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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年7月1日(五)19:30及7月2日(六)14:30於戲劇院演出之大網路之子劇團《魚缸小天地》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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「有趣得令人開懷大笑」——法國《新觀察家》
\n\n「天知道有多爆笑!這齣劇充滿了獨創性的笑話。但同時也喚起了一種特別的歡樂情緒,散場後亦揮之不去。」——法國《世界報》
\n\n「這是齣無法抗拒的滑稽諷刺音樂劇,令人開懷大笑。表演過程中,觀眾有好幾次忍不住熱情鼓掌,幾乎很難在戲院看到如此情景。持續不斷地『捧腹大笑』。除了笑聲,還是笑聲!」——法國《費加洛報》
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從前從前的今天,在巴黎公寓頂樓的三個小閣樓房間裡,分別住著一位體型壯碩男、一位高瘦男和一位身材曼妙卻是少根筋傻大姊的金髮尤物,三人蝸居為鄰。
\n\n這本該是個浪漫的故事,但這三位怪胎自帶搞砸事情的本領,總是能讓把事情弄得雞飛狗跳人仰馬翻。在他們災難不斷、笑鬧層出不窮的日常中,他們也如你我一般,古怪三人組絕不輕易放棄任何追求愛情、生命以及任何希望跟可能。
\n\n道具滿天漫飛,演員人仰馬翻,舞台雜亂無章,失火、漏水、暴風雨和其他瘋狂又意想不到的意外,混亂而荒謬到最高境界。討人喜愛、逗人發笑、更令人無法抗拒,這三位「狗熊」主角為觀眾帶來嘆為觀止的驚人演出,同時也讓人爆笑到流淚。
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演出暨製作團隊
\n\n編劇/導演|皮耶•吉魯爾
\n\n共同編劇|阿嘉特•呂薏耶爾、奧利維耶•馬丁•薩爾班
\n\n演員|皮耶•吉魯爾,阿嘉特•呂薏耶爾,奧利維耶•馬丁•薩爾班
\n\n助理導演|霍邦•克斯
\n\n服裝設計|阿克塞爾•奧斯特
\n\n舞台設計|蘿拉•雷歐納爾德
\n\n燈光設計|瑪麗伊蓮•皮儂,大衛•卡雷拉
\n\n妝髮|凱瑟琳•聖塞佛
\n\n音效設計|羅蘭•奧佛雷特,洛伊克•勒•卡德
\n\n特效|阿布都•阿拉佛雷茲,盧多維科•佩爾什,茱蒂絲•杜波伊斯,吉雍•朱諾
\n\n佈景設計及製作|亞特里耶•吉邦可,法國布雷斯特國家劇院
\n\n製作單位|大網路之子劇團
\n\n共同製作|法國布雷斯特國家劇院,利穆贊國家戲劇中心-利摩日聯合劇院,里昂克魯瓦魯斯劇院
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照片版權由 Alain Monot、Crédit Pascal Perennec 提供
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\n',team:""},english:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8653ef6449ff4ea807415af83360a506",title:"大網路之子劇團《魚缸小天地》"}],related:[],title:"(Program cancelled) Le Fils du Grand Réseau Theatre Company - Fishbowl",cover:"c06d1cba56725d2f9035a4f9d4e2ef09",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been cancelled. For more information, please contact +886-7-262-6666. | \n\t\t
\n\n
A laugh-out-loud-silent comedy
\n\nONCE UPON A TIME today, in three small attic apartments in Paris, a big man, a tall thin man and a curvaceous blonde are neighbours. This would be a romantic story if it wasn't for the fact that these three odd-balls have a special talent for messing things up. Messing everything up. With one disaster leading to another amidst a deluge of jokes, thins quirky trio cling to anything that looks like love, life or hope.
\n\nIn a Grand-Guignolesque performance, objects fly around, characters fall flat on their faces and the whole stage is in total disarray from the various fires, leaks, storrms and other whacky unexpected accidents that culminate in a dizzying chaos. Endearing, laugh-inducing and irresistible, our three anti-heroes shock us just as much as they make us cry… with laughter.
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Creative and Production Team
\n\nDirector|Pierre Guillois
\n\nCo-written by|Agathe L'Huillier, Olivier Martin-Salvan
\n\nArtistic Assistant|Robin Causse
\n\nCostume|Axel Aust
\n\nScenography|Laura Léonard
\n\nLighting|Marie-Hélène Pinon, David Carreira
\n\nHair and makeup|Catherine Saint-Sever
\n\nSound|Roland Auffret, Loïc LeCadre
\n\nSpecial effects|Abdul Alafrez, Ludovic Perché, Judith Dubois, Guillaume Junot
\n\nScenography construction|Atelier Jipanco, the and technical team at the Quarts, Scène nationale de Brest
\n\nProduction|Le Fils du Grand Réseau theatre company
\n\nCo-production|Le Quarts, Scène nationale de Brest, Le Théâtre de L'Union-Limoges, Centre Dramatique National du Limousin, Le Théâtre de la Crois Rousse-Lyon
\n\nSupport|Lilas en scène - Centre d’échange et de création des arts de la scène
\n\nAcknowledgements|The team at the Quartz, Scène nationale de Best, Notbert Aboudarham, Claire Acqurt, Laurence Breton, Armelle Ferron, Jean-Matthieu Fourt,
\n\nMrs Martin, Christophe Noël, Mickaël Philippeau, Théàtre de Rond-Pont, Théàtre de la Pépinière, Lyon Stores.
\n\nLe Fils du Grand Réseau theatre company is funded by the Regional Office of Cultural Affaris, (DRAC-Bretagne) of the French Ministry of Culture.
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Photo © Alain Monot、Crédit Pascal Perennec
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單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t圖像、影像與身體 I \n\t\t\t王柏偉 | \n\t\t\t圖像、影像與身體 II \n\t\t\t王柏偉 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(一起來寫舞).pdf
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單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t你的第一篇舞蹈評論 \n\t\t\t魏琬容 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
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單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t 當我們在紙上跳舞-7項舞蹈書寫計畫 \n\n\t\t\t李欣恬 \n\t\t\t | \n\t\t\t我的看舞之路 \n\t\t\t魏琬容 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「一起來寫舞」與「專業書寫手」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
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王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
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王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
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謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
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紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
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魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
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蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
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方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
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陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[{from:"programs",key:"6204bb0606407a00079d566d",title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
保證金將於每單元課程第二日活動結束後現場退還當次保證金,未能全程參與者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,報名學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n報名人需於每一單元活動首日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,喜歡看舞、對於書寫有興趣並曾於觀賞演出後留下文字紀錄之一般大眾。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 1,000 元整/單元。可分別報名,建議同時報名三個單元。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tImage and Body I \n\t\t\tWANG Po-wei | \n\t\t\tImage and Body II \n\t\t\tWANG Po-wei | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tYour First Dance Review \n\t\t\tWEI Wan-jung | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2 (September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t\n\t\t\t Dancing Words — 7 Writing Ideas about Dance \n\n\t\t\tLEE Hsin-tien \n\t\t\t | \n\t\t\tMy Journey of Watching Dance \n\t\t\tWEI Wan-jung | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
\n\n\n\n
LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
\n\n\n\n
LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
\n\n\n\n
CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣"}],related:[],title:"2022 Writing About Dance Workshop (Primary)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
\n\n\n\n
Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
\n\n\n\n
2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
\n\n\n\n
2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
\n\n\n\n
Special Thank
\n\n\n',team:""},createdAt:1636616445,updatedAt:1669861032,updatedBy:"林蔚行",host:!0},{_id:"618ce3354490a40007918ccb",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1650704400,discrete:[{time:1650704400},{time:1650790800},{time:1651309200},{time:1651395600},{time:1651908600},{time:1651915800},{time:1652000400},{time:1652513400},{time:1652520600},{time:1652599800},{time:1652607e3},{time:1653118200},{time:1653125400},{time:165321e4},{time:1653728400},{time:1653809400},{time:1653816600},{time:1654932600},{time:1654939800},{time:1655019e3},{time:1655026200},{time:1655537400},{time:1655544600},{time:1655623800},{time:1655631e3},{time:1656147600},{time:1656228600},{time:1656235800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:""}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856380,end:4794566399},tabs:[{reference:[],type:"content",name:"左營高中舞蹈班",content:'
左營高中舞蹈班(依姓氏筆畫順序):
\n\n王姝雅 臺中市西屯區人 左營高中舞蹈班
\n\n從小便被音樂聲吸引並隨之舞動,那刻我知道,我喜歡跳舞。在跳舞,盡情揮灑汗水時,能使我忘卻一切煩憂,讓我深深感受世間一切都是如此單純且美好。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n跳波麗露時需要高度的專注。當沈浸其中,隨著吼叫與跑跳連結與環境的關係,我到了另一個新世界。
►最期待哪一場次的演出?為什麼?
\n我最期待在蓮池潭龍虎塔的場次。在去年,我們在那邊拍了劇照,第一次感受到在戶外演出的感覺。行人與車輛的來來去去,微風吹過、下起了小雨…都成了舞台的一部分。
►分享一個在排練過程中,最難忘的事。
\n最難忘的是書毅老師帶我們去籃球場練習,那是第一次到戶外。到了戶外,又是一個新的挑戰,需要馬上適應場地的大小,而吼叫聲也因為到了室外顯得沒有力量。
\n\n
王祥宇 高雄市岡山人 左營高中舞蹈班
\n\n小時候,我的體力就差於別人,我有氣喘,所以一開始碰觸舞蹈時,心中是很害怕的。但遇到左營高中這群同學時,這份莫名的緣分讓我們靠近,我們一起跳出屬於自己的舞蹈,我開始學會勇敢,勇敢面對自己的不足,勇敢的看見自己的長處。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n波麗露是一首可以詮釋自己當下心情的舞作。它需要不緊繃的身體與心靈,對於我跳起舞來較緊繃的身體來講,是非常大的挑戰。
►最期待哪一場次的演出?為什麼?
\n岡山文化中心,因為高雄市是我的家鄉,而岡山是我家鄉的歸屬。
►分享一個在排練過程中,最難忘的事。
\n在我們第一次將波麗露學完並且跳完時,讓我非常感動且印象深刻。
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李均君 高雄市楠梓區人 左營高中舞蹈班
\n\n舞蹈是一面鏡子,透過它的反射,能映照出自己的不同的樣貌,一個自由無拘束的靈魂、一個自在享受肢體的氛圍、一個獨有魅力不一樣自我,它很誠實,誠實讓我看到真正的自己。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n每一次跳波麗露都在突破自己,也都在重新思考每一次的掉落,要以何種方式爬起。不管是跳舞還是日常生活,都有很多的情緒和煩惱。藉由這首波麗露,讓埋藏在心底的情緒有宣洩之地 也讓我享受活在當下的樂趣~
►最期待哪一場次的演出?為什麼?
\n左營場。在左營這個地方生活了整整3年,終於有機會在不是劇場的地方演出,也終於有機會可以讓不只是家人的一般民眾看到舞蹈,讓他們知道表演藝術時時存在我們的身旁,其實我們的存在都是一種藝術,我們的情緒我們的日常也可以成為一種舞蹈。
►分享一個在排練過程中,最難忘的事。
\n有一次排練時臺灣大停電,我們依舊在教室中。靠著自然的陽光排練,沒有電的我們吹著徐徐的微風跳著波麗露,我覺得這是我們最接近表演的一次排練。跳完波麗露的我,雖然又熱又喘,但卻有一種說不出的爽快感,我想這應該就是活在當下的感覺吧!
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李思婕 新竹市人 左營高中舞蹈班
\n\n舞蹈是我生命中不可或缺的一部分。或許在這一路上,顛簸難行,但也總會慢慢的,慢慢的在舞蹈中,找回自己的那份熱情與愛。舞出屬於自己的樣子,那才是我,最真實的我。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n波麗露對我來說是一個全新的嘗試,全新的體驗。不同於以往在舞台上的作品,更多的是自我的呈現,真實的感情流露,人與人之間的關係,同時聚匯於其中。
►最期待哪一場次的演出?為什麼?
\n最期待在美濃的那一場演出,因為我從來沒有去過那裡,感覺會是很美很有味道的地方,也感謝這次的波麗露可以帶著我到那裡。
►分享一個在排練過程中,最難忘的事。
\n那天由於中央配線的問題而突然停電了。還在排練中的我們,也未因此而停下腳步,利用窗外的自然光,持續吶喊著、舞蹈著。從天亮到天暗,依然享受在波麗露裡。
\n\n
李桐馨 彰化縣鹿港鎮人 左營高中舞蹈班
\n\n五歲踏上舞蹈這條路,而跳舞已經成為日常。很開心十八歲的青春,可以因為舞蹈遇見這些人們、一起跳舞,這樣跳舞的瞬間我面對自己最真實的樣子,那是無比的幸福。
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►請分享跳這支舞作的感覺。
\n跳脫過往經驗的華麗舞台,走入大自然的演出其實更加的困難,但是在大太陽下、風吹過身體時舞動,卻是以往感受不到的快樂。
►最期待哪一場次的演出?為什麼?
\n衛武營。衛武營是我們演出的最後一個場次,是我們見證練習以來的成果,也是最後一次享受波麗露的快樂,我想那將會是情感最為豐富的一次,因為既帶有興奮也帶有不捨。
►分享一個在排練過程中,最難忘的事。
\n3月份高雄停電的那一天,排練並沒有因為停電而暫停。我永遠記得我們在練習最後一段群舞,沒有燈的情況下因天色越來越暗,我們越來越看不清楚彼此,但依然數著拍子、跳著舞。
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李境潔 高雄市左營人 左營高中舞蹈班
\n\n舞蹈,讓我看見的是不一樣角度的自己,別於日常,我能從跳舞的當下,看見自己敏銳的觀察力、細心的洞察力還有努力向未來前進的勇氣。
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►請分享跳這支舞作的感覺。
\n在第一次的嘗試下,時常找不到那自然的律動。經過一次又一次的練習,當一口氣從頭到尾跳完,換來了氣喘吁吁的身體,心中卻充滿著超爽兩個字和愉悅的心情。
►最期待哪一場次的演出?為什麼?
\n最後一場:衛武營。這會是我最期待的一場氣勢磅礴的演出,由兩個團隊一起,只要精神與意識同在,那份力量、那份感動會是一個值得驕傲紀念的回憶與經驗。
►分享一個在排練過程中,最難忘的事。
\n4/7那天,書毅老師帶著我們到學校的戶外籃球場練習,一個人在試音沒什麼感覺,可是當我們開始走烏雲時,20個人的聲音渲染整個球場,加上回音的效果,那份嘶吼聲震撼每一個人,瞬間有落淚的感動,但是我們並還沒演出完,所以必須含著淚吸回去,換成淚水繼續向前努力。
\n\n
林瑀倩 雲林縣斗六市人 左營高中舞蹈班
\n\n人生或者舞蹈生涯中沒有經曆過各色滋味的話,可能會缺少人生的體驗。不管結果什麼樣,回頭再看這段時間,我覺得帶給我的遠遠超過幾支舞蹈的積累。我很期待每一次滋味帶給我的回味。
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►請分享跳這支舞作的感覺。
\n和傳統舞台不一樣。這支舞作是環繞的,觀眾們圍著四周,形成了一個很特殊的能量場,從互相的傳遞與連結擁有不同的收穫。跳的當下更能感受到活在當下的心情。
►最期待哪一場次的演出?為什麼?
\n最期待衛武營場演出。因為經過記者會和與衛武營舞者們相處過之後有許多耐人尋味的回憶。一樣的人,做著一樣的事,時光卻不同,還會激起什麼不同的火花,這是此次最期待的部分。
►分享一個在排練過程中,最難忘的事。
\n某次排練的時候已經接近傍晚,停電的情況下,彼此的輪廓在光漸漸暗去時,越來越模糊,此時更需要用心感受彼此的關係。結束之後每位舞者都有許多不同的感受。
\n\n
林穎 南投市營南里人 左營高中舞蹈班
\n\n舞蹈,是一份信仰,我的人生可以很平凡,卻也能找到不凡。在舞裡,我可以是千奇百怪的怪物,歪扭出不一樣的角度;可以是古典畫中的俠客,揮舞著光輝亮旗;可以是每個不同變化像風一般摸不透的自己。透過肢體語言總能表達—每一個不止於零的我。
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►請分享跳這支舞作的感覺。
\n活在當下。波麗露是一支會呼吸的作品,每當音樂一下,人的情緒會不自覺地被波盪,就像每一個不同樂器一一進入音樂時,情緒堆疊般的滂薄;每當舞步開始,人的動作會不由自主地自在許多,開始感受每一分每一秒不同的知覺;每當一到每個不同場地時,陽光、空氣和風總能讓我再一次的相信自己,相信自己能完成波麗露,波麗露能再一次地完成我。
►最期待哪一場次的演出?為什麼?
\n高雄衛武營。因為這裡是我們第一次波麗露的戶外展演,走過八場後,再一次回來原點時,不知道那時候的我,會是什麼樣子,因為未知而讓人充滿期待,期盼那時候的自己,可以帶著每一份不一樣的波麗露回憶,走向更好的明天。
►分享一個在排練過程中,最難忘的事。
\n其實我很害怕黑暗,小時候我總是畏懼停電,但有一次我們在停電的傍晚裡,一路排練波麗露到晚上,那時候的我,感受到從未感受過的勇敢,團結總能讓人忘記害怕,也因為波麗露讓我更深刻於這第一次的突破。
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洪愷均 嘉義市東區人 左營高中舞蹈班
\n\n從國小二年級接觸舞蹈,它陪伴著我度過每個成長的階段,會因它開心也因它難過,喜歡不斷的挑戰新事物,從中得到的成就感就是不斷堅持下去的動力。
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►請分享跳這支舞作的感覺。
\n伴隨著時而輕快時而澎湃的音樂,儘管身體體力已經達到極限,但總會被身邊的夥伴與節奏所推動,每一瞬間的流動與情緒釋放,一波一波的推向最高潮,最後是享受環境和自己,沈溺於波麗露帶來的美好。
►最期待哪一場次的演出?為什麼?
\n\n6/26衛武營場。波麗露的最後一場,從一開始覺得自己沒辦法完成一整首演出,到堅持到最後一場的過程,這是我們班最後一次一起完成的演出,也為來高雄求學的三年劃下一個句點。和同學們所有跳舞的回憶,難免期待、難免不捨。
\n\n►分享一個在排練過程中,最難忘的事。
\n有一次停電夜在漆黑的教室排練,那禮拜也剛好是我們的第一場大學考試,滿滿的身心靈壓力,藉由著八仙樂園的吼叫釋放出來,那天叫完就是好爽!
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高瑨恩 臺南市東區人 左營高中舞蹈班
\n\n跳舞的時候,讓我感受到我活著。
\n\n「舞蹈是有節拍的步調,就像詩歌是有韻律的文體一樣。」-培根
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►請分享跳這支舞作的感覺。
\n跳波麗露的時候,我感覺煩惱好像隨著吼叫煙消雲散,那個瞬間,我不是一位肩負升學壓力的學生,而是一位享受舞蹈與時間的舞者。那刻,好像一切煩憂都不重要了。
►最期待哪一場次的演出?為什麼?
\n我最期待第一場次,也就是在高雄火車站的演出,因為從來沒有體會在人來人往中演出的感覺,也期許當天能順利並開心的享受在其中。
►分享一個在排練過程中,最難忘的事。
\n排練最難忘的一次大概是在停電時大家一起學著波麗露其中一段複雜又快速的步伐,隨著天色漸漸變暗,視線也越來越模糊。但最後在大家都在專注下完成排練。
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陳世濱 南投縣竹山鎮人 左營高中舞蹈班
\n\n一時的熱情,將我帶入了舞蹈中。在這路上不停的追尋他人,一次次的的將自己推到極限又掉落後,才明白我與舞蹈的連結並非因他人而存在,而是舞蹈將我舞了出來。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n從個人到群體,我們的心漸漸凝聚,我們彼此不同,卻又相同,其中的情緒都在微妙的變化著,層層堆疊,舞出屬於我們的地方。
►最期待哪一場次的演出?為什麼?
\n衛武營,就像是一個大型的公園,是許多的當地人經常前往的地方,我們也會在那時與高雄當地舞者共同演出,當下的景象一定相當盛大。
►分享一個在排練過程中,最難忘的事。
\n第一次完成波麗露,每個人都氣喘吁吁,臉上卻帶著自然的笑容,似乎還沉浸在波麗露中,我們鼓勵彼此,也鼓勵自己,此時的心繫在一起,完成了我們的波麗露。
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陳郁晴 臺南市仁德區人 左營高中舞蹈班
\n\n在成長時期,別於舞蹈,感情和欲望在表達時會令我感到羞澀。但透過舞蹈,一步一步找尋自己的過程時,我開始可以應付自如,而不再覺得羞澀,找到每一個不同面向的我後,才發現那個不平凡、朝向目標勇敢的自己。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n會想像每一段舞蹈的畫面,讓自己融入在舞作中,並去感受在每個當下最真實的情感,時而開心、時而難過、時而憤怒,情緒會帶著妳在波麗露中舞蹈,甚至心情的上下起伏也會伴隨著妳。
►最期待哪一場次的演出?為什麼?
\n6/26 最後一場波麗露演出。會期待到時候自己輕鬆、快樂又自在地跳舞,到了舞作最熟練的階段,能清楚掌握舞動當下的情緒,真誠地感受內心深處跳舞的喜悅,我也期待與衛武營的舞者一同舞動,把每個人在波麗露背後的故事一一渲染。
►分享一個在排練過程中,最難忘的事。
\n某一次排練巧遇停電,雖然天氣很炎熱,使得我們很煩躁,但我發現當我們靜下心來、慢慢跟自己的身體對話,就會開始找到平常沒有過的身體語言,在那一次排練,我感覺到那份單純平凡的快樂時光。
\n\n
倪堉昕 臺南市永康人 左營高中舞蹈班
\n\n舞蹈使我快樂,舞蹈使我疲倦,一次次的舞動,一次次的享受,即便疲累,我也再戰。
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►請分享跳這支舞作的感覺。
\n情緒多變,從快樂到憤怒,從悲傷到興奮,肢體則是看似輕鬆,跳起來卻很累。
►最期待哪一場次的演出?為什麼?
\n高雄火車站,有人說過好的開始是成功的一半,但願我們的第一場能夠順順利利,後面能更勝一籌,一場比一場更精彩。對我來說,第一場是一種信念,只要第一場好,後面就一定會更好。
►分享一個在排練過程中,最難忘的事。
\n我記得有一次學姊講完動作後,我完全記不起來,後來學姊一個動作一個動作慢慢的教我。
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張芷瑄 雲林縣斗南鎮人 左營高中舞蹈班
\n\n舞蹈中的我是四季,經歷所有溫暖和寒冷。
\n\n\n\n
►請分享跳這支舞作的感覺。
\n波麗露帶給我的是發洩的機會,舞動的當下會發現視線不自覺的模糊。起初思考動作方位動力,後來多於思考情緒來源,跳著雖然累但有種舒暢感。
►最期待哪一場次的演出?為什麼?
\n最期待的是衛武營那一場,因為也許能跟衛武營的舞者哥哥姊姊們一起演出。期待一起在戶外舞出火花。
►分享一個在排練過程中,最難忘的事。
\n最難忘的是第一次跳完整首的那一天排練,原本的心態是「完了,要體力透支了」,但跳完的那一刻,看向時鐘已經過了25分鐘,原來跳完是那麼痛快。
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張詠淇 雲林縣莿桐鄉人 左營高中舞蹈班
\n\n舞蹈,是一份信念。它,讓我看到一個不一樣的自己,我平常是細心待人的,但有時候,我總能看見自己的鬥爭心,找到自己的優勢後,讓亮光能從我的身體默默的發光,而這些亮點使我學會怎麼讓自己看見未來。
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►請分享跳這支舞作的感覺。
\n在種種的舞動玩樂之中,拋出當下的情緒。即使當下很累,腦海浮出放棄的念頭,那都是一瞬之間。感受當下,享受當下,展現自己,此時此刻,我就是我。
►最期待哪一場次的演出?為什麼?
\n衛武營。波麗露最後一場演出,35位舞者盡情舞動身體,舞蹈感染與張力更強大,期待給予觀眾不同的藝術饗宴。
►分享一個在排練過程中,最難忘的事。
\n戶外排練,在校園中舞動身體。夕陽西下,微風徐徐,籃球場上揮舞著肢體,首次在戶外排練的我們對一切感到非常新奇有趣,感受周遭環境,感受環境氛圍,享受當下波麗露的樂趣。
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莊嘉杰 高雄市大社區人 左營高中舞蹈班
\n\n我是一個求學態度認真,力求效率的人,我認為舞蹈就是一種尋覓自己的方式,即便沒有舞者先天的良好條件,只要樂在其中足矣。
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►請分享跳這支舞作的感覺。
\n回歸到最真實的情緒,沒有生活的壓迫,沒有強加的包裝,想歡笑就歡笑,想吶喊就吶喊,不需要在意他人投注的不解和嫌棄。
►最期待哪一場次的演出?為什麼?
\n衛武營國家藝術文化中心,因為和衛武營的舞者一起工作,能獲益良多。
►分享一個在排練過程中,最難忘的事。
\n因為參加波麗露在高雄的排練,讓我能夠更真實的表露自己的心情,一次次的卸下自己戴上的成熟偽裝。
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黃敏薰 屏東縣九如鄉人 左營高中舞蹈班
\n\n我跳舞,因為我喜歡,自學舞以來,秉持著這樣的信念,一路走下去。
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►請分享跳這支舞作的感覺。
\n又累又開心,又氣又喜歡,能讓我自在的做自己,在跳舞的時候,也能讓我感受到發自內心的情緒。
►最期待哪一場次的演出?為什麼?
\n我最期待最後一場6/26在衛武營的演出,因為那是波麗露的殺青場,也是我最後一次和高中同學們一起完成一場演出,期待之餘其實也多了一點不捨。
►分享一個在排練過程中,最難忘的事。
\n第一次從頭到尾跳完波麗露的那次排練,我還以為會累到倒地不起,但其實跳完的那一剎那,心情上是開心舒暢的,這是我最難忘的事。
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黃湘惠 高雄市大社區人 左營高中舞蹈班
\n\n在我成長時期,表現情感令我羞澀。而透過舞蹈,我可以真實的面對自己,不再覺得羞澀,多相信自己一點。
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►請分享跳這支舞作的感覺。
\n跳波麗露時的我,可以毫不保留的發洩情緒,隨著自己的心情去表達,那個忘記煩憂大聲喧吼的我,那個再一次勇敢站起的我,那個每一次堅持到最後完成舞作的我,波麗露總是帶給我每一次不同的感受和意念。
►最期待哪一場次的演出?為什麼?
\n舊鐵橋,因為外公外婆家就住在附近,小時候常常去那裡散步、玩耍,很期待能在自己熟悉的地方演出波麗露。
►分享一個在排練過程中,最難忘的事。
\n有一堂排練突然停電,在黑暗中跳著波麗露,看不到任何人的臉,只能看見對方的剪影,聽著對方喘息的聲音,感受跳波麗露最真實的情感。
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葉柔妡 雲林縣斗六市人 左營高中舞蹈班
\n\n有一位幫助我很多的老師曾經告訴我一句話:「跳舞,沒有想不想,只有要不要」,秉持著這樣的信念,讓我成為了勇敢且堅定的舞者。
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►請分享跳這支舞作的感覺。
\n喜歡這樣放鬆心情的跳舞,保有自己獨特風格的舞蹈,讓我明白到跳舞真正的收穫,不在於你掌握了多少技巧,而在於你收穫了多少自信!
►最期待哪一場次的演出?為什麼?
\n6/26衛武營的場次,因為那是我最後一次以高中生的身分,在高雄跳的最後一場演出,也有可能是最後一次與班上的各位同台演出。
►分享一個在排練過程中,最難忘的事。
\n記得有一次的戶外排練,午後的天空沒有強烈的太陽,喜歡被微風吹拂,那輕鬆自在的感受,儘管過程中被蚊蟲叮咬,動作也滑稽了起來,我們仍然完成了愉快的排練。
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戴伊辰 臺中市南屯區人 左營高中舞蹈班
\n\n生活就是不斷遇見,不斷學習,不斷與人碰撞,碰撞出生活的色彩。
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►請分享跳這支舞作的感覺。
\n它是一支有情緒、有即興也有肢體的作品,還蠻有挑戰性的。就算跳錯了,也不能展現出任何驚慌失挫,要時刻微笑,享受當下。
►最期待哪一場次的演出?為什麼?
\n最期待衛武營場,因為是最後一場,同時也能和衛武營的舞者們一起演出。
►分享一個在排練過程中,最難忘的事。
\n在某個下午鄰近傍晚的一次排練,忽然眼前一暗,學校停電了,但我們仍沒有停止舞動,直到看不見其他人的臉,只能看見一個又一個幢幢人影閃過眼前,那一次排練的光景是我前所未有的。
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\n'},{reference:[],type:"content",name:"在地獨立舞者們",content:'
在地獨立舞者們(依姓氏筆畫順序):
\n\n王雨婕/舞者
\n\n『人與人之間的關係和獨特性,每個人都是一個個體,再怎麼不同,都還是需要彼此包容諒解。』
\n\n作品想傳達的似乎也呼應這次舞者們相遇的情景,雨婕特別珍惜所有來自不同地方、年齡、背景的舞者們因這次的徵選成團,排練過程一起感受波麗露前進的力量,詮釋作品的同時,全團的情感也支持著作品的情感表達!
\n\n過去也有戶外演出的經歷,但都是在有架臺的情況下演出,一直很喜歡也很期待可以近距離的在觀眾身邊演出,這次不架台不架燈的演出距離更近了,王雨婕很好奇會有什麼樣的火花?住在高雄,但演出地點好些都尚未拜訪過,期待透過這次巡演成為更認識高雄的高雄人。
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\n我來自高雄,從小什麼都不懂的情況下就被我媽送去學舞,一直到了左中舞蹈班畢業,到了澳洲讀大學時毅然決定轉系讀設計,期間仍於MAD Dance House參與舞蹈課程,並接觸了街舞、爵士等不同舞風,也一同參與各式演出及比賽。
出社會進入航空公司工作後,閒暇之餘參與工作坊及上課,也因此獲得參與爵劇影色所舉辦的阿修羅王公演的機會,並與其中舞者以團體MissTic前往日本大阪參加Jazz Sensation比賽及高雄OSTA比賽獲得金牌。同時也因工作福利得以定期出國接觸不同老師的課程,2018年為了熱愛的舞者Galen Hooks所舉辦的The Glaen Hooks舞者進修課程,三天兩夜來回臺灣與美國休斯頓。
\n\n也就以這樣的模式,持續與舞蹈相處了一段時間,轉了一圈,沒想到還能因波麗露再次走回舞者這個身份,今年更因此參加臺北時裝週Project by H.的難得演出機會,我想這就是我跟舞蹈之間的一種緣份吧!
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李宛蓁/舞者
\n\n『舞動到懷疑人生,卻在過程中逐漸找到自我的旅程。』
\n\n宛蓁高三那年為了學跳舞,一直臺南高雄兩地跑,印象最深刻就是街舞教室,新崛江一帶。這次因為看到徵選消息,決定試試,沒想到選上了,再次展開往返兩地的旅行。
\n\n談起訓練過程中,她印象最深刻的便是書毅安排前輩們來觀看和指導,腦子一直接收到過去演出過的相關訊息,有一種時空交錯跟傳承的感動,覺得是很特別的經驗!這是她第一次要挑戰在場上跳這麼久的舞作,體力上是考驗;再者,所有的動作質地與自己以往的習慣都不同!有種被重新建構的身體感受!
\n\n期待哪一場演出?每一場!
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\n我是舞者李宛蓁,我來自臺南,平時主要從事街舞相關的演出與教學活動。參與過許多大大小小的流行商業演出、與藝人合作、擔任演唱會舞者,到國外演出!但是這次波麗露,真的對我是一大挑戰!非常不同地身體運用以及表演詮釋,希望大家都可以來看看我的蛻變。
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吳兆容/舞者
\n\n『這個團隊意外契合,好的壞的彼此都能互相方享。』
\n\n去年7月開始了自由藝術工作者的身份,正尋找演出機會,就看到了徵選消息,雖然宜蘭到高雄的路途遙遠,但兆容認為這會是一個很好的經驗,於是加入。
\n\n高雄市對她而言是個相當陌生的城市,起初為了參加排練,一個人週四晚上總是旅行到高雄,前往同一間輕旅下榻,排練之餘頂多附近隨意走走看看,開始慢慢認識這座城市。和一群完全陌生且不同領域的舞者們工作,也是人生第一次,期間感受到團隊相處意外地契合,15位來自不同地方、不同背景、不同年齡層的舞者,因為作品而相遇,是很在一起的狀態,兆容說整個團隊連私下相處都是很合得來。
\n\n她喜歡在排練過後有新的感受或疑問時,會用文字紀錄的方式寫下,也會在生活中更多觀察周遭人事物,找到與波麗露之間的連結,甚或不相似的地方也能有所反思,這是一段很長的內心對話,層層疊疊。
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我來自宜蘭,自小學習舞蹈於高中進入舞蹈科班,臺灣體大舞蹈系畢業,原先是以教學為重,現在則是以表演藝術為主,近期參與台北時裝周PROJECTbyH展演,曾參與2021許程崴製作舞團既曉劇場駐地創作《上造》、宜蘭龜隻劇場《風景中的變奏》、2020陳逸恩 ⟪身體發酵⟫用生活一起創作計畫《三相身軀》、臺北藝穗節作品《虎刺梅》,2019宜蘭戲曲節《西北雨傳說》、臺中國家歌劇院開場計畫-許庭瑋《一半 一半》等演出,在合作過程中試圖挖掘更多的自己及與他人激發新的事物。
\n\n是一個很射手的射手女,特愛橘色,喜歡跑來跑去到不同的城市,不管是遊玩還是工作,最近給了自己一個"環島舞者"的名字,希望能跳遍臺灣各地,在每個地方留下屬於自己的身體的記憶。
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吳凱文/舞者
\n\n『波麗露是無可救藥的浪漫。』
\n\n因為作品波麗露再次與高雄連結,這個凱文表演藝術生涯的起始點。參與在團隊中,他期望找到不一樣的身體與舞蹈更深的連結,同時希望透過28場演出,讓高雄有更多的舞蹈能量,這是凱文對這個地方的情感。
\n\n觀看過往舞蹈旅行紀錄片時,最喜歡看觀眾的反應與訪問回饋,很多有趣的小細節,完全體現了這個舞蹈出走的意義,讓更多人遇見現代舞,推薦大家去看,更推薦大家親自來看舞。
\n\n凱文所感受的波麗露,是無可救藥的浪漫、紀錄人與人觸動心的時刻、述說自由。於是他這段日子練舞聽著《波麗露》散步《波麗露》準備自己也再再感受到舞作的輕盈,陪伴著生活。
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來自桃園,自由藝術工作者,喜歡散步,喜愛文字,專職Breaking、當代舞蹈表演者、創作者,並以藝術管理與舞蹈教學為輔。
\n\n以舞蹈肢體語彙為根基,跨域參與不同形式的藝術作品,近年參與歌劇、舞蹈劇場、環境劇場、沉浸式劇場、參與式劇場、錄像藝術、行為藝術、裸體藝術、實驗藝術、臨場藝術等
\n\n2020年赴印尼駐村,並在當地發表作品《A Time And Place For Maybe》。
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林思綺/舞者
\n\n『讓它去!過去的讓它去,放手以後會有不同的風景。』
\n\n『自從加入了波麗露,出門散心的時候看見一片空地,一個覺得舒適的空間,就會在心中響起音樂,然後就會默默的開始動起自己的身體。』這是屬於思綺的美好片刻,是她的找尋。
\n\n聊起參訓期間的小插曲:『波麗露開排後沒有多久,我在某次排練時扭傷了腳,心想完蛋了,影響到大家練習了,但所有人的溫暖關心和幫助,還有老闆書毅的各種協助,我剎那間不像是來到了遠處工作的孤身一個人,那些無助感慢慢被溶解,這個團隊是如此的有溫度,像家一樣,也更讓我在那次受傷後可以讓傷好好被修復。』
\n\n這次的參與,思綺對內最期待的就是在一次次的排練裡,看見自己身體的變化。對團隊,最期待的是和所有人一起慢慢走過每一場,一起在每個地方留下舞蹈的身影。
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我來自臺中,剛畢業就受到疫情的各種阻攔,但就算如此也阻攔不了我對舞蹈的熱情,我是個自由接案舞者,即使現在的工作是北、中、南跑,也讓我感到十分有趣,把身體交給當下的擇,發現更多的自己。
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林蔓葶/舞者
\n\n『這是我頭一次回家鄉跳舞。』
\n\n『看到徵選消息的第一時間,去查了波麗露的音樂,並且聽了好多個不同的版本,沒有想太多,期待著可以回家鄉跳舞,就報名了!』這次出發,蔓葶帶著滿滿的興奮與期待!這段日子時不時會播放波麗露,通勤的時候、洗澡的時候、試著在生活中感受波麗露不停向前的動力。
\n\n波麗露對蔓葶而言就是『當下、生命、找尋』她第一次參與時程這麼長的製作,也頭一次回家鄉跳舞,所謂找尋,除了舞作中的訊息之外,也包括了過去與未來的自己。
\n\n從小在鳳山區長大,高中時期看著衛武營的建造從無到有。她最期待演出彌陀場,彌陀是蔓葶爸爸的老家,彌壽宮是每年過年會與家人們去的景點。『記憶中的彌陀一直以來都很親切,承載著長大的回憶,很期待在彌陀跳舞遇見回憶中的我。』
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我是蔓葶,來自高雄,大學在臺北念書,這次藉著波麗路回家跳舞。國中國小唸的是舞蹈班,高中就念在衛武營旁邊的鳳新高中。想起高中每一年都會在衛武營辦路跑,我看著衛武營建造完成,同時衛武營也看著我長大。今年我回家,回到我的家鄉跳舞,回到家鄉遇見自己。
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柯凱峰/舞者
\n\n『在南部終於有公開甄選舞者的演出了!』
\n\n一看到徵選消息,就瞬間決定要報名了。想起曾經在北藝大表演廳看過波麗露劇場版,演出的都是學長姐,覺得他們的肢體很厲害!
\n\n當自己參與作品之後,凱峰感受到作品中述說的是『維繫人與人之間的關聯性』很享受在這次跳舞的自由度中,不必受限於制式化的動作,在家鄉高雄演出特別有感,高雄生活中最喜歡騎著腳踏車到柴山上運動,是都會中離大自然最近的地方。
\n\n面對有別於過往經驗的戶外演出,跟著團隊持續準備中,持續期待在家鄉的28場,每一場詮釋好這個作品的情境,更期待到每一個場地創造出不同的風景。
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我來自高雄。臺北市立大學舞蹈系畢業,從國小一路唸舞蹈班到大學舞蹈系畢業,舞蹈已經深入到我身體的任何一個角落,要說舞蹈與我有甚麼連結,我會毫不猶豫的回答如同日常生活一樣如影隨形的陪伴在我身邊。
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柯貴婷/舞者
\n\n『我感受到的波麗露是變化無常的。』
\n\n遇見波麗露之後貴婷發現每次跳都有不同的感受,也因為每次狀態的不同而感受到不同的訊息,和同伴之間的傳遞與連結也是在每次的嘗試當中有不同的收穫,在舞動的同時用肢體和感受去接收與傳遞訊息,這是在這些過程中莫大的收穫之一。
\n\n『在戶外演出即便是練習,每次都有不一樣的意外或驚喜會發生,在戶外不可預測的事情太多太多了,尤其有觀眾時更是難掌控和預料,這也是在戶外沒有舞台的演出最有趣、迷人的地方。』因為參與波麗露舞作,貴婷人生第一次在高雄跳舞和短暫的住下來,最期待從衛武營出走出,最後帶著全部場次的觀眾回到衛武營!現階段全然的享受著作品,在舞作當中去找到自己的模樣、認識自己的特別。
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我是阿貴。我來自臺南,因為波麗露這個計畫從臺中搬到了高雄,也開始在南部教課、跳舞並做一些個人的小創作。2018年參與了NTT遇見巨人-拉斐爾藝術合作社-臺中國家歌劇院的《美國 民主》,2021年也參與了國立臺灣體育運動大學舞蹈系舞團年度公演-臺中國家歌劇院-《奪》,在演出當中擔任舞者。
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陳品霓/舞者
\n\n『期待很多街舞人來觀看。』
\n\n大學讀流行設計系,舞蹈專項是街舞,作品累積及參與製作大多與現代舞沒有直接的關聯,但當凱文丟了波麗露徵選的連結給品霓,她投件了,開始了自己的波麗露旅程。
\n\n翻看過往舞蹈旅行影片,驚訝於臺南神農街場次的樣貌『狹小的巷弄中跳出了屬於波麗露的路徑,與當地的景色作為連結。影片開頭出現了廟會活動的片段,正如我生長的環境。』品霓在意識上被波麗露吸引了。喜歡波麗露的正向精神,作品的傳遞讓品霓想到自己很愛的靈魂沙發歌曲《I wonder 》在心靈上找到與作品的契合。緊接著在肢體上進入作品。
\n\n(文字訪談的當時)品霓說:『我還不敢問家人能不能來看,怕自己在情緒控管中失控。』這樣一個內心柔軟又自我要求的舞者,讓人很期待看到她的表現。
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我是一名來自嘉義的街舞舞者-陳品霓,歷經無數場的戰鬥經驗,因生活型態的改變,讓我對即興舞蹈有了渴望,力量的內化時而抽離時而融合,在創作過程中找尋更多的突破性與可能性。期盼也尋找機會與不同舞蹈形態的舞者,共同激盪出不同風貌,盼望擴大舞蹈的型態,讓人更輕易地接觸這快樂的日常。最近一次的獲獎紀錄是2019臺南OA來了 vol.10 freestyle battle / 亞軍。
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郭彥緯/舞者
\n\n『這一段旅程的每一刻都充滿驚奇。』
\n\n作品中有冀望、跌跌撞撞、再前行,這是彥緯內心的感動。在高雄生活已久,演出倒數,想到即將面臨熱辣辣的高雄太陽,覺得是最大難題。談起這次和觀眾零距離的相遇,他想到自己與舞作的距離,包含物理跟心理上的,希望能在這兩個層面,把舞作想表達的透過自己的表演狀態,傳遞出去!
\n\n說自己是土生土長在地高雄人,家住西子灣也最愛西子灣,看到海就覺得舒服自在,也特別期待即將到新光碼頭的演出,眾多場中唯一靠海的演出,期待波麗露在夕陽揮灑的海浪上閃耀的樣子。
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我來自高雄,是個自由接案的表演藝術工作者,近期參與過衛武營《茶花女》、《杜蘭朵》等作品,除了是一名舞者之外,在控台的舞台監督、在前台的服務也都能看見我的身影,期待能透過波麗露以嶄新的樣貌與大家相見。
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黃程尉/舞者
\n\n『戶外每一場都是挑戰,也都是享受。』
\n\n程尉感受的舞作有強烈的信息:關於生命、生活、生存,作品中的情緒以及身體的有機性是在其他舞作中不曾感受到的。因此他會經常回想生命經驗,並把情緒放大溶入要練習的片段中。
\n\n談起家鄉高雄市,程尉最喜歡去高雄的各個咖啡廳以及酒吧,就是日常。而近期突破自我懷疑再度回到舞者身份,盡情享受所感受到的。深感戶外演出最需要隨機應變,期待在各場觀察觀眾的反應,期待每一場的享受。
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來自高雄,從小學到研究所一直都是舞蹈班,因著高雄不會輸臺北的心,回到家鄉高雄並成立了自己的舞團–「嵬舞劇場舞蹈團」,致力於讓更多人理解舞蹈,並勵志打破舞蹈就是看不懂的刻板印象!
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葉佩玲/舞者
\n\n『只要步伐沒有踩好,就會跟伙伴差很遠,所以要很清醒。』
\n\n談到作品,佩玲其實內心有個小宇宙爆發開來『如何在停不下來的身體、情感和音樂中保持呼吸和笑容。從演出開始,腳步不曾停下來,也不能停下來。』聊起過往曾經在成功大學的聽到書毅的分享,知道舞蹈旅行去了臺灣很多地方。想起那場分享,佩玲腦中出現一把風扇向著一群舞者狂吹,舞者身上都是花花的衣服,已經忘了是哪一站的演出,而今,自己是舞者之一。
\n\n參加排練,佩玲說:『當身體極度疲乏時不能只靠個人意志力,這樣的「撐」會很幸苦。找到身邊的伙伴,相互一個笑容、一人眼神,一個共同的呼吸聲,讓大家的能量幫自己。這個我還在學習,如何把自己「安放」在一個群體裡,接收彼此的能量。』
\n\n拜訪高雄,她喜歡去武廟市場,生活壓力大的時就會跑去市場亂買水果,之後狂吃。晚上騎腳踏車去西子灣看海,覺得晚上沒有太陽的高雄比較可愛,但會一直迷路。找到一起跳舞的同伴,或者會一起愛上艷陽下的高雄?
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我來自香港元朗,十一年前來臺留學,2014年開始活躍於中南部劇場。現就讀高師大跨藝所。近年與南風劇團、愛慕劇團、空表演實驗場和影響新劇團合作,以演員、教學、導演、助理或行政身份參與社區、銀髮族、身心障礙者之劇場製作。
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楊以灣/舞者
\n\n『最近我會觀看世界正發生的事情,再默默想像波麗露的樂聲響起。』
\n\n在媽媽的鼓勵下,以灣報名了徵選,是她畢業後的第一個演出機會,所以沒有太多猶豫。遇上波麗露,感受到作品中的隱喻:人生總是充滿許多荒謬、荒唐到無法用言語形容的際遇,但是在經歷每一次的跌落、重新站立之後,還是持續著我們的腳步,面對變動與未知的一切,找到流動與自由。
\n\n小時候住在南投,當在 YouTube上看見家鄉曾經也有過波麗露的影子,看見大榕樹下滿滿的觀眾,就特別感動。於是就算這次排練的路途遙遠,以灣還是來了!談起最挑戰之處,應該是這支舞作帶有些戲劇成份,情緒該如何拿捏?而舞作即興的部分,有些時候會遲疑,於是在排練中做了很多不同於過去的練習,有種打開新世界的感覺。
\n\n『戶外演出,我覺得跟觀眾之間的關係,可以不需要跟在劇場一樣隔著一個鏡框,也許會有近距離的對視,也許就讓它自然的發生。很期待去六龜,因為書毅常常提到六龜。』
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我來自臺灣,苗栗泰安鄉泰雅族人,畢業於臺北藝術大學舞蹈系,現為獨立舞者。2019年獲教育部學海飛颺計畫獎學金,赴德國福克旺藝術學院及比利時羅莎舞團交流研習;2016~2019與新北市合作擔任舞蹈創作及演出,代表臺灣赴歐洲參與國際藝術節演出;2022年參與《雲劇團》流動藝術饗宴三部曲,擔任舞蹈創作及演出。相信藝術無界,在表演的路途中,持續尋找生命、生活與藝術的相連。
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廖玟淯/舞者
\n\n『大部分的時候我都很快樂,而快樂背後也都藏著許多的故事和悲傷。』
\n\n國小時期曾在虎尾布袋戲紀念館看到波麗露戶外演出,玟淯說小時候完全不懂藝術、不懂舞者為什麼要尖叫、藍色電風扇代表什麼意義?但記得這支舞的編舞家,大家喊他『周先生』無誤。多年過後成為舞者之一,隨著周先生的引導真正進入作品的內涵探索,很享受來自各地的舞者成為一個大家庭的美好,舞蹈的學習之外,也很多生活觀點的碰撞。
\n\n每次練習思考著人類的情緒:為什麼悲傷?為什麼傷心?而自己面對著作品極具張力的情緒表達,也試著找方法進入。這段日子騎車也波麗露、洗澡也聽波麗露,不斷期待著4月的高雄,精彩的每一場戶外演出。
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我是玟淯,來自雲林西螺,因為舞蹈從16歲就來到臺中學習,高中畢業後也在臺中生活,大學期間接觸不同編舞家的作品,參與了2021嘉義新舞風,2020、2021彰化圓舞集的作品,在2022與波麗露相遇很榮幸與書毅一起工作,讓我能夠再一次享受舞蹈帶給我的幸福。
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蔡宛育/舞者
\n\n『人,始於個人、活於群體、終於個體。』
\n\n最近的生活中我常使用這三個方式準備自己。第一種是為了波麗露舞作本身準備:一直回放音樂,在腦中跳過一遍又一遍;第二種還是從音樂出發,但不去想動作,純粹只是聽音樂,有時什麼都不想,有時隨著音樂產生出自己的即興;最後一種是隨時觀察身處的環境以及身邊的人,觀察植物、建築在空間的關係,觀察人們的動作,有時會發現非刻意的和諧。
\n\n關於即將出發的波麗露在高雄,宛育說:『光是想到每場不同的溫度、空氣、觀眾,而產生不同的火花就十分興奮。』特別期待高雄車站的演出,因為近來的日子每當要到衛武營排練,到達高雄的第一站就是高雄車站,然後轉捷運到衛武營。可以想像四月開始,從各地來的觀眾將會聚集在高雄車站,再往四面八方前進,就像是舞者們從各地而來的必經之地,接著把波麗露帶到高雄各地,都是以高雄車站為起點。
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我是蔡宛育,來自臺南。從就學就開始跨領域人生,分別主修應用外語、國際企業及應用戲劇,同時並行不間斷在舞蹈路上,目前攻讀臺灣藝術大學跨域表演藝術研究所。從不限制自己只能跳舞,除了舞蹈演出也多方嘗試不同藝術形式。曾參加大唐民族舞團《如夢乍回》《夜光蟲傳奇》《情穿水雲間》《雨夜花綻放》、釜山藝術節、PROJECTbyH臺北時裝週AW22《Let Go》、尚和歌仔戲劇團《敬瑭圍城》《將軍的押不蘆花》《半人》、擔任橄欖葉劇團《漢武帝與李夫人》演員、愚者表演工作室《愛情生活》演員、美好的事劇團《憶像實驗室:離開時請關門》動作設計、電影《愛的麵包魂》舞者。
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\n'},{reference:[],type:"content",name:"推廣工作坊",content:'
時間 | \n\t\t\t地點 | \n\t\t\t合作單位 | \n\t\t\t活動連結 | \n\t\t
3/24(四) \n\t\t\t19:00-21:00 | \n\t\t\t高雄李科永紀念圖書館多功能教室 | \n\t\t\t高雄李科永紀念圖書館 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
\n\t\t\t09:20-12:10 | \n\t\t\t\n\t\t\t 因為疫情延期,時間改成7/15(五)09:20-12:10衛武營1186排練室、公共空間 \n\t\t\t | \n\t\t\t高雄市國教輔導團 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
4/14(四) \n\t\t\t15:20-15:40 | \n\t\t\t鹽埕區忠孝國小中庭 | \n\t\t\t鹽埕區忠孝國小 | \n\t\t\t僅校內活動,無對外開放。 | \n\t\t
4/15(五) \n\t\t\t09:00-12:00 | \n\t\t\t高雄市婦女館展示室 | \n\t\t\t高雄市政府社會局高雄婦女青少年活動中心 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
4/15(五) \n\t\t\t15:20-15:40 | \n\t\t\t高雄市鹽埕區忠孝國小中庭 | \n\t\t\t高雄市鹽埕區忠孝國小 | \n\t\t\t\n\t\t\t 僅校內活動,無對外開放。 \n\t\t\t | \n\t\t
\n\t\t\t09:20-12:10 | \n\t\t\t\n\t\t\t 因為疫情延期,時間改成7/14(四)09:20-12:10衛武營1186排練室 \n\t\t\t | \n\t\t\t高雄市國教輔導團 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
\n\t\t\t10:30-12:00 | \n\t\t\t高雄市鹽埕區忠孝國小禮堂 | \n\t\t\t高雄市鹽埕區忠孝國小 | \n\t\t\t\n\t\t\t 僅校內活動,無對外開放。(因疫情影響取消) \n\t\t\t | \n\t\t
4/19(二) \n\t\t\t14:00-16:00 | \n\t\t\t\n\t\t\t 高雄市立圖書館草衙分館1F藝文研習室 \n\t\t\t | \n\t\t\t高雄市立圖書館草衙分館 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
4/28(三) \n\t\t\t14:00-15:30 | \n\t\t\t衛武營1182排練室 | \n\t\t\t高雄市民宿發展協會 | \n\t\t\t無對外開放 | \n\t\t
5/10(二) \n\t\t\t09:00-12:00 | \n\t\t\t高雄市大樹區竹子寮靶場 | \n\t\t\t高雄市大樹區竹寮社區 | \n\t\t\t\n\t\t\t 僅社區活動,無對外開放。 \n\t\t\t | \n\t\t
5/10(二) \n\t\t\t13:30-15:00 | \n\t\t\t高雄市六龜區新威國小 | \n\t\t\t高雄市六龜區新威國小 | \n\t\t\t\n\t\t\t 僅校內活動,無對外開放。 \n\t\t\t | \n\t\t
5/12(四) \n\t\t\t19:30-21:00 | \n\t\t\t旗美高中 | \n\t\t\t旗美社區大學 | \n\t\t\t額滿 | \n\t\t
5/19(四) \n\t\t\t10:20-12:00 | \n\t\t\t高雄市六龜區寶來國中 | \n\t\t\t高雄市六龜區寶來國中 | \n\t\t\t\n\t\t\t 僅校內活動,無對外開放。 \n\t\t\t | \n\t\t
\n\t\t\t19:00-20:30 | \n\t\t\t高雄市六龜區尼布恩學堂 | \n\t\t\t高雄市尼布恩人文教育關懷協會 | \n\t\t\t\n\t\t\t 僅校內活動,無對外開放。(因疫情影響取消) \n\t\t\t | \n\t\t
5/28(六) \n\t\t\t13:30-18:30 | \n\t\t\t大樹區-舊鐵橋濕地教育園區 | \n\t\t\t高雄市政府社會局高雄婦女青少年活動中心 | \n\t\t\tLINK \n\t\t\t額滿 | \n\t\t
5/31(二) \n\t\t\t14:00-16:00 | \n\t\t\t苓雅國中舞蹈班 | \n\t\t\t苓雅國中 | \n\t\t\t僅校內活動,無對外開放。 | \n\t\t
★場次持續增加中
\n\n★報名及活動資訊請詳閱活動連結
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\n\t因氣候及其他不可抗力因素,本次演出將有權取消或延期,敬請見諒。
\n\t無限制年齡觀賞
\n\t走出衛武營,跳舞給你看!
\n一齣舞作,28場演出,35位舞者,在高雄各地輪番起舞
最吸引人的是碰觸到第一次看現代舞的人,那是最有趣也最有價值的事!
\n\n衛武營首位駐地藝術家周書毅,即將帶著舞蹈在高雄旅行,而這一切都是從「如何跳舞給更多人看?」的提問開始的,於是開始思考如何將表演延伸至戶外,讓更多人有機會認識現代舞。
\n\n2010年時,「周先生與舞者們」首次帶著在英國沙徳勒之井劇院獲獎的作品《1875 拉威爾與波麗露》在板橋火車站演出。隔年正式啟動「舞蹈旅行計畫」,以不搭台、不架燈因地制宜的方式,免費在各城市的公共空間演出,迄今走過14座城市60場的演出。
\n\n文化不是只存於殿堂,打破空間意義,從一個概念延伸開始走到戶外,為觀眾而旅行,在時間和空間如地圖般不斷積累擴張,到訪之處不是單為了靠近演出場域的在地性,或者挖掘地方的某種歷史性而跳。
\n\n2022年再度出發,4月到6月從藝術推廣的層面,以「波麗露在高雄」為名,將帶著一群來高雄跳舞的獨立舞者們與左營高中舞蹈班,跳出衛武營;隨著波麗露的樂曲,在都會區、新興文化場域、歷史人文地景、隱身小城小巷內,用舞蹈拜訪高雄各區演出28場,讓表演與觀眾之間相互靠近,是知悉而來或偶然巧遇都好,瞬時改變日常場域運用上的重新想像,因為觀看而擁有新的意義,引領進到作品裡的想像,在高雄感受舞蹈旅行的美好。
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活動場次表
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編舞
\n\n編舞|周書毅
\n\n作為創作者,關注人與社會之間的關係;身為舞者,具獨特的身體語彙。近年編創主旨聚焦叩問生命的價值,反映個人或群體在不同社會脈絡下的狀態,以劇場、非傳統劇場、舞蹈錄像等形式呈現。奠基於多年創作經驗上,積極嘗試不同的創作方法,並持續探索與其他創作媒材合作的可能。
\n\n在製作面向上,在成立「周先生與舞者們」期間,曾創辦「下一個編舞計畫」舞蹈平台(2011-2014),身兼策劃製作,省思舞蹈創作環境,期望累積建立臺灣的舞蹈劇場美學,及舞蹈與觀眾間更良好的溝通橋樑。發起「舞蹈旅行」計畫(2011~2014),帶舞蹈走出戶外生活空間,將舞蹈的美好與更多人分享。2020年為回應新冠肺炎對社會的衝擊並提出藝術的反思,策畫「靜觀未來-身體影像短片展」。
\n\n2009年作品《1875拉威爾與波麗露》獲英國表演藝術殿堂「沙德勒之井」劇院第一屆全球網路影片比賽首獎;同年《從身體出發》獲丹麥Cross Connection Ballet編舞大賽銅牌。2019年,《Break & Break!無用之地》獲台新藝術獎表演藝術大獎。2020年成為衛武營國家藝術文化中心首位駐地藝術家。
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演出者
\n\n獨立舞者:
\n黃程尉、陳品霓、郭彥緯、蔡宛育、葉佩玲、王雨婕、楊以灣、柯貴婷、柯凱峰、林蔓葶、李宛蓁、吳凱文、吳兆容、林思綺、廖玟淯
左營高中舞蹈班:
\n王姝雅、李均君、李思婕、李桐馨、李境潔、林瑀倩、林穎、洪愷均、高瑨恩、張芷瑄、張詠淇、莊嘉杰、陳郁晴、黃敏薰、黃湘惠、葉柔妡、戴伊辰、王祥宇、倪堉昕、陳世濱
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製作團隊
\n\n排練指導|林祐如、楊雅鈞、潘柏伶
\n\n執行製作|羅仕儒、劉孝聆
\n\n製作協力|Project Zero
\n\n行銷協力|鳳東文創
\n\n宣傳文案|余佩珊
\n\n影像紀錄|黎宇文
\n\n視覺攝影|陳長志
\n\n平面設計|陳文德
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宣傳協力單位|(依筆畫多寡排序)
\n\n大樹區公所、大樹文史協會、大樹區竹寮社區發展協會、六龜區公所、六龜區新威國小、花·酵 YEAST、美濃愛鄉協進會、長榮大學、高雄市政府文化局、高雄市立美術館、高雄市歷史博物館、高雄市政府社會局婦女館、高雄市李科永紀念圖書館、高雄市圖書館-彌陀公園分館、高雄市立圖書館-草衙分館、高雄市國教輔導團、高雄市舊鐵橋協會、高雄市旗美社區大學、高雄市民宿發展協會、尊懷文教基金會、旗山天后宮、彌陀彌壽宮、鹽埕區忠孝國小、劉崇鳳老師、陳俊志醫師、李秀芳老師
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特別感謝
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贊助單位
\n\nDuration is 30 minutes without intermission.
\n\tNo age limitation, free admission.
\n\tWeiwuying's very first artist-in-residence, CHOU Shu-yi, initiated the "Dance-Travel Project" ten years ago and has since traveled to 14 cities and given 60 performances in open spaces without sets and lighting. This time, CHOU plans to restart this project by inviting professionals to teach dance to the dance students of Zuoying High School through educational cooperation. Moreover, with the help of Weiwuying, CHOU intends to recruit freelance dancers to perform a dance piece across Kaohsiung, bringing performing arts out of the theater and into the city.
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When you wear that dress with floral print which you find in your mother's or auntie's wardrobe, you actually demonstrate the combination of an old-fashion style and a young body. It indeed reminds us of the long-forgotten golden age. Inspired by the personal experience during his artistic residence around the world, the choreographer Shu-Yi Chou visualizes his careful observation and reflection on urban life in the work. He also invites his fellow dancers to collect their personal experiences together, using the ordinary physical movement and the abstract body language to express the ups-and-downs of life. Just like the exciting feeling when we take a ride on a roller coaster, the work presents the juxtaposition of the contrasting emotions. Through the dancers' bodies, Chou interprets each moment of repetition, transition, or tranquility. Experiencing the ephemerality of time, we feel the existence of the "present".
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The work "1875 Ravel and Bolero" premiered in the year of 2006. The re-adapted version premiered at Taipei in the following year. In 2009, the work won the first prize of Sadler's Wells Theatre (England) first "International Dance Competition Award". In January of 2010, it was invited to perform in London. In October of the same year, she was invited to perform at "Fall for Dance Festival" in New York. Later, it traveled back to Taiwan and performed in a non-traditional space for theatre performance.
\n\nThe open space allows dancers to walk into the crowd and dance their way out. The production has inspired us to dance in the city and to communicate with each other through dance. It thus opens up the possibility of the 2011 dance-travel project "1875 Ravel and Bolero". The 16 cities make dance an unexpected part of our life, naturally but yet surprisingly.
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Session
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Performers
\n\nTsoying Senior High School Dance Class:
\nWANG Shu-ya, LI Jun-jun, LEE Szu-chieh, LI Tong-xin, LI Jing,jie, LIN Yu-qian, LIN Ying, HONG Kai-jun, KAO Chin-en, ZHANG Zhi-xuan, CHANG Yung-chi, CHUANG Chia-jie, CHEN Yu-ching,
HUANG Min-hsun, YE Rou-xin, DAI Yi-chen, WANG Siang-yu, NI Yu-xin, CHEN Shih-bin
\n\nIndependent dancer:
\nHUANG Cheng-wei, CHEN Pin-ni, KUO Yen-wei, TSAI Wan-yu, IP Pui-ling, WANG Yu-jie, YANG I-wan, KE Gui-ting, KO Kai-feng, LIN Man-ting, LI Wan-jhen, WU Kai-wen, WU Chao-jung, LIN Si-qi, Liao Wen-yu
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Artists Introduction
\n\nCHOU Shu-Yi
\n\nBorn in 1983, Chou is a choreographer and dancer. His recent creations, in the forms of theatre, site-specific performance or dance video, question the value of life and reflect the status of an individual or a group in different social contexts, and create "a body vocabulary that belongs to Asia". Chou continues to seek new methods of creation, and potentials of cross-disciplinary collaboration using different mediums.
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※2022年6月5日(日)14:30於歌劇院演出之台北歌劇劇場《50年回顧展演》演出人員異動, \n\n\t\t\t原演出人員林映旻之曲目將由王嘉琳演唱、原演出人員巫白玉璽之曲目將由丁一憲演唱, \n\n\t\t\t節目內容、其他演出成員與團隊維持不變。 \n\t\t\t | \n\t\t
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享譽國內外的台北歌劇劇場,由藝術總監曾道雄帶領,將五十年演出之精華選粹場景,結合不同主題之歌劇精萃匯演,並與國內的愛樂者共享。
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台北歌劇劇場為一歷史悠久的歌劇演出團體,由曾道雄教授於70年代所創設,旨在培訓國內優秀之聲樂人才,更與國際歌劇團體接軌,從事教育於嚴謹的歌劇製作演出。自 1971首次與臺北市立交響樂團推出歌劇選粹之後,半世紀以來在國內及國際間,演出歌劇達五十餘齣,包括首創之中文歌劇,其中很多是當地的首演,為拓展觀眾欣賞領域,更推出較少演出的珍貴作品。茲僅將演出之精華選粹場景,集成為一場之歌劇選粹黃金節目Opera Gala,用以紀念台北歌劇劇場五十年之演出,並與國內的愛樂者共享。
\n\n上半場為德語系歌劇之精華場景,包括莫札特、韋伯、華格納,以及史特勞斯之歌劇代表作。下半場則為義大利、法國以及西班牙等拉丁語系歌劇,包括羅西尼、威爾第、古諾、馬斯奈、法雅,終曲則演出曾道雄親自創作之作品。
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演前導聆
\n\n2022/6/5(日)13:50 歌劇院大廳
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演出曲目
\n\n莫札特:《唐・喬凡尼》序曲
\n\n莫札特:〈偷香、決鬥與復仇之誓言〉選自《唐・喬凡尼》(丁一憲、羅明芳、林健吉、李增銘、張坤元)
\n\n莫札特:〈愛與和平的勝利,讚頌海神〉選自《伊多美聶歐》(王嘉琳、王郁馨、張殷齊、張坤元)
\n\n莫札特:〈當愛人久別重逢時〉選自《後宮誘逃》(林健吉、羅明芳、張殷齊、羅心汝)
\n\n莫札特:〈救命啊!怪獸要吞噬我!〉選自《魔笛》(王嘉琳、許育甄、王郁馨、謝奇儔)
\n\n韋伯:〈我們號角與歌聲響徹山谷〉選自《魔彈射手》
\n\n史特勞斯:〈當真命天子出現在我眼前〉選自《阿拉貝拉》(傅孟倩、王嘉琳)
\n\n華格納:〈歌樂聖殿進堂曲〉選自《唐懷瑟》
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威爾第:《拿布果》序曲
\n\n威爾第:〈狂野的亞述王已兵臨城下〉選自《拿布果》(羅俊穎)
\n\n威爾第:〈沒錯,我就是妳的情敵!〉選自《阿依達》(林慈音、翁若珮)
\n\n威爾第:〈馬克白弒君〉選自《馬克白》(丁一憲、翁若珮)
\n\n羅西尼:〈這迷團嘛,越纏越紊亂!〉選自《灰姑娘》(鄭海芸、劉成華、許育甄、王嘉琳、李增銘、謝銘謀)
\n\n馬斯奈:〈神父,您來了…〉選自《黛旖思》(蔣啓真、丁一憲)
\n\n法雅:〈西班牙舞曲〉選自《短促的人生》(薛喻鮮)
\n\n古諾:〈她已得到救贖!〉選自《浮士德》(蔣啟真、林健吉、羅俊穎)
\n\n曾道雄:〈我渴,一定要喝水!〉選自《長崎少女》(羅惠真)
\n\n曾道雄:〈時序運行,萬物滋生〉選自《鄭莊公涉泉會母》(孔孝誠)
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演出暨製作團隊
\n\n指揮/導演|曾道雄
\n\n樂團|高雄市交響樂團
\n\n合唱團|臺北歌劇合唱團
\n\n女高音|王嘉琳、林慈音、許育甄、傅孟倩、蔣啟真、羅心汝、羅明芳、羅惠真
\n\n次女高音|王郁馨、翁若珮、鄭海芸
\n\n男高音|孔孝誠、林健吉、張殷齊、劉成華、謝奇儔
\n\n男中音|丁一憲、李增銘
\n\n男低音|張坤元 、謝銘謀、羅俊穎
\n\n舞者|薛喻鮮
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藝術家介紹
\n\n曾道雄
\n\n臺灣彰化人,畢業於臺中師範,師大音樂系與馬德里皇家音樂院,主修聲樂,副修鋼琴與單簧管。先後在UCLA與Jan Popper學習歌劇藝術,在義大利Siena參加Franco Ferara的指揮研習營,在海內外從事歌劇教育與演出逾半世紀,演出歌劇超過50部之多。曾擔任師大音樂系所主任,也曾在美國愛渥華州立大學任教,並赴比利時魯汶、英國劍橋與里茲等大學講學。
\n\n曾道雄也戮力推介給觀眾少為人知,卻十分珍貴的歌劇作品。並親自編劇作曲,創作青少年歌劇《稻草人與小偷》,及取材於左傳典故的《鄭莊公涉泉會母》。他棄絕核戰,為世界和平祈福,譜作女高音獨唱與管絃樂曲《長崎少女》,首演於日本福岡與關渡北藝大。
\n\n曾教授是2011年國家文藝獎得獎人,並獲頒「師大大師」榮銜。
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cbc7bc605645405ba970db2d775b5d58",title:"Taipei Opera Theater 50th Anniversary Concert"}],related:[],title:"Taipei Opera Theater 50th Anniversary Concert",cover:"ec49407bd781c0f7377c530bae95481e",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'The renowned Taipei Opera Theater, under the leadership of art director TSENG Dau-hsiang, has drawn from the absolute best of its 50 years of performances to create one encore opera show with different themes to share with music lovers in Taiwan.
\n\n\n\n
Founded by TSENG in the 1970s, the Taipei Opera Theater has a long history of training outstanding domestic vocal talents on par with international opera troupes in order to put on first-class opera productions and performances through high-standard education. Since its first opera selections staged with the Taipei Symphony Orchestra in 1971, the Theater has performed more than 50 operas both domestically and internationally over the last half-century; these performances included the first Chinese-language operas (many of which premiered locally) as well as shorter runs of a number of rarer works to help expand the audience's appreciation of this unique art form. This year, to commemorate their fifty years on stage, the Taipei Opera Theater selected essential scenes from past performances to present Taiwan's music lovers with two separate shows in a true Opera Gala.
\n\nThe first part is a dazzling retrospective of the German maestros, with signature works by the likes of MOZART, WEBER, WAGNER, and STRAUSS.
\n\nThe second parts feature Italian, French, and Spanish operas including ROSSINI, VERDI, GOUNOD, MASSENET, and FALLA, topped with a finale performance of TSENG Dau-hsiang's own works.
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Pre-talk
\n\n2022/6/5(Sun)13:50 Opera House 2nd Floor
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Program
\n\nW. A. MOZART: Overture from Don Giovanni
\n\nW. A. MOZART : 'Notte e giorno fatica' from Don Giovanni (JUNG Il-hun, LO Ming-fang, Claude LIN, Rios LI, CHANG Kuen-yuan)
\n\nW. A. MOZART : 'Godiam la pace & Netuno s’onori' from Idomeneo (WANG Chia-ling, WANG Yu-hsin, CHANG Yin-chi, CHANG Kuen-yuan)
\n\nW. A. MOZART : 'Ach Belmonte!' from Die Entführung aus dem Serial (Claude LIN, LO Ming-fang, CHANG Yin-chi, LO Hsin-ju)
\n\nW. A. MOZART : 'Zu Hülfe, zu Hülfe!' from Die Zauberflöte (WANG Chia-ling, HSU Yu-chen, WANG Yu-hsin, HSIEH Chi-chou)
\n\nC. M. WEBER : 'Jägerchor' from Der Freischütz
\n\nR. STRAUSS: 'Aber der Richtiger' from Arabella (FU Meng-chien, WANG Chia-ling)
\n\nR. WAGNER : 'Freudig begrüssen wir die edle Halle' from Tannhäuser
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G. VERDI : Overture from Nabucco
\n\nG. VERDI : 'Gli arredi festivi giù cadano infranti' from Nabucco (Julian LO)
\n\nG. VERDI : 'Silenzio, Aida verso noi s’avanza' from Aida (Grace LIN, WENG Jo-pei)
\nG. VERDI : 'Mi si affanccia un pugnal' from Macbeth (JUNG Il-hun, WENG Jo-pei)
G. ROSSINI: 'Questo e un nodo avviluppato' from La Cenerentola (CHENG Hai-yun, LIU Cheng-hwa, HSU Yu-chen, WANG Chia-ling, Rios LI, HSIEH Ming-mou)
\n\nJ. MASSENET: 'Cest toi, mon père!' from Thais (Jeannie CHIANG, JUNG Il-hun)
\n\nM. FALLA: 'Spanish Dance' from La vida Breve (HSUEH Yu-hsien)
\n\nC. GOUNOD : 'Mon coeur est penetre d'epouvante' from Faust (Jeannie CHIANG, Claude LIN, Julian LO)
\n\nTSENG Dau-hsiung: 'I am so thirsty that I must drink water!' from The maiden of Nagasaki (LUO Hwei-jan)
\n\nTSENG Dau-hsiung: 'Time changes with seasons, lives flourish with wind' from A Vow to the Underworld Spring (Ezio KONG)
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Creative and Production Team
\n\nConductor/Director|TSENG Dau-hsiang
\n\nOrchestra: Kaohsiung Symphony Orchestra
\n\nChorus|Taipei Opera Chorus
\n\nSoprano|WANG Chia-ling、Grace LIN, HSU Yu-chen、FU Meng-chien、Jeannie CHIANG、LO Hsin-ju、LO Ming-fang、LUO Hwei-jan
\n\nMezzo-soprano|WANG Yu-hsin 、WENG Jo-pei 、CHENG Hai-yun
\n\nTenor|Ezio KONG、Claude LIN、CHANG Yin-chi、LIU Cheng-hwa、HSIEH Chi-chou
\n\nBaritone|JUNG Ilhun、Rios LI
\n\nBass|CHANG Kuen-yuan、HSIEH Ming-mou、Julian LO
\n\nDancer|HSUEH Yu-Sien
\n\n\n\n
Artists Introduction
\n\n\n\n
TSENG Dau-hsiang
\n\nProfessor TSENG Dau-hsiang was born in Changhwa, Taiwan. After graduating from National Taichung University of Education (then Taichung Teacher's School), he went on to study at National Taiwan Normal University's Music Department and the Royal Conservatory of Music in Madrid, where he majored in vocal music and minored in the piano and clarinet. He studied opera with Jan Popper at UCLA, and learned conducting under Franco Ferrara at his training camp in Siena, Italy. TSENG has been involved in opera education and performances in Taiwan and abroad for more than half a century, and has performed more than fifty operas. He served as the chair of the Music Department at National Taiwan Normal University and taught at Iowa State University in the United States. He has also lectured at the Katholieke Universiteit Leuven, in Belgium, and the Universities of Cambridge and Leeds, in England.
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Over the years, TSENG Dau-hsiang has remained committed to introducing Taiwanese audiences to little-known but precious opera works. He himself wrote and composed the opera The Scarecrow and the Thief for teens, and Cheng Chuang Gong Crosses the River to Meet his Mother, which is based on a parable in Zuo Zhuan.
\n\nTSENG also composed the soprano solo and orchestral music for Nagasaki Girl, which premiered in Fukuoka, Japan and Taipei National University of the Arts in Guandu, as a renunciation of nuclear war and a prayer for world peace.
\n\nTSENG was selected to win a National Award for Arts in 2011 and has been named a Distinguished Graduate of National Taiwan Normal University.
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\n\n
\n',team:""},createdAt:1637146018,updatedAt:1654328089,updatedBy:"林蔚行",host:!0},{_id:"619c4c91d970790007fc0f0b",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1654689600,discrete:[{time:1654689600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1461245703800893444"}},attachment:{key:"aa953bfbc4721b56bf93c5fd7218c41e",name:"2022衛武營小時光.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9a17cfab9a2afedb68911d1333946dc7",title:"【衛武營小時光】《噶瑪蘭的風吹》"}],related:[{from:"news",key:"621b26f2c446a600074170fe",title:"衛武營小時光+海邊走走 聯名蛋捲禮盒全臺上市"},{from:"features",key:"619c57f8d970790007fc110d",title:"2022衛武營小時光"}],title:"【衛武營小時光】楊肅浩《噶瑪蘭的風吹》",cover:"dd4e2cd4d128e79ae4c20a26fb534409",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
白天任教、夜晚創作的楊肅浩,首次推出專輯《噶瑪蘭的風吹》便入圍第32屆金曲獎最佳臺語男歌手。雖然這張專輯以蘭陽平原上的人事物為創作核心,楊肅浩一首接著一首唱出了許多島民對家的想像、渴望與關懷。凝練的臺語詩詞,承載一世紀的時代更迭,迎著穿透人心的民謠曲風,宛如一只風箏俯視這塊土地。讓我們在小時光裡,乘上那時代的洪流,重訪記憶中珍藏的歸屬。
\n\n\n\n
藝術家介紹
\n\n楊肅浩
\n\n羅東高商國文老師,同時也是臺灣新生代臺語民謠歌手。曾拿過無數創作比賽大獎,包括兩岸校園交流大賽亞軍、原創歌曲獎、閩南語歌王獎等,還曾隨著一票樂壇前輩參與《民歌四十》巡演,展現豐富的創作實力。於2020年7月31日發行首張臺語創作專輯《噶瑪蘭的風吹》,隔年憑此張專輯,入圍第32屆金曲獎最佳臺語男歌手獎。
\n\n相關文章:►❝「真濟農地變更做建地/煞咧農舍起了煞無人買/分袂清是伊的/是啥人的/煞夢著彼條變色的蘭陽溪」—— 楊肅浩〈賣田歌〉
\n\n\n\n
貝洛樂團
\n\n由貝洛音樂工作室負責人羅大惟發起,號召各路資深樂手組成,期許用喜愛音樂的心讓更多人喜歡音樂,成員們除了平日教學外就是征戰南北各地,用專業的演奏成就優質的演出。
\n\n\n\n\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9a17cfab9a2afedb68911d1333946dc7",title:"【衛武營小時光】《噶瑪蘭的風吹》"}],related:[],title:"【Weiwuying Showtime】Su Hao YANG - Kavalan Kites",cover:"dd4e2cd4d128e79ae4c20a26fb534409",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 12/15(Wed)12:00 !
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Artists Introduction
\n\n\n\n
Su Hao YANG
\n\nSu Hao YANG,who teaches by day and composes by night, was nominated for Best Taiwanese Male Artist at the 32nd Golden Melody Awards for his debut album, Kavalan Kites. Although the album centers on stories of Yilan plain, the songs speak of the imagination, longing, and concern for home shared by many. YANG's lyrical Taiwanese language embodies a century of changes, which surfs upon the moving folk music like a kite surveying the land beneath. Come to Weiwuying Showtime, let us sail on the torrent of time, and revisit that special place we hold dearly in our memories.
\n\n\n\n
Beryl
\n\nBeryl, initiated by David Luo, the head of Beryl Music Studio, is a bend composed by senior musicians from all walks of life, hoping to move others by embracing the music. Besides teaching on weekdays, the members perform throughout the country, giving high-quality performances by virtuosity.
\n\n\n\n
\n',team:""},createdAt:1637633169,updatedAt:1686710226,updatedBy:"林蔚行",host:!0},{_id:"619cd734bf4bbf000b4e96ab",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1655638200,discrete:[{time:1655638200}],type:"discrete"},activity:{type:"free",free:{englishDescription:"Program cancelled",description:"節目取消"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6d98ded2909e912833b286f1f713a5ea",title:"NSO《呂紹嘉與KAVAKOS》"}],related:[],title:"「節目取消」NSO《呂紹嘉與KAVAKOS》",cover:"8b224aae741887504858eaddd43eda71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年6月19日(日)19:30於衛武營音樂廳演出之NSO《呂紹嘉與KAVAKOS》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月19日(日)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
「卡瓦科斯可謂這個世代最優秀的演奏家。」──《西雅圖時報》
\n\n「卡瓦科斯的小提琴演奏總是展現出驚人的精湛技巧與熾熱的深度洞察力……我們很高興邀請卡瓦科斯進入音樂哲學家的萬神殿。」──英國《衛報》
\n\n「他(呂紹嘉)的音樂充滿著堅定的態度,經過深思熟慮之後紮實呈現,是情感張力與專注力量的完美結合。」── 《美國唱片指南》
\n\n\n\n
「寧為信念受苦,也不願為信念殺戮」——雖然和貝多芬《命運》交響曲相似,也從c 小調寫到C大調,蕭斯塔科維契《第八號交響曲》卻不見勝利凱旋,僅是浩劫餘生。那是作曲家眼看二次大戰完全失控,家鄉列寧格勒圍城役慘至人獸相食,發自內心的怒吼哭嚎。他展現全能作曲能力,讓所有章法格式規矩都為他說話。全曲五樂章環環相扣,既寫大時代創傷,也有自傳式的體會感悟。同樣反映個人心事,他的《第一號小提琴協奏曲》則是蓄積後的凶猛爆發,冷峻中透出溫情,將不可思議的絕頂超技融於深沉內省的樂想,每次聆聽都像是借了他的真實人生。當代絃樂巨擘卡瓦科斯,將與老友呂紹嘉在臺北及衛武營二度合作。聽他們如何透過蕭斯塔科維契的眼睛看世界,在荒原裡見到人性光輝。
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演前導聆
\n\n2022/6/19(日)18:50-19:10 音樂廳三樓大廳
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演出曲目
\n\n蕭斯塔科維契:a小調第一號小提琴協奏曲,作品77
\n\n蕭斯塔科維契:c小調第八號交響曲,作品65
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演出暨製作團隊
\n\n指揮|呂紹嘉
\n\n小提琴|列奧尼達斯.卡瓦科斯
\n\n國家交響樂團
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藝術家介紹
\n\n指揮 | 呂紹嘉
\n\n出身臺灣,為享譽國際樂壇的旅歐名指揮家。自鋼琴啟蒙,後隨陳秋盛研習指揮,繼而赴美印第安那大學及維也納國立音樂院深造。在贏得法國貝桑頌、義大利佩卓地和荷蘭孔德拉辛三大國際指揮大賽首獎後,展開了他在歐洲的指揮生涯。
\n\n旅居德國期間先後擔任柏林喜歌劇院首席駐團指揮(1995-1998)、德國柯布倫茲市立歌劇院音樂總監(1998-2001)、德國國家萊茵愛樂交響樂團音樂總監(1998-2004)、德國漢諾威國家歌劇院音樂總監(2001-2006),並於2004年5月獲文化部長頒贈象徵該省文化最高榮譽的Peter Cornelius獎章。在歌劇的領域中,曾於英國國家歌劇院、雪梨歌劇院等客席登臺指揮。歌劇外,呂紹嘉在交響樂指揮的表現也同樣耀眼。近年來合作的交響樂團有:柏林、巴伐利亞廣播、荷蘭皇家大會堂管絃樂團等。在亞洲,與香港管弦樂團、NHK、首爾愛樂,及北京、上海等地的代表性樂團合作演出。自2010年8月起接任NSO 國家交響樂團音樂總監。並於2014-2017兼任南丹麥愛樂交響樂團的首席指揮。
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小提琴│列奧尼達斯.卡瓦科斯
\n\n出生於雅典音樂世家,是世界公認不可多得的優秀藝術家,以精湛技巧、超凡的音樂實力與演奏真摯而聞名。21歲時已贏得三項大獎:西貝流士(1985年)、帕格尼尼和瑙姆堡大賽(同於1988 年)。使他得以錄製西貝流士小提琴協奏曲的原始錄音版本,也贏得1991 年《留聲機》年度最佳協奏曲大獎。
\n\n近年建立了自己身為指揮家的堅實經歷,與倫敦交響樂團、波士頓交響樂團、維也納交響樂團、布達佩斯節慶管絃樂團等合作。2018/19 樂季,為巴伐利亞廣播交響樂團的駐團音樂家,以獨奏家及指揮的雙重之姿活躍於貝多芬的《小提琴協奏曲》及《第七號交響曲》的詮釋。
\n\n\n\n
自信而精銳 國家交響樂團
\n\n於1986年為建立一個指標級交響樂團而投下的希望,2005年起成為駐國家音樂廳團隊,2014年4月起改隸國家表演藝術中心,目前已成為頂尖的亞洲樂團。樂團歷任音樂總監、藝術顧問包括許常惠、張大勝、林望傑、簡文彬以及赫比希,自2010年8月起,由呂紹嘉接任音樂總監。近30年來與NSO合作過的知名指揮家有馬捷爾、巴夏、潘德瑞茨基、史瓦茲、羅斯楚波維奇、柯米希奧納、史拉特金、馬利納爵士等。除了精緻音樂會,NSO也製作大型歌劇,更以各種推廣講座音樂會、節慶或戶外音樂會,使NSO的節目成為愛樂大眾樂於參與的活動,形成華人地區古典音樂的新風貌。
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6d98ded2909e912833b286f1f713a5ea",title:"NSO《呂紹嘉與KAVAKOS》"}],related:[],title:"(Program cancelled) LÜ & KAVAKOS",cover:"8b224aae741887504858eaddd43eda71",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been cancelled. For more information, please contact +886-7-262-6666. | \n\t\t
\n\n
"KAVAKOS ranks among the greatest instrumentalists of our time."——Seattle Times
\n\n"KAVAKOS' violin playing has always been astoundingly virtuosic and blazingly insightful… I'm happy to admit KAVAKOS to the pantheon of musician-philosophers."——The Guardian
\n\n"Overstatement and exaggeration are not his style. What one does get is solid, deliberate, exceptionally well-honed performances that combine intense lyricism with power."——American Record Guide
\n\n\n\n
"I prefer to suffer for my beliefs rather than kill for my beliefs." Although similar to BEETHOVEN's Fifth Symphony which opens in c minor and gradually shifts to C major, SHOSTAKOVICH's Eighth Symphony only portrays the havoc and devastation of war with no hint of the triumph. It is SHOSTAKOVICH's lament after he saw the rampant destruction of WWII, and the siege and famine of Leningrad, his hometown, forcing its residents to kill for food. He employed his versatile composing skill to manipulate all kinds of musical forms to build up this symphony. Five movements press onward with relentless momentum. They depict the agony of wartime and also convey his firsthand experiences. As another autobiographical piece, SHOSTAKOVICH's First Violin Concerto is a fierce eruption of energy. Transmuting geniality from bleakness, the astounding virtuosity is intertwined with profound musical ideas. Each listening experience is like seeing through Shostakovich's eyes. KAVAKOS, the contemporary virtuoso of string instruments, will collaborate with his colleague Shao-Chia LÜ for the second time in Taipei and Weiwuying. Witness how they navigate seeing the world from SHOSTAKOVICH's perspective, asking how we find the glory of humanity in the wasteland.
\n\n\n\n
Pre-talk
\n\n2022/6/19(Sun)18:50-19:10 Concert Hall 3rd Floor
\n\n\n\n
Program
\n\nD. SHOSTAKOVICH: Violin Concerto No. 1 in a minor, Op. 77
\n\nD. SHOSTAKOVICH: Symphony No. 8 in c minor, Op. 65
\n\n\n\n
Creative and Production Team
\n\nConductor|Shao-Chia LÜ
\n\nViolin|Leonidas KAVAKOS
\n\nNational Symphony Orchestra
\n\n\n\n
Artists Introduction
\n\nShao-Chia LÜ
\n\nTaiwan-born conductor Shao-Chia LÜ studied music in Taipei, later at the Indiana University in Bloomington, USA, and also at Vienna's College of Music. His training resulted in important first prizes at three renowned international conductor competitions: Besancon (France), Pedrotti (Italy) and Kondrashin (the Netherlands).
\n\nShao-Chia LÜ accepted positions as General Music Director of the Koblenz Theatre (1998-2001),the Staatsorchester Rheinische Philharmonie Koblenz (1998-2004), and the Staatsoper Hannover (2001- 2006). He has also been Chief Conductor of the South Denmark Philharmonic from 2014 to 2017.
\n\nShao-Chia LÜ appears regularly as guest conductor at several world-renowned opera houses, including the Opera Australia in Sydney, Den Norske Opera in Oslo and more. Alongside his opera activities, LÜ is equally at home on concert podiums. LÜ has worked repeatedly with many leading European orchestras, such as the Oslo Philharmonic, Royal Liverpool Philharmonic and more. In Asia, LÜ has worked with the Hong Kong Philharmonic, NHK, Seoul Philharmonic and more.
\n\nShao-Chia LÜ has been Music Director of the Taiwan Philharmonic (the National Symphony Orchestra) since August 2010.
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Leonidas KAVAKOS, Violin
\n\nBorn into a musical family in Athens, Leonidas KAVAKOS is recognized around the world as an artist of rare quality, known for his virtuosity, superb musicianship and the integrity of his playing. By the age of 21, KAVAKOS had already won three major competitions: Sibelius (1985), Paganini, and Naumburg (both in 1988). These successes led to his recording of the original version of the Sibelius Violin Concerto, the first-ever of this work. This won him the Gramophone Concerto of the Year Award in 1991. In recent years KAVAKOS has also built a strong profile as a conductor, working with the London Symphony, Boston Symphony, Vienna Symphony, and Budapest Festival Orchestra, among many others. In the 2018/19 season, as Artist in Residence with the Bavarian Radio Symphony Orchestra, KAVAKOS will appear as both soloist and conductor when he performs Beethoven Violin Concerto and Symphony No.7, and will also perform Shostakovich Violin Concerto with Mariss Jansons and Berg Violin Concerto with Daniel Harding.
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National Symphony Orchestra
\n\nFounded in 1986, the National Symphony Orchestra (NSO), also known as Taiwan Philharmonic, became the resident orchestra of the National Concert Hall, and an artistic affiliate of the National Performing Arts Center in April 2014. The orchestra has benefited from the leadership of many music directors and principal conductors, including Gerard Akoka, Urs Schneider, Tsang-Houei Hsu, Da-Shen Chang, Jahja Ling, Wen-Pin Chien and Güther Herbig. Since August 2010, Maestro Shao-Chia LÜ has been Music Director of NSO and will lead the NSO continually to further enrich its performances and carry out its mission as the flagship of classical ensemble in Taiwan. The NSO works regularly with internationally acclaimed musicians, including Lorin Maazel, K. Penderecki, Rudolf Barshai, Kek-Tjiang Lim, G. Schwarz, Uri Mayer, Joseph Silverstein, Leonard Slatkin, Christopher Hogwood, Christopher Poppen and many others. Tour performances were also regularly offered throughout Taiwan and in overseas, in places such as Vienna, Paris, Berlin, Brussels, Singapore, Kuala Lumpur, Sapporo, Tokyo, Yokohama, Hong Kong, Shanghai, Beijing, Costa Mesa, and Vancouver.
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Sponsor
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\n',team:""},createdAt:1637668660,updatedAt:1652767388,updatedBy:"通泰系統管理員",host:!0},{_id:"61a30a16d970790007fd4111",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1655551800,discrete:[{time:1655551800},{time:1655620200}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856320,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"65c340a6d3448b0a8600a1135e0d598d",title:"安銀美舞團《千禧之龍》"}],related:[],title:"「節目取消」安銀美舞團《千禧之龍》",cover:"55f8fde4a6077cea7ffaab01c2131f5e",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年6月18日(六)19:30及6月19日(日)14:30於戲劇院演出之安銀美舞團《千禧之龍》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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顧盼千禧下一波之與龍共舞
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『2020年,出生於千禧世代的孩子已屆成年。
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他們手中不但握著未來,還決定了未來世界的樣貌。』
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作為亞洲地區土生土長的年輕世代,20歲意味著前途無限,也是身心靈快速變化、開始獨立思考的起點。他們一方面與時代緊密相依,另一方面也肩負守護千年傳統的重擔,在這個前浪與後浪交替夾擊的處境下,他們會為亞洲舞蹈界帶來什麼樣貌與未來?
\n\n南韓編舞教母安銀美二度造訪衛武營,繼上回引領阿珠嬤台上歡跳,這次將腦筋動到剛滿20歲的千禧龍寶寶。他們來自不同國家、擁有不同身體、但同生於西元2000年。承載著世界的期許,5位屬龍的亞洲舞者將與安銀美舞團成員攜手共舞,深入探索貫穿舞蹈作品的動態力量,揣想亞洲舞蹈的未來走向;而丟出問題的那顆石子,就是舞台上翩翩起舞的一群龍。
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在年屆二十、前途無限的時候,你眼中的世界是什麼模樣?
\n\n身為亞洲舞者,又是如何看待這個世界?
\n\n亞洲地區土生土長的年輕世代,一方面與所處的時代密不可分,另一方面則身兼千年傳統守護者的角色。在這雙重因素的交互作用下,亞洲舞蹈界未來將呈現何種面貌?
\n\n企圖從這一連串問題中尋求答案的南韓編舞家安銀美,特地邀來五位生於2000年(龍年)的年輕舞者與首爾安銀美舞團成員攜手合作,一同透過舞蹈摸索解答。
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演出暨製作團隊
\n\n編舞暨藝術總監|安銀美
\n\n音樂設計|張領圭
\n\n服裝暨舞台設計|安銀美
\n\n燈光設計|張晋榮
\n\n影像設計|李台錫
\n\n動態圖像設計|李台錫, 李旼晶
\n\n創作技術指導|金智明
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演員:
\n\n舞台上|安銀美、金寭俓、 孔志守 、李民主、 李在潤、李泫錫 、張秀氾、吳賢擇
\n\n螢幕上|
\n\n諾。希雅斯妲 哈茲米(馬來西亞)、高橋 灯(日本)、鄭 紙 完(韓國)、思寇。赛炎托, 蒂 娜薩 阿吉 伊娜諾(印尼)、周冠廷(臺灣)
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演出單位:安銀美舞團
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共製單位:
\n\n韓國首爾藝術文化基金會
\n\n韓國首爾永登浦藝術廳
\n\n韓國釜山文化會館
\n\n法國巴黎市立劇院
\n\n法國里昂舞蹈雙年展
\n\n奧地利聖波爾坦藝術中心
\n\n盧森堡市立劇院
\n\n比利時布魯塞爾藝術展演空間
\n\n臺灣衛武營國家藝術文化中心
\n\n本製作由印尼舞蹈節、馬來西亞國家藝術學院、橫濱紅磚倉庫 2號館支持
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合作夥伴:
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©Sukmu Yun
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\n',benefits:'※The program has been cancelled. For more information, please contact +886-7-262-6666. | \n\t\t
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How does the world look like when you are 20 years old and have your whole life ahead of you?
\n\nHow do you see it when you are a dancer coming from Asia?
\n\nWhat could be the future of dance in this part of the world, embodied by a young generation intensely living with its time and yet custodian of millenary traditions?
\n\nIt is to these questions that Korean Eun-Me Ahn intends to find answers, bringing together 5 young dancers born in 2000 - the year of the Dragon – and the dancers of her company based in Seoul.
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Creative and Production Team
\n\nChoreography and artistic direction|Eun-Me AHN
\n\nMusic|Young-Gyu Jang
\n\nCostumes and set design|Eun-Me AHN
\n\nLighting design|Jinyoung JANG
\n\nVideo direction|Taeseok LEE
\n\nMotion design|Taeseok Lee, Minjeong LEE (Addnine)
\n\nCreation technical director|Jimyung KIM
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On stage|
\n\nEun-Me AHN, HYE Kyoung KIM, GONG JiSoo, MinJoo LEE, Jae Yun LEE, HyeonSeok LEE, SooBeom JANG, HyeonTaek OH
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On screen|Nur Syahidah Binti Hazmi (Malaisie), Akari Takahashi (Japan), Jiwan JUNG (South Korea), Siko Setyanto, Dwi Nusa Aji Winarno (Indonésie), Guan Ting ZHOU (Taiwan)
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Production: Eun-Me Ahn Company
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Coproduction:
\n\nYeongdeungpo Cultural Foundation (Korea)
\n\nBusan Cultural Center (Korea), Théâtre de la Ville – Paris (France)
\n\nBiennale de la Danse de Lyon (France)
\n\nFestspielhaus St. Pölten (Austria)
\n\nLes Théâtres de la Ville de Luxembourg (Luxembourg)
\n\nLes Halles de Schaerbeek (Belgium)
\n\nNational Kaohsiung Center for the Arts (Weiwuying)
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with the support of : Arts Council Korea, Indonesian Dance Festival,
\n\nASWARA - Akademi Seni Budaya Dan Warisan Kebangsaan, Yokohama Red Brick Warehouse N°1
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Partner:
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©Sukmu Yun
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【觀眾迴響】
\n\n看到了一代女性的縮影,透過人間條件彷彿帶我進入了她們的生命。臺北 楊小姐
\n「一輩子能被記得,就值得了!」這句話很動人,很受用在生活遇到各種艱辛的時刻,有這份安慰,溫暖就夠了!-臺北 許小姐
喜歡吳導在故事裡用上的文句,肩頭上的擔子還能放下,心裡的擔子卻要背一輩子。 警察的工作不是開槍,那是警察的惡夢。 雖然我是七年級生,並沒有真的經歷過那個年代,但溫柔的文句裡所呈現的重量卻是很紮實的。-高雄 葉先生
\n人間7的舞台設計,真的相當喜歡。頻繁更換的佈景,相當辛苦;變化多端的投影螢幕,無法忽略。那光投射出的蝴蝶,悲美得迷人;那布後的剪影人物,悲苦得動人。--臺北 吳小姐
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看人間條件是人生最幸福的事!
\n吳念真總是能夠用情感交換真情,訴說各個世代的心聲,你我彷彿都是主角。不炫技、不唱高調、淳樸美好、懷舊感慨人到了,心也到了,曾經遺失的美好就在人間。
《人間條件七 我是一片雲》吳念真向女性與鳳飛飛致敬,回憶‧女人—流轉年華,數數辛酸淚。
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演出暨製作團隊
\n\n藝術監督|吳念真、柯一正
\n\n製作人|雷輝、李永豐
\n\n導演/編劇|吳念真
\n\n演 員|柯一正、林美秀、楊麗音、陳竹昇、林雨宣、黃迪揚...等人(主辦單位保留人員異動的權利)
\n\n燈光設計|李俊餘
\n\n舞台設計|曾蘇銘
\n\n服裝設計|任淑琴
\n\n音樂設計|聶琳
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照片版權由 綠光劇團 提供
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"26100e491113cdf3a04d43575462a899",title:"Human Condition VII"},{type:"image",key:"a8fd2ad8d2eec908c2fd3d90b8dc3ff7",title:"Human Condition VII"}],related:[],title:"Human Condition VII",cover:"b3f2afb210502b846fa15cf1fe4ff651",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
There is nothing that cannot be happier than watching "Human Condition"!
\n\nWU Nien-zhen is always able to tell the story of all generations, everyone can be the characters in his plot. His works never are campy and cheesy, simple is the best. He believes that the lost treasure is around us in our daily.WU Nian-zhen pays tribute to women and FENG Fei-fei with the "Human Conditions VII: Cloud of Romance". This story in search of lost time, with women's tears.
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Creative and Production Team
\n\nProducer|LEI Huei, LI Yong-feng
\n\nDirector/ Playwright|WU Nian-zhen
\n\nPerformers|KE Yi-zheng, LIN Mei-xiu, Yang Li-Yin, CHEN Zhu-sheng, Crystal LIN, HUANG Di-yang,
\n\nLighting Designer|LI Jun-yu
\n\nSet Designer|ZENG Su-ming
\n\nCostume Designer|REN Shu-qin
\n\nMusic Designer|NIE Lin
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Photo © Greenray Theatre
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\n',team:""},createdAt:1640256111,updatedAt:1651734761,updatedBy:"林蔚行",host:!1},{_id:"61efd8f07236db00087f0cc2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656156600,discrete:[{time:1656156600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d389f7d3ef758d40eb8d6a8a1350ec7a",title:"提琴的新境界—寧峰《帕格尼尼隨想曲》全集"}],related:[],title:"「節目取消」提琴的新境界—寧峰《帕格尼尼隨想曲》全集",cover:"cc535e65ba24c05d3e46336e6de44f0a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年6月25日(六)19:30於衛武營音樂廳演出之「提琴的新境界—寧峰《帕格尼尼隨想曲》全集2022 ATS台灣絃樂團 大師系列」,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年7月1日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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寧峰是目前最享譽世界的華人小提琴家,曾於2006年的帕格尼尼國際小提琴大賽中獲得首獎。在此場音樂會中,寧峰將帶來人稱小提琴技巧的聖經─《帕格尼尼:24首隨想曲》,在臺灣能現場完整欣賞《24首隨想曲》全套,是非常難得的機會!提琴界的最高峰,將在今年6月重磅登場,您絕對不能錯過!
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演出曲目
\n\n帕格尼尼:24首小提琴隨想曲,作品1
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演出暨製作團隊
\n\n主辦單位|台灣絃樂團
\n\n演出者|小提琴/寧峰
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長期贊助|中保無限+
\n\n贊助單位|2022TAIWAN TOP演藝團隊、臺北市文化局、國藝會
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d389f7d3ef758d40eb8d6a8a1350ec7a",title:"提琴的新境界—寧峰《帕格尼尼隨想曲》全集"}],related:[],title:"(Program cancelled) Ning Feng violin recital: N. Paganini: 24 Caprices for Solo Violin",cover:"cc535e65ba24c05d3e46336e6de44f0a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-23218168. | \n\t\t
\n\n
Ning Feng is recognised internationally as an artist of great lyricism, innate musicality and stunning virtuosity. He performs across the globe with major orchestras and conductors, and in recital and chamber concerts in some of the most important international series and festivals. In 2019 the Washington Post described him as "a wonderful player with a creamy, easy tone and an emotional honesty” and BBC Music Magazine said of a recent recording "silvery tonal purity, immaculate intonation and gently beguiling musicality".This time he will be performing 24 Caprices for Solo Violin, Op.1 by Paganini.
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Program
\n\nN. Paganini: 24 Caprices for Solo Violin, Op.1
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Creative and Production Team
\n\nViolin|Ning Feng
\n\n\n',team:""},createdAt:1643108592,updatedAt:1651133284,updatedBy:"林蔚行",host:!1},{_id:"61f256627236db00087f5eda",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656675e3,discrete:[{time:1656675e3},{time:1656829800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1200,1600,2e3,2500,3e3,3500],link:"https://www.opentix.life/event/1478334792711024645?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bd552189478d311d384710e9a56b98ee",title:"KSAF歌劇《蝴蝶夫人》"}],related:[{from:"programs",key:"62821d6e11b38700099b981c",title:"威爾第歌劇《唐卡洛》"},{from:"features",key:"62208c74911ce9000757ea9b",title:" 2022花露露的童樂節"}],title:"KSAF歌劇《蝴蝶夫人》",cover:"8a169f00a4671495a185a9ac473fc920",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
蝴蝶象徵著美麗,卻也脆弱不堪,這或許像蝴蝶夫人,如同她悲慘的一生。《蝴蝶夫人》因為完美結合東方文化與西方傳統歌劇,被視為普契尼最動聽的歌劇作品之一。
\n\n
\n劇情以日本為背景,敘述女主角巧巧桑與美國海軍軍官平克頓結婚後獨守空閨,等來的卻是背棄。最終以巧巧桑自殺為結局。原以為能永遠幸福的巧巧桑,背棄了所有的傳統文化及宗教,追隨他的丈夫平克頓,一心憧憬愛情。不料在丈夫眼裡,婚姻只不過是一張隨時能更改的契約,在這相差甚異的價值觀下,誕生了這齣悲劇。整齣當中,巧妙地把日本旋律和義大利風格融為一體,沒有絲毫不協調的感覺,溫柔親切、哀婉動人、生離死別的感情狀態和歌劇氛圍,取得了極佳的藝術效果,具有獨特的音樂色彩。
\n\n
演前導聆
\n\n2022/7/1(五)18:50 歌劇院二樓大廳
\n\n2022/7/3(日)13:50 歌劇院二樓大廳
\n\n導聆者|蔡永凱老師
\n\n\n\n
演出暨製作團隊
\n\n指 揮|楊智欽
\n\n樂 團|高雄市交樂團
\n\n演 員|林玲慧、理查‧卓克希爾、巫白玉璽、翁若珮、羅俊穎、張殷齊、王郁馨、李增銘、謝銘謀
\n\n導 演|馬修巴克利
\n\n舞台設計|陳慧
\n\n服裝暨整體造型設計|林秉豪
\n\n燈光設計|林育誠
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bd552189478d311d384710e9a56b98ee",title:"KSAF旗艦歌劇《蝴蝶夫人》"}],related:[],title:"KSAF - Puccini: Madama Butterfly",cover:"8a169f00a4671495a185a9ac473fc920",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
One of the world's most popular operas, Puccini's Madama Butterfly tells the heart-breaking story of the beautiful young Japanese girl who falls in love with an American naval lieutenant – with dramatic results.
\nAn enchanting geisha, Cio-Cio-San, loses her heart to an American naval lieutenant and marries him. After he leaves Japan, she waits three long years for his return. We share her joy when he returns, and her utter despair when she realizes that he's married an American woman and has come to take his young son—Cio-Cio-San's child—back with him. Puccini lost his heart to his heroine, and so will you, in music of miraculous beauty and aching, deeply poignant dramatic truth.
\n\n
Pre-talk
\n\n2022/7/1(Fri)18:50 Opera House 2nd Floor
\n\n2022/7/3(Sun)13:50 Opera House 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nConductor|YANG Chih-Chin
\n\nOrchestra| Kaohsiung Symphony Orchestra
\n\nPerformer |LIN Ling-Hui, Richard Troxell, WU Bai-Yu-Hsi, WENG Jo-Pei, Julian LO, CHANG Yin-Chi, WANG Yu-Hsin, LI Tzeng-Ming, HSIEH Ming-Mou
\n\nDirector|Matthew Barclay
\n\nSet|CHEN Hui
\n\nCostume|LIN Bing-hao
\n\nLighting|LIN Yu-cheng
\n\n\n\n
\n',team:""},createdAt:1643271778,updatedAt:1656405741,updatedBy:"林蔚行",host:!1},{_id:"620087707236db000881f3b1",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1654860600,discrete:[{time:1654860600},{time:1654929e3},{time:1655015400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,400,700,1e3,1200,1600,2e3,3e3],link:"https://www.opentix.life/event/1483001116242792449?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d97dac02cfa32c6392b921523ed866c4",title:"中文音樂劇《麗晶卡拉OK的最後一夜》"},{type:"image",key:"27b161152cb6b1f406efe7ab7d4f39c2",title:"中文音樂劇《麗晶卡拉OK的最後一夜》"}],related:[],title:"「節目異動」中文音樂劇《麗晶卡拉OK的最後一夜》",cover:"ff460eb62f360a9f9991492ab2000b25",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
華語、臺語演出,中文字幕。
\n\t因應劇情需求,演出中將點燃道具菸。
\n\t演出內容含吸煙情節,吸菸有害身體健康。
\n\t\n\t\t\t ※原定於2022年6月10日(五)19:30、6月11日(六)14:30及6月12日(日)14:30於衛武營戲劇院演出之「中文音樂劇《麗晶卡拉OK的最後一夜》」,演員異動,更換主要演員張芳瑜為張擎佳。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年6月12日(日)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
★ 2022臺北場次兩天完售!一票難求!
\n\n★ 魏德聖大讚:「比電影更有魅力。」
\n\n★ 瞿友寧推薦:「前一秒笑到崩潰、下一秒感動落淚。」
\n\n★ 那那大師力推:「我決定回家要趕快帶爸爸媽媽看。」
\n\n★ 場場不同嘉賓帶來不同結局・場場演唱會等級
\n\n\n\n
A-Lin、Ella、畢書盡、曹雅雯、許富凱、黃子佼、林美秀等巨星都曾造訪的卡拉OK
\n\n最後這夜⋯⋯推開門的會是什麼神秘嘉賓?
\n\n\n\n
麗晶卡拉OK的老闆娘陳麗卿,待在港邊四十年了。她見過最妖嬌的陪酒小姐青春正好,見過最癡情的跑船人獨守燈下,見過基隆港最好光景⋯⋯當繁華散盡,港邊冷清得只剩盤旋不去的老鷹。麗卿恍惚想起四十年前,她也是芳華正好的女子,跳起舞、唱起歌也是風姿萬千。收店的最後一夜,苦酒滿杯,麗卿忽然想點首歌,唱自己的人生。一首寫給港都基隆的時代情歌,勾勒那些被大雨澆熄的故事以及那個她們曾經浪擲青春、難以割捨的—基隆港都。
\n\n\n\n
演出暨製作團隊
\n\n導 演|曾慧誠
\n\n編劇暨作詞|詹 傑
\n\n音樂總監暨作曲|李哲藝
\n\n編 曲|火箭八八音樂・翁偉瀚、劉浩旭
\n\n演 員|澎恰恰、張擎佳、謝淳雅、曾思瑜、曾志遠及神秘嘉賓
\n\n現場樂手|康和祥
\n\n舞臺設計|黎仕祺
\n\n服裝設計|靳萍萍
\n\n燈光設計|何定宗
\n\n舞蹈設計|張擎佳
\n\n音響設計|Tony Yang
\n\n視覺設計|好春設計・陳佩琦
\n\n舞臺監督|張婷婷
\n\n舞臺監督助理|周佳霖
\n\n舞臺技術指導|雷陽隆
\n\n燈光技術指導|翁翌軒
\n\n製 作 人|林易衡
\n\n執行製作|謝佳惠
\n\n劇團行政|葉湘亞、朱洛正
\n\n專案票務|凌韻筑
\n\n導演助理|黃奕豪
\n\n排練助理暨字幕執行|葉湘亞
\n\n舞台設計助理|蔡茵涵
\n\n音響助理|李旻潔
\n\n音效執行|朱洛正
\n\n服裝管理|林珮君
\n\n造型執行|陳美雪、謝夢遷
\n\n平面攝影|林政億
\n\n行銷統籌|五口創意工作室
\n\n舞台製作暨執行|山峸製作設計
\n\n燈光工程|群動藝術有限公司
\n\n音響工程|震撼行
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d97dac02cfa32c6392b921523ed866c4",title:"中文音樂劇《麗晶卡拉OK的最後一夜》"},{type:"image",key:"27b161152cb6b1f406efe7ab7d4f39c2",title:"中文音樂劇《麗晶卡拉OK的最後一夜》"}],related:[],title:"(Program changed) The Last Night of Beauty Karaoke",cover:"ff460eb62f360a9f9991492ab2000b25",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※The program has been changed. For more information, please contact +886-02-29778816. | \n\t\t
\n\n
CHEN Li-ching, the owner of the Beauty Karaoke, has been living by the port for over forty years.She has seen sexy ladies spend their youth here, sailors who cannot get over the past relationship and wait for the lost love forever, and of course, the most prosperous days of the Keelung Port. When the past becomes the past, only hawks left here spiral around. She suddenly recalls her past, forty years ago, when she was in full bloom and spent her time dancing and singing with customers. Now, however, it's time for curtain call and the last night of the Beauty Karaoke. With a full glass of wine, she wants to request a song for herself, and also, for her own life.This is a love song of the times written for the Keelung Port, portraying those stories buried in the ashes of the times and the port where they have spent their youth and will always remember.
\n\n\n\n
Creative and Production Team
\n\nDirector|TSENG Hui-cheng
\n\nMusic Director and Composer|CHAN Chieh, LibrettistLEE Che-yi
\n\nPerformers|PENG Cha-cha, CHANG Fang-yu, HSIEH Chun-ya, TSENG Szu-yu, TSENG Chih-yuan and special guests
\n\nStage Designer|LI Shih-chi
\n\nCostume Designer|CHIN Ping-ping
\n\nLighting Designer|HO Ting-tsung
\n\nChoreographer|CHANG Ching-chia
\n\nSound Desinger|Tony YANG
\n\nVisual Desinger|Peggy CHEN
\n\nStage Manager|CHANG Ting-ting
\n\nStage Technical Director|LAY Yang-Long
\n\nProducer|LIN, Yi-heng
\n\nAssistant Executive Producer|Hsieh Jia-hui
\n\nProject Ticketing|LING Yun-chu
\n\nDirector Assistants|HUANG Yi-Hao
\n\nRehearsal Assistants|YEH Hsiang-ya
\n\nMake-Up Executor|CHEN Mei-hsueh, HSIEH Meng-chien
\n\nGraphic Photography|LIN Cheng-yi
\n\nInstrumental Performer|Robert KANG
\n\nMarketing|Give meet five Ltd.
\n\nStage Design and Execution|Ridge Studio production and design Co.
\n\nLighting Engineering|Creative Performing Arts Co.
\n\nSound Enginnering|Rock Sound & Lighting
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1644201840,updatedAt:1656495550,updatedBy:"林蔚行",host:!1},{_id:"6204bb0606407a00079d566d",catalogs:["5c1f073a5a5bea0006f3eb11"],dateTime:{first:1648864800,discrete:[{time:1648864800},{time:1648951200},{time:1656727200},{time:1656813600},{time:1662775200},{time:1662861600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名參與",englishDescription:"Registration"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"課程介紹",content:'
單元一:劇場回溯與舞蹈跨域
\n\nTime | \n\t\t\tDAY 1 (4月2日) | \n\t\t\tDAY 2(4月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t形影相析:舞蹈與空間 I* \n\t\t\t姚立群 | \n\t\t\t形影相析:舞蹈與空間 II* \n\t\t\t姚立群 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t舞蹈與身體史 I \n\t\t\t王柏偉 | \n\t\t\t舞蹈與身體史 II \n\t\t\t王柏偉 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t身體裡的頻率振動 \n\t\t\t王榆鈞 | \n\t\t\t數位裡的我們 \n\t\t\t謝杰樺 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「形影相析:舞蹈與空間」課程規劃有肢體暖身活動,請穿著方便活動之服裝。
\n註3:第一季課程介紹(舞蹈書寫手).pdf
\n\n
單元二:評論技巧與創作直擊
\n\nTime | \n\t\t\tDAY 1 (7月2日) | \n\t\t\tDAY 2(7月3日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t從感受到批評-認知學習之養成* \n\t\t\t紀慧玲 | \n\t\t\t自由步身體工作坊* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t全鏡式批評視角的學習 \n\t\t\t紀慧玲 | \n\t\t\t搬演現場 - 尋找身體關鍵字* \n\t\t\t蘇威嘉&方妤婷 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t線上舞蹈演出的100種看法* \n\t\t\t魏琬容 | \n\t\t\t舞蹈速寫* \n\t\t\t魏琬容 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:「自由步身體工作坊」請著可運動之衣褲,勿著牛仔褲、裙裝、配戴不適合運動之飾品。
\n註3:課程介紹敬請期待。
\n\n
單元三:媒體書寫與觀點建立
\n\nTime | \n\t\t\tDAY 1 (9月10日) | \n\t\t\tDAY 2(9月11日) | \n\t\t
課程名稱 | \n\t\t\t課程名稱 | \n\t\t|
10:00-12:00 | \n\t\t\t舞蹈書寫9式* \n\t\t\t陳品秀 | \n\t\t\t英文書寫的臺灣舞蹈* \n\t\t\t林亞婷 | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\t聆聽:與藝術家的真情時刻 \n\t\t\t許雁婷 | \n\t\t\t不合時宜的備忘錄——關於書寫 \n\t\t\t周伶芝 | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t當我們在紙上跳舞-7項舞蹈書寫計畫 \n\t\t\t李欣恬 | \n\t\t\t前進『灰地帶』——舞蹈創作與策展意識* \n\t\t\t周伶芝 | \n\t\t
17:00-17:30 | \n\t\t\t交流 | \n\t\t\t交流 | \n\t\t
註1:*為「專業書寫手」與「一起來寫舞」合班上課。
\n註2:課程介紹敬請期待。
\n\n\n\n
\n'},{reference:[],type:"content",name:"講師介紹",content:'
講師介紹(按課程順序排列)
\n\n姚立群(牯嶺街小劇場館長)
\n\n©林育全
\n\n劇場製作人、導演,現任牯嶺街小劇場館長、身體氣象館負責人。長期以演出製作、國際藝術節與工作坊等推動臺灣與歐亞等地的表演藝術交流,亦曾舉辦多屆「第六種官能表演藝術祭」與「暗中有戲」工作坊,發展視障者等身心障礙者的表演藝術。同時為「亞洲相遇」匯演計畫成員、臺灣國際實驗媒體藝術展聯合發起人。
\n\n\n\n
王柏偉(數位藝術基金會藝術總監)
\n\n藝評人。主要研究領域為媒介理論、設計理論、當代藝術史、文化與藝術社會學、藝術/科學/科技(AST)。與人合譯有Niklas Luhmann所著《愛情作為激情:論親密性的符碼化》(臺北:五南)。現為數位藝術基金會藝術總監,曾任北美館助理研究員。
\n\n\n\n
王榆鈞(音樂藝術家)
\n\n1982 年生,高雄人,畢業於國立臺灣藝術大學戲劇系。現為音樂創作者、歌者,同時積極參與各類創作計畫。近年特別關注實驗聲響與身體的對話、影像共同創造出的內在聽覺空間,在詩句縫隙間的音樂風景。探究時間軸線裡往未來未知的聲音,同時也向著古老大地的呼喚。期待能繼續在世界不同角落創作,紀錄當下空氣裡的振動,以及生活的氣息;在詩與歌的脈絡裡找到一種文化對話的方式。並期許自身成為一位音樂創作者之前,更要成為一位傾聽他人、傾聽世界的人。
\n\n\n\n
謝杰樺(安娜琪舞蹈劇場藝術總監)
\n\n©Kris Kang
\n\n橫跨建築與舞蹈的雙重背景,為其作品注入獨特的創作思維;擅以空間概念結合科技元素,融入舞蹈與身體創作,為其跨界舞作帶來獨特的藝術性。知名作品包括科技舞作《第七感官》(2011) 、《Second Body》(2015)與《永恆的直線》(2019),頗受國際好評。曾受邀於奧地利林茲電子藝術節、荷蘭 TodaysArt 藝術節、馬來西亞喬治城藝術節等國際性指標藝術節演出。曾擔任2017臺北世界大學運動會開幕典禮文化演出導演之一。
\n\n\n\n
紀慧玲(表演藝術評論台台長)
\n\n評論人、自由撰稿人。國藝會「表演藝術評論台」召集人暨駐站評論人(2011~)。
\n曾任《民生報》藝文版記者近二十年,臺灣大學戲劇學系研究所畢,臺北藝術大學戲劇研究所博士班肄業。
\n著有《喧蟬鬧荷說九歌》(與林懷民、徐開塵合著)、《凍水牡丹─廖瓊枝》、《梆子姑娘─王海玲》。主編《bravo精采20─兩廳院二十週年舞台回顧》(國立中正文化中心,2008)、《藝起南方─衛武營藝術文化中心籌建實錄》(2009)。
\n\n
魏琬容(OISTAT國際劇場組織執行長、舞評人)
\n\nOISTAT自1968年創立以來最年輕的、也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。相信政治和表演藝術的共同點是「在日常生活中創造對話」。以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係,特別關注女性主義與性別議題。
\n\n\n\n
蘇威嘉(驫舞劇場團長)
\n\n©呂國瑋
\n\n高雄人,驫舞劇場創辦人之一,長期為舞團編創新作與演出,集體創作作品《速度》獲得第六屆台新藝術獎表演類大獎,與陳武康合作的《兩男關係》於德國獲科特尤斯編舞大賽金獎與觀眾票選獎,2009至2013年受芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅。
\n\n\n\n
方妤婷(表演者)
\n\n©呂國瑋
\n\n高雄人,當代舞蹈表演者。 紐約時報稱她「舞蹈精彩而生動,如同移動的雕塑品,最適合觀眾親自觀賞的三維立體研究」。現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者與排練指導,2019年獨舞作品《自由步–一盞燈的景身》於兩廳院 TIFA 臺灣國際藝術節演出,入圍台新藝術獎年度十大表演藝術作品。她也多次與編舞家陳武康、周書毅等人合作,專業舞者生涯始於雲門舞集,曾演出林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》。
\n\n\n\n
陳品秀(雲門基金會 舞團舞蹈構作暨文獻主任)
\n\n©劉振祥
\n\n曾任《Par表演藝術》雜誌資深舞蹈編輯,評論文章散見於表演藝術評論台及其他媒體。
\n舞蹈背景出身,在雲門20年,任職文獻室主任,負責雲門文獻數位典藏,及書籍、影像出版、展覽等。她也是雲門獎助計畫主任,協助年輕優秀藝術家發展潛力。2015年雲門劇場開幕,擔任劇場節目經理,2021年起轉任舞團舞蹈構作,協助藝術家創作。
\n\n
許雁婷(文字工作者、藝術家)
\n\n©臺灣當代文化實驗場
\n\n曾任舞蹈平台「下一個編舞計畫」之企劃、顧問及編舞者專訪撰稿人,連續三屆以參與編舞者的生命故事及編舞概念、創作內容為旨,撰寫專訪文稿。採訪撰文經驗近20年,文章散見於《大劇報》、《歌劇院時刻》、《Par表演藝術雜誌》、《本事》、《Art Plus》、《數位表演藝術節跨域控》、《新絲路》、《非常木蘭》等;書籍《打開雲門》、《空的記憶》、《新北市藝遊》、《運字的人》等。
\n\n\n\n
李欣恬(中國時報文化組撰述委員)
\n\n小時候學音樂,長大後當記者。畢業於北藝大音樂學研究所,現任職於媒體。曾任《MUZIK》古典樂刊編輯、《Art Plus》藝術地圖(臺港澳發行)執行編輯。畢業於北藝大音樂學研究所。曾於《Art Plus》開設樂評專欄,並於2018年入選臺南藝術節《望南藝評》成員。
\n\n\n\n
林亞婷(國立臺北藝術大學舞蹈學院副教授)
\n\n©張曉雄
\n\n舞蹈學者,加州大學河濱分校舞蹈史與理論博士。
\n\n出版英文專書《華身論:臺北,香港,與紐約的當代舞蹈》,中/英文章收錄於《身體政治:舞動東亞》,《台灣理論關鍵詞》,並主編與合著《碧娜鮑許:為世界起舞》。文章也譯成法文,韓文,與葡萄牙文。
\n\n前「台灣舞蹈研究學會」理事長,與(美國)「舞蹈史學者學會」理事,和第十屆「台新藝術獎」(2011)聯合主席。
\n\n\n\n
周伶芝(藝評人、策展人)
\n\n藝評、策展、劇場構作、文字工作者、創作美學相關課程講師等。以不同角色參與各藝術節、表演藝術創作、團隊和場館之研究計畫。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[{from:"programs",key:"618cc8fdd4bd45000a17d10e",title:"2022舞蹈書寫工作坊—提筆上陣(一起來寫舞)"},{from:"programs",key:"618ce3354490a40007918ccb",title:"《波麗露在高雄》"},{from:"features",key:"61e930697236db00087e3972",title:"衛武營駐地藝術家-周書毅"}],title:"2022舞蹈書寫工作坊—提筆上陣(專業書寫手)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"衛武營排練室"},cautions:'
「專業書寫手」需全程參與三個單元課程,並於指定日期繳交主辦單位指定舞蹈作品之評論文章。指定作品將另行通知提供入選者。
\n\t保證金將於主辦單位收受指定文章後,於下一個付款日退還保證金,未能全程參與及未按時繳交評論文章者恕不退費。
\n\t本工作坊將有專門活動攝錄影紀錄,入選學員需於「肖像授權書」同意肖像權露出相關事宜。本影像紀錄以藝文推廣或非營利性之目的為限。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽衛武營節目部羅先生(shihju.lo@npac-weiwuying.org)
\n\t退費機制
\n\n入選者需於2022年4月2日前10個工作天主動聯絡主辦單位申請退費(shihju.lo@npac-weiwuying.org);取消報名將酌收保證金10%的手續費,逾期恕不受理。
\n\t從劇場觀看到產出書寫文章
\n\n漸進式的課程導引,將帶領你看見不一樣的舞蹈書寫技能
\n\n2022臺灣舞蹈平台首次策劃漸進式舞蹈書寫養成計畫,力邀藝術家、策展人、專業藝評人及藝文媒體工作者等,一步步帶領學員從觀看舞蹈、想像舞蹈,進而書寫舞蹈,以筆尖與身體藝術共感。課程依據內容深淺,規劃「一起來寫舞」與「專業書寫手」同步進行,邀請有興趣的朋友們,一起提筆上陣寫舞去!
\n\n\n\n
活動時間與主題
\n\n2022年4月2日(六)-4月3日(日)10:00-17:30
\n\n單元一:劇場回溯與舞蹈跨域
\n\n劇場在時代流轉的演變下,舞蹈與身體的觀看有什麼不同?在科技進步的現代劇場,舞蹈跨域是什麼?是音樂是聲響?是科技還是數位?跨域創作的路徑從何開始?我們如何用筆,寫下舞蹈的過去、現在與未來。
\n\n\n\n
2022年7月2日(六)-7月3日(日)10:00-17:30
\n\n單元二:評論技巧與創作直擊
\n\n看完演出的你會看評論嗎?會抒發你的心得感想嗎?你想知道舞蹈創作的過程嗎?舞蹈要如何感受、如何比較?是舉腳的高度,還是舉腳的意義?想挑戰看看即時觀看、即時參與及即時寫作的特別經驗嗎?下筆之前,我們先來看看評論怎麼寫,舞怎麼跳。
\n\n準備好用文字跳舞了嗎?
\n\n\n\n
2022年9月10日(六)-9月11日(日)10:00-17:30
\n\n單元三:媒體書寫與觀點建立
\n\n你曾經因為一篇報導而去看一場演出嗎?一篇藝術家的專訪,是不是讓你更瞭解藝術家在想什麼?看完演出的你,是否曾經也有一股衝動想再挖掘更多作品的故事?
\n\n當書寫不再只是評論,看看拿筆的人們,是如何用不同的文化眼睛透過不同的媒介,激起讀者看舞的好奇心。
\n\n\n\n
報名資格與方式
\n\n報名資格:16歲以上,愛好觀賞肢體劇場演出,並於過去一年曾公開發表過表演藝術評論文章者。需全程參與三季課程。
\n\n報名期間:自2022年2月14日起至額滿為止。
\n\n報名人數:15人。
\n\n報名流程:填寫報名表 → 審核通過 → 繳交保證金費用 → 收到確認通知信 → 完成報名
\n\n報名費用:保證金新臺幣 3,000 元整。
\n\n\n\n
\n\n
\n\n
製作團隊
\n\n策劃|周書毅
\n\n共同策劃|吳佩芝
\n\n執行製作|羅仕儒、李奕萱
\n\n\n\n
特別感謝
\n\n\n\n
資源下載
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Course",content:'
Unit 1: Recollections of theatre and cross-disciplinary dance
\n\nTime | \n\t\t\tDAY 1 (April 2) | \n\t\t\tDAY 2 (April 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tRethinking the Performance in Theatre I* \n\t\t\tYAO Lee-chun | \n\t\t\tRethinking the Performance in Theatre II* \n\t\t\tYAO Lee-chun | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tDance and History of the Body I \n\t\t\tWANG Po-wei | \n\t\t\tDance and History of the Body II \n\t\t\tWANG Po-wei | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tThe Vibrations Inside the Body \n\t\t\tWANG Yujun | \n\t\t\tUs in the Digital World \n\t\t\tHSIEH Chieh-hua | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: Rethinking the Performance in Theatre includes a physical warm-up session, so please wear clothes that are easy to move in.
\n\n\n\n\n\n
Unit 2: Critic skills and examining the process of creation in person
\n\nTime | \n\t\t\tDAY 1 (July 2) | \n\t\t\tDAY 2 (July 3) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tFrom Feeling to Criticizing – The Path of Cognitive Learning* \n\t\t\tCHI Hui-ling | \n\t\t\tFreeSteps Body Workshop* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tLearning to Criticize from All Perspectives \n\t\t\tCHI Hui-ling | \n\t\t\tThe Dance Scene – Looking for Keywords of Body* \n\t\t\tSU Wei-chia & FANG Yu-ting | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\t100 Perspectives on Online Dance Performances* \n\t\t\tWEI Wan-jung | \n\t\t\tDance Sketch* \n\t\t\tWEI Wan-jung | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\nNote 2: For FreeSteps Body Workshop, please wear clothes that are easy to move in and refrain from wearing jeans or skirts/dresses and accessories that may hinder your movements.
\n\n\n\n
Unit 3: Media writing and forming perspectives
\n\nTime | \n\t\t\tDAY 1 (September 10) | \n\t\t\tDAY 2(September 11) | \n\t\t
Course Content | \n\t\t\tIntro | \n\t\t|
10:00-12:00 | \n\t\t\tThe Changing Face of Dance Writing* \n\t\t\tCHEN Pin-hsiu | \n\t\t\tObservations of Writings in English of the Taiwan Dance Scene* \n\t\t\tLIN Ya-ting | \n\t\t
12:00-13:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
13:30-15:00 | \n\t\t\tListen: A Moment with the Artist \n\t\t\tHSU Yen-ting | \n\t\t\tAn Untimely Memo – About Writing \n\t\t\tCHOW Ling-chih | \n\t\t
15:00-15:30 | \n\t\t\tBreak | \n\t\t\tBreak | \n\t\t
15:30-17:00 | \n\t\t\tDancing Words — 7 Writing Ideas about Dance \n\t\t\tLEE Hsin-tien | \n\t\t\tMarching to the "Grey Zone" – Dance Creation and Curation Awareness* \n\t\t\tCHOW Ling-chih | \n\t\t
17:00-17:30 | \n\t\t\tDiscussion | \n\t\t\tDiscussion | \n\t\t
Note 1: * refers to the combined sessions of Primary and Advanced class.
\n\n\n\n
\n'},{reference:[],type:"content",name:"Lecturer",content:'
YAO Lee-chun (Director of Guling Street Avant-Garde Theatre)
\n\n©林育全
\n\nYAO is a theatre director, producer, festival director as well as film researcher and curator. YAO has been the Director of Body Phase Studio and Guling Street Avant-Garde Theatre since 2007-2008. Over the past ten years, he has produced / curated several theatre events including Taiwan International Performance Art Festival (TIPAF) and Sixth Sense in Performance Arts Festival, the only international performing arts festival for/of the disabled in Taiwan. Besides, he is a member of Asia Meets Asia collaboration project and co-founder of the Experimental Media Art Festival in Taiwan.
\n\n\n\n
WANG Po-wei (Artistic Director of Digital Art Foundation, Taiwan)
\n\nWANG is the Artistic Director of Digital Art Foundation, Taiwan. His research interests include Media Theory, Design Theory, History of Contemporary Art, Sociology of Culture and Art, and Art/Science/Technology (AST). Translated Niklas Luhmann's Liebe als Passion: Zur Codierung von Intimität into Chinese together with CHANG Chin-hui.
\n\n\n\n
WANG Yujun (Musician)
\n\nBorn in 1982, Kaohsiung, Taiwan, Wang studied Applied Drama and Theater at the National Taiwan University of Arts. She currently works as an artist, singer-songwriter and composer, and is keen to explore a range of creative projects. Recently she is interested in experimenting with the dialogue between sound and the body: how the visual can actualize the inner spaces of the hearing, how the landscape of musical beauty is presented in and between the lines of the verse. Music to her is to explore what is yet to be known in linear time, and simultaneously, a call to the lineage of being. She looks forward to continuing her creative processes and artistic search in different corners of the world, to capture the everyday moments and being in life. Using poetry and sound as the carrier of intercultural dialogue, it is Wang's yearning that she first becomes a listener to the other and a listener to the world above all of her musical pursuits.
\n\n\n\n
HSIEH Chieh-hua (Artistic Director of Anarchy Dance Theatre)
\n\n©Kris Kang
\n\nHSIEH's works are composed of a special texture derived from his background in architecture, possessing strong structural characteristics—a creative perspective combining time, space and energy. Notable choreographic works include The Eternal Straight Line (2019), Second Body (2015) and Seventh Sense (2011), all of which feature a strong element of interactive dance performance. In addition to receiving great public acclaim, his works have also been featured at numerous prominent international festivals, including Ars Electronica, TodaysArt Festival, and George Town Festival. In addition to his choreographic work, HSIEH also served as the director for the opening ceremony of the 2017 Summer Universiade.
\n\n\n\n
CHI Hui-ling (Chief Director of the Performing Arts Review On-line)
\n\nCritic and freelance writer. Currently the convener and critic-in-residence of National Culture and Arts Foundation's Performing Arts Reviews (2011-). CHI previously worked as a journalist for the art section of Min Sheng Daily for close to 20 years, and acquired her master's degree from the graduate program of Department of Drama and Theater of National Taiwan University and partially completed the doctorate program of School of Theatre Arts of Taipei National University of the Arts.
\n\nHer works include Talking about Nine Songs against Buzzing Cicadas and Blossoming Lotus (co-authored with LIN Hwai-min and HSU Kai-chen), Peony in Frozen Water – Chiung-Chih Liao, and The Claves Girl – Hai-Ling Wang. CHI was the editor-in-chief for bravo 20 - the 20th Anniversary Review on the Stage of National Theater & Concert Hall (National Zhongzheng Cultural Center, 2008) and Re-Staging the South: A Documentation of Founding Wei Wu Ying Center for the Arts (2009).
\n\n\n\n
WEI Wan-jung (Executive Director of OISTAT、Dance Critic)
\n\nWan-jung is the youngest Executive Director of OISTAT since its inception, also the first with diplomatic training. She holds an MA degree in Arts Politics & Public Policy in New York University and joined OISTAT in 2011 to combine her passion for dance, theatre and international affairs, applying this blend of skills to her daily works. She continuously explores the relation between performing arts and politics with a focus on women's rights and gender equality.
\n\n\n\n
SU Wei-chia (Director of Horse)
\n\n©呂國瑋
\n\nBorn in Kaohsiung. Co-founder of HORSE, for whom SU is a long-time choreographer and performer. His group work Velocity won the Performing Arts Award of the 2007 Taishin Arts Award, and his work 2 Mencreated and performed with CHEN Wu-kang won both first prize and Audiences' Choice at the 2013 Kurt-Jooss-Preis in Germany. Upon the invitation of Eliot FELD, he joined and was a member of Ballet Tech in New York from 2009 to 2013. His ten-year choreography program FreeSteps is described by critics as a performance that cultivates beauty to the utmost extreme. In recent years, in addition to dancing and choreographing, he's also begun to explore the social responsibility of dance artists and share the joy of dancing with different regions.
\n\n\n\n
FANG Yu-ting (Performer)
\n\n©呂國瑋
\n\nBorn in Kaohsiung, a contemporary dance performer. FANG was praised by The New York Times as "a dancer whose brilliant and vivid movements resemble those of a moving sculpture, and that presents a 3D experience most suitable for audiences to watch in person". She's currently the main dancer and rehearsal coach for SU Wei-chia's ten-year choreography program FreeSteps, and her 2019 performance of solo dance "FreeSetps – Nini" at National Theater & Concert Hall's Taiwan International Festival of Arts was selected as one of the ten major performing artworks by the Taishin Arts Award. She frequently collaborates with choreographers CHEN Wu-kang and CHOU Shu-yi. Her career as a professional dancer started at Cloud Gate. She has performed in LIN Hwai-min's classic works, including Portrait of the Families, How Can I Live On Without You, and Nine Songs.
\n\n\n\n
CHEN Pin-hsiu (Dramaturg & Archivist Cloud Gate Culture and Arts Foundation)
\n\n©劉振祥
\n\nCurrent dramaturg at Cloud Gate, former senior dance editor of the PAR magazine, and a veteran dance critic in Taiwan, CEHN Pin-hsiu graduated from Dance Department of the Taipei National University of the Arts. She had curated programs and exhibitions as the Programming Manager of Cloud Gate Theater since its opening in 2015 to 2020. Joining Cloud Gate since 2002, she has committed to establishing the Archive Division for digitalizing, licensing, publishing, and exhibiting of the company's archives. She is also the head of the various projects organized by Cloud Gate Foundation to support young talents in arts and social fields.
\n\n\n\n
HSU Yen-ting (Writer, Artist)
\n\n©臺灣當代文化實驗場
\n\nHSU was the planner, consultant, and writer for Next Choreography Project, for whom she organized interviews on choreographers' life stories and creative visions into articles for three consecutive years. Having been an interview writer for close to 20 years, she has had her works published in NTT Post, What's On, PAR Magazine, BENSHI, Art Plus, Digital Performance Festival Cross-Disciplinary Freak, New Silkroad, and Very Mulan. She has also co-authored the books The Making of Cloud Gate, Emptied Memories, Arts and Museum Events in New Taipei City, and Art Creators.
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LEE Hsin-tien (China Times senior reporter)
\n\nI was a young musician and am a senior reporter.
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LIN Ya-ting (Associate Professor, School of Dance, Taipei National University of the Arts )
\n\n©張曉雄
\n\nDance scholar, Ph.D. in Dance History & Theory, University of California, Riverside.
\n\nAssociate Professor of Dance Studies, Taipei National University of the Arts.
\n\nShe published Sino-Corporealities: Contemporary Choreographies from Taipei, Hong Kong, and New York and contributed to Corporeal Politics: Dancing East Asia, the Routledge Dance Studies Reader, Keywords of Taiwan Theory, as well as edited and co-authored Pina Bausch. Her writings are available in French, Korean, and Portuguese.
\n\nFormer President of Taiwan Dance Research Society and past Director of the Society for Dance History Scholars, she co-chaired the 10th Taishin Arts Award (2011).
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CHOW Ling-chih (Art critic, Curator)
\n\nArt critic, curator, dramaturgist, writer, and lecturer of aesthetics-related topics. CHOW has played a variety of roles, including those in festivals, performing arts works, and the research programs of various groups and venues.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"d532a4cb019e0ebb0bd40ce0f4368d02",title:"2022 舞蹈書寫工作坊—提筆上陣(專業書寫手)"}],related:[],title:"2022 Writing About Dance Workshop (Advanced)",cover:"695499b72c6c57cdfd1fb6ae3ed583f0",site:{isOther:!0,site:"",other:"Weiwuying Rehearsal Studio"},cautions:"",benefits:"",description:"From sitting in the audience to dance writing",introduction:'
From sitting in the audience to dance writing
\n\nA course with step-by-step guidance that leads you to experience different kinds of dance writing
\n\nFor 2022 Taiwan Dance Platform's first progressive dance-writing program, we are inviting artists, curators, professional art critics, and art media professionals to join us in leading participants to watch, imagine, and eventually write about dance, creating a unique experience that combines body movements and writing. The courses are designed for participants of different levels, which are the Advanced and the Primary. We cordially invite those who are interested to join and write about dance!
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Time & Course Content
\n\n2022/04/02 - 2022/04/03 10:00-17:30
\n\nUnit 1: Recollections of theatre and cross-disciplinary dance
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2022/07/02 - 2022/07/03 10:00-17:30
\n\nUnit 2: Critic skills and examining the process of creation in person
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2022/09/10 - 2022/09/11 10:00-17:30
\n\nUnit 3: Media writing and forming perspectives
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Special Thank
\n\n\n\n
\n',team:""},createdAt:1644477190,updatedAt:1669861021,updatedBy:"林蔚行",host:!0},{_id:"620e3a6edbebd9000746ef85",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654255800,discrete:[{time:1654255800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500,1800],link:"https://www.opentix.life/event/1485804037981241348?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"25e2cd8280d7383ea0ceeba9cad8179c",title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》"},{type:"image",key:"252d1b988568f7ab99b0e201ee460151",title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》"}],related:[],title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》",cover:"dee78b63d2756822dce6c5ffaa9c8eab",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
朱宗慶打擊樂團專場演出。除了精選當代擊樂經典,更集合藝術家董陽孜✕作曲家賴德和✕多媒體藝術家周東彥三位名家,一同展現打擊樂與多媒體之間的即刻呼應。
\n\n\n\n
演出曲目
\n\n※主辦單位保留活動異動權
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演出暨製作團隊
\n\n藝術總監|朱宗慶
\n\n演出|朱宗慶打擊樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"25e2cd8280d7383ea0ceeba9cad8179c",title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》"},{type:"image",key:"252d1b988568f7ab99b0e201ee460151",title:"2022「臺灣新聲力+」系列音樂會《擊刻風景》"}],related:[],title:'2022 New Sounds of Taiwan+ "Beating the Instant"',cover:"dee78b63d2756822dce6c5ffaa9c8eab",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Ju Percussion Group's special performance "Beating the Instant", will not only feature contemporary percussion classics, but also bring together the acclaimed artist Tong, Yang-Tze; composer Lai, Deh-Ho; and multimedia artist Chou, Tung-Yen; to demonstrate the immediate echo between percussion and multimedia.
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Program
\n\nNuwa
\nCercle Invisible
\nIbn Battuta
\nTrain Fragments
※The organizer reserves the right to make changes to the program.
\n\n\n\n
Creative and Production Team
\n\nArtist Director|Ju Tzong-Ching
\n\nPerformer|Ju Percussion Group
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\n',team:""},createdAt:1645099630,updatedAt:1645180194,updatedBy:"林蔚行",host:!1},{_id:"620f0a62dbebd90007476a1a",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1655533800,discrete:[{time:1655533800},{time:1655551800},{time:1655620200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800],link:"https://www.opentix.life/event/1493939152370556931?openExternalBrowser=1"}},attachment:{key:"b20cbe5622351e16950c5007c8dcd1d1",name:"何曉玫《默島新樂園》節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ba768dfcd1ae3f47243f30d9994e19cc",title:"何曉玫MeimageDance《默島新樂園》"}],related:[],title:"何曉玫MeimageDance《默島新樂園》",cover:"d719b17c8b845529f0c632e47e8d5328",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"將傳統跟當代融合,演出豐富多層次,是一個會吸引年輕人進一步認識舞蹈藝術的作品——香港青年廣場顧問 陳慧明",introduction:'\n\n\n\n★將傳統跟當代融合,演出豐富多層次,是一個會吸引年輕人進一步認識舞蹈藝術的作品——香港青年廣場顧問 陳慧明
\n\n★何曉玫總是懂得如何以燥熱與冷酷的不同曲徑碰觸靈魂中最讓人動容的生命基底,將舞蹈拉拔到最奢華與極致的狂喜狀態,總是對生命的愛戀、孤獨、勇敢與奮力一擊,讓人驚喜與感動不已——國立臺北藝術大學美術學院 楊凱麟
\n\n★《默島新樂園》的島嶼主題匯演中,以重現經典的方式為自己做一場創作歷程的回顧巡禮,也是對生命致上最高的敬意——石志如 (表演藝術評論台2018年度駐站評論人)
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何曉玫-第十九屆國家文藝獎得主,具指標性的臺灣編舞家
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「舞蹈是我們書寫生命情感的深刻畫筆」-何曉玫
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歡迎光臨2022默島新樂園!
\n\n華麗混雜的巨大芭比狂歡派對再度開趴,你的臺式扮裝玩偶之夜即將到來!
\n\n舊時廟埕、迎神出巡的文化經驗劇場再現,由編舞家何曉玫的島嶼系列經典作品《默島新樂園》再度開園。
\n\n這是一場從家將神祇、檳榔西施、布袋人偶到芭比娃娃等各種辨識度極高的臺灣特殊文化符號再度匯集,結合強烈的視覺裝置,將臺灣傳統元素以劇場現代語言深刻詮釋,經典不敗震撼之作於衛武營戲劇院華麗上演。
\n\n以三座傀儡高台裝置,反映臺洋雜處的金光浮世繪,建構臺式野台的動態時空,邀你放大感官體驗並開啟想像,
\n\n一段繽紛美麗的迷幻之旅即將展開,
\n\n這一次,歡迎直接靠近巨大的舞者,將與你共同遊歷臺式迷幻的時光縮影。
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演前導聆
\n\n2022/6/18(六)14:10-14:25 戲劇院二樓大廳
\n\n2022/6/18(六)19:10-19:25 戲劇院二樓大廳
\n\n2022/6/19(日)14:10-14:25 戲劇院二樓大廳
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演出暨製作團隊
\n\n藝術總監、編舞家|何曉玫
\n\n製作顧問|林佳鋒
\n\n製作人|楊智心
\n\n執行製作|黃瑩茹
\n\n表演指導|郭勁紅
\n\n排練指導|陳映慈
\n\n演出者|余建宏、張國韋、許程崴、賴儀珊、何亭儀、徐珮嘉、李軍、鄒瑩霖、梁淨喻、吳瑛芳
\n\n他拉喇叭團演奏家|徐紹嘉(薩克斯風樂手)
\n\n燈光設計|曹安徽
\n\n燈光設計助理|張韶芸
\n\n服裝設計|曾天佑、許祐嘉(重製)、余承倧(重製)
\n\n服裝設計助理|鍾文峯
\n\n音樂設計|陳揚、鄭宜蘋倍帝愛波(重製)
\n\n道具設計|步里赫森、薪生民俗傳藝劇團
\n\n舞台監督|陳正華
\n\n舞台監督助理|蔡依昀
\n\n影像執行團隊|楊曜禎、吳宗軒、李益丞、包明茜、白軒源
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藝術家介紹
\n\n何曉玫MeimageDance,被譽為「創造超現實想像高手」的臺灣編舞家何曉玫創立於 2010 年,創團精神在標示未來性,反映舞蹈與視覺文化的特殊風格。何曉玫長期觀察社會現象,取材臺灣主流或次文化,創作與環境緊密扣連,作品常具有濃厚當代文化符號色彩。
\n\n除致力於創作者何曉玫個人舞蹈視覺風格的開發及創作之外,自 2011 年起,每年推出「鈕扣*New Choreographer」計畫,每年仲夏時節迎接臺灣旅外優秀舞者「回家」創作演出。2016 年起舉辦「專業舞者工作坊」,提供自由舞者免費身體訓練課程,在環境上給予臺灣自由舞者支持與回饋。並關心舞蹈作為社會發聲、培力的不同可能性,陸續規劃學障與偏鄉地區待用課程、拍攝《教你認識現代舞》Video Dance 系列等,擴大舞蹈的社會接觸與影響力。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ba768dfcd1ae3f47243f30d9994e19cc",title:"【會員專屬講座】本土X時尚-融合傳統與當代的《默島新樂園》"}],related:[],title:"MeimageDance - New Paradise of Silent Island",cover:"d719b17c8b845529f0c632e47e8d5328",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"New Paradise of Silent Island combines local Taiwanese cultural symbols with observations of social genders,...",introduction:'\n\n\n\n\n\n
Welcome to New Paradise of Silent Island 2022!
\n\n\n\n
The glamorous and colorful party with giant Barbies is back! Your Taiwanese dress-up night is coming soon!
\n\nChoreographer HO Hsiao-mei's New Paradise of Silent Island brings the cultural landscape of the temple square and deity procession back to the theater.
\n\nThis classic performance at Weiwuying Playhouse brings together highly recognizable Taiwanese cultural symbols, such as family deities, betel nut beauties, glove puppetry, and Barbie dolls. It incorporates strong visual installations to interpret traditional Taiwanese elements through contemporary theatrical expressions.
\n\nThe production features three puppetry platforms. It presents a vibrant ukiyo-e that blends Taiwan and the west, constructs the dynamic narrative of Taiwanese open-air theater, and stimulates your senses and imagination.
\n\nA beautiful and colorful psychedelic journey is about to unfold. This time, you are invited to meet the giant dancers. They will accompany you on a psychedelic trip through the epitome of Taiwanese culture.
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Pre-talk
\n\n2022/6/18(Sat)14:10-14:25 Playhose 2nd Floor
\n\n2022/6/18(Sat)19:10-19:25 Playhose 2nd Floor
\n\n2022/6/19(Sun)14:10-14:25 Playhose 2nd Floor
\n\n\n\n
Creative and Production Team
\n\nArtistic Director and Choreographer|HO Hsiao-mei
\n\nProducer Consultant|LIN Chia-feng
\n\nProducer|YANG Chih-hsin
\n\nProject Coordination|HUANG Ying-ru
\n\nActing Coach|KUO Jing-hong
\n\nRehearsal Director|CHEN Ying-chih
\n\nPerformers|YU,Chein-hung, CHANG Kuo-wei, HSU Chen-wei, LAI Yi-shan, HO Ting-i, HSU Pei-jia, LI Chun, TSOU Ying-lin, LINANG Ching-yu, WU Ying-fang
\n\nTLBE Brass Musician|HSU Shao-chia (Saxophone)
\n\nLighting Design|TSAO An-huei
\n\nLighting DesignAssistant|CHANG Shao-yun
\n\nCostume Design|ZENG Tien-yu, HSU Yu-chia(Reproduce), YU Cheng-zong(Reproduce)
\n\nCostume Design Assistant|CHUNG Wen-feng
\n\nMusic Design|CHEN Yang, Betty Apple(Reproduce)
\n\nProp Design|Hozen Plan Co., LTD, Shin sheng Opera Troupe
\n\nStage Manager|CHEN Cheng-hua
\n\nAssistant Stage Manager|TSAI I-yun
\n\nPost-Production Crew|YANG Yao-jhen, Marbo WU, Y.C. LEE, Claire PAO, Eric Ha
\n\n\n\n
Team Introduction
\n\nMeimageDance
\n\nFounded in 2010 by Taiwanese choreographer Hsiao-Mei HO, a renowned expert in creating surreal images, MeimageDance's works feature a strong visual and cultural style. Since 2011, MeimageDance has started the program 'New Choreographer Project,' inviting prominent choreographers who live and travel abroad back home to create, to perform, and to share their adventurous experiences. Positioned as the 'cradle for dancers,' MeimageDance continues offering chances for outstanding dancers. The project hopes to nurture talented choreographers who have both international perspectives and local characteristics, and to carry forward the promotion and preservation of artistic education.
\n\n\n\n
\n',team:""},createdAt:1645152866,updatedAt:1660367927,updatedBy:"通泰系統管理員",host:!0},{_id:"6215f5a0dbebd900074a90ad",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654083e3,discrete:[{time:1654083e3}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b349e20939b6d7a3289c45454c304d0f",title:"名加室內樂系列IV《俄羅斯大提琴奏鳴曲》"}],related:[],title:"「節目取消」名加室內樂系列IV《俄羅斯大提琴奏鳴曲》",cover:"5a511ddc1d42463b800add555e6d855d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年6月1日(三)19:30於衛武營表演廳演出之名加室內樂系列Ⅳ《俄羅斯大提琴奏鳴曲》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
當歐洲繁華絢爛的浪漫主義在斯拉夫民族的冰封大地上發芽茁壯,俄羅斯音樂在古典與浪漫的碰撞中開出神秘壯麗的花朵。此場音樂會將演出拉赫瑪尼諾夫和蕭斯塔高維奇的大提琴奏鳴曲,這兩位作曲家在激盪革命的俄國政局中或浪漫的述說鄉愁、或忠實於社會寫實主義,在樂壇極具影響力。而大提琴家林敏媛及鋼琴家林雅叙再次攜手合作,在鋼琴與大提琴完美融合的絕佳默契中,述說十九世紀濃烈真摯的北國風情,引您進入北方世界最迷人的樂章。
\n\n\n\n
演出曲目
\n\n拉赫瑪尼諾夫:G小調大提琴奏鳴曲,作品十九
\n\n蕭斯塔高維奇:D小調大提琴奏鳴曲,作品四十
\n\n\n\n
演出暨製作團隊
\n\n大提琴|林敏媛
\n\n鋼 琴|林雅叙
\n\n\n\n
贊助單位
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b349e20939b6d7a3289c45454c304d0f",title:"名加室內樂系列IV《俄羅斯大提琴奏鳴曲》"}],related:[],title:"(Program cancelled) Hotshot Chamber Music Series Ⅳ《Russian Cello Sonatas》",cover:"5a511ddc1d42463b800add555e6d855d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-4-2305-2456. | \n\t\t
\n\n
During the 19th-century, Russian works have started to develop. There are two different styles that the Russians incorporated: nationalism and romanticism. Cellist, Lin Min-Yuan and pianist, Lin Yea-Shiuh will perform works by Rachmaninoff and Shostakovich, bringing the audience on a journey from East to West and through the classical to the modern period.
\n\n\n\n
Program
\n\nRachmaninoff: Sonata in G minor for cello and piano, Op. 19
\n\nShostakovich: Sonata in D minor for cello and piano, Op. 40
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Creative and Production Team
\n\nCello|LIN Min-yuan
\n\nPiano|LIN Yea-shiuh
\n\n\n\n
\n',team:""},createdAt:1645606304,updatedAt:1652943864,updatedBy:"林蔚行",host:!1},{_id:"6225736ce082e60008387c2a",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1654342200,discrete:[{time:1654342200},{time:1654410600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06dcd9d728ed4d0ff3e9efdf3a1a3577",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"ad6e329d4fd3e91f9b49a78fe2e95962",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"c746c6ea9e8615d162b2ffa13d537493",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"d0a455cab4b1ebb459fa48f4865b18b9",title:"吳興國經典復刻-貳號作品《暴風雨》"}],related:[],title:"「節目取消」吳興國經典復刻-貳號作品《暴風雨》",cover:"5611c98ab1fb86fa9f84077a59ad9b94",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\t\t\t ※原訂2022年6月4日(六)19:30、6月5日(日)14:30於戲劇院演出之《吳興國經典復刻-貳號作品 暴風雨》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(含)完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
影片來源:YouTube(twclt當代傳奇劇場)
\n\n《暴風雨》國際演出評論:當代傳奇劇場《暴風雨》榮獲國際媒體"Time Out"選為2008年香港最佳舞台演出,英國金融時報評價為四顆星。
\n\n隨著吳興國大師,他們將超自然莎士比亞故事,改造成一個龐大、逼真驚人的新形式的京劇,完成精緻的製作,帶來了廣闊的舞台經驗。——Time Out
\n\n這是我在香港25年來看到最棒的演出作品之一,真正的大師手筆。——Michelle Vosper(香港亞洲文化協會代表)
\n\n這是我所看過最迷人也最具想像力的《暴風雨》改編作品。——李歐梵(文學評論/香港中文大學教授)
\n\n\n\n
改編莎士比亞《暴風雨》,由國際級導演徐克與吳興國合力執導,葉錦添打造舞台服裝,全劇145分鐘融合舞台劇、京劇、原住民歌舞,成就一場目眩神迷的魔幻饗宴。
\n\n\n\n
演前導聆
\n\n2022/6/4(六)19:10 戲劇院觀眾席
\n\n2022/6/5(日)14:10 戲劇院觀眾席
\n\n\n\n
演出暨製作團隊
\n\n劇 本 原 著|威廉‧莎士比亞
\n\n總導演|徐克
\n\n藝術總監・執行導演.編腔.改編劇本|吳興國
\n\n製作人・編舞|林秀偉
\n\n舞台設計.服裝造型設計|葉錦添
\n\n燈光設計|黃祖延
\n\n改編劇本|習志淦
\n\n編腔|李門
\n\n作曲|李奕青、鍾耀光
\n\n編曲|黎翰江
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06dcd9d728ed4d0ff3e9efdf3a1a3577",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"ad6e329d4fd3e91f9b49a78fe2e95962",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"c746c6ea9e8615d162b2ffa13d537493",title:"吳興國經典復刻-貳號作品《暴風雨》"},{type:"image",key:"d0a455cab4b1ebb459fa48f4865b18b9",title:"吳興國經典復刻-貳號作品《暴風雨》"}],related:[],title:"(Program cancelled) The Tempest",cover:"5611c98ab1fb86fa9f84077a59ad9b94",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2392-3868. | \n\t\t
\n\n\n\n
Adapted from Shakespeare's classic, The Tempest is co-directed by world famous filmdirector Tsui Hark and Wu Hsing-kuo, with costume and scene design by Oscar-winning Tim Yip. The production blends Western elements with traditional jingju,kunqu, and Taiwan's aboriginal music and dance, and is performed by Wu Hsing-kuo,actors from Hsing Legend. The total length is 2 hours and 25 minutes. It was a marvelous theatrical spectacle with its gorgeous stage effects,enchanting musical.
\n\n\n\n
Pre-talk
\n\n2022/6/4(Sat)19:10 Playhouse Auditorium
\n\n2022/6/5(Sun)14:10 Playhouse Auditorium
\n\n\n\n
Creative and Production Team
\n\nOriginal Author|William Shakespeare
\n\nDirector|Tsui Hark
\n\nArtistic Director, Executive Director, Aria Arranger, Script Adaptation|Wu Hsing-Kuo
\n\nProducer & Choreographer|Lin Hsiu-Wei
\n\nScenic & Costume Designer|Tim Yip
\n\nLighting Designer|Wong Choo-Yean
\n\nScript Adaptation|Xi Zhi-Gang
\n\nAria Arranger|Li Men
\n\nComposer|Li Yi-Chin, Chung Yao-Kuang
\n\nArrangement|Li Han-Chiang
\n\n\n\n
\n\n
\n',team:""},createdAt:1646621548,updatedAt:1653385495,updatedBy:"林蔚行",host:!1},{_id:"622894f3911ce900075b7c93",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654237800,discrete:[{time:1654237800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[350,700],link:"https://www.opentix.life/event/1497152228270358532?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b871ae5b2f78dc3a0ba80b1c153bac75",title:"《顏華容 2022獨奏會- I 繽紛24之北國蕭邦們》"}],related:[{from:"programs",key:"6268a28302b8ab0007c7e112",title:"NSO《詩琴畫語》"},{from:"programs",key:"62399e347afcc40008ee9c8a",title:"《戀戀35-陳明章現場作品三十五年》"}],title:"《顏華容 2022獨奏會- I 繽紛24之北國蕭邦們》",cover:"d4f9c557f1d1e4445e85e63167535284",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
每一個音高、每一分移動、每一抹音色、每一 縷和聲,都有著「或許」的「必然」。前奏曲可說是「作曲鋼琴家」們最鍾愛的小曲,形體袖珍,言簡意賅,卻能「解壓縮」發揮無限創意。雖說世間之音不僅24種調,但在作曲家手中,24個刻度已幻化出無數色彩、光影。
\n\n\n\n
演出曲目
\n\n阿仁斯基:12首前奏曲,作品63
\n\n斯克里亞賓:24首前奏曲,作品11
\n\n蕭斯塔科維契:24首前奏曲,作品34
\n\n謝且德霖:《頑固低音》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|顏華容
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b871ae5b2f78dc3a0ba80b1c153bac75",title:"《顏華容 2022獨奏會- I 繽紛24之北國蕭邦們》"}],related:[],title:"Artemis Yen Piano Recital 2022 –I ",cover:"d4f9c557f1d1e4445e85e63167535284",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Long deemed as "small pieces,' the preludes were actually the perfect combination of virtuosity and creativity. Short and indeed short of burdened of heavy forms, preludes became, through times , composer-pianists' showcase of craftiness of both their pianist- and composer- selves.Chopin took the torch from Bach, infused the essence of 24 tonalities into piano, and thus set the "Preludes in all tonalities" tradition. This beautiful tradition was well garnered by the Russian composer-pianists such as Arensky, Scriabin, and Shostakovich, and many more. Pianist Artemis Yen revives her well-acclaimed Scriabin-Shostakovich set and will introduce the rarely played Arensky 12 preludes in this concert presenting Preludes of 24 shades by "Young Russian Chopins"
\n\n\n\n
Program
\n\nAnton Arensky: 12 Preludes, Op.63
\n\nAlexander Scriabin: 24 Preludes, Op. 11
\n\nDmitri Shostakovich: 24 Preludes, Op. 34
\n\nShschedrin: Basso Ostinato
\n\n\n\n
Creative and Production Team
\n\nPiano|Artemis Yen
\n\n\n\n
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「相見時難別亦難,東風無力百花殘
\n\n春蠶到死絲方盡,蠟炬成灰淚始乾…」
\n\n\n\n
晚唐詩人李商隱,以文字訴情;鋼琴詩人蕭邦,則用琴音訴情。
\n\n無論是思鄉之情,抑或是愛戀之情。
\n\n蕭邦將內心極為私密的情感傾注在音樂中,時而溫柔、時而不安,挾帶著一縷哀愁,樸素且深邃,輕輕向聆聽者訴說著⋯⋯
\n\n在這場音樂會裡,鋼琴家劉孟捷特別挑選數首蕭邦夜曲與四首敘事曲,與愛樂者來一場心靈上的饗宴。
\n\n\n\n
演出曲目
\n\n蕭邦夜曲精選
\n\n蕭邦四首敘事曲
\n\n\n\n
演出暨製作團隊
\n\n演出 | 劉孟捷
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"96bca4161e072150c553777fbe355cab",title:"對位與劉孟捷《聽見傳奇》"}],related:[],title:"Whispers in the night - Meng-Chieh Liu Piano Recital",cover:"f381b6c3ccabad0481ca5e007fc3d9fd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
After last year's sold-out concert “Years of Pilgrimage” where pianist Meng-Chieh Liu expressed his sentiment during the special pandemic year through music of Liszt, this year he explores the range of human emotions through Chopin's four Ballades and selected Nocturnes. The Ballades by Chopin are most well-known for their dramatic twists, and his Nocturnes are some of the most sublime music ever written.
\n\n\n\n
Program
\n\nChopin: Nocturnes (Selections)
\n\nChopin: 4 Ballades
\n\n\n\n
Creative and Production Team
\n\nPiano|Meng-Chieh Liu
\n\n\n\n
\n',team:""},createdAt:1647241924,updatedAt:1650357917,updatedBy:"林蔚行",host:!1},{_id:"62399e347afcc40008ee9c8a",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1654947e3,discrete:[{time:1654947e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3,2400,2800],link:"https://www.opentix.life/event/1504757895708844036"}},attachment:{key:"2b0a5c007f9bbfb7302fd241e2ca436a",name:"《戀戀35-陳明章現場作品三十五年》節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1648612680,end:4804329599},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dfe388d76f7253709c81e7c1769d56d8",title:"《戀戀35-陳明章現場作品三十五年》"}],related:[],title:"《戀戀35-陳明章現場作品三十五年》",cover:"ce8889599d10ad37108707555775c3cb",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"臺灣國寶級民謠大師陳明章世界級的演奏魅力。",introduction:'臺灣國寶級民謠大師陳明章世界級的演奏魅力。
\n\n\n\n
文化底蘊深厚、生命情感通透、融古貫今、東西交融並蓄,這是一場感受臺灣國寶級民謠大師陳明章海洋般遼闊的世界音樂性格,世界級的音樂會。
\n\n《戀戀35-陳明章現場作品三十五年》,1987年《戀戀風塵》成為臺灣第一部獲得國際電影配獎的獎項-「法國南特影展最佳配樂獎」。在《戀戀風塵》得獎後的三十五週年之際,回望過去及面向未來的無限可能,衛武營音樂廳的演出,將呈現屬於陳明章式的臺灣古典。《下午的一齣戲》、《酒空成仔彼條歌》音樂的記憶創作相疊之時,《戀戀35-陳明章現場作品三十五年》所帶來的,不僅是臺灣人共有的古典美,亦使我們更加堅定這片土地所滋養出來,不可以妄自菲薄的自信。
\n\n
\n他說:我陳明章 留學臺灣
\n\n
好康加碼活動!
\n\n購票就送你音樂會紀念海報!
\n4/6(三)12:00 - 4/13(三)12:00 凡購買《戀戀35-陳明章現場作品三十五年》票券1張
\n除享75折早鳥優惠外,另加贈音樂會限量紀念海報!
\n
\n海報兌換方式:
\n6/11演出當天至音樂廳服務台憑票兌換。
\n\n
演前導聆
\n\n2022/6/11(六)18:50-19:10 音樂廳3樓大廳
\n\n\n\n
演出暨製作團隊
\n\n主唱、吉他、月琴|陳明章
\n\n鍵盤、二胡|蕭詩偉
\n\n笛子、口風琴|林玲安
\n\n東方鼓、非洲鼓|鍾成達
\n\n鋼琴|王俊傑
\n\n小提琴|梁茜雯
\n\n\n\n
弦樂四重奏 :
\n小提琴|林珍瑩、林珍玓
中提琴|羅培菁
\n\n大提琴|郭淑儀
\n\n\n\n
特別來賓|許景淳
\n\n\n\n
藝術家介紹
\n\n陳明章
\n\n北投人 留學臺灣
\n臺灣音樂創作、作曲家、製作人、吉他、月琴演奏家。
\n20多歲時,接觸了恆春民謠月琴彈唱歌手陳達,深受其感動而重新思索從土地出發的創作是什麼,便決定拋棄西方音樂思維,重新找尋臺灣音樂,吸取臺灣傳統音樂的精隨,把曲式變奏、和弦運用,融會貫通在現代的音樂中,是具有世界音樂特色的新世紀音樂風格。
一生影響:陳達、鄧雨賢、李臨秋、楊三郎、西塔琴大師拉維香卡Ravi Shankar。
\n我的老師:羅希(調弦啟蒙)、李天祿(北管布袋戲)、莊進才(月琴演奏、北管歌仔戲)、吳天羅 (臺灣南管) 、朱丁順(恆春月琴民謠)。
\n\n
國際獲獎紀錄:
\n\n1999 林正盛導演《天馬茶房》電影,獲亞太影展、金馬獎最佳電影配樂
\n\n1996 日本導演是枝裕和的《幻之光》電影,獲日本每日映畫最佳電影配樂獎
\n\n1993 侯孝賢導演《戲夢人生》電影,獲比利時法蘭德斯影展最佳電影配樂
\n\n1986 侯孝賢導演《戀戀風塵》電影,獲法國南特影展最佳電影配樂
\n\n※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"With a deep root in the Taiwanese culture and profound emotions.",introduction:'With a deep root in the Taiwanese culture and profound emotions, Taiwanese folk tune master CHEN Ming-chang will demonstrate his world-class virtuosity as well as his extremely diverse musical style that incorporates the ancient and modern and East and West in this phenomenal concert.
\n\nIn 1987, Dust in the Wind became the first Taiwanese film to win an international award for film music (1987 Festival des 3 Continents in France). Thirty-five years later, Dust In the Wind 35—35th Anniversary aims to reflect on the past and look toward the future by presenting Taiwanese classical works in the style of CHEN Ming-chang's at Weiwuying's concert hall. As An Afternoon Drama and Alcoholic's Song continue to resonate in our hearts, Dust In the Wind 35—35th Anniversary not only presents the classical beauty of Taiwan, but the unswerving confidence nurtured by this land.
\n\n\n\n
Pre-talk
\n\n2022/6/11(Sat)18:50-19:10 Concert Hall 3rd Floor
\n\n\n\n
Creative and Production Team
\n\nSinger, Guitar, Yueqin|CHEN Ming-chang
\n\nKeyboard, Erhu|HSIAO Shih-wei
\n\nChinese Flute, Accordion|LIN Ling-an
\n\nEastern Drum, African Drum|CHUNG Cheng-ta
\n\nPiano|WANG Chun-chieh
\n\nViolin|LIANG Chien-wen
\n\n\n\n
String Quartet:
\n\nViolin|LIN Chen-ying, LIN Chen-ti
\n\nViola|LO Pei-ching
\n\nCello|KUO Shu-i
\n\n\n\n
Guest|Christine C. C. HSU
\n\n\n\n
Artist Introduction
\n\nCHEN Ming-chang
\n\nfrom Beitou, studied in Taiwan
\n\nTaiwanese music worker, composer, producer, guitarist, and yueqin player.
\n\nExposed to yueqin player/folk tune singer CHEN Ta from Hengchun in his 20s, CHEN Ming-chang was deeply touched and started reflecting on what it meant to create music from the spirit of the land. He decided to abandon Western musical styles and took on the mission of rediscovering Taiwanese music. Subsequently, he distilled the essence of Taiwanese traditional music and incorporated different musical forms, variations, and harmonies into contemporary music, creating a new music style featuring elements of world music.
\n\nPeople who deeply influenced me: CHEN Ta, DENG Yu-shian, LEE Lin-chiu, YANG San-lang, and sitar master Ravi SHANKAR.
\n\nMy teachers: LO Hsi (teacher for tunings), LI Tain-lu (beiguan glove puppetry), ZHUANG Jin-cai (yueqin playing, beiguan Taiwanese opera), WU Tian-luo (Taiwanese nanguan), and CHU Ting-chun (Hengchun yueqin folk songs).
\n\n\n\n
International awards:
\n\n1999 Director LIN Cheng-sheng's film March of Happiness won Best Film Music at Asia Pacific Film Festival and Golden Horse Film Festival
\n\n1996 Japanese director Hirokazu KOREEDA's film Maborosi won the Mainichi Film Award for Best Film Music in Japan
\n\n1993 Director HOU Hsiao-hsien's film The Puppetmaster won the Best Film Music at Flanders Film Festival in Belgium
\n\n1986 Director HOU Hsiao-hsien's film Dust in the Wind won the Best Film Music at Festival des 3 Continents in France.
\n\n\n\n
\n',team:""},createdAt:1647943220,updatedAt:1654840522,updatedBy:"林蔚行",host:!0},{_id:"623b0790c6555d00076863fc",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1655465400,discrete:[{time:1655465400}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b6344ea9e06cef8c5d6ac31d433df651",title:"2022 Eva Lee李易《Reborn》跨界創作音樂會"}],related:[],title:"「節目取消」2022 Eva Lee李易《Reborn》跨界創作音樂會",cover:"860d42c69194aa98668b51d9b2f9818f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂6月17日(五)19:30於衛武營表演廳演出之2022 Eva Lee李易《Reborn》跨界創作音樂會,節目取消。 \n\n\t\t\t※已購票觀眾,請於6月17日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
影片來源:YouTube(Eva Lee)
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★ 顛覆古典提琴演奏美女音樂家-李易,美麗又帶酷味的外型,並非是傳統古典樂的女孩形象,舞台上的魅力風采,更令人印象深刻。
\n★ 難以忘懷的視覺與聽覺震撼。
\n\n
新生代備受矚目的小提琴家Eva Lee李易,畢業於英國倫敦皇家音樂學院Royal Academy of Music榮譽碩士。擁有深刻古典底子的她,表演的舞台卻不侷限於古典領域。2018年回臺後,以古典及跨界小提琴家身份,遊走於不同音樂領域間。集豐富小提琴演奏功力與作曲才華於一身,李易不斷開闊更多可能性與創新性,也讓她每場演出總是吸引眾多樂迷到場。
\n
\n2022年,李易將再度領軍國內外傑出的流行及古典音樂家,為樂迷帶來精選的改編歌曲,以及她不容錯過的全新創作!
\n\n
演出曲目
\n\n活著 (自創曲)
\n為明日而戰(自創曲)
\n活著(自創曲)
\n少數(自創曲)
\n迷失在孟買(自創曲)
\n不必(自創曲)
\n走了又走(自創曲)
\n與月亮共舞(自創曲)
\n虛擬(自創曲)
\n陰影(自創曲)
\n壹玖捌玖(自創曲)
\n黑暗的冬日(自創曲)
\n鋼琴與我(自創曲)
\n迷幻樂團《Friction》 (改編曲)
\n蒂凡尼的早餐主題曲《Moonriver月亮河》(改編曲)
\n绿野仙踪主题曲《Over the Rainbow彩虹的彼端》(改編曲)
\n辛德勒名單主題曲(改編曲)
\n新天堂樂園主題曲《 Love Theme》(改編曲)
\n喬治·蓋希文《Summertime夏日時光》(改編曲)
\n電影教父主題曲(改編曲)
\n卡爾·奧福《Carmina Burana 布蘭詩歌》(改編曲)
\n貝多芬-《Moonlight Sonata月光奏鳴曲》(改編曲)
\n巴哈《Concerto no.1 in D MinorD小調協奏曲 》(改編曲)
\n德佛札克《Symphony no9第九號交響曲》(改編曲)
\n費德里科·蒙波 《Cancion y Danza No. 6歌與舞曲》(改編曲)
\n澤昆哈·阿布魯《Tico-Tico雀鳥》(改編曲)
\n\n
演出暨製作團隊
\n\n小提琴、作曲|李易
\n\n鋼琴、作曲|Marc Perna Sanfeliu(馬克.皮納.桑法路)
\n\n爵士鼓|廖柏鈞(樹葉)
\n\n吉他|鍾杰
\n\n小提琴|劉怡廷、莊慧于
\n\n中提琴|陳乙文
\n\n大提琴|周尚樺
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b6344ea9e06cef8c5d6ac31d433df651",title:"2022 Eva Lee李易《Reborn》跨界創作音樂會"}],related:[],title:"(Program cancelled) Eva Lee《Reborn》Crossover Concert 2022",cover:"860d42c69194aa98668b51d9b2f9818f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-958188979. | \n\t\t
\n\n\n\n
© Youtube(Eva Lee)
\n\n\n\n
Eva Lee is one of the most promising young violinists of her generation; she has participated and won in a number of national competitions. She holds a Bachelor of Music Degree with Honors from the Royal College of Music (London), supported by Big Give Award and Soirée d'Or Award. She was under the instruction of Prof. Radu Blidar. In 2018, she received her Master of Arts in Performance Degree from the Royal Academy of Music, where she studied under the expert tutelage of Prof. Mayumi Fujikawa. Eva started her violin and formative musical studies at the tender age of 2. Since then she has discovered her extraordinary talents and has worked hard to develop and hone her skills. Eva has performed in a numerous solo concerts across Asia and Europe. She has performed in venues such as Cadogan hall, Amaryllis Fleming Concert Hall, Britten Theatre, Queen's Gallery, Southbank Centre, St Paul's, St Mary Abbot's, Holy Trinity Church, Guildford Cathedral, and St. Giles in the Fields in London; Taiwan National Concert hall, Taichung National Theater, Wei Wu Ying National Kaohsiung Center for the Arts, Chung Hing Hall, Chung Shan Hall, Tun District Art Center in Taichung and many more. Eva has also worked with leading conductors such as Bernard Haitink, Jac van Steen, Nicholas Collon, Peter Stark, Martin André, Rowan Baker, Neil Ferris, Chris Wray, Asier Puga and Johann Von Stuckenbruck. In the summer of 2018, She made her debut as a crossover violinist at the Taichung National Theater where she performed with an international band and string orchestra. The concert was sold out 3 months before the performance and has since received a successful feedback from the audience. The program includes original songs composed by Eva Spanish pianist/ composer Marc Perna Sanfeliu, as well as well-known pop song covers and film soundtracks. The performance has wide variety of styles, cleverly combines classical instruments to pop, jazz, rock, funk and electronic music. Through the complete sound effects and professional lighting design, the performance brought unforgettable visual and listening experience to the audience.
\n\n\n\n
Program
\n\nWild
\nFight for Tomorrow
\nAlive
\nMinority
\nLost in Mumbai
\nYou don't have
\nWalk the Walk
\nDancing with the moon
\nEscape from Reality
\nShadows
\n1989
\nDark Winter
\nPiano and I
\nImagine Dragons《Friction》
\nBreakfast at Tiffany's《Moonriver》
\n《Over the Rainbow》
\nTheme from Schindler's List
\nCinema Paradiso《Love Theme》
\nGeorge Gershwin《Summertime》
\nThe Godfather Theme
\nCarl Orff《Carmina Burana》
\nBeethoven《Moonlight Sonata》
\nImprovisation on Bach《Concerto no.1 in D MinorD》
\nDvoak《Symphony No. 9》
\nMompou《Cancion y Danza No. 6》
\nZequinha de Abreu
\n\n
Creative and Production Team
\n\nViolin & Composition|Eva Lee
\n\nPiano & Composition|Marc Perna Sanfeliu
\n\nDrums|Suyeh Liao
\n\nGuitar|Chieh Chung
\n\nViolin|Yiting Liu, Hui Yu Chuang
\n\nViola|Niko Chen
\n\nCello|Eve Chou
\n\n\n\n
\n',team:""},createdAt:1648035728,updatedAt:1654831920,updatedBy:"林蔚行",host:!1},{_id:"623b215861a7910009513b13",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1655551800,discrete:[{time:1655551800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1505465895650107395?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"407309e9d1b19cfe10e7a7d1820fcafc",title:"《創意與超技-周善祥2022鋼琴獨奏會》"}],related:[],title:"《創意與超技-周善祥2022鋼琴獨奏會》",cover:"b7a2a45ad2f73531a2ac63c3bb07a9fe",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
周善祥Kit Armstrong 1992年出生,除了鋼琴演奏與作曲,他同樣精通數學、科學。七歲成為加州查普曼大學史上最年輕的獎學金學生,2008年周善祥畢業於倫敦大學皇家音樂學院,2012年在法國巴黎索邦大學獲得純數學碩士學位,他也是鋼琴名家布蘭德爾退隱舞台之前的最後一位弟子。周善祥與世界各大樂團合作演出,並於八歲時首演他自己創作的鋼琴協奏曲,同時於2009和2010年與萊比錫布商大廈管弦樂團演出巴赫d小調鋼琴協奏曲以及舒曼a小調鋼琴協奏曲。
\n\n\n\n
演出曲目
\n\n巴赫:15首三聲部創意曲,BWV 787-801
\n\n李斯特:超技練習曲,S. 139
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|周善祥
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"407309e9d1b19cfe10e7a7d1820fcafc",title:"Kit Armstrong 2022 Piano Recital"}],related:[],title:"Kit Armstrong 2022 Piano Recital",cover:"b7a2a45ad2f73531a2ac63c3bb07a9fe",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Born in 1992, "Armstrong, the amazement-causing artist who can only be described as a musical phenomenon" (Süddeutsche Zeitung) appears today at major international venues such as the Vienna Musikverein, Amsterdam Concertgebouw, Berlin Philharmonie, Hamburg Elbphilharmonie, NHK Hall Tokyo and Palais des Beaux-Arts Brussels.
\n\n\n\n
Described by the New York Times as a "brilliant pianist" who combines "musical maturity and youthful daring in his exceptional playing", Kit Armstrong performs as a soloist with some of the world's most famous orchestras while maintaining an active career as a recitalist and composer. Born in 1992, "Armstrong, the amazement-causing artist who can only be described as a musical phenomenon" (Süddeutsche Zeitung) appears today at major international venues such as the Vienna Musikverein, Amsterdam Concertgebouw, Berlin Philharmonie, Hamburg Elbphilharmonie, NHK Hall Tokyo and Palais des Beaux-Arts Brussels.
\n\nAlfred Brendel, who has guided Armstrong as teacher and mentor since 2005, ascribes to him "an understanding of the great piano works that combines freshness and subtlety, emotion and intellect". Their relationship was captured in the film Set the Piano Stool on Fire by Mark Kidel.
\n\n\n\n
Program
\n\nJohann Sebastian Bach: 15 Sinfonias, BWV 787-801
\n\nFranz Liszt: The Transcendental Études S. 139
\n\n\n\n
Creative and Production Team
\n\nPiano|Kit Armstrong
\n\n\n\n
\n',team:""},createdAt:1648042328,updatedAt:1648174130,updatedBy:"林蔚行",host:!1},{_id:"6242dc53f09d3e000779ebd2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654515e3,discrete:[{time:1654515e3}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"53f782c12b451290e7881d6fb4897ceb",title:"《徘徊時空-張嘉芸大提琴獨奏會》"}],related:[],title:"「節目取消」《徘徊時空-張嘉芸大提琴獨奏會》",cover:"cf505f1cf75af836ec2a18ca239ba119",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂6月6日(一)19:30於衛武營表演廳演出之《徘徊時空-張嘉芸大提琴獨奏會》,節目取消。 \n\n\t\t\t※已購票觀眾,請於6月6日(一)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
本場音樂會將帶領觀眾由17世紀穿梭至20世紀,漫步於德國、法國、美國與捷克的殿堂中,運用和諧、奔放等多重元素,最終回歸於內心對音樂的渴望與詮釋。
\n\n\n\n
演出曲目
\n\n巴哈:d小調第二號無伴奏大提琴組曲
\n\n普朗克:愛的小徑
\n\n哈洛德.阿倫:彩虹之上
\n\n德弗札克:B小調大提琴協奏曲,作品104
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演出暨製作團隊
\n\n大提琴|張嘉芸
\n\n鋼琴|潘祖欣
\n\n指導老師|戴俐文教授
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"53f782c12b451290e7881d6fb4897ceb",title:"《徘徊時空-張嘉芸大提琴獨奏會》"}],related:[],title:"(Program cancelled) Wondering time and space",cover:"cf505f1cf75af836ec2a18ca239ba119",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-930296097. | \n\t\t
\n\n
This concert will lead the audience to travel from the 17th century to the 20th century. Ultimately returning to the inner desire and interpretation of music.
\n\n\n\n
Program
\n\nBach: Cello Suite No.2 in D Minor BWV1008
\n\nFrancis Poulenc: Les Chemins de l‘Amour
\n\nYip Harburg: Over the Rainbow
\n\nDvořák: Cello Concerto in B minor op.104
\n\n\n\n
Creative and Production Team
\n\nCello | CHANG Chia-Yun
\n\nPiano | PAN Tsu-hsin
\n\nAdvisor | Professor DAI Lee-wen
\n\n\n\n
\n',team:""},createdAt:1648548947,updatedAt:1653909764,updatedBy:"通泰系統管理員",host:!1},{_id:"624f963bfb823f000af30e95",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656829800,discrete:[{time:1656829800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1493525862127693825"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f2fa7ca87a4b9a0edff3261c7ed1d805",title:"《凜/烈 林思茵 × 陳昱諺 雙鋼琴音樂會》"}],related:[],title:"《凜/烈 林思茵 × 陳昱諺 雙鋼琴音樂會》",cover:"3f8c60178a7421a38160118724067d79",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年6月4日(六)19:30於衛武營表演廳演出之《凜/烈-林思茵x陳昱諺雙鋼琴音樂會》,節目延期至2022年7月3日(日)14:30原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
鋼琴家林思茵與陳昱諺為紐約曼哈頓音樂院時的好友,分別在兩位俄羅斯著名鋼琴家亞歷山大.蒙托斯基 (Alexandre Moutouzkine) 與阿爾卡季.阿羅諾夫 (Arkady Aronov) 門下學習,因此俄式見解不斷影響著他們在音樂上的思維。北國作品在冷若冰霜的外表下,內含著熾烈的熱情,其獨特魅力深深吸引兩位鋼琴家。
\n本場音樂會將以雙鋼琴形式,帶來俄國20世紀現代樂派作曲家史特拉汶斯基的《彼得洛希卡》、國民樂派作曲家包羅定歌劇《伊果王子》中選曲〈韃靼舞曲〉,以及浪漫樂派拉赫曼尼諾夫《第二號雙鋼琴組曲》。樂曲中充滿著音樂的魔幻、舞蹈、炫技等繽紛元素,將帶領觀眾感受北國凜冬中熱情不滅的創造力與強韌的生命力。
\n\n
演出曲目
\n\n史特拉汶斯基:芭蕾舞劇〈彼得洛西卡〉雙鋼琴
\n\n包羅定:韃靼舞曲 選自歌劇〈伊果王子〉
\n\n拉赫曼尼諾夫:第二號雙鋼琴組曲,作品17
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|林思茵、陳昱諺
\n\n\n\n
\n\n
照片版權由 歐普思音樂藝術 提供
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f2fa7ca87a4b9a0edff3261c7ed1d805",title:"《凜/烈 林思茵 × 陳昱諺 雙鋼琴音樂會》"}],related:[],title:"bleak and ablaze",cover:"3f8c60178a7421a38160118724067d79",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-3393-9888. | \n\t\t
\n\n
Ever since pianists Yu-Yen CHEN and Szu-Yin LIN were classmates at the Manhattan School of Music, they have shared similar taste and thoughts on music. Having studied under two eminent Russian pianists, they have been obsessed with Russian music, especially with the unique contrast between puzzling tunes and fervent implications. The program contains magical, dance-like and resplendent materials that will help the audience experience the power and creativity that sprang beneath the frost of bitter winters.
\n\n\n\n
Program
\n\nIgor Stravinsky: "Petrushka" for two pianos
\n\nBorodin/Pope: Polovtsian Dances from "Prince Igor" for Two Pianos
\n\nSergei Rachmaninoff: Suite No.2 Op.17 for Two Pianos
\n\n\n\n
Creative and Production Team
\n\nPiano|Yu-Yen CHEN、Szu-Yin LIN
\n\n\n\n
\n',team:""},createdAt:1649382971,updatedAt:1656495383,updatedBy:"林蔚行",host:!1},{_id:"624fa2dccd277400073ed559",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1655551800,discrete:[{time:1655551800},{time:1655620200}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fcc4becf4972d8444b3be9a4fd2bbec0",title:"AA"}],related:[],title:"「節目取消」2022前衛歌仔音樂劇《棲地木蓮•劫獄》",cover:"c34792de6ef96bab696f03f3f2bc8743",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\t\t\t ※原訂2022年6月18日(六)至6月19日(日)於歌劇院演出之「2022前衛歌仔音樂劇《棲地木蓮•劫獄》」,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月6日(一)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
在人間與地獄的交界,酆都女帝與地藏王正下著棋,並也密謀著一筆交易⋯
\n\n人間,棲地晚報是這個城市最大的報社,報社的成員除了木蓮以外,大部份為來自地獄的使者;而棲地咖啡的老闆娘劉青提是木蓮與水蓮這對兄妹愛碎碎唸的媽媽;一日,劉青提車禍過世,傷心的木蓮為了見母親最後一面而找了報社顧問金色法師,幫助他踏上地獄之路…
\n\n在地獄裡,孟婆、崔玉、獄主、牛閻魔、馬羅剎、黑白勾魂息等人,有著神秘的使命,白天他們在棲地晚報上班,夜晚在地獄十八殿執勤;隻身一人來到地獄的木蓮面對一連串的考驗能否順利的破地獄救母親?究竟在人間木蓮與同事們的錯綜複雜情感關係,在地獄是否能化險為夷…
\n\n\n\n
演出暨製作團隊
\n\n導演|曾慧誠
\n\n副導演|張擎佳
\n\n編劇|梁越玲
\n\n音樂設計|梁啟慧
\n\n戲曲編腔|周煌翔
\n\n舞台設計|張哲龍
\n\n影像設計|王奕盛
\n\n燈光設計|車克謙
\n\n服裝設計|張渝婕
\n\n武術指導|劉冠良
\n\n舞蹈設計|張雅婷
\n\n題字|黃崇鏗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fcc4becf4972d8444b3be9a4fd2bbec0",title:"AA"}],related:[],title:"(Program cancelled) WAIT!MULIAN!",cover:"c34792de6ef96bab696f03f3f2bc8743",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-7-555-9522. | \n\t\t
\n\n
Mulian, a text jornalist in Qi-Di News, is the son of Qingti Liu who is the owner of Qidi Coffee shop. One day, there was a sudden bad news that Qingti Liu had died in a car accident. Sad Mulian dreamed that his mother was suffering in the hell after she dead. To rescue his mother, he asked help from Golden Dharma master and passed the trials of Emperor FengDu and Ksitigarbha bodhisattva. Finally he went to the road to break the hell. On the way, he met the guardians of each layer of the Underword, incluing Meng Po, Ox-Headed and Horse-Faced demons, Judge Cui Yan, Hebai Wuchang, and Dharmapalas of Unintermittent Hells, etc.. Through them, he knew that the rule of the hell isn't inhuman and it balances sentiment, reason and law. During the journey, he also unraveled the misunderstandings between his mother and his sister, Shuilian.
\n\n\n\n
Creative and Production Team
\n\nDirector|ZENG Hueicheng
\n\nAssistant Director|ZHANG Qingjia
\n\nScreenwriter|LIANG Yueling
\n\nMusic Design|LIANG Chihuei
\n\nMusic Design of Traditional Taiwanese Opera|ZHOU Huanghsiang
\n\nStage Design|CHANG chelong
\n\nImage Design|WANG Yisheng
\n\nLighting Design|CHE Keqian
\n\nCostumes Design|CHANG Yuchieh
\n\nFight Choreographer|LIU Kuanliang
\n\nChoreographer|CHANG Yating
\n\nInscription|HUANG Chongzhen
\n\n\n\n
\n',team:""},createdAt:1649386204,updatedAt:1651545199,updatedBy:"林蔚行",host:!1},{_id:"6250110bcd277400073ee944",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656156600,discrete:[{time:1656156600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1507206840410218498"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dcae90e0f13189ecc3b82db018ee9e4a",title:"《敬獻與密契:張俊彥歌樂作品展》"}],related:[],title:"《敬獻與密契:張俊彥歌樂作品展》",cover:"8a897a7918e97c9c89e627eefcc31aaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
作曲家張俊彥多年來在中文歌樂創作著力甚深,除了屢獲優秀歌者與表演團體委託創作之外,其歌樂作品亦多次出現在國內頂尖歌樂演唱大賽中。本場音樂會將呈現作曲家近年合唱作品與藝術歌曲等創作成果,加上全新創作《臨在之環》、《不存在的情詩》世界首演,除了試圖展現屬於臺灣獨有的多元語境文化豐富面貌,更讓中文語韻的綿密與豁達與拉丁語系的宗教情懷展開一場深刻的辯證,試圖帶給聽者歌樂交融的全新感動。
\n\n\n\n
演出曲目
\n\n《臨在之環》(世界首演)
\n\n《不存在的情詩》(世界首演)
\n\n經文歌《論先知》、《我若有先知講道之能》
\n\n第二號清唱劇《晦朔春秋》
\n\n聯篇歌曲《回憶》
\n\n音樂會詠嘆調《詩篇71》、《詩篇137》
\n\n\n\n
演出暨製作團隊
\n\n作曲家、指揮|張俊彥
\n\n女高音|丁于恬
\n\n次女高音|李秀芬
\n\n男中音|楊勝安
\n\n大提琴|劉聖文
\n\n鋼琴|謝欣容
\n\n合唱團|音樂密契人聲室內樂集
\n\n音樂總監|劉聖文
\n\n助理指揮|江智方
\n\n女高音|蕭怡真、胡怡真
\n\n女低音|朱佩玲、陳佩君、曾巧惠
\n\n男高音|李岱值、張光偉、許伯仁
\n\n男低音|江智方、林向得、洪立南、江坤祐
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"dcae90e0f13189ecc3b82db018ee9e4a",title:"《敬獻與密契:張俊彥歌樂作品展》"}],related:[],title:"Mystic Devotion",cover:"8a897a7918e97c9c89e627eefcc31aaf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Over the years, Composer Chun-yien Chang has produced an impressive output in Chinese Art Songs and has gained great recognition. In this concert, a compilation of his recent choral and art songs, as well as the world premiere of two new works will be presented. Chang's choral and chamber music aims for a diverse array of the unique Taiwanese language, and the profound interaction between the Chinese and Latin languages will certainly bring fresh inspirational impact on the listener.
\n\n\n\n
Program
\n\nCircle of Presence (World premiere)
\n\nMotets: Ad Prophetas; Si habuero prophetiam
\n\nCantata no.2
\n\nLove Poetry That Never Exists (World premiere)
\n\nRemembrance
\n\nPsalm 71 & Psalm 137
\n\n\n\n
Creative and Production Team
\n\nComposer & conductor|CHANG Chun-yien
\n\nSoprano|TING Yu-tien
\n\nMezzo soprano|LEE Syou-fen
\n\nBaritone|YANG Sheng-an
\n\nCello|LIU Sheng-wen
\n\nPiano|HSIEH Hsin-jung
\n\nChorus|Mysterium Musicum
\n\nMusic Director|LIU Sheng-wen
\n\nAssistant conductor|CHIANG Chih-fang
\n\nSoprano|HSIAO Yi-jang, HU Yi-chen
\n\nAlto|CHU Pei-ling, CHEN Pei-chun, TSENG Chiao-hui
\n\nTenor|LEE Tai-chih, CHANG Guang-wei, HSU Po-jen
\n\nBass|CHIANG Chih-fang, LIN Shiang-der, HORNG Li-nan, JIANG Kun-you
\n\n\n\n
\n',team:""},createdAt:1649414411,updatedAt:1649727884,updatedBy:"林蔚行",host:!1},{_id:"6257c1657406e30007c9df3b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654167600,discrete:[{time:1654167600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://ticket.com.tw/application/UTK02/UTK0201_00.aspx?PRODUCT_ID=N1VPJ6EM"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"38d3c909678d0bb5a299c9616d523979",title:"《並肩迎曦 望見碧草藍天》"}],related:[],title:"《並肩迎曦 望見碧草藍天》",cover:"52830988c4a7a67bad29a7f72cc4984c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2020年以來疫情對生活造成極大的衝擊;而藝文活動對身心的整建,承載著未來美麗人生的盼望。來自臺北的天母國中、北一女中與建國中學聯袂南下、進軍國家級場館「衛武營」;音樂會標題以「望見碧草藍天」作為疫後展開新生活的心情:首先由建中樂旗隊及北一女中樂隊演出管樂經典名作來展開序幕,天母管樂團則以豎琴、長笛、單簧管等器樂與聲樂家和管樂團的多元組合,呈現交響管樂的各種風貌;最後以聯合演出作結。音樂的青春新生代,盼為觀眾帶來疫後推開陰霾,期待美麗新生活的心靈盛宴。
\n\n\n\n
演出曲目
\n\n鳥之石楠船神
\n\n諾亞方舟
\n\n神之島的幻影
\n\n獅子王
\n\n天空的騎士
\n\n莫札特長笛豎琴協奏曲
\n\n亞提蕭單簧管協奏曲
\n\n「波西米亞人」選粹
\n\n交響情人夢組曲
\n\n\n\n
演出暨製作團隊
\n\n樂團|天母國中管樂團、北一女中樂隊、建國中學樂旗隊
\n\n指揮|王戰、陳鎧岳、陳巍中
\n\n導聆|宋威德
\n\n女高音|蔣啟真
\n\n男高音|宮天平
\n\n單簧管|羅達鈞
\n\n長笛|陸禹彤
\n\n豎琴|林荷
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"38d3c909678d0bb5a299c9616d523979",title:"Let's Welcome the Sunrise, and hope for the Blue Sky together."}],related:[],title:"Embrace the Dawn In Unity, and Look forward to the Clear Sky",cover:"52830988c4a7a67bad29a7f72cc4984c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
TMJH Windband, TFGMB Windband and the CKMB will join together to perform in the world- renowned stage, Weiwuying. The theme of the concert is “Embrace the Dawn in Unity- Look Forward to Blue Sky and Green Grass” depicts the mood of the new life in the aftermath of the pandemic. CKMB will start the concert with wind orchestral classics, joined by TFGMB Windband playing selected pieces from the popular musicals, then TMJH Windband will take the audience through mood changes of the music by introducing varieties of timbre from different instruments and vocalists during the performance.
\n\n\n\n
Program
\n\nSea Goddess
\n\nNoah's Ark
\n\nJalan Jalan
\n\nAnd in the End It Was Earth
\n\nThe Lion King
\n\nThe Knight of the Sky
\n\nW.A. Mozart: Concerto for Flute and Harp, k. 299
\n\nLa Bohème
\n\nStar Wars
\n\n\n\n
Creative and Production Team
\n\nChien Kuo High School Marching Band
\n\nTaipei First Girls Marching Band
\n\nTaipei Municipal Tian-Mu Junior High School Wind Band
\n\nConductor|WANG Chan 、CHEN Kai-Yue 、CHEN Wei-Chung
\n\nGuide|SUNG Wei-Te
\n\nSoprano|Jeannie CHIANG
\n\nTenor|Kingston Kung
\n\nClarinet|Lo Ta-chun
\n\nFlute|LU Yu-Tung
\n\nHarp|Iris LIN
\n\n\n',team:""},createdAt:1649918309,updatedAt:1652764563,updatedBy:"通泰系統管理員",host:!1},{_id:"62592e0e7406e30007ca125a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656070200,discrete:[{time:1656070200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600],link:"https://www.opentix.life/event/1513493341129986052"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"501d591470d9ad7f27c9f74ae9e408e7",title:"《柯懿芳、邱昱蓉吉他聯合音樂會》"}],related:[],title:"《柯懿芳、邱昱蓉吉他聯合音樂會》",cover:"146d10e0326ae536a0b50f458faf764e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
吉他獨奏與二重奏的魅力,這次由二位女性演奏家柯懿芳與邱昱蓉一同為大家呈現,演出音樂包括久石讓、皮也佐拉﹑武滿徹、龐賽、布勞威爾與布拉姆斯的作品。
\n\n久石讓的《夏》日風情配上法國香頌的《秋葉》,最後終結在皮也佐拉的《冬》,這是柯懿芳想要創造的音樂溫度;武滿徹改編的經典名曲,配上新銳作曲家的原創曲,這是邱昱蓉想讓美好旋律放在心中雋永。吉他原創曲目方面,則帶來了龐賽的《A小調組曲》與布勞威爾的《黑色十日譚》,均為重量級的獨奏曲目。另外,比一把吉他更美的聲音,就是兩把吉他了,因此音樂會也安排了充滿民謠風味的二重奏《義大利組曲》以及布拉姆斯《主題與變奏作品十八》,呈現古典吉他在經典曲目的細膩詮釋。
\n\n\n\n
演出曲目
\n\n布勞威爾:黑色十日譚
\n\n龐賽:A小調組曲
\n\n甘吉:義大利組曲
\n\n布拉姆斯:主題與變奏,作品十八
\n\n武滿徹﹑皮耶左拉等作品
\n\n\n\n
演出暨製作團隊
\n\n演出|柯懿芳﹑邱昱蓉
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"501d591470d9ad7f27c9f74ae9e408e7",title:"《柯懿芳、邱昱蓉吉他聯合音樂會》"}],related:[],title:"Joint Guitar Concert by Ko & Chiu",cover:"146d10e0326ae536a0b50f458faf764e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Guitar music is attractive in both solo and duo. This concert will present different style of guitar music including original compositions and modern transcriptions.
\n\n\n\n
Program
\n\nBrouwer: El Decameron Negro
\n\nPonce: Suite in A minor
\n\nGangi: Suite Italian
\n\nBrahms: Theme and Variation Op.18
\n\nPieces by Takemitsu, Piazzolla, and others.
\n\n\n\n
Creative and Production Team
\n\nPerformer|Yujung Chiu
\n\n\n\n
\n',team:""},createdAt:1650011662,updatedAt:1650270500,updatedBy:"林蔚行",host:!1},{_id:"6259378c7406e30007ca13ea",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1653996600,discrete:[{time:1653996600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1511989402058010627"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bac2396e97b112cb3c8b77844658de04",title:"《花語》"}],related:[],title:"《花語》",cover:"0a3e56cfd4c4d3596b8e9de677aff95c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
不同以往音樂會形式,藉由燈光視覺呈現,讓觀眾能有身臨其境。
\n\n花語–演奏者花瑄懋透過揚琴演奏所締造出的語言,述說學音樂之路的孤獨,但這孤獨或許是自己與音樂的溝通,亦是自我內心的糾結。
\n\n\n\n
演出曲目
\n\n任 重|霜霧
\n\n董昭民|101.508
\n\n朱雲嵩|Dream
\n\n陳傳禹|花語(委託創作)
\n\n張 朝|盤古
\n\n\n\n
演出暨製作團隊
\n\n藝術指導|陳思伃
\n\n揚琴獨奏|花瑄懋
\n\n鋼琴伴奏|陳紫嬛
\n\n揚琴重奏|杜宛霖、李艾霏
\n\n執行製作暨舞台監督|花淨瑜
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bac2396e97b112cb3c8b77844658de04",title:"《花語》"}],related:[],title:"Language of flowers",cover:"0a3e56cfd4c4d3596b8e9de677aff95c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Creative and Production Team
\n\nArtistic director|CHEN,SIH-YU
\n\nPerformers|HUA,XUAN-MAO
\n\nPiano performer|CHEN, TZ-HUAN
\n\nEnsemble performers|DU,WAN-LIN、LI,AI-FEI
\n\nExecutive production & Stage manager|HUA,CHIN-YU
\n\n\n\n
\n',team:""},createdAt:1650014092,updatedAt:1650968036,updatedBy:"林蔚行",host:!1},{_id:"625e2cbe7406e30007cac32a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1655292600,discrete:[{time:1655292600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1509860517000429573"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c2f34f2b3cee0468d162b9a978ec57c3",title:"2022 四重瘋quartetAmore《破曉》"}],related:[],title:"2022 四重瘋quartetAmore《破曉》",cover:"7d1f00f85df18c41538043d797aba49b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「四重瘋 quartetAmore」由巴雀藝術團長張皓翔創立,號召巴雀Camerata Taiwan優秀年輕音樂家所組成,用自己對音樂之專業及熱忱致力於創新,企圖以新穎、精緻專業演奏的演出形式,呈現古典音樂的多元演出樣貌。音樂會將帶來貝多芬富交響性作品《降E大調第十號弦樂四重奏》,與蕭斯塔高維契《C小調第八號弦樂四重奏》描寫戰爭的抗爭與幾近讓人窒息的氛圍,以及孟德爾頌最後一首弦樂四重奏作品《F小調第六號弦樂四重奏》。
\n\n\n\n
演出曲目
\n\n貝多芬:降E大調第十號弦樂四重奏,作品74《豎琴》
\n\n蕭斯塔高維契:C小調第八號弦樂四重奏,作品110
\n\n孟德爾頌:F小調第六號弦樂四重奏,作品80
\n\n\n\n
演出暨製作團隊
\n\n小提琴|簡祥峻、張祐豪
\n\n中提琴|張皓翔
\n\n大提琴|張逸中
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c2f34f2b3cee0468d162b9a978ec57c3",title:"2022 四重瘋quartetAmore《破曉》"}],related:[],title:"2022 quartetAmore",cover:"7d1f00f85df18c41538043d797aba49b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Artistic Director of Bratsche, Hao-Hsiang Chang, founded quartetAmore in 2021. Joined by other young Taiwanese artists, they will explore a new sound. With their delicate playing, quartetAmore will bring you an unforgettable music feast.
\n\n\n\n
Program
\n\nL. v. Beethoven: String Quartet No. 10 in E-flat Major, Op. 74, "Harp"
\n\nD. Shostakovich: String Quartet No. 8 in C Minor, Op. 110
\n\nF. Mendelssohn: String Quartet No. 6 in F Minor, Op. 80
\n\n\n\n
Creative and Production Team
\n\nViolin|Hsiang-Chun CHIEN、Yu-Hao CHANG
\n\nViola|Hao-Hsiang CHANG
\n\nCello|Yi-Chung CHANG
\n\n\n\n
\n',team:""},createdAt:1650339006,updatedAt:1650426325,updatedBy:"林蔚行",host:!1},{_id:"625e5c2302b8ab0007c49d90",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1655620200,discrete:[{time:1655620200}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"40dcbc92857773e28904f111966e9df6",title:"《絕代風華-鍾曉青+廖培鈞+胡志龍三角關係鋼琴音樂會》"}],related:[],title:"「節目取消」《絕代風華-鍾曉青+廖培鈞+胡志龍三角關係鋼琴音樂會》",cover:"36bcb5755a7d0c7a0016c8052c02cfd1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年6月19日(日)14:30於表演廳演出之《絕代風華~鍾曉青 x 胡志龍 x 廖培鈞 三角關係鋼琴音樂會》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
『三角關係鋼琴音樂會』2022企劃維持三加一位鋼琴家,特邀鋼琴家盧易之加入演出。音樂會上半場以20世紀30年代炫技華麗的雙鋼琴作品為主,下半場以臺灣與西洋經典歌謠的重新創作改編為主軸,同樣聚焦於20世紀30年代,上下半場分別展現多種文化面貌的鋼琴曲,分享一整場不同文化與無比豐富的鋼琴音樂。委託青年鋼琴家黃士哲改編新創臺灣歌謠與西洋老歌為四手、六手、八手聯彈鋼琴曲,包括《草螟弄雞公》、《雨月花夜愁》、《I’ve Got Rhythm》等等。
\n\n\n\n
演出曲目
\n\n米堯:丑角
\n\n盧托斯瓦夫斯基:帕格尼尼主題變奏曲
\n\n格蘭傑:蓋希文的波吉與貝絲幻想曲
\n\n蓋希文:我有節奏
\n\n雨月花夜愁、草螟弄雞公(黃士哲改編)
\n\n爵世經典組曲(黃士哲 改編Autumn Leaves, En Avril à Paris, Take the A Train, Over the Rainbow等30年代西洋經典歌曲)
\n\n望春風、桃花過渡(盧易之獨奏/改編)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|胡志龍,廖培鈞,鍾曉青
\n\n鋼琴|盧易之(特別邀請)
\n\n編曲|黃士哲
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"40dcbc92857773e28904f111966e9df6",title:"《絕代風華-鍾曉青+廖培鈞+胡志龍三角關係鋼琴音樂會》"}],related:[],title:"(Program cancelled) Chih-long Hu x Peichun Liao x Grace Chung 6-hand Piano Concert",cover:"36bcb5755a7d0c7a0016c8052c02cfd1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-27711270. | \n\t\t
\n\n
The "Piano à Trois" together with special guest Yi-Chih Lu will present a concert that features dazzling piano ensemble music as well as famous Taiwanese and Western pop songs in the 1930s. The pianists will perform music for solo piano, 4 hands, 6 hands and 8 hands from various cultures, including Taiwanese folk tune "Grasshopper Playing Cock" as well as the beloved American songs "Over the Rainbow" and "I've Got Rhythm," re-arranged by Shih-Che Huang.
\n\n\n\n
Program
\n\nMilhaud: Scaramouch
\n\nLutoslawski: Paganini Variations
\n\nCopland: Hoedown
\n\nGershwin: Porgy and Bess、I’ve Got Rhythm
\n\n\n\n
Creative and Production Team
\n\nPiano|HU Chih-long, LIAO Peichun, Grace CHUNG
\n\nPiano|LU Yi-Chih (Guest Artist)
\n\nArranger|HUANG Shih-Che
\n\n\n\n
\n',team:""},createdAt:1650351139,updatedAt:1654571654,updatedBy:"林蔚行",host:!1},{_id:"625e61307406e30007cacc32",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1656138600,discrete:[{time:1656138600},{time:1656156600},{time:1656225e3}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c284ec0dc828ab67fec3873520ade6d7",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"13079e67f1f76351a7d834db40f7464b",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"7f64f3665c5dc7059ddb70d267527ebb",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"58f797f45b2ccfc816f349605e8abdd0",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"}],related:[],title:"「節目取消」廣藝劇場NO.5《徽因》臺韓合創音樂劇",cover:"6af75a8f5ab5b16945597e0dff03ac1d",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
\n\t\t\t ※原訂6月25日(六)14:30、19:30及6月26日(日)14:30於歌劇院演出之 廣藝劇場NO.5《徽因》臺韓合創音樂劇,節目取消。 \n\n\t\t\t※已購票觀眾,請於6月1日(三)中午12:00至7月31日(日)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n
影片來源:YouTube(Quanta Arts Foundation)
\n\n\n\n
★「好享受的一場音樂的饗宴!」——唱歌集音樂劇場 團長/詹喆君
\n★「每個演員真的都很能唱,他們的歌聲渲染了這整個故事。」——躍演 藝術總監/曾慧誠
\n★「不管是調度、燈光、演員的表演、音樂的配合、它把美感發揮到一種極致的狀態」——刺點創作工坊 藝術總監、團長/高天恒
\n★「徽因是代表一個時代的女性,她能擺脫所有人的目光,堅持她的信仰和信念。」——現場觀眾
\n\n
臺韓聯手跨國音樂劇,民國初年風華再現
\n\n廣藝劇場NO.5《徽因》全劇包含22首原創歌曲,以音樂劇形式重新詮釋「民國才女-林徽因」充滿傳奇性的生命故事。
\n
\n全劇呈現出身處女性受壓抑的保守年代,林徽因卻似活在未來,前衛的思想及對永恆志業的追求,終讓她在建築、藝術及文學上有深遠的成就。 故事從她臨死前寫給生命中重要的三個男人:人生啟蒙導師「金岳霖」、人生伴侶「梁思成」、靈感與創作的動力「徐志摩」,及重要作家好友「冰心」書信開始,道盡她的人生故事…
\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|楊忠衡
\n\n總導演|徐在亨(韓)
\n\n編劇|韓雅凜(韓)
\n\n導演|韋以丞
\n\n音樂總監暨詞曲|張芯慈
\n\n領銜主演|陳品伶、李杏、蕭景鴻(阿弟) 、周定緯、鍾政均
\n\n\n\n
指導單位:文化部
\n\n聯合主辦:聯合數位文創
\n\n\n\n
售票系統座位劃分
\n\n本節目單號及四樓席次,請至OPENTX選購
\n\n本節目一~三樓雙號席次,請至udn售票網選購
\n\n\n\n
\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c284ec0dc828ab67fec3873520ade6d7",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"13079e67f1f76351a7d834db40f7464b",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"7f64f3665c5dc7059ddb70d267527ebb",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"58f797f45b2ccfc816f349605e8abdd0",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"}],related:[],title:"(Program cancelled) Toward",cover:"6af75a8f5ab5b16945597e0dff03ac1d",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-3-327-2345 #11256. | \n\t\t
\n\n\n\n
© YouTube(Quanta Arts Foundation)
\n\n\n\n
QAF's #5 play, Toward, consists of 22 original songs, reinterpreting Huiyin's life story in the form of a musical. In an era when women were suppressed, Lin Huiyin made remarkable achievements in architecture, art and literature. The play begins with her letters to her mentor Jin Yuelin, her love Liang Sicheng, her inspiration Xu Zhimo, and her writer friend Bing Xin before she died.
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Mel Yang
\n\nChief Director|SEO Jae-Hyung
\n\nPlaywright, Lyricist|HAN A-Reum
\n\nDirector|WEI Yi-Cheng
\n\nMusic Director, Composer|CHANG Hsin-Tzu
\n\nLeading Casts|CHEN Pin-ling, LI Xing, HSIAO Ching-Hung, CHOU Ting-Wei, CHUNG Cheng-Chun
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1650352432,updatedAt:1653635668,updatedBy:"林蔚行",host:!1},{_id:"625e65f502b8ab0007c49f26",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1654169400,discrete:[{time:1654169400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100],link:"https://www.opentix.life/event/1514137993140678658"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9cf8ebb10297db3ab0299ac61fc940a",title:"《啟程》"}],related:[],title:"《啟程》",cover:"70ab0f4eb865da02226369c287f7f0d6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
跳脫以往獨奏會的固有形式,嘗試各種組合,讓音樂更多元化,讓觀眾能夠進入音樂並享受音樂,不僅考驗演奏者的技巧,甚至包含他們自身的內涵。
\n\n\n\n
演出曲目
\n\n約翰·塞巴斯蒂安·巴哈 : D小調長號協奏曲(給長號跟弦樂團)
\n\n艾瑞克·伊瓦臣 : 《田園》給次中音,低音長號及鋼琴
\n\n艾瑞克·庫克:《玻利巴》給長號跟鋼琴
\n\n長號四重奏
\n\n法蘭茲·約瑟夫·海頓:《創世紀》
\n\n焦阿基諾·羅西尼:威廉泰爾序曲
\n\n費迪南‧大衛 : 降E大調長號小協奏曲,作品4 第三樂章
\n\n羅紹宣:《午夜後》給長號跟鋼琴
\n\n劉維加 : 《憶》
\n\n銅管五重奏
\n\n漢斯 季默:獅子王
\n\n\n\n
演出暨製作團隊
\n\n主要演出|黃紹維
\n\n節目主持|林真鳳
\n\n協助演出|
\n\n弦樂:江依璇 李婕語 邱仲尼 夏萱 張政斌 陳千加 陳彥棕 李昀澈 劉維加 伍晴陽 洪晨哲
\n\n鋼琴:陳欣琳 劉維加
\n\n管樂:陳玉慧 王聖薺 高崇文 賴譽平 蘇婷妤 許恒瑞 吳泓愷 洪寳喻 盧磊
\n\n打擊:吳伯陽
\n\n\n\n
藝術家介紹
\n\n\n\n
黃紹維
\n\n出生於高雄市,畢業於高雄市立新興高級中學附設國中部音樂班,以全國學生音樂比賽第一名成績保送進國立鳳新高級中學音樂班就讀,2020年轉入高雄市立新興高級中學音樂班,現就讀高中三年級。
\n\n長號/師事陳玉慧老師
\n\n鋼琴/師事陳哲文老師
\n\n指揮/師事王戰教授
\n\n\n\n
於2019及2021連續兩屆榮獲全國學生音樂比賽全國特優第一名,並於2021徵選錄取國立中山大學音樂系、臺北市立大學音樂系、國立臺灣師範大學音樂系、東海大學音樂系以及錄取Yong Siew Toh Conservatory of Music, National University of Singapore
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9cf8ebb10297db3ab0299ac61fc940a",title:"《啟程》"}],related:[],title:"On My Way",cover:"70ab0f4eb865da02226369c287f7f0d6",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
By getting out of previous inherent recital forms and by trying various combinations to make music more diversified and make audience able to fit in and enjoy music, which tests not only performers' technics, but also their own connotation.
\n\n\n\n
Program
\n\nJ.S. Bach: Concerto in D minor for Trombone and Strings
\n\nE. Ewazen: 「Pastorale」 for Tenor Trombone, Bass Trombone and Piano
\n\nE. Cook: Bolivar for Trombone and Piano
\n\nTrombone Quartet
\n\nJ. Haydn: The Creation : Achieved Is the Glorious Work
\n\nG. Rossini: Overture zu der Oper Wilhelm Tell
\n\nF. David: Concertino for Trombone and Piano Mvt.3
\n\nShao Suan LOW: After Midnight for Tenor Trombone and Piano
\n\nMemories by LIU, WEI-JIA
\n\nBrass Quintet
\n\nHans Zimmer: Lion King
\n\n\n\n
Creative and Production Team
\n\nLeading Performer|Shao Wei HUANG
\n\nHost|LIN Chen Feng
\n\nStrings|CHIANG Yi-Hsuan, LEE Chieh-Yu, CHIU Chung-Ni, SHIA Hsuan, CHANG Cheng-Pin, CHEN Chien-Jia, CHEN Yen-Tsung, LEE Yun-Che, LIU Wei-Jia, WU Ching-Yang, HONG Chen-Zhe
\n\nPiano|CHEN Hsin-Lin, LIU Wei-Jia
\n\nWinds|CHEN Yu-Huey, WANG Sheng-Chi, KAO Tsung-Wen, LAI Yu-Ping, SU Ting-Yu, HSU Heng-Jui, WU Hung-Kai, HUNG Pao-Yu, LU Lei
\n\nPercussion|WU Bo-Yang
\n\n\n\n
\n',team:""},createdAt:1650353653,updatedAt:1650445674,updatedBy:"林蔚行",host:!1},{_id:"6268a28302b8ab0007c7e112",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1655638200,discrete:[{time:1655638200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1517795660739473411"}},attachment:{key:"c4eb1d7419f5c173780051a48ce893a8",name:"NSO《詩琴畫語》節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1651118400,end:4806835199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e617b923db88f887328c234a1d43b9b4",title:"NSO《詩琴畫語》"}],related:[],title:"NSO《詩琴畫語》",cover:"73c0781c9ba28e1e2799845f9a776463",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"蕭邦的《第一號鋼琴協奏曲》、柴可夫斯基:第二號交響曲《小俄羅斯》",introduction:'無論東西方,民間音樂都是音樂創作的重要元素之一。在這場音樂會中將聽到來自臺灣、波蘭以及俄羅斯的作曲家,將各地的民間音樂融入作品中,同時也將演出甫於6月18日進行世界首演的作品,李元貞《美濃之道》。柴可夫斯基以烏克蘭民謠《鶴》做為其《第二號交響曲》終樂章的主題旋律,蕭邦的《第一號鋼琴協奏曲》第三樂章的主題靈感則來自起源於克拉科夫的勇士舞,而臺灣的客家文化在李元貞的《美濃之道》中,以客家八音、山歌及採茶歌等元素,編織出獨特的客家風情。跳脫時空與地域的限制,在聲音的世界中聽見豐富的文化與民俗風采。
\n\n\n\n
演前導聆
\n\n2022/6/19(日)18:50 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n李元貞:《美濃之道》(客家委員會委託創作)
\n\n柴可夫斯基:c小調第二號交響曲,作品17
\n\n蕭邦:e小調第一號鋼琴協奏曲,作品11
\n\n\n\n
演出暨製作團隊
\n\n指揮|陳美安
\n\n鋼琴|茲拉塔‧喬基耶娃
\n\n國家交響樂團
\n\n\n\n
藝術家介紹
\n\n指揮|陳美安
\n\n創新,想像力,熱情與活力是臺裔美國指揮家陳美安的標誌。陳指揮自2011年起擔任獲得麥克阿瑟天才獎的芝加哥小交響樂團音樂總監,2021年起擔任奧地利施第利亞格拉茲交響樂團首席指揮(在經過兩年擔任首位首席客座指揮之後)。 以其高水平音樂創作能力而廣受讚譽,未來及近期客席演出之亮點,包括與紐約愛樂、與奧地利Tonkünstler管絃樂團在維也納金色大廳首演,以及多場在著名的卡內基音樂廳的演出。榮譽獎項包括被選為2015年《音樂人》美國30位最具影響者之一, 著名的馬爾科指揮大賽2005年首獎。
\n\n相關文章:►你有聽過美安嗎?就是那個在國際古典音樂界備受矚目的女性指揮家,來自高雄的 #陳美安!
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鋼琴|茲拉塔‧喬基耶娃
\n\n「比這還優秀的鋼琴演奏會屈指可數。」——《國際視聽》2019年11月
\n\n茲拉塔‧喬基耶娃演奏的蕭邦、拉赫曼尼諾夫作品錄音廣受好評,因而開始受到國際矚目。她展現出與這些作曲家的深度契合,加上真誠的自我剖析和豐富的想像力,由此建立起喬基耶娃獨具辨識度的音色。英國《留聲機》雜誌盛讚她:「擁有全方位的技巧,讓音樂的每一小節都由內而外散發出光采。」
\n\n喬基耶娃八歲時在莫斯科柴可夫斯基音樂學院大禮堂亮相,首次與交響樂團合作演出。此後她經常現身許多極具聲望的音樂廳、音樂節,與各大交響樂團及知名指揮家合作,演出足跡遍及歐洲甚至世界各地,包括柏林音樂廳、倫敦威格摩爾音樂廳、巴黎愛樂廳、威尼斯鳳凰劇院、維也納音樂廳、琉森音樂節、邁阿密國際鋼琴音樂節,及新加坡維多利亞音樂廳等。
\n\n喬基耶娃近期與巴黎Naïve唱片簽約,即將於2022年夏天發行與Naïve合作的第一張專輯,為她的獲獎作品集再添新作。她在拉赫曼尼諾夫故居伊凡諾夫卡莊園創立了國際音樂節,並自2018年起擔任莊園的藝術總監。
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國家交響樂團
\n\n「明朗而令人愉悅的演出……,充滿臺日文化交流的友好氛圍。」——《音樂之友》2020 三月號
\n\n「豐潤的音色。」——《舊金山古典之聲》2018
\n\n「不需西方世界的背書,這個樂團在音樂舞臺絕對佔有一席之地。」——奧地利《信使報》2017
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun MÄRKL)接任NSO藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1651118400,end:4806835199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e617b923db88f887328c234a1d43b9b4",title:"CHEN Mei-Ann, Zlata CHOCHIEVA & NSO"}],related:[],title:"CHEN Mei-Ann, Zlata CHOCHIEVA & NSO",cover:"73c0781c9ba28e1e2799845f9a776463",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"Folk music is one of the very important elements of music creation, in both the East and the West.",introduction:'Folk music is one of the very important elements of music creation, in both the East and the West. In this concert, we will present Taiwanese, Polish, and Russian composers' works, all integrating folk music from their regions. We will be hearing LI Yuan-chen's recently-premiered Tao of Meinong. TCHAIKOVSKY used the Ukrainian folk song The Crane as the theme melody of the final movement of his Symphony No. 2. CHOPIN's Piano Concerto No. 1's third movement theme is inspired by the Krakowiak, a Polish folk dance from the region of Kraków. Tao of Meinong is saturated with Taiwan Hakka culture: the music combines elements including Hakka Bayin (eight traditional instruments), mountain songs, and tea-picking songs. Breaking through constraints of time, space, and region, rich culture and folk customs can be discovered from the world of sound.
\n\n\n\n
Pre-talk
\n\n2022/6/19(Sun)18:50 Concert Hall 3rd Floor
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Program
\n\nLI Yuan-chen: Tao of Meinong (commissioned by Hakka Affairs Council)
\n\nP. I. TCHAIKOVSKY: Symphony No. 2 in c minor, Op. 17
\n\n-Intermission-
\n\nF. CHOPIN: Piano Concerto No. 1 in e minor, Op. 11
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Creative and Production Team
\n\nConductor|CHEN Mei-Ann
\n\nPiano|Zlata CHOCHIEVA
\n\n\n\n
Artist Introduction
\n\nConductor: CHEN Mei-Ann
\n\nInnovation, imagination, passion and dynamism are the hallmarks of Taiwanese-American conductor CHEN Mei-Ann. Music Director of the MacArthur Award-winning Chicago Sinfonietta since 2011, Ms. CHEN has been named the new Chief Conductor of Austria's Recreation Grosses Orchester Graz at Styriarte starting 2021 after two seasons as the first-ever Principal Guest Conductor. A sought-after guest conductor acclaimed for infusing orchestras with enthusiasm and high-level music-making, Ms. Chen's reputation as a compelling communicator has resulted in growing popularity with orchestras worldwide–over 120 orchestras to date. She has appeared with distinguished orchestras throughout the Americas and Europe. Upcoming and recent highlights include debuts with the New York Philharmonic, Austria's Tonkünstler Orchester at Vienna's Musikverein, multiple appearances at Carnegie Hall, and debuts in France and Spain. Honors and awards include being named one of Musical America's 2015 Top 30 Influencers, First Prize Winner of the prestigious Malko Competition in 2005 (the only woman who has been awarded the First Prize in the Competition's long history since 1965) and serving on the jury for the 2021 Malko Competition.
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Piano: Zlata CHOCHIEVA
\n\n"I can think of few piano recitals finer than this."
\n\n(Seen and Heard International, November 2019)
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Zlata CHOCHIEVA first came to international attention with her highly praised recordings of works by CHOPIN and RACHMANINOV. Displaying a deep affinity with these composers, combined with probing honesty and imagination, CHOCHIEVA has established herself as a distinctive voice amongst pianists, and is hailed by Gramophone as "the possessor of a comprehensive technique who brings an inner glow to every bar".
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Since giving her orchestral debut at eight at the Grand Hall of Moscow State Conservatory, she has since appeared at many prestigious concert halls, festivals and with major orchestras and conductors across Europe and beyond, including Konzerthaus Berlin, London's Wigmore Hall, the Philharmonie in Paris, Teatro La Fenice, Vienna Konzerthaus, the Lucerne Festival, Miami International Piano Festival, and Victoria Hall in Singapore.
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Having recently signed with Naïve Records in Paris, she releases her first disc with them in Summer 2022, adding to her award-winning discography. She established the International Festival at RACHMANINOV's estate in Ivanovka where she has been Director since 2018.
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Taiwan Philharmonic,
\n\nNational Symphony Orchestra
\n\n"Lush Playing." —— San Francisco Classical Voice, 2018
\n\n"… vor allem bei Schostakowitsch' Symphonie Nr. 5 d-moll war das Ergebnis mitreißend: Es geriet eine Orchestermaschine ins Arbeiten, mit fliegenden Bögenund wuchtigem Wollen, deren Produkt auf (fast) ganzer Linie überzeugen konnte. Da brauchtes kein gut gemeintes westliches Wohlwollen: Das Orchester hat seinen Platz im Konzerthaus wohl verdient."
\n\n——Kurier, 2017
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Founded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. Under the leadership of music director Jun MÄRKL since January 2022, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. As the orchestra affiliated with the National Performing Arts Center, the NSO performs throughout Taiwan, but also tours regularly overseas, having performed in such musical centers as Paris, Vienna, Berlin, Tokyo, and Los Angeles. The NSO works regularly with internationally acclaimed conductors and soloists like Lorin Maazel, Luciano Pavarotti, Mirella Freni, and Mstislav Rostropovich. The orchestra's extensive and varied activities include much chamber music, work with dance companies, opera productions, and events at nursing homes, mountain villages, and underprivileged communities.
\n\n\n\n
\n',team:""},createdAt:1651024515,updatedAt:1655452146,updatedBy:"林蔚行",host:!0},{_id:"6268c27202b8ab0007c7e6e8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1655463600,discrete:[{time:1655463600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1200,1500],link:"https://ticket.com.tw/Application/UTK02/UTK0201_00.aspx?PRODUCT_ID=N1SHOJAT"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3886770d2a50ff1f92ecb1c40b3f3e88",title:"燦爛《火鳥》- 嚴俊傑與ESO"}],related:[{from:"programs",key:"6268a28302b8ab0007c7e112",title:"NSO《詩琴畫語》"},{from:"programs",key:"62399e347afcc40008ee9c8a",title:"《戀戀35-陳明章現場作品三十五年》"}],title:"燦爛《火鳥》- 嚴俊傑與ESO",cover:"7470109947ff8e8667e0229235b8efc2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
長榮交響樂團將於6月17日(星期五)晚上七時,假衛武營國家藝術文化中心演出「燦爛《火鳥》- 嚴俊傑與ESO」音樂會,指揮由長榮交響樂團音樂總監葛諾‧舒馬富斯擔任並與鋼琴家嚴俊傑演出貝多芬:G大調第4鋼琴協奏曲,作品58,樂團也將演出羅西尼:《威廉泰爾》序曲、李姆斯基-柯薩科夫:「沙皇的新娘」序曲、斯特拉溫斯基:火鳥,節目精彩可期!
\n\n\n\n
演出曲目
\n\n羅西尼:《威廉泰爾》序曲
\n\n貝多芬:G大調第4號鋼琴協奏曲,作品58
\n\n李姆斯基-柯薩科夫:「沙皇的新娘」序曲
\n\n斯特拉溫斯基:火鳥
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演出暨製作團隊
\n\n鋼琴|嚴俊傑
\n\n指揮|葛諾‧舒馬富斯
\n\n長榮交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3886770d2a50ff1f92ecb1c40b3f3e88",title:"燦爛《火鳥》- 嚴俊傑與ESO"}],related:[],title:"Brilliant《Firebird》- Chun-chieh Yen & ESO",cover:"7470109947ff8e8667e0229235b8efc2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Founded and supervised by the Chang Yung-Fa Foundation, the Evergreen Symphony Orchestra (ESO) is exceptional in being the only professional orchestra in Taiwan overseen by a private foundation, and one of but a few of its kind on the international stage. Young and energetic, full of team spirit and discipline, and characterized by outstanding professionalism and a unique style, the ESO's mission is to offer the public superior performances of classical music by training and employing local talent. We are devoted to fostering young musicians and cultivating an environment and outlook that is both rooted in Taiwan and open to the world, an aspiration that is amply reflected in our musical repertoire.
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Program
\n\nG. Rossini:《William Tell》Overture
\n\nL. v. Beethoven: Piano Concerto No 4 in G major, Op 58
\n\nN. Rimsky-Korsakov: "The Tsar's Bride" Overture
\n\nI. Stravinsky: Firebird Suite(1919 version)
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Creative and Production Team
\n\nPiano|Chun-chieh YEN
\n\nConductor|Gernot Schmalfuss
\n\nEVERGREN SYMPHONY ORCHESTRA
\n\n\n\n
\n',team:""},createdAt:1651032690,updatedAt:1651734733,updatedBy:"林蔚行",host:!1},{_id:"6270d5957406e30007d05f7e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1655206200,discrete:[{time:1655206200}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6bc36d5b8a401dc5d65053a15b4e7ac4",title:"《笛之狂響》"}],related:[],title:"「節目取消」《笛之狂響》",cover:"1eb3098a3bc9723ca8751495616c9ae2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂6月14日(二)19:30於衛武營表演廳演出之《笛之狂響》,節目取消。 \n\n\t\t\t※已購票觀眾,請於6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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高雄市立民族國中木笛團由校內藝術才能班同學組成,於民國93年成立,在歷任校長與師生的努力下,屢獲國內外各項音樂競賽佳績。本次演出匯集古典到流行等不同時期和派別的曲目,期能帶給觀眾木笛音樂交響化的聽覺饗宴。此外,節目也邀請到小提琴家林靖偉以及天生音籟兒童合唱團,藉著提琴聲及純淨的歌聲,為觀眾帶來木笛音樂的多重層次聆賞感受。
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演出曲目
\n\n金子健治:祭典
\n\n安東尼奧·韋瓦第:E大調第一協奏曲 、春:第一樂章
\n\n太陽與月光女神
\n\n約翰·塞巴斯蒂安·巴赫:F大調第二號布蘭登堡協奏曲
\n\n格倫夏恩:拉弗利亞變奏曲
\n\n焦阿基諾·安東尼奧·羅西尼:塞維利亞的理髮師:序曲
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演出暨製作團隊
\n\n高雄市立民族國中木笛團
\n\n小提琴協奏|林靖偉
\n\n合唱團|天生音籟兒童合唱團
\n\n樂團指揮|黃幸冠
\n\n導聆|張漢軒
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6bc36d5b8a401dc5d65053a15b4e7ac4",title:"《笛之狂響》"}],related:[],title:"(Program cancelled) Fun with the recorder",cover:"1eb3098a3bc9723ca8751495616c9ae2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-7-3818718#16、11. | \n\t\t
\n\n
The Recorder Orchestra of Min-Zu Junior High School, which was founded in 2004, consists of the art-talented students, has repeatedly made various remarkable achievements. Tonight through their renderings, you will be immersed in not only the music styles from the east and the west, but also the tunes of the classic and the modern. Furthermore, Violinist LIN Jing-wei and Natus Cantorum Junior will perform the melodies with their pure tones. Hope the performances will bring you an absolutely fantastic night.
\n\n\n\n
Program
\n\nKANEKO Kenji: フィエスタ
\n\nAntonio VIVALDI: Concerto Op.8 No.1 RV 269, La Primavera
\n\nEl Sol y La Luna, for Recorder Orchestra
\n\nJ.S. BACH: Brandenburg Concerto No.2 in F
\n\nGlen SHANNON: "La Follia" Variations
\n\nGioachino Antonio ROSSINI: IL Barbiere Di Siviglia: Overture
\n\n\n\n
Creative and Production Team
\n\nRecorder Orchestra of Kaohsiung Municipal Minzu Junior High School
\n\nViolin|LIN Jing-wei
\n\nNatus Cantorum Junior
\n\nConductor|HUANG Hsing-kuan
\n\nNarrator|Henry CHANG
\n\n\n\n
\n\n
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影片來源:YouTube(國立政治大學管樂團NCCU Wind Band)
\n\n\n\n
以「時代的反思」作為此次音樂會核心理念,由作品《Liberation》、《Jidai》及《Hamburg - Das Tor zur Welt》一步步引領聽眾,在生命及永恆的大哉問中有所思量,並穿越歷史弧線,映出大城市—漢堡的堅韌剛毅,盼能藉此鼓舞並慰藉後疫情時代下的群眾心靈。
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演出曲目
\n\n解放 / 大衛 • 梅斯蘭卡
\n時代 / 史蒂芬 • 梅理羅
\n漢堡 / 吉多 • 雷納特
\n\n
演出暨製作團隊
\n\n指 揮|符秦僥
\n\n演 出|國立政治大學管樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5616291209158109a7b267c7708c449e",title:"25th Anniversary Annual Concert of National Chengchi University Wind Band"}],related:[],title:"25th Anniversary Annual Concert of National Chengchi University Wind Band",cover:"887e7568d40aad6d3110d4741871eb06",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
© YouTube(國立政治大學管樂團NCCU Wind Band)
\n\n\n\n
NCCU Wind Band 25th anniversary concert. With "NEW AGE" as the title of this concert, the works "Liberation", "Jidai" ,and "Hamburg - Das Tor zur Welt" will lead the audience to think about the great question of life and eternity, and traveling to a charming city - Hamburg, which has a touching history. And hope everyone can be inspired by this concert.
\n\n\n\n
Program
\n\nLiberation / David Maslanka
\n\nJidai / Stephen Melillo
\n\nHamburg - Das Tor zur Welt / Guido Rennert
\n\n\n\n
Creative and Production Team
\n\nConductor|Foo Chwan-Yaw
\n\nPerformer|National Chengchi University Wind Band
\n\n\n\n
\n',team:""},createdAt:1652248853,updatedAt:1652680143,updatedBy:"林蔚行",host:!1},{_id:"6283377da0e8a300073ace3b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656588600,discrete:[{time:1656588600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5e3e924bafca81a4a7d2b31d52850153",title:"《2022涂又升大提琴獨奏會》"}],related:[],title:"「節目取消」《2022涂又升大提琴獨奏會》",cover:"40248fac76c0eb5542e6352befaa74a9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂6月30日(四)19:30 於衛武營表演廳演出之《2022涂又升大提琴獨奏會》,節目取消。 \n\n\t\t\t※退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
本音樂會以大提琴音樂作品為主題,選曲從浪漫樂派、國民樂派到二十世紀音樂。希望藉由這些作品的演出,向觀眾分享不同文化的音樂及多樣風格詮釋。
\n\n\n\n
演出曲目
\n\n蕭邦:大提琴與鋼琴的《序奏與華麗的波蘭舞曲》
\n\nJohn Corigliano: “The Food of Love” for oboe and cello
\n\n布里奇:四首大提琴小品
\n\n龐賽-小星星
\n\n米亞斯科夫斯基:第一大提琴奏鳴曲
\n\n包佩:匈牙利狂想曲,作品 68
\n\n\n\n
演出暨製作團隊
\n\n大提琴|涂又升
\n\n鋼琴|楊閔貴
\n\n雙簧管|李艾琳
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5e3e924bafca81a4a7d2b31d52850153",title:"《2022涂又升大提琴獨奏會》"}],related:[],title:"(Program cancelled) Yu-Sheng TU Cello Recital",cover:"40248fac76c0eb5542e6352befaa74a9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-956 969255. | \n\t\t
\n\n
This recital is themed with cello musical works. The program is selected from Romanticism, Nationalism to 20's works.By performing these pieces, I would like to share with people those music from various cultures and the interpretation of diverse artistic styles.
\n\n\n\n
Program
\n\nChopin: Introduction and Polonaise Brillante
\n\nJohn Corigliano: "The Food of Love" for oboe and cello
\n\nBridge: 4 pieces for piano and cello
\n\nManuel Ponce: Estrellita
\n\nMiaskovsky sonata no.1
\n\nPopper: Hungarian Rhapsody op.68
\n\n\n\n
Creative and Production Team
\n\nCello|Yu-Sheng TU
\n\nPiano|Min-Kuei YANG
\n\nOboe|Ai-Lin LEE
\n\n\n\n
\n',team:""},createdAt:1652766589,updatedAt:1653646386,updatedBy:"林蔚行",host:!1},{_id:"628c34196ddb37000708f4e8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656675e3,discrete:[{time:1656675e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,1e3],link:"https://www.opentix.life/event/1516689559024095234"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"461bbecd539229adb27136aa22be3c34",title:"《2022鑼鼓齊鳴慶豐收音樂會》"}],related:[],title:"《2022鑼鼓齊鳴慶豐收音樂會》",cover:"a930d7f0cb93adc007894115ce6203d2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
天地萬物皆有情,人們的喜怒哀樂往往是作曲家最好的媒材之一。以音寄情、以聲寄懷,創作出動人心弦、感人至深的聽覺饗宴。本場音樂會,我們精心安排的曲目有:隋利軍的《關東序曲》、羅偉倫與鄭濟民的笛子協奏《白蛇傳第一、三、四樂章》、王丹紅的《太陽頌第四樂章》、顧冠仁的琵琶協奏《花木蘭》,以及彭修文的《豐收鑼鼓》。其中,《白蛇傳》與《花木蘭》是熟知的兩則中國民間故事。以女性爲主題的樂曲,刻劃著細膩深邃的情感,將中國樂器竹笛、琵琶,躍身成美麗的女主角,跟隨優美的樂曲,娓娓傾訴古老的傳奇,細聽演奏家如何用音樂來講述故事。盼與知音好友們響樂、享悅,共同齊聚這場音樂同樂會。
\n\n\n\n
演出曲目
\n\n隋利軍: 關東序曲
\n\n羅偉倫和鄭濟民: 白蛇傳 第一、三、四樂章
\n\n彭修文: 豐收鑼鼓
\n\n顧冠仁: 花木蘭
\n\n王丹紅: 太陽頌 第四樂章
\n\n\n\n
演出暨製作團隊
\n\n指揮|邱秉鎰
\n\n琵琶|李乃亘
\n\n笛子|林家妤
\n\n樂團|崇正國樂團
\n\n\n\n
董事長|黃世妍
\n\n執行長|翁嵩慶
\n團長|翁士琇
行政總監|曾禾溱
\n\n執行秘書|李芷儀
\n\n文書|洪千淳
\n\n譜務|郭婉君
\n\n導聆|蔡玲君
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"461bbecd539229adb27136aa22be3c34",title:"《2022鑼鼓齊鳴慶豐收音樂會》"}],related:[],title:"2022 Bumper Harvest Concer",cover:"a930d7f0cb93adc007894115ce6203d2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Affections are everywhere on the earth and usually the inspiration for music composers. Through sound and melody, affective and touching musical celebrations are created.
\n\nThis concert is arranged with the following repertoires: Guandong Overture by Lijun Sui, The Legend of the White Snake--The First, Third, and Fourth Movements (Flute Concerto) by Jihmin Cheng and Weilun Luo, Ode to the Sun--The Fourth Movement by Danhong Wang, Mulan (Pipa Concerto) by Guanren Gu, and Celebrating Abundant Harvest with Gongs and Drums by Xiuwen Peng.
\n\nAmong them, The Legend of the White Snake and Mulan are based on well-known Chinese folktales. Both are female-themed repertoires and show delicate and profound affections through Chinese musical instruments, bamboo flute and pipa. Both instruments act like the beautiful heroines of the folktales and narrate the ancient stories along with the music.
\n\nListen earnestly to the music that the musicians play to tell the stories and enjoy this joyous music festival.
\n\n\n\n
Program
\n\nLijun Sui: Guandong Overture
\n\nJihmin Cheng and Weilun Luo: The Legend of the White Snake--The First, Third, and Fourth Movements
\n\nXiuwen Peng: Celebrating Abundant Harvest with Gongs and Drums
\n\nGuanren Gu: Mulan
\n\nDanhong Wang: Ode to the Sun--The Fourth Movement
\n\n\n\n
Creative and Production Team
\n\nConductor|CHIU Ping-yi
\n\nPipa|LI Nai-shiuan
\n\nQudi|LIN JIA-YU
\n\nOrchestra|Chongzheng Chinese Orchestra
\n\n\n\n
Chairwoman|HUANG Shih-yen
\n\nExecutive Director|WENG Sung-ching
\n\nGeneral Director|WENG Shih-hsiu
\n\nAdministrative Director|TSENG He-chen
\n\nExecutive Secretary|LEE Chih-yi , WANG He-Xiang
\n\nClerk & Secretary|HUNG Chien-chun
\n\nLibrarian|KUO Wan-chun
\n\nConcert Hosts|TSAI Ling-chun
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1653355545,updatedAt:1653459077,updatedBy:"林蔚行",host:!1},{_id:"629428f743d46d000729eaa6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656225e3,discrete:[{time:1656225e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,300,500,800,1e3,1500,2e3],link:"https://www.opentix.life/event/1524000581193134082"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"795ccb9942eaad5f2dc8826ae620dd6a",title:"《NTSO 2022 水藍與國臺交Ⅰ》"}],related:[],title:"《NTSO 2022 水藍與國臺交Ⅰ》",cover:"8324e1b0a8420aa4a3b22a174c997c62",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
拉赫曼尼諾夫的第二號交響曲是公認的傑作,作曲家駕馭宏闊規模的手法令人折服。然而,這首樂曲的誕生卻是經歷了一番磨難,它的問世正逢俄羅斯巨變之際,對作曲家個人、乃至整個俄羅斯民族的命運,都標誌了巨大的悲傷。
\n\n第一號交響曲的挫敗,讓拉赫曼尼諾夫深受打擊,消沉數年,還經過心理治療,才恢復創作的信心。拉赫曼尼諾夫後來寫了第二號鋼琴協奏曲扳回一城,「從哪裡跌倒,就從哪裡站起來」,敢於回頭再次挑戰交響曲,完成了這首傑作。
\n\n天主教儀式音樂葛麗果聖歌〈震怒之日〉出現在交響曲中。這個旋律肅穆森然,白遼士已經將之用於《幻想》交響曲中,拉赫曼尼諾夫更是偏愛有加,在第二號交響曲看似不明顯,但已化入樂曲脈絡之中,無處不在,成為統整這首巨構的軸線。而經文中「震怒之日,悲傷之日」或許也是當時俄羅斯的寫照。這首交響曲1908年首演於聖彼得堡。
\n\n國臺交首席客席指揮水藍將率國臺交巡迴北、中、高演出拉二交響曲,三個國家級場館的音響迥異,展現出不同的韻味,聽眾如果三場都聽,對於樂曲內涵、樂團能力、場地特色將有另一番體會。
\n\n布魯赫第一號小提琴協奏曲沉鬱雄渾,情感濃烈,深受聽眾喜愛,將由出生於21世紀的小提琴家丁章媛擔任獨奏。
\n\n\n\n
演出曲目
\n\n布魯赫:第一號小提琴協奏曲
\n\n拉赫曼尼諾夫:第二號交響曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|水藍
\n\n小提琴|丁章媛
\n\n國立臺灣交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"795ccb9942eaad5f2dc8826ae620dd6a",title:"《NTSO2021/22水藍與國臺交》"}],related:[],title:"2022 Lan Shui & NTSO Ⅰ",cover:"8324e1b0a8420aa4a3b22a174c997c62",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Rachmaninoff's Symphony No. 2 is largely regarded as a masterpiece, with the composer demonstrating exceptional control over the work’s massive scope. However, this piece was produced during a time when Russia was undergoing significant upheaval, and it represented a period of immense grief for both the composer and the Russian people.
\n\nThe lackluster performance of Symphony No. 1 left Rachmaninoff devastated and depressed for years. The composer had to go through therapy to regain the confidence to write music again. Luckily, the later success of his piano concerto No. 2 encouraged Rachmaninoff to complete his Symphony No. 2, which premiered in St. Petersburg in 1908.
\n\nloved the solemn melody of the Gregorian Chant "Dies Irae", which also appeared in Berlioz's Symphonie fantastique, and incorporated the music into his Symphony No. 2. The text "Dies irae, dies illa" may be the best description of Russia at that time. With a more subtle touch, Rachmaninoff wove the Catholic religious music into the very structure of the composition, turning the omnipresent melody into the theme that ties the massive masterpiece together.
\n\nLed by NTSO guest conductor Lan Shui, NTSO brings Rachmaninoff's Symphony No. 2 to Taipei, Taichung, and Kaohsiung. Audiences who will be joining us at all three national-level concert halls can look forward to a complete experience of enjoying NTSO's interpretation of the Symphony at three different venues that each offer their unique acoustics.
\n\nYoung violin soloist Belle Ting will perform Bruch’s Violin Concerto No. 1 in G minor, which is deep, majestic, and full of strong emotions.
\n\n\n\n
Program
\n\nM. Bruch: Violin Concerto No. 1 in G minor, Op. 26
\n\nS. Rachmaninoff: Symphony No. 2, Op. 27
\n\n\n\n
Creative and Production Team
\n\nConductor: Lan Shui
\n\nViolin: Belle Ting
\n\nNational Taiwan Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1653876983,updatedAt:1654054166,updatedBy:"林蔚行",host:!1},{_id:"62942bcb43d46d000729eb0c",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656156600,discrete:[{time:1656156600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1200,1400,1600,1800,2100,2400],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=N1Y0YQU1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c26388e57ec086a5d998c19fb73dd22",title:"《陳毓襄鋼琴獨奏會》"}],related:[],title:"《陳毓襄鋼琴獨奏會》",cover:"324a55664b93da4e4979feb595221c73",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
史坦威藝術家
\n\n協奏王者重登獨奏舞台
\n\n今年6月,我們終於能聽見整場的陳毓襄!
\n
征戰全球舞台的陳毓襄,2020年因疫情關係,原定兩週的旋風式停留,意外成了兩年的挑戰之旅,在此期間成為台灣各大樂團合作的熱門人選,創下10首協奏曲的超級紀錄!
\n\n2022年夏,陳毓襄將帶來睽違已久的鋼琴獨奏會,從貝多芬膾炙人口的音樂小品《給愛麗絲》、深具張力的C小調32段變奏曲、熾熱濃烈的第23號奏鳴曲《熱情》,史克里亞賓充滿法式印象色彩、勾勒夜之海的第二號《幻想奏鳴曲》與晶瑩絕美的練習曲,到史特拉汶斯基炫技綺想的《彼得洛希卡三樂章》,獻上時而奔放、時而繾綣的熱情仲夏!
\n\n\n\n
演出曲目
\n\n貝多芬:《給愛麗絲》
\n\n貝多芬:c小調32段變奏曲,作品80
\n\n貝多芬:f小調第23號鋼琴奏鳴曲,作品57,《熱情》
\n\n史克里亞賓:升g小調第二號鋼琴奏鳴曲《幻想》
\n\n史克里亞賓:練習曲,作品42之4與42之5
\n\n史特拉汶斯基:《彼得洛希卡三樂章》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|陳毓襄
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c26388e57ec086a5d998c19fb73dd22",title:"《陳毓襄鋼琴獨奏會》"}],related:[],title:"Gwhyneth Chen Piano Recital",cover:"324a55664b93da4e4979feb595221c73",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Ms Gwhyneth Chen is a Taiwanese-American pianist who in 1993, won the biggest cash prize in the history of piano competitions. Ms. Chen, then a young woman of 23, was the youngest contestant at the Ivo Pogorelich International Piano Competition. Subsequent to the award, Mr. Pogorelich himself said of her talent, "She is too good to be true." Immediately recognized as one of the foremost pianists of her generation, the victory was broadcast internationally on CNN television. In recent years she has played joint concerts with Ivo Pogorelich in Switzerland and in Taiwan.Gwhyneth Chen is a Steinway Artist and was recently featured by Steinway & Sons in the global promotional video for the innovative Steinway SPIRIO, the world’s finest high resolution player piano.
\n\n\n\n
Program
\n\nBeethoven: Für Elise
\n\nBeethoven: 32 Variations on an Original Theme in C minor, WoO 80
\n\nBeethoven: Sonata No. 23 in F minor, Op. 57, “Appassionata”
\n\nScriabi: Sonata No. 2 (Sonata-Fantasy) in G-sharp minor, Op. 19
\n\nScriabi: Etude Op. 42, No. 4 & No. 5
\n\nStravinsky: Trois Mouvements de Pétrouchka
\n\n\n\n
Creative and Production Team
\n\nPiano|Gwhyneth CHEN
\n\n\n\n
\n',team:""},createdAt:1653877707,updatedAt:1653979398,updatedBy:"林蔚行",host:!1},{_id:"629ffa88c9bbe000072ae844",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656847800,discrete:[{time:1656847800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1531079661935071234"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6fd25eab5f7f2213293f1c991056680",title:"《寒夜三部曲/客家音樂史詩》"}],related:[],title:"《寒夜三部曲/客家音樂史詩》",cover:"a05be7ede99a15e52b7fc77a5db56ffe",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「寒夜三部曲」是作家李喬所創作之大河小說,2012年由作曲家黎俊平結合文學家范文芳、黃俊雄的新詩創作,在音樂與文學的對話中開啟了這段感人的客家音樂史詩作品。
\n\n\n\n
演出曲目
\n\n黎俊平曲
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|黃楚涵
\n\n大提琴|劉姝嫥
\n\n女高音|賴珏妤
\n\n男中音|陳忠義
\n\n指揮|黎俊平
\n\n樂團|苗栗縣立國樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6fd25eab5f7f2213293f1c991056680",title:"Wintry Night Trilogy / The Hakka Musical Epic"}],related:[],title:"Wintry Night Trilogy / The Hakka Musical Epic",cover:"a05be7ede99a15e52b7fc77a5db56ffe",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Wintry Night is an epic written by LEE, Chiao. In 2012, symphonic poem "Wintry Night Trilogy" was composed by LEE, Chun-ping and combined with new poetry by FAN, Wen-fang and HUANG, Chun-hsiung. Embark on a voyage to the musical mind of Hakka literature.
\n\n\n\n
Program
\nOverture
Into Fan Tzu Lin
\n\nMalakajim
\n\nLand Elegy
\n\nWintry Night
\n\nCane Garden Annals
\n\nNanyang War
\n\nFallen Leaves Return to the Land
\n\n\n\n
Creative and Production Team
\n\nPiano|HUANG Chu-han
\n\nCello| LIU Chu-chuan
\n\nSoprano|LAI Chueh-yu
\n\nBaritone|CHEN Chung-yi
\n\nConductor|LEE Chun-ping
\n\nOrchestra|Miaoli Chinese Orchestra
\n\n\n\n
\n\n
\n',team:""},createdAt:1654651528,updatedAt:1654765176,updatedBy:"林蔚行",host:!1},{_id:"62a00118c9bbe000072ae925",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1656761400,discrete:[{time:1656761400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1531098200771334147"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"407309e9d1b19cfe10e7a7d1820fcafc",title:"《萬千世界-周善祥管風琴與鋼琴之夜》"}],related:[],title:"《萬千世界-周善祥管風琴與鋼琴之夜》",cover:"b7a2a45ad2f73531a2ac63c3bb07a9fe",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
周善祥出生於1992年,精通鋼琴演奏、作曲、數學、科學。五歲學習作曲與鋼琴,七歲成為加州查普曼大學最年輕的學生,16歲畢業於倫敦皇家音樂學院,20歲取得巴黎索邦大學純數學碩士學位。周善祥出生於1992年,除了鋼琴演奏與作曲,他同樣精通數學、科學。五歲開始學習作曲與鋼琴,七歲成為加州查普曼大學史上最年輕的獎學金學生,2008年周善祥畢業於倫敦皇家音樂學院,2012年在法國巴黎索邦大學獲得純數學碩士學位,而他也是鋼琴名家布蘭德爾退隱舞台之前的最後一位弟子。周善祥八歲時首演他自己創作的鋼琴協奏曲,而他的演奏曲目相當廣泛,包括巴赫、莫札特、貝多芬、海頓、舒伯特、蕭邦、舒曼、布拉姆斯、德布西等人作品。
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演出曲目
\n\n巴赫:d小調觸技曲與賦格,BWV565(管風琴)
\n\n巴赫/古諾:聖母頌(管風琴)
\n\n巴赫:C大調第一號前奏曲,BWV 846(鋼琴)
\n\n李斯特:塔索的葬禮凱旋曲,S. 517(鋼琴)
\n\n李斯特:B-A-C-H主題的幻想曲與賦格,S. 260(管風琴)
\n\n-中場休息-
\n\n阿爾康:為鋼琴獨奏而寫的交響曲,作品39之4-7(鋼琴)
\n\n拉摩:嘉禾舞曲與六個變奏曲(管風琴)
\n\n維多:f小調第四號管風琴交響曲-第三樂章,如歌的行板(管風琴)
\n\n維多:F大調第五號管風琴交響曲-第五樂章,觸技曲(管風琴)
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演出暨製作團隊
\n\n鋼琴、管風琴|周善祥
\n\n\n\n
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Described by the New York Times as a "brilliant pianist" who combines "musical maturity and youthful daring in his exceptional playing", Kit Armstrong performs as a soloist with some of the world's most famous orchestras while maintaining an active career as a recitalist and composer. Born in 1992, "Armstrong, the amazement-causing artist who can only be described as a musical phenomenon" (Süddeutsche Zeitung) appears today at major international venues such as the Vienna Musikverein, Amsterdam Concertgebouw, Berlin Philharmonie, Hamburg Elbphilharmonie, NHK Hall Tokyo, and Palais des Beaux-Arts Brussels.
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Program
\n\nJohann Sebastian Bach: Toccata and Fugue in d minor, BWV 565
\n\nJohann Sebastian Bach / Charles Gounod: Ave Maria
\n\nJohann Sebastian Bach: Prelude No. 1 in C Major, BWV 846
\n\nFranz Liszt: Funeral Triumph of Tasso, S. 517
\n\nFranz Liszt: Fantasy and Fugue on the Theme B-A-C-H, S. 260
\n\n-Intermission-
\n\nCharles-Valentin Alkan: Symphony for Solo Piano, Op. 39 Nos. 4-7
\n\nJean-Philippe Rameau: Gavotte et six doubles
\n\nCharles-Marie Widor: Symphony for Organ No. 4 in f minor - III. Andante cantabile
\n\nCharles-Marie Widor: Symphony for Organ No. 5 in F Major - V. Toccata
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Creative and Production Team
\n\nPiano, Organ|Kit Armstrong
\n\n\n\n
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「只管走過去,不必逗留著 採了花朵來存放,因為一路上花朵自會繼續綻放。」——泰戈爾。
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本場音樂會將由新生代聲樂家曹書文與鋼琴合作家林麥可攜手合作,帶來8首藝術歌曲與4首經典的詠嘆調曲目,在疫情與國際時局的動盪下,用歌聲帶來最溫暖真情的告白。
\n\n\n\n
演出曲目
\n\n班奈狄克:威尼斯狂歡節
\n\n德布西:《四首早期的歌》
\n\n湯瑪士:〈奧菲莉亞之歌〉,選自歌劇《哈姆雷特》
\n\n古諾:〈珠寶之歌〉,選自歌劇《浮士德》
\n\n艾米碧琦:《三首布朗寧之歌》,作品44
\n\n普契尼:〈當我走在大街上〉,選自歌劇《波西米亞人》
\n\n雷哈爾:〈沈默的雙唇〉,選自歌劇《風流寡婦》
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演出暨製作團隊
\n\n演出者|曹書文、林麥可
\n\n\n\n
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"Do not linger to gather flowers to keep them, but walk on, for flowers will keep themselves blooming all your way."—Tagore.
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Amidst the turmoil of COVID-19 and the growing international unrest, the promising young soprano, Caroline Tsao, alongside piano accompanist, Michael Lin, desire to bring you heartfelt and uplifting declarations through music and singing.
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Program
\n\nJ. Benedict, Carnevale di Venezia
\n\nC. Debussy, Quatre chansons de jeunesse
\nI. Pantomime
\nII. Clair de Lune
\nIII. Pierrot
\nIV. Apparition
A. Thomas, A vos jeux, mes amis from 'Hamlet' (Mad scene)
\n\nC. Gounod, Ah! Je ris de me voir si belle (The jewel song) from 'Faust'
\n\nAmy Beach, Three browning songs, Op.44
\nI. The Year’s at the spring
\nII. Ah, Love, but a day!
\nIII. I send my heart up to Thee!
G. Puccini, Quando men vo from 'La Bohème'
\n\nF. Lehár, Lippen Schweigen from 'Die Lustige Witwe'
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Creative and Production Team
\n\nVoice|Caroline Tsao
\n\nPiano|Michael Lin
\n\n\n\n
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