●Deposit must be paid within a limited time after registration on Weiwuying website. Failed to do so will result in system automatically cancelled your booking.
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●Cancellation policy:Please contact us via phone (07) 262-6823 or email yuna.yang@npac-weiwuying.org (Ms Yang). \n\t(1)Refunds requested before July 21 are liable for 10% of the tuition fees. \n\t(2)Refunds requested after July 21 while before August 5 are liable for 20% of the tuition fees. \n\t(3)Refunds requested after the start of the camp will not be accepted. \n\t(4)If the camp is cancelled in the event of force majeure (such as typhoon or earthquake), the tuition fees will be fully returned to the participants.
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\n',payment:{type:"pay",method:["virtual","credit"],invoiceEnable:!0,pays:[{cost:1500,limit:30,english:"2019 WEIWUYING TEENS IN THEATER",name:"青少年戲劇營",_id:"5cd56aafd0615b0006e3ae3d",chosenCount:19}],multiple:!1}}},attachment:{link:"/api/files/feb9ffea9758091c1d7a85d5257990e9/local/課程表.png",name:"課程表.png"},benefits:"",cautions:'
Deposit must be paid within a limited time after registration on the Weiwuying website. Failing to do so will result in the system's automatic cancellation of your booking.
(1)Refunds requested before July 21 are liable for 10% of the tuition fees.
\n\n
(2)Refunds requested after July 21 while before August 5 are liable for 20% of the tuition fees.
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(3)Refunds requested after the start of the camp will not be accepted.
\n\n
(4)If the camp is cancelled in the event of force majeure (such as typhoon or earthquake), the tuition fees will be fully returned to the participants.
Location: Paint Shop & Dance Studio, National Kaohsiung Center for the Arts (Weiwuying)
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Hours and Dates: 09:00-18:00, Monday through Sunday (August 5 - August 11, 2019)
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Eligibility: high school students aged between 15 and 18 who are interested in the performing arts
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Tuition Fees: NTD$1,500
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Places Available: 30(first come first served)
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About the Program
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Brainstorming \n\tHow many ways are there to give voice to a poem? Focusing on modern Chinese poetry, this section explores the ways in which imagination takes flights in the interpretation of poems. It sets no limit on the number of avenues of thought that can be derived from the text and invites you to feel how reading poems out loud connect words and sounds.
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Body & Movement \n\tExpressing oneself in self-assured clarity up on the podium is no piece of cake. Even making a typical class presentation involves perhaps a certain degree of “performance.” How much do we know about our body? If doing without telling, how are we going to communicate? Find out the secret(s) of your body and let it “speak”!
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Voice \n\tAccompanied by a selection of musical pieces, this section explores vocal expression with a keen ear for sounds coming from both the exterior and the interior realms. How can we manipulate and make use of the sound of our voice? Through a number of voice games, we are here to expand what we conceive of our own voice and learn how to use and take care of it.
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Storytelling through Objects \n\tthrough ObjectsBehind inanimate objects there are probably countless stories left untold. How are we going to say those stories? What can we play through the objects attached therewith?
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Lighting \n\tHave you paid attention to the lights that populate your life? Be it sunrise, sunset, stars in the night, the Milky Way, street lamps, or bonfire, do you like the “light” in your sight? What do you feel for it? Can we duplicate what one feels upon the stimulation of lights?
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Photography, Light and Shadow \n\tNot only light but also landscape and shadow can be one of the elements of composition: these elements enrich the picture’s sense of depth and perspective. Season, climate, and the diurnal-nocturnal cycle of a day all give the light we see a different texture. Let us observe both the interplay of light and shadow and life itself closely.
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Outfit Design \n\tWe can tell one’s historically-specific milieu as well as character from what one wears. Have you thought of what makes the difference between a stage outfit and what we put on in everyday life? How are we to dress someone with a given personality? What effects do different texture, color, and modelling produce? Through hands-on courses of outfit design you will get to know more about the drama of theater garb.
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Make-Up \n\tStyling, in toto, involves clothing and make-up. But what are the differences between stage make-up and make-up in real life? Can make-up really change one’s age and appearance? This course will go through basic differences between male and female make-up and a fake wound tutorial. In the tutorial your body will become a canvas on which you reproduce wounds that are commonly seen with tools and techniques provided by the course.
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Our Instructors
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Geng Yi-wei, Lee Yu-ling, Winnie Chang, Zeng Zhi-yuan, Chen Yi-fan, Les Petites Choses Production, Wen Si-ni, Tsai Hsin-ying,
Deposit must be paid within a limited time after registration on Weiwuying website. Failed to do so will result in system automatically cancelled your booking.
\n\t
Cancellation policy:Please contact us via phone (07) 262-6823 or email yuna.yang@npac-weiwuying.org (Ms Yang).\n\t
(1)Refunds requested before July 21 are liable for 10% of the tuition fees.
\n\n\t
(2)Refunds requested after July 21 while before August 5 are liable for 20% of the tuition fees.
\n\n\t
(3)Refunds requested after the start of the camp will not be accepted.
\n\n\t
(4)If the camp is cancelled in the event of force majeure (such as typhoon or earthquake), the tuition fees will be fully returned to the participants.
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