廉·華爾頓「帝王的冠冕」兩首經典樂曲,同時下半場將帶來天野正道的第10號交響組曲「BR2」,並且與微行星男聲合唱團及高師大音樂系合唱團合作,合計超過百位的演出者,勢必將帶給觀眾一場極具震撼的音樂響宴。
\n\n\n\n
演出曲目
\n\n佛漢·威廉斯:黃蜂序曲
\n\n大衛·葛林翰:給鋼琴、打擊與管樂團的協奏曲
\n\n威廉·華爾頓:帝王的冠冕
\n\n天野正道:交響組曲第10號「BR2」
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n鋼琴|黃楚涵
\n\n合唱指導|鮑恆毅
\n\n樂團|高雄市管樂團
\n\n合唱團|微行星男聲合唱團、高師大音樂系合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"65329bed0604ffeceb904dd8c7e346e9",title:"《璀璨之聲》"}],related:[],title:"Brilliant Sonorant",cover:"602b5b1f757408ca37a6243d753c99d2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since founded in 2012, the KCWO has invited outstanding musicians and musical groups domestic and abroad to work with. In our first concert in 2023, Brilliant Sonorant, pianist Huang Chu-Han and our percussion players will perform David Gillingham's Concerto for Piano, Percussion and Wind Orchestra. We will also bring you Overture to "The Wasps" by Vaughan Williams and Crown Imperial by William Walton. Together with the Planetesimal Male Choir and NKNU Department of Music Choir, we will present the artistic and dramatic 10e Suite Symphonique by Masamichi Amano. We are sure to bring our audiences an exciting performance.
\n\n\n\n
Program
\n\nVaughan Williams: Overture to "The Wasps"
\n\nDavid R. Gillingham: Concerto for Piano, Percussion and Wind Orchestra
\n\nWilliam Walton : Crown Imperial
\n\nMasamichi Amano: Morceau par 10e Suite Symphonique "BR2" pour l'orchestre de vent
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Chan
\n\nPiano|HUANG Chu-han
\n\nChoir Director|PAO Heng-Yi
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\nChoir|Planetesimal Male Choir、National Kaohsiung Normal University Department of Music
\n\n\n\n
\n',team:""},createdAt:1678867743,updatedAt:1679302996,updatedBy:"林蔚行",host:!1},{_id:"6413e53b7e33340007955dca",catalogs:["5f6f57d6e0fdee000b536ba9","5aec4184b01ea6000520f633"],dateTime:{first:1688275800,discrete:[{time:1688275800},{time:1688286600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1633408591165698050"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"60a14a142e8bf4f6e7dbe266e3748fe7",title:"狂美親子音樂劇場《都是奇奇闖的禍》"}],related:[],title:"狂美親子音樂劇場《都是奇奇闖的禍》",cover:"b89b856e6e712f59732c5b5658f9162d",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
調皮鬼奇奇總是有許多古靈精怪的點子,還有問不完的十萬個為什麼!在一次旅行中,一家人來到繽紛又歡樂的夢想王國,奇奇卻在無意間闖入魔法道具間,一腳跌進平行時空,讓巨大的精靈甦醒!為了阻止失控源頭,闖禍的奇奇正面臨一場驚心動魄的冒險考驗。
\n\n深受大小觀眾喜愛的狂美交響管樂團,與靖學表演聯手打造旗艦版魔幻歌舞劇《都是奇奇闖的禍》,透過現場動人的歌聲、顛覆想像的故事情節和創意玩轉經典,欲向迪士尼動畫致敬,一場結合現場樂團、奇幻歌舞以及精緻舞台的故事正要展開!
\n\n\n\n
演出曲目
\n\n《迪士尼幻想曲》
\n\n《小小世界》
\n\n《魔法師的門徒》
\n\n《放開手》-選自《冰雪奇緣》
\n\n《阿里王子》-選自《阿拉丁》
\n\n《兩個世界》-選自《泰山》
\n\n《海洋之心》-選自《海洋奇緣》
\n\n《阿拉伯之夜》-選自《阿拉丁》
\n\n《像我這樣的朋友》-選自《阿拉丁》
\n\n《向未知探索》-選自《冰雪奇緣2》
\n\n《我們心中已有方向》-選自《海洋奇緣》
\n\n《對著星星許願》-選自《木偶奇遇記》
\n\n\n\n
演出暨製作團隊
\n\n製作人/編劇/音樂設計|謝韋民
\n\n監 製|劉可婕
\n\n導 演|林靖
\n\n編 曲|任沛晨
\n\n舞蹈設計|王志慎
\n\n服裝設計|陳諺柔
\n\n燈光設計|蔣旺勳
\n\n視覺暨影像設計|趙寶婷
\n\n歌唱指導|張淳菡
\n\n技術統籌|葉家彰
\n\n文字撰稿|劉可婕
\n\n執行助理|張祐寧、李尚
\n\n戲劇執行|靖學表演工作室
\n\n技術執行|邁思特藝創股份有限公司
\n\n音響執行|翰星藝聲光有限公司
\n\n行銷協力|獨秀文化有限公司
\n\n樂團指揮|謝韋民
\n\n樂 團|狂美交響管樂團
\n\n影音記錄|奧美視有限公司-林文鑫
\n\n影像紀錄|趙家緯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"60a14a142e8bf4f6e7dbe266e3748fe7",title:"狂美親子音樂劇場《都是奇奇闖的禍》"}],related:[],title:'Children\'s Musical "How dare you Chichi!!!" by Con Bello Symphonic Band',cover:"b89b856e6e712f59732c5b5658f9162d",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Naughty Chichi always has many quick-witted idea and endless quenstions. In a trip, the whole family came to a colorful and joyful dream kingdom. All of sudden, Chichi broke in to the magic prop room, fall into parallel universes, and woke the giant genie up. In order to stop the unmanageable sourse, Chichi is facing a hair-raising adventure.
\n\nCon Bello Symphonic Band is popular with all kinds of audience. Programming the Ultimate Fantasy Revue "How dare you Chichi!!! "with Jing's Drama Studio. We pay tribute to the Walt Disney Animation Studios through the toughing voice, the subversiveness of the story's plot, and creative version of the classic animation. A story combine with live orchestra, fantastic revue and exquisite stage is about to begin.
\n\n\n\n
Program
\n\nDisney Fantasy
\n\nIt's a Small World
\n\nThe Sorcerer's Apprentice
\n\nLet It Go
\n\nPrince Ali
\n\nTwo Worlds
\n\nHow Far I'll Go
\n\nArabian Nights
\n\nFriend Like Me
\n\nInto the Unknown
\n\nWe Know The Way
\n\nWhen You Wish Upon A Star
\n\n\n\n
Creative and Production Team
\n\nProducer, Playwright, Music Designer|HSIEH Wei-Min
\n\nExecutive Producer|LIU Ke-Chieh
\n\nDirector|LIN Jing
\n\nMusic Arranger|REN Pei-Chen
\n\nChoreographer|WANG Jhih-Shen
\n\nCostume Designer|CHEN Yan-Rou
\n\nLighting Designer|JIANG Wang-Syun
\n\nVisual and Video Desinger|CHAO Pao-Ting
\n\nVocal Coach|JHANG Chun-Han
\n\nTechnical Director|YEH Chia-Chang
\n\nCopywriter|LIU Ke-Chieh
\n\nExecutive Producer|JHANG You-Ning、LI Shang
\n\nExecutive Production|Jing's Drama Studio
\n\nTechnical Execution|MASTER ART & CREATION CO., LTD.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nConductor|HSIEH Wei-Min
\n\nPerformer|Con Bello Symphonic Band
\n\nVideo record|Ao Mei Shih Co., Ltd.
\n\nPhhotographer|CHAO Chia-Wei
\n\n\n\n
\n',team:""},createdAt:1679025467,updatedAt:1683873003,updatedBy:"林蔚行",host:!1},{_id:"641acf43653c730007b28db0",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687433400,discrete:[{time:1687433400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,2e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P03YD1XM"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d61138b7736acf6baf55d295cc90102",title:"《西班牙印記》"}],related:[],title:"《西班牙印記》",cover:"75bee8d624fb3023f4da223d32b5cb96",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市管樂團自2012年成立以來,舉辦超過百場的音樂會屢屢深獲好評,這些年來我們不斷邀請國內外優秀的音樂家與樂團合作,在2023年我們規劃全場由西班牙作曲家奧斯卡·納瓦羅(Oscar Navarro)作品為主的音樂會,除了安排樂團雙簧管首席洪小琴擔任獨奏演出納瓦羅的傳承印記之外,特別邀請高師大音樂系葉明和教授與樂團合作演出納瓦羅所創作的第三號單簧管協奏曲,納瓦羅的作品時而滂薄壯碩、時而華麗優美,勢必能帶給國內喜愛音樂的民眾一場精彩絕倫的音樂會。
\n\n\n\n
演出曲目
\n\n奧斯卡·納瓦羅:
\n\n西班牙幻想
\n\n傳承印記
\n\n第三號單簧管協奏曲
\n\n旅行
\n\n\n\n
演出暨製作團隊
\n\n指揮|王戰
\n\n雙簧管|洪小琴
\n\n單簧管|葉明和
\n\n樂團|高雄市管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4d61138b7736acf6baf55d295cc90102",title:"《西班牙印記》"}],related:[],title:"Imprint of Spain",cover:"75bee8d624fb3023f4da223d32b5cb96",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since founded in 2012, the Kaohsiung City Wind Orchestra has presented more than one hundred concerts and has been well received. Over the years, we have invited outstanding musicians domestic and abroad to work with the KCWO. In 2023, we plan a concert exclusively featuring works by Spanish composer, Oscar Navarro. We've invited our principal oboist, Akris Hung as the soloist for Navarro's "Legacy", and Professor Yeh, Ming-Ho from the National Kaohsiung Normal University as the clarinet soloist for Navarro's "III Concerto". The music of Navarro is magnificent, brilliant, and beautiful. We are sure to bring our audiences a wonderful concert.
\n\n\n\n
Program
\n\nOscar Navarro:
\n\nHISPANIA – Spanish Fantasy for Wind Band
\n\nLEGACY – Concerto for Oboe and Wind Band
\n\nIII CONCERTO – For Bb/Eb Clarinet and Wind Band
\n\nTRIPS – Symphonic Poem for Wind Band
\n\n\n\n
Creative and Production Team
\n\nConductor|WANG Chan
\n\nOboe|Akris HUNG
\n\nClarinet|YEH, Min-Ho
\n\nPerformance|Kaohsiung City Wind Orchestra
\n\n\n\n
\n',team:""},createdAt:1679478595,updatedAt:1679651795,updatedBy:"林蔚行",host:!1},{_id:"641c1c96653c730007b385c0",catalogs:["6010ca1afb81540009f438e6","6007fc45ba34870007c22b8b"],dateTime:{first:1685080800,discrete:[{time:1685080800},{time:1685151e3},{time:1685169e3},{time:1686708e3},{time:1686724200},{time:1686965400},{time:1686983400},{time:1694239200},{time:1694259e3},{time:1696572e3},{time:1696740300},{time:1703311200},{time:1703329200}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"授課團隊",content:'
授課團隊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n講師-周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係。在過往的創作及行動中,善用跨界力量的特性,強烈表現在藝術公共性上的著墨。編創聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,提出「屬於亞洲的身體語彙」,並以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居創作的方式遊走各地。
\n自2020年起受邀擔任衛武營駐地藝術家,移居南方,並被聘為2022年暨2024年臺灣舞蹈平台策展人。
\n\n
\n\n
\n'},{reference:[],type:"content",name:"活動回顧",content:'
報名時程
\n\n上半年度(1-6月)
\n\n2023/3/29(三)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一週關閉報名表單。
\n\n\n\n
友善學習工作坊
\n\n【尤法.皮克《巴赫d小調》大手大腳肢體工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 5/26(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程1 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 5/27(六)09:30-12:30 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程2 \n\t\t\t | \n\t\t|
\n\t\t\t 5/27(六)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 尤法.皮克《巴赫d小調》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n滯留島舞蹈劇場
\n\n由視障編舞家張忠安於2010年創立,為國藝會年度獎助演藝團隊,作品屢獲國際邀演。期許能將南部人才「滯留」於在地發揮長處,停靠在「島」所提供的空間與機會,著力向下扎根、扶植在地人才,以實驗精神探索創新,關懷社會人文及時事為舞作議題,為弱勢團體發聲。
\n\n\n\n
來自屏東的視障編舞張忠安在十七歲那年因右眼失明,放棄北藝大舞蹈系回到南部家鄉,然而編舞及身體語彙是他表達思想、與世界溝通鏈結的重要存在,持續不間斷地為自己和他人進行訓練、教學和編舞。在沒有學術資源與經歷下,以對舞蹈的熱忱及追尋夢想的勇氣在2010年創立了滯留島舞蹈劇場,期望將人才滯留南方。舞團近年更致力於透過公共性的參與、藝術創作及節慶式的共融活動來提升大眾關注文化平權。
\n\n\n\n
\n\n
【探索管風琴音樂《毛小孩的狂歡》大眼睛管風琴工作坊】
\n\n\n\n
\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/14(三)10:00-12:00 \n\t\t\t | \n\t\t\t\n\t\t\t 管風琴課程 \n\t\t\t | \n\t\t\t1186排練室 | \n\t\t
\n\t\t\t 6/14(三)14:30-15:30 \n\t\t\t | \n\t\t\t\n\t\t\t 探索管風琴音樂《毛小孩的狂歡》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n社團法人台灣兒童管風琴教育推廣協會
\n\n講師-朱郁柔
\n\t高雄師範大學表演藝術所,現任社團法人台灣兒童管風琴教育推廣協會音樂總監。有二十年國小藝術與人文科老師樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音『9分鐘認識音樂界的重量級樂器-管風琴』主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營『藝企學』管風琴音樂會主持人、衛武營『劇場藝術體驗教育計畫』業師、衛武營『玩樂管風琴工作坊』講師、國藝會『音樂飄鄉』組裝Orgelkids 小管風琴工作坊講師。
\n\n\n\n
【拾念劇集×無獨有偶×施如芳《鯨之嶋》大耳朵偶戲工作坊】
\n\n\n\n
\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 6/17(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 偶戲課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 6/17(六)19:30 \n\t\t\t | \n\t\t\t\n\t\t\t 拾念劇集×無獨有偶×施如芳《鯨之嶋》 \n\n\t\t\t演出欣賞 \n\t\t\t | \n\t\t
\n\n
授課團隊
\n\n無獨有偶工作室劇團
\n\n創立於1999年,秉持「無物不成偶」的創作觀點,打造臺灣當代偶戲劇場的新風貌,以魔幻哲思的變身美學開創獨特的劇場敘事。作品風格充滿創意的造型以及詩意的演繹能力,並以各種跨領域合作,開發『人』所不能為的自由想像空間。作品多次提名及入圍「台新藝術獎」,並經常於臺北藝術節、兩廳院國際劇場藝術節、法國外亞維儂藝術節、美國綠山藝術節等國內外重要藝術節演出,足跡遍佈15個國家。2013年於宜蘭縣五結鄉創立「利澤國際偶戲藝術村」,為亞洲最具規模的偶戲創發平台。
\n\n\n\n
【喬伊.亞歷山大三重奏《天才琴手》友善學習工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 9/9(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 爵士課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
\n\t\t\t 9/9(六)19:30-21:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營爵士週】喬伊.亞歷山大三重奏 \n\n\t\t\t《天才琴手》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
授課團隊
\n\n【喬伊.亞歷山大三重奏《天才琴手》大手大腳肢體工作坊】
\n\n講師-王夏儷
\n\n國立臺灣師範大學流行音樂產業研究所畢業
\n\n高雄市港都音樂表演藝術發展協會理事長
\n\n中國國營企業珠江鋼琴藝術中心專家講師
\n\n台灣奧福Orff音樂教育協會擔任常務理事、監事、會訊總編輯
\n\n日本Yamaha擔任音樂講師、級數檢定監考官、全台演奏者指導老師
\n\n台南應用科技大學音樂系擔任專業技術講師20年
\n\n高雄中央公園城市光廊EZ Life簡單.生活露天音樂吧
\n\nEZPlayer 易利玩仔數位股份有限公司執行長、音樂總監
\n\n\n\n
助教-朱慧詠
\n\n畢業於國立台北藝術大學音樂系,主修單簧管。現為南台灣交響樂團駐團編曲家/豎笛首席,擅長合成樂器,長期受邀於海內外演出及參與編曲製作及與樂團作連結演出。
\n\n\n\n
【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 10/6(五)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 歌仔戲課程 \n\t\t\t | \n\t\t\t1182排練室 | \n\t\t
10/8(日)12:45-13:35 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t觸覺導聆 \n\t\t\t | \n\t\t\t歌劇院 | \n\t\t
10/8(日)14:05-14:25 | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t口述導聆 \n\t\t\t | \n\t\t|
\n\t\t\t 10/8(日)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 【衛武營五週年慶】唐美雲歌仔戲團《臥龍:永遠的彼日》 \n\n\t\t\t演出欣賞(搭配口述影像) \n\t\t\t | \n\t\t
授課團隊
\n\n【唐美雲歌仔戲團《臥龍:永遠的彼日》大眼睛歌仔戲工作坊】
\n\n講師-陳健星
\n\n戲曲編劇,中央大學中文系兼任講師。2011開啟與「唐美雲歌仔戲團」合作的因緣,投入電視、舞台歌仔戲劇本創作逾十一年。代表作品《春櫻小姑─回憶的迷宮》《冥河幻想曲》《風從何處來》《螢姬物語》《夜未央》《光華之君》《冥遊記─帝王之宴》《臥龍:永遠的彼日》。2018與王安祈教授共同編寫京崑文學劇《天上人間李
\n後主》。2019擔任電視劇《孟婆客棧》總編劇。2021以《光華之君》獲傳藝金曲獎「最佳編劇」。
\n\n
講師-陳歆翰
\n\n當代劇場歌仔戲編腔作曲、音樂設計。2023以「歌仔戲腔調設計研究」取得國立臺灣藝術大學表演藝術博士學位。曾獲第32屆傳藝金曲獎最佳音樂設計獎,並入圍廣播金鐘獎主持人獎項。曾參與唐美雲歌仔戲團、春美歌劇團、尚和歌仔戲劇團、《見城》、《船愛》等大型製作。現為國立臺灣戲曲學院兼任講師、中央廣播電台《臺灣文武爿》節目主持人。
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\n'}],onShelf:!0,sliders:[{type:"image",key:"99a04ba6f1b8291b275a0f6e88b13cda",title:"2023【衛武營場館友善計畫】友善學習工作坊"}],related:[],title:"2023【衛武營場館友善計畫】友善學習工作坊",cover:"a54dc95428dd33318c18053cf40e9480",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。",introduction:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。
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活動內容
\n\n「友善學習工作坊」由衛武營主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請各障別朋友們走進劇場欣賞演出,並於演出前邀請專業師資,帶領障別朋友體驗演前工作坊,深入瞭解節目內涵與多元藝術,共享表演藝術的美好與悸動。
\n\n本活動包含前導工作坊1-2堂課程,每堂課約2-3小時,依不同課程調整,並提供演出票券每人一張(含陪同者),及跨時段餐食一份(含陪同者)。
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報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙)與第七類者(肢體障礙者),建議7歲以上。
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報名時程
\n\n下半年度(7-12月)
\n\n即日起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
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報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
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報名流程
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
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友善學習工作坊
\n\n【音樂芭蕾劇場《遇見胡桃鉗的女孩》大耳朵芭蕾工作坊】
\n\n工作坊時間:
\n\t\n\t\t\t 日期&時間 \n\t\t\t | \n\t\t\t \n\t\t\t 課程內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
\n\t\t\t 12/23(六)14:00-17:00 \n\t\t\t | \n\t\t\t\n\t\t\t 肢體課程 \n\t\t\t | \n\t\t\t1192排練室 | \n\t\t
\n\t\t\t 12/23(六)19:00 \n\t\t\t | \n\t\t\t\n\t\t\t 《遇見胡桃鉗的女孩》演出欣賞 \n\t\t\t | \n\t\t\t音樂廳 | \n\t\t
\n',team:""},createdAt:1679563926,updatedAt:1701238489,updatedBy:"林蔚行",host:!0},{_id:"6420f38f653c730007b8b1b4",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1687518e3,discrete:[{time:1687518e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1637649041563742210"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"64811892718750042dfd5084d823544b",title:"《木笛交響詩》"}],related:[],title:"《木笛交響詩》",cover:"7a2d0b4db52af711524d799005808006",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
70人大型木笛交響樂團,運用木笛演奏技巧和聲部音色變化穿插,揣摩海洋、山峰、森林或是絢爛的夜生活,當代音樂作品的標題音樂,引領觀眾更容易融入作品視野,讓觀眾跟著音樂前往作曲家的靈感意境。
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\n新竹直笛合奏團再次挑戰木笛大編制的原創作品,集結英國、美國、德國20世紀作曲家當代木笛作品。大型木笛合奏曲以單一樂章描述作品,好似聆聽動人故事,音樂語法起、承、轉、合;運用木笛演奏技巧和聲部音色變化穿插,揣摩海洋、山峰、森林或是絢爛的夜生活,當代音樂作品的標題音樂,引領觀眾更容易融入作品視野;如詩般的唯美旋律,讓觀眾跟著音樂前往作曲家的靈感意境。
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演出曲目
\n\n杜程: 歡慶序曲
\n\n席格: 賈巴爾拉姆山
\n\n夏倫: 山的馬賽克
\n\n沃特金斯: 安娜·卡列尼娜序曲
\n\n馬歇爾: 懷舊爵士(臺灣首演)
\n\n施納貝爾: 夢想的歷程
\n\n羅森: 喜悅之舞(臺灣首演)
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演出暨製作團隊
\n\n藝術總監|陳孟亨
\n\n演出|新竹直笛合奏團
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"64811892718750042dfd5084d823544b",title:"《木笛交響詩》"}],related:[],title:"Symphonic Poem for Recorder",cover:"7a2d0b4db52af711524d799005808006",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
A 70-member recorder orchestra uses recorder playing skills and timbre changes to try to figure out the ocean, mountains, forests or gorgeous nightlife. The title music of contemporary music works leads the audience to more easily integrate into the field of vision of the work, allowing the audience to follow along The music goes to the mood of the composer's inspiration.
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\nThe Hsin-Chu Recorder Orchestra once again challenged the original works of the recorder , collection recorder works by British, American and German composers in the 20th century. The recorder orchestra describes the work with a single movement, just like listening to a story. The title music of contemporary music works leads the audience to more easily integrate into the vision of the work; the poetic and beautiful melody allows the audience to follow the music to the composer's inspirational mood.
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Program
\n\nColin Touchin: Jubilee Overture
\n\nSoren Sieg: Jabal ram
\n\nGlen Shannon: Mountain Mosaic
\n\nStephen Watkins: Overture to Anna Karenina
\n\nSteve MARSHALL: The Archaeology of Jazz
\n\nDietrich SCHNABEL: Traumgesichte
\n\nSylvia Corinna ROSIN: Dance of Joy
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Creative and Production Team
\n\nMusic Director|Chen Meng-Heng
\n\nPerformer|Hsin-Chu Recorder Orchestra
\n\n\n',team:""},createdAt:1679881103,updatedAt:1686799896,updatedBy:"林蔚行",host:!1},{_id:"642104e33fb0e90007adff74",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687001400,discrete:[{time:1687001400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P03SAWVN"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cf0f844c99bde51596be7394b008579d",title:"《湯佩璇小提琴獨奏會Part.III》"}],related:[],title:"「節目異動」《湯佩璇小提琴獨奏會Part.III》",cover:"8cfe59db91e545223c8dbac3b97861ba",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂6月17日(六)19:30於衛武營表演廳演出之《湯佩璇小提琴獨奏會Part.III》,演出曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2023年6月17日(六)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
塞繆爾·巴伯於1939年為小提琴所創作的協奏曲,音樂風格獨樹一幟,融合了浪漫、現代主義的元素。不僅展現了巴洛克時期協奏曲的精緻優雅,亦呈現了20世紀音樂的獨特和創新之處。維尼奧夫斯基一生只為小提琴而作曲,並以艱難的技巧和優美弦律聞名至今。作品十五以強烈的和弦作為開頭,配上淒涼的主弦律,並加以發展。在音樂會的尾聲,具有強烈的節拍和音樂色彩的皮耶左拉《四季》,考驗著三位獨奏家的默契和經歷,而他們也將以最有特色的詮釋,細膩地描繪出布宜諾斯艾利斯的風情。
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演出曲目
\n\n塞繆爾·巴伯:小提琴協奏曲 作品15 第一樂章
\n\n維尼奧夫斯基:主題與變奏曲 作品15
\n\n皮耶左拉:四季
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演出暨製作團隊
\n\n總監|陳振生
\n\n獨奏|湯佩璇
\n\n伴奏|朱泳達
\n\n導聆|吳舒鈞
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室內樂
\n\n小提琴|湯佩璇
\n\n鋼琴|楊貽茜
\n\n大提琴|吳舒鈞
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cf0f844c99bde51596be7394b008579d",title:"《湯佩璇小提琴獨奏會Part.III》"}],related:[],title:"(Program changed) Phoebe Tang volin recital Part. III",cover:"8cfe59db91e545223c8dbac3b97861ba",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-0937544711. | \n\t\t
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Performing violin requires the ability to play various skills, and Paganini's 24 caprices perfectly combined the skills and the melody. Through the rearrangement by Karol Szymanowski, the three caprices consist of every familiar melody motivation, making the classic repertoire sound innovative. As the start of the concert, there is nothing that suits it better than Karol Szymanowski's Trois arrives de Paganini. As a gifted violinist, Wieniawski only composed for violin in his life, and was renowned for his challenging skills and the charming harmony. Theme and Variation, Op.15 starts with strong chords, and develops with the desolated melody. Additionally, several tricky skills are included in this one repertoire. Apart from accomplishing all kinds of skills and interpreting the music, collaboration is the essential factor during the study of music. At the end of the concert, Piazzolla’s Four season, which is composed with strong rhythm and color, tests the connection and the experiences between three performers. Meanwhile, they will perform the repertoire with the most featured interpretation, delicately portraying the exoticism of Buenos Aires.
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Program
\n\nSamuel Barber: violin concerto op.15, mov.I
\n\nWieniawski: Theme and Variation, Op.15
\n\nPiazzolla: The Four Season of Buenos Aires
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Creative and Production Team
\n\nDirector|CHEN Cheng-sheng
\n\nSoloist|TANG Pei-hsuan
\n\nPiano accompanist|CHU Yung-Ta
\n\nPre-concert talk|WU Shu Jyun
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Chamber music
\n\nViolin|TANG Pei-hsuan
\n\nPiano|YANG yi-chien
\n\nCello|WU Shu-Jyun
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\n',team:""},createdAt:1679885539,updatedAt:1686728543,updatedBy:"林蔚行",host:!1},{_id:"64212dc23fb0e90007ae0718",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1688124600,discrete:[{time:1688124600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1500],link:"https://www.opentix.life/event/1636251773230428164"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e3f9a94c4d47595e747f1ac82ad47420",title:"《歌劇詠嘆 與神對話》"}],related:[],title:"《歌劇詠嘆 與神對話》",cover:"0679921396ede63068373f764ec649d4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
La Voix d'AMiS 歌劇藝術樂坊成立至今已經四年,是歌劇愛好者與歌劇專業人士養成與演出舞台的平台,並在這四年中提供團員歌劇演出獨唱與合唱甚至與管弦樂團合作的機會,成立至今雖遇到許多阻擾與困難,但是大家越挫越勇敢,如今感念這一切都是冥冥中那創造宇宙萬物神的帶領,使我們更親身經歷從靈魂暗夜中看到黎明的曙光的恩典,藉著每一首團員精心挑選的歌劇詠嘆調,讓我們從音樂看到神的作為,與大自然宇宙共存的道理,體會到在世卻不屬世靈性美好的午宴!
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演出曲目
\n\n比才:噢!尊敬的婆羅神,選自歌劇《採珠者》
\n\n德弗札克:安息日的主我為你燃燒,聖母悼歌
\n\n《主啊,看看我所受的苦難》選自聖桑歌劇「參孫與大利拉」
\n\n威廉 戈麥斯:聖母頌
\n\n貝里尼:諾瑪/去吧!殘忍的人
\n\n普契尼:托斯卡 /為了藝術為了愛
\n\n……等曲目。
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演出暨製作團隊
\n\n指揮|劉盛福
\n\n鋼琴|林麥可
\n\n女高音|陳安妮、陳慧真、王曼嘉、江柔、張瑞芬
\n\n女中音|曹忠美、黃錦玫、邱嬋
\n\n男高音|施履誠、李子葳、林以軒
\n\n男中音|李達人
\n\n男低音|盧逸超、許博智
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e3f9a94c4d47595e747f1ac82ad47420",title:"《歌劇詠嘆 與神對話》"}],related:[],title:"Opera Aria -Dialogue with God",cover:"0679921396ede63068373f764ec649d4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Program
\n\nGeorges Bizet: O Dieu Brahma (from the opera Les Pecheurs de perles)
\n\nAntonin Dvořák: Stabat Mater - Inflammatus et accensus
\n\n"Vois ma misère, hélas" from SAMSON AND DALILAH by Saint-Saens
\n\nWilliam Gomez: Ave Maria
\n\nAntonio Lucio "Qui sedes ad dexteram patris" dal Gloria RV589
\n\nPuccini: Tosca / Vissi d'arte
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Creative and Production Team
\n\nConductor|LIU Sheng-fu
\n\nPiano|LIN Mai-ke
\n\nSoprano|Vauvauwane Titibu, CHEN Hui-chen, WANG Man-chia, CHIANG Jo, Chang Jui-fen
\n\nMezzo Soprano|TSAO Chung-mei, HUANG Jin-mei, CHIU Chan
\n\nTenor|SHIH Lu-cheng, LI Zi-wei, LIN Yi-xuan
\n\nBaritone|LEE Ta-jen
\n\nBass|LU Yih-chau, HSU Po-chih
\n\n\n\n
\n',team:""},createdAt:1679896002,updatedAt:1680763912,updatedBy:"林蔚行",host:!1},{_id:"6421363e653c730007b8c335",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1682418600,discrete:[{time:1682418600},{time:1683541800},{time:1684751400},{time:1685356200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[5e3],link:"https://docs.google.com/forms/d/e/1FAIpQLSfd2EVY3A9rhF2uIuHwLDBbMvQNwMTtGyGA7sC9Jjh4V6XaOA/viewform"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e12bde769349477598ccf679409855bd",title:"You Raise Me Up 玩聲音樂會工作坊"}],related:[],title:"You Raise Me Up 玩聲音樂會工作坊",cover:"6937e0c2deeee1252d6071f4e1eba1fe",site:{isOther:!0,site:"",other:"排練室 1182"},cautions:'
歌唱心法|實作演練|療癒探索
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你想知道職業歌手的演唱秘訣嗎?
\n\n你想知道美聲與流行唱法該如何轉換嗎?
\n\n現在立刻認識一種全新的教學方式!
\n\n四天課程讓你成為流行與美聲的跨界歌唱人才!
\n\n不管你是專業的表演者,或是浴室歡唱達人,這是一個你絕對不能錯過的課程!
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課程帶領人:謝淑文 老師
\n\n表演藝術家/教育工作者
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授課主題及內容
\n\n1.打通聲音脈絡
\n\n找出發音的弱點,並運用不同呼吸點方式,打通聲音的脈絡,重新找回自己的聲音,增強自身聲音的能量,重建呼吸系統。
\n\n2.共鳴腔之運用
\n\n運用不同的共鳴腔詮釋歌曲,從不同的共鳴腔中發現原來自己的聲音有這麼多變化,解決高音上不去、低音下不來的問題。
\n\n3.美聲與流行唱法
\n\n從美聲的根基開始,慢慢轉換到流行歌曲的唱法,並從流行唱法探究美聲的共同點,輕鬆學會各種主流歌唱課程。
\n\n4.找回自己的聲音
\n\n重新找回已經遺忘的靈魂聲音,透過練習「靈魂」歌唱,進而找回自己的聲音,並從自己的聲音中找到擁抱他人的力量。
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相關詳情請洽
\n\n►活動網站
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\n',team:""},createdAt:1679898174,updatedAt:1679973313,updatedBy:"林蔚行",host:!1},{_id:"6423f3d8653c730007bb6b91",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687501800,discrete:[{time:1687501800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1626074136849444865"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d0d9d39334bd7764634daa1e85d3681f",title:"《李芯瑜鋼琴獨奏會》"}],related:[],title:"《李芯瑜鋼琴獨奏會》",cover:"8f326acde65e1fcd313a570063c4a9af",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
從古典的貝多芬晚期奏鳴曲,到浪漫樂派的拉赫曼尼諾夫、史克里亞賓、蕭邦等作曲家的鋼琴作品,演奏多樣化的音樂風格,帶領觀眾穿越時空,感受音樂的震撼力,由古典樂派的作品帶領觀眾尋找內心的天真與純淨,透過史克里亞賓的幻想曲讓觀眾進入無遠弗屆的異想世界,在變幻莫測的合聲色彩中展開無限的遐思與冥想,透過拉赫曼尼諾夫的音樂展開與近代音樂的連結,最後透過音樂詩人蕭邦的作品,讓觀眾的心靈彷彿置於桃花源。在本場音樂會中,觀眾能透過琴聲,與演出者對話,與作曲家對話,更與自己的心靈喃喃細語。
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演出曲目
\n\n貝多芬:第30號鋼琴奏鳴曲
\n\n拉赫曼尼諾夫:第12號鋼琴前奏曲,作品32
\n\n拉赫曼尼諾夫:第4,5號鋼琴前奏曲,作品23
\n\n史克里亞賓:幻想曲,作品28
\n\n蕭邦:第20號升c小調夜曲
\n\n蕭邦:平靜的行板與華麗的大波蘭舞曲,作品22
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|李芯瑜
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d0d9d39334bd7764634daa1e85d3681f",title:"《李芯瑜鋼琴獨奏會》"}],related:[],title:"Hsin-Yu Li Piano Recital",cover:"8f326acde65e1fcd313a570063c4a9af",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
From the Beethoven late sonata to the romantic piano works by composers such as Rachmaninoff, Scriabin, and Chopin, playing a variety of music styles will lead the audiences through time and space and feel the power of the music. The works of the classical music school lead the audiences to find the purity of their hearts. Through Scriabin's fantasy, the audiences enter the boundless fantasy world, and unfold infinite adventures in the unpredictable chorus colors. Daydreaming and meditation, through Rachmaninoff's music to develop a connection with modern music, and finally through the works of the poet of the music, Chopin, the audiences’ mind seems to be in the heaven. Through the sound of the piano , the audience can talk to the performer, the composers, and whisper to their own hearts.
\n\n\n\n
Program
\n\nBeethoven: Sonata No.30 in E Major, Op.109
\n\nRachmaninoff:preludes, op. 32, no. 12
\n\nRachmaninoff:preludes, op.23, no. 4,5
\n\nScriabin: Fantasy, op. 28
\n\nChopin : nocturne no.20 in C-Sharp Minor, op. posth
\n\nChopin: andante spianato et grande polonaise brillante op.22
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Creative and Production Team
\n\nPiano|Hsin-Yu Li
\n\n\n\n
\n',team:""},createdAt:1680077784,updatedAt:1686553736,updatedBy:"林蔚行",host:!1},{_id:"6423f6683fb0e90007ae7730",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687433400,discrete:[{time:1687433400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.opentix.life/event/1625704884270583809"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f4f0a8689e8718af0c1f760072c4b02",title:"《2023鹿鳴弦耕古琴音樂會》"}],related:[],title:"《2023鹿鳴弦耕古琴音樂會》",cover:"996b7a9dbd8a2654aa16916c464420dc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
弦耕琴社,於2010年由社長黃鴻文與多位學生共同創立。每年舉辦多場大型古琴音樂會、琴學講座,更多次與中國大陸、美國、馬來西亞等各地琴人或古琴團體交流演奏,著力推廣古琴藝術。
\n\n本次演出除了演奏古琴的傳統曲目《關山月》、《流水》... ,亦有林明宜新編創的古詩詞曲《落梅》《睡蓮》 等,採用古琴、傳統國樂器、電子琴及人聲的組合,讓三千多年歷史的古琴走向現代。
\n\n\n\n
演出曲目
\n\n《四大景》
\n\n《落梅》
\n\n《睡蓮》
\n\n《鳳凰台上憶吹簫》
\n\n《風雪築路》
\n\n《枉凝眉》
\n\n《關山月》
\n\n《綠野仙蹤》
\n\n《盟鷗》
\n\n《流水》
\n\n\n\n
演出暨製作團隊
\n\n古琴、簫|黃鴻文
\n\n古琴、中阮|林明宜
\n\n古琴、二胡、電子琴|賴駿宇
\n\n古琴彈唱、女高音獨唱|胡如茵
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9f4f0a8689e8718af0c1f760072c4b02",title:"《2023鹿鳴弦耕古琴音樂會》"}],related:[],title:"2023 Luming Xiangeng - Guqin Concert",cover:"996b7a9dbd8a2654aa16916c464420dc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Since Huang Hong-wen founded Xiangeng Qin Society in 2010, it has cultivated a large number of Guqin teaching and performing talents. In this concert, we'll have traditional and new works which are composed by Lin Ming-yi. It makes Guqin come to the modern age.
\n\n\n\n
Creative and Production Team
\n\nGuqin, Xiao|Huang Hong-wen
\n\nGuqin, Zhongruan|Lin Ming-yi
\n\nGuqin, Keyboard, Erhu|Lai Chun-yu
\n\nGuqin, Soprono|Hu Ru-yin
\n\n\n\n
\n',team:""},createdAt:1680078440,updatedAt:1680746443,updatedBy:"林蔚行",host:!1},{_id:"6423ffab653c730007bb6d91",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686915e3,discrete:[{time:1686915e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1632661495655477253"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"66ba25c3e7cf243f646f33f75543c5d1",title:"《環遊世界》"}],related:[],title:"《環遊世界》",cover:"c44affc2e54abb8ba7170f119c5a0fe5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「環遊世界」音樂會由兩位青年音樂家共同擔綱演出,長笛演奏家胡志瑋與豎琴演奏家黃立雅兩人多年的演出經驗積累下對室內樂合作有深入的領會,長笛與豎琴一直以來是室內樂的最佳組合,優雅帶有高貴的音色特質,讓許多作曲家傾心並譜寫樂曲。音樂會有感於2020年新冠肺炎疫情大爆發,世界各國紛紛封城,國際交流劃下休止符,因此發想出「環遊世界」的音樂會主題,以六首充滿異國風味的作品,用音樂帶著聽眾去旅行。
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演出曲目
\n\n李哲藝:《冬之旅》
\n\n香卡:《迷人的清晨》
\n\n魯特:《古代組曲》
\n\n德布西:《牧神的午後前奏曲》
\n\n武滿徹:《朝向海洋》
\n\n皮耶佐拉:《探戈的歷史》
\n\n\n\n
演出暨製作團隊
\n\n長笛演奏家|胡志瑋
\n\n豎琴演奏家|黃立雅
\n\n主辦單位|圓周文化
\n\n視覺設計|謝宜樺
\n\n\n\n
贊助單位
\n\n金笛音樂藝術有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"66ba25c3e7cf243f646f33f75543c5d1",title:"《環遊世界》"}],related:[],title:"Around The World",cover:"c44affc2e54abb8ba7170f119c5a0fe5",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Around the World" is a concert which will be presented by two young musicians, flutist Chih-Wei Hu and harpist Li-Ya Huang, who have accumulated a deep understanding of chamber music through years of performance experiences. Because of the noble and elegant characters , flute and harp have always been the best combination in music, that many composers love to compose for them. Due to the outbreak of the covid epidemic in 2020, countries around the world have closed their cities, and international exchanges have come to a halt. Therefore, two musicians came up with the theme of "Around the World" with six works full of exotic flavors, wish to take the audience on a trip with music.
\n\n\n\n
Program
\n\nChe-Yi Lee: Winter Journey
\n\nR. Shankar: The Enchanted Dawn
\n\nJ. Rutter: Suite Antique
\n\nC. Debussy: L'Après-midi d'un faune
\n\nT. Takemitsu: Toward the Sea
\n\nA. Piazzolla: Histoire du Tango
\n\n\n\n
Creative and Production Team
\n\nFlutist|HU Chih-wei
\n\nHarpist|HUANG Li-ya
\n\nOrganizer|Piculture
\n\nVisual Design|HSIEH Yi-hua
\n\n\n\n
Sponsor
\n\nNagahara Flutes
\n\n\n\n
\n',team:""},createdAt:1680080811,updatedAt:1681203335,updatedBy:"林蔚行",host:!1},{_id:"64250711653c730007bc5a21",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1688193e3,discrete:[{time:1688193e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600],link:"https://www.opentix.life/event/1639921911593332740"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"60a3ca5443448ace85920b3d223c8dff",title:"《夏至愛樂-狂想莫札特 夏至愛樂-狂想莫札特》"}],related:[],title:"《夏至愛樂-狂想莫札特》",cover:"2415042d37a8214bc26c46a9bb5f8766",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2023夏至愛樂將為大家帶來一系列古典曲目及華語經典歌曲,全場音樂會中有大提琴重奏團至百人大提琴合奏之豐富組合,利用大提琴細膩渾厚聲響優美之樂音,與社會大眾一同享樂。作曲家李哲藝老師特別為大提琴團所改編的曲目,利用弦樂高低不同的音色創造出不同音樂火花,搭配上耳熟能詳的曲目,夏至愛樂大提琴室內樂團將大提琴演奏上發揮無限的可能,讓帶大家一同感受大提琴的音樂之美。
\n\n\n\n
演出曲目
\n\n\n\n
李哲藝編作:《華語經典歌曲》/ 改編百人大提琴合奏
\n\n\n\n
李哲藝編作:《電影經典配樂》 / 改編百人大提琴合奏
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演出暨製作團隊
\n\n指揮|王夙慧
\n\n編曲|李哲藝
\n\n樂團|夏至愛樂大提琴室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"60a3ca5443448ace85920b3d223c8dff",title:"《夏至愛樂-狂想莫札特 夏至愛樂-狂想莫札特》"}],related:[],title:"Summer Solstice-Fantasy Mozart",cover:"2415042d37a8214bc26c46a9bb5f8766",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2023 Summer Solstice Cello Chamber Orchestra will present some of the standard classical repertoire and Chinese classic songs. Our feature is 100 cello ensemble. In this concert, composer Lee Che-Yi revises Mozart and other famous works for our cello ensemble. Using various high and low notes, composer Lee creates different music spark with all the popular programs. We hope to bring the beautiful cello sound into this concert and provide the audience with a special night of cello ensemble.
\n\n\n\n
Program
\n\nWolfgang Amadeus Mozart: Symphony No. 40, K.550, mov. I
\n\nMozart:Symphony No.25,K.183,mov.1
\n\nMozart: Quartet No.4 inC Major K157 lmov Allegro
\n\nMozart: Kv525 Eine kleine Nachtmusik lmov Allegro
\n\nMozart :The Marriage of Figaro Overture k492
\n\n\n\n
Creative and Production Team
\n\nConductor|Wang suh-Huey
\n\nArranged|Lee Che-you
\n\nOrchestra|Summer Solstice Cello Chamber Orchestra
\n\n\n\n
\n',team:""},createdAt:1680148241,updatedAt:1686994488,updatedBy:"林蔚行",host:!1},{_id:"642e5e8c03e56c00081609b7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1688124600,discrete:[{time:1688124600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1500,2e3,2800,4e3,6e3],link:"https://www.opentix.life/event/1636616403136065537"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4ea053cf1ceb040c594e98dfbd463b20",title:"《柏林愛樂12把大提琴訪台音樂會》"}],related:[],title:"《柏林愛樂12把大提琴訪台音樂會》",cover:"678880171cf23b7ebf25c26da10f80df",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
時隔五年,在樂迷殷殷期盼下,古典音樂界最夢幻的組合『柏林愛樂12把大提琴』-Die 12 cellisten der Berliner Philharmoniker,將以萬鈞之力再度訪臺!其成員來自世界地位最崇高、最頂尖的『柏林愛樂管弦樂團』。這次的演出曲目,特別經過張正傑和『柏林愛樂12把大提琴』首席一同挑選,有探戈、電影配樂,還有專為「柏林愛樂12把大提琴」所創作的原創作品,呈現一場「自由、典雅」的音樂饗宴。絕對精采,敬請把握。
\n\n\n\n
演出曲目
\n\n克連格:聖歌
\n\n布萊特狄恩:12怒漢
\n\n皮亞佐拉: 布宜諾斯艾利斯、孤獨
\n\n布泰:巴黎之花
\n\n凱薩林德曼:12在巴薩諾瓦
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|弦外之音團
\n\n導聆|張正傑
\n\n演出|柏林愛樂12把大提琴
\n\n\n\n
周邊活動
\n\n\n\t\t\t \n\n\t\t\t \n\n\t\t\t 《柏林愛樂12把大提琴訪台音樂會》戶外轉播 \n\n\t\t\t
\n\n\t\t\t\n\t\t\t | \n\t\t
Die 12 Cellisten der Berliner Philharmoniker is going to visit Taiwan again under the invitation of cellist Chen-Chieh Chang and CSC Group. The 12 masters will take Taiwan's audience to travel through Paris and Argentina with French chansons and South America's tango And they will play some pieces that composers specially wrote for them.
\n\n\n\n
Program
\n\nJ.Klengel:Hymnus
\n\nBrett Dean:Twelve angry men
\n\nA.Piazzolla:Buenos Aires Hora Cero、Soledad
\n\nH. Bourtayre:Fleur de Paris
\n\nW. Kaiser-Lindemann The 12 in Bossa Nova
\n\n\n\n
Creative and Production Team
\n\nPresented|Pro-Art Camerata
\n\nPresenter|Chang Chen-chieh
\n\nPerformed|Die 12 Cellisten derBerliner Philharmoniker
\n\n\n\n
\n',team:""},createdAt:1680760460,updatedAt:1686044978,updatedBy:"林蔚行",host:!1},{_id:"642e656a3fb0e90007b17d9d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685532600,discrete:[{time:1685532600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,500,800,1e3],link:"https://ticket.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=P04MO2J9"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e8bf9701de9c80c36870bdc71d1e8b51",title:"《經典再現Ⅱ》東海大學管樂團定期音樂會"}],related:[],title:"《經典再現Ⅱ》東海大學管樂團定期音樂會",cover:"3caa3ac786a5a7d864bcad1021b24d32",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
二十餘年載的千錘百鍊,再次演繹經典!
\n\n東海大學管樂團成立於1990年,成立之初由戴念平教授所指揮帶領,1999年9月特聘自美國曼哈頓音樂院畢業的許榮富老師來帶領管樂團,經過二十多年的用心指導,演出足跡遍佈全省各地。純熟技巧、富含底蘊的音樂活動,深獲各界人士的佳評。管樂團目前以輕鬆活潑又不失古典氣息的曲目為主。親臨現場享受一場精彩絕倫的音樂饗宴!
\n\n\n\n
演出曲目
\n\n薩繆爾‧哈佐:《奔馳》
\n\n八木澤教司:《太陽之讚歌-大地之鼓動》
\n\n真島俊夫:《鳳凰之舞-京都印象、石庭、金閣寺》
\n\n克勞德‧史密斯:《華麗舞曲》
\n\n河邊公一:《高度技術之指標》
\n\n法蘭克‧堤克立:《藍調殘影》
\n\n樽屋雅德:《斐伊川的奇稻田姬之淚》
\n\n菲利浦‧史巴克:《一個週末在紐約》
\n\n\n\n
演出暨製作團隊
\n\n指導老師|許榮富
\n\n演出團隊|東海大學管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e8bf9701de9c80c36870bdc71d1e8b51",title:"《經典再現Ⅱ》東海大學管樂團定期音樂會"}],related:[],title:"2023 Tunghai University Symphonic Band Concert",cover:"3caa3ac786a5a7d864bcad1021b24d32",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
After more than 20 years of hard work, The Tunghai University Symphonic Band (TUSB) has once again performed its classics!
\n\nThe Tunghai University Symphonic Band (TUSB) was founded in 1990 under the director of Mark Dannenbring. Since 1999, Jung-Fu Hsu, who earns his Master's degree from the prestigious Manhattan School of Music took the position and has been leading TUSB towards a new path of adventuring masterpieces in various styles including traditional classical, contemporary and pop music. TUSB has been receiving enthusiastic receptions in their tour concerts in major concert halls and city cultural centers, and also has been frequently appearing on several important occasions as Chiayi city 2011 International Band Festival.
\n\nCome and enjoy a wonderful musical feast!
\n\n\n\n
Program
\n\nSamuel R. Hazo: Ride
\n\nSatoshi Yagisawa: Hymn to the Sun-With the beat of the Mother Earth
\n\nToshio Mashima: La danse du Phenix impression de Kyoto
\n\nClaude Smith: Dance Foltare
\n\nKoichi Kawabe: A Guide to the Advanced Technique
\n\nFrank Ticheli: Blue Shades
\n\nMasanori Taruya: Tears of the Princess KUSHINADA flowing in Hii
\n\nPhilip Sparke: A weekend in New York
\n\n\n\n
Creative and Production Team
\n\nInstructor|Jung-Fu Hsu
\n\nPerformer|Tunghai University Symphonic Band
\n\n\n\n
\n',team:""},createdAt:1680762218,updatedAt:1683272589,updatedBy:"林蔚行",host:!1},{_id:"642e707503e56c0008160cf2",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1687606200,discrete:[{time:1687606200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1640976319894941702"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b08517e21732f8c363a0e0d87a80782a",title:"福爾摩沙合唱團2023藝文推廣系列音樂會之一《福爾摩沙詠嘆調》"}],related:[],title:"福爾摩沙合唱團2023藝文推廣系列音樂會之一《福爾摩沙詠嘆調》",cover:"c61f503224ae6b43ca4822bf454379c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
這個時代,還好我們有詩、有歌。
\n\n無論是詩人或是作曲家,透過乘載生命的媒介傳遞豐富情感與力量。福爾摩沙合唱團藉由詩與歌獨特的穿透力,帶領觀眾碰觸屬於臺灣的記憶。詩,帶領我們走進不同的社會議題、走進不同的人生,而歌曲,以音符把我們的心串連在一起。
\n\n福爾摩沙合唱團2023藝文推廣系列音樂會之一,一場詩與歌的對話。我們將演唱以詩人李敏勇的詩譜寫而成的合唱作品。李敏勇從事文字創作五十餘年,透過詩集、評論、小說的文字紀錄,真情流露一篇篇發生在都市叢林的故事。福爾摩沙合唱團以合唱將詩的語言透過音樂表達出來,賦予詩更寬廣的視野,彰顯歌詞與旋律的生命力。
\n\n\n\n
演出暨製作團隊
\n\n導聆|李敏勇
\n\n指揮|蘇慶俊、陳安瑜
\n\n鋼琴|蔡昱姍、許溎芳
\n\n演唱|福爾摩沙合唱團、天生歌手合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b08517e21732f8c363a0e0d87a80782a",title:"福爾摩沙合唱團2023藝文推廣系列音樂會之一《福爾摩沙詠嘆調》"}],related:[],title:"Formosa Singers Concert",cover:"c61f503224ae6b43ca4822bf454379c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This concert will be organized by the artistic director Ching-Chun SU, the Formosa Singers, and the outstanding team of young people in Kaohsiung jointly holding this performance. We hope it can bring the audience to enjoy a feast full of moving.
\n\n\n\n
Creative and Production Team
\n\nIntroductor|LI Min-Yong
\n\nConductors|Ching-Chun Su, An-yu Chen
\n\nPianists| Yu-Shan Tsai, Gui-Fang Hsu
\n\nChoirs: Formosa Singers, Natus Cantorum
\n\n\n\n
\n\n
\n',team:""},createdAt:1680765045,updatedAt:1686799933,updatedBy:"林蔚行",host:!1},{_id:"642e7c683fb0e90007b181f9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685860200,discrete:[{time:1685860200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1640308101271826437"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1b4370cae022cae350e75cee8e74a781",title:"《斜槓人生-陳思涵與斜槓醇弦 中提琴五重奏之夜》"}],related:[],title:"《斜槓人生—陳思涵與斜槓醇弦之弦樂五重奏》",cover:"7e7b55e43d72582b6597a04d5e480a5f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
斜槓醇弦四重奏由四位在醫學相關領域學有專精的好友組成。本次系列五將邀請年輕的中提琴醫師音樂家陳思涵醫師共同演出布拉姆斯與德弗札克著名的兩首弦樂五重奏。
\n\n\n\n
演出曲目
\n\n德弗札克:第三號弦樂五重奏,作品97
\n\n布拉姆斯:第二號弦樂五重奏,作品111
\n\n\n\n
演出暨製作團隊
\n\n小提琴|張智欽、蕭浩明
\n\n中提琴|陳思涵、吳育弘
\n\n大提琴|鍾孝文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1b4370cae022cae350e75cee8e74a781",title:"《斜槓人生-陳思涵與斜槓醇弦 中提琴五重奏之夜》"}],related:[],title:"Slashie Life / Szu-Han Chen and Mellow-Slashies SQ - String Quintet",cover:"7e7b55e43d72582b6597a04d5e480a5f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Mellow-Slashies String Quartet consists of 4 friends working in medical fields. They will perform 2 famous string quintets composed by Brahms and Dvorak with the young outstanding physician violist Dr. Szu-Han Chen.
\n\n\n\n
Program
\n\nDvorak: String Quintet No.3, Op.97
\n\nBrahms: String Quintet No.2, Op. 111
\n\n\n\n
Creative and Production Team
\n\nViolin|Kim Chang、Herbert Hsiao
\n\nViola|Szu-Han Chen , WU Yu-hung
\n\nCello|Chung Hsiao-Wen
\n\n\n\n
\n',team:""},createdAt:1680768104,updatedAt:1680853513,updatedBy:"林蔚行",host:!1},{_id:"6433c0153fb0e90007b3c195",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686137400,discrete:[{time:1686137400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1635920444100341764"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ce7a7feb10af8e65d955f3165e0ba216",title:"四重瘋quartetAmore《fff》"}],related:[],title:"四重瘋quartetAmore《fff》",cover:"0e6f6f07915a6ffa2db1bcf385a0f4d3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「四重瘋 quartetAmore」由巴雀藝術團長張皓翔創立,號召巴雀Camerata Taiwan優秀年輕音樂家所組成,用自己對音樂之專業及熱忱致力於創新,以新穎、精緻專業演奏的演出形式,呈現古典音樂的多元演出樣貌。音樂會將帶來貝多芬第十一號弦樂四重奏《莊嚴》,與史特拉文斯基《為弦樂四重奏的小協奏曲》,以及葛利格《G小調第一號弦樂四重奏》,富飽滿震撼與音樂張力的作品。
\n\n\n\n
演出曲目
\n\n貝多芬:F小調第十一號弦樂四重奏,作品95《莊嚴》
\n\n史特拉文斯基:為弦樂四重奏的小協奏曲
\n\n葛利格:G小調第一號弦樂四重奏,作品27
\n\n\n\n
演出暨製作團隊
\n\n小提琴|簡祥峻、張祐豪
\n\n中提琴|張皓翔
\n\n大提琴|張逸中
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ce7a7feb10af8e65d955f3165e0ba216",title:"四重瘋quartetAmore《fff》"}],related:[],title:"2023 quartetAmore - fff",cover:"0e6f6f07915a6ffa2db1bcf385a0f4d3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Artistic Director of Bratsche, Hao-Hsiang Chang, founded quartetAmore in 2021. Joined by other young Taiwanese artists, they will explore a new sound. With their delicate playing, quartetAmore will bring you an unforgettable music feast.
\n\n\n\n
Program
\n\nL. v. Beethoven:String Quartet No. 11 in F minor, Op. 95 'Serioso'
\n\nI. Stravinsky:Concertino for String Quartet
\n\nE. Grieg:String Quartet No. 1 in G minor, Op. 27
\n\n\n\n
Creative and Production Team
\n\nViolin|Hsiang-Chun Chien、Yu-Hao Chang
\n\nViola|Hao-Hsiang Chang
\n\nCello|Yi-Chung Chang
\n\n\n\n
\n',team:""},createdAt:1681113109,updatedAt:1681873896,updatedBy:"林蔚行",host:!1},{_id:"6433d1973fb0e90007b3c467",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1687069800,discrete:[{time:1687069800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,1e3],link:"https://www.opentix.life/event/1642389245226610690"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f66d5c81dfe49cd98b308335001ff0ca",title:"《絕代風華~鍾曉青x胡志龍x廖培鈞三角關係鋼琴音樂會》"}],related:[],title:"《絕代風華~鍾曉青x胡志龍x廖培鈞三角關係鋼琴音樂會》",cover:"9a2b936f5f8459cab01fd35b2b6864a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
『三角關係鋼琴音樂會』全新企劃維持三加一位鋼琴家,特邀鋼琴家盧易之加入演出。音樂會上半場以20世紀30年代炫技華麗的雙鋼琴作品為主,下半場以臺灣與西洋經典歌謠的重新創作改編為主軸,同樣聚焦於20世紀30年代,上下半場分別展現多種文化面貌的鋼琴曲,分享一整場不同文化與無比豐富的鋼琴音樂。委託青年鋼琴家黃士哲改編新創臺灣歌謠與西洋老歌為四手、六手、八手聯彈鋼琴曲,包括《草螟弄雞公》、《雨月花夜愁》、《I've Got Rhythm》等等。
\n\n\n\n
演出曲目
\n\n米堯: 丑角
\n\n盧托斯瓦夫斯基: 帕格尼尼主題變奏曲
\n\n格蘭傑: 蓋希文的波吉與貝絲幻想曲
\n\n蓋希文: 我有節奏
\n\n雨月花夜愁、草螟弄雞公(黃士哲 改編)
\n\n爵世經典組曲(黃士哲 改編Autumn Leaves, En Avril à Paris, Take the A Train, Over the Rainbow等30年代西洋經典歌曲)
\n\n望春風、桃花過渡(盧易之 獨奏/改編)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|鍾曉青,胡志龍,廖培鈞
\n\n特別嘉賓|盧易之
\n\n編曲|黃士哲
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f66d5c81dfe49cd98b308335001ff0ca",title:"《絕代風華~鍾曉青x胡志龍x廖培鈞三角關係鋼琴音樂會》"}],related:[],title:'Grace Chung x Chih-long Hu x Pei-chun Liao "Piano à Trois" Concert',cover:"9a2b936f5f8459cab01fd35b2b6864a4",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The "Piano à Trois" together with special guest Yi-Chih Lu will present a concert that features dazzling piano ensemble music as well as famous Taiwanese and Western pop songs in the 1930s. The pianists will perform music for solo piano, 4 hands, 6 hands and 8 hands from various cultures, including Taiwanese folk tune "Grasshopper Playing Cock" as well as the beloved American songs "Over the Rainbow" and "I've Got Rhythm," re-arranged by Shih-Che Huang.
\n\n\n\n
Program
\n\nMilhaud: Scaramouche
\n\nLutoslawski: Variations on a Theme by Paganini
\n\nGrainger: Fantasy on Gershwin's Porgy and Bess
\n\nCopland: Hoe-Down
\n\nGershwin: I've Got Rhythm
\n\n\n\n
Creative and Production Team
\n\nPiano|Grace CHUNG, Chih-long HU, Pei-chun LIAO
\n\nGuest Pianist|LU Yi-Chih
\n\nArranger|HUANG Shih-Che
\n\n\n\n
\n',team:""},createdAt:1681117591,updatedAt:1686799885,updatedBy:"林蔚行",host:!1},{_id:"6437a0713fb0e90007b61737",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685773800,discrete:[{time:1685773800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1643832069074862082"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6dd2dd98b4e309c8e2cb032dde03fad",title:"《大人與孩子的對話》"}],related:[],title:"《大人與孩子的對話》",cover:"13a5fac017887dbadf2e420e7e2ba7f2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
長久以來,鋼琴家最常與歌唱家合作演出,曲目有藝術歌曲、歌劇選粹及重唱等。然而,旁白與鋼琴的作品,無論是在作品數量上或是知名度遠遠不及聲樂與鋼琴的作品。為推廣此類作品,同時推動英語與音樂教育,以「大人與孩子的對話」作為主題,將孩子的純真口語使用英文對白描述故事,並用音樂穿插其中,現場預計將有中英文字幕,除欣賞音樂之外,也能夠學習英語。本場將由鋼琴家林得恩老師及兩位女兒林若安、林孟捷擔任演出及旁白,由吳惠婷老師擔任主持及樂曲解說,共同演出普朗克:《小象巴巴的故事》及普羅高菲夫:《彼得和狼》作品,歡迎大朋友及小朋友都能到現場聆聽。
\n\n\n\n
演出曲目
\n\n普朗克:《小象巴巴的故事》
\n\n普羅高菲夫:《彼得和狼》
\n\n\n\n
演出暨製作團隊
\n\n鋼 琴|林得恩
\n\n英文旁白|林若安、林孟婕
\n\n主持解說|吳惠婷
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6dd2dd98b4e309c8e2cb032dde03fad",title:"《大人與孩子的對話》"}],related:[],title:"Conversations for Children Young and Old",cover:"13a5fac017887dbadf2e420e7e2ba7f2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Music for singers with piano accompaniment has long been among the most highly regarded music in concert halls through-out the world. For composers such as Franz Schubert, Robert Schumann, and. Gabriel Faure, art songs were among their most highly regarded compositions. Works for spoken voice and piano, however, have always been less fewer in number and less well known. The compositions on this program are works for narrator with piano accompaniment. Both pieces have texts that are children's stories. The title of this program, "Conversations for Children Young and Old" suggests music with a child-like innocence that can be enjoyed by both adults and children. The choice of using young people as narrators is to bring out the youthful qualities of both these works. The composers, Sergei Prokofiev and Francis Poulenc, both had youthful qualities in many of their works. The pieces on this afternoon's recital are among their most beloved and successful compositions. It is our hope that both adults and children will appreciate both the innocence and maturity of these great compositions.
\n\n\n\n
Program
\n\nFrancis Poulenc: The Story of Babar the Little Elephant
\n\nSergei Prokofiev: Peter and the Wolf
\n\n\n\n
Creative and Production Team
\n\nPiano|Thomas Linde
\n\nNarration|Loraine Linde, Monica Linde
\n\nLecturer|Hui-Ting WU
\n\n\n\n
\n',team:""},createdAt:1681367153,updatedAt:1681712177,updatedBy:"林蔚行",host:!1},{_id:"643cf76403e56c00081e3bd8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687588200,discrete:[{time:1687588200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,800,1e3],link:"https://www.opentix.life/event/1645780292180824066"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"11526c267832bb24d6e7a9ccf9d371d5",title:"《聽!大提琴說故事》"}],related:[],title:"《聽!大提琴說故事》",cover:"f8544f0b0f02db7efe9de531c9bf2178",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
【樂一大提琴室內樂團】由大提琴家李天慧教授創立於2008年,成員皆為音樂系研究所畢業及歸國之專業人士。本場演出將以作曲家們編寫著的一個個奇幻故事,由大提琴一一說給你聽!
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n女高音|鄭思筠
\n\n薩克斯風|張志宇
\n\n台北市樂一大提琴室內樂團
\n\n導聆|蔡福桂
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"11526c267832bb24d6e7a9ccf9d371d5",title:"《聽!大提琴說故事》"}],related:[],title:"Listen! Cellos tell you fantastic stories.",cover:"f8544f0b0f02db7efe9de531c9bf2178",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Long Long ago, so many stories written by music , and now, cellos will tell you!
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nSoprano|CHENG Szu-yun
\n\nSax|JHANG Jhih-Yu
\n\nMusic First Cello Ensemble
\n\nGuidance|TSAI Fu-kuei
\n\n\n\n
\n\n
\n',team:""},createdAt:1681717092,updatedAt:1681810151,updatedBy:"林蔚行",host:!1},{_id:"644740833fb0e90007c15b97",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1685964600,discrete:[{time:1685964600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1648225826036015106"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9ab525487103f0e620b56a2c5a0401a",title:"《琴鍵上的芭蕾》顏竹君&黃郁文雙鋼琴音樂會"}],related:[],title:"《琴鍵上的芭蕾》顏竹君&黃郁文雙鋼琴音樂會",cover:"7821b4dcbdd0202aa43f8e332f0f7708",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
本場演出由鋼琴家顏竹君及黃郁文帶來改編自俄國兩部著名的芭蕾舞劇─柴可夫斯基的「睡美人」及普羅高菲夫的「灰姑娘」之雙鋼琴組曲,兩部著名的舞劇從古至今皆深受大眾喜愛。節目中亦將演奏拉威爾的「華爾滋」,同樣改編自管絃樂曲,且促成這首曲子誕生的即是俄國著名芭蕾舞製作人狄雅格列夫(Sergei Diaghilev)的委 託創作,雖然完成後這首曲子並沒有被狄雅格列夫採用,然而整首作品仍然有著如同 芭蕾舞者時而輕盈,時而絢麗的舞步。讓我們用二十隻手指代替芭蕾舞著的腳步在琴 鍵上跳躍及歌唱,聽聽兩台鋼琴如何呈現出猶如樂團般的豐富音色,同時述說每一個 樂段的故事及趣味。
\n\n\n\n
演出曲目
\n\n柴高夫斯基:「睡美人」組曲 雙鋼琴改編版
\n\n拉威爾: 華爾滋
\n\n普羅高菲夫:「灰姑娘」組曲 雙鋼琴改編版
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|顏竹君
\n\n鋼琴|黃郁文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9ab525487103f0e620b56a2c5a0401a",title:"《琴鍵上的芭蕾》顏竹君&黃郁文雙鋼琴音樂會"}],related:[],title:"Ballet on Pianos!---Chu-Chun Yen & Yu-Wen Huang Piano Duo Concert",cover:"7821b4dcbdd0202aa43f8e332f0f7708",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
This concert features two-piano arrangement of two famous ballets by Russian composers – Tchaikovsky's "Sleeping Beauty" and Prokofiev’s "Cinderella". The program also includes Ravel's "La Valse", which was initially commissioned by the famous ballet producer Sergei Diaghilev as a ballet. Although it was never produced as a ballet, the music is composed with the imagination of the steps of dancers. Let's dance together on the two pianos with twenty fingers, enjoy the ballet music!
\n\n\n\n
Program
\n\nTchaikovsky: The Sleeping Beauty (arranged for Two Pianos by Richard Simm)
\n\nRavel: La Valse
\n\nProkofiev: Suite from Cinderella (arranged for Two Pianos by Mikhail Pletnev)
\n\n\n\n
Creative and Production Team
\n\nPiano|Chu-Chun Yen
\n\nPiano|Yu-Wen Huang
\n\n\n\n
\n',team:""},createdAt:1682391171,updatedAt:1682499714,updatedBy:"林蔚行",host:!1},{_id:"64474b4c03e56c0008226e72",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687779e3,discrete:[{time:1687779e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1647866746371936260"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0e9d210f53d39891774f45a9778d8a31",title:"《築夢 合唱音樂會》"}],related:[],title:"《築夢 合唱音樂會》",cover:"b0fa57e7979afb07a39c4fe659e21322",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
人生有夢,築夢踏實,有夢最美,希望相隨。用音符彩繪人生樂章,用歌聲追逐夢想。這場音樂會將用歌聲唱出屬於我們的故事,我們的相遇以及我們的夢想。而每個團員就如捕夢網般編織在一起,所有一起發生的美好都會順著羽毛留下。高雄愛樂室內合唱團與女伶合唱團將透過不同語言、不同時期的合唱作品,攜手編織屬於我們的合唱樂章,誠摯邀請您一起來築夢。
\n\n\n\n
演出曲目
\n\n艾爾柏汀:頌讚上主
\n\n李維特:慶典彌撒
\n\n托特:爵士短彌撒
\n\n佐藤 賢太郎:前へ《向前邁進》
\n\n松下 耕:今、ここに《此時此刻》
\n\n謝宇婷:《展翅》
\n\n劉聖賢:《祈禱》
\n\n黃俊達:《那天一個衝動我加入合唱團》
\n\n\n\n
演出暨製作團隊
\n\n合唱指揮|周欣潔
\n\n鋼琴合作|陳俐、陳怡真
\n\n合 唱|高雄愛樂內合唱團、高雄愛樂女伶合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0e9d210f53d39891774f45a9778d8a31",title:"《築夢 合唱音樂會》"}],related:[],title:"Dream-Building Choral Concert",cover:"b0fa57e7979afb07a39c4fe659e21322",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Music can not only build your own musical movement but also can chase your musical dreams. The chosen program for this concert is sung by different language, included Latin, Japanese, English, Chinese, Bunun and Taiwanese. In addition, the female choir are going to perform a traditional mass by John Leavitt, and the chamber choir are going to sing a jazz mass brevis, which is composed by Will Todd. The repertoire of the concert is rich and diversity of style. Looking forward to have a warm and touching voices for our fans in the concert hall.
\n\n\n\n
Program
\n\nJosu Elberdin: Cantate domino
\n\nJohn Leavitt: Missa Festiva
\n\nWill Todd: Jazz Missa Brevis
\n\nSato Kentaro: Forward
\n\nKo Matsushita: Now and here
\n\n\n\n
Creative and Production Team
\n\nChoral Conductor|Chou Hsin-Chieh
\n\nCollaborative Piano|Chen Li, Chen I-Chen
\n\nChoir|Kaohsiung Philharmonic Chamber Choir Kaohsiung Philharmonic Female Choir
\n\n\n\n
\n',team:""},createdAt:1682393932,updatedAt:1682995430,updatedBy:"林蔚行",host:!1},{_id:"6450e11c3fb0e90007c7eeea",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687260600,discrete:[{time:1687260600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300],link:"https://www.opentix.life/event/1646057197956878341"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c86af7f4bee2012ef9748b0b8fe5d6f4",title:"《笛之狂想》"}],related:[],title:"《笛之狂想》",cover:"4cc8d3c79335ff312fcb036101d3cbfc",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
高雄市立民族國中木笛團,於民國93年成立,在歷任校長與師生的努力下,屢獲國內外各項音樂競賽佳績。光武國小木笛班傳承至今已達22屆,兩校積極培育有志於音樂的學生,透過音樂展演和社區互動,進而充分發展音樂潛能並提昇音樂素養。本次演出匯集古典到流行等不同時期和派別的曲目,期能帶給觀眾木笛音樂交響化的聽覺饗宴。此外,節目也邀請到福山國小兒童合唱團,藉著純淨的歌聲,為觀眾帶來木笛音樂的多重層次聆賞感受。
\n\n\n\n
演出曲目
\n\n祭典/金子健治
\n\n17世紀離別曲/布萊恩・邦索
\n\n塞維利亞的理髮師:序曲/焦阿基諾・安東尼奧・羅西尼
\n\n協奏曲:喬治・菲利普・泰勒曼
\n\n冰與火:迪特里希・施納貝爾
\n\n法國喜劇序曲/貝拉 凱勒
\n相信/杉本龍一 編曲:金子健治
你鼓舞了我/羅爾夫・勒夫蘭
\n\n\n\n
演出暨製作團隊
\n\n指揮|黃幸冠
\n\n導聆|高銘謙
\n\n高雄市立民族國中木笛團
\n\n高雄市立光武國小木笛團
\n\n福山國小兒童合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c86af7f4bee2012ef9748b0b8fe5d6f4",title:"《笛之狂想》"}],related:[],title:"Fun with the recorder",cover:"4cc8d3c79335ff312fcb036101d3cbfc",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
The Recorder Orchestra of Min-Zu Junior High School, which was founded in 2004, consists of the art-talented students, has repeatedly made various remarkable achievements. The Recorder Orchestra of Guangwu Elementary School has been passed down for 22 years. The two schools are actively cultivating students who are interested in music. Through music performances and community interaction, they can fully develop their musical potential and improve their musical literacy. Tonight through their renderings , you will be immersed in not only the music styles from the east and the west, but also the tunes of the classic and the modern. Furthermore, Fushan Elementary School Children"s chorus will perform the melodies with their pure tones. Hope the performances will bring you an absolutely fantastic night.
\n\n\n\n
Program
\n\nフィエスタ / Kaneko Kenji
\n\nThe 17th's Farewell to Alva / Brian Bonsor
\n\nIL Barbiere Di Siviglia : Overture / Gioachino Antonio Rossini
\n\nConcerto (TEL 44:43) G.P Telemann
\n\nFeuer&Eis / Dietrich Schnabel
\n\nFranzosische Lustspiel Overture Op.111 / Bela Kele
\n\nBelieve / 杉本竜一
\n\nYou raise me up / Rolf Løvland
\n\n\n\n
Creative and Production Team
\n\nConductor|Huang Hsing-Kuan
\n\nGuidance|Kao Ming-Chien
\n\nPerformer|
\n\nRecorder Orchestra of Kaohsiung Municipal Minzu Junior High School
\n\nRecorder Orchestra of Kaohsiung Guangwu Elementary School
\n\nFushan Elementary School Children"s chorus
\n\n\n\n
\n',team:""},createdAt:1683022108,updatedAt:1683270655,updatedBy:"林蔚行",host:!1},{_id:"645221e33fb0e90007c9382a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1687779e3,discrete:[{time:1687779e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1648152961748488196"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c142caa1465fbb1f0bb84a8971f1edf4",title:"《經典・傳承》"}],related:[],title:"《經典・傳承》",cover:"7b0d14afa736ee0901b145dc9349887d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
以鍵盤音樂中的兩項重要曲種作為主軸線,分別是蘊含複音音樂色彩的『前奏曲與賦格』和經典且具多變性的『奏鳴曲』。
\n\n從『鋼琴舊約聖經』到『鋼琴新約聖經』、從『德式經典』到『跨地域與多元技法的美式風格』,利用三位作曲家筆下的『經典』,解析其當代的文化思維、強化並觸及聽眾內心對於該作曲家風格的歸屬感,建構出對於巴洛克樂派、古典樂派、二十世紀美國音樂(新浪漫)三者間異同處的音樂傳承、情感回饋。從理性的曲式規範切入出發,以感性的音樂渲染力來鋪陳長達兩百年的音樂脈絡。
\n\n\n\n
演出曲目
\n\n巴哈:〈升F大調前奏曲與賦格,作品858〉
\n 〈升f小調前奏曲與賦格,作品883〉
貝多芬:《降A大調第三十一號鋼琴奏鳴曲》,作品110(1821-1822)
\n\n巴伯:鋼琴獨奏曲《鋼琴奏鳴曲》,作品26(1949)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|林佑虹
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c142caa1465fbb1f0bb84a8971f1edf4",title:"《經典・傳承》"}],related:[],title:"2023 LIN You-Hong Piano Recital",cover:"7b0d14afa736ee0901b145dc9349887d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
From the "classics" in keyboard music, explore the "inheritance and creation" of Western classical music!Taking two important types of keyboard music as the main axis, they are "Prelude and Fugue" which contains the color of polyphonic music, and the classic and versatile "Sonata". From "German classic" to "American style with cross-regional and multi-technique", using the "classics" written by three composers, analyze their contemporary cultural thinking, Strengthen and touch the audience's sense of belonging to the composer's style, and construct a musical inheritance and emotional feedback on the similarities and differences between Baroque, classical, and twentieth-century American music (New Romance). Starting from the rational musical form norms, it lays out the two-hundred-year-long musical context with perceptual music rendering power.
\n\n\n\n
Program
\nJ. S. Bach: Prelude and Fugue in F-Sharp Major, BWV 858 (1722)
\n Prelude and Fugue in F-Sharp Minor, BWV 883 (1740 ca.)
L. v. Beethoven: Piano Sonata No.31 in A-flat Major, Op.110
\n\nS. Barber: Sonata for Piano, Op.26
\n\n\n\n
Creative and Production Team
\n\nPiano|LIN You-Hong
\n\n\n\n
\n',team:""},createdAt:1683104227,updatedAt:1684308882,updatedBy:"林蔚行",host:!1},{_id:"64524e4a3fb0e90007c93ede",catalogs:["6007fc45ba34870007c22b8b","5aec45edb01ea6000520f655"],dateTime:{first:1686895200,discrete:[{time:1686895200}],type:"discrete"},activity:{type:"signup",signup:{limit:130,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"63bf8038bc2ba90007295d0f",text:"請問您是如何得知此活動?How do you know about this event?",english:"請問您是如何得知此活動?How do you know about this event?"},{required:!0,key:"6335021126fa10000893f3c8",text:"請問您是否需要無障礙領位服務?",english:"請問您是否需要無障礙領位服務?"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing address",english:"郵寄地址(申請退費時使用)Mailing address"}],vip:{start:1683111600,end:1686888059},open:{start:1683111600,end:1686888059},description:'
\n\t\t\t\n\t\t\t | \n\t\t
\n\n
「樂團片段」是交響樂團在招考團員時的必備項目,目的是讓評審評估演奏者的反應能力、音樂詮釋及對樂譜的熟悉度。成立於1918年的鹿特丹愛樂管絃樂團,素來以充滿張力的表演風格、備受讚譽的錄音作品,以及創新的觀眾互動手法而聞名,並因此在歐洲一流樂團中佔有一席之地。本次衛武營特別邀請鹿特丹愛樂管絃樂團第二小提琴首席緁琪莉亞・齊亞諾 (Cecilia ZIANO)、長笛首席朱麗葉特・雨赫爾(Juliette HUREL)擔任樂團片段大師班指導老師。
\n\n\n\n
師資介紹
\n\n緁琪莉亞・齊亞諾(Cecilia ZIANO)| 第二小提琴首席
\n\n自2017年10月起擔任鹿特丹愛樂管絃樂團第二小提琴首席,自2014年1月起擔任Lyskamm四重奏的第一小提琴手。她於1991年出生在義大利的都靈,四歲開始師事帕沃內(Fabrizio PAVONE),透過鈴木教學法學習小提琴。她在都靈的音樂學院師從安德森(Christine ANDERSON),從11歲開始與施瓦茨伯格(Dora SCHWARZBERG)和品扎魯(Adrian PINZARU)學習。她分別在柏林的漢斯艾斯勒音樂學院跟隨布拉赫(Kolja BLACHER),以及在義大利的克雷莫納與阿卡多(Salvatore ACCARDO)學習。她曾以樂團首席的身份與馬勒室內樂團、蘇格蘭室內樂團、安特衛普交響樂團、荷蘭皇家音樂廳管絃樂團等合作。她對巴洛克和古典曲目非常感興趣,不但向安東尼尼(Giovanni ANTONINI)、波拉尼(Lorenza BORRANI)、古列爾莫 (Federico GUGLIELMO)、科波拉(Lorenzo COPPOLA)等大師學習,更與他們同台演奏。她與Lyskamm四重奏,更是醉心於鑽研海頓的四重奏。對齊亞諾音樂養成影響至深的重要人物有拉多斯(Ferenc RADOS)、卡薩爾斯四重奏(Cuarteto Casals)、朱拉納(Bruno GIURANNA)、布勞恩斯坦(Guy BRAUNSTEIN)、加里茨基(Boris GARLITZKY)和費爾茨(Eberhard FELTZ)。她演奏的是來自波隆那美麗的菲奧里尼小提琴(約西元1800年製造),由荷蘭樂器基金會慷慨提供。
\n
朱麗葉特・雨赫爾 (Juliette HUREL) | 長笛首席
\n\n以傑出的長笛演奏揚名法國和國際音樂界。就讀巴黎國立高等音樂舞蹈學院期間,獲得評審一致肯定,榮獲長笛和室內樂首獎,並在幾個重大國際比賽中獲獎。2004年,她被提名為古典音樂獎年度新秀。身為炙手可熱的獨奏家,雨赫爾與世界各地的樂團合作,包括東京都交響樂團、哥倫比亞交響樂團、蒙特婁大都會樂團、BBC威爾斯國家管絃樂團和香港小交響樂團。此外,她也經常在法國與不同樂團合作。雨赫爾對當代音樂非常感興趣,並與作曲家密切合作,理解和實現他們的創作意圖。自1998年以來,雨赫爾一直擔任鹿特丹愛樂管絃樂團的長笛獨奏家,並從2010年開始在鹿特丹音樂學院Codarts教學。她身兼法國努瓦耶音樂節以及海灣音樂節的藝術總監。雨赫爾演奏的是一支18克拉金的Pearl Flute。
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報名對象與方式
\n\n【旁聽班】
\n\n報名費用:新臺幣200元
\n\n報名人數:小提琴旁聽人數80人;長笛旁聽人數50人,額滿為止。歡迎喜愛藝術活動的朋友,一起來參與!
\n\n活動日期/時間:2023/6/16(五) 14:00~16:00
\n\n活動地點:
\n\n※小提琴與長笛為同時間於不同場地進行,敬請擇一報名。
\n\n報名時間:即日起至2023/06/14(三)23:59止。
\n\n報名流程:官網報名 → 繳交費用 → 檢視官網報名狀況 → 完成報名。
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【指導班】
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甄選影片繳交方式
\n\n1. 錄製一首指定曲影片
\n\n【小提琴組】
\n\n理查.史特勞斯:《唐璜》,作品20(第1~36小節)
\nR. STRAUSS: Don Juan, Op. 20 ( mm. 1~36 )
\n►樂譜下載
\n\n
【長笛組】
\n\n孟德爾頌:詼諧曲,選自《仲夏夜之夢》(P前12小節起,至Scherzo結束)
\nF. MENDELSSOHN: Scherzo from Incidental Music to A Midsummer Night's Dream
\n►樂譜下載
\n\n
2. 將影片上傳至YouTube平台,影片請設為不公開,並將影片連結貼至線上報名表。
\n\n3. 影片標題命名為「衛武營樂團片段大師班甄選_(小提琴或長笛)_名字」。範例:衛武營樂團片段大師班甄選_長笛_衛小米。
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注意事項
\n\n甄選影片錄製規範:所有甄選曲目必須以未經編輯、一鏡到底之方式錄製。敬請特別留意,若甄選影像顯示曾被編輯,將失去申請資格。建議您上傳影片前請先仔細查看錄製內容。
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指導班指導曲目
\n\n受指導之樂曲片段(指定曲、自選曲)將由大師班指導老師於現場指定。
\n\n【小提琴組】
\n\n指定曲:
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自選曲(四選二):
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【長笛組】
\n\n指定曲:
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自選曲(四選二):
\n\n貝多芬:《雷奧諾拉》第三號序曲,作品72b
\n\tL.v. BEETHOVEN: Leonore Overture No. 3, Op. 72b
德布西:《牧神的午後》前奏曲
\n\tC. DEBUSSY: Prélude à l'après-midi d'un faune
拉威爾:《達芙妮與克羅伊》,M. 57(默劇段落,Trés lent 至排練號碼180)
\n\tM. RAVEL: Daphnis et Chloé, M. 57, (Pantomime Section Trés lent to Rehearsal Number 180)
聖桑斯:〈大鳥籠〉,選自《動物狂歡節》
\n\tC. SAINT-SAËNS: "Volières" from Le Carnaval des Animaux
\n',team:""},createdAt:1683115594,updatedAt:1686885439,updatedBy:"黃薏靜",host:!0,hasSignup:!0},{_id:"6454c89403e56c0008284059",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1686051e3,discrete:[{time:1686051e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1649328727810662405"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77999befcae9c7f84e692af37a403b55",title:"【擊.靜】2023樂壇新秀-許語家 擊樂獨奏會"}],related:[],title:"【擊.靜】2023樂壇新秀-許語家 擊樂獨奏會",cover:"4fe8360a557fefefb0828fd3299ef164",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
擊樂新星-許語家將與鋼琴家黃楚涵、以及三位合作夥伴-湯佩璇、楊貽茜、楊絮喬攜手,共同演奏出直擊人心的音符,於世間紛擾中重新找回內心的平靜。
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自幼於高雄生長的許語家,在父母的鼓勵及陪伴下,小小年紀便展露出其優異的擊樂天賦,並屢屢在比賽中獲得佳績,於舞台上敲出深植人心的樂音。即將畢業於雄中音樂班的許語家,將與鋼琴家黃楚涵、以及三位合作夥伴-湯佩璇、楊貽茜、楊絮喬攜手,共同演奏出直擊人心的音符,於世間紛擾中重新找回內心的平靜;並期許透過此場音樂會,致獻給一路教導提攜自己的師長以及陪伴自己成長的家人及好友們,並帶著眾人的祝福飛向未來、自在揮灑於音樂的殿堂。
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演出曲目
\n\n瑪律詹 - 尼福爾海姆:冰霧之國
\n\n戈洛夫科 - 俄羅斯協奏曲
\n\n埃里克·薩穆特 - 自由探戈
\n\n巴赫 - 前奏曲,選自G大調第一號大提琴無伴奏組曲
\n\n迪.巴托洛 - 九生一命
\n\n聖桑 - 骷髏之舞,改編給擊樂、小提琴與鋼琴的三重奏
\n\n特維諾 - 2+1 木琴二重奏
\n\n威廉.克拉夫特 - 英國組曲,第五、第七樂章
\n\n歐托莫 - 莉莉亞的搖籃曲
\n\n\n\n
演出暨製作團隊
\n\n打擊獨奏|許語家
\n\n鋼琴|黃楚涵、楊貽茜
\n\n小提琴合作|湯佩璇
\n\n擊樂合作|楊絮喬
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"77999befcae9c7f84e692af37a403b55",title:"【擊.靜】2023樂壇新秀-許語家 擊樂獨奏會"}],related:[],title:"YU-CHIA, HSU 2023 Percussion Recital ",cover:"4fe8360a557fefefb0828fd3299ef164",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The rising star of percussion, Yu-Chia HSU, will join hands with pianist Chu-Han HUANG, and three other partners : I-Chien YANG, Hsu-Chiao YANG, Pei-Hsuan TANG to play notes that hit people's hearts and regain inner peace in the turmoil of the world.
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With the encouragement and companionship of her parents, Yu-Chia HSU showed her outstanding percussion talent at a young age, and repeatedly achieved good results in competitions, knocking out deeply rooted music on stage. Yu-Chia HSU, who is about to graduate from the Kaohsiung Senior High School, will join hands with pianist Chu-Han HUANG, and three other partners : I-Chien YANG, Hsu-Chiao YANG, Pei-Hsuan TANG to play notes that hit people's hearts and regain inner peace in the turmoil of the world. Hoping that through this concert, Yu-Chia will dedicate herself to the teachers who taught and supported her all the way, as well as her family and friends who accompanied her to grow up, and fly to the future with everyone's blessings, freely swaying in the palace of music.
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Program
\n\nCsaba Zoltan Marjan - Niflheim
\n\nSergei Golovko - The Russian Marimba Concerto
\n\nPiazzolla - Libertango
\n\nBach - Prelude, from Cello Suite No. 1 in G Major
\n\nDi Bartolo - Nine lives for Unaccompanied Snare Drum
\n\nDanse Macabre Score for Percussion, Violin and Piano
\n\nTrevino - 2+1 Marimba Duo
\n\nWilliam Kraft - English Suite, Mov. V & Mov. VII
\n\nR. Oetomo -Lilia’s Lullaby
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Creative and Production Team
\n\nPercussion Solo|HSU Yu-Chia
\n\nPiano|HUANG Chu-Han , YANG I-Chien
\n\nViolin|TANG Pei-Hsuan
\n\nPercussion|YANG Hsu-Chiao
\n\n\n\n
\n\n
\n',team:""},createdAt:1683277972,updatedAt:1684896369,updatedBy:"林蔚行",host:!1},{_id:"645858b73fb0e90007cd4fba",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1687604400,discrete:[{time:1687604400},{time:1687672800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3],link:"https://www.opentix.life/event/1650679110367203333"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"338c8565980b11771eecf4d29d19b14c",title:"《天才在左 瘋子在右》"}],related:[],title:"《天才在左 瘋子在右》",cover:"2985f563a68658e41f8338cfbd02a9a3",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\t\t\t ※原訂2023年6月24日(六)19:00、6月25日(日)14:00於戲劇院演出之《天才在左 瘋子在右》,因劇情所需暫不進行中場休息,原演出長度為165分鐘(含中場休息),改為150分鐘,造成不便,尚祈見諒。 | \n\t\t
\n\n
「聽著熟悉的歌曲,跟著現場的觀眾大合唱,太過癮的觀戲體驗!」
\n\n「謝謝橘子泥教育劇場對戲劇的堅持,看完戲總是收穫滿滿」
\n\n「讓我們一起在有限的人生中,進劇場體驗無限的人生」
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從前世到今生,從入世到出世,六幕劇、六個故事、六度人生,過去、現在、未來同時存在,跳脫現實與時空的限制…從二維空間跳接四維、五維,就像超立方的無限萬花筒,到底會有多少可能性同步發生?地球遊戲,不是輸贏的格鬥工具,它是一場靈魂揚升的賽局…你必須重複著劇情,在每一幕幕的場景中滿足你自己,當你被喚醒的那一刻,你會想起好幾輩子的樣子…邀請您一同走進劇場,體驗顛覆感官、顛覆經驗、大小宇宙的新思維,跳脫既有的人生規則與概念,見證兩個極端的相遇與碰撞。
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演出暨製作團隊
\n\n導演 編劇 舞台設計|洪曉芬
\n\n出品監製|張秉中
\n\n製作人|俞樂
\n\n化妝服裝|彭文怡、蔡秉儒
\n\n燈光音響|郭倍辰、顏士成
\n\n製作執行|管庭幼
\n\n副導演|徐銘偉
\n\n後台經理|廖芳苡
\n\n舞台經理|彭詩玫
\n\n行政經理|黃旋音
\n\n演出人員|林宇帆、古庭銨、彭建鈞、伍浩和、張立岩、李昀翰、鄭郁臻、周若穎、徐睿圻、戴梓泰、張赫麟、郭睿澤
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\n',team:""},createdAt:1683511479,updatedAt:1687336777,updatedBy:"林蔚行",host:!1},{_id:"645c65c803e56c00082c4bf5",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1687674600,discrete:[{time:1687674600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1654121644762353667"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e3a8558b754e83195a17a0b72247ebf",title:"《2023醫聲室內樂團年度音樂會「音樂、愛、生命」》"}],related:[],title:"《2023醫聲室內樂團年度音樂會「音樂、愛、生命」》",cover:"c835e33733ff5a557ef58256e16a65a5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
醫聲室內樂團匯聚來自台灣醫療界優秀的演奏家,成立至今三十多年,他們致力以音樂關懷社會。過去三年對抗新冠疫情,團員堅守崗位積極防疫之餘,仍秉持對音樂的熱愛,今年六月將為南部觀眾帶來一場音樂盛宴。這是一場關於「音樂」、「愛」、「生命」的音樂會,其概念呈現在曲目的安排:以佛漢.威廉士的「泰利斯幻想曲」開場,用多部弦樂重現文藝復興時期在教堂虔誠歌詠的共鳴;中場演出沃克的「抒情曲」,為紀念已故的親人而作;最後安排經典德弗札克「小夜曲」,一切回到音樂的初衷。本場音樂會並邀請小提琴家徐文妙醫師,共同演出海頓小提琴協奏曲。
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演前導聆
\n\n2023/6/25(日)13:50 音樂廳3F大廳
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演出曲目
\n\n佛漢.威廉士:湯瑪斯.泰利斯主題幻想曲
\n\n海頓:A大調小提琴協奏曲
\n\n喬治.沃克:弦樂抒情曲
\n\n德弗札克:E大調小夜曲,作品22
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演出暨製作團隊
\n\n主辦|醫聲室內樂團
\n\n指揮|許瀞心
\n\n小提琴|徐文妙
\n\n樂團|醫聲室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e3a8558b754e83195a17a0b72247ebf",title:"《2023醫聲室內樂團年度音樂會「音樂、愛、生命」》"}],related:[],title:'"Music, Love, and Life", 2023 Physician\'s Chamber Orchestra of Taiwan Annual Concert',cover:"c835e33733ff5a557ef58256e16a65a5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Physician's Chamber Orchestra of Taiwan brings outstanding music performers together from the medical fields in Taiwan. Over the past three years in the fight against the COVID-19 pandemic, these physicians perform their daily duties on the front line, but still uphold their love for music. This June they will bring a musical feast to the audiences in southern Taiwan. This is a concert about "Music, Love, and Life", in honor of those who fight against the pandemic. The concert will open up with Vaughan Williams' "Fantasia on a Theme by Thomas Tallis", followed by George Walker's "Lyric for Strings". The night will conclude with classic Dvorak's "Serenade".
\n\n\n\n
Pre-talk
\n\n2023/6/25(Sun)13:50 Concert Hall 3F Lobby
\n\n\n\n
Program
\n\nRalph Vaughan Williams:Fantasia on a Theme by Thomas Tallis
\n\nHaydn: Concerto for Violin and Orchestra in A Major Hob. VIIa:3
\n\nGeorge Walker: Lyric for Strings
\n\nAntonín Dvořák: Serenade in E Major Op.22
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Creative and Production Team
\n\nConductor|Ching-Hsin Hsu
\n\nViolin|Wen-miao Hsu
\n\nPhysician's Chamber Orchestra of Taiwan
\n\n\n\n
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\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t
\n\n
衛武營於每學期辦理「劇場藝術體驗教育計畫-讀劇課程」,由學校教師與劇場業師共同備課完善教學架構,再透過業師進入校園,結合議題教學、肢體開發與發聲練習,讓學生們深度體驗戲劇生產的過程與趣味。
\n\n此次111學年度下學期讀劇發表會,由文山國小、四維國小、鳳山國小、大洲國中、國昌國中、寶來國中、高雄女中、瑞祥高中,共八所學校分別帶來兩場次演出,選讀劇本包含周蓉詩與飛人集社劇團的《天堂動物園:珍珠奶茶事件》、詹傑的《愛滋味》,以及衛武營與臺文館共同出版的《別緻時代》電子劇作集。各校皆用自己的方式將劇本演繹及轉化,帶領觀眾探索各種不同的議題討論。
\n\n衛武營透過「劇場藝術體驗教育計畫」將教學現場化身成劇場,讓每一個走進來的學生,都能從中帶走屬於自己的收穫。期待能讓越來越多同學透過劇場探索自己、認識世界,並在參與「讀劇課程」的過程裡,體驗與同理他人感受,運用聲音表達自己。
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111學年度下學期-讀劇發表會
\n\n讀劇發表會-國小場
\n\n時間|112年6月14日(三)14:30 – 15:55(14:00開放入場)
\n\n地點|衛武營國家藝術文化中心 表演廳
\n\n劇本|周蓉詩X飛人集社劇團《天堂動物園:珍珠奶茶事件》
\n\n學校|文山國小x四維國小x鳳山國小
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讀劇發表會-國中高中場
\n\n時間|112年6月15日(四)14:30 – 16:45(14:00開放入場)
\n\n地點|衛武營國家藝術文化中心 表演廳
\n\n劇本|周蓉詩X飛人集社劇團《天堂動物園:珍珠奶茶事件》、詹傑《愛滋味》、衛武營x臺文館《別緻時代》
\n\n學校|大洲國中x國昌國中x寶來國中x高雄女中x瑞祥高中
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索票方式
\n\n本次因座位有限,僅開放「國小場次」索票,欲索取「國小場次」票券之民眾,請填寫線上索票表單。
\n\n\n\n表單將於112年6月13日關閉索票,索取額滿為止。
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聯繫窗口
\n\n衛武營學推部 連映涵小姐
\n\n(07) 262-6422 / ida.lian@npac-weiwuying.org
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合作單位
\n\n高雄市政府教育局
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贊助單位
\n\n協力贊助:
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\n\n\n',team:""},createdAt:1683788549,updatedAt:1686899299,updatedBy:"連映涵",host:!0},{_id:"645cb5ca44c3a80007e78416",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1688194800,discrete:[{time:1688194800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1653638495552950277"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8b49fc340f01889ec62976e466d6e334",title:"《古意新聲-廖皎含演奏黃輔棠鋼琴作品精選獨奏音樂會》"}],related:[],title:"《古意新聲-廖皎含演奏黃輔棠鋼琴作品精選獨奏音樂會》",cover:"ddd7db22831c07f76258fd04bee4c085",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
一生經歷多重文化背景與時代,集小提琴家、指揮家與作曲家於一身的音樂家黃輔棠;藉由音符與樂器之王鋼琴豐富多元的音響共鳴,從春秋戰國時期的西施、唐宋著名的詩詞至臺灣本土原住民音樂,刻畫出東方文化動人內涵與風韻!此場音樂會作曲家與鋼琴家再度合體,將原音重現2012年出版CD專輯「古意新聲」~鋼琴家廖皎含演奏阿鏜鋼琴作品精選集。聽眾可以現場聆聽且感受鋼琴家廖皎含對於作品的精闢看法與真摯情感的完美詮釋。
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演出曲目
\n\n黃輔棠:靜夜思變奏曲
\n\n黃輔棠:台灣狂想曲
\n\n黃輔棠:古詩意境
\n\n黃輔棠:台灣原住民組曲
\n\n黃輔棠:西施幻想曲
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演出暨製