\n●本場演出為錄影場。
\n\n●建議4歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n",benefits:'●生活卡9折
\n\n●青年卡75折
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"本場音樂會首次集結兩首不同風格的《水上音樂》,以精湛的巴洛克音樂詮釋手法、全場使用巴洛克樂器,呈現出更鮮明的水上音樂,帶大家暫拋俗務,回到那繁華輝煌的剎那間。",introduction:'金音叉獎巴洛克古樂大師
\n安東‧史戴克親自指揮臺歐日古樂音樂家共同演出
\n巴洛克時期極具代表性的作曲家,韓德爾和泰勒曼,在當時不僅是好朋友,此外也都以《水上音樂》為主題,譜寫了不同的管弦樂組曲。
擅長融合各種風格的德國作曲家泰勒曼,是當時歐洲最當紅的炸子雞。這首在1723年間完成的《水上音樂》,又名 《漢堡的潮起潮落》 。曲子是為了慶祝漢堡海軍局的100周年的所寫作,同時也是在形容流經漢堡港的易北河的風光。作品為組曲曲式,並使用了希臘神話中的神祉以及副標,除了表現出不同的音樂情感之外,更能顯出其風格。
\n歸化英國的德國作曲家韓德爾所作的《水上音樂》,相傳是為1717年英國國王喬治一世在英國泰晤士河上舉行音樂會所作,作品熱鬧、華麗且優雅 。整套作品由3個大型組曲組成,同時也使用了大量的銅管樂器,使得管樂在管弦樂組曲中的地位大為提升。
《慶典.水上音樂》 音樂會,首次集結兩首不同風格的《水上音樂》,以精湛的巴洛克音樂詮釋手法、全場使用巴洛克樂器,呈現出更鮮明的水上音樂,帶大家暫拋俗務,回到那繁華輝煌的剎那間。
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演前導聆
\n\n11/09 (六) 18:50-19:10於音樂廳三樓大廳由衛武營節目企劃組長張翠芸、黃琪芝與簡志賢進行演前導聆。
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\n樂團演後拍照會
11/09(六) 21:30-22:00 樂團演後將於音樂廳3F大廳進行拍照會。
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原聲巴洛克樂團
\n\n成立於2008年,為臺灣首創由在地古樂演奏家所組成之專業巴洛克樂團。演奏家們自小學習古典音樂,爾後皆旅歐多年接受嚴謹的古樂詮釋研究與演奏法專業訓練,並取得古樂器演奏專業文憑,為臺灣極少數專精巴洛克音樂的演奏家。十年走來樂團堅持以古樂器演奏,重現巴洛克音樂原聲原味風華!
\n有鑑於臺灣在地巴洛克樂器演奏家缺乏發聲舞台,2011年起樂團開始擴大編制,讓有志投身巴洛克音樂研究、演奏、推廣的臺灣巴洛克演奏家,能夠藉由年度國際性音樂會、導聆音樂會、專題講座等場合發聲。同時針對不同聽眾對象設計合適的課程、專題內容,希望打破大眾對於巴洛克音樂只適合成人、特定藝術愛好者欣賞的刻板印象。前進校園計畫則培養臺灣民眾從學生時期便開始聆賞音樂會的興趣與習慣,期許為臺灣帶來更多元、精緻的藝術文化。
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演出曲目
\n\n韓德爾: 水上音樂組曲,作品編號348-350
\n泰勒曼: 管弦樂序曲,編號 55:C3。水上音樂: 漢堡的潮起與潮落
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演出暨製作團隊
\n\n指揮|安東 史戴克 Anton Steck
\n巴洛克大提琴首席|魏爾勒 馬自克 Werner Matzke
\n巴洛克小提琴首席|亞歷山大 皮爾盛Alexander Pilchen
\n原聲巴洛克樂團|黃琪芝、簡志賢、翁月鴻、李怡瑩、崔紅霞、周瓦絲里
\n協演|響韵巴洛克樂團、臺灣旋轉木馬古樂團、國立臺南藝術大學古樂團
\n特邀|日本巴赫古樂團(Bach Collegium Japan)管樂家共同演出
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照片版權|劉人豪
\n名琴由奇美文化基金會提供
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贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Celebration: Water Music",cover:"017f7d4d08408b6b75f5aa5f9f5c9dc5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Duration is 110 mins with 20 mins intermission. .
\n\n●Suitable for age 4+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n",benefits:'●10% off for Weiwuying Lifestyle member
\n\n●25% off for Weiwuying Youth member
\n\n●Applicable for Weiwuying Unlimited member
\nFor details, please see Weiwuying Members Benefit
Not only were Handel and Telemann among the most representing composers of the Baroque Period, but the two were also close friends. In addition, the two masters both composed orchestral suites themed Water Music.
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Telemann was an expert at integrating different styles and was a renowned figure in Europe. Telemann's Water Music, also known as Hamburg Ebb and Flood, was completed in 1723. The piece was composed in celebration of the centennial anniversary of the Hamburg Admiralty, praising the landscape of the river Elbe and the port of Hamburg. As a suite that integrates characters and concepts from Greek mythology, Water Music manifests unique style and emotions through music.
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Water Music by German, later British, composer Handel, was said to be composed in 1717 for a concert on the River Thames organized by King George I. The piece is filled with celebrative charm and elegance, and is comprised of 3 large suites and involves many brass instruments, which raised the importance of wind instruments in orchestral music.
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Celebration: Water Music is the first to stage the two Water Music in the same concert, showcasing and interpreting the two works which have different styles with extraordinary skills and methods, presenting a vibrancy that takes audiences back to the age of glamour.
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Essential Sound Baroque Ensemble
\n\nEssential Sound Baroque Ensemble was established in 2008 and is the first professional early music Baroque orchestra in Taiwan. The members of the ensemble were trained in classical music since they were little and all studied in Europe, receiving intensive training in interpreting and performing early music. Essential Sound Baroque Ensemble members are recipients of diplomas in early music performance and are among the few performers specializing in Baroque music in Taiwan. After a decade of devotion to the performance of early music, Yun Schen Baroque Ensemble continues to present the unique style of Baroque music.
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In view of the lack of performance opportunities for Baroque musicians in Taiwan, since 2011, Essential Sound Baroque Ensemble expanded to enable those dedicated to the research, performance, and promotion to gain spotlight through international performances, concerts with listening guides, and lectures. At the same time, specially-curated courses and seminars are arranged to suit different audiences, hoping to change the stereotype that Baroque music is only for a specific type of adult art lovers. The campus project aims to cultivate interest in music and concerts from a young age, hoping to bring more variety and exquisiteness into art culture.
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Program
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Creative and Production Team
\n\nConductor|Anton Steck
\nPrinciple Baroque Celloist |Werner Matzke
\nPrinciple Baroque Violinist|Alexander Pilchen
\nEssential Sound Baroque Ensemble|Huang Chi-Chih, Chien Chih-Hsien, Weng Yueh-Hung , Li I-Ing , Cui Hong-Xia ,Vassilis Tsotsolis
\nGuest performers| Baroque Camerata Ensemble, Taiwan Early Music Carousel, Tainan National University of the Arts Baroque Ensemble.
\nSpecial invitation|Wind musician of Bach Collegium Japan
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Photo by 劉人豪
\nThe instrument today is provided by CHIMEI Culture Foundation
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Sponsor
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\n',team:""},createdAt:1557760026,updatedAt:1573177036,updatedBy:"葉奕萱"},{_id:"5cee2837ea44040006c8784d",catalogs:["5aec418cb01ea6000520f635","5aec4184b01ea6000520f633"],dateTime:{first:1572676234,discrete:[{time:1572676234},{time:1572762643}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3,2e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductId=rotyiUrPteRDTZWe6pA1uw"}},sliders:[{type:"image",key:"949dcfe4729254a28cbf0e1818704d5c"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"臺灣國樂團《布袋戲戀歌 落花斷情雨》",cover:"443042eb3763cef1418f74dbec225369",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
一場前所未見的布袋戲國樂音樂會
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\n臺灣國樂團於 2018 年樂季推出前所未見的布袋戲國樂音樂會《落花斷情雨》,演出極為成功、廣受好評。今年度在樂迷朋友的千呼萬喚與引頸期盼下,再度邀請榮獲 2018 年傳藝金曲獎最佳團體年度演出獎——「真快樂掌中劇團」共同合作,選擇在高雄再度搬上大舞臺。《落花斷情雨》除了邀請國內三位知名的作曲家:王乙聿、林心蘋、梁啟慧共同譜曲,配合視覺、燈光設計以及現場布袋戲操偶演出外,最為人津津樂道的便是由團內演奏員cosplay(costume play,角色扮演之意)成布袋戲角色現場演奏。喜愛布袋戲文化的南臺灣朋友,千萬不能錯過。
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演出暨製作團隊
\n\n監製|陳濟民
\n製作|劉麗貞
\n演出|臺灣國樂團、真快樂掌中劇團
\n策畫|陳龍廷
\n導演|柯世宏
\n指揮|江靖波
\n胡琴|葉文萱
\n琵琶|王乙曲
\n作曲|王乙聿、林心蘋、梁啟慧
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Puppetry Love Song “Falling Flowers of Broken Heart”",cover:"443042eb3763cef1418f74dbec225369",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●Weiwuying membership discount please see below list.
\n\n●Duration is 120 mins with 20 mins intermission.
\n\n●Suitable for age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
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National Chinese Orchestra Taiwan VS. Happy Puppetry Company
\nAn unprecedented concert set to puppetry
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In 2018, the NCO launched an unprecedented concert Flowers of Broken Heart set to puppetry music which was extremely successful and well received. Fans will no longer have to anticipate and wait anymore, as the NCO is once again inviting Happy Puppetry Company, winner of the Best Group Performance of the 2018 Golden Melody Awards for Traditional Arts and Music, for another collaboration with Kaohsiung being the main stage this time. Flowers of Broken Heart not only invites three renowned Taiwanese composers, Wang Yi-Yu, Lin Xin-Ping and Liang Qi-Hui, as joint creators, collaborating with the visual effects and on-site puppetry performance, but also includes members of the orchestra cosplaying the puppetry characters during the show. Fans of puppetry culture in Southern Taiwan should not miss this exceptional lineup.
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Creative and Production Team
\n\nExecutive Producer|Chen Chi-Ming
\nProducer|Liu Li-Chen
\nPerformer|National Chinese Orchestra Taiwan, The Happy Puppetry Company
\nPlanner|Chen Long-Ting
\nDirector|Ke Shi-Hong
\nConductor|Jiang Jing-Bo
\nErhu|Yeh Wen-Hsuan
\nPipa|Wang Yi-Qu
\nComposer|Wang Yi-Yu, Lin Xin-Ping, Liang Qi-Hui
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\n',team:""},createdAt:1559111735,updatedAt:1561010271,updatedBy:"葉奕萱"},{_id:"5cf4ff6035280d0006283459",catalogs:["5cf8ad8e35280d00062862ce"],dateTime:{first:1560301200,discrete:[],type:"continuous",continuous:{time:[1559523600],endTime:[1559556e3],start:1560268800,end:1577721600}},activity:{type:"free",free:{description:"線上申請,媒合參與",englishDescription:"Apply"}},attachment:{key:"85c28f79c4c6c066da9033eeeada6671",name:"aesthetic education",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2bb770079a4e26c5ff03f925fba0d609",title:"藝企學—美感教育計畫總覽"}],related:[],title:"藝企學—美感教育計畫總覽",cover:"6cba39f53b20b330e9b95bd73f07d3d1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"",benefits:"",description:" 衛武營國家藝術文化中心成立,實屬南臺灣一大要事,除了帶來國際級的藝術表演,更要讓原本南北失衡的藝文發展,開始拉近距離,在教育、文化平權上盡一份心力。",introduction:'
衛武營國家藝術文化中心成立,實屬南臺灣一大要事,除了帶來國際級的藝術表演,更要讓原本南北失衡的藝文發展,開始拉近距離,在教育、文化平權上盡一份心力。
\n\n教育部、文化部、衛武營國家藝術文化中心共同攜手推出【藝企學-南臺灣校園美感教育推廣計畫】,欲在2019下半年-2020年推動南臺灣藝術教育、綜合性美學在基礎、中等教育上的普及與扎根。
\n\n本計畫更透過有心於推廣教育、文化的民間企業支持,促成本計畫圓夢,讓南部/偏鄉學子能獲得更多接觸美學、培養多元智能的機會。
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推廣對象
\n\n南部六縣市之國小五年級生至高中職生,分為:
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推廣場次
\n2019年共計21場,請參考各學程節目頁面與申請表
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體驗內容
\n\n衛武營國家藝術文化中心擁有亞洲最大的管風琴,並有美麗的葡萄園式座席設計的音樂廳,為能讓南臺灣學生能有機會進入到如此具有特色的音樂廳,並且透過藝文欣賞的體驗,讓美感教育潛移默化,將各級教育單位致力推廣的「美感教育」在衛武營裡得以延伸、實踐。
\n\n體驗內容將包含「欣賞表演體驗」、「劇場禮儀」及「國際廳院介紹」等。
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體驗時間
\n各場次約100分鐘
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申請流程
\n\n本計畫僅提供南部六縣市學校,以學校為單位進行申請
\n\n申請時程
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注意事項
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計畫聯絡窗口
\n\n張先生(07)262-6911 / 蘇先生 (07)262-6903
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主辦單位:衛武營國家藝術文化中心
\n合作單位:教育部、文化部
贊助單位:永豐銀行(5場次)、和碩聯合科技股份有限公司(1場次)、鎧勝控股有限公司(1場次)、景碩科技股份有限公司(1場次)、華擎科技股份有限公司(1場次)、捷揚光電股份有限公司(1場次)、聚和文化藝術基金會(1場次)、瑞儀教育基金會(1場次)、台灣福興文教基金會(1場次)
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Collaboration between Arts and Other Sectors—The Overview of Outreach Aesthetic Education Project ",cover:"6cba39f53b20b330e9b95bd73f07d3d1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"",benefits:"",description:" Ever since its opening, The National Kaohsiung Center for the Arts (Weiwuying) has introduced a variety of programs to present world-class performances as well as outreach projects to reduce the gap of arts development between south and north in Taiwan, dedicating our efforts in education and culture equity. ",introduction:'
Ever since its opening, The National Kaohsiung Center for the Arts (Weiwuying) has introduced a variety of programs to present world-class performances as well as outreach projects to reduce the gap of arts development between south and north in Taiwan, dedicating our efforts in education and culture equity.
\n\nThe Ministry of Education, the Ministry of Culture, and Weiwuying are jointly launching Collaboration between Arts and Other Sectors—The Outreach Aesthetic Education Project on Campus in Southern Taiwan . This project will be made available from mid-2019 to 2020, hoping to promote the popularity of arts education and comprehensive aesthetics at elementary, junior high, and vocational high and other high schools in Southern Taiwan.
\n\nThis outreach project aims to promote collaboration between the arts—and private sectors, helping realize the dream of youngsters from the remote areas to acquire the opportunities to appreciate aesthetics and develop their multi-talents.
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Applicable to:
\n\nFifth graders to vocational high school/high school students from the six cites/counties in Southern Taiwan:
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Outreach Sessions:
\n21 sessions are available in 2019. Please refer to the homepage of each session for the application form.
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Content:
\n\nNational Kaohsiung Center for the Arts (Weiwuying) has the grandest pipe organ in Asia. The Concert Hall features a unique vineyard style, which will allow students in Southern Taiwan to experience arts performance as well as to appreciate the optimal acoustic and visual effects. It is our hope that the aesthetic education highly promoted at various schools can be well-extended and fully realized at Weiwuying.
\n\nEach session will include enjoying performances, theatre etiquette, and introduction to international concert halls.
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Duration:
\nEach session lasts for about 100 minutes.
\n\n
Application Steps:
\n\nApplication Timetable:
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Notes:
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Points of Contact:
\n\nMr. Chang (Tel:07-262-6911)/Mr. Su (Tel: 07-262-6903)
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\n',team:""},createdAt:1559560032,updatedAt:1574993371,updatedBy:"葉奕萱"},{_id:"5d25ae532f7e79000645be51",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1573299e3,discrete:[{time:1573299e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3],link:"https://www.ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N04GD3Q5"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a0a5cbf337a5a2508b588e6e3064c927",title:"金龍二胡樂團成立八年多來,將歷年巡演最受好評的曲目"},{type:"image",key:"3f389fe34a446f2e6d23d075fbae68fd",title:"藉由音樂結合戲劇,重新編曲編舞再次呈現"},{type:"image",key:"9d545bbf9a1f9cd8f92f4bbdc243e96c",title:"在温金龍二胡天籟樂聲中,聽見靈魂共鳴,療癒傷痛的心"}],related:[],title:"温金龍二胡樂團《記得我愛你》",cover:"ced1dcdbf701e644a3323c5ab18ad7dc",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n\n●演出全長約130分鐘,含中場休息15分鐘。
\n●建議6歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n●主辦:温金龍二胡樂團
那年愛你的誓約不曾忘記
\n可現在你是誰呢?
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今年我們以回顧的概念,精選温金龍二胡樂團成立八年多來,將歷年巡演最受好評的曲目。重新編曲編舞再次呈現。同時藉由音樂結合戲劇,以失智症為主題的短劇來表達關懷社會的企圖心。好的音樂不孤單, 期盼在温金龍二胡天籟樂聲中,聽見靈魂共鳴,療癒傷痛的心。
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演出曲目
\n\n新武當組曲
\n百樂門組曲
\n國語老歌組曲
\n舞台劇《記得我愛你》
\n記得我愛你
\n西洋老歌組曲
\n\n
演出暨製作團隊
\n\n製作|温金龍
\n演出團隊|温金龍二胡樂團
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Kenny Wen Erhu Orchestra“Before we forget ”",cover:"ced1dcdbf701e644a3323c5ab18ad7dc",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 130 mins with 15 mins intermission.
\n\n●Age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●Organized by Kenny Wen Erhu Orchestra
The vows that I loved you has never been forgotten
\nBut now,who are you?
\n\n
This year we are looking back at the selected tracks of Kenny Wen Erhu Orchestra since its first performance eight years ago. We are staging the most acclaimed tracks over the years. New lyric and choreograohy are incorporated for its brand new presentation. It is the very first time to combine Erhu music with drama. A short drama of dementia will be performed to express the intention of caring for the elderly. Good music is never alone. We aspire to heal a painful hear and hear the soul resonance while you soak in Kenny Wen's music.
\n\n\n\n
Creative and Production Team
\n\nProducer | Kenny Wen
\nPerformance team | Kenny Wen Erhu Orchestra
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\n',team:""},createdAt:1562750547,updatedAt:1572945640,updatedBy:"葉奕萱"},{_id:"5d2805fc2f7e79000645d6e7",catalogs:["5c63927362156f0006752d66"],dateTime:{first:1565847e3,discrete:[],type:"continuous",continuous:{time:[1562909400],endTime:[1562922e3],start:1565798400,end:1576771200}},activity:{type:"signup",signup:{limit:0,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5cab1057552deb0006aa1cb8",text:"參與者姓名 Name of Attendee",english:"參與者姓名 Name of Attendee"},{required:!0,key:"5c518af662156f00067321f7",text:"暱稱 Nickname",english:"暱稱 Nickname"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Cell number",english:"聯絡手機號碼 Cell number"},{required:!0,key:"5c516a4762156f0006731aad",text:"聯絡E-mail",english:"聯絡E-mail"},{required:!0,key:"5c518d2e62156f0006732291",text:"出生年月日(西元年/月/日) Date of birth (yyyy/mm/dd)",english:"出生年月日(西元年/月/日) Date of birth (yyyy/mm/dd)"}],vip:{start:1562895907,end:1577807999},open:{start:1562895907,end:1577807999},description:'
每人可同時報名多主題課程,付款前請注意金額是否正確,欲同時報名六主題者,請選擇全系列課程(六主題) 選項。
\n\n
\n●主題每次活動時間為90-120分鐘。
●官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\n●報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\n●退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\n●主辦單位保留本活動變更權利。
\n\n●相關問題請洽learning@npac-weiwuying.org
\n',englishDescription:"",payment:{type:"pay",method:["virtual","credit"],invoiceEnable:!0,pays:[{cost:1800,limit:5,english:"",name:"全系列課程(六主題)",maxEachPerson:1,_id:"5d2875c92f7e79000645db99"},{cost:300,limit:3,english:"",name:"08/15 《永恆的直線》舞台解密",maxEachPerson:1,_id:"5d2875c92f7e79000645db98"},{cost:300,limit:13,english:"",name:"09/20 表演體驗",maxEachPerson:1,_id:"5d2875c92f7e79000645db97"},{cost:300,limit:16,english:"",name:"10/04 《跳舞ㄚ嬤》 肢體工作坊",maxEachPerson:1,_id:"5d2875c92f7e79000645db96"},{cost:300,limit:5,english:"",name:"10/24 《拉拉練》 排練現場直擊",maxEachPerson:1,_id:"5d2875c92f7e79000645db95"},{cost:300,limit:5,english:"",name:"11/22 解密《孿生兄弟》",maxEachPerson:1,_id:"5d2875c92f7e79000645db94"},{cost:300,limit:20,english:"",name:"12/20 解密《鞍馬天狗》及編導分享",maxEachPerson:1,_id:"5d2875c92f7e79000645db93"}],multiple:!0}}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"97b47bcbefad6cb2754bbc732e3a4c2a",title:"五感體驗藝文旅程"}],related:[],title:"五感體驗藝文旅程",cover:"97b47bcbefad6cb2754bbc732e3a4c2a",site:{isOther:!0,site:"",other:"依報名主題課程安排"},cautions:'●主題每次活動時間為90-120分鐘。
\n\n●官網報名→繳交費用→檢視官網報名狀況→完成報名。
\n\n●報名後請於衛武營官網報名系統繳費期限內繳交費用;逾期未繳者,系統將自動釋出名額。
\n\n●退費機制:報名人須主動聯絡主辦單位申請退費(learning@npac-weiwuying.org),報名人須於活動前10天辦理申請,取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\n●主辦單位保留本活動變更權利。
\n\n●相關問題請洽learning@npac-weiwuying.org
\n',benefits:"",description:"「五感體驗藝文旅程」活動規劃,透過藝術賞析進入單一作品的介紹,並邀請編導演對談,旅程進行方式由劇場編導演杜思慧擔任領隊,帶領討論及實際參與並重。",introduction:'「五感體驗藝文旅程」活動規劃,透過藝術賞析進入單一作品的介紹,並邀請編導演對談,旅程進行方式由劇場編導演杜思慧擔任領隊,帶領討論及實際參與並重。
\n藝術家是思想的先鋒、行動的轉輪,總是不斷掏空自己又填入新的事物,旅程將沿途認識劇場工作者一顆顆奇幻異想的腦袋,在相互交流與激盪外,亦能認識藝文愛好者並逐步建立固定聚會的夥伴群。
\n\n
★五感體驗藝文旅程
\n※各主題分別報名
主題 | \n\t\t\t日期 | \n\t\t\t\n\t\t\t 主題內容 \n\t\t\t | \n\t\t\t地點 | \n\t\t
---|---|---|---|
\n\t\t\t 《永恆的直線》舞台解密 \n\t\t\t | \n\t\t\t\n\t\t\t 8/15(四)13:30-15:00 \n\t\t\t | \n\t\t\t於戲劇院舞台上,邀請安娜琪舞蹈劇場團隊成員,分享舞台技術相關知識 | \n\t\t\t戲劇院 | \n\t\t
\n\t\t\t 表演體驗 \n\t\t\t | \n\t\t\t\n\t\t\t 9/20(五)13:30-15:30 \n\t\t\t | \n\t\t\t由系列導師杜思慧帶領體驗表演藝術 | \n\t\t\t排練室 | \n\t\t
\n\t\t\t 《跳舞ㄚ嬤》肢體工作坊 | \n\t\t\t\n\t\t\t 10/04(五)15:00-17:00 \n\t\t\t | \n\t\t\t由編舞家安銀美,親自帶領肢體工作坊,並分享《跳舞ㄚ嬤》創作理念 | \n\t\t\t排練室 | \n\t\t
\n\t\t\t 《拉拉練》排練現場直擊 \n\t\t\t | \n\t\t\t\n\t\t\t 10/24(四)13:30-15:00 \n\t\t\t | \n\t\t\t排練現場直擊 | \n\t\t\t排練室 | \n\t\t
解密《孿生兄弟》 | \n\t\t\t\n\t\t\t 11/22(五)13:30-15:00 \n\t\t\t | \n\t\t\t天才馬戲兄弟檔演出,搶先目睹排練過程 | \n\t\t\t戲劇院 | \n\t\t
解密《鞍馬天狗》及編導分享 | \n\t\t\t12/20(五)15:00-16:30 | \n\t\t\t《鞍馬天狗》排練現場直擊,並邀請編劇、導演劉建幗分享 | \n\t\t\t戲劇院觀眾席 | \n\t\t
\n\n
\n\n\t\t\t 系列導師∣杜思慧 \n\t\t\t | \n\t\t\t\n\t\t |
\n\t\t\t | 紐約沙羅勞倫斯大學表演藝術碩士(Sarah Lawrence College, MFA)。發表過多齣劇場編導演作品,其中《島語錄~一人輕歌劇》於法國2010年外亞維儂藝術節演出,繼而更受邀在2012年於法國新東向藝術節巡迴演出。最近期作品首次嘗試跨界展覽《「 」態百IN》2017年於台北美術館展出。近一年作品有2018台北藝術節《我並不哀傷是因為你離我很遠》擔任演員、2018衛武營開幕季《簡吉》擔任演員、2018-19果實三十創作計畫《你好嗎?》編導。曾獲榮譽有英國文化協會藝術年獎劇場類監台北國際藝術村出訪澳洲藝術家。出版有三本劇本集及專書《單人表演》、《看見·觀點》。 | \n\t\t
\n\n
報名方式
\n\n報名對象:歡迎各界喜愛藝文活動的朋友參與,惟《跳舞ㄚ嬤》肢體工作坊主要針對40歲以上朋友設計,敬請斟酌報名參與。
\n\n報名費用與名額:
\n\n報名時程:即日起至額滿為止。
\n報名流程:官網報名 → 繳交費用 → 檢視官網報名狀況 → 完成報名。
活動地點:依報名場次而定。
\n\n\n\n
活動注意事項
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Arts Matinée",cover:"97b47bcbefad6cb2754bbc732e3a4c2a",site:{isOther:!0,site:"",other:"Rehearsal Room"},cautions:'
●Each session is 90-120 minutes long.
\n\n●Register on the official webpage → complete payment → check registration status on the official webpage → registration complete.
\n\n●Please pay the registration fee at the Weiwuying official webpage before the payment deadline. Places of those who are unable to pay the fees within the limited time will be given to others.
\n\n●Refund: The person who made the registration should contact the event organizer at learning@npac-weiwuying.org for refunds. All refund procedures should be completed 10 days before the event. A 10% administration fee will be charged for cancellations. Overdue not accepted.
\n\n●The event organizer reserves the right to make changes in the event.
\n\n●For further inquiries, please contactlearning@npac-weiwuying.org
\n',benefits:"",description:"“Arts Matinée” presents a series of activities that inspires art appreciation by introducing individual works and conversations with writers, directors, and actors. Discussions will be led by theatre writer/director Tu Shih-Hue and will include visitor participation. ",introduction:'“Arts Matinée” presents a series of activities that inspires art appreciation by introducing individual works and conversations with writers, directors, and actors. Discussions will be led by theatre writer/director Tu Shih-Hue and will include visitor participation.
\n\nArtists are pioneers in thought and the wheels of actions, constantly emptying the self and adding new elements. The Arts Matinée will embark on a journey that encourages further understanding of the fantastic inner world of theater professionals and enable regular gatherings between art lovers through the sharing of ideas and interaction.
\n\n\n\n
★Arts Matinée
\n※Please make separate registrations for each theme
Theme | \n\t\t\tDate and Time | \n\t\t\t\n\t\t\t Topic \n\t\t\t | \n\t\t\tLocation | \n\t\t
\n\t\t\t Decoding the Stage of The Eternal Straight Line \n\t\t\t | \n\t\t\t\n\t\t\t 13:30-15:00 Thursday 15th August \n\t\t\t | \n\t\t\tMembers of Anarchy Dance Theatre will be invited on stage to share knowledge on stage techniques | \n\t\t\tPlayhouse | \n\t\t
\n\t\t\t Performance Workshop \n\t\t\t | \n\t\t\t\n\t\t\t 13:30-15:30 Friday 20th September \n\t\t\t | \n\t\t\tPerformance art lessons will be led by series tutor Tu Shih-Hue | \n\t\t\tRehearsal Room | \n\t\t
\n\t\t\t Dancing Grandmothers Workshop | \n\t\t\t\n\t\t\t 15:00-17:00 Friday 4th October \n\t\t\t | \n\t\t\tChoreographer Eun-Me Ahn will be personally leading the workshop and sharing the creative concept behind Dancing Grandmothers | \n\t\t\tRehearsal Room | \n\t\t
\n\t\t\t La Lian Rehearsal \n\t\t\t | \n\t\t\t\n\t\t\t 13:30-15:00 Thursday 24th October \n\t\t\t | \n\t\t\tA peek into the rehearsal session | \n\t\t\tRehearsal Room | \n\t\t
Decoding Dios | \n\t\t\t\n\t\t\t 13:30-15:00 Friday 22nd November \n\t\t\t | \n\t\t\tWitness the rehearsal of the genius circus brothers | \n\t\t\tPlayhouse | \n\t\t
Decoding Kumara Tengu and Conversations with the Writer/Director | \n\t\t\t15:00-16:30 Friday 20th December | \n\t\t\tThe rehearsal session of Kumara Tengu and talks with writer/director Liu Jian-Guo | \n\t\t\tPlayhouse audience section | \n\t\t
\n\n
\n\n\t\t\t Series Tutor Tu Shih Hue \n\t\t\t | \n\t\t\t\n\t\t |
\n\t\t\t | \n\t\t\t Tu Shih-Hue has an MFA in performing arts from Sarah Lawrence College and has presented multiple theatre works. A writer and director, Tu’s A Voyage to the Island — A Solo Operetta was presented at the 2010 Avignon OFF and was later invited to be performed at the 2012 A l'Est du Nouveau in France. Tu’s recent works are interdisciplinary exhibitions, with Clownerie showcased at the Taipei Fine Arts Museum in 2017. Recent acting experiences include In Our Distance, There Is No Sorrow at the 2018 Taipei Arts Festival and Jian Ji at the Weiwuying Grand Opening in 2018. Tu is also the writer and director for the 2018-19 Gosh Foundation 30th anniversary creative project How Are You?. Tu is the recipient of the British Council Annual Art Award in Theatre for stage director and was given a residency in Australia by Taipei Artist Village. Tu has published three script collections and books Solo Performance and Seeing・Perspective. \n\t\t\t | \n\t\t
\n\n
Registration
\n\nProspective participants: We welcome all art and culture lovers. However, Dancing Grandmothers Workshop is only open to participants over the age of 40.
\n\nRegistration Fees and Number of Places:
\n\nRegistration Date: As of today until all places are full.
\n\nRegistration procedure: Register on the official webpage → complete payment → check registration status on the official webpage → registration complete.
\n\nEvent location: Locations differ according to sessions.
\n\n\n\n
Notices
\n\n\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1562904060,updatedAt:1574743780,updatedBy:"葉奕萱",hasSignup:!0},{_id:"5d2979532f7e79000645e563",catalogs:["5ce39fbb75fe7e0006bc124b","5d37eb362f7e790006467e9c"],dateTime:{first:1574424e3,discrete:[{time:1574424e3},{time:1574589600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteRFb%2fBPk9jmY"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3872c21b513e4062ccc400adb39bb138",title:"天才馬戲兄弟檔 箭術、舞蹈、馬戲一次滿足"},{type:"image",key:"e2278187fe0541b1677a29b11b661161",title:"這一對藝術家兄弟,首度在舞台上分庭抗禮,同時也是第一次合作共演"},{type:"image",key:"964751417b4600c0a99b6948e59e539c",title:"主題包括同理心、親密關係、兄弟情誼、競爭等話題,探索弓箭意象的深層意義"}],related:[],title:"【2019衛武營馬戲平台】孿生兄弟",cover:"75d5a8c4a66d0212b9eaab5aa21cc05a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
●演出全長約50分鐘,無中場休息。
\n●本演出為無語言演出。
●建議6歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n\n●【套票優惠】購買2019馬戲平台三檔演出各一張(含)以上,享85折優惠。
\n',benefits:'●生活卡9折
\n\n●青年卡75折
\n\n●適用英雄卡卡友
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"臺灣獨家首演\n天才馬戲兄弟檔 箭術、舞蹈、馬戲一次滿足",introduction:'臺灣獨家首演
\n天才馬戲兄弟檔 箭術、舞蹈、馬戲一次滿足
\n\n
路易和貝德羅是一對兄弟。除了家人、回憶和共同經驗,他們也有相同的職業、嗜好和興趣。這一對藝術家兄弟,首度在舞台上分庭抗禮,同時也是第一次合作共演。他們研究的主題包括同理心、親密關係、兄弟情誼、競爭等話題,探索弓箭意象的深層意義。他們從經典傳說、表演藝術、個人經歷中擷取靈感,混合了箭術、視覺戲劇、馬戲團等元素,對兄弟關係創造出微妙、幽默、智慧和美麗的詮釋。
\n\n\n\n\n\n
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\n\n
演前導聆
\n\n11/22 (五) 19:20-19:40於戲劇院2樓大廳由衛武營國際事務組長張欣怡與余岱融進行演前導聆。
\n11/24 (日) 17:20-17:40於戲劇院2樓大廳由衛武營國際事務組長張欣怡與余岱融進行演前導聆。
\n\n
路易・薩爾托里督瓦列
\n\n路易於 1982 年出生於巴西貝洛哈里桑塔,目前居住在芬蘭赫爾辛基。取得美術學位之後,進入比利時高等馬戲藝術學院,專攻雜耍和雜技表演,於 2008 年畢業。除了自己的表演,他還曾與不同的馬戲團和舞團導演合作,如 Rolf Alme、Liisa Risu、Reynaldo Ramperssad、Anna Nilsson,以及 Archaos、Les 7 Doigts de la Main、Hurjaruuth 等公司。2012 年,他與事業夥伴在芬蘭共同創立 NUUA 公司,並與其他四名馬戲界的新秀獲選加入「下一場馬戲」計畫。他們的《緩板》表演至今已在 15 個國家巡迴演出。在表演閒暇之餘,路易會從事視覺藝術創作:插圖、攝影和動畫。
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貝德羅・薩爾托里督瓦列
\n\n貝德羅於 1985 年出生於巴西貝洛哈里桑塔。他 14 歲開始加入馬戲團。一開始只是愛好,但很快變成熱衷,後來更成為職業。研讀工業設計一段時間後,他搬到比利時,並於 2011 年畢業於比利時高等馬戲藝術學院。過去幾年來,貝德羅曾在歐洲和巴西不同的節目、公司、節慶場合表演,包括 Feria Musica (比利時)、Coletivo Na Esquina (巴西)、Palazzo (奧地利)、Zanzibar (法國) 等等。他擅長雜技和爬杆,一直對「移位」的藝術非常著迷,不斷研究發展不同領域的身體動作,例如卡波耶拉、體操、特技/功夫、舞蹈等。
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演出暨製作團隊
\n\n概念暨演出 | 路易・薩爾托里督瓦列、貝德羅・薩爾托里督瓦列
\n燈光設計 | 傑里・姆肯恩
\n音樂暨聲音設計 | 佩特瑞・拉賈蒂
\n製作單位 | WHS (芬蘭)
\n共製單位 | 比利時市集劇場 / 多美霍夫
\n贊助單位 | Espace Catastrophe / 比利時國際馬戲藝術創作中心芬、蘭新馬戲中心、Subtopia (瑞典)、奧地利格拉茲La Strada藝術節、比利時馬戲中心、芬蘭Samuel Huber藝術基金會、芬蘭馬戲資訊處、芬蘭藝術推廣中心、芬蘭寂靜節、芬蘭Kanneltalo劇院、Epic Armoury (丹麥)、 JVD Archery (荷蘭)
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照片版權|André Baumecker
\n\n贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【2019 Weiwuying Circus Platform】 DOIS",cover:"75d5a8c4a66d0212b9eaab5aa21cc05a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●Duration is 50 mins.
\n●Nonverbal performance.
●Suitable for age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n",benefits:'Luis and Pedro are brothers. Besides family, memories and common experiences, they also share the same profession, hobbies and interests. Two artists, two brothers, dividing and sharing the same stage for the first time.
\n
\nResearching topics such as empathy, intimacy, brotherhood and rivalry, they explore the deeply symbolic weapon of bow and arrow.
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\nInspired by classic tales, performance art and personal experiences, they mix archery, visual theater and circus, creating subtle, humorous, intelligent and beautiful interpretations of the relationship between brothers.
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LUIS SARTORI DO VALE
\n\nLuis was born in 1982 in Belo Horizonte, Brazil, and currently lives in Helsinki, Finland.
\nAfter completing a diploma in Fine Arts, he graduated from the Ecole Supérieure des Arts du Cirque (ESAC, Belgium) in 2008, specializing in juggling and acrobatics.
\nBesides his own projects, he has worked with different circus and dance directors, such as Rolf Alme, Liisa Risu, Reynaldo Ramperssad and Anna Nilsson, and companies such as Archaos, Les 7 Doigts de la Main and Hurjaruuth.
\nIn 2012 he co-founded the Finnish company NUUA, becoming one of the five laureates of the international project Circus Next (Jeunes Talents du Cirque). With the performance Lento they have toured in 15 countries.
When not working with performing arts, Luis works with visual arts: illustration, photography and animation.
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\nPEDRO SARTORI DO VALE
Pedro was born in Belo Horizonte, Brazil, in 1985. He started circus at the age of 14. A hobby at first, it quickly became a passion and later a profession. After a short period of studying industrial design, he moved to Belgium, where he graduated from the École Superieure des Arts du Cirque, ESAC, in 2011.
\nIn the past years, Pedro has worked in different shows, companies and festivals around Europe and Brazil, including the company Feria Musica (Belgium), Coletivo Na Esquina (Brazil), Palazzo (Austria), Zanzibar (France) and many others.
\nSpecialized in acrobatics and Chinese pole, he has always been fascinated by the art of “displacement”, constantly developing a research about body movement in different areas, such as capoeira, gymnastics, tricks/kung fu and dance.
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Creative and Production Team
\n\nConcept and Performance | Luis SARTORI DO VALE, Pedro SARTORI DO VALE
\nLighting Design | Jere MÖNKKÖNEN
\nMusic and Sound Design | Petteri RAJANTI
\nProduction | WHS (FI)
\nCo-production| Theater op de Markt / Dommelhof (BE)
\nSupport | Espace Catastrophe / Centre International de Création des Arts du Cirque (BE), Cirko (FI), Subtopia (SE), La Strada (AT), Circuscentrum (BE), Samuel Huberin Taidesäätiö (FI), CircusInfo Finland (FI), Arts Promotion Centre Finland (FI), Hiljaisuus Festival (FI), Kanneltalo (FI), Epic Armoury (DK), JVD Archery (NL)
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\nPhoto by André Baumecker
Support by
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\n',team:""},createdAt:1562999123,updatedAt:1572410167,updatedBy:"通泰系統管理員"},{_id:"5d2984f62f7e79000645e600",catalogs:["5ce39fbb75fe7e0006bc124b","5d37eb362f7e790006467e9c"],dateTime:{first:1574337600,discrete:[{time:1574337600},{time:1574510400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteRshCBP2qooh"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d9f13d8f5c81f2694b914fc4f2cf6f8e",title:"《天才蠢蛋》的表演包括爬桿、空中繩索、倒立、雜技,搭配美妙而奇特的原創配樂,皆由表演者現場演奏,精彩萬分"},{type:"image",key:"a76bf1a6e97a3fb481b495b6557652ed",title:"用極端的馬戲藝術來強調人類最具動物性的行為"},{type:"image",key:"cfacc6ae0233d2e10c9ba6080fb358cb",title:"斯瓦爾巴德馬戲劇場是一家強調跨領域藝術的馬戲團公司,成員是 4 位年輕的國際級表演家"}],related:[],title:"【2019衛武營馬戲平台】天才蠢蛋",cover:"424b9f03fd01d367e382754e07ca876b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
●演出全長約75分鐘,無中場休息。
\n●英文演出,中文字幕
\n●演出內容含裸露及不雅詞彙。
●建議15歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●【套票優惠】購買2019馬戲平台三檔演出各一張(含)以上,享85折優惠。
●生活卡9折
\n\n●青年卡75折
\n\n●適用英雄卡卡友
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"2017英國愛丁堡藝穗節Assembly馬戲強檔",introduction:'臺灣獨家首演
\n2017英國愛丁堡藝穗節Assembly馬戲強檔
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「天才和蠢蛋只在一線之間,類似於我們內心常有的衝突,也就是本能與理智的戰鬥。笨蛋通常代表愚痴和動物本能;而天才通常代表理智和人性。是什麼讓我們成為一個天才,又是什麼讓我們成為蠢蛋呢?」
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\n《天才蠢蛋》用生動又狂暴的方式在生活的荒謬中狂歡,用極端的馬戲藝術來強調人類最具動物性的行為。斯瓦爾巴德馬戲劇場改變了當代馬戲團的界限,將戲劇、舞蹈、現場音樂融入馬戲表演,創造出一種真正原創的作品,超現實的特質、驚人的技藝和真實的臨場感,都讓觀眾留下難忘的印象。《天才蠢蛋》的表演包括爬桿、空中繩索、倒立、雜技,搭配美妙而奇特的原創配樂,皆由表演者現場演奏,精彩萬分。
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\n我們都會唱歌、跳舞、飛躍、哭泣、搖滾,都是天才,也都是笨蛋!
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演前導聆
\n\n11/21 (四) 19:20-19:40於戲劇院2樓大廳由衛武營國際事務組長張欣怡與周伶芝進行演前導聆。
\n11/23 (六) 19:20-19:40於戲劇院2樓大廳由衛武營國際事務組長張欣怡與周伶芝進行演前導聆。
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斯瓦爾巴德馬戲劇場
\n\n斯瓦爾巴德馬戲劇場是一家強調跨領域藝術的馬戲團公司,成員是 4 位年輕的國際級表演家,包括英國的班傑明・史密斯、瑞典的約翰・賽門・威本、德國的湯姆‧布蘭德、西班牙的聖地牙哥・瑞茲,公司目前位於斯德哥爾摩。2014 年從 DOCH 畢業之前,他們曾在不同的馬戲預備學校接受訓練。這個團體在各種馬戲項目都展現出精湛水準,例如垂直繩、爬杆、倒立、雙人體操、啦啦隊體操、小丑、雜技、律動/舞蹈。先前的作品包括與 Animal Religion 合作的特定場域表演,例如曾在泰雷嘉音樂節與日本演出的《雞腿》。
\n\n經過音樂節的專業人士票選,《雞腿》的表演贏得莫里茨獎,另外也在 2014 年澤扣里卡獎榮獲「最佳舞台表演」榮譽。2015 年 2 月,他們與 Animal Religion 在巴塞隆納音樂廳演出《Sifonofor》,並贏得澤扣里卡最大獎「2015 年最佳馬戲表演」獎。
\n\n《天才蠢蛋》是團員首次同台演出。2016 年在布拉格 Jatka 78 藝術中心首次演出之後,在倫敦國際默劇節門票銷售一空,並在澳洲阿德萊德藝穗節連續演出一個月。《天才蠢蛋》在 2016 年阿德萊德藝穗節獲得「每週最佳馬戲和肢體劇場」獎;此後一直在世界各地巡迴演出。
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演出暨製作團隊
\n\n表演者| 班傑明・史密斯、阿列克西斯・阿克羅瓦塔基斯、湯姆・布蘭德、聖地牙哥・瑞茲・艾巴拉提
\n創作者| 班傑明・史密斯、約翰・賽門・威本、湯姆・布蘭德、聖地牙哥・瑞茲・艾巴拉提
\n美學顧問|彼得・賈斯科
\n舞台美學|嘉士伯・史文斯圖・漢森
\n燈光與音響技術人員|荷西・卡羅斯・費瑞・赫南德斯
\n創作顧問|梅第涅・翁特卡坤
\n創作顧問暨特技教練|巴赫・提摩
\n音樂創作顧問|梅・卡托瑟
\n服裝|麥可・唐厄・凡樂文
\n製作人暨經紀|約瑟芬・林堡/兔子靈機工作室(Follow the Rabbit)與沃夫岡・霍夫曼/新極光(Aurora Nova)
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贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【2019 Weiwuying Circus Platform】 All Genius All Idiot",cover:"424b9f03fd01d367e382754e07ca876b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●Duration is 75 mins.
\n●Performed in English with Chinese surtitles.
\n●The performance contains partial nudity and inappropriate language in the lyrics.
●Suitable for age 15+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n",benefits:'“There is a fine line between the genius and the idiot, similar to the conflict within ourselves: the battle between the instinct and the intellect. The idiot is often equated with stupidity and the instinct with the animalistic. On the other side the genius is often regarded as human and equated with intellectuality. What makes us a genius and what makes us an idiot?”
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Vivid and outrageous in equal measure All Genius All Idiot revels in the absurdities of life, using extreme circus artistry to highlight human behavior at its most animalistic. Svalbard bends the edges of contemporary circus and blends it with theatre, dance and live music to create a truly original piece that you will remember for its surreal quality as well as its awe-inspiring skills and realness. All Genius All Idiot features Chinese pole, aerial rope, hand balance and acrobatics, driven by a hauntingly beautiful and at times bizarre original soundtrack, played live by the performers.
\n\nWe will be all singing all dancing all flying all crying all rocking all genius all idiots!
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Svalbard Company
\n\nSvalbard Company is a circus company that believes in multidisciplinary art and is composed of 4 young international performers (Ben Smith - UK, John Simon Wiborn - Sweden, Tom Brand - Germany, Santiago Ruiz – Spain), currently based in Stockholm.
\nThey trained at various preparatory circus schools before graduating from DOCH in 2014. The team has a multitude of high level skills in various circus disciplines such as vertical rope, Chinese pole, handstands, hand to hand, banquine, clowning, acrobatics and movement/dance.
\nPrevious work includes their collaboration with Animal Religion in site- specific performances such as Chicken Legz that has performed in Tarrega Festival and in Japan.
\nWith Chicken Legz they won both the Moritz prize selected by the professionals attending the festival and the Zirkolika prize for “best staging” of 2014. In February 2015 they did the show “Sifonofor” with Animal Religion that was presented in L`auditori in Barcelona and won Zirkolikas biggest price for best circus show 2015.
\nAll Genius All Idiot is their debut show as a group. It premiered at Jatka 78 in Prague in 2016 followed by sold out performances at London International Mime Festival and a month run at Adelaide Fringe. All Genius All Idiot was awarded ”best circus and physicaltheatre” at the Adelaide Fringe weekly awards in 2016. It has been touring around the world since then.
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Creative and Production Team
\n\nPerformers | Benjamin SMITH, Alexis AKROVATAKIS, Tom BRAND, Santiago Ruiz ALBALATE
\nAuthors | Benjamin SMITH, John Simon WIBORN, Tom BRAND, Santiago Ruiz ALBALATE
\nArtistic collaboration with Peter Jasko
\nScenography| Kasper Svenstrup Hansen
\nLight and sound technician| Jose Carlos Ferrer Hernandez
\nExterior eye| Methinee Wongtrakoon
\nExterior eye/Acrobatic coach| Bahoz Temaux
\nMusical exterior eye| Mae Karthäuser
\nCostume| Michiel Tange van Leeuwen
\nProducer/Agency| Josefin Lindberg/Follow the Rabbit & Wolfgang Hoffman/Aurora Nova
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Support by
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\n',team:""},createdAt:1563002102,updatedAt:1572409182,updatedBy:"通泰系統管理員"},{_id:"5d2997642f7e79000645e6ca",catalogs:["5ce39fbb75fe7e0006bc124b","5d37eb362f7e790006467e9c"],dateTime:{first:1574478e3,discrete:[{time:1574478e3},{time:1574564400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteT9q0kr5QJsaw"}},sliders:[{type:"image",key:"e01c0419e92831d91713ce8748af41ce"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【2019衛武營馬戲平台】一瞬之光・How Long Is Now?",cover:"079bf740f9962a0c59cfad466f76ad84",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
●演出全長約70分鐘,無中場休息。
\n●建議6歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●【套票優惠】購買2019馬戲平台三檔演出各一張(含)以上,享85折優惠。
●生活卡9折
\n\n●青年卡75折
\n\n●適用英雄卡卡友
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"生活道具的無用之用 日常特技的身體實驗\n最無厘頭的當代馬戲狂想!",introduction:'“生活道具的無用之用 日常特技的身體實驗
\n最無厘頭的當代馬戲狂想!”
\n
\n2017 法國外亞維儂藝術節 場場爆滿
\n2019 巴黎布朗利河岸博物館、首爾馬戲節 好評再現
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\n\n\n這個作品一定會在台灣的馬戲史上留名,因為它真正呈現新馬戲的精神。—耿一偉(衛武營國家藝術文化中心戲劇顧問)
\n\n看似反馬戲的無厘頭,將馬戲去脈絡化,反更凸顯了馬戲在生活中的無所不在。—郭強生(東華大學英美文學系教授)
\n\nFOCA福爾摩沙馬戲團抓住了我們社會的日常物件,展現不受限的行為是可能的。—法國藝評人Sophie Pruig
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\n《How Long Is Now?》以精巧的方式提醒著,人類總是看著一個奇怪的角落,去創造一個詩意的作品—法國藝評人Victor Waque
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定格動畫的荒謬日常,百元商店的物件狂想。《一瞬之光:How Long Is Now?》的舞台上,傳統的雜技道具被日常生活物件所取代,從百元商店找來的牙刷水桶澆花器鍋碗瓢盆等「道具」,成了舞台上除了表演者之外的另一個主角,於是馬戲表演跟這些道具之間,產生了新的關係。
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《一瞬之光:How Long Is Now?》將「物件劇場」的概念加入馬戲演出,賦予新的觀看和敘述方式。排練過程中,演員從零開始,將隨手可得的生活道具,玩出身體與物件組合的各種可能,像是從物的外觀、材料特質和功能符號去思考,或關注物的脈絡,或關注物的延伸想像,或改變物的定義,從而發現,人究竟是因為生活型態的需求發明了物件,還是物件改變了我們的生活樣貌?人藉由物件確認了情境與關係,還是物件定義了狀態和脈絡,甚至度量了人與人之間的距離?進而探問:甚麼是馬戲?馬戲的本質是甚麼?日常生活的馬戲場景又會是甚麼?
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演前導聆
\n\n11/23 (六) 10:20-10:40於戲劇院2樓大廳由衛武營國際事務組長張欣怡與余岱融進行演前導聆。
\n11/24 (日) 10:20-10:40於戲劇院2樓大廳由衛武營國際事務組長張欣怡與余岱融進行演前導聆。
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\n演後座談
\n11/24 (日) 演後於戲劇院座席區由衛武營戲劇顧問耿一偉與導演Baboo進行演後座談。
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FOCA福爾摩沙馬戲團
\n\nFOCA福爾摩沙馬戲團成立於2011年,結合傳統文化、在地文化、街頭文化及劇場藝術,以創造屬於臺灣多樣化的當代馬戲藝術為宗旨。FOCA的團隊成員來自各種不同的表演領域,為臺灣唯一擁有超過十位正職團員的民間馬戲團隊。
\nFOCA福爾摩沙馬戲團以多角化的經營模式,創下許多臺灣馬戲的紀錄。不但是第一個登上愛丁堡藝穗節和二度前往外亞維儂藝術節的臺灣馬戲團,也是首個進行海外巡迴的臺灣馬戲團。由於其獨特且多元的美學形式,這些年來FOCA受到國內外廣大觀眾群的喜愛。
\n為了讓當代馬戲在臺灣有更高的能見度,FOCA自2017年開啟馬戲教育推廣計畫,至今完成超過250場推廣講座與工作坊,觸及超過5萬人。
\nFOCA成立以來針對劇場及街頭空間,發展不同的作品,作品編制從單人馬戲秀、精緻藝文作品到大型戶外作品皆有涉略。近年開啟馬戲跨界三部曲計畫,分別與臺灣當代劇場導演Baboo、菲律賓視覺藝術家Leeroy New、德國舞蹈劇場團隊Peculiar Man合作,打開臺灣馬戲表演者以往難以接觸的美學視野,希望透過一系列與不同領域藝術家的合作,找到臺灣當代馬戲的可能性。
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演出暨製作團隊
\n\n製作人|林智偉
\n導 演|Baboo
\n動 作|李宗軒
\n舞 台|吳季璁
\n燈 光|王天宏
\n服 裝|林秉豪
\n音 樂|柯智豪
\n舞 監|郭芳瑜
\n舞台設計執行|鄭烜勛
\n演 員|陳冠廷、張堅豪、黃超銘、羅元陽、郭璟德、徐岳緯、趙偉辰
\n行 政|周盈婷、余岱融
\n行政助理|何致霖
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照片版權|陳藝堂
\n2016臺北藝術節委託製作
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\n贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【2019 Weiwuying Circus Platform】 How Long Is Now?",cover:"079bf740f9962a0c59cfad466f76ad84",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●Duration is 70 mins.
\n\n●Suitable for age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n",benefits:'The Absurd Daily Stop Motion, The Rhapsody of 1$ Shop
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On the stage of How Long Is Now?, traditional circus props are replaced by daily necessities. Those “props” such as mops, plunger, detergents, cans and brushes, became the other leading role other than the performers on stage. Upon that, new relationship came out from circus performers and props.
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The concept of adding the “object theater” into circus in How Long Is Now? endues a new way of seeing and narrative. In the show, the circus performers hide their real skills. They start from developing the possibilities between bodies and objects through daily necessities. For example, they think from the appearance, the characteristic of the material, even the function and its symbol. Or, they follow the context of the objects, extend their imagination upon them, or change the definition of the objects to find out: if human beings invent objects for practical reasons, or the presence of objects change the way we live instead? Do human beings confirm the situation and relationship through objects, or the objects define the condition and the context, even measure the distance between people instead? The temptation further question: What is circus and its essence? What is the circus scene of daily life?
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Formosa Circus Art – FOCA
\n\nFormosa Circus Art – FOCA was established in 2011. Its purpose is to develop the various contemporary circus arts of Taiwan, mixing them with other styles of performance including traditional forms, acrobatics, street culture and theatre arts. FOCA’s team members come from many different fields of performing arts, which makes FOCA the only private circus company in Taiwan that has over ten full-time members.
\nAs a leading circus company from Taiwan, FOCA has set records for many Taiwanese circus in a diversified business model. Not only FOCA was the first Taiwan circus company to enter the Edinburgh Fringe Festival and twice to the Festival d'Avignon Off, it was also the first Taiwan circus company to conduct overseas tours. Due to its unique and diverse aesthetic form, over the years FOCA has been loved by a large number of audiences both overseas and in Taiwan. At the same time, in order to make the contemporary circus more visible in Taiwan, FOCA started the circus education promotion program in 2017, and has completed more than 250 educational/promotional lectures and workshops, reaching more than 50,000 people.
\nFOCA launched "Interdisciplinary Trilogy" project in 2017. By collaborating with different artists including Taiwanese theatre director Baboo, Filipino visual artist Leeroy New and German dance theatre company “Peculiar Man”, FOCA recognizes this process as a way of conversation and learning the ethics and methods from peers among the arts sector, trying to generate and expand the meaning of contemporary circus in Taiwan.
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Creative and Production Team
\n\nProducer | Chih-Wei Lin
\nDirector | Baboo Liao
\nMovement| Tsung-Hsuan Lee
\nStage| Chi-Tsung Wu
\nLighting|Tien-Hung Wang
\nCostume |Bing-Hau Lin
\nMusic | Chih-Hau Ke
\nStage Manager | Fang-Yu Guo
\nExecutive Stage Design|Hsuan-Hsun Cheng
\nPerformer | Kaun-Ting Chen, Chien-Hao Chang, Chao-Ming Huang, Yuan-Yang Lo, Ching-Te Kuo, Yue-Wei Hsu, Wei-Chen Chao
\nAdministrator|Ying-Ting Chou, Tai-Jung Yu
\nAdmin Assistant|Chih-Lin Ho
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Photo by Etang Chen
\nCommissioned by 2016 Taipei Arts Festival
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Support by
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\n',team:""},createdAt:1563006820,updatedAt:1571334727,updatedBy:"通泰系統管理員"},{_id:"5d2c66d02f7e7900064603df",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1573299e3,discrete:[{time:1573299e3},{time:1573367400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500,1800,2200,2800],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteQxhdZY8wCdxg"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c0af715363d261a55b9c110747c44b0a",title:"戲中貴雲與雲嬌演出《魂歸離恨天》由二個女性反串小生,飾演情深義重的結拜兄弟、在《憐香惜玉》中兩人則恢復女兒身,飾演彼此一見鍾情的關係,這二齣戲中戲顯現了兩位才女台上台下的感情糾葛,也帶出一對愛戀中的年輕人是否能突破西皮福路對立,結成良緣。"},{type:"image",key:"e430e8ba7635ec58a00fb31f22004cfd",title:"適逢地方一年一度的廟會做熱鬧,山腳、後庄同時邀請「双雲陞」至廟前鬥戲,双雲陞當紅文武生貴雲與雲嬌,兩人心中各有秘密。"},{type:"image",key:"882dfcbba03fcca38bdff72853134ead",title:"集結戲曲、影視、舞台劇等領域頂尖演員跨界共同演出"},{type:"image",key:"37a2a5cb67f69f42768c163933b072d4",title:"唐美雲歌仔戲團秉持著「承傳統、創新局」的精神,以達到傳統戲曲的藝術最高境界為目標"}],related:[],title:"唐美雲歌仔戲團《月夜情愁》",cover:"6ca1293789c0dda553f05fbaed58c4dc",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:"
●演出全長約170分鐘,含20分鐘中場休息。
\n\n●建議7歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n",benefits:'●生活卡9折
\n\n●青年卡75折
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"行政院文化獎得主 唐美雲\n傳藝金曲獎年度最佳演員獎 小咪\n集結戲曲、影視、舞台劇等領域頂尖演員跨界共同演出",introduction:'行政院文化獎得主 唐美雲
\n傳藝金曲獎年度最佳演員獎 小咪
\n集結戲曲、影視、舞台劇等領域頂尖演員跨界共同演出
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雙和庄山腳與後庄兩個村落隔著荖寮溪相望,山腳為福路派,信奉西秦王爺,後庄為西皮派,信奉田都元帥,兩派因細故結怨,互為仇讎。
\n\n從日返台的留學生嚴一朗和林娟娟分別是福路派和西皮派大佬的兒女,兩人正在熱戀中,甫踏上故鄉,便得面對兩庄惡鬥,無法獲得祝福的隱憂。適逢地方一年一度的廟會做熱鬧,山腳、後庄同時邀請「双雲陞」至廟前鬥戲,双雲陞當紅文武生貴雲與雲嬌,兩人心中各有秘密。
\n\n戲中貴雲與雲嬌演出《魂歸離恨天》由二個女性反串小生,飾演情深義重的結拜兄弟、在《憐香惜玉》中兩人則恢復女兒身,飾演彼此一見鍾情的關係,這二齣戲中戲顯現了兩位才女台上台下的感情糾葛,也帶出一對愛戀中的年輕人是否能突破西皮福路對立,結成良緣。
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演前導聆
\n\n11/09 (六) 18:50-19:10於歌劇院2樓大廳進行演前導聆。
\n11/10 (日) 13:50-14:10於歌劇院2樓大廳進行演前導聆。
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唐美雲歌仔戲團
\n唐美雲歌仔戲團秉持著「承傳統、創新局」的精神,以達到傳統戲曲的藝術最高境界為目標,除延攬歌仔戲界優秀資深演員外,亦致力於提拔新秀及扶植台灣的創作人才。創團二十一年來努力製作精緻、細膩的歌仔戲,推出的作品不僅嘗試多元跨界合作,帶領台灣歌仔戲趨向精緻化,同時保留歌仔古早味給大眾,展現多元文化的美感與意義。
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導演、編劇|邱坤良
\n宜蘭縣蘇澳鎮南方澳人,作家、舞台劇編導、戲劇學、戲劇史學者。法國巴黎第七大學文學博士,中國文化大學歷史研究所博士班研究。曾任國立藝術學院校長、國立臺北藝術大學校長、國立中正文化中心(兩廳院)董事長、文建會主委,現為臺北藝術大學戲劇學系榮譽教授。
編導作品有《月夜情愁》、《關渡元年1991》、《紅旗‧白旗‧阿罩霧》、《一官風波》、《霧裡的女人》及臺中歌劇院開幕儀式《淨˙水》等。
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藝術總監/製作人/主演|唐美雲
\n2018年榮獲行政院文化獎、2012年榮獲第16屆國家文藝獎,為「戲狀元」蔣武童之女,歷經外台、電視、劇場等形式演出。她的表演經歷厚實而完整,唱、作、唸、打、表,紮實不馬虎,因此被譽為「精緻歌仔戲的希望」。唐美雲不僅帶領臺灣歌仔戲趨向精緻化,更大膽嘗試歌仔調和西方交響樂中西合璧,樹立臺灣另類的戲曲文化,充分展現多元文化融合的美感與創造力。
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\n主演|小咪
\n人稱「百變精靈」,出身於歌仔戲家庭,14歲即進入藝霞歌舞劇團,因與生俱來的表演天分和好歌喉,很快地成為當紅台柱。五、六○年代,紅極一時,名揚東南亞;而後轉跨歌仔戲劇場,開拓了她表演生涯的第二春。舞台功底深厚,無論詮釋生、旦、丑各種行當皆活靈活現,是一個全方位的演員。
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演出暨製作團隊
\n\n導演暨編劇|邱坤良
\n藝術總監暨製作人|唐美雲
\n執行導演|吳定謙
\n指 揮|林天吉
\n服裝設計|黃文英
\n舞台設計|王世信
\n燈光設計|曹安徽
\n影像設計|王奕盛
\n表演指導|陳湘琪
\n作曲暨編曲|姬君達、姬易霆
\n編腔設計|陳歆翰
\n北管戲中戲旦行指導|楊蓮英
\n北管戲中戲編排|李文勳
\n書法題字|奚 淞
\n神像雕刻|吳榮賜
\n平面攝影|蔡榮豐
\n演 員|唐美雲、王金櫻、小咪、蔡振南、柯一正、羅北安、劉秀雯、王燦、陳竹昇、余子嫣、郭耀仁、盧志杰、李文勳、唐美雲歌仔戲團聯合演出
\n樂 團|高雄市國樂團
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指導單位|文化部
\n委託製作單位| 國立傳統藝術中心
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其他巡演場次
\n10/24-27 臺北國家兩廳院國家戲劇院(預計8月啟售)
\n12/21-22 臺中國家歌劇院大劇院(預計7月底啟售)
\n購票請洽兩廳院售票系統
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Tang Mei Yun Taiwanese Opera Company“Romancing in the Moonlight”",cover:"6ca1293789c0dda553f05fbaed58c4dc",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:"
●Duration is 170 mins with 20 mins intermission. .
\n\n●Suitable for age 7+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n",benefits:'●10% off for Weiwuying Lifestyle member
\n\n●25% off for Weiwuying Youth member
\n\n●Applicable for Weiwuying Unlimited member
\nFor details, please see Weiwuying Members Benefit
In Shuanghe Township, Fu-lu School and Xi-pi School hold a grudge against each other over some trivial matter. Yan Yi-lang, a Taiwanese student in Japan and the son of the leader of the Fu-lu School, falls in love with Lin Juan-juan, the daughter of the leader of the Xi-pi School. When they come home from Japan, they are forced to face the vicious fighting between the two schools.
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It happens that, with the annual temple festival coming, both two schools invite the Shuang-yun-sheng Theater Troupe to perform in front of the local temple. Yun-guei and Yun-jiao, the most famous xiao-sheng actors of the troupe, each harbors some secret.
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Through the presentation of two operas, Love Lingers On and A Tender Heart, reveals the entanglements of love between the two talented actors and echo the love of the young couple questioning whether they would be able to get through the difficulties and succeed in getting married in the end.
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Tang Mei Yun Taiwanese Opera Company
\nTang Mei Yun Taiwanese Opera Company ‘s mission of “Preserving Traditions while Seeking the Innovations” keeps upgrading the traditional opera to the level of exquisite art. In addition to Recruiting outstanding senior actors in the Taiwanese Opera industry, the troupe is also committed to promoting up-and-coming youngsters and fostering creative talent in Taiwan. Over the past 21 years, the group has made great efforts to produce exquisite operas. The productions not only try diversified and cross-border cooperation, but also lead the Taiwanese Opera to be more refined, and retain the original styles of Taiwanese Opera to the public, showing the beauty and significance of diverse cultures.
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Artistic Director and Producer|Tang Mei-yun
\nAs the daughter of the “Champion of Taiwanese Opera” has experienced the performances in open-air, TV and Theatre, crossover between movie, drama and opera. In 2018, Tang mei-yun has been honored by the 16th National Award for Arts, and won 38th National Cultural Award in 2018. Her acting experience is plentiful and integrated, both singing and acting skills are excellent, so she is praised as the “Hope of delicate Taiwanese Opera.” Tang mei-yun has not only led Taiwanese Opera to be more refined, but also made a bold attempt to harmonize western symphonies and traditional opera tunes, so as to set up Taiwan's distinctive opera culture and fully show the beauty and creativity of multi-cultural integration.
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Performer|Hsiao-mi
\nHaving grown up in a family performing Taiwanese operas, she joined the E-sha Group at the age of 14. After gaining experience onstage, she became the main player within the E-sha Group and was admired domestically and throughout the Southeast Asia in 1960s and 70s. Then she joined the performances of Taiwanese opera and inaugurated the second stage of her career. With her substantial training in stage work, Hsiao-mi is versatile in every genre of characters.
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Creative and Production Team
\n\nDirector and Playwright|Chiu Kun-liang
\nArtistic Director and Producer|Tang Mei-yun
\nExecutive Director|Wu Ding-chian
\nConductor|Lin Tien-chi
\nCostume Design|Huang Wen-ying
\nStage Director|Wang Shih-hsin
\nLighting Design|Tsao An-hui
\nImage Director|Wang I-sheng
\nRingmaster|Chen Hsiang-chi
\nCompose|Chi Chun-ta, Chi I-ting
\nVocal Compose|Chen Hsin-han
\nInstructor of the female character of “plays within the play” in Beiguan opera|Yang Lien-ying
\nArrange of “plays within the play” in Beiguan opera|Li Wen-hsun
\nCalligraphy|Hsi Sung
\nIdol Sculpt|Wu Jung-tzu
\nStill Photography|Tsai Jung-feng
\nPerformer|Tang Mei-yun, Wang Chin-ying, Hsiao-mi, Tsai Chen-nan, Ko Yi-cheng,Lo Pei-an, Liu Hsiu-wen, Wang Tsan, Chen Chu-sheng, Yu Tz-yen, Kuo Yao-jen,Lu Chih-chieh, Li Wen-hsun, Tang Mei Yun Taiwanese Opera Company
\nOrchestra|Kaohsiung Chinese Orchestra
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\n',team:""},createdAt:1563190992,updatedAt:1573219647,updatedBy:"葉奕萱"},{_id:"5d37bef22f7e790006467c7f",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1575113443,discrete:[{time:1575113443}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductId=rotyiUrPteQIXVb1hZCEaQ"}},sliders:[{type:"image",key:"7d9c87b5d2b4a3d3390217d1b36b24c2"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"巔峰之作— 鋼琴三重奏",cover:"7d9c87b5d2b4a3d3390217d1b36b24c2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●非主辦節目,會員折扣請見下方「會員優惠」說明。
\n●演出全長約100分鐘,含中場休息20分鐘。
\n●建議7歲以上觀眾觀賞,7歲以下觀眾需家長陪同。
\n●遲到觀眾須遵循工作人員指示入場。
●生活卡9折
\n\n●青年卡9折
\n●無限卡9折
\n※以上優惠最低票價除外
本次音樂會將呈獻兩首風格迥異、對比強烈,但同樣不朽的室內樂作品,並透過推廣講座音樂會(雲林場) 以及正式音樂會(高雄場)的方式呈現。 第一首降B大調《大公》是貝多芬在逐漸失聰的創作中期的一部高貴莊嚴作品;第二首則是捷克作曲家史麥塔納將失去妻兒的創痛化為創作,譜下濃烈深刻的G小調鋼琴三重奏。命運的安排,讓兩位傑出的作曲家在中年都面臨失聰的折磨, 但也造就了如此獨一無二的巔峰之作。
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演出曲目:
\n\n1.Ludwig van Beethoven (1770-1827) Piano trio in B-flat Major, Op. 97 “Archduke”
\n貝多芬:降B大調第七號鋼琴三重奏「大公」,作品97
Allegro moderato 中庸的快板
\nScherzo: Allegro 詼諧曲:快板
\nAndante cantabile ma però con moto 如歌的行板但速度略快
\nAllegretto moderato 中庸的快板
\n2.Bedřich Smetana (1824-1884) Piano trio in G minor, Op. 15
\n史麥塔納:G小調鋼琴三重奏,作品15
Moderato assai 相當的中板
\nAllegro, ma non agitato 快板,但不激動的
\nFinale: Presto 急板
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曲目介紹:
\n貝多芬 降B 大調《大公》三重奏是一首高貴莊嚴的作品。貝多芬將此曲獻給他的學生、摯友及伯樂-魯道夫大公( Archduke Rudolf of Austria)。這位與貝多芬相差十八歲的維也納年輕貴族,在貝多芬最困苦時伸出了援手,給與他穩定的生活資助,讓他無後顧之憂的專心創作。《大公》三重奏相較於其他同期的作品,少了衝突與對立;在優美的旋律中,充滿了尊貴大氣風範。然而優雅宏偉的同時,仍具備作曲家富創意的調性轉換以及張力。 這也是貝多芬在逐漸失聰的創作中期最偉大的作品,帶領聽眾感受無限昇華的樂音。捷克作曲家史麥塔納的鋼琴三重奏完成於1855年,創作動機是史麥塔納永遠的痛:短短的兩年內,他失去了三個女兒,妻子臥病在床不久即離世;而年紀四歲半的大女兒Bedriška無預警的離世更讓他陷入難以平撫的哀傷中。 在這段日子裏,史麥塔納發揮波希米亞的特質,將強烈而深刻的情感化為創作,勇於展現心中深深的叩問,並在悲慟的情緒下,全心投入寫下了他一生中最濃烈傑出的作品。命運的安排,讓兩位傑出的作曲家在中年都面臨失聰的折磨, 但也造就了如此獨一無二的光輝之作。
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演出人員簡介:
\n小提琴|李宜錦
\n以碩士學術科特優獎畢業於新英格蘭音樂學院,精湛琴藝屢獲國際樂壇肯定,歷年來曾經先後獲得Musicorda Concerto 大賽首獎、Fischoff 國際室內樂競賽銀牌等獎項。亦曾受邀參加泛太平洋音樂季、坦格塢音樂季、德國什列斯威-霍爾斯坦音樂節及日本霧島國際音樂祭。致力於推廣現代音樂及涉獵各領域演出,累積豐富而多元的舞台經驗。曾任國家交響樂團NSO首席十餘年。現為國立台北藝術大學音樂系專任副教授。
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大提琴|高炳坤
\n演出領域廣泛, 從古典、現代、民族及另類流行音樂均有涉獵 。音樂足跡遍及亞洲,北美洲,及歐洲。自青少年時期屢獲全額獎金受邀參與歐美著名音樂節,並於各類比賽獲得多項獎項。2011年與吳亞欣組成之二重奏獲義大利第九屆International Music Competition Premio“CittadiPadova”室內樂首獎。現為國立台北藝術大學音樂系專任助理教授並任職於國立台灣師範大學。
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鋼琴|王佩瑤
\n畢業於美國寇提斯音樂院和耶魯大學研究所。曾為林肯中心長駐室內樂鋼琴家,林肯中心室內樂協會新銳成員 (Chamber Music Society,CMS Two),於美國主要演奏廳院演出上百場。2006年起曾受聘擔任紐約大都會歌劇院聲樂指導。所參與製作並發行DVD的歌劇《原子彈之父》(Doctor Atomic),於2012年2月榮獲美國葛萊美最佳歌劇錄音獎。
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其他巡演場次
\n11/09 雲林聲泊廳
\n11/10 雲林聲泊廳
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\n\n
\n",team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Pinnacle – Piano Trio",cover:"7d9c87b5d2b4a3d3390217d1b36b24c2",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●Weiwuying membership discount please see below list.
\n●Duration is 100 mins with 20 mins intermission.
\n●Suitable for age 7+
\n●Latecomers must follow staff instructions for entry and re-entry.
●10% off for Weiwuying Lifestyle member
\n●10% off for Weiwuying Youth member
\n●10% off for Weiwuying Unlimited member
※Discount is not applied to Lowest price.
\n",description:"This concert features two seminal works in the genre of piano trio. The celebrated “Archduke” by Ludwig von Beethoven evokes a noble and grandiose quality, just as the title suggests. In contrast, Bedřich Smetana’s only piano trio shows daring Bohemian instincts, revealing strong and deep emotions of both despair and tender experienced by the composer. ",introduction:'This concert features two seminal works in the genre of piano trio. The celebrated “Archduke” by Ludwig von Beethoven evokes a noble and grandiose quality, just as the title suggests. In contrast, Bedřich Smetana’s only piano trio shows daring Bohemian instincts, revealing strong and deep emotions of both despair and tender experienced by the composer.
\n\n\n\n
Program
\n\n1.Ludwig van Beethoven (1770-1827) Piano trio in B-flat Major, Op. 97 “Archduke”
\n2.Bedřich Smetana (1824-1884) Piano trio in G minor, Op. 15
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Violin /I-Ching Li
\nI-Ching has served at the National Symphony Orchestra of Taiwan since 2004 as the concertmaster. She enjoyed having a multifaceted career as soloist, orchestra member, chamber musician and teacher. She has won prizes including including Musicorda Concerto Compeitition, Massachusetts String Teacher Competition, Heida Hermann Interna-tional Compeition, and among others. She has premiered the works of Grammy Award Winner John Corgliano, Alan Fletcher, John Harbison, Susan Botti. Ms. Li recently devoted herself on music educational concert and participated on production on NSO Kids Series Concert “Mommy’s Stories” and recorded an album “The Naughty Mozart”.
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Cello / Victor Coo
\nVictor Coo has established himself as a chamber musician, recitalist, soloist, and educator. Performing frequently with various ensembles and collaborating with musicians and other artists from different fields in the arts, he braves himself in challenging musical languages from Early Music to 21st Century Music, while having interest in classical, folk, and alternative music from different countries and traditions. With a strong interest in education, Mr. Coo has held master classes and lectures both in Taiwan and Philippines. Currently a cello faculty at the Taipei National University of the Arts and National Taiwan Normal University.
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Piano / Pei-Yao Wang
\nPei-Yao Wang was widely in demand as a soloist, chamber musician, vocal coach as well as producer. As a chamber musician, she has performed with numerous world renown string quartets as well as instrumentalist. As a graduate of the Metropolitan Opera Lindemann Young Artist Program, Ms. Wang has worked with various noted conductors, as well as over 30 opera productions in the US and Taiwan. Her involvement in the production of “Doctor Atomic” by John Adams received the Grammy Award in 2011.Ms. Wang has commissioned and premiered over 20 solo and chamber works in the past. She made her conducting debut in 2017 at the National Concert Hall in Taipei, Taiwan, premiering 7 vocal works by Taiwanese female composers. In 2019-2020 season, Ms. Wang will be featured in performances around the world, including Netherlands, United States, Japan and China.
\n',team:""},createdAt:1563934450,updatedAt:1565771816,updatedBy:"葉奕萱"},{_id:"5d411fe42f7e79000646e09b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1575111600,discrete:[{time:1575111600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1800,2100,2400,2700,3e3,3300,3600,3900,4800],link:"https://www.ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N05HB31H"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9bd627fd178c5a81980e0f4506558ebe",title:"青少年音樂計畫 ─ 安-蘇菲 · 慕特"},{type:"image",key:"d8deeaa2b3313761d53ac939cae9dac9",title:"安-蘇菲 · 慕特"}],related:[],title:"青少年音樂計畫 ─ 安-蘇菲 · 慕特",cover:"8606946cc62565870dd10c44e5030002",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n\n●演出全長約110分鐘,含中場休息20分鐘。
\n●建議6歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●主辦:牛耳有限公司。
小提琴天后 安-蘇菲‧慕特音樂會
\n\n小提琴天后安-蘇菲‧慕特屹立樂壇數十載,走遍世界知名音樂廳、琴音感動跨世代人心,也深深啟發了無數習琴學子。2019年第12度訪臺,慕特將親獻三首貝多芬經典小提琴奏鳴曲,與臺灣樂迷分享數十年時光的領會。16歲時,慕特與恩師–指揮帝王 卡拉揚合作的貝多芬協奏曲錄音,至今仍為樂迷津津樂道。1998年,她與鋼琴搭檔藍伯特攜手錄製「貝多芬小提琴奏鳴曲」全集,獲得葛萊美獎殊榮,亦是許多樂迷的必收名盤!今年11月訪臺,慕特將獻上最經典的貝多芬奏鳴曲,以天后風範再現古典樂派美好樂章!
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演前導聆
\n11/30 (六) 18:10-18:40於音樂廳三樓大廳由賴偉峯先生進行演前導聆。
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演出曲目
\n\n貝多芬:a小調小提琴奏鳴曲,作品23
\n貝多芬:F大調小提琴奏鳴曲,作品24 《春》
\n貝多芬:A大調小提琴奏鳴曲,作品47《克羅采》
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演出團隊
\n\n小提琴|安-蘇菲‧慕特
\n鋼琴|藍伯特‧歐爾吉斯
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照片版權| Herald Hoffmann DG、MONIKA HÖFLER
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Anne-Sophie Mutter Violin Recital",cover:"8606946cc62565870dd10c44e5030002",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 110 mins with 20 mins intermission.
\n\n●Suitable for age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
●Organized by The Management of New Arts
\n",benefits:"",description:" ",introduction:'Anne-Sophie Mutter is a musical phenomenon: for more than 40 years the virtuoso has now been a fixture in all the world’s major concert halls, making her mark on the classical music scene as a soloist, mentor and visionary.
\n\nAt the age of 16, Mutter and her mentor, Maestro Herbert von Karajan collaborated on an phenomenon Beethoven violin concert record. In 1998, she released Grammy award-winning album of complete Beethoven violin sonatas with pianist Lambert Orkis.
\n\nThis November, as her 12th visit to Taiwan, Mutter will perform three violin sonata written by L. Beethoven, sharing her thoughts and music ideals with audience in Taiwan.
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Program
\n\nBeethoven: Violin Sonata in a minor, op. 23
\nViolin Sonata in F Major, op. 24 "Spring"
\nViolin Sonata in A Major, op. 47 "Kreutzer"
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Cast
\n\nViolin|Anne-Sophie Mutter
\nPiano|Lambert Orkis
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\n',team:""},createdAt:1564549092,updatedAt:1574907589,updatedBy:"葉奕萱"},{_id:"5d413f6c2f7e79000646e1f9",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1575181800,discrete:[{time:1575181800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,2e3],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductId=rotyiUrPteTQMaB5Gw1cJQ"}},sliders:[{type:"image",key:"a14472a2c460dea85e360be046f7a36c"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"時空迴響-華特凡豪瓦&邱聖芳 木笛演奏會",cover:"94bb6ed4e657821aba2e5be9ab0ea731",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n\n●演出全長約100分鐘,含中場休息15分鐘。
\n●建議4歲以上觀眾觀賞,7歲以下孩童需家長陪同。
●遲到觀眾須遵循工作人員指示入場。
\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●主辦:大樹下木笛樂團
本場音樂會隆重邀請到木笛界祖師巨擘—華特凡豪瓦與臺灣新生代木笛演奏家—邱聖芳合作演出,特別選擇了文藝復興、巴洛克以及現代音樂精華一次展現,跨時代的曲目組合,由有兩位來自不同時代與背景的木笛演奏家跨世代演繹。兩位演出者基於對木笛與音樂的執著和熱忱,透過木笛分享一系列文藝復興時期至21世紀經典曲目,穿越時空摩擦出不同凡響的火花。
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演出曲目
\n\n莫雷:幻想曲
\n凡˙羅森達爾:迴旋
\n凡˙艾克:組曲
\nC.Ph.E.巴赫:A小調無伴奏長笛奏鳴曲
\nJ.S.巴赫:《平均律鍵盤曲集》前奏曲
\n尹伊桑:牧野訪客
\n歐特泰爾:B小調組曲,作品4
\n泰勒曼:長笛幻想曲
\n貝里歐:動勢
\n泰勒曼:二重奏鳴曲
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演出暨製作團隊
\n\n主辦|大樹下木笛樂團
\n協辦|歐普思音樂藝術
\n承辦|臺中市大樹下音樂工作坊
\n贊助|音樂園文化有限公司
\n演出者|華特‧凡豪瓦、邱聖芳
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Walter van Hauwe & Sheng-Fang Chiu Duo Concert",cover:"94bb6ed4e657821aba2e5be9ab0ea731",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 100 mins with 15 mins intermission.
\n\n●Suitable for age 4+.Children under age 7 need to be accompanied by an adult.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
●Organized by BIG TREE RECORDER GROUP
\n",benefits:"",description:"Walter van Hauwe&Sheng-Fang Chiu Recorder Recital",introduction:'ResoundA cross-cultural musical encounter brought together by Walter van Hauwe, one of the most ground-breaking and influential recorder players and pedagogues of the past 50 years and renowned young Taiwanese recorder player Sheng-Fang Chiu. Combining both traditional and avant-garde recorder literature, Van Hauwe and Chiu present a collection of timeless compositions throughout the Renaissance, Baroque era and the 20th century, making a unique journey beyond time and space.
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Program
\nThomas Morley (c.1557-c.1602): Fantasies
\nJan Rokus van Roosendael (1960-2005): Rotations
\nJacob van Eyck (c.1590-1657): Medley
\nCarl Philipp Emanuel Bach (1714-1788): Flute Sonata in A minor, H.562C.Ph.E.
\nJohann Sebastian Bach (1685-1750): 2 Praeludiums from The Well-Tempered ClavierJ.S.
\nIsang Yun (1917-1995): The Visitor of the Idyll
\nJacques-Martin Hotteterre (1674-1763): Suite in B minor, Op.4
\nGeorg Philipp Telemann(1681-1767): Fantasia for flute
\nLuciano Berio(1925-2003): Gesti
\nGeorg Philipp Telemann(1681-1767): Sonata 5 TWV 40:104
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Creative and Production Team
\n\nPresenter|BIG TREE RECORDER GROUP
\nPerformer| Walter van Hauwe、Sheng-Fang Chiu
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\n',team:""},createdAt:1564557164,updatedAt:1564569362,updatedBy:"葉奕萱"},{_id:"5d5d0943f88e4b0006deaf9f",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1573731e3,discrete:[{time:1573731e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1200,1500,2100,2400,2700,3e3,3300,3600,3900,4800],link:"https://www.ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N05S4DQ8"}},sliders:[{type:"image",key:"16383f5723d905e2a8b58b4e3c4948cc"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"音樂大師 久石讓",cover:"08ad733bfe368f94f284a5c06c5a5180",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
●非主辦節目,恕不適用衛武營會員優惠活動。
\n●8/22(四)中午12:00起開放預購,詳情請見牛耳藝術官網。
●演出全長約100分鐘,含中場休息20分鐘。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●主辦:牛耳藝術
一期一會的交響盛宴,樂迷殷殷期盼的音樂大師久石讓 回來了!
\n\n這個時代的重要標誌——以電影配樂享譽國際的久石讓,其獨特音樂風格總是觸動人心、喚起觀眾的成長歲月。今年11月大師再訪,上半場帶來《神隱少女》全新編曲交響組曲,將奇幻異世界重新構築,要讓樂迷「找回自己的名字」。
\n\n下半場,大師攜手NSO國家交響樂團,獻演馬勒:第一號交響曲,龐大的編制、氣勢磅礴的豐沛能量,久石讓大師將演繹經典,引領樂迷走進古典交響樂的新境界。
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演出曲目
\n\n久石讓:《神隱少女》交響組曲
\n馬勒:第一號交響曲
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演出團隊
\n\n指揮|久石讓
\n樂團|NSO國家交響樂團
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\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"JOE HISAISHI CONCERT",cover:"08ad733bfe368f94f284a5c06c5a5180",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 100 mins with 20 mins intermission.
\n\n●Age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
●Organized by The Management of New Arts
\n",benefits:"",description:"Joe Hisaishi: Spirited Away Suite ",introduction:'\n\n
Program
\nJoe Hisaishi: Spirited Away Suite
\nMahler: Symphony No.1
\n\n
Cast
\n\nConductor|Joe Hisaishi
\nOrchestra|National Symphony Orchestra
\n\n
\n\n
\n\n
\n',team:""},createdAt:1566378307,updatedAt:1570089668,updatedBy:"通泰系統管理員"},{_id:"5d5d0d26f88e4b0006deafe7",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1575113400,discrete:[{time:1575113400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,700,900,1200,1500,1800,2200,2500],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductId=rotyiUrPteTHMHVlxtFC5g"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"eb2291e24d906d7ceb063fd1504605c9",title:"故事工廠《七十三變》"},{type:"image",key:"51e53bfc1840a1f4fcf18dbe32ec7fee",title:"故事工廠《七十三變》"}],related:[],title:"故事工廠《七十三變》",cover:"be26dd6996a16f9ef3ff3fb50a0d4769",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
●非主辦節目,會員折扣請見下方「會員優惠」說明。
\n\n●演出全長約120分鐘。
\n●建議12歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●更多優惠、注意事項請見兩廳院售票網。
●主辦:故事工廠 02-29115600
\n',benefits:"發想自國寶級京劇大師 朱陸豪的生平故事
\n
這一次,他能否變回自己?
\n編導 王靖惇 藝術總監 黃致凱 監製 林佳鋒
\n
\n陸天好決定不再唱京劇之後, 到了公關公司上班,過去飾演「美猴王」成名的他, 卻因提不出「七十二變」手遊發表的企劃,被老闆罵得狗血淋頭。
\n原來,天好曾與父親大吵一架,連父親特別為他煮的麵都沒吃就憤而離去,那一晚,父親過世。 自責如五指山重重壓住他……天好再也無法登台。 天好演了一輩子的孫悟空,沒想到,最後的登台竟是為了手遊發表會?
\n父親的期待是天好想掙脫的緊箍咒,美猴王的第七十三變,這一次,他能否變回自己?
\n\n\n\n
\n\n
演出暨製作團隊
\n【演員】
\n朱陸豪、楊麗音、苗可麗、林子恆、
\n劉珊珊、梁允睿、陳以恩、李家德
\n特別演出│游安順
\n\n
【工作團隊】
\n\n監製│林佳鋒
\n藝術總監│黃致凱
\n製作人│江智慧、王宣琳
\n編導│王靖惇
\n舞台設計│廖音喬
\n服裝造型設計│靳萍萍
\n燈光設計│盧建安
\n音樂設計│柯智豪
\n影像設計│黃仁君
\n主視覺設計│方序中、畢展熒、吳建龍(究方社)
\n攝影│柯曉東
\n舞台監督│林世信
\n\n
\n\n
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"eb2291e24d906d7ceb063fd1504605c9",title:"故事工廠《七十三變》"},{type:"image",key:"51e53bfc1840a1f4fcf18dbe32ec7fee",title:"故事工廠《七十三變》"}],related:[],title:"The Man, the Boy, and the Monkey King",cover:"be26dd6996a16f9ef3ff3fb50a0d4769",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:"
●Weiwuying membership discount please see below list.
\n\n●Duration is 130 mins.
\n●Age 12+.
●Latecomers must follow staff instructions for entry and re-entry.
\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
●Organized byStory Works +886-2-291-15600
\n",benefits:"In the renowned Chinese classical novel, Journey to the West, the protagonist Sun Wukong (the Monkey King) has immense power and the ability to transform into 72 different forms. He aids a monk named Tang Sanzang on a pilgrimage westward to retrieve the Buddist sutras. Once an unruly beast, Sun Wukong wears a magical circlet given by the Budda that he can never take off. When Tang Sanzang chants a certain sutra, the circlet will tighten and cause unbearable pain. By doing so, Tang Sanzang is able to tame Sun Wukong.
\n\nBased on the classic Chinese novel, The Monkey King is a famous Peking opera play centered on the role of Sun Wukong.
\n\n\n\n
The protagonist of the play is Lu Tian-Hao. Once a celebrated Peking opera star devoted his entire life to playing the lead role of The Monkey King, Tian-Hao decides to quit and works at an advertising agency. The agency is promoting an upcoming mobile game titled “72 Transformations”, which is inspired by Journey to the West and Sun Wukong’s ability to transform into 72 forms. Even though Tian-Hao knows the story like the back of his hand, he is unable to offer a proposal to advertise the game.
\n\nAs the play unfolds, the audience finally learns that Tian-Hao decides to quit performing because he feels responsible for his father’s death. Like the magical circlet that Sun Wukong wears, Tian-Hao’s life is shaped by his strict father’s expectations. His father has extremely high expectations for him as a performer ever since he was a child. Once, Tian-Hao quarreled with him over a mistake he made on stage. In a fit of rage, Tian-Hao stormed out of the house without eating the noodles prepared by his father, an unspoken but loving gesture from him. That night, his father passed away. Devastated and burdened with guilt, Tian-Hao was unable to perform again.
\n\nTian-Hao lived and breathed Peking Opera. Who would have thought his final performance will be for the promotion of a mobile game? In his last magic transformation, would he be able to regain himself?
\n\n\n\n\n\n
\n\n
Creative and Production Team
\n\n[Cast]
\nChu-Lu Hao, Yang-Li Yin, Ke-Li Miao, Zi-Heng Lin,
\nShan-Shan Liu, Inred liang, Yi-En Chen, Chia-De Lee
\nSpecial Appearance | An-Shun Yu
\n\n
[Creative]
\nExecutive Producer│Chia-Feng Lin
\nArtistic Director│Chih-Kai Huang
\nProducer│Chih-Hui Chiang, Hsuan-Lin Wang
\nPlaywright-director│Ching-Chun Wang
\nSet Designer│Yin-Chiao Liao
\nCostume Designer│Ping-Ping Chin
\nLighting Designer│Chian-Ann Lu
\nSound Designer│Blaire Ko
\nImage Design│Jen-Chun Huang
\nKey Visual Design│Joe Fang Studio
\nPhotographor│Hsiao-Tung Ko
\nStage Manager│Shih-Hsin Lin
\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1566379302,updatedAt:1647846778,updatedBy:"林蔚行",host:!1},{_id:"5d650aa976b85d00063fe4d5",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1573367400,discrete:[{time:1573367400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1500,1800],link:"https://www.ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N05S8J1T"}},sliders:[{type:"image",key:"53d5d7e26a959a2acdb4a00e68462319"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"「音樂的繪本‧動物樂團」 花園舞會",cover:"be2d40a5f2caaa01d7ee296f7f243043",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n●演出全長約90分鐘,含中場休息15分鐘。
\n●遲到觀眾須遵循工作人員指示入場。
\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
●主辦:意傑藝術股份有限公司
\n",benefits:"",description:"秋季就和動物樂團一起,在花園翩翩起舞吧~",introduction:'秋季就和動物樂團一起,在花園翩翩起舞吧~
\n\n\n\n
在日本已經長紅十餘年的親子音樂會龍頭-『音樂的繪本 動物樂團』,在臺灣的親子市場也早已累積不少忠實的粉絲。這個主打「以繪本形式的音樂會,讓親子能培養共同的興趣,建立起溝通的橋樑」的親子音樂會,在2019年秋季,銅管兄弟們將帶著弦樂兔四重奏、蝶仙子二重奏一起來臺,為孩子帶來最優雅的花園舞會
\n\n\n\n
演出暨製作團隊
\n\n演出|音樂的繪本 動物樂團
\n藝術總監|大塚治之
\n舞台監督|沈子傑
\n舞臺經理|石本彩子
\n主持人|李靜怡
\n\n
\n\n
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Zoorasianbrass 《Premium 》",cover:"be2d40a5f2caaa01d7ee296f7f243043",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 90 mins with 15 mins intermission.
\n\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n",benefits:"",description:"Let's have a garden party with Zoorasianbrass -Zoorasianbrass Taiwan tour fall 2019",introduction:'Let's have a garden party with Zoorasianbrass -Zoorasianbrass Taiwan tour fall 2019
\n\n\n\n
The “Zoorasianbrass, The Picture Book of Music - Animal Orchestra” is a revolutionary classical music concert designed to be enjoyed by both young and old and has already had a highly reputation in Japan for over decade, and well-known in Taiwan.We hope that through the concert ,families can cultivate same interests and build up a communications between parents and children.
\n\nZoorasianbrass ,Tsuru Usagi,Kotofue Papillon will return and have a garden party with audience in fall 2019.
\n\n\n\n
Creative and Production Team
\n\nPerformer | Zoorasainbrass , Tsuru Usagi, Kotofue Papillon
\nProducer | Haruyuki Otsuka
\nStages | Tzu Chieh SHEN
\nStage Manager | Ayako Ishimoto
\nMC | I Ching Lee
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1566902953,updatedAt:1566987467,updatedBy:"葉奕萱"},{_id:"5d6f62d776b85d00064050c2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1574767800,discrete:[{time:1574767800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3,2500],link:"https://www.ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N05R2VV2"}},sliders:[{type:"image",key:"4c7b9d541da5664d9b767608a5a78b28"},{type:"image",key:"e7ec325f9c0f732b8a2169aa87eff526"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"阿姆斯特丹皇家大會堂管弦樂團銅管樂團音樂會",cover:"4c7b9d541da5664d9b767608a5a78b28",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
●非主辦節目,會員折扣請見下方「會員優惠」說明。
\n\n●演出全長約95分鐘,含中場休息20分鐘。
\n\n●建議7歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n\n●退換票事宜請參閱主辦官網或電洽04-2338-0677。
\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
●主辦單位保有節目異動權利。
\n●主辦:文生音樂藝術04-2338-0677
※限文生音樂藝術購票
\n\n銅管音樂藝術的極致表現
\n\n\n\n
國內樂迷期盼多年,皇家大會堂管弦樂團銅管樂團 (RCO Brass,Brass of the Royal Concertgebouw Orchestra)即將於11月首度訪台,罕見的超強演出陣容,演出曲目更是國內聽眾鮮少能現場聆聽的精彩樂曲,音樂會將於媲美皇家大會堂的衛武營國家藝術文化中心音樂廳舉行,頂尖的樂團在完善的表演空間,如魚得水的盡情創造銅管藝術極致。
\n\n\n\n\n\n
\n\n
演出曲目
\n\n蕭士塔高維契:節慶序曲
\n蘇薩托:文藝復興時期舞曲
\n巴赫:沉睡者醒來吧!守夜者在呼喚我們
\n巴赫:第三號布蘭登堡協奏曲
\n葛拉能:音樂會組曲
\n華格納:〈艾爾莎走向大教堂〉,選自歌劇《羅恩格林》
\n威爾第:命運之力序曲
\n韓德爾:席巴女王進場
\n巴赫:耶穌,人類的希望喜悅
\n皮亞佐拉:布宜諾斯艾利斯的瑪麗亞組曲
\n蓋西文:組曲
\n\n
演出團隊
\n\n小號 |奧馬‧湯瑪索尼、米羅斯拉夫‧佩特柯夫、朱利安農‧松莫哈德、亞戈‧戶尼齋
\n長號 |約爾亨‧范‧萊恩、尼寇‧斯契柏希、馬丁‧斯契柏希、 雷蒙‧孟雷貢
\n法國號│勞倫斯‧沃登柏格、凱蒂‧伍莉
\n低音號│貝利‧賀亨齋
\n\n
\n\n
\n\n
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Brass Ensemble of RCO 2019 Concert",cover:"0e2609f4e86d4b9de9842878b5f469f1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 95 mins with 20 mins intermission.
\n\n●Age 7+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n●Organized by Vincent Music & Arts +886-4-2338-0677
Brassissimo
\n\n\n\n
Members of the Brass Ensemble of the Royal Concertgebouw Orchestra are known performers and teachers around the world. Most of the members teach at Dutch and foreign top music institutes and perform often as soloists.The RCO Brass has inspired various composers to write works especially for this ensemble. Detlev Glanert, Henny Vrienten, Nick Woud (solo timpanist of the RCO) and the American composers Benjamin Boyle and Ralph Mostel have composed works for the ensemble. In 2007 they presented their first CD, Brass of the Royal Concertgebouw Orchestra, released on the RCO Live-label of the Royal Concertgebouw Orchestra. A second CD, Brass Too, was released in October, 2014. Many of their performances have been broadcast at home and abroad.They are active on various social media accounts where they share content with around 50k followers.
\n\n\n\n\n\n
\n\n
Program
\n\nJ.S. Bach, arr. C. Mowat:Brandenburg Concerto No.3 in G major
\nR. Wagner, arr. H. Jeurissen:Eine sonate für das Album von Frau M.W.
\nG. Verdi, arr. C. Holding:Overture from La Forza del Destino
\nG.F. Handel, arr. P. Archibald:The arrival of the queen of Sheba
\nJ.S. Bach, arr. E. Crespo:2 Chorale“Jesus bleibet meine Freude”、“Wachet auf, ruft uns die Stimme”
\nA. Piazzolla, arr. S. Verhelst:María de Buenos Aires Suite
\nG. Gershwin, arr. Bissill:Gershwin selection
\nC. Hazel:Mr. Jums
\n\n
\n\n
\n\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1567580887,updatedAt:1571729498,updatedBy:"葉奕萱"},{_id:"5d7260f09d44330006a9c23b",catalogs:["5d805ce3bc4d70000635a2c4"],dateTime:{first:1573275600,discrete:[],type:"continuous",continuous:{time:[1567746e3],endTime:[1567762200],start:1573228800,end:1573315200}},activity:{type:"ticket",ticket:{price:[500],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteR6moSUCPwty"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"695e3bec03a165909a86badf79ef9217",title:"《迷走旅行團》宣傳主視覺"}],related:[],title:"【高雄雄厲害】迷走旅行團",cover:"695e3bec03a165909a86badf79ef9217",site:{isOther:!0,site:"",other:"衛武迷迷村"},cautions:'
●本節目需提前取票,現場無法提供取票服務。
\n\n●本節目為沉浸式劇場,觀眾需跟隨演出者或故事聲音指示移動,無座位提供。
\n●請提前10分鐘到場,聽取行前說明。
●演出長度約50分鐘,無中場休息。
\n\n●因應本次表演中結合「聲音引導」之音訊軟體要求,請確認手機系統規格為iOS 12.1 以上,android 8 以上,並請自備耳機與耳機轉接頭。
\n\n●建議12歲以上觀眾。
\n●【團購方案】購票同場次,單筆訂單10張(含)以上享85折優惠。
●生活卡9折
\n\n●青年卡75折
\n●無限卡9折
●適用英雄卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"故事從撿到一本夾著失物招領的筆記本開始,筆記本有著凌亂的數字和地圖,而失物招領的單子上,卻寫著「遺失的旅行團」?他們為什麼消失?又為何有這些奇怪的數字?他們發生了什麼事?",introduction:'「衛武營高雄雄厲害」系列本著使高雄與衛武營互相通透,讓衛武營成為高雄的舞台,而高雄成為衛武營的養分的重大使命,邀請各界藝術家,在高雄收納街景、體會城市,將整個高雄作為素材,盡情揮灑創作,再帶回衛武營的舞台上呈現,喚起那些屬於高雄的美好時光與記憶!
\n
\n《迷走旅行團》
時空旅行團 挑戰戶外版實境解謎
\n\n一整個旅行團,大約數十人,分成兩隊包括領隊在內,好像還有一名沒報名的跟隨者,他們消失在這裡。
\n故事從撿到一本夾著失物招領的筆記本開始,筆記本有著凌亂的數字和地圖,而失物招領的單子上,卻寫著「遺失的旅行團」?他們為什麼消失?又為何有這些奇怪的數字?他們發生了什麼事?
參加者將運用導覽線上系統、耳機及一本筆記本,尋找謎底,揭露出旅行團消失的原因。衛武營迷迷村的奇幻彩繪場景將讓每個尋找遺失的過程充滿驚奇!最終找到的旅行團會在哪裡?
\n\n又將把旅人帶往何處?
\n\n結合導覽、解謎、奇幻元素,《迷走旅行團》將帶領你用全新方式進入衛武營迷迷村,歡迎一起加入充滿想像的旅程,重新認識自己也重新認識高雄!
\n\n\n\n
本節目為沉浸式劇場,觀眾需跟隨演出者或故事聲音指示移動,無座位提供。
\n\n演出地點:衛武迷迷村(高雄苓雅區衛武里(高雄捷運衛武營站5號出口)
\n演出場次:※請提前10分鐘到場,聽取行前說明。
11/10(日) 13:00、13:30、14:00、14:30、15:00、15:30、16:00、16:30、17:00
\n\t演出票價:$500(含伴手禮)。
\n人數限制:每梯限60人。
\n\n\n\n\n\n
★導覽
\n\n參與者運用線上導覽系統,通過系統跟隨故事腳步耳機聽到人物的故事與音樂,更多的信息也在手機上呈現。
\n\n★解謎
\n\n參與者將會獲得一本奇特的筆記本副本,它就像是一本密碼本,參與者將帶著這本筆記本,結合導覽APP,找到一場場的謎底,揭露旅行。
\n\n★伴手禮
\n\n參與者將會參加一場無人宴會,宴會桌上的餐點,也將會是可以補充在筆記本裡的線索。
\n\n★奇幻
\n\n虛擬與實體的結合,參與者將會在迷迷村裡有另一股腦中風景,重新閱讀城市,展開異想之旅。
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製作團隊名單
\n導演‧策劃|吳維緯
\n沈浸式演出顧問|高聖芸
\n創意團隊|柯佩妤、陳依孝、高豪杰、卓士堯、陳御弼
\n執行製作|楊喬安 /財團法人高雄市藝起文化基金會
\n導覽系統設計規劃| 揚揚創新科技
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贊助單位
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●This is a immersive performance, audiences will need to follow and to move around, no seats will be provided.
\n\n●Before the performance, you must arrive at the venue 10 minutes earlier, and listen to the instructions before the trip.
\n●Duration is 50 mins .
●For the requirement to the audio guide system, please ensure your smart phone has been updated to iOS 12.1 or later version, and Android 8 or later version.Please bring your own earphone and earphone adaptor.
\n\n●Suitable for age 12+.
\n",benefits:'●10% off for Weiwuying Lifestyle member
\n\n●25% off for Weiwuying Youth member
\n●10% off for Weiwuying Unlimited member
\n●Applicable forWeiwuying Hero
\nFor details, please see Weiwuying Members Benefit
A mysterious notebook with disordered numbers and maps, with a “Lost and Found” notice printing the words “The Lost Tour” inside it…
\n\nA 15-person tour group, tour guide included, with one seemingly unenrolled follower has gone missing…
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\nWhy are they missing? How come there are strange numbers? What has happened?
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\nIn an unrestrained way, participants will find out the mystery about the missing tour in the perverted city with only a notebook, a pair of earphones, and the App on their mobile phone.
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【Guide】
\n\nParticipants will be guiding application system a online tour system ; stories and music of characters will be heard through the headphones, further information will be showed on the mobile phone as well.
\n\n【Puzzle】
\n\nParticipants will be giving a copy of the notebook, it is a password book, with the notebook and application system, participants are going to find out and reveal the answer.
\n\n【Diet a Souvenir】
\n\nParticipants will be joining a banquet without any other guests. All the meals which been served can also be added in the notebook as clues.
\n\n【Fantasy】
\n\nParticipants will be joining a fantastic fictitious and real journey in Wei-Wu Mi-Mi Street Art Village, getting to see the city in various way, and experiencing the local scenes from new perspectives.
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Location:Wei-Wu Mi-Mi Street Art Village
\nTime:※Before the performance, you must arrive at the venue 10 minutes earlier, and listen to the instructions before the trip.
11/10 (Sun.) 13:00、13:30、14:00、14:30、15:00、15:30、16:00、16:30、17:00
\n\tPrice:$500.
\nLimit:60 participants each group.
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Production Team
\n\nDirector and planning|Wu,Wei-wei
\nImmersive Theater counselor|Kao, Sheng-Yun
Creative Team: Ke ,Pei-Yu、 Chen ,Yi-Hsiao、Kao, Hao-Chien、Cho, Shih-Yao Chen, Yu-Pi
\n\nExecutive production|Joanne Yang、 We Art Together Foundation
\n\nDesign and Planning of Guide System|Young Square Createch Ltd.
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Sponsor
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●本節目為戲劇演出+演後座談形式,演出長度約70分鐘,演後座談60分鐘,無中場休息。
\n\n●建議7歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n\n●【套票優惠】購買2019高雄雄厲害《前鎮草衙我家的事》、《厷口印跡》、《高雄大王》,各一張(含)以上,享85折優惠。(《高雄大王》需購買500元以上票級)
\n',benefits:'●生活卡9折
\n\n●青年卡75折
\n\n●適用英雄卡卡友
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"一封青春與哀愁的信,探討跨世代主體認同",introduction:'「衛武營高雄雄厲害」系列本著使高雄與衛武營互相通透,讓衛武營成為高雄的舞台,而高雄成為衛武營的養分的重大使命,邀請各界藝術家,在高雄收納街景、體會城市,將整個高雄作為素材,盡情揮灑創作,再帶回衛武營的舞台上呈現,喚起那些屬於高雄的美好時光與記憶!
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《前鎮草衙我家的事》
\n一封青春與哀愁的信 探討跨世代主體認同
高雄的前鎮區,特別是草衙,是⼀個被視為「鏽帶」(Rust Belt / La RustBelt )的區塊。所謂的「鏽帶」意指城市去工業化後,導致工廠歇業、工人失業、土地污染耗損、人口外移、老化、廠房與住宅空置等現象。然而前鎮作為全世界第⼀個加工出口區(1966), 為臺灣早期經濟命脈,同時也是高雄重工業的聚集地,亦是最重要的遠洋漁港。然而隨著資本全球化,產業的移動使這個地區面臨著鏽帶所衍生出現的問題。
\n\n本節目為國內首度嘗試,由公民團體整合在地學術、藝文、教育、社區資源,企圖讓大眾重新認識自己與這片土地的連結,也建構新生代的主體認同。
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演出內容介紹
\n\n國中生宥心、崇文各有自己的心事。三代同堂的宥心家中,父母似乎因為某個她無法了解的理由,總是與爺爺多有衝突;在長期僵持凝重的家庭氣氛下,宥心只能靠不斷的寫作來排解憂煩、訴說心事。
\n\n由外婆撫養長大的崇文,從小到大被同樣的噩夢糾纏 ─熱鬧的婚禮場景、遙遠的歌聲,陰森的運河、模糊的身影。崇文不斷在神秘、鬼怪的都市傳說上尋找自己夢境的來由。他沒有見過也沒有聽過父親的事情,在外婆刻意隱瞞下,他也不再追問關於父親的一切,直到有一天,他在家中找到一疊母親的舊書信,才開始從中拼湊出自己的身世。
\n\n有一天,學校謠傳有同學在運河附近失蹤的消息。崇文在同學追問下,說起自己的夢境,班上一片譁然,喧鬧下引起一陣騷動,混亂中無意間推倒宥心的桌子,從抽屜裡掉出一疊沒有署名的情書,羞憤的宥心逃離人群與教室。
\n\n這些書信和夢境,訴說了什麼屬於個人、家庭、社區的故事?
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演後座談
\n\n11/09 (六)演出結束後將於表演廳座席進行演後座談。
\n11/10 (日)演出結束後將於表演廳座席進行演後座談。
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哲學星期五@⾼雄
\n\n「哲學星期五」是個完全由志⼯組隊運作的公民論壇,2010 年 8 ⽉在臺北開辦,以促進哲學思考與理性對話為宗旨,每週五晚間固定擇⼀公共議題進⾏深度對話交流,是臺灣最知名的公共論壇之⼀。哲學星期五@⾼雄於 2013 年 8 ⽉開辦,主要活動據點為新濱碼頭藝術空間。
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愛慕劇團
\n\n愛慕劇團⾃ 2014年 2⽉於⾼雄成⽴,始終堅持朝向藝術的「在地化」,主動與當地建⽴多重有機連結,喚起住民所在⽣活世界的情感意識和認同,並藉由當地相關的公眾議題,多樣化地呈現在地歷史、族群、階級、性別、記憶等論述,同時邀請市民直接參與,讓藝術在互動中成為喚起、介入、反思⽇常⽣活的重要觸媒。
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國⽴中山⼤學
\n\n中山大學目前正致力鄰近社區的社會實踐活動,透過大學社會責任的實行過程,致力舊港新灣區的前鎮草衙區,進行地方認同的再創造與培育,以及教育創新的努力,期待能讓在地居民,特別是中小學生,能在不久的未來能讓他們對自我的土地有感,願意留在與回到自己的地方。
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高雄市立興仁國中
\n位於前鎮區草衙舊部落,一所小而美的國中。40年前因前鎮加工出口區設立興盛一時,但隨時間遞嬗,經濟政策轉向,導致人口不斷向外遷移,已不復見當日榮景。至今興仁國中仍孜孜不倦守護社區學子,更願負起地方創生之責。唯有留住在地文化的根,社區得以自我認同;並為學子們找一條出路,願意留下打拚,翻轉草衙,才有未來。
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演出暨製作團隊
\n\n製作人|蔡敦浩、劉燕玉
\n導 演|宋淑明
\n副導演|黃琦勝
\n舞台總監|許惠娟
\n舞台設計顧問|吳怡瑱
\n舞台設計|高健鈞
\n執行製作|李至昱
\n執行製作助理|吳霽芳、張家禎、蔡政達
\n編劇顧問|吳亦昕
\n編劇|黃琦勝、宋淑明
\n編劇助理|王文怡
\n舞蹈編排|王湘緹
\n舞蹈排練指導|劉洺呈
\n燈光設計|郭卉恩
\n燈光助理|陳奕君
\n技術人員|朱信宏、邱于瑄、黃信衛、李尹蘋、李依芳
\n排練助理|葉佩玲、王文怡
\n服裝、髮妝|黃盈昇
\n視覺|黃盈昇
\n影像、影像後製 |盧昱瑞、吳庭誼、賴以博
\n聲音裝置設計|陳嘉暐
\n音樂設計|周宣宏
\n前台|傅筱雲、黃上容、楊子嫻
\n後台|葉育任、莊易澄、黃靖文、陳朝胤、蘇峻弘
\n演員|鄧羽玲、洪仙姿、黃琦勝、邱頌華、劉洺呈、安世翔、楊馨媛、陳德萱、王文正、王湘緹、李茂昆
\n學生演員|鄧羽玲、安世翔、陳德萱、林霈婷、郭芳妤、王昱智、黃欣融、陳玫君、許婕渝、江孟琦、李至佐、王于安、楊佩臻、許杏如、何荺蒴、蔡宏碁、成馨宇
\n中山研究顧問團隊|蔡敦浩、洪世謙、江政寬、楊士奇、吳亦昕、吳怡瑱、吳孟珍、吳瑋翎、孫晨馥、吳霽芳
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贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【Kaohsiung Local Hi】Kaohsiung Story",cover:"e1e577be55f00d7552e3357965f02baa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●The program contains a 70-minute theatrical performance and a 60-minute post-show talk, without intermission.
\n●Suitable for age 7+.
●Latecomers must follow staff instructions for entry and re-entry.
\n",benefits:'●10% off for Weiwuying Lifestyle member
\n\n●25% off for Weiwuying Youth member
\n●Applicable forWeiwuying Heromember
●Applicable for Weiwuying Unlimited member
\nFor details, please see Weiwuying Members Benefit
\n',description:" ",introduction:'
You-xin and Chong-wen, two junior high students, have their own loads on their mind.
\n\nIn You-xin’s extended family, her parents always have conflicts with her grandfather. In a family that is always filled with tension, You-xin can only work off her worries by writing; Chong-wen who is raised by his grandmother has always been entangled with the same nightmare since a young age. He had never seen his father or heard of his story until he found a pile of dated letters of his mother at home. He then began to work out the puzzle of his own identity.
\n\nOne day, rumors spread in school that a schoolmate went missing near the canal. Chong-wen told his classmates about his nightmare under their inquiries. The class was surprised and in commotion. In the midst of the chaos, You-xin’s desk was pushed over by accident and a pile of anonymous love letters fell off from the drawer. You-xin fled from the crowd and the classroom in shame. What do these letters and the nightmare tell about the stories of these individuals, their families, and the community?
\n\n\n\n
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Philosophy Fridays@Kaohsiung
\n\nby Café Philo-style discussions which characterize the cultural scenes of Paris, Philosophy Fridays was founded in Taipei in August 2010. It then expanded beyond the capital city, with Philosophy Fridays@Kaohiung launching its first event in August 2013. Organized entirely by volunteers, Philosophy Fridays is committed to promoting critical thinking as well as social and democratic engagement.
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Amour Theater Company
\n\nin February 2014 in Kaohsiung, Amour Theater Company is committed to localization of artistic practices within socio-cultural contexts, seeking to establish multiple, organic relationships between performing arts and local communities. Its production often explores issues of history, class/ethnic/gender identities and collective memories, inviting the local communities, through their theatrical experiences, to reflect on life and participate in social action.
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Sun Yat-sen University: Social Engagement Project
\n\nSun Yat-Sen University is currently working on social practice activities in neighboring communities. Through the practice of the university's social responsibility, it is committed to Caojing District within Qianzhen of in the Xinwan District of the Old Port, to re-create and nurture local identity, and to strive for educational innovation. Let local residents, especially primary and secondary school students, be able to let them be willing to stay and return to the place thy born.
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Creative and Production Team
\n\nProducer|TSAI, DUN HAO、LIU ,YEN YU
\n\nDirector|SUNG, SHU MING
\n\nAssistant Director|HUANG, CHI SHENG
\n\nStage Manager|HSU, HUI CHUAN
\n\nStage Designer|WU, YI TIEN、KAO, CHIEN CHUN
\n\nExecutive Producer|LEE, CHIH YU、CHANG, CHIA CHEN
\n\nAssistant Executive Produce| WU, CHI FANG
\n\nScripter Writer Consultant|WU, YI HSIN
\n\nScripter Writer|HUANG, CHI SHENG、WANG, WEN YI
\nChoreographer| WANG HSIANG TI、 LIU MING CHENG
\nLighting Design|WANG HSUAN YU、CHUNG MING CHIH
\nRehearsal Coordinator |YEH PEI LING、WANG WEN YI
\nMakeup Artist、Hair (Person) |HUANG, YING SHENG
\nVision|HUANG, YING SHENG、SU, CHUN HUNG
\nSound Designer|CHEN, CHIA WEI
\nMusic Supervisor|CHOU, HSUAN HUNG
Lobby Crew|FU, HSIAO YUN、HUANG, SHANG JUNG、YANG, TZU HSIEN
\nBackstage Crew |YEH, YU JEN、CHUANG, YI CHENG、HUANG, CHING WEN、CHEN, CHAO YIN
\nActor|TENG, YU LING、HUNG, HSIEN TZU、HUANG, CHI SHENG、CHIU, SUNG HUA、LIU, MING CHENG、AN, SHIH HSIANG、YANG, HSING YUAN、CHEN, TE HSUAN、WANG, WEN CHENG、WANG, HSIANG TI、LEE, MAO KUN、YANG, PEI CHEN、WANG, WU YU AN、CHIANG, YI FAN、HEHO, YUN SHUO、HU, HSU HSING JU、TSAI, HUNG CHI、CHEN, MEI CHUN、CHIANG, MENG CHI、HSU ,CHIEH YU、LEE, CHIH TSO、WU, PEI SHAN、LIN, PEI TING、KUO, FANG YU、HUANG, HSIN JUNG、WANG, YU CHIH、CHENG HSING YU
\nNSYSU Consultant Team|TSAI, DUN HAO、HUNG, SHIH CHIEN、CHIANG, CHENG KUAN、YANG, SHIH CHI、WU, YI HSIN、WU, YI TIEN、WU, MENG CHEN、WU, WEI LING、SUN, CHEN FU、WU, CHI FANG
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Sponsor
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\n',team:""},createdAt:1568036249,updatedAt:1574070646,updatedBy:"葉奕萱"},{_id:"5d7763bddee49e00064a7a0d",catalogs:["5d805ce3bc4d70000635a2c4"],dateTime:{first:1573885800,discrete:[{time:1573885800},{time:1573972200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteTxNTNiRRVmaQ"}},sliders:[{type:"image",key:"43ca2950f8ddf81d59a27716aa0915b1"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【高雄雄厲害】厷口印跡",cover:"43ca2950f8ddf81d59a27716aa0915b1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
●演出全長約40分鐘,無中場休息。
\n\n●本節目內容含有超高及超低音訊和煙霧效果,請斟酌購票。
\n●建議14歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n●【套票優惠】購買2019高雄雄厲害《前鎮草衙我家的事》、《厷口印跡》、《高雄大王》,各一張(含)以上,享85折優惠。(《高雄大王》需購買500元以上票級)
●生活卡9折
\n\n●青年卡75折
\n\n●適用英雄卡卡友
\n\n●適用無限卡卡友
\n\n●會員優惠詳見會員優惠辦法
\n',description:"來自馬來西亞的作曲家、聲音藝術家黃楚原,今年選擇在高雄對在地男性對社會發展的推動進行探討,實地走訪調查每個角落的素材,創作獻給高雄的跨界音樂影像作品《厷口印跡》。",introduction:'「衛武營高雄雄厲害」系列本著使高雄與衛武營互相通透,讓衛武營成為高雄的舞台,而高雄成為衛武營的養分的重大使命,邀請各界藝術家,在高雄收納街景、體會城市,將整個高雄作為素材,盡情揮灑創作,再帶回衛武營的舞台上呈現,喚起那些屬於高雄的美好時光與記憶!
\n\n\n\n
《厷口印跡》
\n\n劃時代影音 呈現最真實的在地文化
\n\n來自馬來西亞的作曲家、聲音藝術家黃楚原,繼 2018 年在鹿港駐村作品《無形存在》探討媽祖的典故與在地婦女堅毅的精神與對當地社會發展的貢獻後,今年選擇在高雄對在地男性對社會發展的推動進行探討,實地走訪調查每個角落的素材,創作獻給高雄的跨界音樂影像作品《厷口印跡》。
\n\n黃楚原於 2011 年開始以腳踏車作為代步工具,得以貼近瞭解在地元素,也以此拉近人與人之間的溝通距離。他以腳踏車作為創作出發,不但深入採集在地文化,同時也透過藝術手法呈現不一樣的風貌,挖掘歷史的痕跡,記錄當代同時創造未來。曾于 2017年在韓國駐村創作《尋找潘索裡》、2018 為歐洲文化之都瓦勒他舉辦的Alto Fest 創作了《尋找瑪律他》。《厷口印跡》為《尋找系列》的最新創作。目前黃楚原各個作品之發表及創作展演經驗足跡遍佈四大洲逾35 個國家,超過60個大城小鎮。
\n\n長年在世界各地吸收多種文化並且將之融合於藝術創作之中,黃楚原擅長採集在地素材,結合歷史根基配合在地文化重組劇場元素創作出當代作品。
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黃楚原
\n\n黃楚原,畢業於英國倫敦密德爾塞斯大學 , 主修作曲。楚原創作與表演足跡遍佈世界各地,曾與世界著名現代舞團碧娜 • 鮑什的舞者們和德國著名資深編舞家蘇珊娜•林克的舞蹈團進行舞蹈=音樂即興系列創作,也曾擔任澳洲 DanceNorth 舞團三十周年慶典《 Twilight 》的音樂總監,作品榮獲澳洲舞蹈年獎。原創作品《太空幻影》榮獲2014年BOH Cameronian藝術大獎最佳原創作品殊榮,於2016年開始世界巡演,足跡包括韓國、臺灣、日本、印尼等地。積極推廣獨特創新概念《流動交響樂團》,此作品於2018年受邀至韓國光州亞洲文化中心演出。2012年以藝術總監身份創辦Toccata Studio。2016年在維也納藝術學院客座講師,探討如何以表演藝術創造並且記錄未來。作為全職藝術家、音樂家的同時, 迄今發行了 11 張原創 CD 。
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演出暨製作團隊
\n\n藝術總監/概念/原創音樂/影像| 黃楚原 (Toccata Studio聯合創辦人及藝術總監)
\n影像與技術執行|Mako
\n製作人|陳魚簡 (Toccata Studio 聯合創辦人及創意製作人)
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贊助單位
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【Kaohsiung Local Hi】Finding Takao",cover:"43ca2950f8ddf81d59a27716aa0915b1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●Duration is 40 mins.
\n\n●The program contains extremely high and low audio signals. Please buy tickets at your discretion.
\n●Suitable for age 14+.
●Latecomers must follow staff instructions for entry and re-entry.
\n",benefits:'●10% off for Weiwuying Lifestyle member
\n\n●25% off for Weiwuying Youth member
\n●Applicable forWeiwuying Heromember
●Applicable for Weiwuying Unlimited member
\nFor details, please see Weiwuying Members Benefit
Ng Chor Guan started to commute by bicycle since 2011. He uses bicycle to explore the globe whenever he was invited to create and perform. His original creation works were presented in more than 60 cities of 35 countries across 4 continents. “Finding Series” was among the most highly celebrated work of him.“Finding Series” is a project feature archival cycling process as well as audio visual presentation. The aim is not only to explore unexplored sights-views-sounds, but also to archive those lost elements during development. This project create a common platform for artists-audience relationship and provide transformative sensory experience through original creation based on local elements. In 2017, he created “Finding Pansori” in Namwon, South Korea; in 2018, he created “Finding Malta” for Alto Fest at Valletta in conjunction to European Cultural Capital.
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During August 2018, Ng Chor Guan spent weeks living in Lukang, Taiwan, collecting stories of local women, based on inspiration by the sea goddess, Matzu. He created “IN-visible Women”, an immersive interactive experiential piece combine his original idea of Mobile Phone Orchestra and photos exhibition in the narrow alley Moru Lane. In 2019, Guan extended his local research to Kaohsiung, focusing on contribution of men instead. “Finding Takao” is a creation based on local history, local elements, local stories of Kaohsiung. Located in the southern area of Taiwan, Kaohsiung was once known as Takao, historically the biggest port in Taiwan, at some point the third largest container port. Containers at the port was no doubt the most symbolic icon to Kaohsiung. Streets in Kaohsiung city was named after literary significance. Local folklores were widely spread, assimilate into daily lives as part of local culture. “Finding Takao” provided a chance for Guan to present a brand new creation by exploring local cultures, looking into the missing history, reflects the current society and archive the contemporary.
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Creative and Production Team
\n\nArtistic Director / Original Idea / Original Music / Visuals |Ng Chor Guan
\nTechnical Director|Mako
Creative Producer|Tan E-Jan
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Sponsor
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\n',team:""},createdAt:1568105405,updatedAt:1572228504,updatedBy:"葉奕萱"},{_id:"5d79c0acdee49e00064ab558",catalogs:["5d805ce3bc4d70000635a2c4"],dateTime:{first:1572683400,discrete:[{time:1572683400},{time:1572769800}],type:"discrete"},activity:{type:"free",free:{description:"自由入場",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8f5dcdeb1fb76937a5e7d22477be534d",title:"在衛武營國家藝術文化中心戶外劇場,將戶外劇場獨特之階梯式空間以及藍天結合做為主要舞台"},{type:"image",key:"479a9dbcfe77ca85797553861069be6b",title:"以舞獅傳統步伐和特技為基底,透過現代舞的創作思維演繹"},{type:"image",key:"48b48ad1602e03179b9a252b4aae1c52",title:"讓舞獅的傳統特色保留下來,也能夠延伸出更多元的演繹方式"},{type:"image",key:"6e0665ec53e7a3cf2c00be70f4acaf4a",title:"以銅管演奏為畫筆,勾勒出表演藝術的無限創意空間"},{type:"image",key:"36e864c738468b7035204023949eaad5",title:"高雄兩廣龍獅戰鼓團"}],related:[],title:"【高雄雄厲害】拉拉練",cover:"8f5dcdeb1fb76937a5e7d22477be534d",site:{isOther:!1,site:"5b8cd6c3dea07500056a4200",other:""},cautions:"
●演出全長約50分鐘。
\n",benefits:"",description:"本演出將衛武營戶外劇場獨特之階梯式空間以及藍天結合做為主要舞台,搭配演出過程中視覺上的特色,呈現出拉扯與融合的對比,以及隊形的變化。",introduction:'在衛武營國家藝術文化中心戶外劇場,將戶外劇場獨特之階梯式空間以及藍天結合做為主要舞台,同時與階梯式空間針對動作設定甚至段落腳本做出相互連結性,創造演出過程中視覺上的特色。其中則包含主舞台之“全屏”視角、左右舞台之小段落特寫,以及上下舞台之空間互動。在視覺上較生動的呈現出拉扯與融合的對比,以及隊形的明顯變化。
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動作設計來說,將以舞獅傳統步伐和特技為基底,透過現代舞的創作思維演繹。藉由這個方式不只讓舞獅的傳統特色保留下來,也能夠延伸出更多元的演繹方式。另一方面,樂團成員的肢體呈現,也透過這種方式,作出較寫意的表達。在對比上,創造出軟硬之間的交錯,同時在段落之間,也將有更多屬於兩個團隊的不同肢體特色展現。
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音樂的呈現不只有作為背景的伴奏旋律,也包含以音樂旋律為主的情緒改變、角色設定、段落轉換。也就是說,小至段落角色的情緒,大至整部作品的段落相接,都以音樂作為合理性的主體。同時,也因應視覺所延伸出的鮮明段落,曲風的多變除了契合畫面也使作品更豐富。總的來說,作品並非以敘述性的故事線條為主,而是強調以現代音樂的創作來重新詮釋舞獅的傳統表演,以畫面與聲響上的互動成為表演的重點特色。
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導演|張雅為
\n\n目前就讀國立台北藝術大學舞蹈創作研究所,2014畢業於國立台灣藝術大學舞蹈系。經常身兼創作者、舞者、演員、動作指導,在劇場界打滾。2015年於世紀當代舞團、8213肢體舞蹈劇場、小事製作,擔任創作者或舞者身分參與製作。現為小事製作正式團員,及2017寶藏巖國際藝術村第三季駐村藝術家。
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演出者|他拉喇叭團
\n\n以銅管演奏為畫筆,勾勒出表演藝術的無限創意空間。他拉喇叭團根基於硬底子軟實力,成立於2016年,為國內唯一職業喜劇樂團。成立三年至今,他拉以獨特的喜劇喇叭秀,成功累積超過萬人之票房,除巡迴製作外,經常主辦及受邀於各級學校開設音樂講座及演出、至廣播電台與記者會受訪。2018年以代表作「國王的人馬」受邀於衛武營國家藝術文化中心開幕演出,隨後更受邀於各縣市文化局藝術節等場次,開啟他拉喇叭團走向劇場專業之路。他拉以承先啟後的角色自許,為吹出台灣軟實力而團結,熱血揮灑於舞台,並且超越每一次的演出!
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演出者|高雄兩廣龍獅戰鼓團
\n\n高雄兩廣龍獅戰鼓團,現任團長裴俊強伴隨創團元老其父親裴恒宗參與南獅演藝,經由長期的耳濡目染,及其孜孜不倦的苦練揣摩,練就一身本領;然而隨著工商社會的繁忙、鄉村人口的外流,南獅技藝有日趨沒落的景像,在歷經將近三十年的觀察,裴團長領悟到傳統技藝教育有其傳承的必要性,文化傳承必須有一個脈流體系及教學系統化,也在這楔子下,進而拜入陳師傅紹箕門下,學習正統沙坪(呂派)獅藝,將其教學系統化、教材化帶進校園及社區,促進了南獅運動推廣與傳承,裴教練也期許著未來能使台灣的南獅運動更加茁壯、蓬勃發展。除了團隊的發展外,裴教練也一直堅持著後傳學者技藝品德兼修,兩者缺一不得其實,祈望本門正統獅藝一脈相傳發揚光大的精神,是台灣少數難得如此堅持的團隊。
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演出暨製作團隊
\n\n導演暨編舞|張雅為
\n作曲暨編劇|他拉喇叭團
\n醒獅指導|高雄兩廣龍獅戰鼓團
\n音樂統籌|張恆
\n音樂指導|亞歷山大 · 尼安金
\n視覺設計暨統籌|林士揚
\n服裝設計|巫宏志
\n混音師|王薪鑐
\n舞監|梁育嘉
\n音響技術|唐宋音響燈光
\n多媒體攝錄影音|禾立藝術多媒體
\n演出人員|張恆、呂紹鈞、林幃庭、樂詠晨、李宇梵、徐紹嘉、李致賢、王吉盛、王禎彥、何胤霆、陳佳恩、王青龍、林裕凱、李霈汝、林聖民
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合作單位
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贊助單位
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其他巡演場次
\n11/30 新竹縣政府文化局演藝廳
\n購票請洽 兩廳院售票系統
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"【Kaohsiung Local Hi】La Lian",cover:"8f5dcdeb1fb76937a5e7d22477be534d",site:{isOther:!1,site:"5b8cd6c3dea07500056a4200",other:""},cautions:"
●Duration is 50 mins.
\n",benefits:"",description:" ",introduction:'This performance takes place at the outdoor theater of the National Kaohsiung Center for the Arts (Weiwuying). Blending the uniqueness of the outdoor theater and the natural blue sky together as the main stage is one of the main attraction of this piece. In addition, the choreography, the music, and the plot were also composed in consideration of the laddered-stage. Unlike traditional theater works, this piece is conducted without the limitation of the frame, the broad view of the stage as a whole, provides spectacular conversations within different corner of the stage, the performers would perform both statically and dynamically from different angles and eventually unite together. In other words, the main visual experience is created by the contrast of changing formations on the unique stage.
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In terms of action design, physical moves based on the traditional steps and stunts of lion dance, will be reinterpreted through the creative thinking of modern dance. In this way, not only the traditional characteristics of the lion dance is preserved, but also more possible expressions are diversely extended. On the other hand, the musicians could also present in a more poetic way of body expressions, in order to interact physically with lion dancers. What’s more, creating a conflict (and perhaps a fusion) between soft and hard impressions, differentiates the identities (characteristics) between the lion dancers and the musicians.
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Music compositions in this work served more than melodic background. The changing of emotions, the setting of characters, the emerging of paragraphs were all mainly conducted with musical themes. That is to say, music plays the role of the main rationality of connecting each paragraph of the work. At the same time, in response to the diverse visual expression, multiple music styles and genres were used not only to fit the picture but also to enrich the work. In general, the work emphasizes not the narrative story lines, but the process of combining the reinterpretation from traditional lion dance with the creation of modern music. The interaction between visual experience and diverse music genre becomes the key feature of the performance.
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Director|Ya-Wei Chang
\n\nCurrently studying her master degree at Taipei National University of the Arts: Dance School. Graduated from National Taiwan University of the Arts Dance Department in 2014. She often plays the role as a creator, dancer, actor, and action guide, rolling in the theater world. In 2015, she joined productions (as a dancer and a choreographer) of the Century Contemporary Dance Company, the 8213 Body Dance Theater, and the Little Things. She is now a regular member of Little Things, and the artist of the third season of the 2017 Treasure Hill International Art Village.
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Performer|TLBE Brass
\n\nBringing laughter along with brilliant technique. TLBE Brass is Taiwan's only comedy brass ensemble formed in 2016. It is known for its diverse program, including movie soundtracks, classical, folk, pop, and rock music. Besides performing at a high technical level, the comedy integrated in the ensemble’s performances has attracted much attention from local audiences. Their unique style has gained popularity even among non-concertgoers. TLBE’s first concert in 2016 was an immediate success, and they continue to break box office records in many concert halls. TLBE Brass’s unique combination of comedy and classical music has successfully opened the door for many Taiwanese to the world of classical music. No other ensemble in Taiwan does what TLBE does: the initiative and passion of the ensemble members makes TLBE’s potential limitless.
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Performer|Kaohsiung Liang Kuang
\n\nBeing one of the best traditional lion dance troupe, Kaohsiung Liang Kuang inherited the traditional Sha Ping Lu School’s art form. Formed in 1987, they have (until now) won numerous national and international competitions. In addition, they have also reached out to numerous local campuses, passing on their tradition and skills. Until now, they have become one of the biggest troupe in Kaohsiung to both perform and educate traditional lion dance form.
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Creative and Production Team
\n\nDirector and Choreography|Chang, Ya-Wei
\nWriter and Composition|TLBE Brass
\nLion Dance Instruction|Kaohsiung Liang Kuang
\nMusic Direction|Chang, Heng
\nMusic Instruction|Alexander Nyankin
\nVisual Design and Direction|Lin, Shi-Yang
\nCostume Design|Wu, Hung-Zhi
\nSound Man|Wang, Hsin-Ru
\nStage Supervisor|Liang, Yu-Chia
\nSound Tech. Support|Topsound
\nMultimedia Rec.|Unity Art
\nPerformers|Heng Chang、Shao Chun Lu、Wei Ting Lin、Yung Chen Le、Yu Fan Lee、Shao Chia Hsu、Chi Hsien Lee、Ji Sheng Wang、Jen Yen Wang、Yin Ting Ho、Chia En Chen、Ching Lung Wang、Yu Kai Lin、Pei Ru Lee、Sheng Min Lin
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Sponsor
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\n',team:""},createdAt:1568260268,updatedAt:1572917937,updatedBy:"葉奕萱"},{_id:"5d7c7ff7dee49e00064b26b2",catalogs:["5d805ce3bc4d70000635a2c4"],dateTime:{first:1572674400,discrete:[{time:1572674400}],type:"discrete"},activity:{type:"free",free:{description:"https://reurl.cc/rll2Mk ",englishDescription:"https://reurl.cc/rll2Mk "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8b28a84d0ccbac8e93915b8e39594efb",title:"《高雄雄厲害》系列講座#4 歌仔戲與紀錄劇場的撞擊 主視覺"}],related:[],title:"【高雄雄厲害】系列講座#4 歌仔戲與紀錄劇場的撞擊",cover:"d74d979b84f46d2652cc298d7dbd4755",site:{isOther:!0,site:"",other:"高雄市立圖書館總館3樓階梯閣樓"},cautions:'
●報名流程:填寫線上報名表→ 於活動前三天,統一寄送活動通知信件 → 完成報名
\n●為維護講師著作權與活動品質,講座進行中請勿攝錄影。
●報名時請確實填寫報名資訊,以利報到進場。
\n\n●主辦單位保留本活動變更權利。
\n\n●相關問題請洽event@npac-weiwuying.org
\n',benefits:"",description:"「紀錄劇場文本的內容建基於事實……真實的材料加上想像力,想像力的水平決定了該紀錄劇場作品是否「藝術」。」 ",introduction:'《高雄雄厲害》集結了一群藝術家,收納街景、體會城市,把整個高雄作為創作素材,再回到衛武營的舞台上,藉由拿手的藝術表現,讓我們看到正港的雄厲害。
\n回到最初的源頭,一個策展人如何從零到有的發想,藝術家們如何以自身才華,在高雄這座城市恣意揮灑?
\n衛武營作為藝術家們揮灑舞台的場域,亦是高雄在地的一處風景,這次將帶領策展人與藝術家們一起走入高雄,以鄰近港口的高雄市立總圖作為舞台,和高雄在地民眾一起相互通透,聊聊各自厲害的所在!
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★ 今日開槓:歌仔戲與紀錄劇場的撞擊
\n\n時間:11/2 (六) 14:00-15:30
\n對象:歡迎對《高雄雄厲害》有興趣的朋友,一起來開槓!
\n費用:報名參加,免費入場(額滿為止)
\n報名網址:https://reurl.cc/rll2Mk
\n地點:高雄市立圖書館總館3樓階梯閣樓
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「紀錄劇場文本的內容建基於事實……真實的材料加上想像力,想像力的水平決定了該紀錄劇場作品是否「藝術」。」—《如何創作紀錄劇場》Robert Leach。
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源自西方的「紀錄劇場」與臺灣在地表演藝術「歌仔戲」,史無前例的交會,又該如何藉由戲曲的編導形式,打掉重練?
\n\n創作過程中,如何發現兩者之間的緊密關聯,以及運用雙方各自獨特的表現,並邀請到兩位重量級的藝術家,共同塑造出以新歌仔的形式講述歷史?
\n\n正港臺灣歌仔戲班囝仔出身的新生代編導——江明龍,將與大家一起透過臺灣新歌仔,重新認識及觀察高雄這塊土地,亦是他落地生根的第二個故鄉。
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江明龍|《高雄大王》導演
\n\n年輕身軀裝載著老靈魂,擁有厚實的傳統文化底蘊,作品橫跨音樂、電視、網劇、舞蹈、傳統戲曲、現代戲劇,是位擅長將傳統戲曲朝影視與文化等多元發展的新生代編導。近年擔任2018國家燈會在嘉義——音樂定幕劇《愛情天際線》導演、臺灣戲曲中心2018《開幕季戲曲匯演》導演、衛武營國家藝術文化中心2018開幕季特展「歌仔時光機—搬活戲」策展人,以及民視電視台《阿不拉三個女人》編劇及戲劇顧問。
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藝術家推薦書籍
\n\n《別預期爆炸:洪席耶論美學》紀蔚然著。出版社:印刻,2017。
\n\t《劇場與城市》Jen Harvie,耿一偉譯。出版社:書林,2018。
\n\t《東方即興劇場 歌仔戲「做活戲」:歌仔戲即興戲劇研究(上編)》林鶴宜著。出版社:國立臺灣大學,2016。
\n\t《創意城市》Charles Landry。出版社:馬可孛羅,2008。
\n\t《超譯尼采》Friedrich Whilhelm Nietzsche,楊明綺譯。出版社:商周出版,2012。
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Kaohsiung Local Hi Lecture Series#4 The Clash of Taiwanese Opera and Documentary Theater.",cover:"d74d979b84f46d2652cc298d7dbd4755",site:{isOther:!0,site:"",other:"Kaohsiung Main Public Library 3F. "},cautions:"
Enrollment|Complete the online enrollment form 🡪 A notification about the event will be sent out three days before it begins 🡪 Enrollment completed.
\n\n(1) To maintain the quality of the event, please follow the instructions of the on-site staff about audio or video recording.
\n\n(2) To facilitate on-site registration at the venue, please make sure the enrollment form is filled out correctly.
\n",benefits:"",description:" \n",introduction:'Kaohsiung Local Hi has called for a group of artists to collect street scenes and experience the city. The whole Kaohsiung City is taken as the creative element and performances are brought back to the Weiwuying stage. Kaohsiung's best of the best is shown before us through their skillful artistic presentation.
\nLooking back at the initial intention, how does a curator conceive his concepts from scratch and how do artists exert their unbridled creativity in Kaohsiung with their own talent?
\nWeiwuying is a field for artists' expression on stage and a scenic area in Kaohsiung. This time, the curator and artists are led into Kaohsiung, making the Kaohsiung Main Public Library near the harbor their stage; they will also permeate and be permeated by Kaohsiung citizens, telling each other their respective strengths!
\n\n
★ Today's Talk Time:The Clash of Taiwanese Opera and Documentary Theater.
\n\nDate & hours|14:00-15:30 Nov. 2
\nTarget audience|Open to the public, anyone interested in Kaohsiung Local Hi.
\nFee|Free admission, registration required (available until all seats are filled)
\nRegister Now|https://reurl.cc/rll2Mk
\nVenue|Kaohsiung Main Public Library 3F.
\n\n
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“Documentary Theater comprises a particular genre of plays whose distinctive feature is that their content has some grounding in fact…… The quality of the imagination which works on the factual material determines whether the documentary becomes ‘art’.”—How to Make a Documentary Play, by Robert Leach.
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When Western “Documentary Theater” meets Taiwanese operas, how will they blend together?
\n\nWhen blending the play and opera, director JIANG Ming-Lung found similarities between the two; made use of the unique attributes of the two; and invited two “heavyweight” artists to reshape the ways through which Taiwanese operas are told.
\n\nJIANG Ming-Lung, a young playwright and director who came from a Taiwanese opera background, will guide the audience in re-observing and re-learning about Kaohsiung, his second home, via new Taiwanese operas.
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JIANG Ming-Lung|Director of Kings of Kaohsiung
\n\nJIANG is a young individual with an old soul who is well-versed with traditional Taiwanese culture. He is a playwright and director who has a knack for combining traditional operas with modern films, televisions, and culture. He has produced numerous types of works including music, television, online dramas, dances, traditional operas, and modern dramas. He was the director of The Skyline of Love (a repertory theater) held at the 2018 Taiwan Lantern Festival in Chiayi; director of Opening Season Dramas held at the Taiwan Traditional Theatre Center in 2018; curator of The Gezaixi Time Machine, an opening season special exhibition, hosted at Weiwuying in 2018; and the playwright and drama consultant of Formosa Television TV series Abula.
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Support by
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\n',team:""},createdAt:1568440311,updatedAt:1573437604,updatedBy:"葉奕萱"},{_id:"5d7c81cbdee49e00064b273a",catalogs:["5d805ce3bc4d70000635a2c4"],dateTime:{first:1573279200,discrete:[{time:1573279200}],type:"discrete"},activity:{type:"free",free:{description:"https://reurl.cc/QppzEO",englishDescription:"https://reurl.cc/QppzEO "}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8b28a84d0ccbac8e93915b8e39594efb",title:"【高雄雄厲害】系列講座#5 當代跨界原創影音視聽:劃時代的高雄 主視覺"}],related:[],title:"【高雄雄厲害】系列講座#5 當代跨界原創影音視聽:劃時代的高雄",cover:"3593496d843ed22ed27b7be92f3094b3",site:{isOther:!0,site:"",other:"高雄市立圖書館總館3樓階梯閣樓"},cautions:'
●報名流程:填寫線上報名表→ 於活動前三天,統一寄送活動通知信件 → 完成報名
\n●為維護講師著作權與活動品質,講座進行中請勿攝錄影。
●報名時請確實填寫報名資訊,以利報到進場。
\n\n●主辦單位保留本活動變更權利。
\n\n●相關問題請洽event@npac-weiwuying.org
\n',benefits:"",description:"馬來西亞的跨界藝術家——黃楚原",introduction:'《高雄雄厲害》集結了一群藝術家,收納街景、體會城市,把整個高雄作為創作素材,再回到衛武營的舞台上,藉由拿手的藝術表現,讓我們看到正港的雄厲害。
\n回到最初的源頭,一個策展人如何從零到有的發想,藝術家們如何以自身才華,在高雄這座城市恣意揮灑?
\n衛武營作為藝術家們揮灑舞台的場域,亦是高雄在地的一處風景,這次將帶領策展人與藝術家們一起走入高雄,以鄰近港口的高雄市立總圖作為舞台,和高雄在地民眾一起相互通透,聊聊各自厲害的所在!
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★ 今日開槓:當代跨界原創影音視聽:劃時代的高雄
\n\n時間:11/9 (六) 14:00-15:30
\n對象:歡迎對《高雄雄厲害》有興趣的朋友,一起來開槓!
\n費用:報名參加,免費入場(額滿為止)
\n報名網址:https://reurl.cc/QppzEO
\n地點:高雄市立圖書館總館3樓階梯閣樓
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馬來西亞的跨界藝術家——黃楚原
\n\n長期探討當代藝術與社會發展、原創藝術與在地人民的鏈接。
\n\n這次他獲邀來到高雄駐村,將延續過往經驗,穿梭遊走於城市巷弄之間,蒐集和探索在地人文、歷史地理的過去和當下,再回歸到生活化的細節,並透過劇場元素的打破再重組,以超現實的聲音和投影轉移空間,另類呈現前衛先鋒派、原創表演藝術的語彙。
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黃楚原|《厷口印跡》藝術創作者
\n畢業於英國倫敦密德爾塞斯大學,主修作曲。曾與著名現代舞團碧娜.鮑什和蘇珊娜.林克的舞者們進行舞蹈=音樂即興系列創作,也曾擔任澳洲DanceNorth 舞團三十週年慶典《Twilight》的音樂總監,作品榮獲澳洲舞蹈年獎。原創作品《太空幻影》榮獲 BOH Cameronian藝術大獎最佳原創作品殊榮,於2016年開始世界巡演。2011年開始研發創新概念《流動交響樂團》,作品於2018年受邀至韓國光州亞洲文化中心演出。 2012年以藝術總監身份創辦Toccata Studio。2016年在維也納藝術學院客座講師,探討如何以表演藝術創造並且記錄未來。
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藝術家推薦書籍
\n\n《結束的旅程:小黑小說自選集》小黑著。釀出版,2012。
\n\t《Why Birds Sing: A Journey into the Mystery of Bird Song》David Rothenberg。Publisher: Basic Books,2006。
\n\t《老子》老子著,沙少海等譯。五南出版,2018。
\n\t《How to build a time machine》Paul Davies。Publisher: Viking Adult,2002。
\n\t《Making peace with the earth》Edited by Jérôme Bindé。Publisher: UNESCO,2007。
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Kaohsiung Local Hi Lecture Series#5 Contemporary Audio-Visual Creation: Kaohsiung Across Time.",cover:"3593496d843ed22ed27b7be92f3094b3",site:{isOther:!0,site:"",other:"Kaohsiung Main Public Library 3F. "},cautions:"
Enrollment|Complete the online enrollment form 🡪 A notification about the event will be sent out three days before it begins 🡪 Enrollment completed.
\n\n(1) To maintain the quality of the event, please follow the instructions of the on-site staff about audio or video recording.
\n\n(2) To facilitate on-site registration at the venue, please make sure the enrollment form is filled out correctly.
\n",benefits:"",description:" ",introduction:'Kaohsiung Local Hi has called for a group of artists to collect street scenes and experience the city. The whole Kaohsiung City is taken as the creative element and performances are brought back to the Weiwuying stage. Kaohsiung's best of the best is shown before us through their skillful artistic presentation.
\nLooking back at the initial intention, how does a curator conceive his concepts from scratch and how do artists exert their unbridled creativity in Kaohsiung with their own talent?
\nWeiwuying is a field for artists' expression on stage and a scenic area in Kaohsiung. This time, the curator and artists are led into Kaohsiung, making the Kaohsiung Main Public Library near the harbor their stage; they will also permeate and be permeated by Kaohsiung citizens, telling each other their respective strengths!
\n\n
★ Today's Talk Time:Contemporary Audio-Visual Creation: Kaohsiung Across Time.
\n\nDate & hours|14:00-15:30 Nov. 9
\nTarget audience|Open to the public, anyone interested in Kaohsiung Local Hi.
\nFee|Free admission, registration required (available until all seats are filled)
\nRegister Now|https://reurl.cc/QppzEO
\nVenue|Kaohsiung Main Public Library 3F.
\n\n
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Ng Chor Guan is an interdisciplinary Malaysian artist who has spent years exploring the relationships between contemporary art, social development, original art, and local people. He is invited to participate in Kaohsiung’s artist-in-residence program, where he will use his experience in collecting and exploring past and modern local history, geography, and human culture from streets and alleys; and details from people’s daily lives to make them into art while incorporating theater elements. He will use surreal sound and projection to “transform” people’s concept of space and show avant-garde, original performing arts-related vocabulary.
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NG CHOR GUAN|Artistic director of Finding Takao
\n\nNg Chor Guan is a Middlesex University graduate majoring in music composition; had co-created dance = music-related impromptu series with dancers from famous modern dance groups including Tanztheater Wuppertal Pina BAUSCH and Susanne LINKE Company; and was the artistic director of Twilight, a performance delivered to celebrate the 30th anniversary of an Australian dance company called Dancenorth. Said performance was a winner at the Australian Dance Awards. His work Space Age: The Phantom Power also won the BOH Cameronian Arts Awards (category: Best Production Values), and he started a world tour in 2016. He researched and developed the innovative concept of mobile phone orchestra in 2011, and received an invitation to perform said related work at the Asia Culture Center in Gwangju, South Korea in 2018. In 2012, he founded the Toccata Studio, serving as its artistic director. In 2016, he spoke at the Academy of Fine Arts Vienna as a guest lecturer, where he talked about how to create and record the future by using performing arts.
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\n',team:""},createdAt:1568440779,updatedAt:1573442810,updatedBy:"葉奕萱"},{_id:"5d8b4648bc4d700006377ff2",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1575027e3,discrete:[{time:1575027e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N06EW43M"}},sliders:[{type:"image",key:"c81c5f8dc9ff2a7107c8c8ce95c9767a"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"《歌海.詩戀》男中音葉展毓獨唱會",cover:"fb5e77f1d2b6724e5eee1ff04e18a407",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n\n●演出全長約120分鐘,含中場休息15分鐘。
\n\n●建議7歲以上觀眾觀賞。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n●主辦:天生歌手合唱團
「歌海詩戀」音樂會源自演出者對海的浪漫與想像,精選十八世紀到二十世紀的藝術歌曲,傳達男中音葉展毓心中高雄港的多元身分:它是城市,也是海港,是家鄉記憶,是吟遊詩人的敘事地,也是許多藝術家情感的最終歸屬。
\n\n本次音樂會精心挑選義、英、德、法四種語言連篇藝術歌曲,包含:貝多芬「致遠方戀人」、李斯特「佩脫拉克十四行詩」、史丹福「海之歌」、德布西「三首藝術歌曲(以魏爾崙詩詞譜曲)」及羅西尼歌曲選曲。
\n\n跨越不同時代,譜出歌海詩戀的情懷,寫下永垂不朽的經典,男中音葉展毓期待在台灣的土地上,在國際港都的衛武營中,以經典的曲目向作曲家致敬,與觀眾對話。
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演出曲目
\n\n貝多芬:致遠方戀人
\n李斯特:佩脫拉克十四行詩
\n史丹福:海之歌聯篇藝術歌曲
\n德布西:三首藝術歌曲(以魏爾崙詩歌譜曲)
\n羅西尼:歌曲選曲
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演出團隊
\n\n男中音|葉展毓
\n鋼琴|曹銘倉
\n導聆|林伯杰
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"The sea of the songs, the love of the poems",cover:"fb5e77f1d2b6724e5eee1ff04e18a407",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 120 mins with 15 mins intermission.
\n\n●Age 7+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●Organized by Natus Cantorum
The sea of the songs, the love of the poems
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Händel: Inspired by the performer's affection for the ocean, the recital curates art songs from different eras from the 18th-20th century and expresses Baritone Chan-Yu Yeh's ideas of multi-faceted Kaohsiung: It is a city, an international harbor, a hometown full of memories, narratives for wandering poets’, and the ultimate attribution of the artists’ affections.
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The repertoire of this recital were selected from art songs in four languages: Italian, English, German and French, including: Beethoven's "An die ferne Geliebte ", Liszt's " Tre sonetti di Petrarca ", Stanford's "Songs of the Sea", Debussy's " Trois melodies de verlaine " and Rossini's song selection.
\nComposers from across epochs wrote some of their timeless classics having been inspired by the sea. Baritone Chan-Yu Yeh pays homage to these composers and is looking forward to sharing this musical dialogue with the audience of Taiwan at the
\nWei Wu Ying Arts Centre.
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Program
\n\nHändel: Revenge Timotheus Cries
\nBeethoven: An die ferne Geliebte
\nLiszt: Tre Sonnet di retraca
\nDebussy: Trois melodies de Verlaine
\nStanford: Song of the sea
\nRossini: L'orgia
\nRossini: Bolero
\nRossini: la Danza
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Cast
\n\nBaritone|Chan-Yu Yeh
\nPiano|Ming-Tsang Tsao
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\n',team:""},createdAt:1569408584,updatedAt:1569903891,updatedBy:"葉奕萱"},{_id:"5d9467aa95ac060006eecb9e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1574508600,discrete:[{time:1574508600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteQSm3yXExmzabcdef"}},sliders:[{type:"image",key:"a4b64f514e0c1e618e521659f3dd1aa0"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"2019琵琶地音樂院校友音樂會",cover:"a4b64f514e0c1e618e521659f3dd1aa0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●非主辦節目,會員折扣請見下方「會員優惠」說明。
\n\n●演出全長約120分鐘,含中場休息15分鐘。
\n\n●遲到觀眾須遵循工作人員指示入場。
\n●主辦:琵琶地音樂院台灣校友會 02-2591-9422
琵琶地校友音樂會,凝聚海內外傑出校友,集結各方鼎力相助,精選多首膾炙人口的名作,集合超過20位音樂家聯袂演出,曲目包含獨奏、重奏、聲樂、雙鋼琴...等,更跨界結合電腦音樂,探索電音與古典的更多可能。節目精彩可期,歡迎愛樂朋友們一起同樂。
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演出暨製作團隊
\n\n演出人員|琵琶地音樂院校友音樂家群
\n製作團隊|琵琶地音樂院台灣校友會
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Peabody Alumni Concert",cover:"a4b64f514e0c1e618e521659f3dd1aa0",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●Weiwuying membership discount please see below list.
\n\n●Duration is 120 mins with 15 mins intermission.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●Organized by Taiwan Chapter Society of Peabody Alumni +886-2-2591-9422
The Peabody Alumni Concert, which is a gathering of outstanding alumni at home and abroad, gathers the best of all parties, selects a number of famous masterpieces, and brings together more than 20 musicians to perform, including solo, ensemble, vocal, double piano, etc. Combine computer music across the border and explore more possibilities for electro-acoustic and classical. The program is wonderful, and welcome to enjoy the music together.
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Creative and Production Team
\n\nPerformer|Peabody Alumni Musicians
\nCreative and Production Team|Taiwan Chapter Society of Peabody Alumni
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\n',team:""},createdAt:1570006954,updatedAt:1570010172,updatedBy:"葉奕萱"},{_id:"5d9d98008c6e1e0006cb0dda",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1575027e3,discrete:[{time:1575027e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,200,500,800,1200],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteSV3qOouxpmrQ"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"09b0f2b900b093843fff156b794d05e7",title:"《乘著金色的翅膀》師大音樂系交響樂團公演"}],related:[],title:"《乘著金色的翅膀》師大音樂系交響樂團公演",cover:"adc9ab7c4bf70a047b9f521d2f180b0f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n\n●演出全長約100分鐘,含中場休息20分鐘。
\n●本場演出為錄影場。
●遲到觀眾須遵循工作人員指示入場。
\n●本場地一樓觀眾席為階梯式入口,請斟酌考量購票。
\n●主辦:國立臺灣師範大學 02-7734-3003
乘著金色的翅膀
\n\n師大音樂學系每年定期舉辦交響樂團公演音樂會,2019年秋季將演出捷克作曲家德弗札克(Antonín Leopold Dvořák)充滿喜悅樂觀波希米亞風格的《G大調第八號交響曲》、法國作曲家比才(Georges Bizet)知名歌劇《卡門》選曲及義大利作曲家威爾第(Giuseppe Fortunino Francesco Verdi)《遊唱詩人》、《納布果》、《阿伊達》及《茶花女》等經典歌劇選曲。本次音樂會特別邀請女高音林孟君、次女中音陳禹、男高音方偉臣、男中音趙方豪擔任獨唱。
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演前導聆
\n\n11/29 (五) 18:50-19:10於音樂廳三樓大廳 由張皓閔先生進行演前導聆。
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演出曲目
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演出暨製作團隊
\n\n製作團隊|國立臺灣師範大學音樂學系
\n指揮|許瀞心
\n演出|國立臺灣師範大學音樂學系交響樂團暨合唱團
\n女高音|林孟君
\n次女高音|陳禹
\n男高音|方偉臣
\n男中音|趙方豪
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Soaring on the Golden Wings",cover:"adc9ab7c4bf70a047b9f521d2f180b0f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 100 mins with 20 mins intermission.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●The 1st level entrance of the venue (Playhouse/Concert Hall) is equipped with stairs.
\n●Organized by National Taiwan Normal University +886-2-7734-3003
The Music Department of the National Taiwan Normal University presents its annual concert series. In the autumn of 2019, Antonín Dvořák’s joyous and youthful Symphony No. 8 in G Major is presented along with highlights from Georges Bizet's “Carmen” and Giuseppe Verdi’s "Il Trovatore", "Nabucco", "Aida" and "La Traviata". The symphony orchestra, choir and vocal soloists will bring the evening to a soaring event filled with luscious melodies and wonderful story telling.
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Program
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Creative and Production Team
\n\nConductor |Hsu, Apo Ching-Hsin
\nNational Taiwan Normal University Symphony Orchestra and Music Department Choir
\nSoprano|Lin, Meng-Chun
\nMezzo Soprano|Chen, Yu
\nTenor|Fang, Wei-Chen
\nBaritone|Chao, Fang-Hao
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\n',team:""},createdAt:1570609152,updatedAt:1574151850,updatedBy:"葉奕萱"},{_id:"5d9dad408c6e1e0006cb1523",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1574577e3,discrete:[{time:1574577e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteSixgeNefeFsQ"}},sliders:[{type:"image",key:"1d7b989547743bea12fff6446aed7e4f"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"2019 逢友合唱團40周年系列演唱會 《小雪初晴》",cover:"7d76c9d37ca29f70d8422e27a3f1b16b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●非主辦節目,恕不適用衛武營會員優惠活動。
\n\n●演出全長約150分鐘,含中場休息15分鐘。
\n●建議6歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n●主辦:逢友合唱團 0910-780342
小雪,初晴。逢友合唱團與您分享和諧人聲
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這場40周年系列音樂會,演出風格豐富,曲目遍及中外宗教歌曲、傳統歌謠、文藝復興時期及當代作品。
\n我們將以國台客英等不同語言演唱,包括
經典:Laudate Dominum、Cum Sancto Spiritu,
\n異國風情:Verano Porteno、Tu Pauperum Refugium,
\n流行:愛情樹、月亮代表我的心、我有一個戀愛、Count the Star,
\n本土:茉莉花、山狗太、孤戀花,
\n現代:我喜歡、月光箋、傘內傘外,
\n將為聽眾帶來最好的聽覺饗宴。
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演出暨製作團隊
\n\n總團長│王瑞鈐
\n音樂總監│朱元雷
\n指揮│朱元雷 劉靜諭 楊宜真 喬曉曼 蔡英雄 蘇彥文 許耀仁
\n鋼琴合作│陳育志 郭姵妏 吳行展 周珮甄 陳莞方
\n舞台監督│陳逢淼
\n逢友室內團
\n逢友台北團
\n逢友新竹團
\n逢友中部團
\n逢友南部團
\n逢甲大學合唱團
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"“Lesser Snow, Sunny Early Winter” ─ FENGYOU Chorus 40th Anniversary Series Concert",cover:"7d76c9d37ca29f70d8422e27a3f1b16b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●Weiwuying membership discount are not applicable.
\n\n●Duration is 150 mins with 15 mins intermission.
\n\n●Age 6+.
\n\n●Latecomers must follow staff instructions for entry and re-entry.
\n●Organized by FENGYOU CHORUS +886-0910-780342
“Lesser Snow, Sunny Early Winter.”
\nTo celebrate our brilliant 40th anniversary, FengYou Chorus would like to share the harmonious voice with you.
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Fengyou chorus, composed of previous chorus members from Feng Chia University, has continued the enthusiasm for choral music after many years of going out of the campus. In Taipei, Hsinchu, Taichung and Kaohsiung, regional alumni choruses have been established. Fengyou members communicate with one another regularly and hold tour-concerts every year.
\n\nThis concert, one of the 40th anniversary series, is full of performances, including Chinese and foreign religious songs, traditional songs, Renaissance and contemporary works. Fengyou chorus will perform in different languages, and bring the best auditory feast for the audience.
\n\nIn the choral field, Fengyou chorus would continue to cultivate and devote himself, so that every philharmonic person who knows each other for a long time will always meet in beautiful songs and grow old in sweet memories.
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Creative and Production Team
\n\nPresident│Rosanna Wang
\nChoral Director│Ray Chu
\nConductors│Ray Chu, Chin-Yu Liu, I-Chen Yang, Hsiao-Man Chiao, Hero Tsai, Steven Su, Yao-Ren Hsu
\nCollaboative Piano│Yu-Chih Chen, Pei-Wen Kuo, Sing-Jhang Wu, Pei-Chen Chou, Wan-Fang Chen
\nStage Supervisior│Feng-Miao Chen
\nFeng You Chamber Choir
\nFeng You Chorus, Taipei
\nFeng You Chorus, Hsinchu
\nFeng You Chorus, Central Taiwan
\nFeng You Chorus, Southern Taiwan
\nFeng Chia University Chorus
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\n',team:""},createdAt:1570614592,updatedAt:1570627264,updatedBy:"葉奕萱"},{_id:"5d9db7ba8c6e1e0006cb185b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1575181800,discrete:[{time:1575181800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500],link:"https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductID=rotyiUrPteRnd9ShKQwggg"}},sliders:[{type:"image",key:"f10e251d0417238d32f00e7c88116ddd"}],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"《醉入拉赫曼尼諾夫》男低音羅俊穎2019獨唱會",cover:"f10e251d0417238d32f00e7c88116ddd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●非主辦節目,會員折扣請見下方「會員優惠」說明。
\n\n●演出全長約95分鐘,含中場休息15分鐘。
\n●建議7歲以上觀眾觀賞。
●遲到觀眾須遵循工作人員指示入場。
\n●主辦:Legato樂聚 02-2624-1091
與羅俊穎和葉孟儒一起 醉入拉赫曼尼諾夫
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提到拉赫曼尼諾夫,多數愛樂者直覺聯想到的是鋼琴和管弦樂作品。但拉氏在19歲、尚就讀聖彼得堡音樂院時,為了畢業而編寫的歌劇 "Aleko" 不僅得了大獎,柴可夫斯基還積極協助 "Aleko" 在莫斯科大劇院首演,演出也極為成功。而其為聲樂家發聲練習所寫的《無言歌》,優美的旋律,更是讓此曲跳脫練習曲的地位,成為音樂會中的演出曲目。拉赫曼尼諾夫的聲樂作品一如他的鋼琴曲,從壯闊澎湃到似水柔情,綿長的旋律和豐富的和聲,具有非凡的感染力。惜因俄文艱難不易學習,俄國聲樂作品少見於臺灣樂壇。男低音羅俊穎協同鋼琴家葉孟儒,繼2017年全俄文「一夜俄羅斯」後,為臺灣聽眾帶來「醉入拉赫曼尼諾夫」、全場拉氏聲樂作品。
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演出曲目
\n拉赫曼尼諾夫
\n〈早晨〉
\n〈在神秘黑夜的寂靜中〉
\n〈在我的靈魂裡〉
\n〈啊,求你,不要離開〉
\n〈在聖修道院大門旁〉
\n〈摘錄自繆塞的詩〉
\n〈你呀,我的田野〉
\n〈阿里昂〉
\n〈昨日偶相逢〉
\n〈寶貝,你優美如鮮花〉
\n〈我曾擁有她〉
\n〈營帳都已沉睡〉選自歌劇《阿列科》
\n〈無言歌〉
\n〈命運〉
\n〈拉赫曼尼諾夫致史坦尼斯拉夫斯基的信〉
\n〈我不是預言家〉
\n〈別唱吧,美人〉
\n〈這裡真好〉
\n〈紫丁香〉
\n〈春潮〉
\n〈妳打嗝了嗎?〉
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演出團隊
\n\n男低音 | 羅俊穎
\n鋼琴 | 葉孟儒
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[],related:[],title:"Julian Lo Vocal Recital",cover:"bf9ca83fb348d679493b20c0f7baf3dd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:"
●Weiwuying membership discount please see below list.
\n\n●Duration is 95 mins with 15 mins intermission.
\n●Age 7+.
●Latecomers must follow staff instructions for entry and re-entry.
\n\n●Organized by Legato +886-2-2624-1091
\n",benefits:"With Julian Lo and pianist Andrei Yeh, floating into Rachmaninoff's vocal works
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“…his acting and characterisation of the role was superb. One could tell his intentions by just looking into his eyes and facial expressions. And his voice was well projected.” ~ Chang Tou Liang, “Der fliegende Holländer“, Singapore.
\n\n“Julian Lo was much more convincing as a scheming father… he was always vocally firm and dependable.” ~ Marc Rochester, “Der fliegende Holländer“, Singapore.
\n\nAfter the 2017 recital, "One Night in Russia", bass Julian Lo and pianist Andrei Yeh once again take rarely performed Russian vocal works to the stage. This time, they will perform fascinating Rachmaninoff's works. Join us for a beautiful and romantic afternoon.
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Cast
\n\nBass | Julian Lo
\nPiano | Andrei Yeh
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