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管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
\n\n曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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管風琴家|Sean Jackson (9、12月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數,包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博士獎學金。自2004 年以來,在美國東北部的一些教堂擔任管風琴師及音樂總監,其中包括斯坦威奇公理會教堂。目前已錄製多張獨奏及合作專輯。
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管風琴家|陳相瑜(12月場客席管風琴家)
\n\n管風琴家、鋼琴家兼大鍵琴演奏家,國家表演藝術中心「樂壇新秀」及「中興文藝獎」音樂類得主。
\n\n國立臺北藝術大學畢業,主修鋼琴,副修大鍵琴;美國西北大學管風琴演奏暨鋼琴演奏碩士。
\n\n曾與國家交響樂團、長榮交響樂團、台北愛樂管弦樂團、中國貴陽交響樂團、台北市民交響樂團等合作,擔任管風琴獨奏,也曾參與總統府音樂會、臺北藝術大學音樂廳及屏東演藝廳開幕系列音樂會、鼓浪嶼音樂節閉幕音樂會演出。除了獨奏、室內樂外,也經常受邀參與各大樂團、合唱團演出。
\n\n現任教於東吳大學音樂系,演出教學之餘,常受邀撰寫音樂相關文章,文字作品發表於部落格《陳相瑜的音樂世界》。
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主持人|朱郁柔 Abby CHU
\n\nOrgelkids Taiwan 音樂總監;曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營「玩樂管風琴」管風琴工作坊講師、衛武營管風琴校園推廣計畫講師、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
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\n'},{reference:[],type:"content",name:"管風琴介紹",content:'
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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\n\t\t\t 7/13(四)14:30-15:30 | \n\t\t|
\n\t\t\t 「把拔馬麻,最上面的那個又大又亮、還有好多根柱子是什麼啊?」「喔,那個叫做管風琴啊~」「那~管風琴又是什麼東西呢?」「這個……」不知道該如何和孩子解釋管風琴嗎?交給最受小朋友喜歡的花露露來幫忙吧! ►節目詳情 \n\t\t\t | \n\t\t|
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\n\t\t\t 8/2(三)14:30-15:30 \n\n\t\t\t【永恆的愛-巴洛克協奏曲】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 在七夕情人節的浪漫氣氛中,管風琴家劉信宏規劃演出兩首音樂史上最著名的《婚禮進行曲》──華格納與孟德爾頌筆下的動聽旋律,將以管風琴獨奏呈現,讓人彷彿置身教堂、為新人線上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,劉信宏將進一步演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及約翰.華爾特《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶稣,世人仰望的喜悦》與米特爾《F大調幻想曲》兩首動聽小品,展開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(三)14:30-15:30 \n\n\t\t\t【管風琴唱世界民謠】 ※客席演奏家:Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 大家已經相當熟悉聽到管風琴演出聖歌或詩篇,如果管風琴彈出的是眾人耳熟能詳、傳頌不已的民謠,又會是怎樣的風味呢?本場次劉信宏將以陳泗治的《台灣素描》彈出管風琴音中的寶島風景,並且邀請出生於加勒比海的尚傑生,改編他心中的經典臺灣旋律;另外,劉信宏更融合臺語歌謠《孤戀花》與世界名曲《小白花》,展現音樂超越國籍的無遠弗屆;尚傑生則會帶來充滿熱帶風情的故鄉旋律,搭配上本次的「自由移動場」設計,觀眾不妨在音樂廳的不同角落,感受來自世界的風,在音樂廳內的不停流轉! \n\n\t\t\t\n\n\t\t\t 尚傑生改編:巴多斯民謠交響曲 陳泗治:《台灣素描》選取,劉信宏改編給管風琴 尚傑生改編:三首臺灣名謠 劉信宏改編:真善美小白花、臺灣孤戀花 \n\n\t\t\t帕爾迪尼:《奇異恩典觸技曲》 \n\t\t\t | \n\t\t|
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\n\t\t\t 10/18(三)14:30-15:30 \n\n\t\t\t【Knock!Knock!不給音樂就搗蛋】 \n\n\t\t\t※舞台零距離體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 管風琴的多變性究竟多高呢?在傳統的宗教意象之外,管風琴於當代影視作品的形象,似乎更常帶來「群魔亂舞」的驚悚效果:畢竟以一人之力就能展現出碩大的壓制音響,不是神力便是怪力!本場次結合萬聖節,精選神祕詭譎效果的管風琴曲目:已然成為「吸血鬼」的代名詞的巴赫d 小調觸技曲與賦格,以及展現獨特音色與旋律的當代爵士散拍作品,加上德布西《月光》的夜色沉思後,又以蘇莎《永恆的星條旗》展開盛大遊行!觀眾也可以在「舞台零距離體驗場」的設計中,到琴座正下方感受強烈震撼力。 \n\n\t\t\t\n\n\t\t\t 玻耶爾曼:《哥德組曲》 巴赫:d 小調觸技曲與賦格,BWV 565 玻爾康:〈快來傳道,穩當根基自由幻想曲〉選自《散拍,福音音樂前奏曲》 \n\n\t\t\t德布西:〈月光〉,選自《貝加馬斯克組曲》作品 L75 – 第三首 \n\n\t\t\t蘇沙:《永恆的星條旗》 \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(三)14:30-15:30 \n\n\t\t\t【管風琴大戰交響樂】 \n\n\t\t\t※自由移動體驗場 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 雙手雙腳加上數百根音管,管風琴能展現的音色與音量變化,足以媲美百人交響樂團!本場次管風琴家劉信宏將化身一人指揮兼樂手,展現管風琴以一擋百的壯闊氣勢!法國作曲家邦內給音樂會的變奏曲,以及同樣來自法國的維多所寫的「交響曲」,其實都是單純為管風琴獨奏寫的曲目,光從曲名就能感受到作曲家認為「管風琴=樂團」的基本定調;而大眾熟悉的影視作品:約翰.威廉斯《星際大戰》〈帝國進行曲〉,以及漢斯.季默為《星際效應》創作的配樂,則是展現出管風琴足以與無邊宇宙的對應功力,在本場次的「自由移動場」設計下,觀眾可以用不同角度聆賞管風琴的壯闊浩瀚。 \n\n\t\t\t\n\n\t\t\t 邦內:給音樂會的變奏曲,作品一 \n\n\t\t\t漢斯‧季默:電影《星際效應》配樂組曲 \n\n\t\t\t約翰‧威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t莫利克奈:《新天堂樂園》 電影主題曲 \n\n\t\t\t馬斯卡尼:歌劇《鄉村騎士》間奏曲 \n\n\t\t\t維多:第三樂章〈如歌的行板〉,選自第四號管風琴交響曲 \n\n\t\t\t維多:〈終曲〉,選自第六號管風琴交響曲 \n\t\t\t | \n\t\t|
主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t舞台零距離體驗場:開放舞台區、合唱席F1-F7排自由入座。
\n\t自由移動體驗場:開放1F 1-12排、A1-A6排、2F B1-B8排 一般席自由入座。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n活動透過搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n活動特別安排「舞台零距離體驗場」將舞台區轉變為觀眾席區,讓您近距離一睹管風琴風采;「自由移動體驗場」在曲目間安排換位橋段,透過體驗不同的欣賞演出視角,做為您日後蒞臨音樂廳欣賞演出的座位參考。
\n每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
\n 2023下半年活動場次表
\n\t\t\t 12/13(三)14:30-15:30 \n\n\t\t\t【管風琴聖誕饗宴】 \n\n\t\t\t※客席演奏家:Sean JACKSON、陳相瑜 \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 歲末將至,本場次將由三位管風琴家:劉信宏、尚傑生與陳相瑜一同登台,聯手帶來最應景佳節氣息的「管風琴聖誕饗宴」!除了精選從孟德爾頌、柴科夫斯基到美國黑人靈歌等歷史上極具聖誕氣息的曲目外,本場最特別的,是三位音樂家將使出渾身解數,不但要打開音樂廳3樓兩側的所有管風琴,同時連線一樓與三樓的琴座演奏外,更會在不同曲目中加入鋼琴與移動式管風琴,展現出不同鍵盤樂器交融的特殊效果,把衛武營管風琴的效能發揮到淋漓盡致,並為今年畫下精采熱鬧的休止符! \n\n\t\t\t\n\n\t\t\t 維耶爾恩:《西敏寺的鐘聲》,作品54 第六號 \n\n\t\t\t《法國聖誕鐘聲變奏曲》傑瑞. 威斯頓庫勒改編 \n\n\t\t\t孟德爾頌‧巴妥爾迪:《聖誕歌謠-齊來敬拜》,珍妮.戴梅西 改編 \n\n\t\t\t美國黑人靈歌《去山頂傳揚》,艾略特. 理查德改編 \n\n\t\t\t柴科夫斯基:〈糖梅仙子之舞〉選自《胡桃鉗組曲》 \n\n\t\t\t美國黑人靈歌《祂雙手掌握全世界》,喬爾.雷尼改編 \n\n\t\t\t杜普雷:《齊來敬拜》變奏曲 \n\n\t\t\t阿道夫.亞當:《聖善夜》 \n\n\t\t\t魏多:觸技曲,f小調第五號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
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藝文支持
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文化部校外文化體驗
\n\n本活動與文化部、各地方的藝文場館及周邊場域串聯,提供文化體驗內容,共同合作推動學校帶領學生走出校園,走進戲劇院、音樂廳、演藝廳、美術館、博物館、歷史現場及績優社區營造點等文化場域,培養高中職、國中小之學子對文化藝術的興趣和感知,培育藝文欣賞人口,建立文化自信。
\n\n歡迎各縣市高中職、國中小詢問所屬縣市或有意前往縣市的文化局(處)諮詢窗口,報名參與。
\n\n►活動詳情
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|LIU Hsin-hung
\n\nDr. LIU holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
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Guest Organist|Sean JACKSON (Sep, Dec)
\n\nAn outstanding soloist and accompanist on the international stage, JACKSON has performed in the many countries worldwide. Since 2004, he has served as the organist and music director of music at churchs in Northeastern USA. To date, he has recorded numerous solo and collaborative albums.
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Guest Organist|CHEN Hsiang-yu (Dec)
\n\nOrganist, pianist, and harpsichordist; recipient of the NTCH Prominent Young Musician and Chunghsing Arts Award for music. Currently teaching at Soochow University Department of Music, CHEN is often invited to write music-related articles, and her written works are published on her blog Chen Hsiang-yu's Music World.
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Host|Abby CHU
\n\nAbby CHU is Orgelkids Taiwan music director. She has served as a host of Educational Lecture Recitals for Organ, lecturer of the Organ Workshop in Pingtung Performing Arts Center and Weiwuying, speaker of Pingtung Performing Arts' Film A 9 minutes introduction to the King of Musical Instruments- Organ, the music director of Orgelkids Taiwan Summer Music Camp, and the lecturer of Developing STEM Approaches for Understanding Organ Project in Schools.
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\n\n
\n'},{reference:[],type:"content",name:"The pipe organ",content:"
The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
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As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
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Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
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\n\n
\n"},{reference:[],type:"content",name:"Past sessions",content:'
Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
\n\nPerformances will be enhanced with other instruments, special lighting effects, and informative explanations, which will make the organ's diversity and charm more accessible and understandable to the audience.
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In addition, the programs boast two unique features: The first is that they will be Close-up Shows—the stage will be transformed into a seating area to give the audience an even closer experience with the organ. The second is the Musical Chairs aspect: members of the audience will be permitted to get up and move to other seats between pieces of music to try out different perspectives and get an idea of which seats they would like to reserve for future performances.
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So for an hour each month, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
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\n Programs
\n\t\t\t 8/2(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (Close-up Show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Chinese Valentine's Day, August's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\tTo emphasize this distinction, BACH's Concerto in d minor and WALTHER's Concerto in b minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
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\n\t\t\t 9/27(Wed)14:30-15:30 \n\n\t\t\tEchoing Folk Songs from Around the World (Musical Chairs) \n\n\t\t\tOrganist|Sean JACKSON \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Most people are accustomed to pipe organs performing hymns or psalms. But what would it be like if the pipe organ played well-known and enduring folk songs? In this performance, LIU Hsin-hung will play Taiwan Sketches by CHEN Si-chih on the pipe organ, presenting the island's landscapes. LIU also invites Caribbean organist and pianist, Sean JACKSON, to adapt classic Taiwanese melodies dear to him. Furthermore, LIU blends the Taiwanese ballad "Lonely Flower" with the world-famous "Edelweiss" demonstrating how music transcends boundaries. JACKSON will also bring melodies filled with tropical charm. Combined with the ’musical chair’ series where audience are invited to choose or change seats, they can experience music from across the globe all within the concert hall! \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 10/18(Wed)14:30-15:30 \n\n\t\t\tKnock! Knock! Music or Trick! (Close-up Show) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t How versatile is a pipe organ? Beyond religious imagery, the pipe organ in contemporary film and television tends to bring about a thrilling and devious effect. After all, a person with the ability to produce a massive and overpowering sound, is either an act of divinity or monstrosity. This Halloween-themed performance selects organ pieces with mysterious and eerie qualities: BACH's Toccata and Fugue in d minor, already synonymous with "vampires," unique contemporary jazz syncopated pieces, and the pensive Clair de Lune by DEBUSSY, SOUSA's grand The Stars and Stripes Forever. Audience can also feel the intense impact of the instrument whilst seating directly under the organ in this "close-up show" concert. \n\t\t\t | \n\t\t|
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\n\t\t\t 11/22(Wed)14:30-15:30 \n\n\t\t\tThe Pipe Organ Battles the Symphony (Musical Chairs) \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the use of both hands and feet of the musican, together with hundreds of pipes, the pipe organ can be an equal match to a modern full-size symphony orchestra! In this performance, pipe organist LIU Hsin-hung will act as a conductor and an orchestra all by himself to demostrate the granduer of this instrument!! Variations de Concert by French composer Joseph BONNET and the symphonies of French composer Charles-Marie WIDOR are written solely for solo organ. From the title alone, you can detect how the composers equate the pipe organ with the orchestra. The popular film scores such as John WILLIAMS' "Imperial March" from Star Wars and Hans ZIMMER's score for Interstellar, demonstrate the organ's ability to correspond to the boundless universe. In this 'musical chair' series, audience are invited to change or choose seats, giving them an opportunity to appreciate to appreciate the grandeur of the pipe organ from various angles. \n\t\t\t | \n\t\t|
\n\n
\n\t\t\t 12/13(Wed)14:30-15:30 \n\n\t\t\tChristmas Feast of Joy \n\n\t\t\tOrganist|Sean JACKSON, CHEN Hsiang-yu \n\n\t\t\t\n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t At the end of 2023, three organists: LIU Hsin-hung, Sean JACKSON, and CHEN Hsiang-yu, will jointly present “Resounding Joy: The Pipe Organ Christmas Extravaganza,” which includes a selection of Christmas-themed pieces across history, including works from HANDEL, TCHAIKOVSKY, and American Negro Spirituals. They will pull out all their stops and fully utilizing all the organs, including one on stage, two on the third floor, a concert piano and a positive organ. This program will showcase the special blend of different keyboard instruments and demonstrate the full potential of Weiwuying's pipe organ, drawing a lively and exciting conclusion for the year! \n\t\t\t | \n\t\t|
\n\n
\n',team:""},createdAt:1679043720,updatedAt:1700807883,updatedBy:"翁玉芬",host:!1},{_id:"6438fb783fb0e90007b76a40",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1700654400,discrete:[{time:1700654400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1649260831236005891"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bf441e39142a08e6452f6102c09aa08d",title:"【衛武營小時光】娛人時代 《爆笑六人行》"}],related:[],title:"【衛武營小時光】娛人時代《爆笑六人行》",cover:"1f8fdde521fbe6fdda3f4df3f53ebf76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「上班不要看 曹小歐」——喜劇貴公子 黃豪平
\n\n「很符合年輕人的口味,搞笑實力是非常的堅強。」——面白大丈夫
\n\n「真的是非常有趣的一個團體,也非常令人嫉妒,顏值很高的團體。」——達康.come 阿達
\n\n「看完娛人時代呢,腹部很痛,因為我從頭笑到尾,大家都超會演超厲害。」——Youtuber 八弟 蕭志瑋
\n\n「節目多元,呈現不同喜劇演出,與現場互動很有特色」——觀眾推薦
\n\n「超級好笑!帶朋友來完全不失面子。好喜歡!!!下次會再來」——觀眾推薦
\n\n\n\n
娛人首檔六人版專場爆笑高雄
\n\n搞笑漫才 X 爆笑短劇 X 即興喜劇
\n\n限時60分鐘搞笑大戰,邀你觀賞!
\n\n\n\n
【參戰組合】
\n\n閨蜜漫才 梅根尚(品妤、尼尚)
\n\n被譽為漫才圈的高顏值組合,由瘋狂漂亮女孩品妤,與溫柔吐槽男孩尼尚組成。兩人擅長將夢幻般的情境,轉換成荒誕的笑料,是個外表與內在超衝突的爆笑組合。
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冤家漫才 蓉丹利(小蓉包、丹利)
\n\n相愛相殺的漫才組合,由天生傻妹性格的小蓉包,與鋼鐵直男的丹利組成。作品常以生活觀察、時事話題來創作。小蓉包的奇想世界,加上丹利無可奈何的吐槽,是個歡喜冤家的喜劇搭檔。
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直屬漫才 強力喜靖(喜德、靖兒)
\n\n霸凌型漫才組合,由天生喜感的喜德學弟,搭配爆青筋式吐槽的靖兒學長。表演風格以學弟挑戰(惹怒)學長,學長暴跳如雷,卻無能為力,產生喜劇效果。學弟霸凌學長絕對是很好看(笑)的!
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周邊活動
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演出暨製作團隊
\n\n製作人、導演|林靖
\n\n編劇|集體創作
\n\n演員|靖兒、品妤、小蓉包、喜德、丹利、尼尚
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bf441e39142a08e6452f6102c09aa08d",title:"【衛武營小時光】娛人時代 《爆笑六人行》"}],related:[],title:"【Weiwuying Showtime】Comedytimes - Six Comedians",cover:"1f8fdde521fbe6fdda3f4df3f53ebf76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 5/22(Mon)12:00 !
\n\tPerformed in Mandarin without surtitles.
\n\tSix Comedians, the first-ever full-crew show of Comedytimes, will take place in Kaohsiung.
\n\nWitty Manzai x Hilarious Short Play x Improvised Comedy
\n\nYou're cordially invited to this 60-minute jokes battle!
\n\n\n\n
Contestants:
\n\nBesties Megan and Nisan
\n\nHailed as perfect tens in the manzai world, we have the crazy, pretty Megan and the gentle, sarcastic Nisan. Deft at turning dream-like scenarios into ridiculous punchlines, together they form a duo with attractive appearances and funny personalities.
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Frenemies Roni and Danley
\n\nWith a love-hate relationship, we have the silly Roni and the positively unromantic Danley. Their works are often based on observations of daily life and trendy topics. With Roni having her head in the clouds and Danley gently teasing her about it, they bicker like quarrelsome lovers.
\n\n\n\n
Schoolmates Sid and Ching
\n\nIn this bully-victim relationship, we have Sid, a natural-born comic who is a junior to Ching, who roasts him endlessly. Their comedy focuses on Sid trying to challenge (provoke) Ching, who is then extremely exasperated. It’s sure as hell funny to see an upperclassman being bullied by a lowerclassman instead (laugh)!
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Creative and Production Team
\n\nProducer & Director|LIN Ching
\n\nPlaywright|Collective Creation
\n\nPerformers|Ching, Megan, Roni, Sid, Danley, Nisan
\n\n\n\n
\n\n
\n',team:""},createdAt:1681455992,updatedAt:1700647866,updatedBy:"林蔚行",host:!0},{_id:"643e09453fb0e90007bb2d4e",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699165800,discrete:[{time:1699165800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1646003269911023618"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb419c1db823cbf6ac33a9566b33b3ee",title:"《菲常女子:林羽菲箏樂獨奏會》"}],related:[],title:"《菲常女子:林羽菲箏樂獨奏會》",cover:"eafc21e1d3dc0817f96a3cd5cfcf7816",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
個人獨奏會曾獲《表演藝術評論台》點評:「除表現箏樂演奏技藝,更用心策劃與考究曲目,她奠基於箏樂傳統底蘊,並期在當代作品中以不同詮釋展現出獨特的自我。」── 評論者 / 葉娟礽
\n\n\n\n
本場獨奏會以箏樂家樊慰慈的琴曲改編作品與近代箏樂作品作為主題。將古琴語彙融入箏的音樂織體,無論是古琴的吟、猱、綽、注、撞、進復、退復等技巧或琴曲豐富的音樂特性和寬廣的音域,均更加豐富了箏樂的整體表現,並將舊韻融入新聲,充分展現古箏本身的傳統韻味及聲響,品味質樸之美,敞徉古今歲月。
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演出曲目
\n\n樊慰慈 改編:琴曲《廣陵散》《醉漁唱晚》
\n\n徐滌生:《春澗流泉》
\n\n樊慰慈:《稍縱即逝》
\n\n周展:《秦土情》
\n\n陳哲:《晨興》《蒼歌引》
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演出暨製作團隊
\n\n箏|林羽菲
\n\n鋼琴|萬筱嵐
\n\n主辦單位|臺灣絲竹箏樂團
\n\n協辦單位|箏藝之研
\n\n指導單位|高雄市政府文化局
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fb419c1db823cbf6ac33a9566b33b3ee",title:"《菲常女子:林羽菲箏樂獨奏會》"}],related:[],title:"Zheng Recital by LIN Yu-Fei",cover:"eafc21e1d3dc0817f96a3cd5cfcf7816",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The major feature of this recital will be renowned Zheng artist FAN Wei-Tsu's original work Visions Fugitives and his arrangements of three Guqin masterpieces, Guangling San, and Zuiyu Changwan, as performed by one of his most devoted pupils LIN Yu-Fei. The application of Guqin's music idiom and its unique colors on the performance practice of Zheng is not only quite profound but provocative, as it drastically enriches the characteristics of a new instrument with one of the most ancient Chinese musical idioms. This recital will also include other major contemporary Zheng works, i.e. XU Disheng's Chunjian Liuquan, and CHEN Zhe's Chenxing.
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Program
\n\nFAN Wei-Tsu, arr. : Guqin Music
\n\nFAN Wei-Tsu: Visions Fugitives
\n\nXU Disheng: Chunjian Liuquan
\n\nZHOU Zhan: Ode to Qin
\n\nCHEN Zhe: MORNING LILT, Ode of Spring
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Creative and Production Team
\n\nZheng: LIN Yu-Fei
\n\nPiano: WAN Hsiao-Lan
\n\nOrganizer: Taiwan Sizhu Zheng Ensemble
\n\nCo-organizer: Art of Zheng
\n\nSupervision: Bureau of Cultural Affairs, Kaohsiung City Government
\n\n\n\n
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
創作於芬蘭亟欲擺脫俄羅斯高壓統治的氣氛中,西貝流士在1902年完成人生第二部交響曲,不僅成功建立起和俄國音樂迥異的風格,同時也是他從初期深受史詩《卡勒瓦拉》影響,邁入更抽象、更具原創性的交響曲寫作階段。自此他不斷嘗試如何有機地發展微小動機,使樂曲宛如從一顆種子生長,同時也透過持續的長音聲部和管樂中低音運用,醞釀出一種融合蒼茫與遼遠的「自然」聲景。緊接著完成的小提琴協奏曲也毫不流俗,作曲家除了將對小提琴的熱愛,寫成展技又抒情的片段,其中「主題不斷顯現、稍後真正發展」的手法,更進一步拓展了「有機」概念,形成生動的樂思交織。
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本場指揮麥凱萊是奧斯陸愛樂管絃樂團首席指揮,也是巴黎管絃樂團音樂總監,2027年更將入主荷蘭皇家大會堂管絃樂團,其風格洗鍊、優雅又不失活力,近年以旋風式速度擄獲廣大樂迷之心。擔綱獨奏的楊森則早已縱橫樂壇多年,她的演奏向來兼具力與美,音樂極具渲染力。當代樂壇秀逸的兩位名家將激盪出什麼花火,相信值得所有樂迷倒數期待。
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演前導聆
\n\n2023/11/2(四)19:00 音樂廳三樓大廳
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演出曲目
\n\n西貝流士:d小調小提琴協奏曲,作品47
\n\n西貝流士:D大調第二號交響曲,作品43
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安可曲:
\n\n小提琴安可:
\nJ. S. BACH: Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
\nJ. S. BACH: Violin Partita No.2 in d minor, BWV 1004 - V. Chaconne
\n樂團安可:
\nJ. SIBELIUS: Musette, from King Christian II
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演出暨製作團隊
\n\n指揮|克勞斯.麥凱萊
\n\n小提琴|吉妮.楊森
\n\n奧斯陸愛樂管絃樂團
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藝術家介紹
\n\n指揮|克勞斯.麥凱萊
\n\n©Marco Borggreve_Oslo Philharmonic
\n\n芬蘭指揮家克勞斯.麥凱萊於2020年接下奧斯陸愛樂首席指揮一職,並從2021年9月起擔任巴黎管絃樂團音樂總監。他在2022年成為荷蘭皇家大會堂管絃樂團的藝術夥伴,並將於2027年接任該團的首席指揮。他於2023年8月演出湯瑪斯.拉赫爾的第二號交響曲和馬勒的第四號交響曲,迎接其擔任奧斯陸愛樂首席指揮的第四個樂季。本樂季的重要演出也包括蕭斯塔科維契的第七號交響曲、巴爾托克《藍鬍子城堡》音樂會,以及在布拉姆斯雙重協奏曲同時擔任指揮及演奏大提琴。
\n\n在擔任巴黎管絃樂團音樂總監的第三個樂季中,麥凱萊在艾克斯音樂節和巴黎舉行近20場音樂會,向史特拉汶斯基的俄羅斯芭蕾舞團作品致敬。而在成為荷蘭皇家大會堂管絃樂團藝術夥伴的第二個樂季中,麥凱萊預計帶領樂團演出六檔節目。
\n\n麥凱萊同時作為大提琴家,不定期與樂團成員合作演出,每年夏天也會在韋爾比耶音樂節的室內音樂會登台。身為迪卡唱片的簽約藝術家,麥凱萊已與奧斯陸愛樂錄製了完整的西貝流士交響曲專輯。
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小提琴|吉妮.楊森
\n\n©Marco Borggreve
\n\n小提琴家吉妮.楊森在本樂季的重要演出,包括由指揮家帕帕諾爵士帶領倫敦交響樂團的歐洲巡演、在提勒曼指揮下與德勒斯登國家管絃樂團合作,以及與麥凱萊領軍的奧斯陸愛樂進行遠東巡迴演出。
\n\n2024年3月,第一屆「吉妮.楊森巴赫音樂節」將於荷蘭阿姆斯特丹皇家大會堂舉行,包括一系列由楊森與音樂夥伴共同策劃並演出的音樂會。管絃樂方面的其他重要演出合作還有帕帕諾爵士指揮下的捷克愛樂樂團,與蘇黎世音樂廳管絃樂團/賈維、鹿特丹愛樂/沙尼,以及瑞士羅曼德交響樂團/杜特華攜手合作。
\n\n身為迪卡唱片的簽約藝術家,其最新的錄音作品《12把史特拉底瓦里》,探索了12把史特拉底瓦里小提琴的音色,以及靈感取自這些偉大樂器的作品。楊森也是烏得勒支國際室內樂節的創辦人兼藝術總監,該音樂節將在2023年12月迎來第20週年。楊森並於2023/24樂季成為威格摩爾音樂廳的駐館藝術家。
\n\n楊森現使用1715年製的「舒姆斯基-羅德」史特拉底瓦里小提琴,由一位歐洲贊助人慷慨出借。
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奧斯陸愛樂管絃樂團
\n\n©John-Halvdan Halvorsen/Oslo Philharmonic
\n\n1919年九月,愛樂協會管絃樂團(後來改制為奧斯陸愛樂管絃樂團)在挪威首都首次公開演出。這個私人樂團成立的重要場合,連皇室也共襄盛舉。不久,愛樂協會管絃樂團就吸引到西貝流士、尼基許等國際巨星的合作。他們兩位也都於1921年指揮過該樂團。在接下來的一個世紀,奧斯陸愛樂管絃樂團在布隆斯泰特、楊頌斯、薩拉斯特、佩特連科等首席指揮的傑出領導下,藉由巡迴演出和錄音,成功地將自己打造成數一數二的國際管絃樂團。
\n\n2020年8月,奧斯陸愛樂管絃樂團在新首席指揮克勞斯.麥凱萊的帶領下,展開第101個樂季。麥凱萊與音樂家的緊密合作模式,從2018年與該樂團首次合作即顯而易見。麥凱萊與樂團的第一件大型企劃是錄製西貝流士的交響曲全集。這張合輯於2022年春天由迪卡唱片發行,並獲得了法國《Classica》雜誌的年度專輯獎,以及荷蘭愛迪生唱片大獎。接著,該樂團於維也納音樂廳、漢堡易北愛樂廳、巴黎愛樂廳和BBC逍遙音樂節演出西貝流士交響曲全集,皆獲得《倫敦時報》和《衛報》的五星評價。
\n\n如今,麥凱萊和奧斯陸愛樂管絃樂團的合作已經邁入第三個樂季,他們仍定期巡迴演出。當他們再次回到奧地利首都演出時,《維也納日報》評論道「樂團和指揮之間的搭配洋溢著活力與歡樂。」
\n\n2021年,為因應疫情,奧斯陸愛樂管絃樂團舉辦了《間奏》(Mellomspill)線上音樂會系列。音樂會不僅大獲成功,該樂團致力以數位推廣藝文的努力,更獲頒挪威觀眾發展創新獎。2022年,被提名留聲機年度樂團獎,並與麥凱萊一同獲得了西貝流士獎,以表揚他們在促進芬蘭和挪威音樂圈交流的傑出貢獻。
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獨家贊助
\n\n柯珀汝
\n\n\n\n
指定住宿
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巡演場次
\n\n臺北|11/3-11/4 國家音樂廳
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n\n
SIBELIUS completed his second symphony in 1902, at a time when Finland was eager to break away from Russia's high-handed rule. In this work, he not only established a style that was distinctly different from Russian music, but also drew inspiration from the epic poem Kalevala. This influence propelled him towards a more abstract and innovative approach to symphonic composition. SIBELIUS began to develop small motifs organically, so that the music seemed to grow from seed. By incorporating continuous long voice parts and mid-bass in wind music, he created a soundscape of "nature" that evoked vastness and remoteness.
\n\n\n\n
The composer's subsequent work, the Violin Concerto, was also unconventional. In addition to showcasing his love for the violin through displays of virtuosic skill and lyrical sections, he expanded on the "organic" concept by introducing the technique of continuously anticipating themes and further developing them later on. This approach resulted in a vivid interweaving of musical ideas.
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Klaus MÄKELÄ, the conductor for this performance, currently serves as the Chief Conductor of the Oslo Philharmonic Orchestra, and the Music Director of Orchestre de Paris. He is known for his refined, elegant, and energetic style, which has won him a legion of devoted fans in recent years. In 2027, he will be taking the stage at the Concertgebouw. Janine JANSEN, a seasoned soloist with extensive experience on stage, is recognized for her commanding and exquisite performances that exude passion and captivate audiences. The combination of these two masters is bound to generate the dazzling synergy music enthusiasts eagerly await.
\n\n\n\n
Pre-talk
\n\n2023/11/2(Thu)19:00 Concert Hall 3F Lobby
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Program
\n\nJ. SIBELIUS: Violin Concerto in d minor, Op. 47
\n\nJ. SIBELIUS: Symphony No. 2 in D Major, Op. 43
\n\n\n\n
Encore Pieces:
\n\nViolin solo:
\nJ. S. BACH: Violin Sonata No.3 in C Major, BWV 1005 - III. Largo
\nJ. S. BACH: Violin Partita No.2 in d minor, BWV 1004 - V. Chaconne
\nOrchestra:
\nJ. SIBELIUS: Musette, from King Christian II
\n\n
Creative and Production Team
\n\nConductor|Klaus MÄKELÄ
\n\nViolin|Janine JANSEN
\n\nOslo Philharmonic Orchestra
\n\n\n\n
Artists Introduction
\n\nConductor|Klaus MÄKELÄ
\n\n©Marco Borggreve_Oslo Philharmonic
\n\nFinnish conductor Klaus MÄKELÄ has held the position of Chief Conductor of the Oslo Philharmonic since 2020 and Music Director of the Orchestre de Paris since September 2021. As Artistic Partner to the Concertgebouworkest since 2022 he will assume the title of Chief Conductor in 2027. He opened his fourth season as Chief Conductor of the Oslo Philharmonic Orchestra in August with Thomas LARCHER's Symphony No. 2 and MAHLER's Symphony No. 4. Additional season highlights include SHOSTAKOVICH's Symphony No. 7, a concert performance of BARTOK's Bluebeard's Castle and BRAHMS' Double Concerto, in which MÄKELÄ conducts and plays cello alongside violinist Daniel LOZAKOVICH.
\n\nFor his third season as Music Director of the Orchestre de Paris, Klaus MÄKELÄ is honouring STRAVINSKY's Ballets Russes presented at both the Festival d'Aix and in Paris with nearly twenty concerts, and a recording of STRAVINSKY's Petrushka, Jeux and DEBUSSY's L'Après-midi d'un faune for Decca Classics. Other highlights include performances of recent works by Unsuk CHIN and Anna THORVALDSDOTTIR and the French premiere of Miroslav SRNKA's Superorganisms. For his second season as Artistic Partner of the Concertgebouworkest, Klaus MÄKELÄ leads six programmes in 2023-2024, including MUSSORGSKY's Pictures at an Exhibition, DE FALLA's Nights in the Gardens of Spain and Hawar TAWFIQ's The Imagination of M.C. Escher. He also conducts
\n\nMAHLER's Symphony No. 3, and BRUCKNER's Symphony No. 5 as part of a cycle celebrating the 200th anniversary of the composer's birth.
\n\nAs a cellist MÄKELÄ partners with members of the Oslo Philharmonic, Orchestre de Paris and Concertgebouworkest for occasional programmes, and each summer he performs at the Verbier Festival in chamber music concerts with fellow artists. An exclusive Decca Classics artist, he has recorded The Firebird and The Rite of Spring with the Orchestre de Paris and the complete SIBELIUS Symphonies with the Oslo Philharmonic.
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Violin|Janine JANSEN
\n\n©Marco Borggreve
\n\nViolinist Janine JANSEN has longstanding relationships with the world's most eminent orchestras and conductors. This season's highlights include European tours with London Symphony Orchestra under the direction of Sir Antonio PAPPANO, Dresden Staatskapelle with Christian THIELEMANN and a Far East tour together with Oslo Philharmonic and Klaus MÄKELÄ. As part of her Artistic Partnership with Camerata Salzburg Janine JANSEN will also join two major tours across Europe.
\n\nIn March 2024 the Concertgebouw Amsterdam will host the first "Janine Jansen Bach Festival" comprising of a number of orchestral, choral and chamber concerts programmed, inspired and performed by JANSEN and her musical partners.
\n\nOther orchestral highlights include engagements with Czech Philharmonic Orchestra under Sir Antonio PAPPANO, Tonhalle Orchestra / Paavo JÄRVI, Rotterdam Philharmonic / SHANI and Orchestre de la Suisse Romande / DUTOIT, Janine JANSEN will perform the world premiere of Britta BYSTRÖM's Violin Concerto co-commissioned by the Royal Stockholm Philharmonic Orchestra and returns to the London Symphony Orchestra for Sally BEAMISH's Double Concerto Distans together with Martin FRÖST.
\n\nJANSEN records exclusively for Decca Classics. Her latest recording "12 Stradivari" is a unique exploration of 12 great Stradivarius violins and the repertoire these extraordinary instruments inspired. The chosen repertoire is specially curated by Janine JANSEN to showcase the unique qualities of each violin.
\n\nShe is the Founder and Artistic Director of the International Chamber Music Festival Utrecht which celebrates its 20th anniversary in December 2023. Together with Martha ARGERICH and Mischa MAISKY she performs a number of trio performances across Europe and continues her fruitful recital collaboration with pianist Denis KOZHUKHIN. Further chamber music projects are planned at Sion and Røros Festivals as well as at London's Wigmore Hall where she is Artist-in-Residence during the 23/24 season.
\n\nJanine JANSEN plays the Shumsky-Rode Stradivarius from 1715, on generous loan from a European benefactor.
\n\n\n\n
Oslo Philharmonic Orchestra
\n\n©John-Halvdan Halvorsen/Oslo Philharmonic
\n\nIn September 1919, the Orchestra of the Philharmonic Company-later to be known as the Oslo Philharmonic-took to the stage for its first public concert in the Norwegian capital. The launch of an independent symphony orchestra was a major event attended by the Royal Family and its fame soon started attracting international stars such as Jean SIBELIUS and Arthur NIKISCH, who both conducted the orchestra in 1921. In the century to follow, the Oslo Philharmonic successfully established itself as one of the major international orchestras, through tours and recordings under the
\n\nleadership of eminent Chief Conductors, including Herbert BLOMSTEDT, Mariss JANSONS, Jukka-Pekka SARASTE and Vasily PETRENKO.
\n\nThe Oslo Philharmonic began its 101st season in August 2020 with new Chief Conductor Klaus MÄKELÄ, whose close relationship with the musicians had been immediately apparent on his debut with the orchestra two years earlier. MÄKELÄ's first major project with the orchestra was a recording of the complete symphonies of SIBELIUS, which was released on Decca in Spring 2022 and awarded both the Choc Classica Recording of the Year (France) and an Edison Award (Netherlands). The recording was followed by critically acclaimed SIBELIUS residencies at the Wiener Konzerthaus and Hamburg Elbphilharmonie and appearances at the Paris Philharmonie and BBC Proms, which received five star reviews from both The London Times and Guardian.
\n\nNow in their third season together, Klaus MÄKELÄ and the Oslo Philharmonic continue to tour regularly and, as the Wiener Zeitung wrote of their recent return to the Austrian capital, “The collaboration between orchestra and conductor is alive with lightness and joy.”
\n\nIn 2021 the Oslo Philharmonic was awarded the Norwegian Audience Development Innovation Award for its extraordinary success and digital commitment through the online concert series Mellomspill (Interlude), launched in response to the pandemic. In 2022 the orchestra was nominated for Gramophone Orchestra of the Year and, together with Klaus MÄKELÄ, received the Sibelius Prize for outstanding efforts to promote contact between Finnish and Norwegian musical life.
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Sponsor
\n\n柯珀汝
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Accommodation
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\n\n優惠方案
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\n',benefits:'才華洋溢,技術超群....這個舞團的卓越應與世界分享!——紐約時報
\n\n雲門舞者掌控能力和動作精準,已臻神奇,宛如超人。他們似乎有一種可以改變你新陳代謝的神奇力量。——芝加哥太陽報
\n\n你若是錯過了臺灣雲門舞集的表演,那麼你已經與完美失之交臂。——澳洲 時代報
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雲門50週年 鄭宗龍運勁著力全新創作
\n\n聯手里約奧運「東京八分鐘」首席科技總監真鍋大度
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沒有故事 只有身體的事
\n\nAI入舞 振盪成波
\n\n\n\n
波,是可見的科學物理現象,也是肉眼無法清楚看到的能量振盪。
\n\n許多科幻和動漫作品,都描繪出聚集身體隱藏能量,可以爆發出合全為一的力量招式。雲門五十週年,藝術總監鄭宗龍聯手日本新媒體藝術家真鍋大度(Daito MANABE),拆解舞者流動的身體,將肌肉、呼吸與神經傳遞的電波化為數據,經由程式的深度學習及藝術的折射,創作出突破身體和科技的當代大招《波》。將看不見的波,由看得見的身體完整呈現。
\n\n鄭宗龍與真鍋大度構思作品時觀察到,遍及全球三年的疫情對社會和個人帶來了巨大的影響,科技和資訊的迅速流動,與個人意識相互干涉。兩人分別從身體和科技的載體出發,凝視當中的互動關係,創造出減法的作品美學。在技術上,延展AI人工智慧和科技工具的實驗,作為身體運動的基礎,勾出舞者身體的隱藏能量。使其穿梭在音樂、影像與空間不同的維度,將各方之氣聚集成一道道的波。
\n\n\n\n
《波》是鄭宗龍重新定義身體的突破之作。
\n\n在2019年,鄭宗龍創作《毛月亮》,首次探索人性和科技的主題。透過三個巨型LED和相對微小的舞者作對比,呈現被科技所包圍而無法擺脫的孤獨感,及人們努力擺脫的集體性。真鍋大度則長年遊走在虛擬與現實之間,追求高度臨場感的感官式體驗。在為雲門五十週年創作的作品裡,鄭宗龍和團隊連結舞蹈與科技之間的本質,讓波的物理特性和象徵意義在作品裡相遇。這回,《波》沒有故事,只有身體的事。
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演前導聆
\n\n11/4(六)、11/5(日)14:00 歌劇院二樓大廳
\n主講:洪凱西(雲門執行總監)
※原定11/4(六)導聆人小樹,因身體因素,該場次調整為雲門執行總監洪凱西導聆。
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文章閱讀
\n\n\n\n►舞者將每一吋肌肉、每一個關節,都化成了波。——雲門50 鄭宗龍《波》看舞筆記
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演後座談
\n\n11/4(六) 演出結束後 歌劇院舞台
\n主講:鄭宗龍(雲門舞集藝術總監)
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演出暨製作團隊
\n\n編舞/構思|鄭宗龍
\n\n共同構思/影像/音樂/程式|真鍋大度
\n\n燈光|沈柏宏
\n\n服裝|范懷之
\n\n演出|雲門舞集
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藝術家介紹
\n\n鄭宗龍|藝術總監暨編舞家
\n\n2020年出任雲門舞集藝術總監。出生於臺北艋舺,從擺攤叫賣的幼年汲取創作靈感,作品交織街頭張力與人生百態。曾獲德國No Ballet當代編舞比賽銅牌獎,西班牙MASDANZA 編舞大賽首獎。
\n\n2016年編作《十三聲》挖掘臺灣古老、俚俗的文化記憶,2020年巡演法國巴黎、里昂、英國倫敦及瑞典斯德哥爾摩,被法媒譽為是「吸引眼球的一場勝利」。
\n\n2019年《毛月亮》結合人文、科技、當代、未來,國際專業舞蹈評論網站Seeing Dance稱這個作品「兇猛而美麗」。2020年《定光》融合身體與自然,舞評譽為「雕琢精緻,值得一看再看」。2022年《霞》,以薩克斯風版的巴赫無伴奏《大提琴組曲》入舞,讓舞者用身體訴說個人生命。
\n\n2020年鄭宗龍與阿喀朗‧汗、威廉‧佛賽等,同時入選英國羅德里奇出版的「50位當代編舞家」。
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真鍋大度|藝術家、程式設計師、DJ
\n\n2006年創立了Rhizomatiks。
\n真鍋的作品為日常素材和現象採取了新的切入角度,但他的目標並非是呈現高畫質、高臨場感的豐富表現,而是通過深度的觀察來發現關於各種現象、身體、程式、計算機自身所固有的趣味,從而描繪出類比和數位、真實和虛擬間的關係和界限,活躍於不同領域之中。
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演出|雲門舞集
\n\n1973年,林懷民創辦雲門舞集。這是臺灣第一個職業舞團,也是所有華語社會的第一個當代舞團。2020年,由鄭宗龍接任藝術總監。
\n\n雲門長年海外巡演,以獨特的動作語言,傑出的舞作,精湛的舞技,被譽為「世界一流現代舞團」。2018年,雲門獲頒英國國家舞蹈獎的「傑出舞團獎」。
\n\n雲門除了定期發表新作品及搬演經典舞作外,舞團每年在臺灣不同城市舉辦大型戶外公演,更以親切、活潑的方式深入社區,讓舞蹈走進大眾的生活。
\n\n2023年,雲門50週年,舞過半世紀,持續透過舞蹈扎根臺灣,開展舞蹈淑世志業。
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主辦單位|衛武營國家藝術文化中心
\n\n共同製作|國家兩廳院、臺中國家歌劇院、衛武營國家藝術文化中心
\n\n演出單位|雲門舞集
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其他巡演場次|10.12-10.15臺北國家兩廳院、10.28-10.29臺中國家歌劇院
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指定贊助雲門舞集
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攝影 李佳曄
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79fe81392e5b7315df08c294e07f2465",title:"雲門50 鄭宗龍《波》"}],related:[],title:"WAVES by CHENG Tsung-lung",cover:"dce534fb64e23c4f1c972136a7ea44f0",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Talent and skill require no translation... it's only right that they should be shared with the rest of the world.——The New York Times
\n\nWhen you're talking about Cloud Gate, magic is not too strong a word.——Time Out
\n\nDancers of the Cloud Gate possess a control and articulation that verge on the superhuman…In fact, they have the power to change your metabolism.——Chicago Sun-Times
\n\n\n\n
CHENG Tsung-lung, Artistic Director and choreographer of Cloud Gate, selected as 50 Contemporary Choreographers by Routledge Publishing, creates new work WAVES for Cloud Gate's 50th anniversary. CHENG invites renowned digital artist Daito MANABE together to imagine the unseen body.
\n\n\n\n
MANABE, founder of media studio Rhizomatiks in Tokyo, is a composer, digital artist, DJ and programmer. MANABE's augmented-reality design for 2016 Rio Olympics Closing Ceremony showcasing Japan's technology and creativity has made him a known figure beyond the digital arts world. Over the years, he has collaborated with iconic artists Bjork, Perfume, and OK Go.
\n\n\n\n
CHENG and MANABE explore what WAVES, in forms of energies, could transmit from the body, across spatial surfaces, mediums and humans. Waves transmit tangible objects and intangible elements. Set out to collect dancing body movements as digital data, metamorphose through artificial intelligence, CHENG and MANABE explore with dancers the boundaries of human movements in cognition, and provide an alternative perspective of how we see the world around us.
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Pre-talk
\n\n11.4 Sat. 14:00 Opera House 2F
\n\n11.5 Sun. 14:00 Opera House 2F
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Post-talk
\n\n11.4 Sat. After performance at Opera House Stage
\n\nHost: CHENG, Tsung-lung / Artistic Director of Cloud Gate
\n\n\n\n
Creative and Production Team
\n\nChoreography / Concept|CHENG Tsung-lung
\n\nConcept / Visual / Music / Program|Daito MANABE
\n\nLighting Design|SHEN Po-hung
\n\nCostume Design|FAN Huai-chih
\n\nPerform|Cloud Gate Dance Theatre of Taiwan
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Co-production|
\n\nNational Theater & Concert Hall
\n\nNational Taichung Theater
\n\nNational Kaohsiung Center for the Arts (Weiwuying)
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Artists Introduction
\n\nCHENG TSUNG-LUNG Artistic Director / Choreographer
\n\nFrom street hawker selling slippers to internationally recognized choreographer, CHENG Tsung-lung became Artistic Director of Cloud Gate Dance Theatre of Taiwan in 2020 after he succeeded the company's founder LIN Hwai-min. CHENG is best known for works inspired by the street life and folk religion elements that were part of his upbringing in Taipei. His recent creations include 13 Tongues (2016), which received rave reviews in France, Germany, the UK and China; Lunar Halo (2019), which is set to music by Sigur Rós and hailed widely as a work of "fierce beauty"; Sounding Light (2020), which reflects on the relationship between human and nature during the COVID pandemic and is praised as a "beautifully crafted work, bearing repeated viewings"; and Send In A Cloud (2022) which displays in shifting colors a panorama of dancers' personal life journeys. CHENG has been a fixture of Routledge's respected annual survey of dance practitioners, Fifty Contemporary Choreographers (2020), alongside the likes of William Forsythe, Akram Khan, Hofesh Shechter and leaders in the form.
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DAITO MANABE Artist / Programmer / DJ.
\n\nLaunched Rhizomatiks in 2006. Specially-appointed professor at Keio University SFC.
\n\nMANABE's works, which range into a variety of fields, take a new approach to everyday materials and phenomena. However, his end goal is not simply rich, high-definition realism by recognizing and recombining these familiar elemental building blocks. Rather, his practice is informed by careful observation to discover and elucidate the essential potentialities inherent to the human body, data, programming, computers, and other phenomena, thus probing the interrelationships and boundaries delineating the analog and digital, real and virtual.
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CLOUD GATE DANCE THEATRE OF TAIWAN
\n\nFounded in 1973 by internationally renowned choreographer, LIN Hwai-min, Cloud Gate is acclaimed as "Asia's leading contemporary dance theater" (The Times), and "One of the finest dance companies in the world" (The Globe and Mail). While touring extensively worldwide, Cloud Gate holds regular seasons in theaters at home, and stages annual free outdoor performances in cities and villages of Taiwan, drawing an average of 30,000 people per performance. From 2020, CHENG Tsung-lung succeeded LIN as the Artistic Director of Cloud Gate. In 2023, Cloud Gate ushers in its 50th anniversary.
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Sponsor
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PHOTO 李佳曄
\n',team:""},createdAt:1684207337,updatedAt:1699239007,updatedBy:"林蔚行",host:!0},{_id:"646320fd58ebc500098b71d2",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699529400,discrete:[{time:1699529400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1200,2200,3600,4800,5200,6e3],link:"https://www.opentix.life/event/1662064677076783105"}},attachment:{key:"191ffa6a9bdb14bcdae9c60c7056dd60",name:"安德里斯.尼爾森斯×萊比錫布商大廈管絃樂團《絕對萊比錫》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2131e274f3face95307c63d43f8dc885",title:"安德里斯.尼爾森斯×萊比錫布商大廈管絃樂團《絕對萊比錫》"}],related:[],title:"安德里斯.尼爾森斯×萊比錫布商大廈管絃樂團《絕對萊比錫》",cover:"ec7e612b74a25a2c11091972f7a2fb92",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n本節目開演前 1 小時至演後 15 分鐘內於演出廳院票口購票,即可享有滑壘票優惠,每人限購乙張,僅可選擇票價,不提供選位。主辦單位保有優惠最終解釋權,數量有限,售完為止。
\n\t團票優惠
\n\n購票同場次:
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
「尼爾森斯的指揮簡潔又力,激發出樂團優美、精準、投入的演奏。」——《波士頓環球報》
\n\n「藤田真央是一位曲風多元、品味極佳的音樂家。他的演奏富有詩意的脈動,流暢,深刻且大膽。」—— 《泰晤士報》
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萊比錫布商大廈管絃樂團,特殊的名稱反應出獨特的歷史軌跡。脫胎於文藝復興時期的「城市吹鼓手」,因將布商倉庫改建為音樂廳得名。在孟德爾頌領軍下,除了以嚴格的標準打造完美音色,也以高度的音樂品味首演如舒伯特《偉大》、舒曼《春》及布魯克納第七號交響曲等遺世經典。2023年,萊比錫布商大廈管絃樂團即將再度造訪臺灣。尼爾森斯擔任總監至今,在樂團最受讚譽的醇厚聲響基礎上灌注其獨特的爆發力,讓熟悉的曲目耳目一新,屢屢製造驚嘆。一如既往,三部作品帶領聽眾回顧其充滿遠見的歷史。孟德爾頌音樂會序曲《美麗的梅露西娜》源於德語文學所鍾愛的水妖題材,樂曲開始一段木管主奏的流動聲響,彷彿預告著華格納驚世的《萊茵河》手筆。完成於1854年的舒曼鋼琴協奏曲,曾在1841年於布商大廈首演第一樂章,兼容霸氣及溫婉,鋼琴主奏和樂團緊密交織,改寫「協奏」定義。下半場孟德爾頌的第三號交響曲《蘇格蘭》,看似聚焦北方國度的人文景緻,實則充滿歷史感懷。在音樂中,以曲首的動機貫穿各樂章,預告了十九世紀後半的交響曲寫作標竿。正如樂團的箴言「Res severa est verum gaudium」,真正的享受其實是嚴肅的事情,而嚴肅的事物才是真正的享受!2023年11月在衛武營,領略萊比錫的音樂智慧,感受一座城市的光榮。
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演前導聆
\n\n2023/11/9(四)19:00 音樂廳
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演後簽名會
\n\n演後簽名會將於音樂廳三樓大廳舉行,
\n\n指揮尼爾森斯與鋼琴家藤田真央將一同出席,
\n限簽現場販售之節目冊、樂團專輯、尼爾森斯指揮專輯、藤田真央專輯。
限額100位,每人限簽一品項,不開放署名及合照。
\n\n※簽名會於音樂會正式曲目演出結束後開放排隊。
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演出曲目
\n\n孟德爾頌:《美麗的梅露西娜》序曲
\n\n舒曼:a小調鋼琴協奏曲,作品54
\n\n孟德爾頌:a小調第三號交響曲《蘇格蘭》,作品56
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安可曲:
\n\n浦朗克:降E大調第12號即興曲《向舒伯特致敬》
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文章閱讀
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演出暨製作團隊
\n\n指揮|安德里斯・尼爾森斯
\n\n鋼琴|藤田真央
\n\n萊比錫布商大廈管絃樂團
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藝術家介紹
\n\n指揮|安德里斯‧尼爾森斯
\n\n©Marco Borggreve, 2018
\n\n葛萊美獎得主尼爾森斯身兼波士頓交響樂團(BSO)音樂總監以及萊比錫布商大廈管絃樂團的首席指揮。他連結雙方機構的開創性領導,使他成為當今國際舞台上最著名且最創新的指揮家之一。
\n\n尼爾森斯分別於2014-15樂季和2018年2月於兩樂團走馬上任。2019年秋季,尼爾森斯集結兩方的音樂家籌組聯合樂團,並在波士頓交響音樂廳聯演三場,這場盛事也成為三方共事以來的一大亮點。2022年5月樹立新的里程碑,德意志留聲機公司發行聯合樂團演奏理查・史特勞斯交響樂經典專輯,其中收錄《節慶前奏曲》(Festliches Präludium)。為紀念此次發行,尼爾森斯與萊比錫布商大廈管絃樂團展開一趟大型巡迴,規劃兩套理查・史特勞斯作品節目造訪倫敦、漢堡、維也納,以及巴黎。
\n\n2022年末,尼爾森斯和BSO開啟在日本的重要巡演,包括在東京三得利音樂廳舉行的三場音樂會。此外,BSO和尼爾森斯將於今年4月再次重返卡內基音樂廳,與小提琴家慕特和大提琴家高提耶・卡普松同台聯演。同時,繼去年9月開季巡演,尼爾森斯和萊比錫布商大廈管絃樂團也將於4月在薩爾茲堡復活節音樂節演出男高音尤納斯・考夫曼領銜的華格納《唐懷瑟》,還將演出三套交響樂音樂會。5月,尼爾森斯將於萊比錫布商大廈主辦的馬勒音樂節指揮第二號和第八號交響曲。除此之外,尼爾森斯將持續與柏林愛樂和內田光子合作,接著再與曾於2020新年音樂會共創百萬觀看人次的維也納愛樂工作,另外還有協同郎朗和馬勒室內樂團的歐洲巡演。
\n\n尼爾森斯與德意志留聲機公司簽訂專屬合約,促成他日後與波士頓交響樂團、萊比錫布商大廈管絃樂團和維也納愛樂合作的三個指標性企劃。尼爾森斯與BSO合作錄製蕭斯塔科維契的所有交響曲和歌劇《穆森斯克郡的馬克白夫人》。此全集在葛萊美獎最佳管絃樂團演奏以及最佳古典專輯製作等獎項,累計四次獲獎紀錄。另一方面,尼爾森斯和萊比錫布商大廈管絃樂團則繼續擴充他們廣受好評的布魯克納全本交響樂。兩套全本專輯都於2021年釋出第五部作品。2019年10月,為慶祝貝多芬250歲冥誕,尼爾森斯與維也納愛樂合作錄製其交響樂全集。
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鋼琴|藤田真央
\n\n©Mao Fujita_Foto_Dovile Sermokas
\n\n24歲的鋼琴家藤田真央,以其敏銳的音樂直覺以及渾然天成的琴藝,令許多著名音樂家印象深刻。他被譽為是難得一見的奇才,演奏莫札特或是浪漫曲目皆游刃有餘。
\n\n2017年,當時還就讀東京音樂大學的藤田,在瑞士哈絲姬爾國際鋼琴大賽囊括:首獎、觀眾獎、現代獎以及院生奬,首次為他帶來國際音樂界的關注。兩年後,在第十六屆柴科夫斯基國際大賽中,他獨特的音樂才華獲得一線評審團的青睞,贏得鋼琴組銀牌。
\n\n藤田曾應邀於魯爾鋼琴音樂節、齊南達利音樂節、里加-尤爾瑪拉音樂節等重大國際音樂節慶獨奏。今年1月,他首次在美國舉辦獨奏會,地點就選在卡內基音樂廳。近期重要的樂團合作包括:萊比錫布商大廈管絃樂團、慕尼黑愛樂、英國皇家愛樂、荷蘭皇家音樂廳、法國廣播愛樂、柏林音樂廳、讀賣日本交響樂團、東京大都會交響樂團、以色列愛樂、義大利RAI國家交響樂團、義大利史卡拉愛樂和琉森節慶管絃樂團。與他合作過的指揮有:佩特連科(Vasily PETRENKO)、艾森巴赫(Christoph ESCHENBACH)、夏伊(Riccardo CHAILLY),以及尼爾森斯(Andris NELSONS)。
\n\n2021年11月,藤田與索尼古典國際簽署一份獨家複數唱片約,就此展開在各張專輯各式曲目的探索。接續藤田在2021年瑞士韋爾比耶國際音樂節演奏一系列莫札特奏鳴曲受到的好評,首張莫札特全本鋼琴奏鳴曲專輯,響應眾人期盼於2022年10月發行。藤田於22/23樂季受邀在倫敦威格摩爾音樂廳舉行的五場音樂會上演奏莫札特奏鳴曲全集,並穿插幾組變奏曲。
\n\n藤田三歲開始學鋼琴,於2010年在臺灣舉辦的世界菁英賽贏得生平第一個國際獎項。後來他也在許多國際比賽獲得殊榮,如維也納羅薩里奧·瑪西亞諾國際鋼琴比賽(2013)、珠海國際莫札特青年音樂家比賽(2015)和美國吉娜‧芭豪爾國際青年藝術家鋼琴比賽(2016)。
\n\n藤田真央即將移居柏林求學深造,師事Kirill GERSTEIN。
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萊比錫布商大廈管絃樂團
\n\n©Gert Mothes
\n\n萊比錫布商大廈管絃樂團是世界上最悠久的市民交響樂團。1743年,16位愛好音樂的貴族和一般市民代表,創立名為Das Große Concert的音樂社團。在1781年遷居到萊比錫布商貿易大廈後,改名為布商大廈管絃樂團。許多著名音樂家都曾擔任該樂團的音樂總監暨首席指揮(Gewandhauskapellmeister),其中包含席勒、孟德爾頌、尼基許和馬舒。2005年上任的夏伊於2016年光榮卸任,並由尼爾森斯於2017/18樂季繼任該職位。
\n\n布商大廈管絃樂團對歐洲歷史和現代音樂的特殊貢獻,榮獲歐洲文化遺產認證(European Cultural Heritage Label)。
\n\n布商大廈管絃樂團有別於其他交響樂團的音色,受世界各地愛樂者喜愛。其獨特的音色以及極其豐富多元的曲目,是經由每年橫跨三場館、合計超過200場的演出中淬鍊而成。除了在布商大廈,該樂團也常駐萊比錫歌劇院,以及在聖多馬教堂與聖多馬少年合唱團(Thomanerchor)一起演出巴赫的清唱劇。當今沒有像布商大廈管絃樂團般的精英交響樂團,如此致力於演奏巴赫的音樂。
\n\n自1916年,布商大廈管絃樂團定期在全球巡演,並在廣播、電視、CD和DVD等媒體上出品無數。
\n\n交響樂的發展史上,布商大廈管絃樂團留下無可比擬的深遠影響。綜觀其樂團史,該樂團不斷與世界知名的作曲家、指揮家和獨奏家合作。他們演奏了貝多芬(1825/26樂季,當時他仍在世)以及布魯克納交響樂全集(1919/20樂季)。由布商大廈管絃樂團首演的作品包含:華格納歌劇《紐倫堡的名歌手》前奏曲、貝多芬第五號鋼琴協奏曲《皇帝》、布拉姆斯的小提琴協奏曲和《德意志安魂曲》以及布魯克納的第七號交響曲等,然而這些只是該樂團傳世交響樂曲目的冰山一角。時至今日,該樂團每樂季仍委託並首演新作品。
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指定住宿
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贊助單位
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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"Andris NELSONS conducted with concise focus and vigor and elicited the orchestra both tonal beauty and technical precision and visible enthusiasm." ——The Boston Globe
\n\n"[Mao] FUJITA is a musician of tremendous versatility and taste, with a poetic sense of pulse and eloquent, insightful, fearless articulation."——The Times
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The Gewandhausorchester Leipzig, named after the building that housed it and the concert hall, is renowned for its unique history. Under the leadership of MENDELSSOHN, the orchestra adhered to strict standards to produce perfect sound, while also showcasing a high level of musical taste by premiering such timeless classics as SCHUBERT's The Great, SCHUMANN's Spring and BRUCKNER’s Symphony No. 7. In 2023, the Gewandhausorchester Leipzig will once again visit Taiwan. Andris NELSONS, the Gewandhauskapellmeister (Music Director and Principal Conductor), infuses the orchestra's acclaimed rich sound with his signature explosiveness, revitalizing familiar repertoire and creating amazement time and time again. The program will guide the audience through the orchestra's visionary history via three works. MENDELSSOHN's concert overture, The Fair Melusine, is based on German water-nymph literature. At the beginning of the piece, the flowing sound of the woodwind seems to foreshadow WAGNER's legendary Rhine. SCHUMANN's Piano Concerto, completed in 1854, whose first movement premiered at Gewandhaus Leipzig in 1841. Combining power and tenderness, the piano and the orchestra are closely interwoven, redefining the concerto. In the second half, MENDELSSOHN's Symphony No. 3, Scottish, seems to focus on the cultural landscape of the northern country but is full of historical reflections. The opening theme runs throughout the piece, setting the standard for symphonic composition in the late 19th century. As the orchestra's motto states, Res severa est verum gaudium–true joy is a serious matter, and serious matters are true joy! In November 2023, experience Leipzig's musical wisdom and feel the city's glory.
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Pre-talk
\n\n2023/11/9(Thu)19:00 Concert Hall
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Program
\n\nF. MENDELSSOHN: The Fair Melusine Overture
\n\nR. SCHUMANN: Piano Concerto in a minor, Op. 54
\n\nF. MENDELSSOHN: Symphony No. 3 in a minor, Op. 56 Scottish
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Encore Pieces:
\n\nF. POULENC: Improvisation No.12 in E-flat Major "Hommage à SCHUBERT"
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Creative and Production Team
\n\nConductor|Andris NELSONS
\n\nPiano|Mao FUJITA
\n\nGewandhausorchester Leipzig
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Artists Introduction
\n\nConductor|Andris NELSONS
\n\n©Marco Borggreve, 2018
\n\nAndris NELSONS is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning NELSONS as one of the most renowned and innovative conductors on the international scene today.
\nNELSONS' positions in Boston and Leipzig commenced in the 2014/15 season and in February 2018, respectively. Autumn 2019 marked a ground-breaking highlight for NELSONS, the Boston Symphony Orchestra and the Gewandhausorchester Leipzig: three performances featuring musicians from both institutions within one joint orchestra were given at Boston's Symphony Hall as part of the alliance between the two orchestras. Earlier this year, this unique partnership between both orchestras culminated in another highlight, a joint release of the major symphonic works by Richard STRAUSS for Deutsche Grammophon, including STRAUSS' Festliches Präludium jointly performed by musicians from both orchestras. To mark the release, NELSONS and the Gewandhausorchester embarked on a major residency tour to London, Hamburg, Vienna and Paris to perform two all-STRAUSS programs.
\nThis season, NELSONS and the Boston Symphony Orchestra embark on a major tour to Japan, including three prestigious concert dates at Tokyo's Suntory Hall. Furthermore, the BSO and NELSONS will continue their guest appearances at Carnegie Hall in April 2023 together with Anne-Sophie MUTTER and Gautier CAPUÇON. Following their season opening tour together in September, a major highlight for NELSONS and the Gewandhausorchester Leipzig include their residency at the Salzburg Easter Festival in April 2023, where three symphonic programs will be presented in addition to performances of WAGNER's Tannhäuser featuring Jonas KAUFMANN in the title role. In May 2023, the Gewandhaus zu Leipzig present the MAHLER Festival in Leipzig where NELSONS will conduct Symphonies No. 2 and 8. Elsewhere, NELSONS will continue collaborating with the Berliner Philharmoniker and Mitsuko UCHIDA this season, before returning to work with the Wiener Philharmoniker – with whom he conducted the prestigious New Year's Day concert in 2020, broadcast to millions across the world – and will also embark on a European tour featuring LANG Lang and the Mahler Chamber Orchestra.
\nAndris NELSONS has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects with the Boston Symphony Orchestra, the Gewandhausorchester Leipzig and the Wiener Philharmoniker. NELSONS and the Boston Symphony Orchestra partner on recordings of the complete SHOSTAKOVICH symphonies and the opera Lady Macbeth of the Mtsensk District – this cycle is already the recipient of four Grammy awards in the categories Best Orchestral Performance and Best Engineered Album. Furthermore, NELSONS and the Gewandhausorchester Leipzig continue their critically acclaimed Bruckner symphonic cycle. Both cycles released their fifth instalments in 2021. NELSONS' recordings of BEETHOVEN's complete symphonies with the Wiener Philharmoniker, in celebration of the composer's 250th birthday, were released in October 2019.
\nBorn in Riga in 1978 into a family of musicians, Andris NELSONS began his career as a trumpeter in the Latvian National Opera Orchestra whilst studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of the Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.
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Piano|Mao FUJITA
\n\n©Mao Fujita_Foto_Dovile Sermokas
\n\nWith an innate musical sensitivity and naturalness to his artistry, 24-year old pianist Mao FUJITA has already impressed many leading musicians as one of those special talents which come along only rarely, equally at home in MOZART as the major romantic repertoire.
\n\nBorn in Tokyo, FUJITA was still studying at the Tokyo College of Music in 2017 when he took First Prize at the prestigious Concours International de Piano Clara Haskil in Switzerland, along with the Audience Award, Prix Modern Times, and the Prix Coup de Coeur, which first brought him to the attention of the international music community. He was also the Silver Medalist at the 2019 Tchaikovsky Competition in Moscow, where his special musical qualities received exceptional attention from a jury of leading musicians.
\n\nFUJITA has been invited to appear in recital at major international festivals including the Klavier-Festival Ruhr, Tsinandali and Riga-Jurmala festivals, among others, and he makes his highly-anticipated US recital debut at Carnegie Hall in January 2023. Recent and upcoming orchestral highlights include performances with the Gewandhausorchester, Munich Philharmonic, Royal Philharmonic, Royal Concertgebouw, Philharmonique de Radio France, Konzerthaus Berlin, Yomiuri Nippon Symphony, Tokyo Metropolitan Symphony, Israel Philharmonic, RAI, Filarmonica della Scala, and Lucerne Festival orchestras, while his many conductor relationships include Vasily PETRENKO, Christoph ESCHENBACH, Riccardo CHAILLY, and Andris NELSONS.
\nIn November 2021, FUJITA signed an exclusive multi-album deal with Sony Classical International. The new partnership sees him explore many facets of repertoire across several releases, starting with an eagerly-anticipated studio recording of MOZART's complete piano sonatas, which is due for release in October 2022, following an acclaimed series of performances of the complete sonatas at the Verbier Festival in 2021. FUJITA has been invited to perform the same set of works, interspersed with sets of Variations, over five concerts for his debut at London's Wigmore Hall at the end of the 22/23 season.
\nStarting piano lessons at the age of three, FUJITA won his first international prize in 2010 at the World Classic in Taiwan, and became a laureate of numerous national and international competitions such as the Rosario Marciano International Piano Competition in Vienna (2013), Zhuhai International Mozart Competition for Young Musicians (2015), and the Gina Bachauer International Young Artists Piano Competition (2016).
Mao FUJITA is moving to Berlin for further studies with Kirill GERSTEIN.
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Gewandhausorchester Leipzig
\n\n©Gert Mothes
\n\nThe Gewandhausorchester is the oldest civic symphony orchestra in the world. The enterprise was founded in 1743 by a group of 16 musical philanthropists – representatives of the nobility as well as regular citizens - forming a concert society by the name of Das Große Concert. On taking residence in the trading house of the city's textile merchants (the “Gewandhaus”) in 1781, the ensemble assumed the name Gewandhausorchester. Many celebrated musicians have been appointed to the office of Gewandhauskapellmeister (Music Director and Principal Conductor), including J.A. HILLER, F. MENDELSSOHN, Nikisch ARTÚR and Kurt MASUR. After his inauguration in 2005, Riccardo CHAILLY's phenomenally successful tenure as Gewandhauskapellmeister came to an end in 2016. Andris NELSONS assumed the position of Gewandhauskapellmeister in the 2017/18 season.
\nThe Gewandhausorchester's unique contribution to Europe's historical and current musical wealth has been recognized with the award of the European Cultural Heritage Label.
\nMusic lovers worldwide revere the highly individual sound palette that distinguishes the Gewandhausorchester from all other symphony orchestras. This unique sound identity, along with the extraordinarily rich diversity of the repertoire which the Gewandhausorchester performs, is cultivated in over 200 performances each year in the Orchestra's three “homes”: as concert orchestra in the Gewandhaus, orchestra of the Leipzig Opera and orchestra for the weekly performances of the cantatas of J.S. BACH with the Thomanerchor in St. Thomas's Church. No other elite symphony orchestra dedicates itself so intensively to the performance of the music of J.S. Bach.
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\nThe Gewandhausorchester has toured the globe on a regular basis since 1916 and enjoys almost unparalleled presence in the media of radio, television, CD and DVD.
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\nFew other ensembles have exerted such significant and enduring influence on the development of the symphonic music tradition as the Gewandhausorchester. Throughout its history, the Orchestra has consistently attracted the collaborative energies of the world's most eminent composers, conductors and soloists. The Gewandhausorchester performed a complete cycle of the symphonies of BEETHOVEN during his lifetime (1825/26), as well as the first ever cycle of BRUCKNER's symphonies to be mounted (1919/20). WAGNER's Prelude to Die Meistersinger von Nürnberg, BEETHOVEN's 5th Piano Concerto Emperor, Brahms' Violin Concerto and Deutsches Requiem and Bruckner's 7th Symphony are just a fraction of the wealth of the core symphonic repertoire to be given its first performance by the Gewandhausorchester. The Orchestra commissions and premieres new works each season to this day.
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Accommodation
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Sponsor
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真相的謊言,謊言的真相,當每個人都在說謊,你還能相信什麼? 《Reality No-Show》是蔡柏璋告別臺灣劇場六年後的全新創作。本劇的情節事件以zoom out的鏡頭語言加來建構,層層交織出幾組互有關聯的人物,劇中 每個角色為了各自不同的理由,不斷虛構故事、編織謊言。 邵辰曄原本出租Caspar當他的情人,之後卻不斷追問起Caspar的真實身份。編劇傅若言從未見過自己的父親劉憶,卻在他把邵辰曄和Caspar的故事改編成電影開拍後,偶然下聽見了父親的聲音。 變性人Diva完全不相信愛情,卻主持了全國收視率第一,專門幫人尋找soul mate的實境秀節目。直播主徐曉寧為了狂刷自己的存在感,竟與八面玲瓏的經紀人瑪丹進行一場出賣靈魂的交易。知名喜劇演員詹姆士因演出同志角色一炮而紅,但他急於想擺脫從此被定型,卻因為一件性侵醜聞而讓自己成為最不想成為的那種人。
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演出暨製作團隊
\n\n製作人|李維睦、呂柏伸
\n\n編劇|蔡柏璋
\n\n導演|呂柏伸
\n\n舞臺設計|李柏霖
\n\n服裝設計|李育昇
\n\n燈光設計|鄧振威
\n\n影像設計|王正源
\n\n音樂設計|徐啟洋
\n\n音效設計|鄭嘉富
\n\n主視覺設計|郭保伸
\n\n主視覺攝影|陳又維
\n\n主要演員|王宏元、李少榆、崔台鎬、張家禎、曹瑜、凱爾、妍青、謝孟庭
\n\n特別演出|潘冠宏
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藝術家介紹
\n\n編劇|蔡柏璋
\n\n臺大戲劇系第二屆,英國倫敦皇家中央演說暨戲劇學院 (Royal Central School of Speech and Drama, University of London)音樂劇場 (Music Theatre)碩士。曾任台南人劇團聯合藝術總監;現為自由劇場工作者,Podcast《柏覽會離題》與《王大閎您哪位》主持人。
\n\n蔡柏璋是國內難得一見集編導演三項才華於一身的創作者,劇本《木蘭少女》榮獲府城文學獎首獎,且於臺北國家戲劇院二度重演,並受邀至新加坡聖淘沙劇場連演三十六場,創下國內音樂劇海外演出的新紀錄。他的電視影集型式舞臺劇《K24》,開創臺灣劇場史上第一齣連演六小時喜劇的記錄,並受邀作為第八屆華文戲劇節開幕節目。誠品春季舞臺作品《Re/turn》,首演至今四度加演。獨角戲《Solo Date》更赴英國愛丁堡藝穗節、奧地利林茲藝術節、舊金山國際劇場藝術節演出。
\n\n天下雜誌曾遴選蔡柏璋為表演藝術類的未來領導人,他曾獲亞洲文化協會贊助至哈佛大學A.R.T.劇團和莫斯科藝術學院進修聲音演說課程。近年聚焦國際交流活動,舉凡奧勒岡莎士比亞戲劇節、法國巴黎西帖藝術村、柏林戲劇盛會國際論壇、韓國首爾星光音樂劇節等。
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導演|呂柏伸
\n\n蘇格蘭格拉斯哥大學文學士,英國倫敦大學霍洛威學院戲劇與劇場研究碩士。現為台南人劇團藝術總監,同時也任教於國立臺灣大學戲劇學系,主授導演課程。
\n\n自2003年1月起受邀擔任台南人藝術總監,積極推動「西方經典新詮演出」、「莎士比亞不插電」、「尋找劇作家的台南人」及「歐美當代經典」等演出計劃,一方面進行跨文化戲劇的實驗創作,另一方面則積極引介當代國內外劇作家的作品,演出成果總是廣受學者專家、評論媒體和觀眾的高度讚賞。
\n\n近年來呂柏伸致力於音樂劇的創作與推廣,已陸續執導《仲夏夜汁夢》、《木蘭少女》、《美女與野獸》和《第十二夜》,這四齣作品皆受到高度的肯定與讚賞,其中《木蘭少女》更受邀至新加坡連演36場次,是臺灣第一齣受到海外邀演的定目劇作品。
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台南人劇團
\n\n臺灣藝文媒體界譽為現代戲劇模範生的台南人劇團,1987年成立,是臺灣最具歷史與規模的現代戲劇團體。自1998年起,年年榮獲文化部「分級獎勵團隊」的補助(現改為國藝會「演藝團隊年度獎助專案」),且評鑑成績總是名列前茅,並數次奪得第一名的殊榮。
\n\n在現任藝術總監呂柏伸的規劃下,持續推動不同系列作品的演出計劃,除了積極引介當代臺灣及歐美劇作家的作品,同時也對外展現台南人年度製作的嚴謹、創意和多元。
\n\n近年來本團也致力音樂劇的創作與推廣,已先後完成《木蘭少女》(與瘋戲樂工作室共製)、《美女與野獸》、《第十二夜》、《tick, tick...BOOM!》和《仲夏夜汁夢》,皆獲得各界高度肯定和讚賞,其中《木蘭少女》更是臺灣第一齣受邀至新加坡聖淘沙名勝世界劇場進行36場定目劇演出的作品;《第十二夜》則從2018年首演至今,連續四輪演出,口碑盛讚,被譽為最成熟最爽看的臺灣音樂劇;《仲夏夜汁夢》則創造首輪演出32場幾近完售的佳績!
\n\n\n\n
\n\n
指導單位:文化部
\n\n贊助單位:國藝會、藝響空間
\n\n本作品榮獲廣藝第四屆【表演藝術金創獎】金獎
\n\n\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"05ca42e1cf063170d7d208e67e874f7e",title:"台南人劇團《改編自真實故事》"}],related:[],title:"Tainaner Ensemble - Reality No-Show",cover:"c6892fcc68a207c31a80d0df7ab02f33",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\n
Reality No-Show is the latest work by Tsai Pao-chang, Tainaner Ensemble's former Co-Artistic Director, after his six-year hiatus from the theater in Taiwan. This work explores the boundaries between truth/reality and falsehood / virtuality, whereby Pao-chang looks at his previous works in retrospect and reflects on the prevalence of fake news in social media.
\n\nThe entire play is connected by several groups of interrelated characters, gradually unfolding the "truth" behind fake news on the internet and make-believe reality shows that turn into reality. It uncovers various complex psychological states behind lying-is lying a desire to be seen or a willingness to only believe what one sees?
\n\n\n\n
Creative and Production Team
\n\nProducer|LEE Wei-mu, LU Po-shen
\n\nPlaywright|TSAIPao-chang
\n\nDirector|LU Po-shen
\n\nSet Designer|LI Po-lin
\n\nCostume Designer|LI Yu-shen
\n\nLighting Designer|TENG Cheng-wei
\n\nVideo Designer|WANG Cheng-yuan
\n\nMusic Designer|HSU Chi-yang
\n\nSound Designer|Cheng Chia-fu
\n\nPerformer|Wang Hung-yuan, Lee Shao-yeu, TSUEI Tai-hao, Chang Chia- chen, Tsao Yu, LO Kyle, Genn Lau , HSIEH Meng-ting
\n\nSpecial Appearance|Pan Kuan-hung
\n\n\n\n
\n\n
\n\n
Co-presenter: National Kaohsiung Center for the Arts (Weiwuying), Tainaner Ensemble
\n\nSupervisor: MINi STRY OF CULTURE
\n\nSponsor: National Culture and Arts Foundation
\n\nThe 4th Quanta Performing Arts Golden Creative Award Gold Award winner
\n\n\n\n
\n',team:""},createdAt:1684222611,updatedAt:1699581809,updatedBy:"林蔚行",host:!0},{_id:"646342f158ebc500098b7844",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700911800,discrete:[{time:1700911800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1658727296458629121"}},attachment:{key:"9299d5d767bf7cf8ce748704e878f826",name:"《水月敘事》陳茂萱與璇音四十音樂會 電子節目冊.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f3b67faaef21482002ed34700713cd0",title:"《水月敘事》陳茂萱與璇音四十音樂會"}],related:[],title:"《水月敘事》陳茂萱與璇音四十音樂會",cover:"30a756c9fc990caa3557675cc33b8bdd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'國家文藝獎得主 -陳茂萱教授,不僅為臺灣作曲家,更是卓越的音樂教育家。陳教授所創作的作品、以及與學生們聯合製作的音樂理論教材與音感測驗,都將西方的理論融入東方的思維,建立了一套屬於我們國人的音感教材。1983年,陳茂萱教授更與其作曲學生們創立「璇音雅集」,以提供作曲學生發表作品之平台。今年適逢璇音雅集四十年,由陳茂萱教授的「東西融合」為核心特色,延伸出一系列的相關活動。
\n\n\n\n
【陳茂萱與璇音四十】音樂系列活動,將於藝術迴廊以展覽形式訴說陳茂萱的生命故事,並於表演廳將陳茂萱對臺灣音樂創作與教育的貢獻,化為樂聲倘佯。延續臺北場音樂展的《又什麼時候》與《水知月音》,於國之南境展出的最終場「《水月敘事》陳茂萱與璇音四十音樂會」,將以作曲家嚴琲玟的《蚵仔麵線》、胡宇君的《無盡燈》、王瑩潔的《線性時間》、林思貝的《追隨》、邱妍甯的《圓》等五首作品,對應陳茂萱教授的五首作品:包含藝術歌曲、鋼琴作品、室內樂作品,讓您聽見迴盪在陳茂萱師徒間的音樂思辯與對話。
\n\n\n\n
演出曲目
\n\n\n\n
文章閱讀
\n\n►致力臺灣音樂教育的推行,陳茂萱帶領璇音雅集灌注音樂之美!(出處:音音有代誌)
\n\n\n\n
周邊活動
\n\n\n\n11/5(日)14:00
\n\n演講廳
\n\n\n\n\n\n
10/27(五)-11/26(日) 11:00~21:00
\n\n藝術迴廊
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|王穎
\n\n音樂會製作人|胡宇君
\n\n展覽策展|林嘉瑋
\n\n作曲家|陳茂萱、嚴琲玟、胡宇君、王瑩潔、林思貝、邱妍甯
\n\n鋼琴|廖皎含、劉欣妮、郭翔豪
\n\n男中音|楊勝安
\n\n長笛|陳怡婷、李詠涵
\n\n單簧管|高承胤
\n\n小提琴|衣慎行 、黃郁婷
\n\n中提琴|蔡秉璋
\n\n大提琴|許書閑
\n\n\n\n
共同主辦:衛武營國家藝術文化中心, 國立傳統藝術中心臺灣音樂館
\n\n執行:台灣璇音雅集
\n\n協辦:致凡音樂院, 社團法人雲林縣北港愛樂協會
\n\n\n\n
團隊介紹
\n\n臺灣璇音雅集由「國家文藝獎」得主陳茂萱教授於1983年與其學生共同成立,至2023年已有四十年歷史,除每年有二次以上的新作發表外,近年更致力於當代兒童鋼琴作品之寫作。陳茂萱對臺灣新音樂創作與教育的終極關懷可於其「國家文藝獎」得獎感言中窺見:「任何一個精緻的文化必須倚仗教育而立,而且必要深植於初等教育之中……在臺灣,我們的教材大都引自國外,我們『似乎』不需要自己的看法與想法。」陳教授傳遞「直接引進西洋已有的教材就夠用了」的想法是需要被改變的。抱此信念,璇音作曲家致力於音樂理論的寫作與樂曲創作,期以璇音雅集的成果為磚,吸引並衍展出更多的音樂工作者共同為台灣音樂教育與創作努力。
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f3b67faaef21482002ed34700713cd0",title:"《水月敘事》陳茂萱與璇音四十音樂會"}],related:[],title:"CHEN Mao-shuen and FORMUSICA: 40th Anniversary Concert",cover:"30a756c9fc990caa3557675cc33b8bdd",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
CHEN Mao-shuen, the recipient of the National Award for Arts, is not only a renowned Taiwanese composer but also an exceptional music educator. Like his compositions, the music theory teaching materials and pitch tests he created in collaboration with his students fused Western theories with Eastern philosophy, resulting in a comprehensive set of musical ear training methods for the community. In 1983, Professor CHEN and his composition students established "FORMUSICA" to serve as a platform for publishing their works. This year marks the 40th anniversary of FORMUSICA, in honor of which we are presenting a series of activities celebrating CHEN's "East meets West" approach.
\n\n\n\n
For the CHEN Mao-shuen and FORMUSICA 40th-anniversary event series, the Weiwuying Art Gallery will feature an exhibition telling CHEN's life story. We will celebrate CHEN's contributions to music creation and education in Taiwan through musical performances in the Recital Hall. Following musical exhibitions in Taipei, the 40th-anniversary event series continues in the southern part of the country with the upcoming final show. The performance will showcase ten compositions: five are from Professor CHEN, and each is paired with a work by one of his talented composer students. The repertoire includes art songs, piano pieces, and chamber music, offering the audience an immersive experience in the musical dialogue between CHEN and his students. The compositions by younger-generation composers include YEN Pey-wen's Oyster Noodles, HU Yu-chun's The Infinite Lights, WANG Ying-chieh's Linear Time, LIN Szu-pei's Following, and CHIU Yen-ning's Mandala.
\n\n\n\n
Program
\n\n\n\n
More
\n\n\n\n10/27(Fri)-11/26(Sun)11:00-21:00
\n\nWeiwuying Art Gallery
\n\nFree Entry
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|WANG En
\n\nConcert Producer|HU Yu-chun
\n\nExhibition Curator|LIN Chia-wei
\n\nComposer|CHEN Mao-shuen, YEN Pey-wen, HU Yu-chun, WANG Ying-chieh, LIN Szu-pei, CHIU Yen-ning
\n\nPiano|LIAO Chiao-han, LIU Hsin-ni, KUO Hsiang-hao
\n\nBaritone|YANG Sheng-an
\n\nFlute|CHEN Yee-ting, LI Yung-han
\n\nClarinet|KAO Chen-yin
\n\nViolin|Edwin YEE, HUANG Yu-ting
\n\nViola|TSAI Ping-chang
\n\nCello|HSU Su-hsien
\n\n\n\n
Presenters|National Kaohsiung Center for the Arts (Weiwuying), Taiwan Music Institute of National Center for Traditional Arts
\n\nExecutive Unit|FORMUSICA
\n\nPartners|WACH Music, Beigang Philharmonic Association
\n\n\n\n
Team Introduction
\n\nFORMUSICA, a composer collective founded by the receiver of the National Award for Arts, CHEN Mao-shuen and his students in 1983, welcomes its 40th anniversary in 2023. FORMUSICA composers present new works twice a year and specifically dedicate themselves to composing contemporary piano works for children in recent years. CHEN has an ultimate concern for Taiwan's music creation and education. He said in his acceptance speech for the National Award for Arts: 'An refined culture must rely on education and must be deeply rooted in primary education... In Taiwan, most of our teaching materials are imported from abroad; it "seems" that we need not present our own perspectives and thoughts.' He thus proposed that the idea– "importing existing teaching materials from the West is enough"– needs to be changed. With this belief, FORMUSICA composers are committed to the writing of music theory and music creation based on Taiwanese perspectives, hoping to lay the foundation for Taiwan's own music education and creation.
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1684226801,updatedAt:1700451167,updatedBy:"林蔚行",host:!0},{_id:"6464959065a7e80007bd01c4",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701516600,discrete:[{time:1701516600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1654100177480613890"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5b9b9ec54913fdb22a1847591ef8f386",title:"韓國吉普賽-桑加魯樂團《朝聖之路》"}],related:[],title:"韓國吉普賽-桑加魯樂團《朝聖之路》",cover:"dab5bf7af52a06bdf6318565cb5f73bb",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
獲得2019韓國全州音樂節優勝節目
\n\n入選首爾藝術文化基金會「2019年第一藝術支持」
\n\n入選2019年韓國藝術平台藝術節
\n\n入選2019年愛丁堡國際藝穗節韓國季集會
\n\n\n\n
由三位演奏傳統樂器的韓國音樂家所組成的韓國吉普賽-桑加魯樂團,他們對於「傳統」與「傳統音樂」之形式與種類產生興趣,進而發現了普遍認知的「傳統」往往並非真正的傳統,而屬於傳統之外的範疇卻是某些群體的傳統,進而不斷推敲思索,卻仍未獲得解答。桑加魯樂團受到保羅・科爾賀撰寫的著作《朝聖》啟發,為了尋找答案,並擺脫現實束縛與親身體會「傳統」的意義,他們於2018年帶著牙箏、杖鼓與吉他等樂器,踏上了西班牙聖地牙哥朝聖之路。2019年,桑加魯樂團將這趟尋求答案的朝聖之旅以及一路上創作、演奏的音樂拍攝成紀錄片,記錄他們實際走訪朝聖之路的過程,樂曲間穿插動畫及真人影像與旁白呈現。
\n\n\n\n
演後座談
\n\n2023/12/2(六) 演出結束後於表演廳
\n\n與談人|權孝昶、南成勳、趙聖潤、周以謙
\n\n\n\n
演出曲目
\n\n《踏地神》
\n\n《慶北搖擺》
\n\n《驚慌愛麗絲》
\n\n《藍調牙箏》
\n\n《地球》
\n\n《桑加魯民謠》
\n\n《首爾》
\n\n《三個玩家》
\n\n\n\n
周邊活動
\n\n11/11 (六) 14:00
\n\n\n\n\n\n
演出暨製作團隊
\n\n杖鼓、小金(小鑼)|權孝昶
\n\n牙箏|南成勳
\n\n吉他、貝斯|趙聖潤
\n\n\n\n
團隊介紹
\n\n桑加魯樂團
\n\n成立於2014年,團名取自韓文裡的兩個名詞結合,一為 Sangja,意為「箱子」,可裝載很多東西,保有一定的框架卻不會改變形體,代表三位演奏家有著傳統音樂的底蘊與背景;二為 Jaru,意為「袋子」,隨著裝進去的東西而改變形狀,意旨創作元素。兩個字結合在一起代表在不變的傳統形體中加入創意的音樂。
\n\n這個由三位才華洋溢的演奏家所組成的樂團,擅長在韓國傳統音樂的基礎上,加上東、西方音樂的元素加以創作,作品充滿力量與活力,並帶有獨特的曲風。由於喜愛接觸與學習不同種類的音樂,作品中可發現許多東、西方元素,卻又不失韓國傳統音樂的風格。桑加魯樂團又自稱為「韓國吉普賽人」,我們像吉普賽人一樣,在生活中漫遊許多地方,進而學習每個地區的文化,卻保有自己的風格重新詮釋與創作,以自己的顏色添加創意元素。
\n\n桑加魯樂團對於音樂充滿活力與熱情,勇於不斷嘗試新的可能性,2019年獲選為韓國全州音樂節優勝節目並於2020年3月發行第一張唱片桑加魯民謠(Sangjaru-Taryeong)。
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1686110400,end:4841827199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5b9b9ec54913fdb22a1847591ef8f386",title:"韓國吉普賽-桑加魯樂團《朝聖之路》"}],related:[],title:"Korean Gipsy Sangjaru - Camino de Sangjaru",cover:"dab5bf7af52a06bdf6318565cb5f73bb",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n\t\n\n
Sangjaru is composed of a trio of Korean musicians who play traditional instruments. After developing an interest in the various forms and types of Korean traditions and traditional music, they discovered that what is universally regarded as "traditional" is in many cases not actually genuine tradition at all. They also found that there are categories that fall outside what is considered to be tradition which are actually the traditions of specific communities. The three pondered constantly on this issue, but came to no resolution. They then read Paulo COEHLO's The Pilgrimage, which proved to be a revelation for the members. In 2018, they followed in COELHO's footsteps and walked the Camino de Santiago, Spain's pilgrimage trail, to seek answers.
\n\n\n\n
In 2019, the group produced a documentary based on their pilgrimage and included all the music created and performed along the way. The documentary performance records their actual journey along the Camino de Santiago, and is interspersed with animation, live-action images, and narration.
\n\n\n\n
Post-Talk
\n\n2023/12/2(Sat) After the performance at Recital Hall
\n\nSpeaker: Hyochang KWON, Seonghun NAM, Sungyoon CHO, CHOU Yi-chien
\n\n\n\n
Program
\n\nJisin RV
\n\nGyeongbuk Swing
\n\nAlice in Panic
\n\nAjaeng in Blues
\n\nThe Earth
\n\nSangjaru Taryeong
\n\nSeoul
\n\nThree Players
\n\n\n\n
Creative and Production Team
\n\nJanggu, Kkwaenggari|Hyochang KWON
\n\nAjaeng|Seonghun NAM
\n\nGuitars, Bass|Sungyoon CHO
\n\n\n\n
Team Introduction
\n\nSangjaru
\n\nSangjaru has been agonizing over the forms and categories of traditional and traditional music ever since its foundation in 2014. Over time, however, the extremely subjective nature of the word "traditional" continued to reveal only vague boundaries, which eventually led to confusion, repeating the unrighteous agony. In order to solve this problem, Sangjaru was on the pilgrimage path to Santiago, which is called the path of enlightenment, and creates new music based on the agony of thinking on the road and creates a "Camino de Sangjaru."
\n\n\n\n
\n',team:""},createdAt:1684313488,updatedAt:1701315783,updatedBy:"林蔚行",host:!0},{_id:"646595d465a7e80007bdee54",catalogs:["5aec45edb01ea6000520f655","5c1f073a5a5bea0006f3eb11","6007fc45ba34870007c22b8b"],dateTime:{first:1688554800,discrete:[{time:1688554800},{time:1690974e3},{time:1693998e3},{time:1696417200},{time:1698836400},{time:1701860400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"藝術家介紹",content:'
\n\n
楊雅鈞
\n\n臺南安平人,自由藝術工作者。
\n\n2022波麗露在高雄 排練指導。
\n\n近年以身體表演創作的合作 –
\n\n廣藝劇場NO.6《與清醒夢》跨界劇場、顧鈞豪策劃《福爾摩沙的呢喃2.0 Formosa Whispering 2.0》音樂影像製作、羽日映像X無年無限共製 短片作品 《TUNNEL》、《因為相愛所以無限JUBY CHIU 2021 S/S 跨界時裝展演》、純屬虛構製作社《再製寫身》計劃。
\n\n\n\n
陳品霓
\n\n陳品霓出生於1998年來自嘉義,畢業於樹德科技大學流行設計系,2014年接觸了嘻哈文化街舞灌溉了身體的基礎,2022 衛武營國家藝術文化中心《波麗露在高雄》獨立舞者,開啟身體看見不同舞蹈的可能性,也擔任台北時裝周 Let go : FW22 projectbyh 舞者。內惟藝術中心邀約演出 《行走之間》擔任編舞者,高雄流行音樂中心影像港榮獲評審團大獎、人氣獎。
\n\n\n\n
林蔓葶
\n\n來自高雄,現為自由舞者。曾參與2022波麗路在高雄,2022 台北時裝周<Let go> 舞者。在當代舞中,持續找尋身體的更多發展,並同時在流行舞蹈中進修。主要風格為Jazz funk及高跟鞋。
\n\n\n\n
葉名樺
\n\n畢業於國立臺北藝術大學舞蹈學院,為臺灣知名舞蹈家。作品包含《一個的人美術館—寂靜敲門》、《編舞家葉名樺以—真實人體回應山姆‧詹克斯》、王大閎建築劇場X葉名樺《牆後的院宅》、《SHE》系列、《波光閃閃的房間》、《跳芭蕾》、《進入誰天堂》等。曾以《牆後的院宅》獲第19屆台新藝術獎「年度大獎」。
\n\n\n\n
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\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:楊雅鈞 \n\t\t\t助教:楊以灣、吳兆容 | \n\t\t\t《擁抱身體,沈浸在美好的時光裡》 | \n\t\t\t立即報名 | \n\t\t
8/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:陳品霓 \n\t\t\t助教:李鈺婕、吳凱文 | \n\t\t\t《嘻哈星期三Having fun!》 | \n\t\t|
9/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:林蔓葶 \n\t\t\t助教:王雨婕 、朱浩沂 | \n\t\t\t《穿上你的高跟鞋》 | \n\t\t|
10/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉名樺 | \n\t\t\t由你跳浪漫芭蕾《仙女》 | \n\t\t\t立即報名 | \n\t\t
11/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳古典芭蕾《胡桃鉗》 | \n\t\t||
12/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t由你跳新古典芭蕾美學《小夜曲》 | \n\t\t
\n\n
課程簡介
\n\n7-9月「打開舞蹈的想像」
\n\n由衛武營駐地藝術家周書毅所發起的舞蹈演出計畫「波麗露在高雄」去年在高雄各地區起舞28場,今年我們繼續將沿山起舞。出發前,衛武營將邀請《1875拉威爾與波麗露》的排練指導楊雅鈞以及兩位舞者陳品霓、林蔓葶,來與我們分享他們的舞蹈訓練,從現代舞到街舞的練習,最後將請你一起在波麗露的樂曲中起舞。
\n\n\n\n
7/5(三) 《擁抱身體,沈浸在美好的時光裡》
\n\n與自己最親密的時刻,是當你可以觸碰到自己的身體,感受與呼吸並行 ,依著自己的步調,將身體逐漸地開展,與外面的世界產生聯繫, 身體,是生命旅程中的一條連通道,La Vie en rose~
\n\n\n\n
8/2(三) 《嘻哈星期三Having fun!》
\n\n街舞不再受限於年紀,喚醒身體聽見音樂而律動的本能,由嘻哈音樂帶動身體拆解進入最純粹最直接的身體感受,開啟一人在家享受音樂而舞蹈,一群人在相同節奏找到相同語言而同樂!
\n\n\n\n
9/6(三) 《穿上你的高跟鞋》
\n\n踩上高跟鞋,感受不一樣的姿態,找到屬於自己的舞動。課程中會帶領大家找到高跟鞋的重心,感受腳掌的力量,踩出新的舞步。高跟鞋不是模特兒的專屬,每一個人都可以從高跟鞋中找到自己那自信的步伐。
\n\n(備註:自備跟鞋,課程前面暖身可穿著舒適的布鞋。任何有跟的鞋子都適合,盡量是包鞋,涼鞋厚底鞋不適合。)
\n\n\n\n
10-12月
\n\n我們很常聽到「古典芭蕾」這一詞,有時又聽說「浪漫芭蕾」,或是「現代芭蕾」?到底區別為何?芭蕾舞的流派和風格變化隨著時間和地理而發展。芭蕾誕生於「義大利」,興盛於「法國」,而將芭蕾藝術推向鼎盛繁榮時刻的是「俄羅斯」。我將用三個不同時期的芭蕾舞劇中小品帶大家體驗芭蕾的經典與流變。
\n\n\n\n
10/4(三) 由你跳浪漫芭蕾《仙女》
\n\n浪漫芭蕾題材大多圍繞在「人與超自然事物」,例如精靈、幽靈、仙女等。並且通常具有更柔和的美感。舞劇都以帶有神秘力量的女角色為主線,奴役了凡人的心靈和感官。《仙女》La Sylphide首演於1832年,是芭蕾歷史最重要的芭蕾舞劇之一。
\n\n\n\n
11/1(三) 由你跳古典芭蕾《胡桃鉗》
\n\n三大古典芭蕾舞劇中的《胡桃鉗》是柴可夫斯基和馬蒂斯佩蒂帕的經典之一。聖誕季節最經典的芭蕾舞劇《胡桃鉗》人人喜愛的胡桃鉗組曲中,長笛吹出的飛舞般尖銳的旋律中國舞曲《茶之舞》,給人印象極為深刻。
\n\n\n\n
12/6(三) 由你跳新古典芭蕾美學《小夜曲》
\n\n喬治·巴蘭欽是新古典芭蕾美學的芭蕾代表。 沒有華麗的服裝和道具,注意力轉移到在舞者身上。 穿著簡單的緊身衣來突出動作。 他不相信音樂應該對應浪漫的故事,但動作必須與音樂直接相關。著名的《小夜曲》是舞蹈史上的一個里程碑。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
\n\n
YANG Ya-chun
\n\nYANG Ya-chun is a freelance artist hailing from Anping, Tainan who was the rehearsal director for the 2022 Bolero in Kaohsiung. In recent years, she has collaborated on various body performance projects. These include Quanta Theater NO.6 crossover with A Lucid Dream Performance, the music video production of Formosa Whispering 2.0 curated by GU Jun-hao, the short film TUNNEL by SSUNRISEstudio and oneyearnoyear, the JUBY CHIU 2021 S/S INFINITE crossover fashion show, and the Reenactment in the found footage project by Almost fiction production.
\n\n\n\n
CHEN Pin-ni
\n\nCHEN Pin-ni, a '98er from Chiayi, graduated from the Department of Fashion Design at Shu-Te University. First exposed to hip-hop culture in 2014, she immersed herself in street dances, which later became the cornerstone of her performances. As a solo dancer, she explored her body’s capabilities for other dance types in the 2022 Bolero in Kaohsiung at the National Kaohsiung Center for the Arts (Weiwuying). She was invited to perform at the Let go: FW22 projectbyh during Taipei Fashion Week and choreographed At Walk for Neiwei Arts Center. She then won the Grand Jury Prize and Popularity Award for the Image Harbor contest hosted by Kaohsiung Music Center.
\n\n\n\n
LIN Man-ting
\n\nAs a freelance dancer from Kaohsiung, LIN Man-ting participated in Bolero in Kaohsiung for Weiwuying and Let go for Taipei Fashion Week in 2022. She continues to refine her contemporary dance performances while learning more popular dances, focusing mainly on jazz funk, and stiletto.
\n\n\n\n
YEH Ming-hwa
\n\nGraduated from School of Dance of Taipei National University of Arts, YEH is a renowned Taiwanese dancer. Her works include The Serene Gallery Performance X Exhibition, Choreographer Ming-Hwa Yeh Responds to Sam Jinks with Her Body, Wang Da Hong House Theatre X Ming-Hwa Yeh The House Behind the Wall, the SHE series, A Room by the Sea, and Paradise, Who?. She was awarded the Grand Prize at the 19th Taishin Arts Award for The House Behind the Wall.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"44c1693eab51f175ae1bc45d33110f12",title:"2023【武營來跳舞】7-12月"}],related:[],title:"2023 Weiwuying 365+ DANCE July-December",cover:"74ec7cea59782c0752befbbe4dde5f8a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:"",benefits:"",description:" ",introduction:'\n\n
\n\n
Sessions
\n\nDate | \n\t\t\tCourse | \n\t\t\tRegistration Link | \n\t\t
---|---|---|
7/5(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Embrace Your Body and Soak in the Good Times \n\t\t\t | \n\t\t\tRegistration | \n\t\t
8/2(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tHip-Hop Wednesday , Having fun! | \n\t\t|
9/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tKick Up Your Heels | \n\t\t|
10/4(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Romantic Ballet La Sylphide | \n\t\t\tRegistration | \n\t\t
11/1(Wed) \n\t\t\t19:00-20:30 | \n\t\t\tYour Turn to Dance the Classical Ballet The Nutcracker | \n\t\t|
12/6(Wed) \n\t\t\t19:00-20:30 | \n\t\t\t\n\t\t\t Your Turn to Dance the Neo-Classical Ballet Serenade \n\t\t\t | \n\t\t
\n\n
Introduction
\n\nJuly to September
\n\nBolero in Kaohsiung project in 2022, initiated by Weiwuying Artist-In-Residence-CHOU Shu-yi, featured 28 dance performances in various local areas. This year, we are scaling new mountain heights with YANG Ya-chun, who served as the rehearsal assistant for the 1875 Ravel and Bolero, as well as dancers CHEN Pin-ni and LIN Man-ting, who will be sharing their expertise in modern and hip-hop dances. We invite you to dance along with us to Bolero music.
\n\n\n\n
7/5(Wed) Embrace Your Body and Soak in the Good Times
\n\nThe most intimate moment with yourself is when you can touch your own body, feel and breathe side by side, and gradually develop your body at your own pace to connect with the outside world.
\n\nLa Vie en rose~
\n\n\n\n
8/2(Wed) Hip-Hop Wednesday , Having fun!
\n\nStreet dance is no longer limited by age, awakening the body's instinct to hear the music and rhythm, driven by hip-hop music to dismantle the body into the purest and most direct physical sensations, inspired for one person to enjoy music and dance at home, and a group of people to find the same language in the same rhythm and have fun together!
\n\n\n\n
9/6(Wed) Kick Up Your Heels
\n\nStep on the heels, feel the different posture, and find your own dance. The course will lead you to find the center of gravity of high heels, feel the power of your feet, and step on new dance steps. High heels are not exclusive to models, everyone can find their own confident steps from high heels.
\n\n\n\n
October to December
\n\nWe often hear of ballet as "classical", "romantic", or even "contemporary", but how do they differ? The truth is various schools and styles of ballet developed over time and in diverse geographical locations. Originating in Italy, ballet gained popularity in France and flourished in Russia. Below are ballet shorts from 3 distinctive periods to introduce classic works and changes in the history of ballet.
\n\n\n\n
10/4(Wed) Your Turn to Dance the Romantic Ballet La Sylphide
\n\nBallet themes generally encompass humans and the supernatural with gentle aesthetics including elves, spirits, and fairies. The protagonists are usually women with mysterious power who enslave the souls and senses of common people. Premiering in 1832, La Sylphide marks one of the major cornerstones of ballet history.
\n\n\n\n
11/1(Wed) Your Turn to Dance the Classical Ballet The Nutcracker
\n\nThe Nutcracker, one of 3 classical ballets, was a masterpiece by TCHAIKOVSKY and Marius PETIPA. In this iconic Christmas suite, high-pitched swirling flute from the Chinese Tea Dance leave a strong impression on listeners.
\n\n\n\n
12/6(Wed) Your Turn to Dance the Neo-Classical Ballet Serenade
\n\nGeorge BALANCHINE is a symbol of neo-classical ballet aesthetics. Without fancy costumes and props, the audience's focus is solely on the dancer. Sporting a simple bodysuit, he draws attention to his movements, which he believes have to directly connect to the music instead of the romantic atmosphere of the story. His famous Serenade is a milestone in the history of dance.
\n\n\n\n
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\n\n
故事工廠10週年作品《倒數婚姻》,編導黃致凱用「完全倒敘」方式,將一場即將破局的婚姻,一幕幕回溯到兩人相戀的起點,期許與觀眾一同找回愛與被愛的能力。女演員婷婷與年輕廚師偉宣,同在追逐夢想的兩人相戀了,步入婚姻後,卻漸漸發現,現實帶來的打擊與考驗使當初的甜蜜消磨殆盡、兩人關係降至冰點,就如同「假偶」行屍走肉,到底這對夫妻能否回到相愛的初衷……?
\n\n\n\n
演出暨製作團隊
\n\n監製|蘇麗媚、林佳鋒
\n\n製作人|江智慧、王宣琳
\n\n編導|黃致凱
\n\n舞台設計|曾蘇銘
\n\n服裝造型設計|黃稚揚
\n\n燈光設計|沈柏宏
\n\n音樂設計|聶琳
\n\n影像設計|黃仁君
\n\n製偶師|孫立之
\n\n操偶指導|周浚鵬、陳佳豪
\n\n主視覺設計|方序中、郭姵岑(究方社)
\n\n攝影|徐欽敏
\n\n舞台監督|林世信
\n\n演員|藍鈞天、徐麗雯、龍語申、范宸菲、百白、郭耀仁、張晴、徐士華、林宥彤、林詠傑
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f4e642dc4cc72234112777c2cb82fed2",title:"故事工廠《倒數婚姻》"}],related:[],title:"StoryWorks《Way Back Into Love》",cover:"93b34950d4ae754cfeaedb162a315008",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
\n\n
Way Back Into Love is a marriage story unfolded in bitter-sweet flashback. The director/playwright Chih-KaiHuang uses this onion-peeling technique to unveil the root of a withering marriage. Scene by scene, the playtraces back to the starting point of falling in love, hoping audience can re-discover their ability to love and to beloved.The actress Ting-Ting fell in love with her chef husband Wei-Shuan when they were pursuing their life goals.After getting married, they realized that the realities and challenges of everyday life gradually eroded their love.This pushed their marriage into a cooling-off period. With their love dwindled and their dreams destroyed, theylive like mannequins. Is there any possibility of rewinding their marriage back to love?
\n\n\n\n
Creative and Production Team
\n\nExecutive Producer|SU Li-mei, LIN Chia-feng
\n\nArt director|HUANG Chih-kai
\n\nProducers|CHIANG Chih-hui, WANG Hsuan-lin
\n\nWriter& Director|HUANG Chih-kai
\n\nScenic Design|ZENG Su-ming
\n\nCostume Design & Styling|HUANG Chih-yang
\n\nLighting Design|SHEN Bo-hung
\n\nSound Design|NIEH Lin
\n\nImage Design|HUANG Jeh-chun
\n\nPuppet Maker|SUN Li-chih
\n\nPuppet Guide|ZHOU Jun-peng, CHEN Chia-hao
\n\nVisual Design|Joe Fang Studio, KUO Pei-tsen
\n\nVisual Design Photography|HSU Chin-min
\n\nStage Manager|LIN Shih-shin
\n\nActors& Actresses|Gabriel LAN, Herb HSU, LUNG Yu-shen, Ricie FUN, BAI Jing-yi, KUO Yao-ren, CHANG Ching, HSU Shih-hua, LIN You-tong, LIN Yong-jie
\n\n\n',team:""},createdAt:1688114727,updatedAt:1694680343,updatedBy:"林蔚行",host:!1},{_id:"64a4da3be2e7f80007318fd4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701586800,discrete:[{time:1701586800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400,3e3],link:"https://www.opentix.life/event/1670454871586254849"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
自1991年成立以來,丹奈爾四重奏持續活躍於國際音樂舞台上,經常受邀至各地演出重要音樂會,亦灌錄、發行多張具開創性、獲獎無數的CD。他們以大膽、濃厚的風格詮釋海頓、貝多芬、舒伯特、蕭士塔高維契、魏因貝格等人之弦樂四重奏作品為名,以生動及具新意的視角詮釋傳統弦樂四重奏曲目,贏得大眾及媒體的讚譽。他們2005年起受邀擔任曼徹斯特大學駐校音樂家,對於提攜年輕音樂家,尤其是弦樂四重奏組合有著使命感,積極參與教學以及大師班等活動。
\n\n\n\n
演出曲目
\n\n柴可夫斯基:D大調第一號弦樂四重奏,作品11
\n\n柴可夫斯基:F大調第二號弦樂四重奏,作品22
\n\n柴可夫斯基:降e小調第三號弦樂四重奏,作品30
\n\n\n\n
演出暨製作團隊
\n\n丹奈爾四重奏
\n\n小提琴|丹奈爾
\n\n小提琴|米勒
\n\n中提琴|波格達那
\n\n大提琴|馬克維契
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"027e013d7e62a641feffd8636b8688cf",title:"《丹奈爾四重奏×柴可夫斯基弦樂四重奏全集》"}],related:[],title:"Quatuor Danel vs. Tchaikovsky's String Quartets",cover:"ab4038c3b05188f95468db08d3b04a18",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Quatuor Danel is famous for their bold, concentrated interpretations of the string quartet cycles of Haydn, Beethoven, Schubert, Shostakovich, and Weinberg. Their lively and fresh vision on the traditional quartet repertoire has delivered them subsequent praise from public and press. The other part of their force lies in the collaboration with major contemporary composers such as Wolfgang Rihm, Helmut Lachenmann, Sofia Gubaidulina, Pascal Dusapin, Jörg Widmann and Bruno Mantovani. Russian composers have a special place in the Quatuor Danel's repertoire. In summer 2018 the complete Tchaikovsky quartets and Sextet 'Souvenir the Florence' was released with CPO and more recently the Hartmann Concerto for Clarinet and Quartet with the OPRL. The Danel is in residence in the Wigmore Hall for two seasons from 2023.
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: String Quartet No. 1 in D Major Op. 11
\n\nP. I. Tchaikovsky: String Quartet No. 2 in F Major, Op. 22
\n\nP. I. Tchaikovsky: String Quartet No. 3 e-flat minor, Op. 30
\n\n\n\n
Creative and Production Team
\n\nQuatuor Danel
\n\nViolin|Marc Danel
\n\nViolin|Gilles Millet
\n\nViola|Vlad Bogdanas
\n\nCello|Yovan Markovitch
\n\n\n\n
\n',team:""},createdAt:1688525371,updatedAt:1688971661,updatedBy:"林蔚行",host:!1},{_id:"64a65f4209bc260007f21b9a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701257400,discrete:[{time:1701257400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1800,2400],link:"https://www.opentix.life/event/1673249191554760705"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
費爾納演奏的莫札特是如此高雅而泰然自若,在藝術造詣上無懈可擊,如同我們被引人入勝的小說給深深吸引,以致於忘了閱讀本身。——《泰晤士報》
\n\n\n\n
奧地利鋼琴家費爾納在維也納求學時,向Helene Sedo-Stadler學習鋼琴,私下則與布蘭德爾、邁森伯格、Claus-Christian Schuster等人學習鋼琴。1993年奪得瑞士哈絲姬兒國際鋼琴大賽首獎之後,費爾納開始演奏生涯;2008-2010年間,費爾納在紐約、華盛頓、東京、倫敦、巴黎與維也納等地巡迴演出貝多芬的32首鋼琴奏鳴曲,大獲好評。自從2013年起,費爾納在蘇黎世高等藝術學校擔任教職。
\n\n\n\n
演出曲目
\n\n舒伯特:四首即興曲,D.935
\n\n第一號f小調,中庸的快板
\n\n第二號降A大調,稍快板
\n\n荀白克:六首鋼琴小品,作品19
\n\n舒伯特:四首即興曲,D.935
\n\n第三號降B大調,主題,行板,變奏曲式一至五
\n\n第四號f小調,詼諧的快板
\n\n莫札特:c小調幻想曲,K. 475
\n\n貝多芬:C 大調第 21 號鋼琴奏鳴曲《華德斯坦》,作品 53
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|費爾納
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2ea1d31452cbb19bea43f6a2f6acf693",title:"《奧地利鋼琴詩人-費爾納首度來臺鋼琴獨奏會》"}],related:[],title:"Till Fellner Debut Recital in Taiwan",cover:"7abdc13113cd86741524d30c59f228a1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"Scrupulous musicianship and an intelligence that palpably searches in all directions for stimulus." — The London Sunday Times
\n\n"Till Fellner is turning out to be one of the great musical chameleons." — Allan Kozinn, The New York Times
\n\nTill Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals.
\n\n\n\n
Till Fellner's international career began in 1993 with the 1st prize at the renowned Concours Clara Haskil in Vevey (Switzerland). Since then, he has been a sought-after guest at the major orchestras and the major music centres of Europe, the USA and Japan, as well as at numerous festivals. Over the past few years, he has dedicated himself to two milestones of the piano repertoire: The Well-Tempered Clavier of Johann Sebastian Bach and the 32 piano sonatas of Ludwig van Beethoven. He performed the Beethoven cycle from 2008 to 2010 in New York, Washington, Tokyo, London, Paris, and Vienna.
\n\n\n\n
Program
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 1 in f minor - Allegro Moderato
\n\nNo. 2 in A-flat major - Allegretto
\n\nArnold Schoenberg: 6 Little Piano Pieces, Op. 19
\n\nF. Schubert: 4 Impromptus, D.935
\n\nNo. 3 in B-flat major - Thema. Andante - Var. I – V
\n\nNo. 4 in f minor - Allegretto scherzando
\n\nW. A. Mozart: Fantasia in c minor, K. 475
\n\nL. v. Beethoven: Piano Sonata No. 21 in C Major “Waldstein”, Op. 53
\n\n\n\n
Creative and Production Team
\n\nPiano|Till Fellner
\n\n\n\n
\n',team:""},createdAt:1688624962,updatedAt:1688973122,updatedBy:"林蔚行",host:!1},{_id:"64ad0eee9ef3550007c1b715",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699077600,discrete:[{time:1699077600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500,1800],link:"https://www.opentix.life/event/1670983659458990081"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3515bcf8a02ab96973dfaf9ae92a5ab3",title:"《奇美音樂節【銀幕上的古典音樂】交響琴人夢:大植英次、魏靖儀與NTSO》"}],related:[],title:"《奇美音樂節【銀幕上的古典音樂】交響琴人夢:大植英次、魏靖儀與NTSO》",cover:"59b2c9623d6d3f7266cc09e774a11209",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
製琴巨擘史特拉底瓦里黃金時期大作「維爾特」 首登衛武營
\n\n首度八把波吉名琴與史特拉底瓦里同台獻聲 感受富渲染力的魅惑琴音
\n\n《交響情人夢》上映時,凡是演出其中名曲,音樂會都能賣出佳績,尤其是向來深受喜愛的貝多芬第七號交響曲,更是場場爆滿。藉由指揮名家大植英次的詮釋,感受它的永恆魅力。都說人生如戲,柴可夫斯基張力十足的人生故事,完全就是電影題材。在他的小提琴協奏曲裡,我們可以感受到他自虛假婚姻解脫後的狂放爆發,將個人創傷升華為偉大藝術。無論多少人寫過《羅密歐與茱麗葉》,柴可夫斯基的手筆永遠無可取代。畫面感十足的樂想,魅力絕對不輸電影!
\n\n\n\n
演出曲目
\n\n柴可夫斯基:《羅密歐與茱麗葉》幻想序曲,作品21
\n\n柴可夫斯基:D大調小提琴協奏曲,作品35(電影《交響人生》)
\n\n貝多芬:A大調第七號交響曲,作品92(電影《交響情人夢》)
\n\n\n\n
演出暨製作團隊
\n\n指 揮|大植英次
\n\n小提琴|魏靖儀
\n\n樂 團|NTSO國立臺灣交響樂團
\n\n導 聆|焦元溥
\n\n\n\n
【奇美典藏名琴】
\n\n含獨奏家使用的史特拉底瓦里小提琴共計使用9把名琴
\n\n小提琴,安東尼奧.史特拉底瓦里,1713年,別名:維爾特
\n\nViolin by Antonio Stradivari, 1713, ex "Wirth"
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3515bcf8a02ab96973dfaf9ae92a5ab3",title:"《奇美音樂節【銀幕上的古典音樂】交響琴人夢:大植英次、魏靖儀與NTSO》"}],related:[],title:"CHIMEI Music Festival 'Classical Music & Cinema'",cover:"59b2c9623d6d3f7266cc09e774a11209",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\n
Master luthier A. Stradivari's golden era masterpiece "Wirth" and A. Boogie's violins and cellos make the debut at the Weiwuying.
\n\n\n\n
When the movie "Nodame Cantabile" was released, any concert featuring the famous melodies from the show would sell exceptionally well, especially Beethoven's beloved Symphony No. 7. With the interpretation of the renowned conductor Eiji Oue, let us once again feel its eternal charm.In Tchaikovsky's violin concerto, we can feel his unleashed and explosive creativity after breaking free from a false marriage, transforming personal trauma into art. Despite countless renditions of "Romeo and Juliet," Tchaikovsky's version remains irreplaceable. The vivid musical imagery is as captivating as any movie!
\n\n\n\n
Program
\n\nP. I. Tchaikovsky: Fantasy Overture 'Romeo and Juliet', Op. 21
\nP. I. Tchaikovsky: Violin Concerto in D Major, Op. 35 (Le Concert)
\nL. V. Beethoven: Symphony No. 7 in A Major, Op. 92 (Nodame Cantabile)
\n\n
Creative and Production Team
\n\nConductor|Eiji Oue
\n\nViolin|William Wei
\n\nOrchestra|National Taiwan Symphony Orchestra
\n\nLecturer|Yuan-Pu Chiao
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1689063150,updatedAt:1698829390,updatedBy:"林蔚行",host:!1},{_id:"64ae4a6df21b460008239fdc",catalogs:["6007fc45ba34870007c22b8b"],dateTime:{first:1700701200,discrete:[],type:"continuous",continuous:{time:[1689123600],endTime:[1689166800],start:1700668800,end:1700928e3}},activity:{type:"free",free:{description:"註冊報名",englishDescription:"Registration"}},attachment:{key:"47f540653e041f302b3fd50fec26f23a",name:"Pitch for New Aspects guidelines_FACP KAOHSIUNG .pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1689386400,end:4845023999},tabs:[{reference:[],type:"content",name:"論壇議程",content:'
論壇全程提供中英文同步口譯。
\n\n*部分議程與北藝大永續論壇視訊連線
\n\n2023年11月24日星期五 | \n\t\t|||
時間 | \n\t\t\t活動 | \n\t\t\t內容 | \n\t\t|
\n\t\t\t 09:00- | \n\t\t\t開幕式 | \n\t\t||
\n\t\t\t 主題1* \n\n\t\t\t藝術文化的淨零轉型之路 \n\n\t\t\t主持人:陳愷璜|國立臺北藝術大學校長 \n\t\t\t | \n\t\t|||
\n\t\t\t 09:30- | \n\t\t\t\n\t\t\t 專題演講:文化的氣候行動 \n\t\t\t | \n\t\t\t\n\t\t\t 主講人:Alison TICKELL|Julie's Bicycle創辦人暨執行長 \n\t\t\t | \n\t\t|
\n\t\t\t 主題2 \n\t\t\t \n\n\t\t\t打造綠色團隊 \n\t\t\t \n\n\t\t\t主持人:邱瑗|FACP主席、臺中國家歌劇院藝術總監 \n\t\t\t | \n\t\t|||
\n\t\t\t 10:15- | \n\t\t\t\n\t\t\t 主題分享:百老匯綠色聯盟之綠色隊長計畫 \n\t\t\t | \n\t\t\t\n\t\t\t 講者: \n\n\t\t\t
| \n\t\t|
\n\t\t\t 11:20- | \n\t\t\t\n\t\t\t 對談與交流 \n\t\t\t | \n\t\t\t\n\t\t\t 與談人: \n\n\t\t\t
| \n\t\t|
12:10-13:30 午餐 | \n\t\t|||
\n\t\t\t 主題3* \n\n\t\t\t藝術與永續:城市的策略與行動 \n\n\t\t\t主持人:魏琬容|OISTAT國際劇場組織執行長 \n\t\t\t | \n\t\t|||
\n\t\t\t 13:30- | \n\t\t\t\n\t\t\t 主題分享: \n\n\t\t\t文化產業如何回應2050淨零排放 \n\t\t\t | \n\t\t\t\n\t\t\t 主講人: \n\n\t\t\t
與談人: \n\n\t\t\t\n\n\t\t\t
\n\t\t\t | \n\t\t|
15:30-16:00 休息 | \n\t\t|||
\n\t\t\t 主題4* \n\n\t\t\t藝企ESG \n\n\t\t\t主持人:劉蕙苓|國立臺北藝術大學藝術行政與管理研究所教授 \n\t\t\t | \n\t\t|||
\n\t\t\t 16:00- | \n\t\t\t\n\t\t\t 主題分享: \n\n\t\t\t
| \n\t\t\t\n\t\t\t 講者: \n\n\t\t\t
| \n\t\t|
\n\t\t\t 17:00- | \n\t\t\t \n\t\t\t 對談與交流 \n\t\t\t | \n\t\t\t\n\t\t\t 與談人: \n\n\t\t\t
| \n\t\t|
2023年11月25日星期六 | \n\t\t|||
\n\t\t\t 09:30- | \n\t\t\t\n\t\t\t 公民論壇:想像永續文化生態—以高雄為例 \n\t\t\t | \n\t\t\t\n\t\t | |
10:30-10:50 休息 | \n\t\t|||
\n\t\t\t 主題5 \n\n\t\t\t透過創意連結地方 \n\n\t\t\t主持人:黃國威|衛武營國家藝術文化中心營運副總監 \n\t\t\t | \n\t\t|||
\n\t\t\t 10:50- | \n\t\t\t\n\t\t\t 主題分享: \n\n\t\t\t
| \n\t\t\t\n\t\t\t 講者: \n\n\t\t\t
| \n\t\t|
\n\t\t\t 11:50- | \n\t\t\t\n\t\t\t 對談與交流 \n\t\t\t | \n\t\t\t\n\t\t\t 與談人: \n\n\t\t\t
| \n\t\t|
12:30-14:00 午餐 | \n\t\t
\n\n
\n\n
\n'},{reference:[],type:"content",name:"講者介紹",content:'
※主持人、專題講者、對談講者簡介 (依FACP高雄年會日程順序)
\n※部分講者介紹容後增補。
主題1:藝文產業淨零之路 | \n\t\t
主持人|陳愷璜 \n\t\t\t國立臺北藝術大學校長 | \n\t\t
\n\t\t\t 1990年畢業於法國國立巴黎高等藝術學院,為當代跨領域觀念藝術家,長期關注在「文化本體論的流動變異」、「不斷轉向的誤衍主體」(Trans-subjectivity paralogic)與「藝術社會關係介入」(Intervention Arts)等社會性美學與當代政治、歷史交錯議題的認同探索,亦為臺灣獨立美學的實創者。1980年代末期,即開始以跨媒體藝術形式(觀念行為、影像與新媒體、跨領域多媒材空間環境裝置)進行與此議題相呼應的計畫型(Art Projects/Project-based Creation)創作。30年來進行與此議題相呼應的計畫型創作(截至目前創發一百多個藝術計畫)總體稱為:《文化測量(Measurement of Inter-Cultures)》,進行總體文化地理、土地與認同的共通關注與集體想像。第10、11屆(現任)國立臺北藝術大學校長、文學跨領域創作研究所(創所)所長,也是藝術跨域研究所教授及財團法人台北市文化基金會董事。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|Alison TICKELL \n\t\t\tJulie's Bicycle創辦人暨執行長 | \n\t\t
\n\t\t\t Alison Tickell於2007年創立非營利組織Julie's Bicycle,致力於發起行動應對氣候危機。Julie's Bicycle發展始於音樂產業,現跨足到國際藝術和文化領域。 \n\n\t\t\tAlison曾受大提琴演奏家的訓練,她應對氣候問題的方法源於她與爵士即興演奏家兼老師John Stevens的合作。John Stevens對音樂和社群行動的理解造就了她的價值觀,並啟發了她創立Julie's Bicycle。 Alison多年來一直與Community Music(現在的CM Sounds)合作,並曾擔任European Creative Business Network、RCA Sustainable Design Awards、Sound Connections、Creative Europe和Energy Revolution等環境倡議組織的顧問和協作者。她目前是Climate Heritage Network和UK Creative Industries Council的指導組成員。 Alison獲認證為Ashoka Fellow。 \n\n\t\t\t\n\t\t\t | \n\t\t
主題2:打造綠色團隊 | \n\t\t
主持人|邱瑗 \n\t\t\t臺中國家歌劇院藝術總監 FACP亞洲文化推展聯盟主席 | \n\t\t
\n\t\t\t 擁有豐富的音樂與劇場學經歷背景,邱瑗為資深表演藝術製作人,長年投入藝術行政工作,對於國際事務相當熟稔。2006-2018年期間任職NSO國家交響樂團執行長,成功帶領樂團多次進行歐美巡演,建立國際上的卓越聲譽。自2018年起擔任NTT臺中國家歌劇院藝術總監,串聯在地與國際,使歌劇院成為臺灣表演藝術樞紐、一股引人注目的亞洲藝術新勢力。2023年當選FACP亞洲文化推展聯盟主席。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|Molly BRAVERMAN \n\t\t\t百老匯綠色聯盟總監 | \n\t\t
\n\t\t\t Molly Braverman (she/her) 現為百老匯綠色聯盟的總監,曾任美國賓夕法尼亞州諾里斯敦的非營利專業劇院Theatre Horizon的總經理,並曾在百老匯以及巡演百老匯擔任舞台監督。她三年間跟隨百老匯音樂劇《Wicked》全國巡迴演出,並在其後繼續擔任百老匯音樂劇《Wicked》和《Hamilton》的替補舞台監督。Molly目前還擔任劇場計劃的策略與運營資深顧問。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|Austin SORA \n\t\t\t百老匯綠色聯盟專案經理 《歌劇魅影》綠色隊長 | \n\t\t
\n\t\t\t Austin Sora (she/her) 現為百老匯綠色聯盟的專案經理。在非營利範疇,Austin目前正擔任The Clive and Valerie Barnes Foundation的專案經理,負責監督基金會的年度頒獎典禮。她曾擔任Arts Ignite(前稱ASTEP)的業務開發專員,以及擔任百老匯關懷∕平等對抗愛滋組織的常態志工。Austin是百老匯綠色聯盟 Greener Reopening Toolkit 的共同開發者,曾在Lincoln Center、FIT、TCG以及Times Square上的Playbill’s Curtain Up! festival上針對永續的主題進行演講。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|Lauren MANDRAS \n\t\t\t百老匯綠色聯盟通訊助理 | \n\t\t
\n\t\t\t Lauren Mandras (she/her) 是百老匯綠色聯盟的通訊助理。她以優異成績 (Magna Cum Laude) 畢業於中央佛羅里達大學羅森酒店管理學院,取得娛樂管理理學士學位。她曾在GFour Productions擔任行銷專員,該公司是一家劇場製作和管理公司,目前的製作和投資項目包括:音樂劇《Menopause The Musical®》(美國巡演)、音樂劇《On Your Feet!》(美國巡演)、百老匯音樂劇《SIX》(百老匯、西區和美國巡演)等。她曾在百老匯綠色聯盟擔任通訊實習生,以及西雅圖兒童劇院的內容行銷實習生,這些實習經驗都有助她處理百老匯綠色聯盟通訊助理的工作。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|李有梨 \n\t\t\t首爾藝術團藝術總監 | \n\t\t
\n\t\t\t 李有梨是一名劇場製作人,專門從事音樂劇製作,且為表演藝術相關政策、理論和教育的專家。 透過擔任大邱國際音樂劇節(DIMF)的執行主委、韓國音樂劇協會理事長、韓國音樂劇獎的組織委員會主席,以及首爾藝術團藝術總監等職位,李有梨為韓國的商業音樂劇市場及公家補助的表演藝術市場做出了卓越的貢獻。 除此之外,李有梨致力在大學內培育製作人;作為韓國音樂劇教授協會的主席,她更建立了表演藝術行政人員的專業培訓體系。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|袁浩程 \n\t\t\t山峸製作設計有限公司執行總監 | \n\t\t
\n\t\t\t 國立臺北藝術大學劇場設計學系研究所畢業。 舞台設計師、創業家及永續製作推廣者。 2018年,創辦「山峸製作設計」首創整合製作及設計的一條龍專案管理服務,成功將劇場藝術帶進商業市場。2020年,創辦「北投小戲節」,至今已邁向第四屆,為北投第一個推廣藝術創生的地方節慶。2022年,完成國內劇場製作界首篇永續製作研究論文;長年關注環保議題及北投地方創生,在業界積極推廣永續製作,並持續透過專題演講及異業結合推廣中。 \n\n\t\t\t\n\t\t\t | \n\t\t
主題3:藝術與永續:城市的策略與行動 | \n\t\t
主持人|魏琬容 \n\t\t\tOISTAT國際劇場組織執行長 | \n\t\t
\n\t\t\t OISTAT國際劇場組織執行長 IATC 國際劇評人協會台灣分會理事長 舞評人 OISTAT自1968年創立以來最年輕的,也是唯一具有外交背景的執行長,少年時代學習街舞與現代舞,愛上舞蹈也喜愛社會科學,念了政治系並沒有放下對表演藝術的愛,反而更堅信政治和表演藝術的共同點是「在日常生活中創造對話」她並以此為信念,以工作結合表演藝術與外交,以舞評探問當代舞蹈和政治社會的關係。她特別關注女性主義與性別議題,常以隨筆文字回應時事。美國紐約大學Tisch藝術學院藝術政治碩士畢(MA in Arts Politics, New York University)。嗜好閱讀,特別愛狗,尤其是大型狗。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|吳逸萱 \n\t\t\t臺灣碳權交易所協理 | \n\t\t
\n\t\t\t 吳逸萱現任職於臺灣碳權交易所,擔任碳權諮詢與教育訓練部主管,提供企業碳諮詢及碳治理解決方案服務,並與專業查證機構及學術機構合作辦理人才培育課程及碳治理相關國際標準認證課程。 在2023年加入碳交所之前,吳逸萱於臺灣證券交易所,負責ETF、ETN、REITs等新商品開發、交易制度設計及推廣宣導等業務。在此之前,她曾任職於大華證券(香港)(現為KGI證券),負責海外固定收益部位投資交易與管理,累計超過18年金融商品投資交易及研究經驗。 吳逸萱擁有美國普渡大學Krannert學院MBA學位,以及國立交通大學管理科學系學士學位。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|周純峰 \n\t\t\t聯合國國際資源專家委員 | \n\t\t
\n\t\t\t 周純峰博士是德拉薩大學校長永續發展顧問,大學院士兼講座教授。他共合著了近200篇聯合國開發計畫手冊和期刊文章。周純峰博士自 2004年起任職於菲律賓環境部污染裁決審判法庭,並擔任菲律賓政府在「Rio+20聯合國永續發展大會」和「SDG永續發展藍圖」等聯合國峰會上的官方代表。他是聯合國國際資源專家委員,也是愛思唯爾《清潔與責任消費期刊》的創刊主編。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|Stanisław SUCHORA \n\t\t\tSONORA音樂經紀公司總裁 | \n\t\t
\n\t\t\t Stanisław SUCHORA熱愛旅行和學習外語。他分別在波茲南的密坎凱維奇大學和巴黎的索邦大學取得音樂學士學位以及音樂管理碩士學位。Stanisław SUCHORA於求學期間,曾擔任巴黎喜歌劇院助理戲劇構作、於索邦大學任職助理,並且曾在Target Live 行銷顧問公司擔任襄理,主要負責倫敦地區藝文行銷。2012年,他創立了SONORA音樂經紀公司,業務包括個人藝術家經紀、國際專案製作與行銷推廣。SONORA活躍於全球,旗下集結了多位國際藝術家,並在波蘭及相鄰地區建立起首屈一指的古典音樂經紀地位。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|笹井裕子 \n\t\t\tPIA公司總裁 PIA研究所董事及總經理 | \n\t\t
\n\t\t\t 笹井裕子於1971年出生,並持有早稻田大學的經濟學碩士學位。她在1999年加入PIA公司,主要專注於市場研究,並在2002年10月協助創立PIA研究所。 憑藉超過20年的經驗,她在娛樂產業中進行了廣泛的量化和質化研究。 在PIA研究所期間,笹井裕子主編並撰寫了《現場娛樂白皮書》。她也負責統籌Ticket Pia系統的數據分析,該數據包括超過1600萬名會員和大約6400萬張的年度票務銷售量。 2016年6月,她升任PIA研究所董事,並在2022年6月擔任PIA公司總裁迄今。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|陳淑慧 \n\t\t\t牛津大學人類地理博士生及創樂者交響樂團成員 | \n\t\t
\n\t\t\t 陳淑慧是一位管弦音樂家,自2013年起,她於新加坡創樂者交響樂團(OMM)擔任大提琴手。OMM是一支由140多名來自不同職業和背景的志願樂手組成的交響樂團。淑慧曾擔任OMM的社區推廣主席(2017-2018),策劃了多種幕前幕後活動,以提高公眾對管弦音樂的賞析。淑慧現在依然熱衷於社區推廣,並於近日為120名的新加坡小學生組織了一個「奇幻冒險」一日營,以讓學生們了解OMM的新加坡首演瓦格納歌劇《萊茵黃金》的音樂故事。淑慧是英國牛津大學自然、社會和環境治理碩士(2021-2022),碩士研究涉及氣候變化的視覺呈現與想像。自2022年至今,淑慧繼續於牛津大學地理與環境學院攻讀博士學位。她的博士研究專注於東亞文化與政治地理,尤聚焦於臺灣的文化外交。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|黃國威 \n\t\t\t衛武營國家藝術文化中心營運副總監 | \n\t\t
\n\t\t\t 畢業於倫敦藝術大學中央聖馬丁藝術與設計學院藝術及文化企業文學碩士及香港浸會大學歐洲研究學士課程。歷任香港藝文場館及表演團隊之國內外節目企劃統籌、品牌行銷、國際交流及行政管理工作,2006年加入香港城市當代舞蹈團,2014至2021年委任為舞團之行政總監,2021年起任職衛武營國家藝術文化中心營運副總監,管理品牌、觀眾參與及訪客體驗之相關業務。 \n\n\t\t\t\n\t\t\t | \n\t\t
主題4:藝企ESG | \n\t\t
主持人|劉蕙苓 \n\t\t\t國立臺北藝術大學藝術行政與管理研究所教授 | \n\t\t
\n\t\t\t 國立臺北藝術大學藝術行政與管理研究所特聘教授,新聞學博士,專長為新聞傳播、媒體研究、藝術組織公共關係、行銷傳播;相關研究發表於國內外優良期刊。長期關心社區營造,編著數本相關書籍,近作為《家在蘆竹湳》。 \n\n\t\t\t曾於新聞界服務20年,獲金鐘獎最佳採訪獎;近作為《從解嚴到數位匯流的新聞工作者:跨時代的比較研究》,此著作亦於2022年獲新聞學術界最高榮譽「曾虛白新聞獎學術著作獎」。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|鄭嘉音 \n\t\t\t無獨有偶工作室劇團藝術總監 | \n\t\t
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主講人|陳薇如 \n\t\t\t中國信託文教基金會副執行秘書 | \n\t\t
\n\t\t\t 原是新聞工作者。主跑政治近十年,而後深耕專題。 \n\n\t\t\t媒體職場接受的訓練,凡事追求快、狠、準,效率至上。 \n\n\t\t\t直線疾駛的高速列車,在人生轉彎處轉入藝文領域,不但開啟了全新視野,更有幸能帶著藝術資源,駛進偏鄉。 \n\n\t\t\t跟天真可愛、潛力無窮(又不受控?)的孩子接觸之後,深深體悟,從課程設計、師生磨合乃至培養互信,有些事還真得慢慢來。教育的影響力不求立竿見影,滴水穿石,才是最大的力量。 \n\n\t\t\t改變,正在發生…… \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|林宜錚 \n\t\t\t台灣福興工業股份有限公司文化長 | \n\t\t
\n\t\t\t 台灣福興工業股份有限公司文化長,同時也是台灣福興文教基金會執行長。相信「教育是起點,文化是力量」,2001年起持續在運動推廣、教育培養、文化藝術三大面向深耕工作。2016年起更多專注於藝企合作,與表藝團體、獨立書店、文化場館、藝術行政單位等建立深厚的夥伴關係,陪伴並培養企業員工成為文化藝術產業的消費者、愛好者進而成為支持者,一同勾勒出藝文產業永續發展的循環路徑。多年來以此信念與實際行動,基金會已連續三屆榮獲文化部文馨獎肯定。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|鄒鳳芝 \n\t\t\t衛武營國家藝術文化中心學推部創意學習組長 | \n\t\t
\n\t\t\t 她是2021-2022年傅爾布萊特—臺灣文化部藝文專業人才獎助計畫的獲獎者,紐約駐地期間,研究主題涵蓋表演藝術機構的節目規劃、教育推廣與社區參與、共融及永續,這也引發她決定轉換到目前的崗位。在此之前,她擔任衛武營節目部舞蹈和馬戲組組長、兩廳院節目部節目組組長,並積極參與無障礙和共融計畫。在她13年的節目策劃職涯中,擔任過製作人、策展人、藝術節統籌,專注當代舞蹈和戲劇,積極進行國際交流。她製作多個跨文化、跨領域項目,其中包括臺灣原住民藝術家瓦旦.督喜與法國作曲家羅蘭.奧澤合作的舞蹈作品《尋,山裡的祖居所》榮獲2018年PULIMA藝術節表演藝術首獎。她是倫敦大學皇家霍洛威學院戲劇和劇場研究碩士。 \n\n\t\t\t\n\t\t\t | \n\t\t
主題5:透過創意連結地方 | \n\t\t
主講人|印南敬介 \n\t\t\t「知識之都」協會總製作人首席助理 | \n\t\t
\n\t\t\t 印南敬介於1989年出生於大阪,大學時就讀大阪大學外國語文學系,專攻葡萄牙語。畢業後,他加入「知識之都」協會,並擔任「交流員(Communicator)」一職,其主要的工作是匯聚來自各種背景的人才,協助孵化創新的專案和社群。目前,印南敬介在「知識之都」協會中擔任總製作人首席助理的核心角色,負責內外部的聯繫,並主導多項國際專案。 \n\n\t\t\t\n\t\t\t | \n\t\t
主講人|譚兆民 \n\t\t\t西九文化區管理局表演藝術行政總監 | \n\t\t
\n\t\t\t 譚兆民先生領導表演藝術處,推動西九文化區提供世界級的表演藝術節目及場地,並負責統籌文化區所有場地設施的策略規劃和可持續發展,掌管及監督其業務發展方針、藝術發展、場地營運、技術製作以及設施策劃和推展。譚先生於2020年3月加入管理局。 譚先生在表演藝術行政管理方面擁有超過20年經驗。加入管理局前,譚先生為香港芭蕾舞團行政總監,負責策略發展、籌募拓展、品牌建立、教育及社區參與和國際巡廻演出活動。現時,譚先生是國際表演藝術協會(ISPA)的董事、香港藝術行政人員協會前主席並擔任該協會董事局成員;他同時亦是亞洲文化推廣聯盟(Federation of Asian Cultural Promotion)的理事及團結香港基金的顧問。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|汪兆謙 \n\t\t\t阮劇團藝術總監 | \n\t\t
\n\t\t\t 國立臺北藝術大學劇場藝術研究所碩士,主修導演。 阮劇團創辦人,藝術總監;新嘉義座創辦人。 國家兩廳院《藝術基地計畫》駐館藝術家(2021-2022年)。 大學時期返鄉創立阮劇團,長年於嘉義地區進行戲劇創作與教學推廣工作。近年以「常民文化」為核心創作主軸,探索「常民文化與現代劇場」接軌之可能性。 \n\n\t\t\t\n\t\t\t | \n\t\t
與談人|呂岱芸 \n\t\t\t大港開唱行銷公關 flyingV群眾募資平台品牌總監 | \n\t\t
\n\t\t\t 從事公關行銷產業深耕多年,服務對象包括音樂廠牌、消費性產品、IT服務、新創產業與群眾募資平台等等,擁有豐富的跨產業整合性行銷經驗。自2016年起加入大港開唱團隊負責行銷公關,著力於推廣獨一無二的海港音樂祭場景、優秀的臺灣音樂創作者與大港獨一無二的節目企劃內容。在團隊數年來努力之下,逐漸將大港開唱打造成為臺灣最知名的搖滾音樂祭品牌。 自2006年迄今,大港開唱已逐步成長為一個擁有10個主題舞台、破百組演出陣容,提供豐富多樣性而具話題性的演出內容,同時也是每年春天樂迷引頸期盼的搖滾最大盛事。 \n\n\t\t\t\n\t\t\t | \n\t\t
下一站,綠世代—續航表演藝術生活
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歷史悠久的亞洲表演藝術國際組織——FACP亞洲文化推展聯盟,繼2020高雄線上年會後的首次實體年會,就在衛武營!
\n\n2023年11月23日至26日,衛武營與FACP亞洲文化推展聯盟攜手以「下一站,綠世代—續航表演藝術生活」為年會主題,扣合衛武營五週年慶場館永續的核心,回應後疫情時代表演藝術面臨的重要經濟和環境挑戰。這是FACP在後疫情時代的首個聚會活動,也是藝術文化交流的絕佳機會。
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FACP 年會活動有哪些?
\n\n掌握最新表演藝術國際趨勢-跨國交流、論壇、參訪一次到位
\n\n年會活動包括與國立臺北藝術大學永續國際論壇串聯的論壇、豐富的交流活動、在地藝文機構參訪。
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What's Up Café – 藝術職涯診療室
\n跨越文化、世代與領域的專業交流。請見活動與桌長介紹。
\n\n
除此之外,來FACP年會還可以看到:
\n亞太區最具潛力傳統創新演出節目
國際年會經典的《亞洲文化新勢力》(Asian Gems in the Arts)則邀請各地的FACP理事提名藝術家帶來近8檔傳統創新作品演出。請見「《亞洲文化新勢力》節目介紹」。
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FACP年會-國際徵件計畫
\n\nClare C. & Friends贊助的《創發新象》(Pitch for New Aspects)國際徵件計畫,邀請新興藝術家投件於年會簡報以爭取10,000美元獎金,《創發新象》國際徵件已於9月6日星期三中午12點整截止並完成初選。請見「2023 FACP高雄年會《創發新象》國際徵件計劃初選 結果公告」及「2023 FACP高雄年會《創發新象》國際徵件計劃決選 結果公告」。
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2023年11月7日公告:為鼓勵青年團隊發表創意,現新增現場與會者票選之「FACP會員最佳人氣獎」,獎金 5,000 美元!(得獎者可與首獎、優選及精選獎重複)另加碼一名精選獎,獎金4,000 美元!。 | \n\t\t
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2023 FACP 亞洲文化推展聯盟高雄年會
\n\n會議日期:2023年11月23日至26日(星期四至星期日)
\n\n主辦單位:衛武營國家藝術文化中心﹐臺灣高雄
\n\n主題:下一站,綠世代—續航表演藝術生活
\n\n報名方式:請參閱https://www.facp.asia,僅限FACP會員
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議程安排
\n\n11月23日(星期四)
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11月24日(星期五)
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11月25日(星期六)
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11月26日(星期日)
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FACP會員
\n\n成為FACP會員,參與年度會議!
\n\nFACP亞洲文化推展聯盟歡迎來自全球、表演藝術產業中各領域的專業者來到這個交流平台。成為會員,即可報名高雄年會。
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新會員:填寫會員申請/年會報名表,FACP的工作團隊會與您聯繫。
\n\n會籍更新:填寫會員申請/年會報名表,更新您的個人資訊。
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FACP會員費
\n\n個人會員:195美元
\n\n組織會員:295美元,2人及以上的團體或機構可申請成為組織會員。
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高雄年會報名費
\n\n*報名2023年度年會時,請續繳FACP會費。
\n\n全額報名價:350美元
\n\n早鳥優惠價:280美元(於10月23日之前報名並付款)
\n\n繳費及報名連結請參閱https://www.facp.asia/
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高雄年會報名費組合
\n\n\n\t\t\t | \n\t\t\t 組合Combos \n\t\t\t | \n\t\t\t\n\t\t\t 價格 \n\n\t\t\t(美金) \n\t\t\t | \n\t\t\t\n\t\t\t 總金額 \n\n\t\t\t(美金) \n\t\t\t | \n\t\t
\n\t\t\t A \n\t\t\t | \n\t\t\t\n\t\t\t 更新個人會籍+年會早鳥優惠(10/23前) \n\t\t\t | \n\t\t\t\n\t\t\t 195+280 \n\t\t\t | \n\t\t\t\n\t\t\t 475 \n\t\t\t | \n\t\t
\n\t\t\t B \n\t\t\t | \n\t\t\t\n\t\t\t 更新組織會籍+年會早鳥優惠(10/23前) \n\t\t\t | \n\t\t\t\n\t\t\t 295+280 \n\t\t\t | \n\t\t\t\n\t\t\t 575 \n\t\t\t | \n\t\t
\n\t\t\t C \n\t\t\t | \n\t\t\t\n\t\t\t 組織會籍已更新,僅報名年會-早鳥優惠(10/23前) \n\t\t\t | \n\t\t\t\n\t\t\t 280 \n\t\t\t | \n\t\t\t\n\t\t\t 280 \n\t\t\t | \n\t\t
\n\t\t\t D \n\t\t\t | \n\t\t\t\n\t\t\t 更新個人會籍+年會全額報名(10/24後) \n\t\t\t | \n\t\t\t\n\t\t\t 195+350 \n\t\t\t | \n\t\t\t\n\t\t\t 545 \n\t\t\t | \n\t\t
\n\t\t\t E \n\t\t\t | \n\t\t\t\n\t\t\t 更新組織會籍+年會全額報名(10/24後) \n\t\t\t | \n\t\t\t\n\t\t\t 295+350 \n\t\t\t | \n\t\t\t\n\t\t\t 645 \n\t\t\t | \n\t\t
\n\t\t\t F \n\t\t\t | \n\t\t\t\n\t\t\t 組織會籍已更新,僅報名年會-全額報名(10/24後) \n\t\t\t | \n\t\t\t\n\t\t\t 350 \n\t\t\t | \n\t\t\t\n\t\t\t 350 \n\t\t\t | \n\t\t
\n\t\t\t G \n\t\t\t | \n\t\t\t\n\t\t\t 僅更新個人會籍 \n\t\t\t | \n\t\t\t\n\t\t\t 195 \n\t\t\t | \n\t\t\t\n\t\t\t 195 \n\t\t\t | \n\t\t
\n\t\t\t H \n\t\t\t | \n\t\t\t\n\t\t\t 僅更新組織會籍 \n\t\t\t | \n\t\t\t\n\t\t\t 295 \n\t\t\t | \n\t\t\t\n\t\t\t 295 \n\t\t\t | \n\t\t
*退費機制:會員費繳納後,不予退費。年會報名費退費,報名者須於10月23日中午12:00前主動聯絡主辦單位(conference.facp@gmail.com)申請 ,取消報名將酌收10%的手續費,逾期恕不受理退費。
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報名流程
\n\n於FACP官網更新FACP會籍並註冊高雄年會 → 繳交會員費及高雄年會報名費用 → 5個工作天內收到確認通知信及收據 → 完成報名。
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重要日期
\n\n*主辦方將發出第二階段問卷調查以報名活動(包括場地導覽和職涯診療室),並提供更多資訊。
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交通和住宿
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臺灣高雄市七賢路311號
\n\n步行9分鐘至捷運站
\n\n車程15分鐘至衛武營,15分鐘至駁二正港小劇場
\n\n單人房價2,750-3,960新臺幣,雙人房價3,410-4,840新臺幣(含早餐)
\n\n專屬訂房連結 https://pse.is/55c6v9
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臺灣高雄市林森一路165號
\n\n步行5分鐘至捷運站
\n\n車程15分鐘至衛武營,10分鐘至駁二正港小劇場
\n\n單人房價3,300-4,000新臺幣,雙人房價4,000-4,700新臺幣(含早餐)
\n\n訂房請聯絡rsvn@hoteldua.com ,折扣碼FACP2023
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臺灣高雄市成功一路266號
\n\n步行10分鐘至捷運站
\n\n車程20分鐘至衛武營,10分鐘至駁二正港小劇場
\n\n單人房價4,274-4,851新臺幣,雙人房價4,736-5,313新臺幣(含早餐)
\n\n專屬訂房連結https://pse.is/54cpnd
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演出徵件
\n\n《創發新象》國際徵件計畫
\n\n徵件已於2023年9月6日中午12:00 (臺灣時區,GMT+8)截止
\n\n2023年9月25日更新:請見「2023 FACP高雄年會《創發新象》國際徵件計劃初選 結果公告」
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主辦單位:FACP亞洲文化推展聯盟、衛武營國家藝術文化中心
\n\n協辦單位:高雄市政府文化局
\n\n合作夥伴:國立臺北藝術大學、國立中山大學藝術管理與創業研究所、臺中國家歌劇院
\n\n國際徵件計畫獎金贊助:Clare C. & Friends
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獨家贊助
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資源下載
\n\n► 創發新象國際徵件計劃簡章_FACP高雄年會2023.pdf
\n\n► Pitch for New Aspects guidelines_FACP KAOHSIUNG 2023.pdf
\n\n► 2023 FACP Kaohsiung Conference Brochure.pdf
\n\n► 2023 FACP Kaohsiung Conference_Participants List.pdf
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\n',team:""},english:{onShelfRange:{start:1689386400,end:4845023999},tabs:[{reference:[],type:"content",name:"Agenda",content:'\n
English and Mandarin simultaneous interpretation available for the Symposium.
\n\n*Partially Con-call with International Forum for Art and Sustainability 2023 held by Taipei National University of the Arts
\n\n\n\n\n
November 24, 2023, Fri | \n\t\t||
TIME | \n\t\t\tEVENT | \n\t\t\tDETAILS | \n\t\t
\n\t\t\t 09:00- \n\t\t\t \n\n\t\t\t09:30 \n\t\t\t | \n\t\t\t \n\t\t\t Opening \n\t\t\t | \n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t Forum 1* \n\t\t\t \n\n\t\t\tArts and Cultural Industry's Road to Net Zero \n\t\t\t \n\n\t\t\tModerator: CHEN Kai-Huang|President, Taipei National University of the Arts \n\t\t\t | \n\t\t||
\n\t\t\t 09:30- \n\t\t\t \n\n\t\t\t10:15 \n\t\t\t | \n\t\t\t \n\t\t\t Keynote Speech: Culture for Climate Action \n\t\t\t | \n\t\t\t \n\t\t\t Keynote Speaker: Alison TICKELL | Julie's Bicycle, Founder and CEO \n\t\t\t | \n\t\t
\n\t\t\t Forum 2 \n\t\t\t \n\n\t\t\tBuilding Green Teams \n\t\t\t \n\n\t\t\tModerator: Joyce CHIOU | Chairperson of FACP, General and Artistic Director of National Taichung Theater \n\t\t\t | \n\t\t||
\n\t\t\t 10:15- \n\t\t\t \n\n\t\t\t11:20 \n\t\t\t | \n\t\t\t \n\t\t\t Topics: Green Captain Program of the Broadway Green Alliance \n\t\t\t | \n\t\t\t \n\t\t\t Lecturer: \n\t\t\t \n\n\t\t\t
| \n\t\t
\n\t\t\t 11:20- \n\t\t\t \n\n\t\t\t12:00 \n\t\t\t | \n\t\t\t \n\t\t\t Conversation & Exchange \n\t\t\t | \n\t\t\t \n\t\t\t Panelist: \n\t\t\t \n\n\t\t\t
| \n\t\t
12:10-13:30 Lunch | \n\t\t||
\n\t\t\t Forum 3* \n\t\t\t \n\n\t\t\tArts & Sustainability: The Strategies and Actions of Cities \n\t\t\t \n\n\t\t\tModerator: WEI Wan-jung|Executive Director of OISTAT \n\t\t\t | \n\t\t||
\n\t\t\t 13:30- \n\t\t\t \n\n\t\t\t15:30 \n\t\t\t | \n\t\t\t \n\t\t\t Net Zero 2050: Actions by Creative Industries \n\t\t\t | \n\t\t\t \n\t\t\t Lecturer \n\t\t\t \n\n\t\t\t
Panelist: \n\t\t\t \n\n\t\t\t\n\n\t\t\t \n\n\t\t\t
\n\n\t\t\t \n\t\t\t | \n\t\t
15:30-16:00 Break | \n\t\t||
\n\t\t\t Forum 4* \n\t\t\t \n\n\t\t\tESG - Art as a Corporate Investment \n\t\t\t \n\n\t\t\tModerator: LIU Huei-ling, Vice President for Administration, TNUA \n\t\t\t | \n\t\t||
\n\t\t\t 16:00- \n\t\t\t \n\n\t\t\t17:00 \n\t\t\t | \n\t\t\t \n\t\t\t Topics: \n\n\t\t\t
| \n\t\t\t \n\t\t\t Lecturer: \n\n\t\t\t
| \n\t\t
\n\t\t\t 17:00- \n\t\t\t \n\n\t\t\t17:40 \n\t\t\t | \n\t\t\t \n\t\t\t Conversation & Exchange \n\t\t\t | \n\t\t\t \n\t\t\t Panelist: \n\t\t\t \n\n\t\t\t
| \n\t\t
\n\t\t\t 18:00-19:00 Dinner \n\t\t\t | \n\t\t||
November 25, 2023, Sat. | \n\t\t||
\n\t\t\t 09:30- \n\t\t\t \n\n\t\t\t10:30 \n\t\t\t | \n\t\t\t \n\t\t\t Public Forum: Imagining Sustainable Cultural Ecosystem—Kaohsiung as an example \n\t\t\t | \n\t\t\t\n\t\t |
10:30-10:50 Break | \n\t\t||
\n\t\t\t Forum 5 \n\t\t\t \n\n\t\t\tCreative Placemaking \n\t\t\t \n\n\t\t\tModerator: Raymond WONG|Deputy General Director, National Kaohsiung Center for the Arts (Weiwuying) \n\t\t\t | \n\t\t||
\n\t\t\t 10:50- \n\t\t\t \n\n\t\t\t11:50 \n\t\t\t | \n\t\t\t \n\t\t\t Topics: \n\t\t\t \n\n\t\t\t
| \n\t\t\t \n\t\t\t Lecturer: \n\t\t\t \n\n\t\t\t
| \n\t\t
\n\t\t\t 11:50- \n\t\t\t \n\n\t\t\t12:30 \n\t\t\t | \n\t\t\t \n\t\t\t Conversation & Exchange \n\t\t\t | \n\t\t\t \n\t\t\t Panelist: \n\t\t\t \n\n\t\t\t
| \n\t\t
12:30-14:00 Lunch | \n\t\t
\n\n
\n\n
\n'},{reference:[],type:"content",name:"Speakers",content:'
※Profiles of moderators, keynote speakers and panelists (Arranged according to conference schedule)
\n※Descriptions to be updated in due course
Forum 1: Arts and Cultural Industry's Road to Net Zero | \n\t\t
Moderator|CHEN Kai-Huang \n\t\t\tPresident, Taipei National University of the Arts | \n\t\t
\n\t\t\t Graduated from Ecole Nationale Superieure des Beaux-Arts de Paris, France in 1990, Professor Chen Kai-Huang has been one of the most influential contemporary artists in employing interdisciplinary methods and conceptual approach in Taiwan since the 1980's. Focusing on the identity politics of Taiwan's subjectivity, Chen embarks his epic projects on culture ontology, paralogical subjectivity, and social intervention in rendering Taiwan’s independency as aesthetic forms. For the past 30 years, there have been more than hundred art projects implemented under the umbrella title Measurement of Inter-Cultures, in transcending boundaries of community, memory, and locales in generating a collective imagination of nation without nationality. \n\t\t\t | \n\t\t
Keynote Speaker|Alison TICKELL \n\t\t\tJulie's Bicycle, Founder and CEO | \n\t\t
\n\t\t\t Alison Tickell established Julie's Bicycle in 2007 as a non-profit dedicated to mobilising action on the climate crisis, initially in the music industry and now across arts and culture internationally. \n\t\t\t | \n\t\t
Forum 2: Building Green Teams | \n\t\t
Moderator|Joyce CHIOU \n\t\t\tChairperson of FACP, General and Artistic Director of National Taichung Theater | \n\t\t
\n\t\t\t With a thorough background in both music and theater, Joyce CHIOU boosts an impressive track record in arts production, curation, and international affairs. Being the Executive Director (2006-2018) of Taiwan Philharmonic, the National Symphony Orchestra, she had successfully established its acclaimed international reputation by taking the orchestra on tour in Europe and the USA for a dozen times. In June 2018, CHIOU commenced her tenure at National Taichung Theater (NTT) as General and Artistic Director. Under her leadership, NTT has evolved into a culture hub for local communities and international outreaches, a compelling artistic force in Asian performing arts circle. CHIOU was elected as the Chairperson of the Federation for Asian Cultural Promotion (FACP) 2023-2025. \n\n\t\t\t\n\t\t\t | \n\t\t
Keynote Speaker|Molly BRAVERMAN \n\t\t\tDirector, Broadway Green Alliance | \n\t\t
\n\t\t\t Molly Braverman (she/her) is the Director of the Broadway Green Alliance. She previously served as the Managing Director of Theatre Horizon, a non-profit professional theatre company in Norristown, PA. She has worked as a Stage Manager on Broadway, Touring Broadway, and regionally, having spent three years on the road with the National Tour of Wicked and continuing to serve as a substitute Stage Manager on Wicked and Hamilton. Molly is also currently a Senior Consultant in Strategy and Operations for Theatre Projects. \n\n\t\t\tMolly has lectured on stage management and sustainable theatre at universities and conferences around the country and internationally, including at Lincoln Center, the National Theatre, Northwestern University, Drexel University, USITT, and the Theatres Trust Conference. \n\n\t\t\tShe founded the Philadelphia Green Theatre Alliance, a regional chapter of the Broadway Green Alliance, and was trained by former Vice President Al Gore as a Climate Reality Leader. She is a proud Actors Equity Association member, recipient of the Dina Wind Fellowship for the Philadelphia Arts and Business Council's Wharton School of Business Designing Leadership program, and graduate of Columbia University. In 2022, Molly was elected to a four-year term as the Democratic Committee Person in Philadelphia. \n\n\t\t\t\n\t\t\t | \n\t\t
Keynote Speaker|Austin SORA \n\t\t\tProgram Manager, Broadway Green Alliance Green Captain, Phantom of the Opera | \n\t\t
\n\t\t\t Austin SORA (she/her) is the Program Manager at the Broadway Green Alliance. In the nonprofit sector, Austin is currently the Program Manager at The Clive and Valerie Barnes Foundation, where she oversees the foundation's annual awards ceremony. She has served as the Development Associate for Arts Ignite (formerly ASTEP) and is a frequent volunteer at Broadway Cares/Equity Fights AIDS. SORA was a co-author of the BGA's Greener Reopening Toolkit, and has presented on sustainable practices at Lincoln Center, FIT, TCG, and Playbill's Curtain Up! festival in Times Square. As a performer, SORA has toured North America with The Phantom of the Opera, assisted Emmy Award winning choreographer Marguerite DERRICKS, and has participated in choreographic labs for The Public Theater, Disney, and RWS Entertainment Group. She recently choreographed for Broadway Cares/Equity Fights AIDS' Annual Easter Bonnet Competition. SORA is a graduate of Marymount Manhattan College and a proud Canadian. \n\n\t\t\t\n\t\t\t | \n\t\t
Keynote Speaker|Lauren MANDRAS \n\t\t\tCommunications Associate, Broadway Green Alliance | \n\t\t
\n\t\t\t Lauren MANDRAS (she/her) is a Communications Associate at the Broadway Green Alliance. She graduated Magna Cum Laude from the University of Central Florida – Rosen College of Hospitality Management with a Bachelor of Science in Entertainment Management. She previously worked as a Marketing Coordinator at GFour Productions, a theatrical production and management company whose current productions and investments include: Menopause The Musical® (U.S. Tour), On Your Feet! (U.S. Tour), SIX The Musical (Broadway, West End, and U.S. Tour), and more! Her previous experiences as a Communications Intern with the Broadway Green Alliance and as a Content Marketing Intern with the Seattle Children's Theatre prepared her to take on these roles. \n\n\t\t\tIn addition to her experience in the performing arts industry, MANDRAS also has experience working in theme park marketing and entertainment operations for companies, such as Six Flags, Walt Disney World, and Universal Orlando Resort. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|LEE Yoori \n\t\t\tArtistic Director of Seoul Performing arts Company | \n\t\t
\n\t\t\t LEE Yoori is a theater producer specializing in the musical industry and an expert in policy, theory, and education related to performing arts. \n\n\t\t\tShe has contributed to developing Korea's commercial musical market and publicly subsidized performing arts market through her activities as Head of the Executive Committee of Daegu International Musical Festival (DIMF), Chairman of the Board of the Korea Musical Theatre Association, Head of the Organizing Committee of the Korea Musical Awards, and Artistic Director of Seoul Performing Arts Company. \n\n\t\t\tMoreover, she has been striving to train producers at universities and has established a professional training system for performing arts staffing as the President of the Korea Musical Theater Professors Association. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|YUAN Hao-cheng \n\t\t\tCo-founder of Ridge Studio Production and Design Company | \n\t\t
\n\t\t\t YUAN Hao-cheng holds an MFA in Scene Design from Taipei National University of the Arts and works as a stage designer, an entrepreneur and a promoter of sustainable production. \n\n\t\t\tIn 2018, YUAN founded Ridge Studio, the first company in Taiwan to provide one-stop services integrating both production and design, and successfully brought performing arts to the commercial market. \n\n\t\t\tIn 2020, he began the tradition of holding the Beitou Art Festival, the first local art festival in the district, and it is now entering its fourth year. \n\n\t\t\tIn 2022, YUAN completed his thesis and became the first person to discuss sustainable theater production in the industry of Taiwan. Since then, he has been committed to environmental issues and placemaking in Beitou while continuing to promote sustainable production through speeches and cross-industry collaborations. \n\n\t\t\t\n\t\t\t | \n\t\t
Forum 3 : Arts & Sustainability: The Strategies and Actions of Cities | \n\t\t
Moderator|WEI Wan-jung \n\t\t\tExecutive Director of OISTAT | \n\t\t
\n\t\t\t Executive Director of OISTAT \n\t\t\t | \n\t\t
Keynote Speaker|WU Grace \n\t\t\tAssistant Vice President, Taiwan Carbon Solution Exchange (TCX) | \n\t\t
\n\t\t\t Grace WU currently serves as the Head of Carbon Consultation and Education Training Department at the Taiwan Carbon Solution Exchange (TCX), providing carbon consultation services and carbon governance solutions to businesses. She also collaborates with international verification organizations and academic institutions to conduct talent development programs and international standard certification courses related to carbon governance. \n\n\t\t\tBefore joining the TCX in 2023, WU worked at the Taiwan Stock Exchange (TWSE), where she was responsible for the development of new financial products and the design of trading rules and promotional activities. Prior to her tenure at the TWSE, Ms. WU worked at Grand Cathay Securities (Hong Kong), now known as KGI Securities, and accumulated over 18 years of experience in financial product trading and research. \n\n\t\t\tWU holds an MBA degree from Krannert School of Management of Purdue University in the U.S. and a Bachelor's degree in Management Science from National Chiao Tung University. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|Anthony SF CHIU \n\t\t\tMember, United Nations International Resource Panel | \n\t\t
\n\t\t\t Anthony SF CHIU is Presidential Adviser on Sustainability, University Fellow and Chair Professor at De La Salle University. He co-authored nearly 200 development project manuscripts and indexed journal articles in the SDG12 area, currently with a Scopus h-index of 42. CHIU also has served the national government as the Pollution Adjudication Board Member (rank of Commissioner) since 2004. He was an official delegate of the Philippine government in various UN summits, including the Rio+20 and SDG Roadmap. He is a member of the UN International Resource Panel, and the founding editor-in-chief of the Elsevier Journal of Cleaner and Responsible Consumption. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|Stanisław SUCHORA \n\t\t\tChief Executive Officer of SONORA Music | \n\t\t
\n\t\t\t Studied musicology at the Adam Mickiewicz University in Poznań, Poland and at the Sorbonne University in Paris where he obtained a master's degree in Music Management. During his studies, SUCHORA gained experience working as Assistant Dramaturg at the Opéra Comique in Paris, as the Assistant at the Sorbonne University and as Junior Manager at the Target Live agency specializing in cultural marketing in London. In 2012, he founded SONORA music agency managing individual artists, generating and promoting international projects. Active worldwide, today SONORA music boasts a roster of international artists and the position of the most important classical music agency in Poland and in the region. SUCHORA enjoys traveling and learning foreign languages. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|SASAI Yuko \n\t\t\tExecutive Officer, PIA Corporation Director and General Manager, PIA Research Institute, Inc. | \n\t\t
\n\t\t\t Born in 1971, SASAI Yuko holds a Master's degree in Economics from Waseda University. She joined PIA Corporation in 1999, focusing on marketing research and played a key role in establishing PIA Research Institute, Inc. in October 2002. With over 20 years of experience, she has conducted extensive quantitative and qualitative research in the entertainment industry. \n\n\t\t\tWhile at PIA Research Institute, SASAI edited and authored the "White Paper on Live Entertainment." She also oversaw customer analysis based on Ticket Pia's data, which includes more than 16 million members and annual ticket sales of approximately 64 million tickets. \n\n\t\t\tIn June 2016, she became the director of PIA Research Institute, and in June 2022, she assumed the role of executive officer at PIA Corporation, where she continues to work today. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|Rachael CHAN \n\t\t\tPhD Student in Geography and Environment, University of Oxford and Musician, Orchestra of the Music Makers | \n\t\t
\n\t\t\t Rachael is an orchestral musician and has been a cellist with Singapore's Orchestra of the Music Makers (OMM) since 2013. OMM is a volunteer-led orchestra comprising of over 140 musicians from different careers and backgrounds. She served as the Chairperson of OMM's Community Engagement Team (2017-2018), curating both offstage and onstage encounters that aim to enhance the public's appreciation for orchestral music. She remains passionate about community engagement, most recently organizing a day-long "Fantasy Adventure" engagement camp for 120 primary school students coinciding with OMM's Singapore premiere of Wagner's opera 'Das Rheingold' (July 2023). \n\n\t\t\tCurrently, Rachael is a PhD student in Geography and the Environment at the University of Oxford (2022-), and her research focuses on cultural and political geography in East Asia. She holds an MSc in Nature, Society and Environmental Governance (2021-2022) from the same university, and her past research has been about visuals and imaginaries of climate change. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|Raymond WONG \n\t\t\tDeputy General Director, National Kaohsiung Center for the Arts (Weiwuying) | \n\t\t
\n\t\t\t Graduated with an M.A. in Arts and Cultural Enterprises from the University of the Arts London (Central Saint Martins) and a B.Sc. in European Studies from the Hong Kong Baptist University, Raymond WONG serves in performing arts for more than 20 years as producer of national and international programs, marketer, facilitator of cultural exchange projects and manager at venues and arts organizations. He joined the City Contemporary Dance Company in Hong Kong from 2006 and served as Managing Director from 2014 to 2021. He was appointed as Deputy General Director of the National Kaohsiung Center for the Arts (Weiwuying) Taiwan in 2021, to oversee branding, audience engagement and visitor experience. \n\n\t\t\t\n\t\t\t | \n\t\t
Forum 4: ESG - Art as a Corporate Investment | \n\t\t
Moderator|LIU Huei-ling \n\t\t\tVice President for Administration, TNUA | \n\t\t
\n\t\t\t LIU Huei-ling is a distinguished professor at the Institute of Arts Administration and Management of National Taipei University of the Arts. She holds a Ph.D in Journalism and has expertise in the fields of news communication, media studies, public relations for arts organizations, and marketing communication. Her researches have been published in reputable domestic and international journals. Prof. Liu has a long-standing interest in community development and has authored several relevant books. Her most recent work is "Luzhunan." \n\n\t\t\tPrior to academic career, Prof. Liu has served in the news industry for 20 years and received the Golden Bell Award for Best Interview in Taiwan. Her recent publication, "From Martial Law to Digital Convergence: Comparative Studies of Journalists Across Eras" was honored with the prestigious "Zeng Xubai Journalism Academic Publication Award", the highest recognition in the field of journalism academia. \n\n\t\t\t\n\t\t\t | \n\t\t
Lecturer|Chia-yin CHENG \n\t\t\tArtistic Director of the Puppet & It's Double Theater | \n\t\t
\n\t\t\t Chia-yin Cheng is currently the Artistic Director at The Puppet and Its Double Theatre, a lecturer at the Department of Drama and Theatre of National Taiwan University, and a member of Union Internationale de la Marionnette (UNIMA) festival committee. In 2019, her work was featured in the book "Woman and Puppetry," published by Routledge, as one of seven globally influential female puppetry artists. \n\n\t\t\tChia-yin Cheng excels in using physicality and objects to create poetic and visually rich imagery in space, igniting avant-garde trends in contemporary theatre that highlight "puppetry" as a significant medium of expression. She initiated the establishment of the "Lìzé Puppet Art Colony" in 2017, and in 2023, she helped establish the International Academy of Puppet Arts, making notable contributions to the flourishing development of contemporary puppetry in Taiwan. \n\n\t\t\t\n\t\t\t | \n\t\t
Lecturer|CHEN Wei-ju \n\t\t\tDeputy Executive Secretary, CTBC Foundation for Arts and Culture | \n\t\t
\n\t\t\t Wei-ju Chen has been working as a journalist specializing in political journalism for almost a decade before committing into in-depth journalism. \n\n\t\t\tCurrently serving as the Deputy Executive Secretary at CTBC Foundation for Arts and Culture, Wei-Ru Chen underwent rigorous training in the media workplace, where the pursuit of speed, precision, and ruthlessness was paramount, with efficiency as the top priority. \n\n\t\t\tLike a high-speed train on a straight path heading to a turning point, Wei-Ru Chen made a transition into the world of arts and culture. This didn't only open up her eyes into an entirely new perspective, but also encouraged her to bring art resources into remote areas. \n\n\t\t\tAfter encountering innocent, adorable, and endlessly potential children, Wei-Ru Chen deeply realized that, from curriculum design, the forging of relationships between teachers and students, to the cultivation of mutual trust, Things take time to change. The influence of education may not be immediate, but is as gradual and persist as the power of water eroding rocks. \n\n\t\t\tChange is happening... \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|Jane LIN \n\t\t\tChief Culture Officer Chief Culture Officer of Taiwan Fu Hsing Industrial Co., LTD. | \n\t\t
\n\t\t\t Chief Culture Officer of Taiwan Fu Hsing Industrial Co., Ltd., also serves as the CEO of the Taiwan Fu Hsing Cultural and Educational Foundation. The Foundation believes that "education is the starting point, and culture is the power." Since 2001, we have been continuously working in the areas of sports, education, culture, and arts. \n\n\t\t\tStarting in 2016, we have placed a greater emphasis on collaborating with artistic enterprises, establishing deep partnerships with local artistic groups, independent bookstores, cultural venues, and arts administration units. We accompany and nurture our corporate employees to become consumers, enthusiasts, and ultimately supporters of culture and the arts. Together, we outline a sustainable development path for the cultural and arts industry. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|TSOU Feng-chih \n\t\t\tHead of Creative Learning, Learning and Participation, National Kaohsiung Center for the Arts (Weiwuying) | \n\t\t
\n\t\t\t She was the recipient of Fulbright - Taiwan Ministry of Culture, Arts Professionals Grants in the year 2021-2022. She took residency in New York to carry out her research covering artistic planning, education and community engagement, inclusion and sustainability in the performing arts institutions. This inspired her to switch her career path to the current position. Prior to that, she was the Head of Dance and Circus, Artistic Planning at Weiwuying and Head of Programming at the National Theater & Concert Hall (NTCH), where she was also heavily involved in the Accessibility and Inclusion projects. During her 13 years profession in programming, she acted as a programmer, producer and festival organizer with focus on contemporary dance and theatre. She produced several cross-cultural and cross-disciplinary projects, including the award-winning dance work Terrace on the Hill, a collaboration between indigenous artist Watan Tusi (Taiwan) and French percussionist Roland AUZET, which won the first prize in the Pulima Art Award in 2018. She received her master's degree in Drama and Theatre Studies from Royal Holloway, University of London. \n\n\t\t\t\n\t\t\t | \n\t\t
Forum 5: Creative Placemaking | \n\t\t
Keynote Speaker|Keisuke INNAMI \n\t\t\tChief Assistant to General Producer of KNOWLEDGE CAPITAL Association | \n\t\t
\n\t\t\t Keisuke INNAMI was born in Osaka in 1989. He pursued his higher education at Osaka University and earned a bachelor's degree in Foreign Language and Culture with a specialization in Portuguese. After completing his studies, he embarked on his professional journey at Knowledge Capital (KC) as a "Communicator." His role involved bringing together people from diverse backgrounds and nurturing collaborations to create innovative projects and communities. Currently, he plays a vital role as the Chief Assistant to the General Producer of KC. He is responsible for managing internal and external relations and spearheading international projects. \n\n\t\t\t\n\t\t\t | \n\t\t
Keynote Speaker|Paul TAM \n\t\t\tExecutive Director, Performing Arts of West Kowloon Cultural District Authority | \n\t\t
\n\t\t\t Mr. TAM leads the Performing Arts Division to deliver world-class programmes and performing arts venues and facilities in the West Kowloon Cultural District. He is responsible for steering the strategic planning and sustainable development of these venues and oversees their business direction, artistic development, venue operations, technical and production, facilities planning and delivery. Mr. TAM joined WKCDA in March 2020. \n\n\t\t\tMr. TAM is a seasoned arts executive with over 20 years of experience in performing arts management. Prior to joining WKCDA, Mr. TAM was the Executive Director of Hong Kong Ballet, where he oversaw its strategic development, institutional advancement, brand-building, education and community outreach and international touring. Currently, Mr. TAM is Director of the International Society for the Performing Arts, Board Member and former Chairman of the Hong Kong Arts Administrators Association, Governor of the Federation of Asian Cultural Promotion and Advisor for Our Hong Kong Foundation. \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|WANG Jhao-cian \n\t\t\tArtistic director of Our Theatre | \n\t\t
\n\t\t\t WANG Jhao-cian is the founder and artistic director of Our Theatre. He also founded an experimental theater in Chiayi City in 2018. He was Artist-in-residence at the NTCH 2021-2022. With the encouragement of his mentor, he returned to his hometown and founded Our Theatre after graduating from Taipei National University of the Arts (TNUA). \n\n\t\t\t\n\t\t\t | \n\t\t
Panelist|Viv LU \n\t\t\tMegaport Festival, Marketing & PR flyingV crowdfunding platform, Brand Director | \n\t\t
\n\t\t\t Viv LU has been working in the PR & marketing industry for over 15 years. Her experience across music labels, consumer products, IT service and Startups. She joined Megaport Festival in 2016, and has always been focusing on promoting the rock scene of southern Taiwan and talented Taiwanese musicians. \n\n\t\t\tMegaport is a music festival located in the southern Taiwanese city of Kaohsiung. Since its inaugural edition in 2006, the event has become the biggest rock festival in Taiwan with 10 stages and over 100 artists. Offering a variety of performing styles and eclectic program content, Megaport has become a favorite music event among young people in Taiwan. \n\n\t\t\t\n\t\t\t | \n\t\t
Next Stage, Green Generation—Sustainability in Culture and Performing Arts
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We are delighted to announce the 2023 Annual Conference of the Federation for Asian Cultural Promotion (FACP) jointly hosted by the FACP and National Kaohsiung Center for the Arts (Weiwuying). You are invited to become a member and join us to meet fellow colleagues from all over the world in Kaohsiung, Taiwan from November 23 to 26, 2023.
\n\nThe theme of the 2023 Conference will be set as sustainability with the title of Next Stage, Green Generation—Sustainability in Culture and Performing Arts in response to the critical economic and environmental conditions in the post-pandemic era faced by the sector. It will be the first gathering event of FACP in the post-Pandemic era, it will be a great opportunity for all of us to gather and exchange ideas on arts and cultures.
\n\nThere will be symposiums, opportunities for networking, site visits, and performances during the conference. What's Up Café – Clinics for the Arts boosts connections between arts professionals across generations. See more info on What's Up Café – Clinics for the Arts and the introduction of the Table Host. There are two opportunities for nurturing ideas at the conference: Pitch for New Aspects sponsored by Clare C. & Friends Fellowship calls for emerging artists; the iconic Asian Gems in the Arts invites governors to nominate artists to perform. See the Program of Asian Gems in the Arts.
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The deadline of Pitch for New Aspects extended to September 6, 2023. Don't miss the chance to win the prize!
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\n\t\t\t Update on November 7, 2023. To encourage creative ideas from young artistic talent, an additional 3rd Prize and ONE "FACP members' Choice Award" with USD 5,000 will be offered to the most popular pitch (Winners may overlap). \n\n\t\t\t\n\t\t\t | \n\t\t
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2023 FACP KAOHSIUNG CONFERENCE
\n\nConference date: November 23-26, 2023 (Thu-Sun)
\n\nHost: National Kaohsiung Center for the Arts (Weiwuying), Kaohsiung, Taiwan
\n\nTheme: Next Stage, Green Generation—Sustainability in Culture and Performing Arts
\n\nRegistration: See https://www.facp.asia, exclusively for FACP members
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PROGRAM
\n\nNovember 23. (Thu)
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November 24. (Fri)
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November 25. (Sat)
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November 26. (Sun)
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FACP MEMBERSHIP
\n\nBecome a member of FACP to participate in the conference!
\n\nFACP welcomes professionals from every realm of the performing arts industry around the world to exchange ideas through the platform, to participate in the conference, you need to become a member of the FACP:
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Get your membership—newcomers: Fill in the application for the membership here, the FACP staff will be in touch with you regarding your application.
\n\nRenew your membership: Help us update your info here.
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Membership fee categories
\n\nIndividual: 195 USD;
\n\nOrganizations: 295 USD applies for 2 or more participants from the same organizations or corporations.
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REGISTRATION FEE FOR THE KAOHSIUNG CONFERENCE
\n\n*Renew FACP membership when registering for the 2023 Conference
\n\nGeneral Full Pass: $350 USD
\n\nEarly-bird pricing: $280 USD (Register and pay before October 23)
\n\nRegister link on https://www.facp.asia/
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Combos of Registration Fees
\n\n\n\t\t\t | \n\t\t\t Combos \n\t\t\t | \n\t\t\t\n\t\t\t Price (USD) \n\t\t\t | \n\t\t\t\n\t\t\t Total amount (USD) \n\t\t\t | \n\t\t
\n\t\t\t A \n\t\t\t | \n\t\t\t\n\t\t\t Individual Membership Renewal + Early-bird Price (Before Oct. 23) \n\t\t\t | \n\t\t\t\n\t\t\t 195+280 \n\t\t\t | \n\t\t\t\n\t\t\t 475 \n\t\t\t | \n\t\t
\n\t\t\t B \n\t\t\t | \n\t\t\t\n\t\t\t Organizational Membership Renewal + Early-bird Price (Before Oct. 23) \n\t\t\t | \n\t\t\t\n\t\t\t 295+280 \n\t\t\t | \n\t\t\t\n\t\t\t 575 \n\t\t\t | \n\t\t
\n\t\t\t C \n\t\t\t | \n\t\t\t\n\t\t\t Extra Participant of an Organizational Member - Early-bird Price (Before Oct. 23) \n\t\t\t | \n\t\t\t\n\t\t\t 280 \n\t\t\t | \n\t\t\t\n\t\t\t 280 \n\t\t\t | \n\t\t
\n\t\t\t D \n\t\t\t | \n\t\t\t\n\t\t\t Individual Membership Renewal + General Full Pass (Oct. 24 and after) \n\t\t\t | \n\t\t\t\n\t\t\t 195+350 \n\t\t\t | \n\t\t\t\n\t\t\t 545 \n\t\t\t | \n\t\t
\n\t\t\t E \n\t\t\t | \n\t\t\t\n\t\t\t Organizational Membership Renewal + General Full Pass (Oct. 24 and after) \n\t\t\t | \n\t\t\t\n\t\t\t 295+350 \n\t\t\t | \n\t\t\t\n\t\t\t 645 \n\t\t\t | \n\t\t
\n\t\t\t F \n\t\t\t | \n\t\t\t\n\t\t\t Extra Participant of an Organizational Member - General Full Pass (Oct. 24 and after) \n\t\t\t | \n\t\t\t\n\t\t\t 350 \n\t\t\t | \n\t\t\t\n\t\t\t 350 \n\t\t\t | \n\t\t
\n\t\t\t G \n\t\t\t | \n\t\t\t\n\t\t\t Individual Membership Renewal Only \n\t\t\t | \n\t\t\t\n\t\t\t 195 \n\t\t\t | \n\t\t\t\n\t\t\t 195 \n\t\t\t | \n\t\t
\n\t\t\t H \n\t\t\t | \n\t\t\t\n\t\t\t Organizational Membership Only \n\t\t\t | \n\t\t\t\n\t\t\t 295 \n\t\t\t | \n\t\t\t\n\t\t\t 295 \n\t\t\t | \n\t\t
*Cancellation policy: Membership fee is not refundable. To cancel the registration for the conference, contact the FACP 2023 team (conference.facp@gmail.com) before 12:00 pm, October 23, 2023 to apply for a refund, and we will charge a processing fee of 10% of the deposit amount. Late applications will not be accepted.
\n\n\n\n
PROCEDURE
\n\nMembership renewal and registration for Kaohsiung Conference on FACP website → Payment complete → Receiving confirmation email and invoice within 5 working days→ Registration complete.
\n\n\n\n
IMPORTANT DATES
\n\n*The host will send out a questionnaire for the sign-up event (including venue tour and clinic) and further information.
\n\n\n\n
TRAVEL & ACCOMMODATION
\n\n\n\n
The Howard Plaza Hotel Kaohsiung 高雄福華飯店
\n\nNo.311, Chi Hsien 1st Rd., Kaohsiung, Taiwan
\n\n9 minutes walking distance from the metro station
\n\n15 minutes ride from Weiwuying, 15 minutes to the Kaohsiung Experimental Theatre
\n\nSingle room NTD2,750-3,960, Double room NTD3,410-4,840 (breakfast included)
\n\nMake the reservation by the link https://pse.is/55c6v9
\n\n\n\n\n\n
No.165, Linsen 1st Rd., Kaohsiung, Taiwan
\n\n5 minutes walking distance from the metro station
\n\n15 minutes ride from Weiwuying, 10 minutes to the Kaohsiung Experimental Theatre
\n\nSingle room NTD3,300-4,000, Double room NTD4,000-4,700 (breakfast included)
\n\nMake the reservation by email to rsvn@hoteldua.com
\n\nwith discount code: FACP2023
\n\n\n\n\n\n
No.266, Chenggong 1st Rd., Kaohsiung, Taiwan
\n\n10 minutes walking distance from the metro station
\n\n20 minutes ride from Weiwuying, 10 minutes to the Kaohsiung Experimental Theatre
\n\nSingle room NTD4,274-4,851, Double room NTD4,736-5,313 (breakfast included)
\n\nMake the reservation by the link https://pse.is/54cpnd
\n\n\n\n
OPEN CALL
\n\nPitch for New Aspects — Clare C. & Friends Fellowship
\n\nOnline application form: https://forms.gle/ZCknhYBg4DNjErRU8
\n\tThe Deadline was due on: 12:00 noon, September 6, 2023 (Taiwan time, GMT +8)
\n\nUpdated on September 25: Shortlist Announcement of 2023 FACP Kaohsiung Conference "Pitch for New Aspects — Clare C.& Friends Fellowship" Shortlist Announcement
\n\n\n\n
Hosts: Federation for Asian Cultural Promotion, National Kaohsiung Center for the Arts (Weiwuying)
\n\nCo-organizer: Bureau of Cultural Affairs, Kaohsiung City Government
\n\nPartners: Taipei National University of the Arts, Graduate Institute of Arts Management & Entrepreneurship of National Sun Yat-sen University, National Taichung Theater
\n\nSponsor of Pitch for New Aspects: Clare C. & Friends
\n\n\n\n
Exclusive Sponsor
\n\nTaiwan Stock Exchange
\n\nMore Info on Taiwan's Sustainability Development, please see: Taiwan Stock Exchange, Taiwan Carbon Solution Exchange
\n\n\n\n
Source
\n\n► Pitch for New Aspects guidelines_FACP KAOHSIUNG 2023.pdf
\n\n► 創發新象國際徵件計劃簡章_FACP高雄年會2023.pdf
\n\n► 2023 FACP Kaohsiung Conference Brochure.pdf
\n\n► 2023 FACP Kaohsiung Conference_Participants List.pdf
\n\n\n',team:""},createdAt:1689143917,updatedAt:1701242654,updatedBy:"林蔚行",host:!0},{_id:"64b49d1ff21b460008256a60",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701084600,discrete:[{time:1701084600},{time:1701171e3},{time:1705127400},{time:1705213800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1669279993392955393"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ae5688f5266251968ced400601fd702b",title:"駿動畫配樂》交響音樂會 -2023 四度巡迴"}],related:[],title:"狂美《宮崎駿動畫配樂》交響音樂會 -2023 四度巡迴",cover:"981fbb07186dd9f7641607bed03f614c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「第一次的音樂會就獻給狂美,起初因為主題而感興趣,但因為這場音樂會給我了滿滿感動,眼眶都會泛淚,很謝謝狂美帶給我溫暖。我會因為今天的演奏完全變成狂美的粉絲,你們超棒。」—— 觀眾江小姐(職業:國小老師)
\n\n「導聆人對樂曲的介紹和聲響的解說都讓整場表演更加完整,並且喚起自身的回憶,更能引發聽者的共鳴。真的謝謝狂美樂團帶來如此精彩的音樂,原本處於低潮的我還想放棄來聽。幸好沒有,因為你們的音樂讓我沈浸到另一個世界,徹底的忘卻了煩惱與低潮的情緒,真真實實的撫慰了我的心靈。真的很謝謝你們,之後劇場再相見!」—— 觀眾陳先生(職業:科技業)
\n\n\n\n
宮崎駿的動畫一直伴隨著大家成長,在精彩動畫背後,一首首時而浪漫、時而溫馨、時而詼諧、時而壯闊的配樂,賦予動畫更多色彩與風味。而這些扣人心弦的樂音,即是出自於知名配樂大師-久石讓之手。這場音樂會,「狂美」從日本原裝進口精選的編曲版本,渴望精采呈現宮崎駿與久石讓歷年合作的經典動畫,並由與我們一起成長的電影明星-楊小黎導聆本場節目。在優美樂音中,期待與您重溫初次接觸宮崎駿動畫時的興奮與感動。
\n\n\n\n
演出曲目
\n\n久石讓:交響組曲《風之谷》|森田一浩編曲
\n\n久石讓:《天空之城》集錦|真島俊夫編曲
\n\n久石讓:《紅豬》|森田一浩編曲
\n\n久石讓:《魔法公主》精選|森田一浩編曲
\n\n久石讓:《霍爾的移動城堡》交響幻想曲|後藤洋編曲
\n\n久石讓:《魔女宅急便》集錦|天野正道編曲
\n\n久石讓:《神隱少女》|森田一浩編曲
\n\n久石讓:《龍貓》|後藤洋編曲
\n\n\n\n
演出暨製作團隊
\n\n製 作 人|劉可婕 (狂美交響管樂團 樂團總監)
\n\n監 製|謝韋民 (狂美交響管樂團 團長)
\n\n指 揮|
\n謝韋民(場次:2023/11/27、2023/11/28、2024/1/14)
\n巫竑毅(場次:2024/1/13)
導 聆|楊小黎 (電視金鐘女配角)
\n\n演出樂團|狂美交響管樂團
\n\n特邀嘉賓|將公告於本團臉書粉專,敬請期待!
\n\n視覺設計|呂純婷
\n文字撰稿|劉可婕
行銷協力|獨秀文化有限公司
\n\n音響執行|翰星藝聲光有限公司
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ae5688f5266251968ced400601fd702b",title:"狂美《宮崎駿動畫"}],related:[],title:"Symphonic Concert: Music from the Films of Hayao Miyazaki",cover:"981fbb07186dd9f7641607bed03f614c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Hayao Miyazaki's animations have always been with everyone's growth. Behind the wonderful animations,there are some songs that are sometimes romantic, ometimes warm, sometimes humorous, and sometimes magnificent soundtracks, which give the animation more color and flavor. For this concert, the Orchestra specially imported selected arrangements from Japan, eager to present the classic animation of Hayao Miyazaki and Joe Hisaishi's collaboration, and hosted by the movie star Yang Shaoli who grew up with us.With beautiful music, I look forward to relive the excitement and touch of your first contact with Hayao Miyazaki animation.
\n\n\n\n
Program
\n\nJoe Hisaishi:Symphonic Suite "Nausicaä of the Valley of the Wind"|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:Highlights from "Castle in the Sky"|Arr. by Toshio Mashima
\n\nJoe Hisaishi:Porco Rosso|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:Selections from "Princess Mononoke"|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:Howl's Moving Castle: Symphonic Fantasy for Band|Arr. by Yo Goto
\n\nJoe Hisaishi:Highlights from "Kiki's Delivery Service"|Arr. by Amano Masamich
\n\nJoe Hisaishi:Spirited Away|Arr. by Kazuhiro Morita
\n\nJoe Hisaishi:My Neighbor Totoro|Arr. by Yo Goto
\n\n\n\n
Creative and Production Team
\n\nProducer|LIU Ke-chieh
\n\nDirector|HSIEH Wei-min
\n\nConductor|HSIEH Wei-min (2023/11/27、2023/11/28、2024/1/14)、WU Hung-I (2024/1/13)
\n\nHost|YANG Shiau-li
\n\nPerformer|Con Bello Symphonic Band
\n\nGraphic Designer|LU Chun-ting
\n\nCopywriter|LIU Ke-Chieh
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nSound Execution|Hanxingyi Sound & Light Co., Ltd.
\n\n\n\n
\n\n
\n',team:""},createdAt:1689558303,updatedAt:1698405928,updatedBy:"林蔚行",host:!1},{_id:"64b4b1bdf21b460008256ea5",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699527600,discrete:[{time:1699527600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1674715650601185280"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06d02479ce8d063cac8fe3e3966bb5f1",title:"《任俞仲2023鋼琴獨奏會─阿爾康經典II》"}],related:[],title:"《任俞仲2023鋼琴獨奏會─阿爾康經典II》",cover:"62b4e729c8a7129eb561b1361eae61d3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
為紀念法國作曲家、鋼琴家阿爾康(Charles-Valentin ALKAN, 1813-1888)210周年誕辰,本場音樂會將帶來整場阿爾康的曲目,繼上半年《阿爾康經典I》 完成臺灣首演全本《12首為大調而作的練習曲,作品35》後,再開國內首例創舉,於單一場次音樂會演奏全本《12首為小調而作的練習曲,作品39》,以此向阿爾康致敬,期使國人對這位曾與蕭邦、李斯特一同匯聚巴黎藝文交流的作曲家及鋼琴作品,有更多的認識。
\n\n\n\n
演出曲目
\n\n阿爾康 12首為小調而作的練習曲,作品39
\n\n\n\n
演出暨製作團隊
\n\n鋼琴│任俞仲
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06d02479ce8d063cac8fe3e3966bb5f1",title:"《任俞仲2023鋼琴獨奏會─阿爾康經典II》"}],related:[],title:"Tony Jen's 2023 Piano Recital - ALKAN Classics II",cover:"62b4e729c8a7129eb561b1361eae61d3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
To celebrate & commemorate the 210th birthday of ALKAN(1813-1888), This recital will follow former "ALKAN Classics I" this March, also bring the whole ALKAN repertoire - Douze études dans tous les tons mineurs (Op.39).
\n\n\n\n
Program
\n\nC.V.Alkan: Douze études dans tous les tons mineurs, Op.35
\n\n\n\n
Creative and Production Team
\n\nPiano|Tony JEN (JEN Yu-Chung)
\n\n\n\n
\n',team:""},createdAt:1689563581,updatedAt:1697439103,updatedBy:"林蔚行",host:!1},{_id:"64b5fd489ef3550007c708e4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701516600,discrete:[{time:1701516600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a088a7b24fa7f1a4925b3ca3f8c4f010",title:"《惟一最愛是你》"}],related:[],title:"「節目取消」《惟一最愛是你》",cover:"6b4572fdff152cddbfa727a818cbc35f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2023年12月2日(六)19:30於衛武營音樂廳演出之《惟一最愛是你》因故取消,造成不便,敬請見諒。 \n\n\t\t\t※退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
水流之音聖樂團以百餘人交響合唱團的編制來傳達這樣救恩的訊息,願所有參與音樂會的人都來享受這次豐盛的宴席,讓您靈魂體有最滿足的享受。我們也安排5首大合唱曲目與來賓們一同唱和,讓您也為神獻唱出讚美的歌聲。一同迎接2024這嶄新有盼望的一年。
\n\n\n\n
演出曲目
\n\n惟一最愛是你
\n\n遇見你們
\n\n這一生最美的祝福
\n\n恩典之路
\n\n我知誰掌管明天
\n\n得勝得勝,阿利路亞
\n\n揀選
\n\n奇異恩典
\n\n\n\n
演出暨製作團隊
\n\n演出團體|水流之音聖樂團
\n\n指揮|張佳韻
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a088a7b24fa7f1a4925b3ca3f8c4f010",title:"《惟一最愛是你》"}],related:[],title:"(Program cancelled) You are the One I Love Most",cover:"6b4572fdff152cddbfa727a818cbc35f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-2655-0066. | \n\t\t
\n\n
Sound of Living Stream Orchestra is composed by hundreds of people that convey the salvation message to everyone, and hope everyone enjoy this feast and the soul feel satisfied. We also arrange five songs to invite you to chorus with us to sing the beautiful melody for Gods. Let's greet the 2024 as a year of new hope.
\n\n\n\n
Program
\n\nYou are the One I Love Most
\n\nMeeting You
\n\nThe Most Beautiful Blessing in Life
\n\nThe Path Of Grace
\n\nI Know Who Holds Tomorrow
\n\nVictory! Victory! Hallelujah!
\n\nChoice
\n\nAmazing Grace
\n\n\n\n
Creative and Production Team
\n\nGroup|Sound of Living Stream Orchestra
\n\nConductor|Amy Chang
\n\n\n\n
\n',team:""},createdAt:1689648456,updatedAt:1697794022,updatedBy:"林蔚行",host:!1},{_id:"64bf459ef0a05200076f1d6b",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700911800,discrete:[{time:1700911800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200],link:"https://www.opentix.life/event/1676587151113777153"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6c3c5546efe82c5c2b8404af381981f9",title:"《蓬瀛長春-地景十二曲》"}],related:[],title:"《蓬瀛長春-地景十二曲》",cover:"8d2900318487bcc9b308a53c6b043dac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
匯聚70暢響臺灣
\n\n歷經臺灣國樂發展史的國樂學會,與奏遍世界各角落的高雄市國樂團攜手孕育無數音樂家的臺南藝術大學三方共演,展現豐沛國樂能量。
\n\n譜出美麗臺灣地景十二曲
\n\n由臺灣十二位優秀作曲家,以紮實成熟新穎創作手法不同主題樂章,將臺灣的地理風情人文特色,用鼓樂節奏敲響鹿港夜的熱鬧元宵,以輕柔竹笛樂音吹拂溪頭竹林靜謐的君子氣韻,絲弦琴韻撥動潭中漣漪田野翠浪,譜出美麗臺灣的地景十二曲。
\n\n\n\n
演出曲目
\n\n《木棉花開》 作曲|黃新財
\n\n《池上稼禾翻翠浪》 作曲|劉至軒
\n\n《赤坎懷古》 作曲|陳中申
\n\n《七星曉望》 作曲|吳宗憲
\n\n《明潭泛舟》 作曲|何立仁
\n\n《太魯長春》 作曲|盧亮輝
\n\n《鹿港元宵夜》 作曲|郭哲誠
\n\n《東城竹塹風》 作曲|朱雲嵩
\n\n《溪頭竹海》 作曲|王樂倫
\n\n《世外桃源》 作曲|黎俊平
\n\n《玉峯初陽》 作曲|李英
\n\n《雲湧阿里山》 作曲|蘇文慶
\n\n\n\n
演出暨製作團隊
\n\n指 揮|安敬業、郭哲誠、蘇文慶 (依出場序)
\n\n演 出|笛子 侯廣宇、古箏 黃俊錫、胡琴 蔡鎮宇、擊樂 楊絢雯、琵琶 許妙伊
\n\n樂 團|高雄市國樂團、國立臺南藝術大學民族管絃樂團
\n\n主辦單位|高雄市政府文化局 財團法人高雄市愛樂文化藝術基金會 中華民國國樂學會
\n\n協辦單位|國立臺南藝術大學中國音樂學系
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6c3c5546efe82c5c2b8404af381981f9",title:"《蓬瀛長春-地景十二曲》"}],related:[],title:"A Fairyland Evermore: 12 Songs of Landscapes",cover:"8d2900318487bcc9b308a53c6b043dac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Sonority over 70 years in Taiwan
\n\nChinese Music Association, Taiwan, R.O.C., Kaohsiung Chinese Orchestra, and Tainan National University of the Arts will perform together, and form an assemblage of an organization undergoing the traditional Chinese music development in Taiwan, an orchestra that performs around the world, and an institute that raises countless musicians, to sound the vibrancy of the Chinese traditional music.
\n\n\n\n
Twelve compositions on beautiful landscapes in Taiwan
\n\nThis concert will present works by 12 exceptional musicians, with their solid foundation of creativity, on a variety of motifs, drumming the bustling night of the lantern festival in Lukang, fluting the tranquility in the Bamboo Forest in Xitou, stringing the ripples in the dam and crops in the farmland, culminating a celebration of Taiwan's beautiful landscapes and cultural traits.
\n\n\n\n
Program
\n\nHUANG Xincai: Blossom the kopok
\n\nLIU Chih-hsuan: Chishang (Fanaw) Crops as Green Waves
\n\nJohnson Chen: Chikan reminiscence
\n\nWU Chung-hsien: An Outlook over Chishingtan
\n\nHO Li-ren: Sailing over the Ming Tan Dam
\n\nLU Liang-hui: Toroko Evermore
\n\nKUO Che-chen: The Night of Lantern Festival in Lukang
\n\nCHU Yun-song: Wind Blows of the East Gate of Hsinchu
\n\nWANG Allen: Bamboo Forest in Xitou
\n\nLEE Chun-ping: Xanadu
\n\nLEE Ying: Twilight on the Jade Mountain
\n\nSU Wen-cheng: Emergence of Clouds in Ali Mountain
\n\n\n\n
Creative and Production Team
\n\nConductor|AN Chin-yeh, KUO Che-chen, SU Wen-cheng (by order of appearance)
\n\nMusicians|Chinese flute/HOU GuangyuGuzheng/HUANG Jun-xiHuqin/TSAI Chen-yuPercussion/YANG Hsuan-wen Anaïs Pipa/HSU Miao-yi
\n\nOrchestra|Kaohsiung Chinese Orchestra, Chinese Music Department of Tainan National University of the Arts
\n\n\n\n
\n\n
\n',team:""},createdAt:1690256798,updatedAt:1691056597,updatedBy:"林蔚行",host:!1},{_id:"64c8c4d382449b0007961a47",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699770600,discrete:[{time:1699770600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1679803058423480321"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c588f047a9170f56b11fe1a5d292719",title:"《貝多芬與舒曼的夢幻戀愛篇章-宋允鵬2023鋼琴獨奏會》"}],related:[],title:"《貝多芬與舒曼的夢幻戀愛篇章-宋允鵬2023鋼琴獨奏會》",cover:"3e096d8dec22e8c694edc3d5c967614c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
鋼琴家宋允鵬教授向來致力於以現場音樂故事搭配演奏形式的音樂會,為大家解說音樂家創作當時的心情及所經歷的故事,將古典音樂原有艱澀的樂思,轉化成為一種大眾親切易懂的語言,進而能夠欣賞到音樂的美。本次2023年的演出計畫,將以「貝多芬與舒曼的夢幻戀愛篇章」為題,宋允鵬教授將以這兩位音樂家在其各自不如意、受到百端阻撓戀情的心境下,所創作出的動人作品,將演出貝多芬第18號琴奏鳴曲(作品31-3)、第28號鋼琴奏鳴曲(作品101),以及舒曼幻想曲(作品17)。
\n\n\n\n
演出曲目
\n\n貝多芬:第18號琴奏鳴曲(作品31-3)
\n\n貝多芬:第28號鋼琴奏鳴曲(作品101)
\n\n舒曼:幻想曲(作品17)
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|宋允鵬
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c588f047a9170f56b11fe1a5d292719",title:"《貝多芬與舒曼的夢幻戀愛篇章-宋允鵬2023鋼琴獨奏會》"}],related:[],title:"Alexander Sung 2023 Piano Recital",cover:"3e096d8dec22e8c694edc3d5c967614c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
For the upcoming performance in 2023, titled "The Chapter of Fantasy Love from Beethoven and Schumann," Professor Alexander Sung will present the captivating works created by these two musicians amidst their personal setbacks and countless obstacles in their love lives. The program will include Beethoven's Piano Sonata No. 18 in E-flat major, Op. 31, No. 3, Piano Sonata No. 28 in A major, Op. 101, as well as Schumann's Fantasie in C major, Op. 17.
\n\n\n\n
Program
\n\nL. v. Beethoven: Piano Sonata No. 18 in E-flat Major, Opus 31, No. 3
\n\nL. v. Beethoven: Piano Sonata No. 28 in A Major, Opus 101
\n\nR. Schumann: Fantasie in C Major, Opus 17
\n\n\n\n
Creative and Production Team
\n\nPiano|Alexander Sung
\n\n\n\n
\n',team:""},createdAt:1690879187,updatedAt:1692087486,updatedBy:"林蔚行",host:!1},{_id:"64c8cd46f0a05200077076cb",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1698665400,discrete:[{time:1698665400},{time:1698751800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,400],link:"https://www.opentix.life/event/1680791760090505217"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"998a4403843182461e09bbe7bc3a3a71",title:"《梅特涅聲樂曲集系列音樂會》"}],related:[],title:"《梅特涅聲樂曲集系列音樂會》",cover:"37866be3b37b0edc042ce635b69c3965",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
活躍於國內室內樂與歌劇演出的鋼琴家許書豪,近年來致力推廣於俄國曲目的音樂會,不論在室內樂及聲樂曲方面,每年都有計畫性的安排及演出。今年他特別規劃兩場主題音樂會著重在俄國作曲家尼可萊梅特涅分別就歌德及普希金詩作譜曲的作品上。此次音樂會他特別邀請國內著名女高音郭錦慧、王喬怡、連筱筠及男高音趙培文,連續兩天兩場音樂會,希望藉由聲樂家的歌聲,帶領觀眾欣賞俄國文學與音樂之美。
\n\n\n\n
【節目特色】
\n\n10/30(一)19:30
\n\n系列 Ⅰ《歌德》J. W. Goethe
\n\n「只要歌德存在,德國就不會貧苦孤單。德國即使再顛沛、虛弱,也因為有歌德,精神依然偉大、富有、堅強。」──謝林(F. Schelling)
\n\n\n\n
歌德抒情詩常被音樂家拿來譜曲,正因他的詩反映18、19世紀德國文藝界共同的社會意識,鼓舞作曲家追求民歌的精神。大家較為熟悉的作曲有舒伯特、舒曼、布拉姆斯、沃爾夫乃至馬勒。但此場音樂會,女高音郭錦慧與鋼琴家許書豪,將帶來俄國作曲家梅特涅的聲樂作品-歌德藝術歌曲。希望藉由梅特涅的歌德藝術歌曲,引領聽眾們更加熟悉俄國近代鋼琴巨擘-梅特涅充滿活力,厚實的內涵中有著出乎意料彈性的音樂。
\n\n\n\n
10/31(二)19:30
\n\n系列 Ⅱ《普希金》A. Pushkin
\n\n「俄國詩壇的太陽」普希金(А. С. Пушкин,1799—1837)——俄國現代文學的奠基者,十九世紀俄國浪漫主義的代表人物;他一生只有短暫 37 年,卻留下了永垂不朽的文學成就。他以詩和小說為人稱道,其中愛情詩佔了大部分,就如同愛情在他人生中的比重。詩人總是多情,他可以說是「為愛而生」,最後也「為愛而死」⋯⋯。此場音樂會,鋼琴家許書豪邀請國內著名女高音連筱筠,一同將帶來俄國作曲家梅特涅以俄國詩人普希金的詩所創作的聲樂作品-普希金藝術歌曲。希望藉由梅特涅的普希金藝術歌曲,引領聽眾們更加熟悉俄國近代鋼琴巨擘-梅特涅充滿活力,厚實的內涵中有著出乎意料彈性的音樂。
\n\n\n\n
演出曲目
\n\n10/30(一)19:30 系列 Ⅰ
\n\n梅特涅N. Medtner
\n\n歌德之後的9首歌,作品6,第1-3號
\n\n歌德之後的12首歌,作品15
\n\n奏鳴曲,作品41,第1號
\n\n組曲,作品41,第2號
\n\n\n\n
10/31(二)19:30 系列 Ⅱ
\n\n梅特涅N. Medtner
\n\n兩首歌,作品13
\n\n普希金的七首詩,作品29
\n\n普希金的六首詩,作品36
\n\n普希金七首詩,作品52
\n\n拉赫曼尼諾夫:這兒真好...(佳麗娜)作品21,第7號
\n\n林姆斯基‧高沙可夫:浪漫東方,作品2,第2號
\n\n\n\n
演出暨製作團隊
\n\n系列 Ⅰ
\n\n女高音|郭錦慧、王喬怡
\n\n鋼琴|許書豪
\n\n\n\n
系列 Ⅱ
\n\n女高音|連筱筠
\n\n男高音|趙培文
\n\n鋼琴|許書豪
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"998a4403843182461e09bbe7bc3a3a71",title:"《梅特涅聲樂曲集系列音樂會》"}],related:[],title:"Songs of Nicolai Medtner",cover:"37866be3b37b0edc042ce635b69c3965",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
10/30(Mon)19:30
\n\n"As long as Goethe exists, Germany will not be poor and lonely. No matter how debilitated and weak Germany is, because of Goethe, the spirit is still great, rich and strong." - F. Schelling Goethe's lyric poems are often used by musicians to compose music, because his poems reflect the common social consciousness of the German literary and artistic circles in the 18th and 19th centuries, this made composers pursue the spirit of folk songs at that time. This concert will bring art songs composed by the Russian composer Nicolai Medtner to the audiences, hoping to lead audiences to be more familiar with Medtner's music. Through his energy and connotation in music, Medtner uses his own musical language to convey the meaning of literary works.
\n\n\n\n
10/31(Tue)19:30
\n\nPushkin (А. С. Пушкин, 1799-1837), known as "the sun of Russian poetry", is the founder of modern Russian literature and a representative of Russian romanticism in the nineteenth century. He is known for his poems and novels, among which love poems account for the majority, just as love occupies the proportion of his life. The poet is always sentimental. He can be said to "live for love", and "die for love" eventually. This concert will bring art songs composed by Russian composer Nicolai Medtner based on the poems of Russian poet Pushkin.
\n\n\n\n
Program
\n\n10/30(Mon)19:30
\n\nN. Medtner
\n\nДевять песен Гёте; Goethe-Lieder, Op. 6, No. 1-3
\n\nДвенадцать песен Гёте, Op. 15
\n\nСоната-вокализ, Op. 41, No. 1
\n\nСюита-вокализ, Op. 41, No. 2
\n\n\n\n
10/31(Tue)19:30
\n\nN. Medtner
\n\nДве песни, Op. 13
\n\nСемь стихотворений Пушкина, Op. 29
\n\nШесть стихотворений Пушкина, Op. 36
\n\nСемь песен на стихотворения А. С. Пушкина, Op. 52
\n\nS. Rachmaninoff: “How fair this spot!” (G. Galina) Op. 21, No. 7
\n\nN. Rimsky-Korsakov: Oriental Romance (The Rose and the Nightingale) Op. 2, No. 2
\n\n\n\n
Creative and Production Team
\n\n10/30(Mon)19:30
\n\nSoprano|Ching-Hui Kuo, Chiao-Yi Wang
\n\nPiano|David Shu-Hao Hsu
\n\n\n\n
10/31(Tue)19:30
\n\nSoprano|Hsiao-Yun Lien
\n\nTenor|Pei-Wen Chao
\n\nPiano|David Shu-Hao Hsu
\n\n\n\n
\n',team:""},createdAt:1690881350,updatedAt:1691403630,updatedBy:"林蔚行",host:!1},{_id:"64ca173d82449b0007964b91",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699614e3,discrete:[{time:1699614e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1667021616039284737"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0b18a7919dcf88b1fac203f4e63173bf",title:"《璀璨經典百老匯》交響音樂會"}],related:[],title:"狂美《璀璨經典百老匯》交響音樂會",cover:"e219f7f77faed5a29efa6866a64dafb6",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
九部百老匯劇碼-經典薈萃,輝煌呈現
\n\n臺北、臺中、高雄,國家級場館再現風華
\n\n\n\n
嚴選九部百老匯經典音樂劇配樂,網羅《歌劇魅影》、《悲慘世界》、《媽媽咪呀》、《貓》、《美女與野獸》、《獅子王》、《綠野仙蹤》、《西城故事》...等知名劇碼,經典薈萃一次呈現!經由狂美精湛的演繹、金鐘導聆,絕對能滿足您挑剔的耳朵。讓我們穿越太平洋,感受百老匯的璀璨風華與萬般風情。
\n\n\n\n
2023 年狂美再次開啟國家一級場館之「管風琴」,輝煌共振,邀您走進劇場、細膩體會。
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n製 作 人|劉可婕
\n\n監製/指揮|謝韋民
\n\n金鐘導聆|黃路梓茵
\n\n管 風 琴|劉信宏
\n\n演出樂團|狂美交響管樂團
\n\n視覺設計|呂純婷
\n\n文案企劃|劉可婕
\n\n行銷協力|獨秀文化有限公司
\n\n影音記錄|奧美視有限公司
\n\n影像紀錄|趙家緯
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0b18a7919dcf88b1fac203f4e63173bf",title:"《璀璨經典百老匯》交響音樂會"}],related:[],title:"Symphonic Concert : Brilliant Broadway",cover:"e219f7f77faed5a29efa6866a64dafb6",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Conbello Symphonic Band selected nine classic Broadway musical soundtracks. Included The Phantom of the Opera, Les Misérables, Mamma Mia and other well-known dramas. All collections will present at one time. Through the impressive performance and professional guide, you can absolutely be satisfied. Let's cross the Pacific Ocean and feel the brilliance and chram of Broadway.
\n\n\n\n
This year, in 2023, Conbello Symphony Band will open the Pipe Organ in the national first-class concert hall. Inviting you to join us, experience the brilliant resonance.
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nProducer |LIU Ke-chieh
\n\nDirector / Conductor|HSIEH Wei-min
\n\nGuide |HUANG LU Tzu-Yin
\n\nOrgan|LIU Hsin-Hung
\n\nPerformer|Con Bello Symphonic Band
\n\nGraphic Desinger|LU Chun-ting
\n\nCopywriter|LIU Ke-Chieh
\n\nMarketing|DO SHOW Cultural Co., Ltd.
\n\nVideo record|Ao Mei Shih Co., Ltd.
\n\nPhotographer|CHAO Chia-Wei
\n\n\n\n
\n',team:""},createdAt:1690965821,updatedAt:1693885806,updatedBy:"林蔚行",host:!1},{_id:"64cc77c8f0a0520007735854",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699165800,discrete:[{time:1699165800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1680216940159426560"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2dd84127eb5aa35bc2e0b0f440b49e3f",title:"《發現.室內樂—2023寇蒂斯巡演計畫》"}],related:[],title:"《發現.室內樂—寇蒂斯巡演計畫台灣巡禮》",cover:"3ea5d80207e5ffb06afa2ce7b27f43a4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「寇蒂斯巡演計畫」是寇蒂斯音樂學院的「尼娜.馬爾贊恩」(Nina von Maltzahn)全球巡演計劃,以學校的「從實踐中學習」理念為基礎,由傑出的新銳藝術家、著名的校友和現任教授群為特色的聯合演出,音樂家在巡迴演出中也提供大師班、教育計劃和參與社區活動。巡演計畫也包含透過各地主辦單位安排寇蒂斯獨奏家們與職業樂團的演出。11月「寇蒂斯巡演計畫」將以四重奏的形式訪臺,同時將造訪首爾、東京、北京、上海和香港。四重奏的成員包括學院院長暨藝術總監羅伯托.迪亞茲、大提琴名家肯頓.蕭、臺裔鋼琴家林易以及小提琴家林品任。
\n\n\n\n
演出曲目
\n\n海頓: D大調鋼琴三重奏,作品28,Hob. XV: 16
\n\n舒曼: 降E大調鋼琴四重奏,作品47
\n\n布拉姆斯: c小調鋼琴四重奏,作品60
\n\n\n\n
演出暨製作團隊
\n\n鋼琴家|林易
\n\n小提琴家|林品任
\n\n中提琴家|羅伯托.迪亞茲
\n\n大提琴家|肯頓.蕭
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2dd84127eb5aa35bc2e0b0f440b49e3f",title:"《發現.室內樂—2023寇蒂斯巡演計畫》"}],related:[],title:"Discovering Chamber Music - Curtis on Tour",cover:"3ea5d80207e5ffb06afa2ce7b27f43a4",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Curtis on Tour " is Nina von Maltzahn global tour plan, based on the school's "learning by doing" concept, composed of outstanding emerging artists, Featuring joint performances by notable alumni and ancestral professor groups, artists on tour also offer masterclasses, educational programs and community involvement. The performance plan also includes the arrangement of Curtiss soloists and professional orchestras across the host organization. In November, "Curtis on Tour" will visit Taiwan as a quartet, and will also visit Seoul, Tokyo, Beijing, Shanghai and Hong Kong. The members of the ensemble include President and Artistic Director Roberto DIAZ, cellist Camden SHAW, Taiwanese pianist Steven LIN and violinist Richard LIN.
\n\n\n\n
Program
\n\nJoseph Haydn Piano Trio No. 28 in D major, Hob. XV: 16
\n\nRobert Schumann Piano Quartet in E-flat major, Op. 47
\n\nJohannes Brahms Piano Quartet No. 3 in C minor, Op. 60
\n\n\n\n
Creative and Production Team
\n\nPiano|Steven LIN
\n\nViolin|Richard LIN
\n\nViola|Roberto DIAZ
\n\nCello|Camden SHAW
\n\n\n\n
\n',team:""},createdAt:1691121608,updatedAt:1692759841,updatedBy:"林蔚行",host:!1},{_id:"64d20a4fee7d040007228b27",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699443e3,discrete:[{time:1699443e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P07N0FND"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ac23549a1ec6192f05f060584f45b4d3",title:"《漫步在記憶宮殿-古典吉他演奏家王牧群的藝術世界》"}],related:[],title:"《漫步在記憶宮殿-古典吉他演奏家王牧群的藝術世界》",cover:"363f80aabe437121840e3bcc069c762c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
作曲家拾起散落世界與生活的元素來編織作品,作為一位表演者,更要窮其任何方式,理解箇中美妙,並滲入自己性格、風格,最後站在舞台上,傳達給觀眾。觀眾也以自身情感經驗投射,作不同層次的解讀,使藝術在傳遞過程中,充滿了無限可能。從源頭到盡頭、從介質到載體,每一個環節皆是旅程。不管在哪站駐留,其共通與豐富,都值得細心咀嚼。
\n\n\n\n
演出曲目
\n\n西班牙佛利亞主題、變奏與賦格
\n\n無伴奏組曲
\n\n短歌
\n\n\n\n
演出暨製作團隊
\n\n吉他演奏家|王牧群
\n\n錄音錄影|吳東晏
\n\n舞台監督|封恩業
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ac23549a1ec6192f05f060584f45b4d3",title:"《漫步在記憶宮殿-古典吉他演奏家王牧群的藝術世界》"}],related:[],title:"Meander around the memory palace - Wang Muchun classical guitar racital",cover:"363f80aabe437121840e3bcc069c762c",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Texture of the musical piece was woven by the composer who gathered up the elemental essence spreading all over the world and life. As a performer representing the works on the stage, I stepped into the aesthetic sensitivity in various ways, drawing up with my specific character and expression to convey to audiences eventually. Decoding in different motif, audiences embrace their emotional perception associated from the life experience. The flying upward of art, filled up infinity, from the present to the oncoming future, from suspending to landing. Each scene is a journey. Embedding the commonality and enrichment in any moment we could stand still.
\n\n\n\n
Program
\n\nVariations sur "Folia de España" et Fugue by Manuel Maria Ponce
\n\nSuite e-moll BWV 996 by J.S.Bach
\n\nCavatina by Alexandre Tansman
\n\n\n\n
Creative and Production Team
\n\nPerformed|WANG Mu-Chun
\n\nRecord|WU Dong-Yan
\n\nStage director|FENG En-Ye
\n\n\n\n
\n',team:""},createdAt:1691486799,updatedAt:1691570178,updatedBy:"林蔚行",host:!1},{_id:"64d4b832b304460008c5cb25",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1698838200,discrete:[{time:1698838200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1500,2e3,2400],link:"https://www.opentix.life/event/1686643276537012225"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1693540800,end:4848998399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f49b046b208d6d1cd9735a5a01d1732e",title:"《福爾摩沙國際管風琴藝術節系列-余曉怡與Bogdan Narloch的華麗交鋒》"}],related:[],title:"《管風琴之魅-余曉怡與納洛赫的華麗交鋒》",cover:"e9838ea46aad0bb72a06db9938ef397f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
第一屆【福爾摩沙國際管風琴藝術節】以發現、創造、形塑、保存並且發揚臺灣的管風琴文化,【發現台灣管風琴之美】 為宗旨,透過臺灣在地管風琴藝術節的推動,活化地方教堂的美麗樂器與社區連結,也透過國際展演音樂文化交流,共同規劃與演出跨國管風琴節目,文化上的碰撞與激盪、創意與融合,累積屬於臺灣在地的文化軟實力。
\n\n\n\n
更多詳細資料,請參考OPENTIX。
\n\n\n\n
管風琴之魅-余曉怡(Hsiao-yi Yu)與納洛赫(Bogdan Narloch)的華麗交鋒
\n\n「衛武營擁有全亞洲最大管風琴搭配音樂廳精湛的音場設計,被譽為世界最適合演奏管風琴廳院之一。」
\n\n本場演出特別邀請波蘭知名管風琴家精心策劃並與臺灣當代指標性知名管風琴家余曉怡聯手帶來精彩演出。由納洛赫精心規劃獻給臺灣聽眾的獨特管風琴音樂會。音曲目涵蓋龐大且多樣化的風格,包含管風琴獨奏與四手四腳的二重奏,將為觀眾帶來嶄新的聽覺、視覺體驗。
\n\n上半場,歐洲巴洛克時期的作品,以最重要的三位藝術家為代表:約翰·塞巴斯蒂安·巴赫(J. S. Bach)、喬治·弗里德里克韓德爾(G. F. Händel)和安東尼奧·維瓦爾第(Antonio Vivaldi)。下半場以今年慶祝其150歲生日的馬克斯·雷格(Max Reger)的作品、波蘭裔美國作曲家菲利克斯·博羅夫斯基(Felix Borowski)的作品以及當代音樂家的作品,靈感來自傳統的愛爾蘭、法國、英國的歌曲與台灣民謠,將是一場充滿活力,並令人驚艷的音樂會。
\n\n\n\n
除了音樂作品外,音樂會也與工研院虛擬技術團隊合作,管風琴家余曉怡將虛擬化身成音樂天使,把原屬於聽覺層次的曲目刻印在視覺影像上,巧妙地融合歷史與未來,讓影像與音樂同步沉浸,為音樂會帶來新的科技體驗。
\n\n\n\n
演出曲目
\n\n巴赫(1685-1750): G小調幻想曲與賦格,作品 542與聖詠曲:《醒來吧!有聲音在呼喚我們》,作品 BWV 645
\n\n巴赫(1685-1750):D小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號, RV 565)
\n\n韓德爾(1685-1759):《歡慶》 (選自皇家煙火)
\n\n韓德爾(1685-1759):《哈雷路亞》 (選自彌賽亞)
\n\n儒利安·布雷特(*1974):《友好協約》
\n\n-中場休息-
\n\n馬克斯·雷格(1873-1916) :D 小調序奏與帕薩卡利亞舞曲
\n\n克里斯托弗·帕迪尼(1973) :《奇異恩典》觸技曲
\n\n菲利克斯·波羅斯基(1872-1956) :《冥想-輓歌》
\n\n斯韋雷·埃夫泰斯特(1952) :《雅茅斯美女》
\n\n吳沛綾(1993): 台灣歌謠《四月望雨》幻想曲(改編自鄧雨賢四季紅、雨夜花、望春風、月夜愁)
\n\n丹尼斯·貝達爾(1950) :小交響曲
\n\n\n\n
演出暨製作團隊
\n\n指導單位|文化部
\n\n協辦單位|工業技術研究院丶台北天和扶輪社
\n特別感謝公益贊助|台北華國大飯店、政大企家班第25屆、可樂旅遊
演出團隊
\n管風琴|余曉怡(Hsiao-yi Yu)、納洛赫 (Bogdan Narloch)
\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:1693540800,end:4848998399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f49b046b208d6d1cd9735a5a01d1732e",title:"《福爾摩沙國際管風琴藝術節系列-余曉怡與Bogdan Narloch的華麗交鋒》"}],related:[],title:"Organ Concert of Hsiao-Yi Yu and Bogdan Narloch",cover:"e9838ea46aad0bb72a06db9938ef397f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Formosa International Organ Festival, a unique festival to discover the beauty of Taiwan's pipe organ, will begin on 9/5 with a special exhibition about the history of pipe organs in Taiwan. The highlight will be the grand closing concert on 11/1, which will be held at the Concert Hall of National Kaohsiung Center for the Arts Weiwuying.
\n\nFestival Artistic Director Hsiao-yi Yu has invited Organist Bogdan Narloch, a renowned organist from Poland to jointly present an evening of extravagant organ music ranging from Baroque, classical as well as innovative modern pieces. Through this international exchange of musical journey, both performers will work together to present both solo and duet pieces on the biggest pipe organ in Asia. In addition, the partnership with the visual technology team of the Industrial Technology Research Institute will bring a unique brand new visual as well as listening experience to the audience in Kaohsiung, Taiwan!
\n\n\n\n
Program
\n\nJ. S. Bach (1685-1750): Fantasy and fuge in G minor BWV 542 & Choral prelude "Wachet auf, ruft uns die Stimme" BWV 645
\n\nJ. S. Bach (1685-1750): Concerto in D minor, BWV 596 (adapted from VIVALDI's Concerto in D minor, Op. 3, No. 11, RV 565)
\n\nG. F. Händel (1685-1759): La Réjouissance (From the Royal Fireworks, HWV 351)
\n\nG. F. Händel(1685-1759): Hallelujah (From The Messiah)
\n\nJulien Bret (*1974): "L'Entente Cordiale"
\n\n-Intermission-
\n\nM. Reger (1873-1916): Introduction and passacaglia in D minor
\n\nJ. Christopher Pardini (1973): Toccata on "Amazing Grace"
\n\nFelix Borowski (1872-1956): Méditation – Elégie
\n\nSverre Eftestol (1952): "The Yarmouth Belle"
\n\nPeilin Wu (1993): Fantasia of the Taiwanese Folk Song
\n\nDenis Bédard (1950): Sinfonietta
\n\n\n\n
Creative and Production Team
\n\nPatron|Ministry of Culture
\n\nCo-presenter|Industrial Technology Research Institute, Rotary Club of Taipei Tianhe
\n\nMajor Sponsor|Imperial Hotel Taipei, NCCU EMBA Class 25, Colatour
\n\nPerformers|Hsiao-yi Yu, Bogdan Narloch
\n\n\n\n
\n',team:""},createdAt:1691662386,updatedAt:1693885819,updatedBy:"林蔚行",host:!1},{_id:"64dae25f1771c4000af0a5f6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699684200,discrete:[{time:1699684200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200,1800,2100],link:"https://www.opentix.life/event/1663442810084007937"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7492865308b04b4b4f5bb8d0b827cb84",title:"《2023美國以立合唱團年度音樂會 「希望之光」 The Light of Hope Concert》"}],related:[],title:"《2023美國以立合唱團年度音樂會 「希望之光」 The Light of Hope Concert》",cover:"911d3a5c2305a648fa4d9681aa69b0ac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
本場音樂會由亭仔腳樂集主辦,邀請美國洛杉磯的以立合唱團以及知名小提琴家彭廣林集結一流好手的台北弦樂團共襄盛舉,由旅美指揮家楊子清與黃令先帶來大型合唱作品《希望之光》,期望以本作品安慰在疫情中受難的人們,並為他們帶來希望,以動人樂音撫慰每一位聽眾,用歌聲為這世上注入希望之光。另外還有黃令先改編之臺灣民謠,為節目增添色彩。同場演出威爾第《安魂曲》、《遊唱詩人》、《拿布果》和《阿依達》 等經典歌制合唱選曲。
\n\n\n\n
演出曲目
\n\n黃令先作曲/希望之光 ( 臺灣首演 )
\n\n黃令先改編臺灣民謠/花田心事、我的天啊!
\n\n威爾第/安魂曲選粹
\n\n威爾第/歌劇選粹
\n\n\n\n
演出暨製作團隊
\n\n以立合唱團
\n\n台北弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7492865308b04b4b4f5bb8d0b827cb84",title:"《2023美國以立合唱團年度音樂會 「希望之光」 The Light of Hope Concert》"}],related:[],title:"The Light of Hope Concert",cover:"911d3a5c2305a648fa4d9681aa69b0ac",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This concert is hosted by Arbour Performing Arts, they invited the Elite Chorus from Los Angeles, United States, and famous violinist, Professor Peng Guang-lin led Taipe Camerata. This concert will be conducted by Cliff Yang and Lynn Huang to perform large-scale choral work "The Light of Hope" by Lynn Huang. We hope that its performance will comfort and bring hope to the people suffering from the pandemic, soothe them with touching music, and inject the light of hope to the world. Our program also includes Taiwanese folk songs arranged by Lynn Huang and selected choruses from Verdi's "Requiem". "Il Trovatore". "Nabucco" and "Aida".
\n\n\n\n
Program
\n\nLynn Huang / The Light of Hope ( Taiwan Premiere )
\n\nLynn Huang arranged Taiwanese folk songs / Romance of Four Seasons、 Oh My God !
\n\nVerdi / Selections from Giuseppe Verdi's Requiem
\n\nVerdi / Selections from Giuseppe Verdi's Operas
\n\n\n\n
Creative and Production Team
\n\nPerformance unit|Elite Chorus、Taipei Camerata
\n\n\n\n
\n',team:""},createdAt:1692066399,updatedAt:1692349131,updatedBy:"林蔚行",host:!1},{_id:"64e32b96b40f7e0007e861a7",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699252200,discrete:[{time:1699252200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200,300,500,800,1e3,1200],link:"https://www.opentix.life/event/1691286685600186369"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c98c52203610a2e2dfc614baf00dc02f",title:"《中律樂揚~衛武營》"}],related:[],title:"《中律樂揚~衛武營》",cover:"501ace9a4b47a4efef591a3386f11975",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
臺中律師公會薩克斯風樂團成立迄今已15年,除了培養律師公會會員及眷屬之文藝氣息外,更積極熱心參與各項公益演出和活動,在歷任老師認真指導,及每位團員用心鑽研下,技巧日益純熟精湛。每每透過悠揚的樂聲,將音樂感動的力量帶入家庭及社會,深獲各界人士好評。
\n\n\n\n
演出曲目
\n\nCenturia《創世紀》、Japanese Graffiti XII《日本風情畫》
\n\nOmens of Love《愛的預兆》、Carmina Burana《布蘭詩歌》
\n\nDirait-on 、甜蜜、I Feel Pretty
\n\nPavane pour une infante definite《悼念公主的帕凡舞曲》
\n\nMoon River《月河》、Pequena Czarda《查爾達斯舞曲》
\n\n瑤族舞曲、讀你、恰似你的溫柔 、快樂天堂
\n\n\n\n
演出暨製作團隊
\n\n薩克斯風/指揮|王裕文
\n\n樂團|臺中律師公會薩克斯風樂團
\n\n合唱團|臺中一中媽媽聯誼會合唱團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c98c52203610a2e2dfc614baf00dc02f",title:"《中律樂揚~衛武營》"}],related:[],title:"Brilliant Saxophone Rhythm",cover:"501ace9a4b47a4efef591a3386f11975",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Taichung Bar Association Saxophone Ensemble has been established for 15 years. With the dedicated guidance of various instructors as well as the diligent efforts of all the members, they have excelled and become highly skilled.Through their melodious music, they bring the power of music to touch hearts of many people and make a positive impact on families and society, receiving high praise from people from all walks of life.We believe that the upcoming performance "Melodies of TCBA Saxophone Ensemble at Weiwuying" will bring a spectacular musical feast to the audience. We cordially invite everyone to come to the concert and enjoy a wonderful time.
\n\n\n\n
Program
\n\nCenturia、Japanese Graffiti XII、Omens of Love、Carmina Burana、Dirait-on、I Feel Pretty、Pavane pour une infante definite、Moon River、Pequena Czarda
\n\n\n\n
Creative and Production Team
\n\nCONDUCTOR|WANG Yu-Wen
\n\nENSEMBLE|TAICHUNG BAR ASSOCIATION SAXOPHONE ENSEMBLE
\n\nCOLLABOBATOR|TCFSH Mothers Choir
\n\n\n\n
\n',team:""},createdAt:1692609430,updatedAt:1693441170,updatedBy:"林蔚行",host:!1},{_id:"64e5bd9ed9b1410008ee4dcd",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1699079400,discrete:[{time:1699079400},{time:1699097400},{time:1699165800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1500,2e3,2500],link:"https://www.opentix.life/event/1686992454911926273"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d76a3069e13038e51cbe047943c26dab",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"f711ba42d72aa9b16781b144e1b5329d",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"f5f6991e6b8b2b87951eb6e2b58e1086",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"46bd5d34944b275569186647c479dd3d",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"}],related:[],title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇",cover:"a9842c9a94e33013080fa8b5892b0065",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
★「旋律非常優美,演員的演唱非常地精湛,值得我們一起走進劇場來細細品味。」— 故事工廠藝術總監 /黃致凱
\n\n★「為什麼現在才看到這麼精彩的作品。」—明星表演指導老師/陳金煌
\n\n★「徽因對生命的尊重、自由的信仰,都是典範的自由女性,她勇敢面對困難,與時代抗爭,就像是一道光,展現了明天的希望。」—演員、主持人/郭子乾
\n\n★「好享受的一場音樂的饗宴!」——唱歌集音樂劇場 團長/詹喆君
\n\n★「每個演員真的都很能唱,他們的歌聲渲染了這整個故事。」——躍演 藝術總監/曾慧誠
\n\n★「不管是調度、燈光、演員的表演、音樂的配合、它把美感發揮到一種極致的狀態」——刺點創作工坊 藝術總監、團長/高天恒
\n\n\n\n
臺韓合創跨國音樂劇,民國初年風華再現
\n\n廣藝劇場NO.5 《徽因》,全劇包含22首原創歌曲,以音樂劇形式重新詮釋「民國才女-林徽因」的生命故事。 全劇呈現出身處女性受壓抑的保守年代,林徽因卻似活在未來,前衛的思想及對永恆志業的追求,終讓她在建築、藝術及文學上有深遠的成就。
\n\n故事從她臨死前寫給生命中重要的人:人生啟蒙導師「金岳霖」、人生伴侶「梁思成」、靈感與創作的動力「徐志摩」,及重要作家好友「冰心」書信開始,道盡她的人生故事.....
\n\n\n\n
演出內容
\n\n\n\n
演出暨製作團隊
\n\n藝術總監|楊忠衡
\n\n總導演|徐在亨(韓)
\n\n編劇|韓雅凜(韓)
\n\n導演|韋以丞
\n\n音樂總監暨詞曲|張芯慈
\n\n領銜主演|陳品伶、李杏、蕭景鴻(阿弟)、周定緯、鍾政均
\n\n演員|王捷仟、王浩全、呂承祐、周宛怡、柯辰穎、張洪誠、張書閩、楊宗昇、廖志恒、謝雅兒。(依姓氏筆劃排列)
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d76a3069e13038e51cbe047943c26dab",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"f711ba42d72aa9b16781b144e1b5329d",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"f5f6991e6b8b2b87951eb6e2b58e1086",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"},{type:"image",key:"46bd5d34944b275569186647c479dd3d",title:"廣藝劇場NO.5《徽因》臺韓合創音樂劇"}],related:[],title:"Toward",cover:"a9842c9a94e33013080fa8b5892b0065",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
QAF's #5 play, Toward, consists of 22 original songs, reinterpreting Huiyin's life story in the form of a musical. In an era when women were suppressed, Lin Huiyin made remarkable achievements in architecture, art and literature. The play begins with her letters to her mentor Jin Yuelin, her love Liang Sicheng, her inspiration Xu Zhimo, and her writer friend Bing Xin before she died.
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|Mel Yang
\n\nChief Director|SEO Jae-Hyung
\n\nPlaywright, Lyricist|HAN A-Reum
\n\nDirector|WEI Yi-Cheng
\n\nMusic Director, Composer|CHANG Hsin-Tzu
\n\nLeading Casts|CHEN Pin-ling, LI Xing, HSIAO Ching-Hung, CHOU Ting-Wei, CHUNG Cheng-Chun, James WANG, WANG Hao-chuan, LU Cheng-yu, CHOU Wan-yi, KE Chen-ying, CHANG Hung-cheng, CHANG Shu-min, YANG Tsung-sheng, LIAO Jee-heng, TSE Nga-yi
\n\n\n\n
\n',team:""},createdAt:1692777886,updatedAt:1694078457,updatedBy:"林蔚行",host:!1},{_id:"64efd6f3b40f7e0007ec89ca",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701430200,discrete:[{time:1701430200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1200,1600,2e3],link:"https://www.opentix.life/event/1693516535431204864"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f60148178d55d8b2401fc177dddf415f",title:"《冷冽之焰》吳曜宇、陳毓襄與高雄市交響樂團"}],related:[],title:"《冷冽之焰》吳曜宇、陳毓襄與高雄市交響樂團",cover:"c4c727f05368a4a317229260bc310c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
貝桑頌國際大賽首獎指揮吳曜宇,擅長以細膩清晰的技巧演繹經典,帶出精湛詮釋,此次將首度指揮高雄市交響樂團。鋼琴家陳毓襄擁有超人琴藝及天才般的音樂詮釋力,曾勇奪「波哥雷里奇國際鋼琴大賽」桂冠殊榮,自此活躍於國際舞台迄今不懈。本場演出將以林姆斯基-高沙可夫的《俄羅斯復活節日序曲》火熱開場,接續普羅高菲夫的《C大調第三號鋼琴協奏曲》展現鋼琴家指力萬鈞的深厚內功,壓軸呈現拉赫曼尼諾夫的《E小調第二號交響曲》,帶領樂迷感受冷暖悲喜間的變化張力。
\n\n\n\n
演出曲目
\n\n林姆斯基-高沙可夫:俄羅斯復活節日序曲,作品36
\n\n普羅高菲夫:C大調第三號鋼琴協奏曲,作品26
\n\n拉赫曼尼諾夫:E小調第二號交響曲,作品27
\n\n\n\n
演出暨製作團隊
\n\n指揮|吳曜宇
\n\n鋼琴獨奏|陳毓襄
\n\n高雄市交響樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f60148178d55d8b2401fc177dddf415f",title:"《冷冽之焰》吳曜宇、陳毓襄與高雄市交響樂團"}],related:[],title:"Yao-yu WU & Gwhyneth CHEN & KSO",cover:"c4c727f05368a4a317229260bc310c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Taiwanese conductor Yao-yu WU is regarded as the most promising conductor in the young generation. WU's gifted talent has been appraised by numerous awards, including Besancon International Conducting Competition as well as Hong Kong International Conducting Competition. To our excitement, we also invite the reputable pianist Gwhyneth CHEN who has earned recognition from the legendary pianist Ivo Pogorelich for her talent as she is "too good to be true."
\nIn this much anticipated concert, we will be presenting Rimsky-Korsakov, Prokofiev, and Rachmaninoff - three Russian composers from different times, heralding and presenting well into the music of the 20th century.
\n\n
Program
\n\nN.Rimsky-Korsakov: Russian Easter Festival Overture, Op. 36
\n\nS.Prokofiev: Piano Concerto No. 3 in C Major, Op. 26
\n\nS.Rachmaninoff: Symphony No.2 in E Minor, Op. 27
\n\n\n\n
Creative and Production Team
\n\nConductor|Yao-yu WU
\n\nPiano|Gwhyneth CHEN
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
\n',team:""},createdAt:1693439731,updatedAt:1697449438,updatedBy:"林蔚行",host:!1},{_id:"64f1287bb40f7e0007ed855d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699770600,discrete:[{time:1699770600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500,800,1200,1800,2500],link:"https://www.opentix.life/event/1673951781828677633"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"847d9957d37ca44ac14ff54e1c3a9adf",title:"《提琴的新境界—寧峰 獨奏音樂會 2023 ATS台灣絃樂團 大師系列》"}],related:[],title:"《提琴的新境界—寧峰 獨奏音樂會 2023 ATS台灣絃樂團 大師系列》",cover:"6f907bac0579fcb851e0ba8e938418a2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
不論帕格尼尼身在何處
\n\n他與魔鬼交易的流言不曾停息過
\n\n獨樹一格的超高演奏技巧
\n\n開啟人們感官的新世界
\n\n人稱小提琴技巧的聖經《24首隨想曲》
\n\n更是跨越時代考驗著每位小提琴演奏家
\n\n\n\n
曾將巴赫、帕格尼尼、伊薩伊之無伴奏作品
\n\n設計一套獨奏會曲目,進行國際巡演的寧峰
\n\n今年將這套小提琴家必經之路的曲目帶來臺灣
\n\n\n\n
而在與台灣絃樂團的第三度合作中
\n\n將揭開寧峰的多種面貌
\n\n體認世上竟會有人
\n\n不論是什麼曲風
\n\n他都能如若自然、於刃有餘的駕馭
\n\n\n\n
提琴界的最高峰
\n\n將在今年11月重磅登場
\n\n您絕對不能錯過!
\n\n\n\n
演出曲目
\n\n巴赫:A小調第二號奏鳴曲,作品1003
\n\n巴赫:D小調第二號無伴奏組曲,作品1004,第五首—夏康舞曲
\n\n伊薩伊:A小調第二號奏鳴曲,作品27
\n\n伊薩伊:E大調第六號奏鳴曲,作品27
\n\n帕格尼尼:24首隨想曲,作品1,第一、四、五、七、九、十三、十四、十七、二十、二十一、 二十三、二十四首
\n\n\n\n
演出暨製作團隊
\n\n小提琴獨奏|寧峰
\n\n長期贊助|中保科技、林燈文教公益基金會、中興保全文教基金會
\n\n贊助單位|2023TAIWAN TOP演藝團隊、臺北市文化局、豪勉科技、彭以豪先生
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"847d9957d37ca44ac14ff54e1c3a9adf",title:"《提琴的新境界—寧峰 獨奏音樂會 2023 ATS台灣絃樂團 大師系列》"}],related:[],title:"NING Feng violin recital",cover:"6f907bac0579fcb851e0ba8e938418a2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
NING Feng is recognised internationally as an artist of great lyricism, innate musicality and stunning virtuosity. He performs across the globe with major orchestras and conductors, and in recital and chamber concerts in some of the most important international series and festivals.
\n\n\n\n
Program
\n\nJ. S Bach: Sonata No. 2 in A Minor, BWV 1003
\n\nJ. S Bach: Partita No. 2 in D Minor, BWV 1004 - V. Ciaconna
\n\nE. Ysaÿe: Sonata No. 2 in A Minor, Op. 27
\n\nE. Ysaÿe: Sonata No. 6 in E Major, Op. 27
\n\nN. Paganini: 24 Caprices for Solo Violin, Op. 1, No. 1, 4, 5, 7, 9, 13, 14, 17, 20, 21, 23, 24
\n\n\n\n
Creative and Production Team
\n\nViolin solo|NING Feng
\n\nLong-Term Sponsor|TAIWAN SECOM CO., LTD. , Lin-Teng Public Welfare, Culture and Education Foundation, TAIWAN SECOM Culture and Education Foundation
\n\nSponsor|2023 NCAF TAIWAN TOP Performing Arts Group, Department of Cultural Affairs, Taipei City Government, Hauman Technologies Corp., David PENG
\n\n\n\n
\n',team:""},createdAt:1693526139,updatedAt:1693893946,updatedBy:"林蔚行",host:!1},{_id:"64f5aa19b40f7e0007efcad6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699356600,discrete:[{time:1699356600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1200],link:"https://www.opentix.life/event/1694906021312696321"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b16a37006655c52edab25d1183f8c854",title:"《這是四重奏音樂會—就是要蕭斯塔科維契系列I》"}],related:[],title:"《這是四重奏音樂會—就是要蕭斯塔科維契系列I》",cover:"3eeed19d9a71cb8e2639f0af54e7f466",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「這是四重奏 This Quartet」是由四位國內外優秀提琴演奏家所組成,以推廣室內樂藝術為目標,將以「就是要蕭斯塔科維契 World DSCH」為主題於2023年展開系列巡迴,挑戰蕭斯塔科維契全本弦樂四重奏作品演出。DSCH是蕭斯塔科維契以自己姓名引伸出四個音名的音樂動機,本次演出的《第八號弦樂四重奏》,即可以發現該動機。此外也將安排演出舒伯特《第十四號弦樂四重奏》,以及愛沙尼亞作曲家阿福.佩爾特的《神學大全-給弦樂四重奏》等精彩作品,以饗樂迷。
\n\n\n\n
演出曲目
\n\n舒伯特:第14號弦樂四重奏「死與少女」,作品810
\n\n蕭斯塔高維契:C小調第八號弦樂四重奏,作品110
\n\n佩爾特:神學大全-給弦樂四重奏
\n\n\n\n
演出暨製作團隊
\n\n小提琴|列夫.索羅多夫尼可夫、 許軒豪
\n\n中提琴|鄭皓元
\n\n大提琴|柯源盛
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b16a37006655c52edab25d1183f8c854",title:"This Quartet Concert - World DSCH I"}],related:[],title:"This Quartet Concert - World DSCH I",cover:"3eeed19d9a71cb8e2639f0af54e7f466",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"This Quartet" is a chamber music ensemble composed of four outstanding violinists from both domestic and international backgrounds. Their goal is to promote the art of chamber music. In 2023, they will embark on a series of tours with the theme "World DSCH I" aiming to challenge the complete string quartet works of Dmitri Shostakovich. DSCH represents the musical motive derived from the four letters of Shostakovich's name, which can be found in their performance of the " String Quartet No. 8"In addition to Shostakovich's work, they will also include Franz Schubert "String Quartet No. 14" and Arvo Pärt " Summa - For String Quartet," a captivating composition by the Estonian composer, to delight music lovers.
\n\n\n\n
Program
\n\nFranz Schubert: String Quartet No. 14, D 810 "Death and the Maiden"
\n\nDmitry Shostakovich: String Quartet No. 8 in c minor, Op.110
\n\nArvo Pärt: Summa - for String Quartet
\n\n\n\n
Creative and Production Team
\n\nViolin|Lev Solodovnikov, Hsuan-Hao HSU
\n\nViola|Howard CHENG
\n\nCello|Arturo Costa
\n\n\n\n
\n',team:""},createdAt:1693821465,updatedAt:1694512704,updatedBy:"林蔚行",host:!1},{_id:"64f5ad54b40f7e0007efcb63",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700980200,discrete:[{time:1700980200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1696507410027577345"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"627457b56f803d05024d85d9eaa046ac",title:"《斜槓人生—江珮綺與斜槓醇弦之低音管五重奏》"}],related:[],title:"《斜槓人生—江珮綺與斜槓醇弦之低音管五重奏》",cover:"47d968a30e968b49bbc7e8b65a4d523e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
斜槓醇弦四重奏由四位同時在醫學領域及弦樂演奏都出類拔萃的醫聲室內樂團首席所組成,他們自2021年起推出了一系列斜槓人生音樂會。除了系列二及系列四的經典弦樂四重奏,還包括系列一鋼琴五重奏,系列三豎笛五重奏及系列五弦樂五重奏。2023年並在第一屆灣聲國際音樂大賽-弦樂四重奏大賽進入決賽獲得優選獎。此次系列六將帶來印象派大師拉威爾的F大調弦樂四重奏,並與低音管演奏家江珮綺醫師共同演出莫札特及格威尼斯·沃克兩首來自古典及美國近代的低音管協奏曲。
\n\n\n\n
演出曲目
\n\n莫札特:降B大調低音管協奏曲 作品編號191
\n\n沃克:給低音管與弦樂四重奏的協奏曲
\n\n拉威爾:F大調弦樂四重奏
\n\n\n\n
演出暨製作團隊
\n\n低音管|江珮綺
\n\n小提琴|張智欽、蕭浩明
\n\n中提琴|吳育弘
\n\n大提琴|鍾孝文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"627457b56f803d05024d85d9eaa046ac",title:"《斜槓人生—江珮綺與斜槓醇弦之低音管五重奏》"}],related:[],title:"Slashie Life /Pei-Chi Chiang and Mellow-Slashies SQ - Bassoon Quintet",cover:"47d968a30e968b49bbc7e8b65a4d523e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Mellow-Slashies String Quartet is composed by four friends working in medical fields and section principals in the Physician Chamber Orchestra of Taiwan. Their professional performance was highly appreciated and acclaimed in their previous five series concerts. In series 6, they will perform Ravel’s famous string quartet and two bassoon concertos by Mozart and Gwyneth Walker with young physician bassoonist Dr. Pei-Chi Chiang.
\n\n\n\n
Program
\n\nWolfgang Amadeus Mozart: Concerto for bassoon and orchestra K.191
\n\nGwyneth Walker: Concerto for bassoon and string quartet
\n\nMaurice Ravel: String Quartet in F Major
\n\n\n\n
Creative and Production Team
\n\nBassoon|Pei-Chi CHIANG
\n\nViolin|Kim CHANG、Herbert HSIAO
\n\nViola|Yu-Hung WU
\n\nCello|CHUNG Hsiao-Wen
\n\n\n',team:""},createdAt:1693822292,updatedAt:1697529286,updatedBy:"林蔚行",host:!1},{_id:"64f5b01ed9b1410008f55bc7",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1698838200,discrete:[{time:1698838200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,500],link:"https://www.opentix.life/event/1696513371608276993"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c03b70c7b543b6b9ffccd45331ecb09d",title:"《2023鍾家瑋鋼琴獨奏會-幽默》"}],related:[],title:"《2023鍾家瑋鋼琴獨奏會-幽默》",cover:"f3059c5b4171a64b4db7e71a1e0ffd0f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
在國內活躍演出的鋼琴家鍾家瑋,每年皆帶來不同的音樂會主題。今年以「幽默」為題貫穿整場演出,將引領聽眾玩味、品嚐古典音樂中的幽默!
\n\n音樂會上半場帶來艾曼紐巴赫有趣的C小調輪旋曲揭開本場音樂會的序幕,緊接著貝多芬及普羅高菲夫的作品。貝多芬以里基尼為主題進行的變奏曲集,對演奏者有著高深的技巧;普羅高菲夫之作品《諷刺》流露出一股獨特的韻味,將作曲家的怪誕風格抒發得淋漓盡致。下半場以德布西之經典作品《前奏曲》中選自兩首小曲,最後由舒曼的幽默曲作為音樂會的終曲。
\n\n鋼琴家鍾家瑋將以她溫柔細膩且獨具穿透的琴音呈現作曲家的心情故事,讓我們在2023秋天之際一同感受作曲家的絢爛音符。
\n\n\n\n
演出曲目
\n\n艾曼紐‧巴赫:C 小調輪旋曲,作品59之4
\n\n貝多芬:D大調24段《里基尼主題》變奏曲
\n\n普羅高菲夫:諷刺,作品17
\n\n德布西:2首前奏曲,《皮克威客卿禮讚》、《古怪的拉威奴將軍》
\n\n舒曼:幽默曲,作品20
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|鍾家瑋
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c03b70c7b543b6b9ffccd45331ecb09d",title:"《2023鍾家瑋鋼琴獨奏會-幽默》"}],related:[],title:"2023 Chia-Wei CHUNG Piano Recital—Humor",cover:"f3059c5b4171a64b4db7e71a1e0ffd0f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Pianist Chia-Wei CHUNG will weave the theme of "humor" throughout the entire concert, leading the audience to savor the humor in classical music! Selected works by Emmanuel Bach, Beethoven, Prokofiev, Debussy, and Schumann.
\n\n\n\n
Program
\n\nC. P. E. Bach: Rondo in C Minor Wq. 59, No. 4
\n\nL. van Beethoven: 24 Variations in D Major on "Venni Amore" by Righini, WoO 65
\n\nS. Prokofiev: Sarcasms Op. 17
\n\nC. Debussy:
\n"Hommage to Pickwick" from Preludes II
\n"General Lavine-eccentric" from Preludes II
R. Schumann: Humoresque Op. 20
\n\n\n\n
Creative and Production Team
\n\nPiano|Chia-Wei CHUNG
\n\n\n\n
\n',team:""},createdAt:1693823006,updatedAt:1697529256,updatedBy:"林蔚行",host:!1},{_id:"64f5b2ebd9b1410008f55c40",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1698924600,discrete:[{time:1698924600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700],link:"https://www.opentix.life/event/1689819370526216193"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2f17feeed5ea328291453443bae86344",title:"《Terzetto 4.0-三首六臂》"}],related:[],title:"《Terzetto 4.0-三首六臂》",cover:"412760be6b3d0b1d713cfc1d8a3771b1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
從2016年Terzetto成軍以來,三位對於音樂有著相同愛好與執著鋼琴家好朋友,以音樂為經、用熱情當緯,讓六隻穿梭在黑白鍵上的手,勾勒出明麗的圖像。此場全部以鋼琴六手聯彈的音樂會,藉由音樂的流轉與脈絡的爬梳,細細地與聽眾分享罕見三首六臂的表演組合與音樂。
\n\n\n\n
演出曲目
\n\n拉赫曼尼諾夫:為六手浪漫曲和圓舞曲
\n\n葛立特:六音的作品,作品192,第2-4首
\n\n莫札特/徹爾尼:費加洛婚禮序曲
\n\n韓德爾/徹爾尼:哈雷路亞
\n\n施密特:為六隻手的小組曲
\n\n哈斯爾/羅西尼:賽爾維亞理髮師序曲
\n\nWFE巴哈:三葉草
\n\n布朗:啊!媽媽,我想跟您說、月光
\n\n科尼克:為六隻手的三首小品
\n\n貝里尼/徹爾尼:諾瑪
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|林芳屹、林雅惠、陳子雲
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2f17feeed5ea328291453443bae86344",title:"《Terzetto 4.0-三首六臂》"}],related:[],title:"Terzetto 4.0-The Triune Tones",cover:"412760be6b3d0b1d713cfc1d8a3771b1",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Since 2016, Terzetto, a group of 3 pianists have performed in various concerts. They'll share the rare performance practice and music in great detail with the intricate context.
\n\n\n\n
Program
\n\nRachmaninov:Romance and Waltz for 6 hands
\n\nGurlitt:6 Tone Pieces, Op.192, No.2-4
\n\nMozart / Czerny:Overture from the Opera "Le Nozze di Figaro"
\n\nHandel / Czerny:Hallelujah Chorus
\n\nM.D.Smit:Petite Suite for six hands
\n\nHausser / Rossini:Overture from Barbier de Seville
\n\nW.F.E. Bach:Dreyblatt
\n\nA.Blanc:Ah! Vous Dirac-me maman,Clair de lune
\n\nMike Cornick:3 pieces for 6 hands
\n\nBellini / Czerny:Norma
\n\n\n\n
Creative and Production Team
\n\nPiano|Fang-I LIN, Ya-hui LIN, Tzu-Yun Maggie CHEN
\n\n\n\n
\n',team:""},createdAt:1693823723,updatedAt:1695347973,updatedBy:"林蔚行",host:!1},{_id:"64f7bafdd9b1410008f73d15",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1700739e3,discrete:[{time:1700739e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1050,1800,2100,2400,2700,3e3,3300,3600,3900,4200,4800,5200,6e3],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P09ND6IQ"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e60578be558a89ce6c386af6877d6de4",title:"《音樂大師 久石讓》"}],related:[],title:"《音樂大師 久石讓》",cover:"29ef7fe6fe0f4dafb45717c50b76dbaf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2023年11月23日(四)19:30於衛武營音樂廳演出之音樂大師 久石讓,因考量音樂家來臺演出曲目之豐富性,第一首曲目原為拉威爾:《達芙妮與克羅伊》第二號組曲,將改為拉威爾:《圓舞曲》,同時調整演出順序,造成您的不便敬請見諒!若您有任何疑慮,請於11/15(三)前私訊洽MNA客服專員為您服務,造成不便,敬請見諒。 \n\t\t\t | \n\t\t
\n\n
塑造無數童年夢想的音樂巨人、享譽全球的音樂大師久石讓。
\n\n身兼作曲家、編曲家、指揮家、鋼琴家。除了創造《龍貓》、《神隱少女》等膾炙人口的電影配樂,久石讓亦致力於古典音樂創作,樂種包括交響曲、協奏曲、弦樂四重奏,以及其他簡約主義樂曲。以當代音樂作曲家身分為古典音樂注入獨特內涵。對音樂永不止息的熱忱,持續感動全球無數樂迷。
\n\n\n\n
演出曲目
\n\n史特拉汶斯基:《彼得羅西卡》
\n\n拉威爾:《圓舞曲》
\n\n久石讓:《天空之城》交響組曲
\n\n\n\n
演出暨製作團隊
\n\n指揮|久石讓
\n\n樂團|國家交響樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e60578be558a89ce6c386af6877d6de4",title:"《音樂大師 久石讓》"}],related:[],title:"Joe Hisaishi Concert",cover:"29ef7fe6fe0f4dafb45717c50b76dbaf",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Program
\n\nIgor Stravinsky: Petrushka
\n\nJoe Hisaishi: Symphonic Suite "Castle in the Sky"
\n\n\n\n
Creative and Production Team
\n\nConductor|JOE HISAISHI
\n\nNational Symphony Orchestra
\n\n\n',team:""},createdAt:1693956861,updatedAt:1699861041,updatedBy:"林蔚行",host:!1},{_id:"64f81779b40f7e0007f031c0",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1701430200,discrete:[{time:1701430200},{time:1701498600},{time:1701516600},{time:1701585e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1500,2e3,2500,3e3,3500,5e3],link:"https://www.opentix.life/event/1618540555471704066"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ffeb989169b2510b7ed6ec9902023c78",title:"《人間條件八 - 凡人歌》"}],related:[],title:"《人間條件八 - 凡人歌》",cover:"f905a31b708d454b89b0803ef4d5bb32",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
吳念真導演全新作品
\n\n《人間條件八-凡人歌》
\n\n\n\n
凡人皆有苦,無非貪、嗔、痴。
\n\n明燦,68歲,從國營事業單位退休幾年了,孫子都已上國中了。
\n\n一直以來他跟家裡所有成員的溝通狀態並不是很好,基本上都保持著一種「禮貌對待」的平和狀態,但其實暗潮洶湧。
\n\n之前期待的「退休生活」經過一段時間的消磨之後,日子變得單調且重複,他一直覺得自己是一個不被尊重、不被需要甚至不被聆聽的人。
\n\n不知道從什麼時候開始,他會固定去買彩券,好像隱約有一種想像:只要手裡握有一份資產,他就會被尊重、被需要且被聆聽。
\n\n有一天,他發現自己是當期彩券的第一獎中獎者,獎額11億。
\n\n他在家裡的身份、地位好像真的改變了。但一個從谷底爬上來的人真的就被尊重、被需要且被聆聽了嗎?
\n\n\n\n
【人間條件系列-各界好評】
\n\n「所有人間條件故事中的主角都是凡人,其中的遺憾、挫折、衝突或傲慢等,都是我們每個人一生中經常經歷或觀察到的遭遇,但每一個人的生命故事都是非凡的。」——創意顧問 吳靜吉 博士
\n\n「這明明是一個虛構的故事,我卻看到淚流不止…彷彿看到了我的媽媽、我的姨婆、我的阿嬤、還有許許多多有著奇怪執著的各個長輩親友…有著人性的弱點也有人性的光輝。有時令人憤怒,更多時候令人疼惜…。」——導演 蔡銀娟
\n\n「國民戲劇需要製作,菁英創作也需要保育。我們需不需像綠光這樣的劇團製作這一的國民戲劇?當然需要。 誰能掌握永遠的真情人間? 吳念真」——劇評人、臺大戲劇系講師 傅裕惠
\n\n「如果,你在世俗無奈的人間一直感觸到下一代的心靈己逐漸離遠流去......那麼,找一個你最想親近卻又不親的人!一起去看吳念真導演的舞台劇吧!」——紀錄片導演 吳乙峰
\n\n\n\n
演出暨製作團隊
\n\n導演、編劇|吳念真
\n\n執行導演|吳定謙
\n\n製作|綠光創藝股份有限公司
\n\n演員|王琄、陳希聖、楊大正、林雨宣、青蛙
\n\n燈光設計|李俊餘
\n\n舞台設計|曾蘇銘
\n\n音樂設計|聶琳
\n\n服裝設計|陳玟良
\n\n舞台監督|鐘崇仁
\n\n舞台技術指導|李宏展
\n\n動作設計|朱宥琳
\n\n主視覺設計|許銘文
\n\nCF拍攝團隊|莊知耕
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ffeb989169b2510b7ed6ec9902023c78",title:"《人間條件八 - 凡人歌》"}],related:[],title:"Human Condition VIII",cover:"f905a31b708d454b89b0803ef4d5bb32",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Mingcan has been retired for several years. Life has become monotonous, repetitive, and lackluster. He consistently feels disrespected, unneeded, and unheard, that is the case. After the police cracked down on his adult massage parlor, his standing and position at home plummeted to rock bottom. However, one fateful day, the sound of firecrackers from a nearby lottery shop startles him, only to discover that he has become the fortunate winner of a staggering 1.1 billion jackpot. Suddenly, it appears that his status and position within his family have truly changed.
\n\n\n\n
Creative and Production Team
\n\nWritten / Directed by|WU Nien-jen
\n\nProduced by|Greenray Inno-Art Inc.
\n\nExecutive Director|Denny WU
\n\nPerformers|Wang Chuan, CHEN HSI-SHENG, Sam Yang, CRYSTAL LIN, Frog
\n\nLighting Design|LEE Chun-Yu
\n\nStage Design|ZENG Su-ming
\n\nMusic Design|NIEH Ling
\n\nCostume Design|Chen Wen-liang
\n\n\n\n
\n',team:""},createdAt:1693980537,updatedAt:1698743008,updatedBy:"林蔚行",host:!1},{_id:"64f83150b40f7e0007f0375f",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699097400,discrete:[{time:1699097400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,1200,1500,2400,3e3,3600,4200,4800,5400,6e3,6800,7200],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P0A36DAY"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5838115e8c8cc029ad172a9d094766c5",title:"Yo-Yo Ma & Kathryn Stott"}],related:[],title:"Yo-Yo Ma & Kathryn Stott",cover:"063f4cbfa0594a0e206e23a014f63991",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
回歸永恆經典,馬友友與凱瑟琳.史托特,以愛為名,獻演學院風範、層次迷人的法朗克A大調奏鳴曲,以及蕭士塔高維契結構恢弘、投注深情的D小調大提琴奏鳴曲;2023年11月4日高雄衛武營音樂廳,僅此一場,在最完美浪漫的古典二重奏中,探索無垠樂境!
\n\n\n\n
演出曲目
\n\n法朗克:A大調大提琴奏鳴曲
\n\n蕭士塔高維契:D小調大提琴奏鳴曲
\n\n生命讚歌Songs 佛瑞:搖籃曲,作品16 / 德弗札克:母親教我的歌 / 阿薩德:少年 / 布朗潔:讚歌 / 佛瑞:蝴蝶,作品77
\n\n無垠之境Infinity 帕特:鏡中鏡
\n\n\n\n
演出暨製作團隊
\n\n大提琴|馬友友
\n\n鋼琴|凱瑟琳
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5838115e8c8cc029ad172a9d094766c5",title:"Yo-Yo Ma & Kathryn Stott"}],related:[],title:"Yo-Yo Ma & Kathryn Stott",cover:"063f4cbfa0594a0e206e23a014f63991",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Yo-Yo MA and his long-time music partner Kathryn Stott are going to visit Kaohsiung to give a duo recital this November.
\n\n\n\n
Program
\n\nGABRIEL FAURÉ (1845-1924): Berceuse, Op. 16
\n\nANTONÍN DVOŘÁK (1841-1904): Songs My Mother Taught Me
\n\nSÉRGIO ASSAD (b. 1952): Menino
\n\nNADIA BOULANGER (1887-1979): Cantique
\n\nGABRIEL FAURÉ (1845-1924): Papillon, Op. 77
\n\nSHOSTAKOVICH (1906-1975): Sonata for Cello and Piano in D minor, Op. 40 DMITRI
\n\nAllegro non troppo
\n\nAllegro
\n\nLargo
\n\nAllegro
\n\nARVO PÄRT (b. 1935): Spiegel im Spiegel
\n\nCÉSAR FRANCK (1822-1890): Sonata in A Major for Cello and Piano
\n\nAllegretto; Moderato
\n\nAllegro
\n\nRecitativo – Fantasia
\n\nAllegretto poco mosso
\n\n\n\n
Creative and Production Team
\n\nCello|Yo-Yo Ma
\n\nPiano|Kathryn Stott
\n\n\n\n
\n',team:""},createdAt:1693987152,updatedAt:1696225568,updatedBy:"林蔚行",host:!1},{_id:"64f83646d9b1410008f75690",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1699011e3,discrete:[{time:1699011e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[3800,4800,5800,6800,7800,8800,9800,10800,12500],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P0ABFOMQ"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0ed26d36c8a8ba7b7e13e7147a370e5f",title:"Wiener Philharmoniker"}],related:[],title:"Wiener Philharmoniker",cover:"07d5e39c91e7981477672b0b315759b0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
維也納愛樂成立180年來,始終是所有音樂人最終極的嚮往。由維也納國家歌劇院樂團通過徵試、且待滿三年的成員,才得以加入維也納愛樂的行列。加上獨特的客席指揮制度,讓維也納愛樂始終維持著獨一無二的聲音與風格。無論從歷史、傳統,甚至組織結構來看,都是絕無僅有的,不僅是世界最頂級的優秀樂團,更是歐洲音樂文化的驕傲。
\n\n\n\n
演出曲目
\n\n聖桑:第二號鋼琴協奏曲,鋼琴:郎朗
\n\n布拉姆斯:第一號交響曲
\n\n\n\n
演出暨製作團隊
\n\n樂團|維也納愛樂
\n\n指揮|圖岡・索契夫
\n\n鋼琴|郎朗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0ed26d36c8a8ba7b7e13e7147a370e5f",title:"Wiener Philharmoniker"}],related:[],title:"Wiener Philharmoniker",cover:"07d5e39c91e7981477672b0b315759b0",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Since its establishment 180 years ago, the Vienna Philharmonic has always been the ultimate aspiration of all musicians. Only members of the Vienna State Opera Orchestra who have passed the audition and have stayed for three years are allowed to join the ranks of the Vienna Philharmonic. In terms of history, tradition, and even organizational structure, it is unique. It is not only the world's top orchestra, but also the pride of European culture.
\n\n\n\n
Program
\n\nSaint-Saëns: Piano Concerto No.2 in G minor, Op.22, Piano: Lang Lang
\n\nBrahms: Symphony No. 1 in C minor, Op. 68
\n\n\n\n
Creative and Production Team
\n\nOrchestra|Wiener Philharmoniker
\n\nConductor|Tugan Sokhiev
\n\nPiano|Lang Lang
\n\n\n',team:""},createdAt:1693988422,updatedAt:1698994728,updatedBy:"林蔚行",host:!1},{_id:"64f83e4ad9b1410008f75848",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700825400,discrete:[{time:1700825400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,625,900,1e3,1050,1150,1250,1500,1800,2100,2300,2500,2700,2900,3600],link:"https://ticket.mna.com.tw/UTK0101_?gclid=EAIaIQobChMIsMughNiagQMV9ssWBR2Y7gYREAAYASAAEgKjpfD_BwE"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d3f7143def01ce2d4a6efbcdcd565321",title:"Seong-Jin Cho Piano Recital"}],related:[],title:"Seong-Jin Cho Piano Recital",cover:"5cce28787f1a287a9d48c704deb41e1a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「這世代有許多技巧卓越的鋼琴家,但是能稱之為鋼琴詩人的少之又少,趙成珍就是珍稀的一位。」指揮大師 拉圖爵士
\n
\n2023年,趙成珍持續寫歷史✍。
\n
\n薩爾茲堡音樂節首演,重返金色大廳,重返BBC Proms,與北美五大芝加哥交響、克里夫蘭管弦首次合作,再度受邀與柏林愛樂和佩克連科大師展開亞洲巡演……更不用說拉圖、尼爾森斯、聶澤-賽金大師和LSO、波士頓交響、費城管弦、大都會歌劇院管弦樂團的頻繁合作,以及繼續開拓曲目的全球獨奏行程。
\n
\n他可以鋒芒盡顯,卻更低調嚴謹;他炙手可熱,音樂之路卻更內斂穩健——「已然是一位大師」華爾街日報盛讚這位尚未而立之年的鋼琴家。
\n
\n今年11月,趙成珍將於臺北、高雄獻上全新曲目——包括拉威爾致敬海頓以他之名H-A-Y-D-N為主題的小步舞曲,及他深具創新炫技、印象色彩的《鏡》五首作品,下半場更帶來李斯特《巡禮之年》第二年:義大利最後四曲《佩托拉克三首十四行詩》與《但丁詩篇讀後感》。
\n\n
演出曲目
\n\n海頓:E小調第五十三號鋼琴奏鳴曲,作品 Hob.XVI:34
\n\n拉威爾:以海頓為名的小步舞曲
\n\n拉威爾:《鏡》
\n\n莫札特《b小調慢板》K.540
\n\n李斯特:《佩脫拉克三首十四行詩-第47、104、123號》選自《巡禮之年》第二年:義大利 S.161
\n\n李斯特:《但丁詩篇讀後感-奏鳴曲風幻想曲》選自《巡禮之年》第二年:義大利 S.161
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|趙成珍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d3f7143def01ce2d4a6efbcdcd565321",title:"Seong-Jin Cho Piano Recital"}],related:[],title:"Seong-Jin Cho Piano Recital",cover:"5cce28787f1a287a9d48c704deb41e1a",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Cho is a master. He displayed an impressive variety of tonal colors and remarkable technique, dispatched with jaw-dropping panache. He had something to say and communicated it well.——THE WALL STREET JOURNAL
\n\n\n\n
Program
\n\nHaydn: Piano Sonata in E minor, Hob. XVI/34
\n\nM. Ravel: Menuet sur le nom de Haydn
\n\nM. Ravel: Miroirs
\n\nMozart: Adagio K.540
\n\nLiszt: Petrarca Sonette 47, 104, 123 (from Années de Pèlerinage Deuxième année: "Italie" S. 161)
\n\nLiszt: Après une lecture du
\n\nDante: Fantasia quasi Sonata (from Années de Pèlerinage Deuxième année: "Italie" S. 161)
\n\n\n\n
Creative and Production Team
\n\nPiano|Seong-Jin Cho
\n\n\n\n
\n',team:""},createdAt:1693990474,updatedAt:1696225579,updatedBy:"林蔚行",host:!1},{_id:"64f98ecbd9b1410008f79094",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699702200,discrete:[{time:1699702200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1694630446673137665"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"18638d74c90752aa99533952a0796991",title:"《鄞蔚婷2023鋼琴獨奏會》"}],related:[],title:"《鄞蔚婷2023鋼琴獨奏會》",cover:"b9baa4f3c00752d5c631c5e6f7cf4ecf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
有別於2022年的曲目特色,2023年的套曲及舞曲,係作曲家運用曲式與和聲的變化,呈現出其獨特的思維與豐富的想像力。演出曲目有舒曼《狂歡節》作品九、蕭邦《降A大調幻想波蘭舞曲》作品六十一、蕭邦《馬祖卡風格輪旋曲》作品五、拉威爾《為已逝公主的孔雀舞曲》、拉威爾《圓舞曲》。上半場的套曲,既有各小曲的獨立性,又彼此緊密連結;下半場的舞曲,各有其獨特的曲風與創意,皆能跳脫曲式原有框架,突顯其內容的豐富性及變化性,賦予舊曲式新的活力。
\n\n\n\n
演出曲目
\n\n舒曼 :《狂歡節》,作品九
\n\n蕭邦 :《降A大調幻想波蘭舞曲》,作品六十一
\n\n蕭邦 :《馬祖卡風格輪旋曲》,作品五
\n\n拉威爾 :《為已逝公主的孔雀舞曲》
\n\n拉威爾 :《圓舞曲》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|鄞蔚婷
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"18638d74c90752aa99533952a0796991",title:"《鄞蔚婷2023鋼琴獨奏會》"}],related:[],title:"2023 Wei-Ting Yin Piano Recital",cover:"b9baa4f3c00752d5c631c5e6f7cf4ecf",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Wei-Ting Yin received her Doctor of Musical Art from the University of Cincinnati College-Conservatory of Music. She is an active performer of solo and chamber music, and is also a prizewinner of several competitions. For this recital, Wei-Ting Yin will perform R. Schumann : Carnaval, Op. 9, F. Chopin : Polonaise-Fantasie in A-flat major, Op. 61, F. Chopin: Rondo à la mazur in F major, Op. 5, M. Ravel : Pavane pour une infante défunte and M. Ravel: La Valse.
\n\n\n\n
Program
\n\nR. Schumann : Carnaval, Op. 9
\n\nF. Chopin : Polonaise-Fantasie in A-flat major, Op. 61
\n\nF. Chopin : Rondo à la mazur in F major, Op. 5
\n\nM. Ravel : Pavane pour une infante défunte
\n\nM. Ravel: La Valse
\n\n\n\n
Creative and Production Team
\n\nPiano|YIN Wei-Ting
\n\n\n\n
\n',team:""},createdAt:1694076619,updatedAt:1695005842,updatedBy:"林蔚行",host:!1},{_id:"64fad64dd9b1410008f7c7c9",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699097400,discrete:[{time:1699097400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800],link:"https://www.opentix.life/event/1693992666039672833"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6c113ce1c0337e0181540bf0edb22d46",title:"《頂尖對決VII》2023陳冠宇& 陳文婉雙鋼琴音樂會"}],related:[],title:"《頂尖對決VII》2023陳冠宇& 陳文婉雙鋼琴音樂會",cover:"150d78d76a388777c911570baf700477",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
頂尖對決VII延續了2022 年陳冠宇與陳文婉兩位鋼琴家精彩的雙鋼琴音樂會;這次融合了多首現代作品,呈現一系列極富魅力的節目。曲目內容有Barber Souvenirs、Lutosławski Variations on a Theme by Paganini以及Chopin Rondo,Rosenblatt和Anderson的Carmen Fantasy。首先,Barber Souvenirs Op. 28。這是一部由六個小品組成的組曲,每個小品都獨具特色,展現了Barber作曲風格的多樣性,透過雙鋼琴的結合,帶領觀眾進入具有活力、充滿歡樂的舞曲節奏感官空間。接著是Lutosławski的Variations on a Theme by Paganini。這部作品是以Paganini著名的主題所創作的變奏曲。陳冠宇與陳文婉將通過他們的技巧和敏感度,呈現出令人驚艷的豐富和聲和旋律變化。Chopin Rondo,一首充滿浪漫情感的樂曲,通過雙鋼琴的交織和對話,將觀眾帶入浪漫的情境。最後是Rosenblatt和Anderson改編的《Carmen Fantasy》,這是Bizet著名歌劇《卡門》的改編曲。這2首曲目將展現陳冠宇與陳文婉卓越的技巧和絕佳的默契,融合了雙鋼琴的豐富聲響,呈現精彩絕倫的演出。
\n\n陳冠宇與陳文婉的雙鋼琴音樂會將為觀眾帶來一場音樂盛宴,充滿技巧和情感的演奏讓您沉浸在美好的音樂世界裡。
\n\n\n\n
演出曲目
\n\n巴伯:紀念品,給四手聯彈的芭蕾舞組曲,作品28
\n\n蕭邦:C大調雙鋼琴輪旋曲,作品73
\n\n盧托斯瓦夫斯基:給雙鋼琴的帕格尼尼主題與變奏曲
\n\n瓜斯塔諾維:給雙鋼琴的三首阿根廷浪漫曲
\n\n比才/羅森布拉特:給雙鋼琴的卡門幻想曲
\n\n比才/安德森:給雙鋼琴的卡門幻想曲
\n\n\n\n
演出人員
\n\n鋼琴|陳冠宇
\n\n鋼琴|陳文婉
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6c113ce1c0337e0181540bf0edb22d46",title:"《頂尖對決VII》2023陳冠宇& 陳文婉雙鋼琴音樂會"}],related:[],title:"The Prestige VII",cover:"150d78d76a388777c911570baf700477",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Two renowned pianists are devoted to promoting piano duo music and have collaborated many times to perform classic piano duo pieces, receiving enthusiastic responses for their superb skills. It is hoped that through the pianists' performances, the audience will be provided with diverse piano music experiences.
\n\n\n\n
Program
\n\nS. Barber:Souvenirs Ballet Suite Op. 28 for One Piano Four Hands
\n\nF. Chopin:Rondo in C Major for Two Pianos, Op. 73 posth
\n\nW. Lutoslawski:Variations on a Theme by Paganini for Two Pianos
\n\nC. Guastavino:Tres Romances Argentinos for Two Pianos
\n\nG. Bizet/A. Rosenblatt:Carmen Fantasy for Two Pianos
\n\nG. Bizet/G. Anderson:Carmen Fantasy for Two Pianos
\n\n\n\n
Creative and Production Team
\n\nPiano|Eric Chen
\n\nPiano|Emily Chen
\n\n\n\n
\n',team:""},createdAt:1694160461,updatedAt:1697708681,updatedBy:"林蔚行",host:!1},{_id:"6507fe3fd9b1410008fabedd",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1701171e3,discrete:[{time:1701171e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1e3],link:"https://www.opentix.life/event/1699624396547506176"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"10b93104668e8157d1c75965ccc67d9b",title:"2023詠嘆調大提琴四重奏秋季巡演《Serenade小夜曲》"}],related:[],title:"2023詠嘆調大提琴四重奏秋季巡演《Serenade小夜曲》",cover:"57f018a07bc5599c881a7e694cbb53f8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
「詠嘆調大提琴四重奏(Aria Cello Quartet)」
\n\n由四位留德的年輕大提琴家組成。多年前,四人前後與德勒斯登國家歌劇院大提琴首席Nobert Anger的門下學習過大提琴,回臺後因一場邀演相遇,聲音及想法一拍即合,當下決定成立四重奏,以經典樂曲出發,呈現大提琴重奏的絕美風貌。
\n\n「詠嘆調大提琴四重奏」2022年首次在高雄、臺南、臺中以及臺北巡演,除經典四重奏外,與客席大提琴獨奏家—劉姝嫥教授—攜手合作協奏曲,獲得熱烈迴響。四位大提琴家積極尋找不同風格音樂,期盼能在第二次巡迴演出以柴可夫斯基C大調小夜曲為主軸帶來不同的主題,分享給喜愛大提琴的愛樂者,並感受其對於四把大提琴合作的美的追求。
\n\n\n\n
演出曲目
\n\n葛利格:霍爾堡組曲,第二樂章〈薩拉邦德舞曲〉
\n\n奧芬巴赫:《賈桂琳的眼淚》
\n\n韓德爾:薩拉邦德舞曲
\n\n威廉.費森海根:聖母頌
\n\n舒曼:夢幻曲
\n\n穆索斯基:展覽會之畫(選曲)
\n\n柴可夫斯基:C大調小夜曲
\n\n\n\n
演出暨製作團隊
\n\n大提琴︱周尚樺、葉書瑋、邱奕勳、廖致雅
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"10b93104668e8157d1c75965ccc67d9b",title:"2023詠嘆調大提琴四重奏秋季巡演《Serenade小夜曲》"}],related:[],title:"2023 ARIA Cello Quartet Concert",cover:"57f018a07bc5599c881a7e694cbb53f8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
"ARIA Cello Quartet" had its inaugural tour in 2022, receiving enthusiastic responses. The four cellists actively sought diverse musical styles, hoping to bring forth distinct themes in their second tour performance, "Serenade," and share them with cello enthusiasts. Through this, they aimed to capture the beauty of collaborative pursuit among the four cellos' harmonious cooperation."
\n\n\n\n
Program
\n\nEdvard Grieg: Holberg Suite, Op. 40: II. Sarabande
\n\nJacques Offenbach: Les larmes de Jacqueline
\n\nGeorge Frideric Handel: Sarabande
\n\nWilhelm Fitzenhagen : Ave Maria, Op.41
\n\nRobert Schumann: Träumerei
\n\nModest Mussorgsky: Pictures at an Exhibition (excerpt)
\n\nPyotr Ilyich Tchaikovsky : Serenade for Strings in C Major, Op.48
\n\n\n\n
Creative and Production Team
\n\nCello︱CHOU Shang-Hua, CHIU Yi-Hsun, YEH Shu-Wei, LIAO Chih-Ya
\n\n\n\n
\n',team:""},createdAt:1695022655,updatedAt:1699860218,updatedBy:"林蔚行",host:!1},{_id:"650ad4a5d9b1410008fb331a",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700566200,discrete:[{time:1700566200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,1800,2200,2500],link:"https://www.opentix.life/event/1702233885203619841"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6104b390c31d2caf683ad1e008f22dc1",title:"《爆肚二人組—義大利鋼琴小提琴幽默音樂會》"}],related:[],title:"「節目異動」《爆肚二人組—義大利鋼琴小提琴幽默音樂會》",cover:"3c24f765771843e37c0130fa4cd3d836",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2023年11月21日(二)19:30於衛武營音樂廳演出之《爆肚二人組—義大利鋼琴小提琴幽默音樂會》,因曲目編排調整,故本節目演出內容有所異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
「配合得非常默契,堪稱是天衣無縫。這樣把古典的多樣性演繹出來的表演,實在無法抗拒。」——Lub Radio廣播電臺
\n\n「幽默中的諷刺和調侃,實在太微妙,太到位。」——Grapevine新媒集團
\n\n「這是一個將音樂與肢體成功融合的表演,其中的幽默化解掉了古典音樂中的嚴肅。這種創新的演出形式,使古典音樂反而可以更為廣泛地被大家所接受。」——盧卡音樂報
\n\n\n\n
爆肚二人組由小提琴家布萊德·拉普和鋼琴家艾爾多·堅提列奇組成。爆肚的演出打破了傳統音樂會形式,除了旋律優美的音樂及精湛的演奏技巧,還結合肢體互動及戲劇幽默,將音樂與表演成功融合,讓人捧腹大笑。這種將幽默詼諧巧妙融入古典音樂的創新表演,讓人們可以更輕鬆自在地欣賞古典音樂。2004年Duo Baldo爆肚跨界二重奏首次亮相是與義大利男高音安德列‧波伽利Andrea Bocelli的同台演出,隨後來自各地的邀約與獎項紛湧而至。
\n\n\n\n
演出曲目
\n\n克萊斯勒:普亞尼風格的前奏曲及快板
\n\n巴爾托克:羅馬尼亞民族舞曲
\n\n拉威爾:哈巴涅拉形式的聲樂練習曲
\n\n布拉姆斯:匈牙利舞曲第五號(約瑟夫·姚阿幸改編)
\n\n巴赫:〈基格舞曲〉選自第二號D小調小提琴無伴奏組曲,作品1004
\n\n韋瓦第:四季小提琴協奏曲《秋》
\n\n普羅高菲夫:〈進行曲〉選自歌劇《三個橘子之戀》,作品33
\n\n克萊斯勒:中國花鼓,作品3
\n\n克羅爾:班鳩琴與小提琴
\n\n\n\n
演出暨製作團隊
\n\n小提琴|布萊德·拉普
\n\n鋼琴|艾爾多·堅提列奇
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6104b390c31d2caf683ad1e008f22dc1",title:"《爆肚二人組—義大利鋼琴小提琴幽默音樂會》"}],related:[],title:"(Program changed) Duo Baldo",cover:"3c24f765771843e37c0130fa4cd3d836",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-2-82875608. | \n\t\t
\n\n
Duo Baldo consists of violinist Brad Rapp and pianist Eldo Gentilech. Duo Baldo has its unique performing style. In addition to melodic music and superb performance skills, it also combined physical interaction and dramatic humor to successfully integrate music and performance, making people laugh out loud. This kind of innovative performance makes the appreciation of classical music not so serious any more. In 2004, Duo Baldo debuted on the same stage with the Italian famous tenor Andrea Bocelli, and then got a lot of invitations and awards from all over the world.
\n\n\n\n
Program
\n\nFritz Kreisler:Praeludium and Allegro 'in the Style of Pugnani'
\n\nBéla Bartók:Romanian Folk Dances
\n\nJohannes Brahms:Hungarian Dance No.5 (arr. Joseph Joachim)
\n\nAntonio Vivaldi:"Autumn" Violin Concerto in F major, RV 293, 1st mvt.
\n\nPablo de Sarasate:Spanish Dances, Op.21 n. 1 Malagueña
\n\nMaurice Ravel:Vocalise-étude en forme de Habanera
\n\nFritz Kreisler:Tambourin Chinois, Op.3
\n\nWilliam Kroll:Banjo and Fiddle
\n\n\n\n
Creative and Production Team
\n\nViolin|Brad Repp
\n\nPiano|Aldo Gentileschi
\n\n\n\n
\n',team:""},createdAt:1695208613,updatedAt:1699325248,updatedBy:"林蔚行",host:!1},{_id:"650e47c8d9b1410008fbb8ea",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1699615800,discrete:[{time:1699615800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1200],link:"https://www.opentix.life/event/1702536544875286528"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"119ba73d4849a66084e6a48a6647a669",title:"對位精緻室內樂系列《童年繪本&緣》"}],related:[],title:"對位精緻室內樂系列《童年繪本》",cover:"005a4a92efd7ed06dde5833f881a104b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t 票價異動公告: \n\n\t\t\t2023年11月10日(五)19:30於衛武營表演廳演出之對位精緻室內樂系列《童年繪本》,票價原為400元、800元、1000元、1100元、1500元,現更改為400元、600元、800元、1200元。造成不便,尚祈見諒。 \n\t\t\t | \n\t\t
\n\n
一場充滿回憶之旅,各自闡述內心不同層次的感受!
\n\n國藝會Taiwan Top演藝團隊對位室內樂團,此次演出英國20世紀極具代表性的作曲家布瑞頓,表現赤子之心的《純粹交響曲》,以及描述童稚世界心靈感動的《彩畫集》為男高音與弦樂團,男高音由與樂團合作多年的林健吉擔任演出,唱出詩人韓波以孩童視角描寫的繽紛世界。另委託國人作曲家應廣儀老師創作作品《緣》為低音管與弦樂團,由樂團低音管首席演奏家熊芷羚擔任獨奏,與弦樂團在作品中探索緣分之妙,一同感受緣起與緣滅。
\n\n\n\n
演前導聆
\n\n主講人:程致彤
\n\n時間:2023/11/10(五)19:00
\n\n地點:衛武營表演廳
\n\n※憑本場演出票券入場參加導聆
\n\n\n\n
演出曲目
\n\n應廣儀:《緣》-給低音管獨奏和弦樂團(委託創作)
\n\n班傑明.布瑞頓:《純粹交響曲》,作品4
\n\n班傑明.布瑞頓:《彩畫集》聯篇歌曲,為男高音與弦樂團
\n\n\n\n
演出暨製作團隊
\n\n演出團隊|對位室內樂團
\n\n客席男高音|林健吉
\n\n客席低音管|熊芷羚
\n\n藝術總監|梁孔玲
\n\n樂團首席|林佳霖
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"119ba73d4849a66084e6a48a6647a669",title:"對位精緻室內樂系列《童年繪本&緣》"}],related:[],title:"Counterpoint Ensemble",cover:"005a4a92efd7ed06dde5833f881a104b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Counterpoint Ensemble, the renowned Taiwan Top performing arts group selected by NCAF, along with longtime collaborating musicians, Tenor Claude LIN, and bassoonist Janie SHIUNG, will perform works by British composer Britten and Taiwanese composer YING Kwang-I in this concert, allowing the audience to experience the enchantment of childlike wonder and serendipity.
\n\n\n\n
Program
\n\nBenjamin Britten : Simple Symphony, Op. 4
\n\nBenjamin Britten: Les Illuminations, Op. 18
\n\n\n\n
Creative and Production Team
\n\nPerformance|Counterpoint Ensemble
\n\nArtistic Director|LIANG Kung-Ling
\n\nConcertmaster|Bonnie LIN
\n\nTenor Solo|Claude LIN
\n\nBassoon Solo|Janie SHIUNG
\n\n\n\n
\n',team:""},createdAt:1695434696,updatedAt:1699003558,updatedBy:"林蔚行",host:!1},{_id:"6513cb7c1305b60008c3437d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1700739e3,discrete:[{time:1700739e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=P0ACO58W"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6228433fa4f4e3869b37e11ac9189e4",title:"《Aquarelle鋼琴三重奏室內樂音樂會》"}],related:[],title:"《Aquarelle鋼琴三重奏室內樂音樂會》",cover:"31256aa548acaac5a8c146a068c69c3d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Aquarelle 鋼琴三重奏音樂會,將以海頓、德步西、普朗克與戈貝爾的室內樂作品,幽默的曲風與層次豐富的音樂語言,巧妙的呈現了現場音樂會樂器對話的有趣情景。最後,選自阿根廷探戈大師皮耶左拉「布宜諾斯艾利斯的四季」作品裡的秋,帶領聽眾體驗南美洲熱情艷麗的秋日風情。
\n\n\n\n
演出曲目
\n\n海頓:G大調鋼琴三重奏,作品39
\n\n普朗克:鋼琴三重奏,作品43
\n\n高貝爾:三幅水彩畫
\n\n德布西:G大調鋼琴三重奏
\n\n皮耶佐拉:鋼琴三重奏-秋(選自布宜諾斯艾利斯的四季)
\n\n\n\n
演出暨製作團隊
\n\n長笛|呂承祐
\n\n大提琴|黃品潔
\n\n鋼琴|陳育志
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c6228433fa4f4e3869b37e11ac9189e4",title:"《Aquarelle鋼琴三重奏室內樂音樂會》"}],related:[],title:"Aquarelle Piano Trio ",cover:"31256aa548acaac5a8c146a068c69c3d",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
'Aquarelle' Piano Trio Concert is trying to take action to show love and respect to the environment and society. The piano trio unites pianist Üji Chen, cellist Snoopy Huang and flautist York Lu. Through Gaubert's Trois Aquarelles, Debussy's Piano Trio in G Major and Poulenc's Piano Trio, FP 43, they will bring the audience to stroll in the beauty of nature.
\n\n\n\n
Program
\n\nJ. Haydn: Piano Trio in G major, No.39
\n\nF. Poulenc: Piano Trio, FP 43
\n\nP. Gaubert: Trois Aquarelles
\n\nC. Debussy: Piano Trio in G Major
\n\nA. Piazzolla: Four Seasons Piano Trio (Autumn)
\n\n\n\n
Creative and Production Team
\n\nFlute|York Lu
\n\nCello|PingChieh Huang
\n\nPiano|Üji Chen
\n\n\n\n
\n',team:""},createdAt:1695796092,updatedAt:1696239132,updatedBy:"林蔚行",host:!1},{_id:"6513d5d41305b60008c34541",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635"],dateTime:{first:1701498600,discrete:[{time:1701498600},{time:1701585e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1e3,1400,1800,2200,2600,3e3,3500],link:"https://www.opentix.life/event/1701497219385958401"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51d9cedf7a82129144418e428d82b0a6",title:"音樂劇《熱帶天使》"}],related:[],title:"音樂劇《熱帶天使》",cover:"11928b6e96970f4d23b038fe576b3354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
演出內容包含戰爭、慰安婦議題,建議12歲以上觀眾觀賞,12歲以下請由家長引導與陪同中。
\n\t中、台語發音,中文字幕。
\n\t改編自文學大師陳千武經典小說集《獵女犯》
\n\n二次大戰南洋戰爭 實地回憶小說
\n\n\n\n
戰爭,讓他們在熱帶島嶼相遇;活著,將我們的故事繼續傳下去。
\n\n仰望天邊閃爍的南十字星,流著淚也要奮力唱出「活著的證明」。
\n\n\n\n
《熱帶天使》改編自文學大師陳千武經典小說集《獵女犯》,為歌劇院駐館藝術家林孟寰於駐館2年期間慢工細活打造之作品。故事描述臺籍青年林逸平二戰期間被日軍徵召,隻身前往南洋戰場,卻意外和慰安婦賴莎琳相遇;兩人身分立場尷尬,林逸平以故鄉的花生糖,與她交換故事,逐漸產生出曖昧情愫;在軍中,林逸平被日本軍官松永支配,受制於軍國威權統治,他仍奮力捍衛自我身分;當戰火漸趨白熱化的前夕,兩人相約在戰爭結束後也要努力活著,不料卻突然傳來天皇宣布戰敗的廣播,緊繃的情緒瞬間化為一片空虛……
\n\n\n\n
無法擺脫的死亡陰影、強權下的身分認同、對生存的卑微希望、戰火中的人性面貌,在熱帶島嶼譜出了對命運、救贖和承諾的悲鳴曲,當仰望天邊閃爍的南十字星,他們流著淚也要唱出「活著的證明」。
\n\n\n\n
演出暨製作團隊
\n\n\n\n
【主創名單】
\n\n藝術總監暨作曲|雷昇
\n\n導演暨編劇|林孟寰(大資)
\n\n副導演暨動作設計|李羿璇(青青)
\n\n作詞|林孟寰、MC JJ、雷昇
\n\n音樂總監暨樂團指揮|郭孟玫
\n\n編曲配器|邱沁瑜(Emily Chiu)
\n\n舞台設計|劉達倫
\n\n燈光設計|鄧振威
\n\n影像設計|徐逸君
\n\n服裝設計|林秉豪、吳映叡
\n\n音效設計|卓士堯
\n\n音場設計|蔡鴻霖
\n\n腔調設計|林瑞崐
\n\n表演指導|姚坤君
\n\n歌唱指導|魏世芬
\n\n臺語指導|黃郁盛、周浚鵬
\n\n影像製作|六角創藝
\n\n\n\n
【演員名單】
\n作家|楊烈
\n林逸平|于浩威
\n賴莎琳|何冠儀
\n松永|葉文豪
\n安子|林姿吟
\n雪子|辰亞御
\n吉本|林玟圻(Ctwo)
\n小偷|邱德朗
\n
\n安琪、千鶴、歌隊|藍紫綾
\n阿惠、歌隊|周宛怡
\n月里、歌隊|蘇育玄
\n歌隊|王浩全、邱忠裕、程珉、吳子齊、賴沅汰、雙伊蓮、鄭景文
\n安琪女兒|李姀翮
\n聲音演出|李曼、何冠儀、蘇育玄、梁凱棱
\n\n
【樂團名單】
\n鋼琴|朱晏辰
\n打擊|張幼欣
\n吉他|巫康裘
\n小提琴|李昀潔
\n大提琴|王鈺淩
\n低音提琴|鄭乃涵
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"51d9cedf7a82129144418e428d82b0a6",title:"音樂劇《熱帶天使》"}],related:[],title:"Tropical Angels: A Taiwanese Musical",cover:"11928b6e96970f4d23b038fe576b3354",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
Based on Taiwanese literature laureate CHEN Chien-wu's autobiographical novel, Hunting Captive Women, Tropical Angels is a carefully crafted musical adaptation by LIN Meng-huan during his two-year artist residency at the NTT. The story follows LIN Yi-ping, a young Taiwanese civilian conscripted by the Imperial Japanese Army and sent to the Southeast Asian battlefield. There, he unexpectedly meets LAI Sha-lin, a comfort woman. Despite their status differences, they bond over peanut bars from home and develop deep feelings for one another. Amidst the escalating war, they pledge to survive and struggle to reconcile identity, hope, and humanity. As they tearfully sing under the Southern Cross, their story becomes an elegy for fate, salvation, and commitment amidst the harsh realities of war.
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Composer|LEI Sheng
\n\nDirector, Lyricist & Bookwriter|LIN Meng-huan
\n\nAssistant Director & Movement Designer|LEE Yi-hsuan
\n\nMusic Director|KUO Meng-mei
\n\nOrchestrations|Emily CHIU
\n\nSet Design|LIU Da-lurn
\n\nLighting Design|TENG Cheng-wei
\n\nProjection Design|HSU Yi-chun
\n\nCostume Design|LIN Bing-hao、WU Ying-ray
\n\nSound Effect Design|JUO Shih-yao
\n\nSound Design|TSAI Hung-lin
\n\nAccent Design (Taiwanese Hokkien) |LIN Rui-kun
\n\nActing Coach|YAO Kun-jun
\n\nVocal Coach|WEI Shih-fen
\n\nAccent Coach (Taiwanese Hokkien)|HUANG Yu-cheng ,CHOU Chun-peng
\n\nProducer|WANG Wen-chieh
\n\nStage Manager|WU Wei-wei
\n\nPerformer|YONG Lea, Howl YU, HE,GUAN-YI, YEH Wen-hao, LIN Tzu-yin,CHEN,YA-YU,LIN,WEN-QI
\n\nConductor|KUO Meng-mei
\n\nPiano|CHU Yen-chen
\n\nPercussion|Sayun CHANG
\n\nGuitar|WU Kang-chiu
\n\nViolin|LI,YUN-JIE
\n\nCello|WANG Yu-ling
\n\nDouble Bass|ZHENG,NAI-HAN
\n\n\n\n
\n',team:""},createdAt:1695798740,updatedAt:1698112830,updatedBy:"林蔚行",host:!1},{_id:"65151dc31305b60008c43b68",catalogs:["5aec418cb01ea6000520f635","64812f1feb9a240007c8c8c7"],dateTime:{first:1700879400,discrete:[{time:1700879400},{time:1700895600},{time:1700965800},{time:1700982e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1200,1500,1800,2200,2500,3e3,3500],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=Q014ISBS"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c4a8d9b69f9fecd408477b3673a7a0f2",title:"《The Wizard of Oz 綠野仙蹤》"}],related:[],title:"AM創意2023《綠野仙蹤》中文版音樂劇",cover:"ca22bef9527e409fd7ec049e27526446",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
非最佳視野:此區因座位角度及舞台、劇場設計,有些微影響觀賞視野,請詳慮後購買。
\n\t超強龍捲風突襲少女桃樂絲的家鄉!必須找到偉大的奧茲魔法師,才有可能重返家園。集結腦袋空空的稻草人、沒有心的鐵皮人,缺乏勇氣的膽小獅,外掛神犬托托?前所未有的無厘頭小隊即將撼動奧茲國宇宙,踏上奇妙的冒險旅程!
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演出暨製作團隊
\n\n製作人|林奕君
\n\n監製|賴建沅
\n\n導演|吳維緯
\n\n音樂總監|卓士堯
\n\n舞蹈設計|達姆拉.楚優吉
\n\n舞台設計|陳慧
\n\n燈光設計|陳以欣
\n\n影像設計|羅士翔
\n\n服裝設計|陳明澤
\n\n妝髮設計|張維君
\n\n道具設計|陳家宏、AM創意設計部
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【演出人員】
\n\n桃樂絲|張稜
\n\n小狗托托|黃耀緯
\n\n稻草人|謝明璋(胡迪)
\n\n鐵皮人|邱忠裕
\n\n膽小獅|祁浩(巴斯)
\n\n⻄方壞女巫|高華麗
\n\n北方好女巫|李梓揚
\n\n奧茲魔法師|李培松
\n\n守門人|張琬容
\n\n群眾演員|雙伊蓮、鄭錡雯、鄭筑勻、劉鎮嘉、羅智勇、張櫂均、陳靖涵、張茗筑、高思秦、陳以亭、許照慈、王明堯、林怡宣
\n\nAM創意小演員|邱中偉、蘇貝希、汪也棠、鄭芮竹、鈴木菲、翁語辰、許博硯、楊允少、何彥頤、鄭采彤、張祐綸、曹嘉晏
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c4a8d9b69f9fecd408477b3673a7a0f2",title:"《The Wizard of Oz 綠野仙蹤》"}],related:[],title:"The Wizard of Oz ",cover:"ca22bef9527e409fd7ec049e27526446",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
A super-strong tornado attacks the hometown of the girl Dorothy! It's essential to find the great wizard Oz to have any chance of returning home. Assemble the brainless Scarecrow, the heartless Tin Man, the cowardly Lion, and the magical dog Toto? An unprecedentedly zany team is about to shake the universe of Oz and embark on a fantastic adventure journey!
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Creative and Production Team
\n\nProducer|Lin Yijun
\n\nExecutive Producer|Lai Jianyuan
\n\nDirector|Wu Weiwei
\n\nMusic Director|Zhuo Shiyao
\n\nChoreographer|Damla Chu Youji
\n\nStage Design|Chen Hui
\n\nLighting Design|Chen Yixin
\n\nVideo Design|Luo Shixiang
\n\nCostume Design|Chen Mingze
\n\nMakeup and hair styling|Zhang Weijun
\n\nProps Design|AM Design Department, Chen Jiahong
\n\n\n\n
\n\n
\n',team:""},createdAt:1695882691,updatedAt:1697099543,updatedBy:"林蔚行",host:!1},{_id:"651a87b3f9ba4200079b6434",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1701257400,discrete:[{time:1701257400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[200],link:"https://www.opentix.life/event/1694985429987311617"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8921c548a83d62f5b865158064197b40",title:"《2023就是愛管-台灣之音》"}],related:[],title:"《2023就是愛管-台灣之音》",cover:"4dc36fed15322b980baa791493dc5c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
陽明國中管樂班成立至今23年,常獲全國學生音樂比賽特優佳績,受到評審與觀眾大力肯定,在管樂個人賽、銅管五重奏、木管五重奏的比賽中也獲得相當優異的成績。近年積極參與各項校外展演,深獲好評,多年來培育出許多學藝專精的優秀人才。
\n\n「2023就是愛管-台灣之音」是陽明國中管樂團年度成果發表會,亦是陽中管樂歷年傳統,每年透過成果展演激勵學生練習動力、相互觀摩音樂技能、培養團體默契,提昇整體音樂水平。今年我們再次登上衛武營的舞台舉辦年度展演,將為觀眾帶來一系列活潑歡快的樂曲,邀請您一同參與這場音樂的饗宴!
\n\n\n\n
演出曲目
\n\n台灣民謠隨想曲
\n\n小號協奏曲
\n\n薩克斯風協奏曲
\n\n台灣交響詩
\n\n狩獵之歌
\n\n台灣民謠組曲
\n\n寶島之憶
\n\n五月天組曲
\n\n\n\n
演出暨製作團隊
\n\n主辦|高雄市立陽明國中、陽明國中管樂團家長後援會
\n\n指揮|張詠佑
\n\n樂團|陽明國中管樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8921c548a83d62f5b865158064197b40",title:"《2023就是愛管-台灣之音》"}],related:[],title:"Annual Concert Of Yangming Junior High School Concert Band",cover:"4dc36fed15322b980baa791493dc5c48",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Kaohsiung Municipal Yangming Junior High School Concert Band has been established for 23 years. Under the direction of conductor Mr. Yung-You Chang, the band has consistently won the High Distinction Award in the National Student's Music Competitions, and over the years, it has cultivated many talented students with expertise in music. In recent years, we have actively participated in various performances and international exchanges, receiving high praise. This year, we are once again performing at the Wei-Wu-Ying Concert Hall and sincerely invite you to join us for this musical feast!
\n\n\n\n
Program
\n\nCaprice of Taiwan Folk Songs
\n\nConcert Etude Op.49
\n\nFour pictures from New York,Mov.ll-Tango Club
\n\nA Symphonic Poem "TAIWAN"
\n\nHunting Scenes
\n\nTaiwan Folksong Suite
\n\nMemories of Formosa
\n\nMay Day Suite
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Creative and Production Team
\n\nOrganizer|Kaohsiung Municipal Yangming Junior High School、Parents Support Group of Yangming Junior High School Concert Band
\n\nConducting|Yung-You Chang
\n\nPerformers|Kaohsiung Municipal Yangming Junior High School Concert Band
\n\n\n\n
\n',team:""},createdAt:1696237491,updatedAt:1696326229,updatedBy:"林蔚行",host:!1},{_id:"651a8b1a34c661000837e8d8",catalogs:["5aec4184b01ea6000520f633","64812f1feb9a240007c8c8c7"],dateTime:{first:1700479800,discrete:[{time:1700479800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1200],link:"https://www.opentix.life/event/1705522989946589185"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c6b9887923e2c00f266471acc35eac3",title:"《木樓合唱團2023年度《傳奇.堡灣》_極微.土地.樂音_音樂會》"}],related:[],title:"木樓合唱團2023年度《傳奇.堡灣》_極微.土地.樂音_音樂會",cover:"724c8c802b071fcd7ad3c72dae09a4b9",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
由藝術總監暨指揮彭孟賢親手製作的心血結晶—《傳奇.堡灣》_極微.土地.樂音,以強烈的生命情感與對土地的熱愛,探討臺灣不同族群的文化脈絡,以男聲合唱真實傳唱,引領我們體驗生命的綻放力量,將帶領聽眾進入一場極致的音樂饗宴。
\n\n在本製作中,音樂的元素漸層成形,透過土地來尋找音樂,以音樂傳達祖訓的意念,為我們的世代創造了傳奇。藝術與思維的結晶,是以器樂堆砌、和聲打造、調性揉合音色、強烈節奏與速度變化,成為純音樂與思維的揉合,帶來震撼人心的聽覺享受。
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演出曲目
\n\n尼洛:《西緬頌》
\n\n馬科爾:《三首聖東正教讚美詩》
\n\n傅爾頓:《洛基-北歐神》
\n\n艾爾柏汀:《搖籃曲》
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演出暨製作團隊
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