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©Priska Ketterer
\n\n身兼作曲家與音樂策展人的陳銀淑生於1961年的韓國首爾,並自1985年起旅居德國。其職業生涯中曾獲頒許多古典音樂獎項,她的音樂也吸引了許多國際級指揮大師的矚目。陳銀淑更經常受邀為許多全球知名樂團譜寫演奏曲目,曾演出其作品的樂團有柏林愛樂樂團、紐約愛樂樂團、芝加哥交響樂團以及東京交響樂團等等,並在眾多音樂節和樂團擔任駐節/團作曲家,如瑞士琉森音樂節、巴黎秋季藝術節、北德廣播交響樂團、柏林德意志交響樂團等等。
\n\n2007年,陳銀淑的首部歌劇作品《愛麗絲夢遊仙境》在德國巴伐利亞國立歌劇院舉行全球首演,以此揭開慕尼黑歌劇節序幕。此外,陳銀淑也以音樂策展人的身分活躍於樂壇。於2006年至2017年間在首爾愛樂負責監督現代音樂節「新視界」系列的演出(該音樂節由她本人所創辦);於2011年至2020年間,則在倫敦擔任愛樂管弦樂團「當代音樂」系列音樂會的藝術總監。此外,她也在2021年出任洛杉磯愛樂樂團首爾音樂節總監一職。其作品由英國古典音樂出版商博浩公司獨家代理發行。
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贊助單位
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
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\n',benefits:'\n\t\t\t ※原訂2022年4月8日(五)19:30於音樂廳演出之【2022衛武營國際音樂節】開幕音樂會《跨越兩世紀的音樂》,演出人員及演出曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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「開始」並不容易但能帶來希望。海頓在神劇《創世紀》中,一開始以多變的調性捕捉天地初始的混沌,過程中輪流閃現不安與優美,戲劇性效果為宗教音樂帶來新氣象。
\n\n波蘭作曲家盧托斯瓦夫斯基的作品《管絃樂協奏曲》,引用馬佐夫舍地區(Mazowsze)的傳統音樂曲調,卻以巴洛克曲式鋪陳,重新把握住新古典主義風格。首屆音樂節開幕特別邀請近年屢獲大獎、被泰晤士報評為「才情顯赫」的作曲家林佳瑩創作新曲《糖話故事》,展現臺灣新生代作曲家的高度。
\n最後,史特拉汶斯基的《火鳥》芭蕾舞劇音樂,是他初出茅廬時接下「俄羅斯芭蕾舞團」的委託成果,樂曲以最具原創性的節奏運用和管絃樂法,震撼巴黎藝文界,進而為歐陸樂壇開創新局。
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演前導聆
\n\n2022/4/8(五)18:50-19:10 音樂廳三樓大廳
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演出曲目
\n\n海頓:〈混沌的表現〉,選自神劇《創世紀》,Hob. XXI:2
\n\n盧托斯瓦夫斯基:管絃樂協奏曲
\n\n林佳瑩:《糖話故事》為管絃樂團(世界首演,衛武營委託創作)
\n\n史特拉汶斯基:《火鳥》組曲(1919版)
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演出暨製作團隊
\n\n指揮|簡文彬
\n\n國家交響樂團
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藝術家介紹
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問。
\n\n2014年9月簡文彬獲頒第十八屆國家文藝獎。
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國家交響樂團
\n\n國家交響樂團的前身「聯合實驗管絃樂團」成立於 1986 年,集合優秀新生代音樂家,以打造頂尖交響樂團為目標;2005 年成為國立中正文化中心附設團隊,2014 年 4 月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作,是自信、精銳,有文化意識的「臺灣之音」。
\n\nNSO 的歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉;常任指揮艾科卡(Gerard Akoka)與史耐德(Urs Schneider),藝術顧問暨首席客座指揮根特・赫比希(Günther Herbig)共同悉心呵護樂團成長。近十餘年來,NSO 銳意求變,大步朝專業、開放、勇於創新的職業樂團發展,成為亞洲地區最具指標性的樂團;自 2021 年 8 月,德國指揮家準・馬寇爾(Jun Märkl)接任 NSO 藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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贊助單位
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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"Beginning" is strenuous but it brings hope. In The Creation, Joseph HAYDN used a variety of tonalities to capture the initial chaos of the creation of heaven and earth. The uneasiness and beauty manifested throughout the piece, and the drama, brought a new aura to religious music.
\nPolish composer Witold LUTOSLAWSKI's work Concerto for Orchestra, citing the traditional music tunes of the Mazowsze region (the province of Mazovian Voivodeship where Warsaw is located.) The composer applies the Baroque musical form to this piece, creating a masterpiece of Neoclassicism.
\nFor the opening of the first International Music Festival, Weiwuying specially invited LIN Chia-ying, the Taiwanese composer who has won numerous awards in recent years and was hailed for "manifest flair" by The Times, to commission a new song The Fabricated Sugar-Coat, showing the mastery of Taiwan's new generation of composers.
\nFinally, Igor STRAVINSKY's The Firebird is a ballet work commissioned for the Ballets Russes. With its original rhythmic patterns and orchestration, the music shocked the music circles in Paris, and opened a new era for classical music in Europe.
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Pre-talk
\n\n2022/4/8(Fri)18:50-19:10 Concert Hall 3rd Floor
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Program
\n\nJoseph HAYDN: 'Representation of Chaos' from The Creation, Hob. XXI:2
\n\nWitold LUTOSLAWSKI: Concerto for Orchestra
\n\nLIN Chia-ying: The Fabricated Sugar-Coat for orchestra (World premiere, Commissioned by Weiwuying)
\n\nIgor STRAVINSKY: The Firebird Suite (1919 Version)
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Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nNational Symphony Orchestra
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Artists Introduction
\n\nConductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin was born in 1967 in Taipei. He received an undergraduate degree from the National Taiwan Academy of Arts and a Master's degree from the University for Music and Performing Arts Vienna. From 1998 to 2004, he was Resident Conductor at Japan's Pacific Music Festival, founded by Leonard BERNSTEIN, and he became Music Director of the National Symphony Orchestra in Taiwan in 2001, where he remained until 2007. In 1996, he began his 22-year career as Kapellmeister of Deutsche Oper am Rhein (Düsseldorf Duisburg, Germany). From 2014 to 2016, CHIEN served as artistic advisor to the National Taiwan Symphony Orchestra. In 2014, he was honored with the National Award for Arts. Currently CHIEN is the Executive and Artistic Director of National Performing Arts Center - National Kaohsiung Center for the Arts (Weiwuying).
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National Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. With some of the finest musical talent from at home and abroad, trained at top schools and international orchestras, the NSO enjoys a unique voice rich in diversity and tradition. Under the leadership of music director Jun Märkl since January 2022, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. Music by Taiwanese composers is extensively commissioned, performed, and recorded by the NSO.
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Sponsor
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\n\t\t\t ※4/10(日) 18:00於演講廳舉辦之【2022衛武營國際音樂節】聶辛斯基:《管絃樂團》演後座談,主講者藍祖蔚因突發行程不克出席,主講者另邀請影評家鄭秉泓擔任。 \n\t\t\t | \n\t\t
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出生於波蘭的聶辛斯基無疑是當代最有想像力的導演之一,他除了從七〇年代就開始鑽研電影特效,比如大量運用綠幕拍攝,最特別的是,他的作品常會從現實場景衍生出許多超現實情節,形成高度個人化的世界觀。他曾在訪談中提到:「我喜歡『當代』這個概念,我的影片會融合各種不同的時間。我不想直接描繪『現在』,因為現在和過去是一體的。」
\n\n《管絃樂團》是他在1990年完成的代表作,影片由六段幻想式短片接續而成。不把音樂作為配樂,聶辛斯基的每個段落,都讓影像與音樂互為對位,像是第五段出現的新婚夫妻,他們裸身飛舞在教堂裡,搭配的是舒伯特的〈聖母頌〉,或是最末段以拉威爾〈波麗露〉舞曲,描繪共產制度的進程與衰亡,皆創造出飽滿、動人的意象。
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演後座談
\n\n2022/4/10(日)18:00-18:30 演講廳
\n\n主講者|鄭秉泓
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藝術家介紹
\n\n薩比格‧聶辛斯基是聞名全球的電影導演,同時也是高畫質影片的先鋒以及技術領域的創新者。其作品在美國、歐洲、亞洲和南美洲等地獲得許多知名業界大獎的肯定,包含奧斯卡金像獎、艾美獎、三座MTV獎、坎城影展金棕櫚獎等殊榮。他也為米克・賈格、小野洋子、閃耀大師、頭腦簡單樂團等音樂人製作MV,更是MTV名人堂的入圍者。
\n\n迄今為止,薩比格所執導與製作的電影已逾50部。
\n\n許多電視頻道與節目中都可看見薩比格的作品,如美國的公共電視台《偉大的表演》、國家廣播公司《今夜秀》、《20/20》、《夜間飛行》、MTV音樂頻道;歐洲和亞洲則包含法國電視台CANAL+、義大利廣播公司、德國電視二台、日本NHK、波蘭電視台第二台、波蘭電視頻道POLSAT等等。
\n\n1985年,薩比格在紐約成立了自己的電影工作室「薩比格影像」,並在此產出不少重要又創新的高解析度影片——《階梯》(1987)、《第四維度》(1988)、《管弦樂隊》(1990)、《曼哈頓》(1991)以及《卡夫卡》(1992),也獲得了熱烈的迴響與無數的獎項。薩比格是高解析度電視技術的先鋒,也是技術領域的創新者和實驗者。他坐擁美國許多電影技術方面的專利,包含運動控制、光學及影像合成。
\n\n1985年至2013年間,薩比格在美國、德國和波蘭發展視覺特效製作的創新方法及系統。這段期間內,其主要貢獻在於發展出獨特的電影工作室,以電子技術配備即時創作並合成多層影像。此舉大幅降低了後製的需求,從根本上改變了創意過程的方法,也減少了整體的製作費用。薩比格在2010年至2013年間於波蘭樂斯拉夫工作,並在此設計、打造出一間特別的工作室「視聽科技中心」。該中心的設備新穎而先進,可即時製作多層影像。
\n\n薩比格的學術職涯也同樣出色。他在紐約哥倫比亞大學、德國科隆媒體藝術學院以及波蘭洛茲電影學院授課,並在日本東京女子美術大學擔任客座教授。
\n\n薩比格與其妻子多蘿塔‧茲格羅比卡定居於美國。夫妻倆目前則正在製作共同編導的劇情片《設計師》。
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演後座談主講者
\n\n鄭秉泓
\n\n高雄人,寫影評、策劃影展,曾任新北市電影節策展人(2012-2014)及高雄電影節短片策展人(2013-2017),目前在東海大學及義守大學教電影。著有《台灣電影愛與死》、《台灣電影變幻時:尋找台灣魂》,編有《我深愛的雷奈、費里尼及其他》、《她殺了時代:重訪日本電影新浪潮》,監製紀錄短片《伏流》。
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贊助單位
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Born in Poland, RYBCZYNSKI is undoubtedly one of the most imaginative directors of the contemporary era. Ever since the 70's he has dug deep into special effects, such as extensive use of green screen shooting. The most special thing in his works is that they often start from real scenarios, then veer into many surreal plots, forming a highly personal worldview. He once mentioned in an interview: "I like the concept of 'contemporary'. My videos will integrate different times. I don't want to directly portray the "current time" because the present and the past are one as a whole."
\n\nThe Orchestra is his masterpiece completed in 1990. The film is a combination of six fantasy short films. Instead of using music as the background soundtrack, each section makes the image and the music counterpoint each other. For example, in the fifth part, when the newlyweds dance naked in the church, the music is SCHUBERT's Ave Maria. The last part features RAVEL's Boléro mixed with depictions of the rise and fall of the communist system, a vivid and stunning image.
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Post-talk
\n\n2022/4/10(Sun)18:00-18:30 Lecture Hall
\n\nLecturer|Pin Hung CHENG (Ryan CHENG)
\n\n\n\n
Artists Introduction
\n\nZbig RYBCZYNSKI is an internationally renowned filmmaker, HD pioneer and an innovator in the film's technical field. He received numerous prestigious awards, including- Oscar, Emmy, 3xMTV's, Cannes Silver Palm, among many others in the USA, Europe, Asia, and South America. He created music videos for Mick Jagger, Yoko Ono, GrandMasterFlash, Simple Minds, and many others. He is an MTV Hall of Fame inductee.
\n\nZbig directed and produced over 50 film titles so far.
\n\nZbig's work was seen on many TV Channels and TV programs in the USA, including Great Performances PBS, Tonight Show NBC, 20/20, Night Flight, MTV, as well as in Europe and Asia: CANAL+, RAI, ZDF, NHK JAPAN, TVP2, TV POLSAT, and more.
\n\nIn 1985, he launched his film studio – ZBIG VISION – in New York, where he created his most important and innovative HDTV films: Steps (1987), The Fourth Dimension (1988), The Orchestra (1990), Manhattan (1991), and Kafka (1992), all of which were showered with enthusiastic critical acclaim and numerous awards. Zbig is a pioneer of HDTV technology, an innovator and experimentator in the film's technical field. He's the author of several US patents regarding film techniques, including motion control, optics, and compositing.
\n\nBetween 1985-2013, Zbig worked in the USA, Germany, and Poland, developing innovative methods and systems to produce visual special effects. His major contribution during this period was developing a one-of-a kind film studio, equipped with electronic technology for creating and compositing multi-layer images in real time. It largely eliminates the need for post-production, which fundamentally changes the methodology of the creative process, efficiently reducing overall production costs. 2010-2013, Zbig worked in Wroclaw, Poland, where he designed, build, and directed a unique studio – Audiovisual Technology Center. CeTA is a novel, state of-the-art facility for the production of real-time, multi-layer film images.
\n\nHis distinguished academic career include teaching at the Columbia University in New York, the Academy of Media Arts in Cologne, Germany, Poland's Lodz Film School and visiting professor at Joshibi University of Art and Design in Tokyo, Japan.
\n\nZbig lives and works in the USA with his wife Dorota ZGLOBICKA, where they work on their feature film Thee Designer, co-written and co-directed with Dorota.
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Post-talk Lecturer
\n\nPin Hung CHENG (Ryan CHENG)
\n\nLecturer, Festival Programmer and Film critic. Cheng has published extensively online and in various media outlets. He runs a professional film blog and is the author of The Love and Death of Taiwan Cinema(2010), She killed the Era: Revisiting the Japanese New Wave(2017) and Taiwan Cinema in Transition: In Search of True Taiwan Spirit(2019).
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Sponsor
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\n',team:""},createdAt:1637150537,updatedAt:1649411923,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"619c5503d970790007fc108e",title:"【2022衛武營國際音樂節】《極致·純粹─魏靖儀與金善昱》",data:{_id:"619c5503d970790007fc108e",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1687241860,updatedBy:"林蔚行",seq:35},{_id:"5aec4184b01ea6000520f633",tag:"program",chinese:{onShelf:!0,name:"音樂"},english:{onShelf:!0,name:"Music"},createdAt:1525432708,updatedAt:1686187845,updatedBy:"通泰系統管理員",seq:31}],dateTime:{first:1649503800,discrete:[{time:1649503800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1466333698276802563"}},attachment:{key:"fc33112f3e61873608a2909a29925e28",name:"【2022衛武營國際音樂節】《極致·純粹─魏靖儀與王佩瑤》.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d73c82ddfa3ece99227df81887d39e4a",title:"【2022衛武營國際音樂節】《極致·純粹─魏靖儀與金善昱》"}],related:[],title:"【2022衛武營國際音樂節】《極致·純粹─魏靖儀與王佩瑤》",cover:"554653612ff7dc1b9ad26f0ea152e561",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月9日(六)19:30於音樂廳演出之【2022衛武營國際音樂節】《極致·純粹─魏靖儀與金善昱》,本節目原演出人員鋼琴家金善昱(Sunwook KIM),異動為鋼琴家王佩瑤(WANG Pei-yao),節目名稱異動為《極致·純粹─魏靖儀與王佩瑤》。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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比利時時報《夜晚》 Le Soir :「魏靖儀在第一樂章已經吸引了所有人的目光,在第四樂章,他已經呈現這個樂章所有的可能性,威廉在音樂中爆發出他的熱情與自由直到最後。」
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受紐約時報、舊金山時報及華盛頓時報推崇「王佩瑤如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」
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帶著2015年比利時伊莉莎白大賽桂冠得主的實力,小提琴家魏靖儀近年以獨樹一幟的琴音與充滿感情的詮釋,在國際間展開了極為亮眼的獨奏事業。他在賽後選擇移居柏林,繼續與前柏林愛樂首席布拉赫(K. BLACHER)習琴,無疑深化了他對德奧經典的認識與掌握。
\n\n這次音樂會他將攜手鋼琴家王佩瑤,演奏貝多芬第一號及第四號小提琴奏鳴曲,兩首曲目不僅開拓了小提琴的語法,更以劇烈、快速的情緒變化,考驗演奏者對貝多芬內在的理解,是器樂獨奏曲中的試金石。下半場則安排了布拉姆斯唯一一首四樂章的小提琴奏鳴曲,展現近乎交響曲般恢宏的樂思。
\n\n穿插在這兩首之間的還有奧地利作曲家魏本的《四首小品》,作曲家在極有限的篇幅中(四首分別為九、二十四、十四和十五個小節),挖掘出小提琴的各種新鮮音響,流露出世紀末的反動活力。
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演後座談
\n\n本節目演出後將於音樂廳舉辦座談
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演出曲目
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.1 in D Major, Op.12
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.4 in a minor, Op.23
\n\nAnton von WEBERN: Four Pieces for Violin and Piano Op.7
\n\nJohannes BRAHMS: Sonata for Piano and Violin No.3 in d minor, Op. 108
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演出暨製作團隊
\n\n小提琴|魏靖儀
\n\n鋼琴|王佩瑤
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藝術家介紹
\n\n小提琴|魏靖儀
\n\n魏靖儀1994年生於臺灣臺南,先後師事鍾佳妙、許恕藍、吳孟平與陳鈺雯;亦曾於大師班接受胡乃元大師指導。16歲的魏靖儀遠赴茱莉亞音樂院就讀,爾後獲得學校Jerome L. Greene基金會獎學金以及奇美基金會藝術獎學金,師事Hyo KANG及I-Hao LEE教授。目前於德國柏林Hanns Eisler 藝術學院,師從前柏林愛樂首席Kolja BLACHER門下。2021四月底,台北市立交響樂團合作的音樂會,因緊急狀況,當下短短兩日內緊急代打演出柴可夫斯基小提琴協奏曲,成功完美的演出之後深獲樂界好評。也受到指揮Eliahu INBAL青睞,在同年11月三度合作貝多芬小提琴協奏曲。作為炙手可熱的小提琴家,亦受邀在多個音樂節與音樂廳演出,甫於2018年獲得Salon de Virtuosi 藝術事業獎,魏靖儀在音樂上的成就更受到著名的《紐約時報》以及Robert SHERMAN 讚賞,後者邀請魏靖儀在美國電臺WQXR節目上演出。目前使用由奇美基金會贊助提供的1761年Balestrieri名琴。
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鋼琴|王佩瑤
\n\n留美近30年,受紐約時報、舊金山時報和華盛頓時報推崇「如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」王佩瑤活躍於世界各大音樂廳,如:紐約卡內基音樂廳、林肯中心、華府甘乃迪音樂廳、香港文化中心、上海交響樂團音樂廳、北京音樂廳、廣州音樂廳、東京三得利音樂廳等……。合作過之演奏家包括林昭亮、 胡乃元、曾宇謙、Hilary Hahn、Guarneri Quartet、Emerson Quartet;聲樂家Kiri Te Kanawa、Renata Scotto;指揮家呂紹嘉、簡文彬、Alan Gilbert、James Levine 等……。
\n\n王佩瑤曾受聘為紐約林肯中心長駐室內樂鋼琴家,並於2006年起於紐約大都會歌劇院擔任聲樂指導,為歌劇院少數受聘之華人。期間所參與製作並發行之歌劇 《原子彈之父》(Doctor Atomic) DVD,榮獲第54屆美國葛萊美最佳歌劇錄音獎。返臺後,擔任聲樂指導之歌劇演出,包含《莎樂美》、《尼貝龍根的指環》、《碧廬冤孽》、《假面舞會》、《茶花女》、《藍鬍子城堡》、《憨第德》、《大溪地風雲》、《杜蘭朵公主》和兩廳院新點子樂季《遶境共聲》等……。
\n\n近年王佩瑤亦致力於當代音樂推廣與跨界演出。2018年參與藝術家李明維在荷蘭的行動藝術作品「森之聲」。2016年起受雲門劇場之邀,與編舞家王宇光和蘇威嘉合作,策劃並演出融合音樂與舞蹈的家庭音樂會。2020 年,參與林懷民導演之歌劇《大家都叫我咪咪—浦契尼愛的詠嘆調》,與女高音林玲慧、男高音崔勝震同台演出。
\n\n王佩瑤出生於台北,自幼鋼琴師承林琼華,陳郁秀及小提琴李淑德。小學畢業後以資賦優異兒童身份,至美國寇提斯音樂院和耶魯大學研究所深造。前後師事Gary Graffman、 Seymour Lipkin、Claude Frank、Richard Goode等名師。現為國立臺灣藝術大學音樂系客座教授。
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贊助單位
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
\n\n\n\n\n\n
As the laureate of the 2015 Queen Elisabeth International Violin Competition in Brussels, Taiwan violinist William WEI has developed a very "ear-catching" sound and expression, launching a brilliant international soloist career. Moving to Berlin after the competition, WEI continued to apprentice under the former Berlin Philharmonic concertmaster Kolja BLACHER, which assuredly deepened his understanding and mastery of German and Austrian classics.
\n\nIn this concert, WEI will collaborate with the pianist WANG Pei-yao to play BEETHOVEN's Sonata for violin and piano, full of intense and stormy spirit. This music not only opens up the grammar of the violin, but is also considered a touchstone of the violinist, because of its rapid emotional changes, and the requirement for a deep understanding of the author's musical point of view. In the second half, BRAHMS's Sonata for violin and piano, the only violin sonata BRAHMS ever wrote, will demonstrate the magnificence, almost symphonic like masterpiece through these four movements.
\n\nBetween the two pieces is the Austrian composer WEBERN's Four Pieces for violin and piano. The composer uses very limited space (the four pieces are only 9, 24, 14, and 15 bars, respectively) to explore all kinds of fresh sounds of the violin, revealing the rebellious vitality of the end of the century.
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Post-talk
\n\nPost-talk will be arranged after the recital.
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Program
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.1 in D Major, Op.12
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.4 in a minor, Op.23
\n\nAnton von WEBERN: Four Pieces for Violin and Piano Op.7
\n\nJohannes BRAHMS: Sonata for Piano and Violin No.3 in d minor, Op. 108
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Creative and Production Team
\n\nViolin|William WEI
\n\nPiano|WANG Pei-yao
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Artists Introduction
\n\nViolin|William WEI
\n\nBorn in Taiwan, William began his violin studies at the age of five. He is a proud recipient of the Jerome L. Greene Foundation Scholarship at the Juilliard School, where he earned his Bachelor's degree under Hyo KANG. He is currently pursuing his Master's degree at the Hochschule für Musik Hanns Eisler in Berlin under Kolja BLACHER, former concertmaster of the Berlin Philharmonic. William's recent highlights have included concert series, stepping in for violinist Shlomo MINTZ in Tchaikovsky Violin Concerto in D Major with Eliahu INBAL.NSO with Nai-Yuan HU and Ray CHEN, and Baden-Baden Philharmonic with Pavel BALEFF. William plays on a 1761 Tomasso BALESTRIERI loaned from the Chimei Foundation in Taiwan.
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Piano|WANG Pei-yao
\n\nWANG Pei-Yao made her solo piano debut at the age of eight at the National Concert Hall in Taipei, Taiwan. At age 12, she was invited to study at the Curtis Institute of Music, where she worked with pianists Seymour LIPKIN and Gary GRAFFMAN. She then continued her studies with Claude FRANK, earning her Master of Music degree from Yale University, where she also pursued a concentration in architecture. Upon graduating from Yale University, she was under the tutelage of celebrated pianist Richard GOODE.
\n\nMs. WANG is widely in demand as a soloist and chamber musician. She has appeared with the Stamford Symphony, Chattanooga Symphony Orchestra, Taipei Philharmonic, and many others. Ms. WANG has collaborated with members of the Guarneri, Juilliard, Orion, Mendelssohn and Miro quartets, and with musicians such as Hilary HAHN, Cho-Liang LIN, Ida and Ani KAVAFIAN, Nicola BENEDETTI, Mitsuko UCHIDA, Peter WILEY and David SOYER. She is regularly invited to perform chamber music at festivals such as Marlboro, Bard, Santa Fe, Hong Kong and Chamber Music Northwest. Ms. WANG has given concerts throughout the United States, Canada, Europe and Asia; including venues such as the Salle des Varietes in Monte Carlo, the Suntory Hall in Tokyo, the National Concert Hall in Taipei, the Shanghai Symphony Orchestra Hall, Beijing Concert hall, the Alice Tully Hall, and Carnegie Hall's Stern, Weill, and Zankel Halls. A frequent guest at the Chamber Music Society of Lincoln Center, she became a member of the Chamber Music Society Two from 2002-2004.
\n\nAs a graduate of the Metropolitan Opera Lindemann Young Artist Program, Ms. WANG has worked with noted conductors such as James LEVINE, Alan GILBERT, to name a few. As part of the production team at the Metropolitan Opera, the noted opera production of Doctor Atomic by John ADAMS received the Grammy Award in 2011. She has continued to expand her repertoire in Taiwan with engagements that include Salome, Der Ring des Nibelungen, Turn of the screw, Un Ballo in Maschera, La Traviata and Tristan und Isolde to name a few. In addition, Ms. WANG is active as a vocal pianist, having worked extensively with singers such as Sasha COOKE, John MOORE, and many others.
\n\nMs. WANG has commissioned and premiered over 20 solo and chamber works in the past. She made her conducting debut in 2017 at the National Concert Hall in Taipei, Taiwan, premiering 7 new vocal chamber works by Taiwanese female composers. Pei-Yao WANG currently teaches at National Taiwan University of Arts as visiting professor.
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月13日(三)、4月14日(四)19:30於表演廳演出之【2022衛武營國際音樂節】衛武營當代樂團《時時刻刻》、《時空之旅》,本節目原演出人員指揮家格雷戈爾·麥爾霍夫(Gregor A. MAYRHOFER),異動為指揮家楊書涵(YANG Su-han)及演出曲目異動,節目名稱《時時刻刻》異動為《憤怒狗》。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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策展人陳銀淑在首屆音樂節策展論述中提到:「我們將與國際音樂界接軌,進行密集對話,讓這個音樂節成為臺灣音樂家和新藝術創作的平台。」懷抱這份期待,音樂節特別組成了衛武營當代樂團,同時也讓臺灣演奏家們透過演奏新作,深入世界樂壇脈動。
\n\n本次兩場演出,都委託了臺灣作曲家創作新曲,且將分別舉行奧地利作曲家多伊奇過往代表作的臺灣首演,以及榮獲武滿徹作曲大賽首獎的巴西裔美籍作曲家保羅·布里托為衛武營國際音樂節創作的新曲《鳥占》。第一天演出的《憤怒狗》,是一首聲響豐富、逗趣橫生的作品。第二天演出的《未來博士》則是德意志受美國科幻作家迪克同名小說啟發之成果,聽眾將在繽紛跳動的音響中聽見一則時空旅行故事。
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演後座談
\n\n2022/4/13(三)、4/14(四)演出後於表演廳
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演出曲目
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4.13《憤怒狗》
\n\n張婉俞-《恬靜世界》
\n\n趙立瑋-《颯》為中西樂器之十一重奏
\n\n保羅·布里托:《鳥占》(為衛武營國際音樂節創作)
\n\n伯恩.理查.多伊奇:《憤怒狗》(臺灣首演)
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4.14《時空之旅》
\n\n熊仁岳-《冬天的腳步》
\n\n徐敬彤-《餘波》
\n\n陳以軒-《爍》
\n\n伯恩.理查.多伊奇:《未來博士》(臺灣首演)
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演出暨製作團隊
\n\n指揮|楊書涵
\n\n演出|衛武營當代樂團(特邀臺灣音樂家)
\n\n小提琴 張庭碩/小提琴 蔡承宏/中提琴 郭珮容/大提琴 黃子維/低音提琴 簡敏卉/長笛(中音長笛&短笛)吳正宇/雙簧管(英國管) 鍾筱萱/單簧管(低音單簧管)王冠傑/單簧管(低音單簧管)莊凱圍/低音管(倍低音管)歐易欣/薩克斯風 顧鈞豪/法國號 蘇毓婷/小號 查修齊/長號 楊錦龍/低音號 林昀宏/打擊 余若玫/打擊 張瑜蓁/豎琴 邱芸婕/鋼琴(鋼片琴) 許毓婷/鋼琴 翁重華/手風琴 潘默士/琵琶 趙怡然/箏 郭靖沐
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藝術家介紹
\n\n指揮|楊書涵
\n\n現任NSO國家交響樂團協同指揮,於第⼗屆波蘭費特伯格國際指揮⼤賽贏得⾸獎,曾受邀客席指揮波蘭西利西亞愛樂、波蘭波羅的海愛樂、匈牙利廣播交響樂團、德國布蘭登堡交響樂團…等樂團,並長期與巴雀Camerata Taiwan合作演出。2022年8⽉將於臺中國家歌劇院指揮演出歌劇《糖果屋》。曾受邀於TIFA臺灣國際藝術節、臺北國際現代⾳樂節、亞洲作曲家聯盟⼤會暨亞太⾳樂節、格地尼亞新古典⾳樂節,以及克拉科夫波蘭⾳樂節指揮演出。2018年獲選由作曲暨指揮家Peter EÖTVÖS創辦之培訓計畫。2017年受邀赴⽇參加太平洋⾳樂節,接受指揮家Jun MÄRKL指導。2015年獲選參加義⼤利歌劇學院,由指揮家Riccardo MUTI親⾃指導威爾第歌劇《法斯塔夫》。畢業於柏林⾳樂學院、臺灣師範⼤學⾳樂系碩⼠班,以及東海⼤ 學⾳樂系,與Christian EHWALD、Hans-Dieter BAUM、許瀞⼼教授,以及鍾安妮教授學習指揮。
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主辦單位|衛武營國家藝術文化中心
\n\n執行單位|時間藝術工作室
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贊助單位
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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2022 Weiwuying International Music Festival Artistic Director Unsuk CHIN, in the curatorial discussion, promised, "we will have an intense dialogue with the international music world and use the festival as a platform for Taiwanese musicians and new artistic creation." Embracing such expectation, the festival specially arranges the Weiwuying Contemporary Ensemble allowing Taiwanese performers to connect to the global music industry by performing new works.
\n\nIn the two performances, Taiwanese composers are commissioned to create new composition, and there will be Taiwan premieres of iconic works by Austrian composer Bernd Richard DEUTSCH. Also, a new commission Ornithomancy for Weiwuying International Music Festival by Brazilian-American composer Paulo BRITO will be performed.
\n\nDEUTSCH's Mad dog performed on the first day was inspired by Italian artist Giacomo BALLA's painting Dynamism of a Dog on a Leash. The second day's performance, DEUTSCH's Dr. Futurity, was inspired by the novel of the same title written by American science fiction writer Philip K. DICK. The audience will hear a story of time and space travel in colorful and lively sounds.
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Post-talk
\n\n2022/4/13(Wed)、4/14(Thu) After performance at Recital
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Program
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4/13(Wed) Mad dog
\n\nCHANG Wan-yu: Silent world for String Quartet and Pipa
\n\nCHAO Li-wei: Soughing for mixed ensemble
\n\nPaulo BRITO: Ornithomancy (World Premiere, commissioned by Weiwuying)
\n\nBernd Richard DEUTSCH: Mad Dog (Taiwan Premiere)
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4/14(Thu) Time and Space Voyage
\n\nHSIUNG Jen-yueh: Winter Footsteps
\n\nHSU Ching-tung: Residual Waves for 7 instrumentalists
\n\nCHEN Yi-hsien: Subtle Influx for ensemble
\n\nBernd Richard DEUTSCH: Dr. Futurity for ensemble (Taiwan Premiere)
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Creative and Production Team
\n\nConductor|YANG Su-han
\n\nWeiwuying Contemporary Music Ensemble
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Artists Introduction
\n\nConductor|YANG Su-han
\n\nYANG Su-han currently serves as Associate Conductor of Taiwan Philharmonic. He won first prize in the 10th International Grzegorz Fitelberg Competition for Conductors in 2017 and received numerous invitations to collaborate with the Silesian Philharmonic, the Polish Baltic Philharmonic, the Hungarian Radio Symphony Orchestra, the Brandenburger Symphoniker, and many others. Since 2016 he regularly works with the Camerata Taiwan. In August 2022 he will conduct performances of “Hänsel und Gretel” at the National Taichung Theater. His appearance at music festival includes the Taiwan International Festival of Arts, the Taipei International New Music Festival, the Asian Composers League's Conference and Festival, the Classica Nova in Gdynia, and the Festival of Polish Music in Kraków. He was one of the two conductors selected for the Mentoring Program of Peter EÖTVÖS Contemporary Music Foundation in 2018. In 2017 he was invited to study with Jun MÄRKL at the Conducting Academy of Pacific Music Festival. He was chosen as conductor to work with Riccardo Muti on the production of VERDI’s Falstaff at the Italian Opera Academy in 2015. He graduated from the Hochschule für Musik Hanns Eisler Berlin, the National Taiwan Normal University, and the Tunghai University, where he studied conducting with Christian EHWALD, Hans-Dieter BAUM, Apo HSU, and Annie CHUNG.
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Birmingham Contemporary Music Group
\n\nBirmingham Contemporary Music Group is one of the world's foremost new music ensembles. Over three decades, BCMG has developed the music of today for the audiences of tomorrow. The ensemble has commissioned over 175 pieces of music from the world's finest composers and emerging international talent. Many of the works have been commissioned through its innovative pioneering Sound Investment crowd-funding scheme to which over 500 donors have contributed more than £300,000; many of these works have subsequently found their way into worldwide repertoire.
\n\nBCMG was founded by Simon CLUGSTON and Ulrich HEINEN, musicians from the City of Birmingham Symphony Orchestra, in 1987, with Sir Simon RATTLE as Founding Patron. Since then, BCMG has reached over 10 million people in concert and through broadcasts. The Group performs regularly at CBSO Centre, Symphony Hall and Town Hall Birmingham, Wigmore Hall in London and at the BBC Proms and Aldeburgh Festival. To this day, BCMG maintains a close link to the CBSO and regularly works with CBSO's Music Director, Mirga Gražinytė-TYLA.
\n\nInternational tours have included visits to the USA (Library of Congress), Mexico, India and venues across France, Germany, the Netherlands and Austria. The Group is regularly heard in concert on BBC Radio 3, and has recorded extensively. Recordings include discs of works by Thomas ADÉS, Mark-Anthony TURNAGE and Benjamin BRITTEN, and a Grammy Award-nominated recording of Gerald BARRY's opera, The Importance of Being Earnest, for NMC Recordings. Recent releases include Wilde Lieder Marx.Music on Coviello and Howard SKEMPTON's The Rime of the Ancient Mariner, a series of recordings devoted to British composers including BCMG's late Artist-in-Association Oliver KNUSSEN, Julian ANDERSON and Charlotte BRAY (all on NMC) and a disc of the works of Elliott CARTER on Ondine.
\n\nBCMG's work both inside and outside the concert hall has earned it many awards and accolades. Over the last decade it has been shortlisted for: ITV's South Bank Show's Classical Music Award; the Royal Philharmonic Society's Ensemble Award and BBC Music Magazine's Chamber Award. Its long-established Learning and Participation programmes actively engage young people in composing and performing, and have earned BCMG nationwide recognition (in 2016, the Group was highly commended in the Family Arts Festival Awards).
\n\nIn partnership with Royal Birmingham Conservatoire, BCMG has created the NEXT Music Study Programme in Contemporary Performance, an innovative programme of study which supports early career musicians who want to dedicate their professional career to contemporary music. It is the only programme in the UK providing intensive, year-long training in contemporary music performance practice, offering musicians an unprecedented opportunity to learn from some of the most exciting performers and composers working today.
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月15日(五)19:30於音樂廳演出之【2022衛武營國際音樂節】《音樂揭秘:展覽會之What?》,本節目原演出人員指揮家史丹尼斯拉夫.康查諾夫斯基(Stanislav KOCHANOVSKY),異動為指揮家楊智欽(YANG Chih-chin)。鋼琴林麥可(LIN Mai-ke),異動為鋼琴廖培鈞(LIAO Pei-chun)。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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「儘管難得,事實證明具啟發性的事物也可以如此有趣。」--《芝加哥論壇報》
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本節目是美國芝加哥交響樂團(CSO)專門為大眾「音樂揭秘」的演出,該系列會透過戲劇、投影、燈光等多媒體,結合現場演出的形式,帶領聽者深入樂譜細節與作曲家的內在世界。在這次的音樂節中,策展人陳銀淑特別安排了著重「視、聽交響」的《展覽會之畫》經典製作,拓展第一屆活動風貌。
\n\n《展覽會之畫》是俄羅斯作曲家穆索斯基受哈特曼畫作啟發完成的鋼琴曲,曲中有活潑熱鬧的〈雛雞之舞〉、雄偉壯麗的〈基輔城門〉,極簡與極繁的聲響設計,惟妙惟肖傳達出原畫氣韻。後來善於配器的法國作曲家拉威爾將之改成了樂團版本,精妙的編曲使該作品一躍成為現代管絃樂音樂會中最常見的曲目之一。而透過這場CSO製作的節目,我們將聽見人聲旁白與樂團娓娓道出作曲家的創作初衷、拉威爾如何將鋼琴譜「交響化」,再次領略「音畫」的魅力。
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演出曲目
\n\n穆索斯基-拉威爾:《展覽會之畫》
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演出暨製作團隊
\n\n指揮|楊智欽
\n\n鋼琴|廖培鈞
\n\n演員|許逸聖
\n\n說書人|藍貝芝
\n\n樂團|高雄市交響樂團
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藝術家介紹
\n\n指揮|楊智欽
\n\n「他對樂團展現高度的掌控能力,指揮技術精準,內斂且富於表情……」──聲樂家月刊
\n\n現任高雄市交響樂團指揮。畢業於俄羅斯國立葛涅辛音樂學院。
\n\n音樂風格細膩,流暢優美,嚴謹的工作態度與對樂譜的忠實解讀,使其演出均獲愛樂者熱烈迴響。其演出類型廣泛,除經典管絃曲目外,對於跨界、歌劇、芭蕾製作及演出經歷也極為豐富,包含高雄春天藝術節草地音樂會、大型自製節目與全本歌劇製作等。
\n\n敏銳的音樂性及靈活的樂團掌握能力,讓他跟國內外優秀獨奏家與樂團的合作,激盪出精彩火花,包括:小提琴家列賓、諏訪內晶子、鋼琴家波哥雷里奇、俄羅斯史維特蘭諾夫交響樂團、德國符騰堡愛樂交響樂團、日本金澤管弦樂團等。2017年率高雄市交響樂團赴日本金澤「貝多芬音樂節」演出,更獲聽眾及樂評一致讚賞。
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鋼琴|廖培鈞
\n\n「她的演奏擁有著相當的敏銳度與變化色彩的能力,特別在寧靜的段落,她傳達了一種非常具有說服力的溝通力量。」──鋼琴家Ronan O'Hora.
\n\n廖培鈞被鋼琴家 Paul Badura-Skoda 讚譽為「傑出成熟」的青年鋼琴家。榮獲多項大賽肯定,如臺灣蕭邦青少年鋼琴大賽、兩廳院樂壇新秀、英國伯明罕交響音樂廳鋼琴獨奏會獎和義大利第七屆馬諾保羅‧摩諾波利國際鋼琴大賽第二名、最佳協奏曲演奏與最有潛力音樂家之特別獎等。
\n\n演奏足跡遍及世界各地,曾於奧地利 Mozarteum Wiener Sall、法國 Salle Cortot、俄羅斯坦波夫 Rachmaninov Hall、英國 Barber Institute、Birmingham Symphony Hall、London Regent Hall 和西班牙 Castilla y León 地區演出多場室內樂巡迴音樂會。近年也常受邀至美國、義大利國際音樂節擔任駐節藝術家或校際演出教學,近期合作的音樂家有小號演奏家 Reinhold FRIEDRICH、小提琴家 Benny KIM 和鋼琴家 Peter DONOHOE、 Benjamin FRITH 等;亦多次與知名樂團合作,如臺北愛樂青年管絃樂團、國立臺灣交響樂團、桃園春之聲管絃樂團、伯明罕音樂院交響樂團、樂興之時管絃樂團、中國長沙交響樂團、臺灣國樂團與Bacau Philharmonic Orchestra。先後師事陳泰成、Philip MARTIN、Malcolm WILSON和 Vitali BERZON等教授,為英國伯明罕音樂院獨奏家文憑與音樂藝術碩士,並獲德國弗萊堡音樂院最高獨奏家文憑,現為臺北市立大學音樂學系專任助理教授。
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演員|許逸聖
\n\n大學講師、劇場工作者,畢業於國立臺北教育大學音樂研究所,主修聲樂。為2009聲協新秀;2009兩廳院歌劇工作坊成員。表演橫跨歌劇、音樂劇、舞台劇,並經常受邀編導。2019年受邀演出諾貝爾文學獎得主高行健教授劇作《獨白》世界首演,大獲好評。現任教於南臺科技大學流行音樂產業系、實踐大學音樂系、臺灣師範大學表演藝術研究所。
\n\n許逸聖於2008年與臺北市立交響樂團合作《強尼史基基》,飾SPINELLOCCIO,開始了歌劇的演出,此後演出的角色包括《黑鬚馬偕》飾劉大人;《馬儂.雷斯考》飾 L’OSTE、SERGENTE;《唐.喬望尼》飾LEPORELLO;《女人皆如此》飾GUGLIELMO;《頑童與魔法》飾L’Horloge Comtoise、Le Chat;《茶花女》飾Marquis;《夢遊女》飾ALEXIS;《睡美人》飾國王、大使、樵夫;《魔笛》飾PAPAGENO;《糖果屋》飾Peter;《波西米亞人》飾SCHAUNARD;《鄭莊公涉泉會母》飾穎考叔、衛士乙;《月亮》飾偷月者。並於2018年衛武營開幕季輕歌劇《憨第德》中飾演說書人、潘格羅斯、馬丁。
\n\n早年多演出歌劇作品,2012年開始積極參與劇場演出,舞台劇作品有果陀劇場《徵婚啟事》、《一個兄弟》、《淡水小鎮》;臺灣戲劇表演家劇團《天若光》、《兄弟》。音樂劇作品有台北市立交響樂團《綠島小夜曲》、果陀劇場《吻我吧娜娜》、《愛呀,我的媽!》、臺灣師範大學《山海經傳》;只是嚷嚷《下午,美術館裡的四個人》、《不讀書俱樂部》、相信音樂《搭錯車》。兒童劇作品有如果兒童劇團《天使愛唱歌》、《流浪狗之歌》、《舅舅的閣樓》。
\n重要編導作品:國家交響樂團歌劇推廣《小齊的煩惱》、屏東縣文化處委托創作阿卡貝拉音樂劇《阿爸掠魚的時陣攏咧唱歌》、交響音樂劇《皮爾金厲害》、歌劇選粹《卡門》、音樂劇《阿嬤的歌本》、2014台南藝術節音樂劇《心之鎖愛》、歌劇《糖果屋》。
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說書人|藍貝芝
\n\n資深劇場演員及製作人。曾演出莎妹劇團《膚色的時光》和《殘, 。》分別榮獲台新藝術奬2010首獎及評審團特別獎、同黨劇團《飛天行動》2009年度十大表演藝術。其它重要演出有獨腳戲《無枝nostalgia》、差事劇團《麻辣時代》《敗金歌劇》、河床劇團《羅伯威爾森的生平時代》《百夜之夢》、徐堰鈴《三姊妹》《踏青去》、黎煥雄《幾米地下鐵:一個音樂的旅程》皆於戲劇中有歌唱演出。聲音作品曾出現於夾子電動大樂隊《地下人》、《THE SOUND陳建騏劇場音樂1997–2007》 和公視單元劇《偵探物語》原聲帶。並曾持續演出由義大利導演姬雅拉.瑰蒂執導之台北兒童藝術節定目劇《拇指小英雄》,以說書人一人聲音分飾多角。重要藝術行政經歷包括:台北V-Day《陰道獨白》發起人、2008年女節製作人、台北詩歌節國際連絡人、台灣國際女性影展選片人、衛武營藝術文化中心童樂節特約策展及臺北藝穗節協同策展人。現職樹德科技大學表演藝術系助理教授,亦為亞洲製作人平台籌辦委員。
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高雄市交響樂團
\n\n1981年成立。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,時任高雄市文化局史哲局長出任董事長。2010年,朱宏昌先生出任執行長。2011年,楊智欽先生出任駐團指揮。現任董事長為高雄市文化局長王文翠。
\n\n樂團以高雄代表自許,曾與卡列拉斯、海莉、布赫賓德、列賓、明玆、麥斯基、諏訪內晶子等大師合作,厚植樂團演奏實力及建立品牌。除堅守古典演奏形式,也積極走出廳堂,結合不同場域、型態的表演藝術擁抱大眾;尤以參與高雄春天藝術節系列草地音樂會、名家音樂會、寶寶音樂會及全本歌劇製作演出要角。2018年更獲邀參與台灣最大表演藝術中心──衛武營國家藝術文化中心啟用及開幕系列多場節目,精湛演出受國內樂壇及樂迷一致肯定。
\n\n先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡、北京、日本及香港演出,跨越城市與國界,逐步以國際性樂團為目標,堅定向前。
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Beyond the Score® 由芝加哥交響樂團製作
\n\n創意總監:傑拉德‧麥博尼
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合作夥伴:
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贊助單位
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\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bfa2f6f7ba23c6d74250ead4eb7b517a",title:"【2022 Weiwuying International Music Festival】Beyond the Score® - Pictures at an Exhibition—Pictures of What? "}],related:[],title:"【2022 Weiwuying International Music Festival】Beyond the Score® - Pictures at an Exhibition—Pictures of What? ",cover:"a22bd1adc70853f5b2c5e3b9fcb2e035",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This performance consists of a first-half of Beyond the Score® and a second-half of the complete piece of Pictures at an Exhibition arranged by Maurice RAVEL.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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Beyond the Score® is a comprehensive multimedia experience that brings the listener through a lively historic context, revealing illuminating stories, intriguing perspectives and thoughtful insights within a musical score. In this year's festival, Curator and Artistic Director Unsuk CHIN particularly selected Pictures at an Exhibition, focusing on "symphony with visual and listening experience," which expands the style of classical music events.
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Pictures at an Exhibition is a piano piece by Russian composer Modest MUSSORGSKY inspired by the paintings of Viktor HARTMANN. There is the lively and jubilant Ballet of Unhatched Chicks, as well as the majestic The Great Gate of Kiev. The suite has the sounds of both minimalism and extreme complexity, which vividly convey the detailed characters of the original paintings. The French composer Maurice RAVEL, who was skilled at orchestration, later adapted it for full orchestra. The subtle arrangement made the work become one of the most popular repertoires in orchestral concerts. Through the use of Live actors, musical examples, and breathtaking projections, we will be hearing the vocal narration along with the music, explaining the original intention of the composer, how RAVEL “symphonized” the piano score, allowing us to appreciate the charm of the tone painting once again.
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Program
\n\nMUSSORGSKY/RAVEL: Pictures at an Exhibition
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Creative and Production Team
\n\nConductor|YANG Chih-chin
\n\nPiano|LIAO Pei-chun
\n\nActor|HSU Yi-sheng
\n\nNarrator|Betsy LAN
\n\nOrchestra|Kaohsiung Symphony Orchestra
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Artists Introduction
\n\nConductor|YANG Chih-chin
\n\nPrincipal Conductor of Kaohsiung Symphony Orchestra (KSO), YANG Chih-chin is a renowned conductor in his generation in Taiwan. Born in 1969, he graduated from The Russian Academy of Gnesin, Moscow, Russia, and studied with Miroslav RUSIN, Filex CHEN Chiu-Sheng, András LIGETI, Gunther HERBIG, Michael JUROWSKI. Before joining KSO, YANG served as the Assistant Conductor of Taipei Symphony Orchestra, the Conductor of Opera Studio of National Chiang Kai-Shek Cultural Center, Taiwan.
\n\nYANG obtains very great success in performance from the public by his passion of music, rich orchestral color control capabilities, excellent rhythm, and faithful interpretation of the score.
\n\nYANG has performed with many excellent soloists including Vadim REPIN, Ivo POGORELICH, Andrei GAVRILOV, Sergei NAKARIAKOV, Akiko SUWANAI, Valentina LISITSA, Konstantin LIFSCHITZ, Gavriel LIPKIND, Alban GERHARDT, YANG Wen-Sinn, Ilya GRINGOLTS, Alexei VOLODIN, Tsuyoshi TSUTSUMI, LIN Cho-Liang, HU Nai-Yuan, and LIU Meng-Chieh.
\n\nYANG has worked with and conducted Svetlanov Symphony Orchestra of Russia, Voronezh Philharmonic Orchestra, Württemberg Philharmonic Reutlingen, Bulgarian State Opera Burgas, Filarmonica Brasov, Orchestra Ensemble Kanazawa of Japan, Taipei Symphony Orchestra, National Taiwan Symphony Orchestra and Nanjing Jiangsu Symphony. Highlights in recent season, 2017, YANG was invited to Kanazawa Japan with KSO, performing in Spring Green Music Festival where they were highly acclaimed by critics and reviews.
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Piano: LIAO Pei-chun
\n\n"[LIAO's] playing showed great subtlety and a real sense of color and variety, particularly in quiet passages, and there was throughout a sense of a real communicative force in the playing which was very persuasive." - Ronan O'Hora
\n\nHailed as a "truly matured pianist" by pianist BADURA-SKODA, LIAO Pei-chun has won a prizes at the International Chopin Competition in Taiwan; recognition at National Theater and Concert Hall’s Young Stars Series; in solo performance from the Birmingham Conservatoire; and second prize overall as well as prizes for best concerto and musician with the greatest potential at the Mauro Paolo Monopoli Prize Piano Competition.
\n\nShe has performed at Mozarteum Wiener Sall in Salzburg; Salle Cortot in Paris; Rachmaninov Hall in Tambov; the Barber Institute, Birmingham Symphony Hall, and London Regent Hall in the UK; and in Castilla y León in Spain, and has been frequently invited to music festivals in the US and Italy as a resident artist and performance instructor. Recent collaborations have been with trumpeter Reinhold FRIEDRICH, violinist Benny KIM, and pianists Peter DONOHOE and Benjamin FRITH. She has performed with the Taipei Philharmonic Youth Orchestra, National Taiwan Symphony Orchestra, Birmingham Conservatoire Symphony Orchestra, Philharmonia Moments Musicaux, National Chinese Orchestra in Taiwan, and Bacau Philharmonic Orchestra. She studied under CHEN Tai-cheng, Philip MARTIN, Malcolm WILSON, and Vitali BERZON, received bachelor's and master's degrees in music performance from the Birmingham Conservatoire and the highest honor from the Musikhochschule in Freiburg. She is currently an assistant professor at the University of Taipei.
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Actor: HSU Yi-sheng
\n\nA university lecturer, stage performer, playwright, and director, HSU Yi-sheng earned a master's in vocal performance from National Taipei University of Education. In 2009, he won the Newcomer Award at the Association of Vocal Artists of ROC and worked at the Opera Workshop of the National Theater and Concert Hall. In 2019, he received high acclaim for his performance in the global debut of Nobel laureate GAO Xingjian's The Monologue. He currently teaches at Southern Taiwan University of Science and Technology, Shih Chien University, and National Taiwan Normal University.
\n\nHe initiated his opera career by playing Spinelloccio in Gianni Schicchi in 2008. He has also played LIU in Mackay: The Black-bearded Bible Man, L'oste and Sergente in Manon Lescaut, Leporello in Don Giovanni, Guglielmo in Così Fan Tutte, L'Horloge Comtoise and Le Chat in L'enfant et les Sortilèges, Marquis in La Traviata, Alexis in La Sonnambula, the king, ambassador, and woodman in Sleeping Beauty, Papageno in The Magic Flute, Peter in Hansel and Gretel, Schaunard in La Bohème, Ying Kao-shu and the Knight in A Vow to the Underworld Spring, and the moon thief in Der Mond. In 2018, he played the storyteller, Pangloss, and Martin in Weiwuying's Candide.
\n\nHe became more active in stage drama in 2012, including Godot Theatre Company's Mr. Right Wanted, U, Brother?, and Our Town; and Performer's Bright Sky and Brothers. Musicals include the Taipei Symphony Orchestra's Green Island Serenade, Godot Theatre Company's Kiss Me Nana and Love Ya Mom; National Taiwan Normal University's Classic of Mountains and Seas; Just Murmur's Afternoon, 4 Persons at the Museum and Non Reading Club; and B'in Music's An Accident of Love. His children's plays include If Kids' Angels Love to Sing, Dogs, and Rhythm Way Back Home.
\n\nHis major works as a playwright/director include Qi's Trouble for the National Symphony Orchestra; the a cappella musical Dad Stealing Fish, the symphony musical Peer Gynt Suites, Excerpts from Carmen, and the musical The Grandma's Songbook for the Pingtung Cultural Affairs Bureau; and the musical Closing Off the Heart and the opera Hansel and Gretel for the 2014 Tainan Arts Festival.
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Narrator: Betsy LAN
\n\nBetsy LAN, a highly experienced stage performer and producer, performed in Shakespeare's Wild Sisters Group's Once, upon Hearing the Skin Tone and Tsen,。 (which respectively won the top prize and the special jury prize at the 2010 Taishin Arts Awards) and The Party Theatre Group's The Sky Crisis (named one of the 2009 Top Ten Performing Arts Acts). Other major performances are the monologue Nostalgia, Assignment Theatre's Hot Time and The Corruption Opera, Riverbed Theatre's Life and Times of Robert Wilson and One Hundred Nights' Dreams, Yen Ling HSU's Sisters Trio and Skin Touching, and LI Huan-hsiung's Jimmy's Subway Book—A Musical Journey. She has been recorded for The Clippers' album Underground Man, THE SOUND: Chien-chi Chen Music 1997–2007, and Public Television Service's A.S.T. She managed several different voices as the storyteller in Buchettino (directed by Chiara Guidi) at the Taipei Children's Arts Festival and was instrumental in bringing The Vagina Monologues to V-Day in Taipei. Besides, she has been a producer for the 2008 Taiwan Women Theatre Festival, the international contact for the Taipei Poetry Festival, a member of the film selection committee for Women Make Waves, a curator for the Weiwuying Children's Festival and Taipei Fringe Festival. She is currently an assistant professor at Shu-Te University and a founding member of the Asian Producers' Platform.
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Orchestra: Kaohsiung Symphony Orchestra (KSO)
\n\nWherever there is music, there is you.
\n\nA young orchestra which marches on steadily
\n\nIt is an asset for a city to have an orchestra of its own. Young and energetic, the Kaohsiung Symphony Orchestra (KSO) invites world-class conductors and masters for collaboration and challenges itself by staging performances of diversified styles. The development of the orchestra focuses on both classical and crossover genres; it has not only created increasingly more high quality musical miscellanies for music enthusiasts but also planted numerous seeds for music appreciation and performance, contributing to the innovation of classical music.
\n\nThe Kaohsiung Symphony Orchestra was founded in 1981. It was merged with the Kaohsiung Chinese Orchestra in 2009 as "Kaohsiung Philharmonic Culture and Arts Foundation." Since 2009, the KSO has made considerable contribution in the Kaohsiung Spring Arts Festival, successfully promoting its grassland concerts. In the last decade, the KSO has collaborated with renowned local and international artists and music groups and staged numerous concert series. The KSO has been invited to perform on international stages regularly. Reaching beyond city and country borders, the KSO advances steadily with the self-development goal of becoming an internationally acclaimed orchestra.
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Beyond the Score® is a production of the Chicago Symphony Orchestra
\n\nGerard McBurney, Creative Director for Beyond the Score®
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Partner:
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'★ 鋼琴家王佩瑤X小提琴家魏靖儀X大提琴家高炳坤
\n\n★ 受吳明益暢銷小說《單車失竊記》啟發
\n\n★ 記憶自小說流出,把時間走成一首樂曲
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記憶是明亮的,才能在時光中投下陰影。生命中有某些記憶太深刻,必須慢慢醞釀、仔細品味,就像是寫作、作曲或是沖洗照片的過程。
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受吳明益暢銷小說《單車失竊記》啟發,鋼琴家王佩瑤將盤根錯節的生命軸線中的「記憶」化成音符,尋覓文學與音樂的全新面貌。王佩瑤、伊莉莎白女王國際音樂大賽優勝得主魏靖儀、菲律賓華裔大提琴家高炳坤等音樂家,聯手演奏東歐作曲家楊納傑克、李蓋悌、艾內斯科、高大宜等人的作品。部份作品的靈感來自於這些作曲家蒐集到的鄉間民謠,據以創作出他們自己的曲子。這個過程類似讀者體驗小說中不同語言的發音。
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音樂反映出小說中的精心設計,觸動深藏在聽眾內心的情感。音樂會開始時臺灣攝影藝術家會啟動箱式相機,紀錄音樂會的片段。所拍的影像為當天與觀眾的共同記憶,看似相同的照片,卻是在場每個人各自擁有的獨特體驗。音樂會後將郵寄底片至馬來西亞,由攝影藝術家Jeffrey 重新創作與手工沖洗黑白照片,作為限量100 份私房禮,限定給本場音樂會觀眾。
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沖洗時間約需一個月。這段等待的時間,亦呼應了「浮光流影」的企劃精神:時間如流影,記憶若浮光。人生有一種深刻,需要慢慢醞釀,細細品嘗──如文字推砌、如樂音流瀉,或一張經曝光與沖洗而浮現的影像。
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當記憶逐漸被遺忘時,藉由這份私房禮,希望讓您重新回想起這段時光─你我之間的「此時此刻」,更能深刻體會模糊的影像與鮮明的記憶之間,產生的追逐與矛盾。這時候才算是音樂會真正的結束。
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2021年4月23日於2021台灣國際藝術節(TIFA)首演
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周邊活動
\n\n限量100 份私房禮獲取方式:
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演後座談
\n\n2022/4/16(六)演出後於表演廳舉行
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演出曲目
\n\n楊納傑克:《在迷霧中》,第一樂章:行板
\n\n普羅科菲夫:F小調第一號小提琴奏鳴曲,作品80,第一樂章:相當的行板
\n\n高大宜:無伴奏大提琴奏鳴曲,作品8,第二樂章:極富表情的慢板
\n\n李蓋悌:華沙的秋天,選自第一冊,第六號鋼琴練習曲
\n\n齊馬諾夫斯基:〈羅莎之歌〉,改編給小提琴與鋼琴,選自歌劇《羅傑國王》,作品46
\n\n艾內斯科:第三號小提琴奏鳴曲,第二樂章:持續神秘的行板
\n\n巴巴扎年:升F小調鋼琴三重奏,第一樂章:有表情的快板&第二樂章:行板
\n\n蒙波:如天使般,選自《沉默的音樂》
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演出暨製作團隊
\n\n鋼琴|王佩瑤
\n\n藝術總監暨鋼琴|王佩瑤
\n\n小提琴|魏靖儀
\n\n大提琴|高炳坤
\n\n導演|黃郁晴
\n\n概念來源|吳明益《單車失竊記》
\n\n製作人|吳昀璇
\n\n攝影藝術家|林猷進、陳姿華
\n\n影像設計|徐逸君
\n\n燈光設計|胡翊潔
\n\n舞臺監督|鄒昌荃
\n\n影像執行|何欣蓓
\n\n燈光工作人員| 陶曉慧、段功芸
\n\n製作助理|呂怡青
\n\n攝影助理|李映嫻、楊皓婷
\n\n製作單位|國家兩廳院
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藝術家介紹
\n\n鋼琴&企劃發想|王佩瑤
\n\n留美近三十年,受紐約時報、舊金山時報和華盛頓時報推崇「如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」曾受聘為紐約林肯中心長駐室內樂鋼琴家,並於2006年起於紐約大都會歌劇院擔任聲樂指導,為歌劇院少數受聘之華人。活躍於全世界各大廳院,且合作過無數知名音樂家如呂紹嘉、簡文彬、林昭亮、曾宇謙、Hilary Hahn等;返臺後,擔任諸多歌劇演出之聲樂指導,現為國立臺灣藝術大學音樂系客座教授。
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小提琴|魏靖儀
\n\n2015年比利時伊麗莎白女王國際音樂大賽桂冠優勝,自此,魏靖儀展開其個人的世界巡迴演奏生涯。以家鄉臺灣為巡迴起點,活躍於各大音樂節與音樂廳,並與世界各地交響樂團及音樂家合作,如Eliahu INBAL、Gil SHAHAM、Marin ALSOP、Brian SUITS等。目前使用由奇美基金會贊助提供的1761年Balestrieri名琴。
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大提琴|高炳坤
\n\n出生於菲律賓華裔之音樂世家,十四歲即與馬尼拉愛樂演出海頓C大調大提琴協奏曲。十七歲與美國世界青少年交響樂團演出聖桑第一號大提琴協奏曲,並於紐約卡內基音樂廳和華盛頓特區的甘迺迪中心協奏曲演出,足跡遍及亞洲,北美洲及歐洲。現為國立臺北藝術大學音樂系專任助理教授、國立高雄師範大學音樂系兼任助理教授。
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導演|黃郁晴
\n\n1985年生,基隆人。劇場導演、演員、劇本翻譯、策展人與戲劇教育工作者。15歲開始接觸戲劇,共參與超過50個劇場製作;作品包括《星期一猴子死翹翹》(吳明倫編劇)、《同棲時間》(林孟寰編劇)、《春眠》(簡莉穎編劇)等。目前任教於國立臺北藝術大學戲劇學系,曾任台大話劇社、清大人社公演、復興高中戲劇班、Studio Q表演教室之指導老師。現為國家兩廳院「藝術基地計畫」駐館藝術家(2021-2022年)。
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製作單位|國家兩廳院
\n\n《浮光流影》照片版權由 鄭達敬 提供
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贊助單位
\n\n\n\n
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At the beginning of the concert, the photograpgher will activate different types of cameras, such as box-type cameras, large format and kanta-box-kamra, to record the moment of the concert.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"Memory can be luminous so as to cast shadow in time. ",introduction:'\n\n\n\nMemory can be luminous so as to cast shadow in time. Certain memories in life are so profound that they need to be slowly brewed and carefully tasted, similar to the process how literature is penned, music is composed, or photography is developed.
\n\n
\nInspired by the bestselling novel The Stolen Bicycle written by WU Ming-yi, pianist WANG Pei-yao seeks to explore a new dimension of literature and music through the complexity of life itself. Musicians WAMG Pei-yao, William Wei, laureate of the Queen Elisabeth International Violin Competition, and Victor COO, the Filipino-Chinese cellist, perform pieces by the Eastern European composers JANÁČEK, LIGETI, ENESCU, and KODÁLY. Some of the pieces were based on rural folksongs collected by the composers, which then inspired them to produce compositions of their own. This process is akin to the way readers experience different languages phonically throughout the novel. The music reflects the elaborate setup of the novel to evoke the audience's deep hidden emotions.
\n\n
Luminous Shadow had its world premiere in 2021Taiwan International Festival of Arts(TIFA)in April 23rd, 2021.
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Post-talk
\n\n2022/4/16(Sat) After performance at the Recital Hall.
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Program
\n\nLeoš JANÁČEK: In the Mists, I. Andante
\n\nSergei PROKOFIEV: Violin Sonata No.1 in F Minor, Op. 80, I. Andante assai
\n\nZoltán KODÁLY: Sonata for Solo Cello, Op. 8, II. Adagio con gran espressione
\n\nGyörgy LIGETI: Automne à Varsovie, from Piano Etudes, Book 1 No.6
\n\nKarol SZYMANOWSKI: "Chant de Roxane", Transcription for Violin and Piano, from King Roger, Op.46
\n\nGeorge ENESCU: Violin Sonata No.3, II. Andante sostenuto e misterioso
\n\nArno BABADJANIAN: Piano Trio in F-Sharp Minor, I. Largo- allegro espressivo & II. Andante
\n\nFederico MOMPOU: Angelico, from Musica Callada
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Creative and Production Team
\n\nArtistic Director & Piano|WANG Pei-yao
\n\nViolin|William WEI
\n\nCello|Victor COO
\n\nDirector|HUANG Yu-ching
\n\nInspired by|The Stolen Bicycle from WU Ming-yi
\n\nProducer|Annie WU
\n\nPhotography Artist|Jeffrey LIM、Luc CHEN (Uselrepe)
\n\nVideo Designer|HSU Yi-chun
\n\nLighting Designer|HU Yi-jie
\n\nStage Manager|JHU Chang-chuan
\n\nProjection Operator|HO Hsin-Pei
\n\nLighting Technician|TAO Siao-huei、TUAN Kung-yun
\n\nProduction Assistant|LU I-ching
\n\nPhotography Assistant|LEE Ying-hsien、YANG Hao-ting
\n\nProduced by|National Theater& Concert Hall(NTCH)
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Artists Introduction
\n\nPiano & Programing | WANG Pei-yao
\n\nHaving studied and lived in the US for close to 30 years, Pei-yao was hailed by The New York Times, The San Francisco Times, and The Washington Times as "an exceptional musician with a poetically unique style, delicate touch, and an interpretation full of drama". She was a resident pianist for chamber music in Lincoln Center in New York, and starting in 2006, served as one of the few vocal coaches of Chinese descent for Metropolitan Opera in New York. She regularly performs in major concert halls around the world and has collaborated with numerous renowned musicians, including LU Shao-chia, CHIEN Wen-pin, LIN Cho-liang, TSENG Yu-chien, and Hilary HAHN. Since moving back to Taiwan, she has served as the vocal coach for many opera performances and is currently a visiting professor at Department of Music in National Taiwan University of Arts.
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Violin | William WEI
\n\nWilliam's touring career began after winning the laureate prize from the 2015 Queen Elizabeth Competition in Belgium. Using his hometown Taiwan as the theme, he has performed in major festivals and concert halls and collaborated with symphony orchestras and musicians around the world, including Eliahu INBAL, Gil SHAHAM, Marin ALSOP, and Brian SUITS. He currently uses a 1761 Balestrieri violin sponsored by the Chimei Museum Foundation.
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Cello | Victor COO
\n\nBorn from a music family of Chinese descent in the Philippines, Victor performed Haydn's Cello Concerto in C Major with the Manila Philharmonic Orchestra at age 14. He performed Saint-Saëns's Cello Concerto No. 1 with the World Youth Orchestra of the US at 17 and has performed other concertos at Carnegie Hall in New York and the John F. Kennedy Center for the Performing Arts in Washington, D. C. He has performed in venues across Asia, North America, and Europe, and is currently a full-time assistant professor at Department of Music in Taipei National University of the Arts and part-time assistant professor at Department of Music in National Kaohsiung Normal University.
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Director | HUANG Yu-ching
\n\nBorn in 1985 in Keelung. Theater director, actress, script translator, curator, and drama educator. Yu-ching was exposed to drama at 15 and has since participated in more than 50 theater productions. Her works include Monkey Business (by playwright WU Ming-lun), The Brotherhood (by playwright LIN Meng-huan), and Spring Sleeping (by playwright CHIEN Li-ying). She currently teaches at School of Theatre Arts in Taipei National University of the Arts, and previously served as an instructor for NTU Drama Club—the annual production of NTHU's Interdisciplinary Program of Humanities and Social Sciences, the drama program at Fuxing High School, and Studio Q. She's currently the resident artist for National Theater & Concert Hall's Art Base Program (2021-2022).
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Produced by National Theater & Concert Hall
\n\nLuminous Shadow Photo © 鄭達敬
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月17日(日)14:30於音樂廳演出之【2022衛武營國際音樂節】閉幕音樂會《天方夜譚—神話交響詩》,本節目原演出人員指揮家史丹尼斯拉夫.康查諾夫斯基(Stanislav KOCHANOVSKY),異動為指揮家廖國敏;拉榭爾薩克斯風四重奏(Raschèr Saxophone Quartet),異動為米特薩克斯風重奏團(MIT Saxophone Ensemble)及演出曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n\n\n\n\n\n\n
林姆斯基-高沙可夫二十四歲時,就曾在同儕鼓勵下,以俄羅斯作家森科夫斯基(O. SENKOVSKY)的奇幻故事為題材,寫作第二號交響曲《安塔爾》(後改為交響組曲),試圖從阿拉伯騎士故事出發,找出與德奧音樂迥異的風格。多年以後,他又受到阿拉伯民間文學《天方夜譚》吸引,寫作四樂章交響組曲。整體樂思延續了之前濃厚的調式風味,但管絃樂法運用得更加自如;無論是代表蘇丹王的銅管合奏、代表女主角雪赫拉查德的小提琴獨奏,或是表現公主王子天真爛漫的木管斷奏,都帶出生動的畫面感。
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同場另外安排的兩首現代作品,一首是策展人陳銀淑在2020年,慶祝貝多芬週年紀念完成的新作《突然使勁》。她擷取貝多芬眾多經典樂曲,像是〈科里奧蘭序曲〉、《皇帝》鋼琴協奏曲片段,重組、發展成馬賽克般的音畫。另一首則是奧地利年輕作曲家多伊奇的《給薩克斯風四重奏與管絃樂團的協奏曲》,該作為衛武營國家藝術文化中心與萊比錫布商大廈管絃樂團共同委託創作,2021年底在萊比錫發表世界首演。
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演前導聆
\n\n2022/4/17(日)13:50-14:10 音樂廳三樓大廳
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演出曲目
\n\n陳銀淑:《突然使勁》(臺灣首演)
\n\n伯恩.理查.多伊奇:給薩克斯風四重奏與管絃樂團的協奏曲(亞洲首演,與萊比錫布商大廈管弦樂團共同委託創作)
\n\n林姆斯基-高沙可夫:交響詩《天方夜譚》,作品35
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演出暨製作團隊
\n\n指揮|廖國敏
\n\n四重奏|米特薩克斯風重奏團
\n\n客席樂團首席(天方夜譚)|魏靖儀
\n\n高雄市交響樂團
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藝術家介紹
\n\n指揮 | 廖國敏
\n\n「...令人矚目的指揮奇才。」《費城詢報》
\n\n「...為音樂會掀起序幕,以溫雅自信帶領樂團演出。」《沙托華日報》
\n\n「...極有掌控大局的天賦」《星電報》
\n\n廖國敏 指揮 現任澳門國際音樂節節目總監及香港管弦樂團駐團指揮的廖國敏曾獲美國《費城詢問 報》譽為「令人矚目的指揮奇才」,2014 年法國巴黎國際使雲蘭諾夫指揮大賽勇奪亞軍、觀眾大獎及樂團大獎,並獲美國費城交響樂團委任為助理指揮,為該團史上首位華人助理指揮。 廖國敏活躍於國際舞台,近期重要演出包括獲邀指揮維也納交響樂團,為樂團成立121年來樂季音樂會上首位華人指揮;獲法國政府委派與圖盧茲國家交響樂團首度出 訪沙特阿拉伯;韓國平昌音樂節;國立臺灣交響樂團共十場演出及香港管弦樂團樂季閉幕音樂會等。其他合作樂團包括美國底特律交響樂團、法國國家電台管弦樂團、馬賽歌劇院樂團、韓國首爾愛樂樂團、日本NHK交響樂團、廣島交響樂團、東京都交 響樂團、京都交響樂團、俄羅斯國家交響樂團、莫斯科愛樂樂團、拉脫維亞國家交響樂團等。歌劇指揮也備受矚目,近期與臺中歌劇院合作《塞維亞理髮師》。其他歌劇指揮作品包括《波西米亞人》、《愛情靈藥》、《小丑》、《杜蘭朵》、《遊唱詩人》、《弄 臣》、《蝴蝶夫人》、《卡門》等;並獲指揮家瓦列里·格吉耶夫邀請客席指揮俄羅斯 馬林斯基歌劇院。廖國敏曾以鋼琴家身份與多個樂團演出包括奧地利薩爾斯堡室樂團 和美國沃斯堡交響樂團等。 在香港演藝學院畢業,再赴美國入讀紐約茱莉亞音樂學院、費城寇蒂斯音樂學院、波士頓新英格蘭音樂學院深造。為推廣室內樂,廖國敏為澳門室內樂協會的創會主席。曾獲香港及澳門特區政府頒授嘉許獎狀及文化功績勳章表揚他在文化藝術等多方面的成就。廖國敏於2021獲選為香港十大傑出青年。
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客席樂團首席(天方夜譚)|魏靖儀
\n\n「第一樂章便成功吸引所有人的目光;第二樂章更是完整呈現所有可能性...魏靖儀在音樂中燃燒他的熱情與率性直到樂曲完結。」
\n\n─《比利時時報Le Soir》
\n\n2015年比利時伊麗莎白女王國際音樂大賽桂冠優勝。
\n\n2021四月底,世界級小提琴家什洛莫.明茲 (Shlomo MINTZ) 與台北市立交響樂團合作的音樂會,因緊急狀況,當下短短兩日內緊急代打演出柴可夫斯基小提琴協奏曲,成功完美的演出之後深獲樂界好評。也受到指揮Eliahu INBAL青睞,在同年11月三度合作貝多芬小提琴協奏曲。
\n\n2013年,魏靖儀始於國際舞台嶄露頭角,一舉奪得「庫柏國際小提琴比賽」首獎(Thomas and Evon Cooper International Competition),並與指揮家林望傑和美國五大樂團之一克里夫蘭管絃樂團在賽佛倫斯音樂廳演出。
\n\n2015年與Marin Alsop 所指揮的比利時國家管絃樂團在伊麗莎白女王國際音樂大賽決賽時演出蕭斯塔高維契小提琴協奏曲,獨特的音色、精湛且極具表現力的演奏摘下桂冠殊榮,更獲得樂壇一致好評。自此,魏靖儀展開其個人的世界巡迴演奏生涯。
\n\n以家鄉臺灣作為巡迴起點,接續與國家交響樂團、臺北市立交響樂團、德國巴登巴登愛樂、台灣絃樂團、世宗獨奏家樂團、Mainzer Virtuosi、比利時國家管絃樂團...... 等世界各地交響樂團合作多首協奏曲演出。期間亦與多位世界知名的音樂家合作,如Eliahu INBAL、Gil SHAHAM、Marin ALSOP、Pavel BALEFF、Brian SUITS、胡乃元、林昭亮、陳鋭、王佩瑤、Orion WEISS、Marc DANEL、Sungwon YANG以及Ronald FELDMAN等。
\n\n作為炙手可熱的小提琴家,魏靖儀亦受邀在多個音樂節與音樂廳演出,如紐約卡內基音樂廳、林肯中心、Alice Tully Hall 音樂廳、紐澤西四絃音樂節、佛蒙特綠山音樂節、義大利 Casalmaggiore 音樂節、比利時公牛音樂廳、首爾藝術中心、義大利史特拉底瓦里博物館(Museo del Violino)與臺灣的國家音樂廳。
\n\n甫於2018年獲得Salon de Virtuosi 藝術事業獎,魏靖儀在音樂上的成就更受到著名的《紐約時報》以及Robert SHERMAN 讚賞,後者邀請魏靖儀在美國電臺WQXR節目上演出。
\n\n1994年生於臺灣臺南,先後師事鍾佳妙、許恕藍、吳孟平與陳鈺雯;亦曾於大師班接受胡乃元大師指導。16歲的魏靖儀遠赴茱莉亞音樂院就讀,爾後獲得學校Jerome L. Greene基金會獎學金以及奇美基金會藝術獎學金,師事KANG Hyo及LEE I-hao教授。目前於德國柏林Hanns Eisler 藝術學院,師從前柏林愛樂首席Kolja BLACHER門下。目前使用由奇美基金會贊助提供的1761年Balestrieri名琴。
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米特薩克斯風重奏團
\n\nMIT Saxophone Ensemble
\n\n2013年成立,由團長陳冠文號召12位留學自歐美歸國的青年演奏家組成。背負著提升臺灣古典薩克斯風之國際能見度、推廣薩克斯風重奏的使命,成立八年多來,不斷舉辦各種形式的演出,廣邀國外知名音樂家來臺
\n\n交流,也持續委託臺灣作曲家譜寫原創作品。
\n\n2017年受國際大師 Vincent David 邀請,於香港、澳門、臺灣三地舉辦巡迴演出;2018年獲選為臺灣有史以來第一個進入文化部「演藝團隊分級獎助計畫」的薩克斯風重奏團;並於同年七月參加「第18屆國際薩克斯風年會」,登上克羅埃西亞國家劇院演出,發表作曲家邱浩源融合臺灣元素之創作《慶長生》,將臺灣獨有之音樂特色及演奏水平展現於國際舞台,其收錄於同年發行的首張同名專輯內;十二月與日本薩克斯風大師須川展也合作,米特首度登上國家音樂廳;2019年,首次評選進入國藝會年度獎助團隊(Taiwan Top);並於同年八月代表臺灣首次受邀前往新加坡,參與第九屆國際研討會,且首度舉辦國表藝三館巡迴演出;2020、2021年,亦連續獲選為國藝會年度獎助團隊。
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演出人員
\n\n高音薩克斯風:陳力鋒
\n\n中音薩克斯風:陳品樺
\n\n次中音薩克斯風:黃珮涵
\n\n上低音薩克斯風:張柏方
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高雄市交響樂團
\n\n樂在,你也在。
\n\n-年輕的樂團 堅定向前行
\n\n對一個城市而言,有專屬的樂團是難得珍貴的。高雄市交響樂團成立於1981年,是一個年輕有活力的樂團,2009年起迄今,擔任高雄春天藝術節重要演出角色,成功打響「高雄春天藝術節草地音樂會」品牌;十餘年來,不斷的與國際級指揮與名家大師們合作共鳴,勇於嘗試多元型態的演出,兼具古典與跨界是樂團發展的主軸,為樂迷創造更多優質的音樂饗宴,也培育無數表演與欣賞的種子,延展古典音樂創新的鴻翅;疫情期間也持續以各種線上模式音樂會與樂迷們見面,以音樂的能量撫慰人心。
\n\n在國際舞台上,樂團不斷獲邀至多個國際城市演出,逐步跨越城市與國界,以國際級樂團為自我提升與成長目標,堅定向前。
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合作夥伴:
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贊助單位
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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At the age of twenty-four, Nikolai RIMSKY-KORSAKOV, encouraged by his peers, wrote Symphony No. 2 Antar (later changed to a symphonic suite), based on the fantasy stories of Russian writer Osip SENKOVSKY. Differing from the traditional German and Austrian music, this music incorporates the style and the stories of Arabia. Years later, RIMSKY-KORSAKOV was intrigued by the Arabian folk literature Arabian Nights and wrote a four-movement symphonic suite Scheherazade. The music continues the same exotic mode of the previous, with more sophisticated and unconstrained orchestration techniques. Whether it is the brass ensemble representing the sultan, the violin solo representing the heroine Scheherazade, or the staccato woodwinds depicting the innocent princess and prince, all bring out vivid and dramatic scenes.
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Two other contemporary works will be presented: Subito con Forza is the new work composed in 2020 by the Festival Artistic Director Unsuk CHIN to celebrate the anniversary of BEETHOVEN. She extracted many of BEETHOVEN's classic pieces, such as fragments from the Coriolan Overture and the Emperor piano concerto, reorganized and developed them into a mosaic-like tone painting. The Concerto for Saxophone Quartet and Orchestra by the young Austrian composer Bernd Richard DEUTSCH, which is co-commissioned by National Kaohsiung Center for the Arts (Weiwuying) and the Gewandhaus Orchestra from Leipzig, will also be presented. It had its world premiere in Leipzig at the end of 2021.
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Pre-talk
\n\n2022/4/17(Sun)13:50-14:10 Concert Hall 3rd Floor
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Program
\n\nUnsuk CHIN: Subito con Forza (Taiwan Premiere)
\n\nBernd Richard DEUTSCH: Concerto for Saxophone Quartet and Orchestra (Asian Premiere, joint commission with Gewandhaus Orchestra)
\n\nN. A. Rimsky-KORSAKOV: Scheherazade, Op.35
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Creative and Production Team
\n\nConductor|LIO Kuokman
\n\nQuartet|MIT Saxophone Ensemble
\n\nGuest Concertmaster (Scheherazade)|William WEI
\n\nKaohsiung Symphony Orchestra
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Artists Introduction
\n\nConductor | Lio Kuokman
\n\n"...a startling conducting talent." -Philadelphia Inquirer
\n\n"...opening the concert evening and leading the orchestra with grace and assurance." -The Chautauquan Daily
\n\n"...beautiful sense of control."- Star Telegram
\n\nCurrently serving as Programme Director of the Macao International Music Festival and Resident Conductor of the Hong Kong Philharmonic Orchestra, LIO is praised by the Philadelphia Inquirer as "a startling conducting talent." He was the second prize winner of the third Svetlanov International Conducting Competition in Paris with audience prize and orchestra prize and has served as the first Chinese Assistant Conductor with the Philadelphia Orchestra. LIO has successfully collaborated with many leading orchestras across the globe. This season he was invited as the first Chinese conductor to conduct subscription concert with the Vienna Symphony; Invited by the French government to lead the first Saudi Arabia performance tour with Orchestre National du Capitole de Toulouse; Completed 10 performances in Taiwan with NTSO; Appearance at Music in PyeongChang Festival and conducted the season closing concert with Hong Kong Philharmonic. Other collaborated orchestras including Detroit Symphony, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Marseille, Seoul Philharmonic, NHK, Hiroshima, Tokyo Metropolitan, Kyoto Symphony, Russian National Symphony Orchestra, Moscow Philharmonic, Latvian National Symphony, etc. LIO recently collaborated with National Taichung Theater on a production of Il Barbiere di Siviglia. Other opera performances including La bohème, L'elisir d'amore, Pagliacci, Turandot, Il Trovatore, Rigoletto, Madama Butterfly, Carmen; And was invited by Valery GERGIEV as guest conductor at the Mariinsky Theatre. As a concert pianist LIO has collaborated with Mozarteum Orchestra Salzburg and Fort Worth Symphony. Educated at the Hong Kong Academy for Performing Arts, the Juilliard School, the Curtis Institute of Music and the New England Conservatory, LIO is a founding member and President of the Macao Chamber Music Association. For his contributions to the development of arts and culture, LIO has received a Certificate of Commendation and Medal of Cultural Merit from both governments of Hong Kong and Macao. In 2021 LIO is the recipient of the Hong Kong Ten Outstanding Young Persons award.
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Guest Concertmaster (Scheherazade) | William WEI
\n\nLaureate of the prestigious 2015 Queen Elisabeth International Violin Competition, rising Taiwanese violinist William Wei is quickly building an international career as a soloist. Of his performance of the Shostakovich Violin Concerto with conductor Marin Alsop and the National Orchestra of Belgium, Le Soir wrote that William "gets everyone's attention in the first movement; he expresses all the possibilities in the second movement; [and he] burns all his passion and freedom in the music till the end." Radio Télévision Belge Francophone simply called his playing "superb".
\n\nWilliam's recent highlights have included concert series stepping in for violinist Shlomo MINTZ in Tchaikovsky Violin Concerto in D Major with Eliahu INBAL. National Symohony Orchestra with HU Nai-yuan and CHEN Ray, and Baden-Baden Philharmonic with Pavel BALEFF.
\n\nA winner of the Salon de Virtuosi's 2018 Career Grant, William has been invited twice by renowned New York Times music critic Robert SHERMAN to perform on WQXR's Young Artists Showcase. He performed the Tchaikovsky Violin Concerto with conductor, Jahja LING and the Cleveland Orchestra at Severance Hall as a winner of the Thomas and Evon Cooper International Competition in 2013.
\n\nFollowing his recital debut in Taiwan, William has appeared as soloist on multiple occasions, performing with such orchestras as the Belgium National Orchestra, Cleveland Orchestra, Sejong Soloists, Taipei Symphony Orchestra, Taiwan Philharmonic, Boston Longwood Symphony, and Mainzer Virtuosi. He has appeared as soloist at Lincoln Center, Carnegie Hall, Kaufman Music Center, Merkin Concert Hall, Jordan Hall, the Henry le Boeuf Hall in Belgium, Gasteig Concert Hall in Munich, Seoul Arts Center, Cremona Stradivari Museum (Museo del Violino), and Taiwan National Concert Hall, and has been invited to perform at several festivals, including the 4string festival in New Jersey, Incheon Music Festival in Korea, Green Mountain Music Festival in Vermont, and the Casalmaggiore Music Festival in Italy. William has performed with such renowned musicians as Eliahu INBAL, Gil SHAHAM, CHEN Ray, Marin ALSOP, Hu Nai-yuan, LIN Cho-liang, WANG Peiyao, Orion WEISS, Marc DANEL, Yang Sung-won, Brian SUITS, and Ronald FELDMAN.
\n\nBorn in Taiwan, William began his violin studies at the age of five. He is a proud recipient of the Jerome L. Greene Foundation Scholarship at the Juilliard School, where he earned his Bachelor's degree under KANG Hyo. He is currently pursuing his Master's degree at the Hochschule für Musik Hanns Eisler in Berlin under Kolja BLACHER, former concertmaster of the Berlin Philharmonic. William plays on a 1761 Tomasso Balestrieri loaned from the Chimei Foundation in Taiwan.
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MIT Saxophone Ensemble
\n\nMIT (Made in Taiwan) Saxophone Ensemble was formed in 2013 by talented Taiwanese saxophonists who have studied in the United States, France, Japan, Thailand, and the Netherlands. As an emerging chamber group, the MIT has held over 50 concerts and events since forming in 2013.
\n\nAs a pioneer saxophone ensemble in Taiwan, the MIT Saxophone Ensemble takes a duty of expending the saxophone ensemble repertoire. In addition to arranging works for the ensemble, they continuously commission new works by active composers, including Philippe GEISS, CHIU Hao-yuan, and LEE Che-yi. The MIT also devotes to promoting the saxophone in Taiwan and bringing it into the mainstream, by holding masterclasses, lectures, recitals, and out-reaching concerts. The most successful among all is currently there are more than 25 ensembles, over 250 players, coached by the MIT. Member of these ensembles varies from youth to adult, and beginners to music-major students.
\n\nDefined themselves a versatile chamber group, the MIT Saxophone Ensemble always enjoy to innovate their performance, teaching, and all other aspects. The broad interests of members contribute to this characteristic, and lead the group to have wider and deeper influences that are essential to improve the local saxophone society toward its audient.
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Performers
\n\nSoprano Saxophone|CHEN Li-fong
\n\nAlto Saxophone|CHEN Pin-hua
\n\nTenor Saxophone|HUANG Pai-haw
\n\nBaritone Saxophone|CHANG Po-fang
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Kaohsiung Symphony Orchestra
\n\nWherever there is music, there is you.
\n\n-A young orchestra moving forward with determination.
\n\nA city's orchestra is a rare and precious attribute for any place to have. The Kaohsiung Symphony Orchestra is a young, talented, and energetic orchestra that cooperates with internationally renowned conductors. The KSO strives to incorporate classical and cross-border performances into their repertoire, permeated with their unique passion.
\n\nThe KSO was founded in 1981 and since 2009, the orchestra has played a pivotal role in the Kaohsiung Spring Arts Festival and successfully established the reputation of the "Kaohsiung Spring Arts Festival Grassland Concert." Over the past decade, the KSO has continued to absorb the encouragement and tempering of various international personalities to create a series of concerts performed jointly by famous domestic and foreign artists. During the pandemic, there was a series of online concerts that connected music with fans to soothe their hearts with the energy of music.
\n\nOn the international stage, the KSO continuously receives international invitations to perform in many cities, gradually reaching beyond the borders and proudly taking the name of an international-level orchestra. The KSO moves firmly onwards with talent and strength while striving for growth.
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Partner:
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Sponsor
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Unsuk Chin|Artistic Director of WWY International Music Festival
\n\nI am honoured to be appointed Artistic Director of the new Weiwuying International Music Festival.
\n\nThe musical life in Taiwan, its spirit andcommitment, is being admired worldwide, and the National Kaohsiung Center for the Arts (Weiwuying) is a real gem with its fantastic acoustics and beautiful architecture.
\n\nThe Weiwuying International Music Festival is a brand-new platform for musical innovation and discoveries.
\nThe first edition of the festival in 2022 presents a wide variety of music from different epochs and cultures, with premieres and Taiwanese first performances contrasting with established masterworks of musical history placed in unusual contexts and new concert formats.
\nBy attempting a dialogue between cutting edge new music from East and West with established classics, we undergo new listening experiences: whether by juxtaposing HAYDN with LUTOSLAWSKI, WEBERN with BRAHMS in a recital with William WEI, LIN Chia-ying with STRAVINSKY, or finding cross-cultural connections in a beloved classic (Pictures from an Exhibition) in the innovative Beyond the Score® multimedia concert production.
\nLuminous shadow, a program curated by pianist WANG Pei-yao was inspired by WU Ming yi's bestselling novel The Stolen Bicycle. The experimental film-maker Zbig RYBCZYŃSKI, in his movie The Orchestra, presents us unusual associations with the symphony orchestra in his uniquely surreal manner.
\nA particular focus is being put on the works of Bernd Richard DEUTSCH from Austria, one of the brightest young composers anywhere: together with the Gewandhaus Orchestra from Leipzig, we have commissioned a new piece for the exotic combination of a saxophone quartet and orchestra. Two other brilliant composers of the young generation have also been commissioned new works: LIN Chia-ying from Taiwan and Paulo BRITO from Brazil.
\nWe are happy to present several ensembles, including the MIT Saxophone Ensemble, the National Symphony Orchestra and the Kaohsiung Symphony Orchestra, with conductors CHIEN Wen-pin, LIO Kuokman and YANG Chih-chin. The newly founded Weiwuying Contemporary Music Ensemble, conducted by YANG Su-han, becomes a
\nplatform of new musical creation with new music from Taiwan and other continents.
\nWelcome to embark on a new artistic adventure together!
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Unsuk Chin|Artistic Director of WWY International Music Festival
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©Priska Ketterer
\n\nComposer and curator Unsuk Chin was born in 1961 in Seoul and she has lived in Germany since 1985. Chin's career has been celebrated with a series of classical music awards. Her music has attracted the attention of international conductors. Regularly commissioned by leading performing organisations around the world, her music has been performed by orchestras such as the Berlin Philharmonic, New York Philharmonic, Chicago Symphony Orchestra, and the Tokyo Symphony, among others. She has been Composer-in-Residence of the Lucerne Festival, the NDR Elbphilharmonie Orchestra, the BBC's Total Immersion Festival, and many more.
\n\nIn 2007, Chin's first opera Alice in Wonderland received its world premiere at the Bavarian State Opera, opening the Munich Opera Festival. Chin has also been active as a concert curator, overseeing the Ars Nova series at the Seoul Philharmonic from 2006 to 2017 - a series which she founded herself, from 2011 to 2020 as Artistic Director of the Music of Today series of the Philharmonia Orchestra in London and in 2021 as Director of the Seoul Festival of the Los Angeles Philharmonic. Her works are published exclusively by Boosey & Hawkes.
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Sponsor
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\n',benefits:'\n\t\t\t ※原訂2022年4月8日(五)19:30於音樂廳演出之【2022衛武營國際音樂節】開幕音樂會《跨越兩世紀的音樂》,演出人員及演出曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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「開始」並不容易但能帶來希望。海頓在神劇《創世紀》中,一開始以多變的調性捕捉天地初始的混沌,過程中輪流閃現不安與優美,戲劇性效果為宗教音樂帶來新氣象。
\n\n波蘭作曲家盧托斯瓦夫斯基的作品《管絃樂協奏曲》,引用馬佐夫舍地區(Mazowsze)的傳統音樂曲調,卻以巴洛克曲式鋪陳,重新把握住新古典主義風格。首屆音樂節開幕特別邀請近年屢獲大獎、被泰晤士報評為「才情顯赫」的作曲家林佳瑩創作新曲《糖話故事》,展現臺灣新生代作曲家的高度。
\n最後,史特拉汶斯基的《火鳥》芭蕾舞劇音樂,是他初出茅廬時接下「俄羅斯芭蕾舞團」的委託成果,樂曲以最具原創性的節奏運用和管絃樂法,震撼巴黎藝文界,進而為歐陸樂壇開創新局。
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演前導聆
\n\n2022/4/8(五)18:50-19:10 音樂廳三樓大廳
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演出曲目
\n\n海頓:〈混沌的表現〉,選自神劇《創世紀》,Hob. XXI:2
\n\n盧托斯瓦夫斯基:管絃樂協奏曲
\n\n林佳瑩:《糖話故事》為管絃樂團(世界首演,衛武營委託創作)
\n\n史特拉汶斯基:《火鳥》組曲(1919版)
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演出暨製作團隊
\n\n指揮|簡文彬
\n\n國家交響樂團
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藝術家介紹
\n\n指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。簡文彬1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016擔任國立臺灣交響樂團藝術顧問。
\n\n2014年9月簡文彬獲頒第十八屆國家文藝獎。
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國家交響樂團
\n\n國家交響樂團的前身「聯合實驗管絃樂團」成立於 1986 年,集合優秀新生代音樂家,以打造頂尖交響樂團為目標;2005 年成為國立中正文化中心附設團隊,2014 年 4 月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作,是自信、精銳,有文化意識的「臺灣之音」。
\n\nNSO 的歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉;常任指揮艾科卡(Gerard Akoka)與史耐德(Urs Schneider),藝術顧問暨首席客座指揮根特・赫比希(Günther Herbig)共同悉心呵護樂團成長。近十餘年來,NSO 銳意求變,大步朝專業、開放、勇於創新的職業樂團發展,成為亞洲地區最具指標性的樂團;自 2021 年 8 月,德國指揮家準・馬寇爾(Jun Märkl)接任 NSO 藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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贊助單位
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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"Beginning" is strenuous but it brings hope. In The Creation, Joseph HAYDN used a variety of tonalities to capture the initial chaos of the creation of heaven and earth. The uneasiness and beauty manifested throughout the piece, and the drama, brought a new aura to religious music.
\nPolish composer Witold LUTOSLAWSKI's work Concerto for Orchestra, citing the traditional music tunes of the Mazowsze region (the province of Mazovian Voivodeship where Warsaw is located.) The composer applies the Baroque musical form to this piece, creating a masterpiece of Neoclassicism.
\nFor the opening of the first International Music Festival, Weiwuying specially invited LIN Chia-ying, the Taiwanese composer who has won numerous awards in recent years and was hailed for "manifest flair" by The Times, to commission a new song The Fabricated Sugar-Coat, showing the mastery of Taiwan's new generation of composers.
\nFinally, Igor STRAVINSKY's The Firebird is a ballet work commissioned for the Ballets Russes. With its original rhythmic patterns and orchestration, the music shocked the music circles in Paris, and opened a new era for classical music in Europe.
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Pre-talk
\n\n2022/4/8(Fri)18:50-19:10 Concert Hall 3rd Floor
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Program
\n\nJoseph HAYDN: 'Representation of Chaos' from The Creation, Hob. XXI:2
\n\nWitold LUTOSLAWSKI: Concerto for Orchestra
\n\nLIN Chia-ying: The Fabricated Sugar-Coat for orchestra (World premiere, Commissioned by Weiwuying)
\n\nIgor STRAVINSKY: The Firebird Suite (1919 Version)
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Creative and Production Team
\n\nConductor|CHIEN Wen-pin
\n\nNational Symphony Orchestra
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Artists Introduction
\n\nConductor|CHIEN Wen-pin
\n\nCHIEN Wen-pin was born in 1967 in Taipei. He received an undergraduate degree from the National Taiwan Academy of Arts and a Master's degree from the University for Music and Performing Arts Vienna. From 1998 to 2004, he was Resident Conductor at Japan's Pacific Music Festival, founded by Leonard BERNSTEIN, and he became Music Director of the National Symphony Orchestra in Taiwan in 2001, where he remained until 2007. In 1996, he began his 22-year career as Kapellmeister of Deutsche Oper am Rhein (Düsseldorf Duisburg, Germany). From 2014 to 2016, CHIEN served as artistic advisor to the National Taiwan Symphony Orchestra. In 2014, he was honored with the National Award for Arts. Currently CHIEN is the Executive and Artistic Director of National Performing Arts Center - National Kaohsiung Center for the Arts (Weiwuying).
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National Symphony Orchestra
\n\nFounded in 1986, the Taiwan Philharmonic, also known as the National Symphony Orchestra (NSO) at home, has been hailed as one of the best orchestras in Asia. With some of the finest musical talent from at home and abroad, trained at top schools and international orchestras, the NSO enjoys a unique voice rich in diversity and tradition. Under the leadership of music director Jun Märkl since January 2022, the NSO aspires to resonate throughout the world as the cultural ambassador of Taiwan. Music by Taiwanese composers is extensively commissioned, performed, and recorded by the NSO.
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Sponsor
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\n\t\t\t ※4/10(日) 18:00於演講廳舉辦之【2022衛武營國際音樂節】聶辛斯基:《管絃樂團》演後座談,主講者藍祖蔚因突發行程不克出席,主講者另邀請影評家鄭秉泓擔任。 \n\t\t\t | \n\t\t
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出生於波蘭的聶辛斯基無疑是當代最有想像力的導演之一,他除了從七〇年代就開始鑽研電影特效,比如大量運用綠幕拍攝,最特別的是,他的作品常會從現實場景衍生出許多超現實情節,形成高度個人化的世界觀。他曾在訪談中提到:「我喜歡『當代』這個概念,我的影片會融合各種不同的時間。我不想直接描繪『現在』,因為現在和過去是一體的。」
\n\n《管絃樂團》是他在1990年完成的代表作,影片由六段幻想式短片接續而成。不把音樂作為配樂,聶辛斯基的每個段落,都讓影像與音樂互為對位,像是第五段出現的新婚夫妻,他們裸身飛舞在教堂裡,搭配的是舒伯特的〈聖母頌〉,或是最末段以拉威爾〈波麗露〉舞曲,描繪共產制度的進程與衰亡,皆創造出飽滿、動人的意象。
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演後座談
\n\n2022/4/10(日)18:00-18:30 演講廳
\n\n主講者|鄭秉泓
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藝術家介紹
\n\n薩比格‧聶辛斯基是聞名全球的電影導演,同時也是高畫質影片的先鋒以及技術領域的創新者。其作品在美國、歐洲、亞洲和南美洲等地獲得許多知名業界大獎的肯定,包含奧斯卡金像獎、艾美獎、三座MTV獎、坎城影展金棕櫚獎等殊榮。他也為米克・賈格、小野洋子、閃耀大師、頭腦簡單樂團等音樂人製作MV,更是MTV名人堂的入圍者。
\n\n迄今為止,薩比格所執導與製作的電影已逾50部。
\n\n許多電視頻道與節目中都可看見薩比格的作品,如美國的公共電視台《偉大的表演》、國家廣播公司《今夜秀》、《20/20》、《夜間飛行》、MTV音樂頻道;歐洲和亞洲則包含法國電視台CANAL+、義大利廣播公司、德國電視二台、日本NHK、波蘭電視台第二台、波蘭電視頻道POLSAT等等。
\n\n1985年,薩比格在紐約成立了自己的電影工作室「薩比格影像」,並在此產出不少重要又創新的高解析度影片——《階梯》(1987)、《第四維度》(1988)、《管弦樂隊》(1990)、《曼哈頓》(1991)以及《卡夫卡》(1992),也獲得了熱烈的迴響與無數的獎項。薩比格是高解析度電視技術的先鋒,也是技術領域的創新者和實驗者。他坐擁美國許多電影技術方面的專利,包含運動控制、光學及影像合成。
\n\n1985年至2013年間,薩比格在美國、德國和波蘭發展視覺特效製作的創新方法及系統。這段期間內,其主要貢獻在於發展出獨特的電影工作室,以電子技術配備即時創作並合成多層影像。此舉大幅降低了後製的需求,從根本上改變了創意過程的方法,也減少了整體的製作費用。薩比格在2010年至2013年間於波蘭樂斯拉夫工作,並在此設計、打造出一間特別的工作室「視聽科技中心」。該中心的設備新穎而先進,可即時製作多層影像。
\n\n薩比格的學術職涯也同樣出色。他在紐約哥倫比亞大學、德國科隆媒體藝術學院以及波蘭洛茲電影學院授課,並在日本東京女子美術大學擔任客座教授。
\n\n薩比格與其妻子多蘿塔‧茲格羅比卡定居於美國。夫妻倆目前則正在製作共同編導的劇情片《設計師》。
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演後座談主講者
\n\n鄭秉泓
\n\n高雄人,寫影評、策劃影展,曾任新北市電影節策展人(2012-2014)及高雄電影節短片策展人(2013-2017),目前在東海大學及義守大學教電影。著有《台灣電影愛與死》、《台灣電影變幻時:尋找台灣魂》,編有《我深愛的雷奈、費里尼及其他》、《她殺了時代:重訪日本電影新浪潮》,監製紀錄短片《伏流》。
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贊助單位
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Born in Poland, RYBCZYNSKI is undoubtedly one of the most imaginative directors of the contemporary era. Ever since the 70's he has dug deep into special effects, such as extensive use of green screen shooting. The most special thing in his works is that they often start from real scenarios, then veer into many surreal plots, forming a highly personal worldview. He once mentioned in an interview: "I like the concept of 'contemporary'. My videos will integrate different times. I don't want to directly portray the "current time" because the present and the past are one as a whole."
\n\nThe Orchestra is his masterpiece completed in 1990. The film is a combination of six fantasy short films. Instead of using music as the background soundtrack, each section makes the image and the music counterpoint each other. For example, in the fifth part, when the newlyweds dance naked in the church, the music is SCHUBERT's Ave Maria. The last part features RAVEL's Boléro mixed with depictions of the rise and fall of the communist system, a vivid and stunning image.
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Post-talk
\n\n2022/4/10(Sun)18:00-18:30 Lecture Hall
\n\nLecturer|Pin Hung CHENG (Ryan CHENG)
\n\n\n\n
Artists Introduction
\n\nZbig RYBCZYNSKI is an internationally renowned filmmaker, HD pioneer and an innovator in the film's technical field. He received numerous prestigious awards, including- Oscar, Emmy, 3xMTV's, Cannes Silver Palm, among many others in the USA, Europe, Asia, and South America. He created music videos for Mick Jagger, Yoko Ono, GrandMasterFlash, Simple Minds, and many others. He is an MTV Hall of Fame inductee.
\n\nZbig directed and produced over 50 film titles so far.
\n\nZbig's work was seen on many TV Channels and TV programs in the USA, including Great Performances PBS, Tonight Show NBC, 20/20, Night Flight, MTV, as well as in Europe and Asia: CANAL+, RAI, ZDF, NHK JAPAN, TVP2, TV POLSAT, and more.
\n\nIn 1985, he launched his film studio – ZBIG VISION – in New York, where he created his most important and innovative HDTV films: Steps (1987), The Fourth Dimension (1988), The Orchestra (1990), Manhattan (1991), and Kafka (1992), all of which were showered with enthusiastic critical acclaim and numerous awards. Zbig is a pioneer of HDTV technology, an innovator and experimentator in the film's technical field. He's the author of several US patents regarding film techniques, including motion control, optics, and compositing.
\n\nBetween 1985-2013, Zbig worked in the USA, Germany, and Poland, developing innovative methods and systems to produce visual special effects. His major contribution during this period was developing a one-of-a kind film studio, equipped with electronic technology for creating and compositing multi-layer images in real time. It largely eliminates the need for post-production, which fundamentally changes the methodology of the creative process, efficiently reducing overall production costs. 2010-2013, Zbig worked in Wroclaw, Poland, where he designed, build, and directed a unique studio – Audiovisual Technology Center. CeTA is a novel, state of-the-art facility for the production of real-time, multi-layer film images.
\n\nHis distinguished academic career include teaching at the Columbia University in New York, the Academy of Media Arts in Cologne, Germany, Poland's Lodz Film School and visiting professor at Joshibi University of Art and Design in Tokyo, Japan.
\n\nZbig lives and works in the USA with his wife Dorota ZGLOBICKA, where they work on their feature film Thee Designer, co-written and co-directed with Dorota.
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Post-talk Lecturer
\n\nPin Hung CHENG (Ryan CHENG)
\n\nLecturer, Festival Programmer and Film critic. Cheng has published extensively online and in various media outlets. He runs a professional film blog and is the author of The Love and Death of Taiwan Cinema(2010), She killed the Era: Revisiting the Japanese New Wave(2017) and Taiwan Cinema in Transition: In Search of True Taiwan Spirit(2019).
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Sponsor
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\n',benefits:'\n\t\t\t ※原訂2022年4月9日(六)14:30於表演廳演出之【2022衛武營國際音樂節】《指尖把玩的音樂玩具 – 傅美兒》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年6月30日(四)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
「我們立即被她圈粉。」——《泰晤士報》
\n\n「她的天才毋庸置疑。」——《英國藝術臺》
\n\n「非常獨特的音樂家……是作曲家夢寐以求的演繹者。」——2022衛武營國際音樂節策展人陳銀淑
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曾被《泰唔士報》評為「奔放又炫技的演奏」,旅英馬來西亞鋼琴家傅美兒(Mei Yi Foo)長年活躍於歐陸,過去曾與BBC音樂會管絃樂團、倫敦室內樂團、赫爾辛基愛樂等樂團合作。她也積極參與當代作品演繹,在多個新音樂節上演出,包括哈德斯費爾德當代音樂節(HCMF)、漢堡新作品音樂節(Das neue Werk)等,2022衛武營國際音樂節策展人陳銀淑這樣形容她:「非常獨特的音樂家……是作曲家夢寐以求的演繹者。」
\n\n2013年,傅美兒以首張專輯《音樂玩具》(Musical Toys)拿下《BBC音樂雜誌》最佳新進音樂家獎,並獲得德國《古典音樂》雜誌(Klassik)五星評價。在這次音樂會上,她將延續專輯挖掘當代音樂的路線,演出陳銀淑、法國作曲家梅湘、德國作曲家拉亨曼、匈牙利作曲家庫塔格之作品,展現新音樂的迷人風貌。
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演出曲目
\n\n荀白克:六首鋼琴小品,作品19
\n\n捷爾吉‧庫爾塔格:常動曲,選自《遊戲》
\n\n克里斯‧哈爾曼:第二號《舒曼小品》
\n\n喬治‧班傑明:〈錘子〉,選自《鋼琴音型》
\n\n彼得‧于特福許:《蛺蝶之舞》
\n\n赫爾穆特‧拉亨曼:〈小漢斯〉,選自《兒戲》
\n\n赫爾穆特‧拉亨曼:〈假中國人(有點醉意)〉,選自《兒戲》
\n\n弗雷德里克‧瑞夫斯基:(前)奏曲第一首
\n\n弗雷德里克·瑞夫斯基:(前)奏曲第三首
\n\n菲亞.古拜杜里娜:〈演奏低音提琴的熊和黑人女子〉,選自《音樂玩具》
\n\n捷爾吉.庫爾塔格:〈反覆〉,選自《遊戲》
\n\n陳銀淑:第五號練習曲(觸技曲)
\n\n巴爾托克:《戶外》組曲,作品81
\n\n埃文‧齊波林:《棚屋》,第一、三樂章
\n\n梅湘:〈喜悅聖靈的凝視〉,選自《對聖嬰耶穌的二十凝視》
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演出暨製作團隊
\n\n鋼琴|傅美兒
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藝術家介紹
\n\n鋼琴|傅美兒
\n\n榮獲2013年《BBC音樂雜誌》最佳新人的傅美兒,是國際公認極具創新精神的鋼琴家,她的演奏曲目多樣且不拘一格。美兒被描述為「具備大膽個人特色的藝術家」(瑞士德語廣播電視);其音樂會「奔放」且「精湛」(泰晤士報);表現出「驚豔四方的完美和創意」(陳銀淑)。
\n\n身為一位多產的協奏曲獨奏家,美兒曾與英國室內樂團、沃斯堡交響樂團、赫爾辛基愛樂樂團、冰島交響樂團、倫敦室內樂團、倫敦愛樂樂團、馬來西亞愛樂樂團、國立臺灣交響樂團、愛樂管絃樂團、混音樂團和首爾愛樂樂團合作,並與巴默特(Matthias BAMERT)、布拉賓斯(Martyn BRABBINS)、弗洛(Claus Peter FLOR)、福斯特(János FÜRST)、加洛瓦(Pascal GALLOIS)、赫爾穆斯(Antony HERMUS)、卡拉比茨(Kirill KARABITS)、倫德爾(Peter RUNDEL)、史托加德(John STORGÅRDS)、維格斯沃(Mark WIGGLESWORTH)和詹德(Benjamin ZANDER)等指揮家合作。她曾在世界最知名的音樂節上演出,如琉森音樂節、柏林超聲波音樂節、英國哈德斯菲爾德當代音樂節和挪威Punkt音樂節。她近期的重點演出包括威格摩爾音樂廳、東京歌劇城音樂廳、皇家亞伯特音樂廳、漢堡易北愛樂廳和新加坡維多利亞音樂廳的演出。
\n\n作為新音樂的倡導者,美兒經常與在世的作曲家合作,包括藤倉大、貝克(Richard BAKER)、哈曼(Chris HARMAN)和陳銀淑。她也是倫敦南岸中心2017年 《今日音樂》系列的特邀藝術家。她的獲獎獨奏專輯《音樂玩具》(Musical Toys)和與布列頓交響樂團合作的室內協奏曲專輯《ConNotations》獲得一致好評。
\n\n美兒是馬來西亞人。在倫敦皇家學院和皇家音樂學院完成了與索羅門(Yonty SOLOMON)、艾爾頓(Chris ELTON)和薩茲(Alexander SATZ)的學習後,定居英國。 目前她在皇家威爾斯音樂與戲劇學院任教。美兒還獲得Setiawan Tuanku Muhriz獎章,以表彰她對家鄉的藝術和音樂的貢獻。
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贊助單位
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\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1708fb75f24368d29ef3f10c334fc156",title:"【2022 Weiwuying International Music Festival】Musical Toys - Mei Yi FOO"}],related:[],title:"(Program cancelled) 【2022 Weiwuying International Music Festival】Musical Toys - Mei Yi FOO",cover:"3a19742d8da3e48a2c57cd2d691df9d7",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been cancelled. For more information, please contact +886-7-262-6666. | \n\t\t
\n\n
“Immediately we were her devoted fans”——The Times
\n\n“Her genius is now unquestionable”——The Arts Desk
\n\n“Mei Yi Foo is a unique musician... Such interpreters are a composer's dream”——Unsuk CHI
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Hailed for "liberating" and "virtuoso display" by The Times, the British Malaysian pianist Mei Yi FOO has been thriving in Europe for many years, working with the BBC Concert Orchestra, London Chamber Orchestra, Helsinki Philharmonic Orchestra, and many more. She actively pursues contemporary pieces to interpret and perform in the world's most eminent new music festivals, including the Huddersfield Contemporary Music Festival (HCMF) and Das Neue Werk in Hamburg. Unsuk CHIN, 2022 Weiwuying International Music Festival Artistic Director, describes her as "a very unique musician... a composer's dream performer."
\n\nIn 2013, FOO won BBC Music Magazine's "Newcomer of the Year" and garnered 5-star reviews from Germany's Klassik with her first album Musical Toys. In this concert she will follow the album's theme, exploring different paths of contemporary music, performing works by Unsuk CHIN, French composer Olivier MESSIAEN, German composer Helmut LACHENMANN, and Hungarian composer György KURTÁG, showing the charming characteristics of new music.
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Program
\n\nA. SCHOENBERG: Six Piano Pieces, Op.19
\n\nGyörgy KURTÁG: Perpetuum Mobile from Játékok
\n\nChris P. HARMAN: After Schumann II
\n\nGeorge BENJAMIN: "Hammers" from Piano Figures
\n\nPéter EÖTVÖS: Dance of the Brush-Footed Butterfly
\n\nHelmut LACHENMANN: "Hänschen klein" from Ein Kinderspiel
\n\nHelmut LACHENMANN: "Falscher Chinese (ein wenig besoffen)" from Ein Kinderspiel
\n\nFrederic RZEWSKI: Ludes I
\n\nFrederic RZEWSKI: Ludes III
\n\nSofia GUBAIDULINA: "A Bear Playing the Double Bass and the Black Woman" from Musical Toys
\n\nGyörgy KURTÁG: "Tira-Molla" from Játékok
\n\nUnsuk CHIN: Piano Etude V "Toccata"
\n\nB. BARTÓK: Out of Doors Suite, Sz.81
\n\nEvan ZIPORYN: Pondok, Mvt. I., III.
\n\nO. MESSIAEN: "Regard de l'Esprit de joie" from Vingt regards sur l'enfant-Jésus
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Creative and Production Team
\n\nPiano|Mei Yi FOO
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Artists Introduction
\n\nMei Yi FOO
\n\nWinner of the 2013 BBC Music Magazine's Best Newcomer Award, Mei Yi Foo is recognized internationally as an innovative pianist with a diverse and eclectic repertoire. Described as "an artist with courageous individualism" (Schweizer Radio und Fernsehen), Mei Yi's concerts are lauded for their "liberating" and "virtuoso display" (The Times) that show "astounding perfection and creativity" (Unsuk CHIN).
\n\nA prolific concerto soloist, Mei Yi has appeared with the English Chamber Orchestra, Fort Worth Symphony, Helsinki Philharmonic, Iceland Symphony, London Chamber Orchestra, London Philharmonic Orchestra, Malaysian Philharmonic, National Taiwan Symphony Orchestra, Philharmonia Orchestra, Remix Ensemble and the Seoul Philharmonic Orchestra, working with such conductors as Matthias BAMERT, Martyn BRABBINS, Claus Peter FLOR, János FÜRST, Pascal GALLOIS, Antony HERMUS, Kirill KARABITS, Peter RUNDEL, John STORGÅRDS, Mark WIGGLESWORTH and Benjamin ZANDER. She has performed at the world’s most eminent festivals such as the Lucerne Festival, Ultraschall Festival Berlin, Huddersfield Festival and the Punkt Festival in Norway. Her recent and future highlights include appearances at the Wigmore Hall, Tokyo Opera City Hall, Royal Albert Hall, Elbphilharmonie Hamburg and Victoria Hall in Singapore.
\n\nAs a new music advocate, Mei Yi works regularly with living composers including Dai FUJIKURA, Richard BAKER, Chris HARMAN and Unsuk CHIN. She was also the featured artist at Southbank Centre's “Music of Today” series in 2017. Her award-winning solo album Musical Toys and her chamber concerto CD ConNotations with the Britten Sinfonia have been met with unanimous critical acclaim.
\n\nA native of Malaysia, Mei Yi resides in the UK after completing her studies at the Royal College and Royal Academy of Music in London with Yonty SOLOMON, Chris ELTON and Alexander SATZ. Currently she holds a teaching position at the Royal Welsh College of Music and Drama. Mei Yi was also awarded the medal of Setiawan Tuanku Muhriz for her contribution towards art and music in her home country.
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月9日(六)19:30於音樂廳演出之【2022衛武營國際音樂節】《極致·純粹─魏靖儀與金善昱》,本節目原演出人員鋼琴家金善昱(Sunwook KIM),異動為鋼琴家王佩瑤(WANG Pei-yao),節目名稱異動為《極致·純粹─魏靖儀與王佩瑤》。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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比利時時報《夜晚》 Le Soir :「魏靖儀在第一樂章已經吸引了所有人的目光,在第四樂章,他已經呈現這個樂章所有的可能性,威廉在音樂中爆發出他的熱情與自由直到最後。」
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受紐約時報、舊金山時報及華盛頓時報推崇「王佩瑤如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」
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帶著2015年比利時伊莉莎白大賽桂冠得主的實力,小提琴家魏靖儀近年以獨樹一幟的琴音與充滿感情的詮釋,在國際間展開了極為亮眼的獨奏事業。他在賽後選擇移居柏林,繼續與前柏林愛樂首席布拉赫(K. BLACHER)習琴,無疑深化了他對德奧經典的認識與掌握。
\n\n這次音樂會他將攜手鋼琴家王佩瑤,演奏貝多芬第一號及第四號小提琴奏鳴曲,兩首曲目不僅開拓了小提琴的語法,更以劇烈、快速的情緒變化,考驗演奏者對貝多芬內在的理解,是器樂獨奏曲中的試金石。下半場則安排了布拉姆斯唯一一首四樂章的小提琴奏鳴曲,展現近乎交響曲般恢宏的樂思。
\n\n穿插在這兩首之間的還有奧地利作曲家魏本的《四首小品》,作曲家在極有限的篇幅中(四首分別為九、二十四、十四和十五個小節),挖掘出小提琴的各種新鮮音響,流露出世紀末的反動活力。
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演後座談
\n\n本節目演出後將於音樂廳舉辦座談
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演出曲目
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.1 in D Major, Op.12
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.4 in a minor, Op.23
\n\nAnton von WEBERN: Four Pieces for Violin and Piano Op.7
\n\nJohannes BRAHMS: Sonata for Piano and Violin No.3 in d minor, Op. 108
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演出暨製作團隊
\n\n小提琴|魏靖儀
\n\n鋼琴|王佩瑤
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藝術家介紹
\n\n小提琴|魏靖儀
\n\n魏靖儀1994年生於臺灣臺南,先後師事鍾佳妙、許恕藍、吳孟平與陳鈺雯;亦曾於大師班接受胡乃元大師指導。16歲的魏靖儀遠赴茱莉亞音樂院就讀,爾後獲得學校Jerome L. Greene基金會獎學金以及奇美基金會藝術獎學金,師事Hyo KANG及I-Hao LEE教授。目前於德國柏林Hanns Eisler 藝術學院,師從前柏林愛樂首席Kolja BLACHER門下。2021四月底,台北市立交響樂團合作的音樂會,因緊急狀況,當下短短兩日內緊急代打演出柴可夫斯基小提琴協奏曲,成功完美的演出之後深獲樂界好評。也受到指揮Eliahu INBAL青睞,在同年11月三度合作貝多芬小提琴協奏曲。作為炙手可熱的小提琴家,亦受邀在多個音樂節與音樂廳演出,甫於2018年獲得Salon de Virtuosi 藝術事業獎,魏靖儀在音樂上的成就更受到著名的《紐約時報》以及Robert SHERMAN 讚賞,後者邀請魏靖儀在美國電臺WQXR節目上演出。目前使用由奇美基金會贊助提供的1761年Balestrieri名琴。
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鋼琴|王佩瑤
\n\n留美近30年,受紐約時報、舊金山時報和華盛頓時報推崇「如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」王佩瑤活躍於世界各大音樂廳,如:紐約卡內基音樂廳、林肯中心、華府甘乃迪音樂廳、香港文化中心、上海交響樂團音樂廳、北京音樂廳、廣州音樂廳、東京三得利音樂廳等……。合作過之演奏家包括林昭亮、 胡乃元、曾宇謙、Hilary Hahn、Guarneri Quartet、Emerson Quartet;聲樂家Kiri Te Kanawa、Renata Scotto;指揮家呂紹嘉、簡文彬、Alan Gilbert、James Levine 等……。
\n\n王佩瑤曾受聘為紐約林肯中心長駐室內樂鋼琴家,並於2006年起於紐約大都會歌劇院擔任聲樂指導,為歌劇院少數受聘之華人。期間所參與製作並發行之歌劇 《原子彈之父》(Doctor Atomic) DVD,榮獲第54屆美國葛萊美最佳歌劇錄音獎。返臺後,擔任聲樂指導之歌劇演出,包含《莎樂美》、《尼貝龍根的指環》、《碧廬冤孽》、《假面舞會》、《茶花女》、《藍鬍子城堡》、《憨第德》、《大溪地風雲》、《杜蘭朵公主》和兩廳院新點子樂季《遶境共聲》等……。
\n\n近年王佩瑤亦致力於當代音樂推廣與跨界演出。2018年參與藝術家李明維在荷蘭的行動藝術作品「森之聲」。2016年起受雲門劇場之邀,與編舞家王宇光和蘇威嘉合作,策劃並演出融合音樂與舞蹈的家庭音樂會。2020 年,參與林懷民導演之歌劇《大家都叫我咪咪—浦契尼愛的詠嘆調》,與女高音林玲慧、男高音崔勝震同台演出。
\n\n王佩瑤出生於台北,自幼鋼琴師承林琼華,陳郁秀及小提琴李淑德。小學畢業後以資賦優異兒童身份,至美國寇提斯音樂院和耶魯大學研究所深造。前後師事Gary Graffman、 Seymour Lipkin、Claude Frank、Richard Goode等名師。現為國立臺灣藝術大學音樂系客座教授。
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贊助單位
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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As the laureate of the 2015 Queen Elisabeth International Violin Competition in Brussels, Taiwan violinist William WEI has developed a very "ear-catching" sound and expression, launching a brilliant international soloist career. Moving to Berlin after the competition, WEI continued to apprentice under the former Berlin Philharmonic concertmaster Kolja BLACHER, which assuredly deepened his understanding and mastery of German and Austrian classics.
\n\nIn this concert, WEI will collaborate with the pianist WANG Pei-yao to play BEETHOVEN's Sonata for violin and piano, full of intense and stormy spirit. This music not only opens up the grammar of the violin, but is also considered a touchstone of the violinist, because of its rapid emotional changes, and the requirement for a deep understanding of the author's musical point of view. In the second half, BRAHMS's Sonata for violin and piano, the only violin sonata BRAHMS ever wrote, will demonstrate the magnificence, almost symphonic like masterpiece through these four movements.
\n\nBetween the two pieces is the Austrian composer WEBERN's Four Pieces for violin and piano. The composer uses very limited space (the four pieces are only 9, 24, 14, and 15 bars, respectively) to explore all kinds of fresh sounds of the violin, revealing the rebellious vitality of the end of the century.
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Post-talk
\n\nPost-talk will be arranged after the recital.
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Program
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.1 in D Major, Op.12
\n\nLudwig van BEETHOVEN: Sonata for Piano and Violin No.4 in a minor, Op.23
\n\nAnton von WEBERN: Four Pieces for Violin and Piano Op.7
\n\nJohannes BRAHMS: Sonata for Piano and Violin No.3 in d minor, Op. 108
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Creative and Production Team
\n\nViolin|William WEI
\n\nPiano|WANG Pei-yao
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Artists Introduction
\n\nViolin|William WEI
\n\nBorn in Taiwan, William began his violin studies at the age of five. He is a proud recipient of the Jerome L. Greene Foundation Scholarship at the Juilliard School, where he earned his Bachelor's degree under Hyo KANG. He is currently pursuing his Master's degree at the Hochschule für Musik Hanns Eisler in Berlin under Kolja BLACHER, former concertmaster of the Berlin Philharmonic. William's recent highlights have included concert series, stepping in for violinist Shlomo MINTZ in Tchaikovsky Violin Concerto in D Major with Eliahu INBAL.NSO with Nai-Yuan HU and Ray CHEN, and Baden-Baden Philharmonic with Pavel BALEFF. William plays on a 1761 Tomasso BALESTRIERI loaned from the Chimei Foundation in Taiwan.
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Piano|WANG Pei-yao
\n\nWANG Pei-Yao made her solo piano debut at the age of eight at the National Concert Hall in Taipei, Taiwan. At age 12, she was invited to study at the Curtis Institute of Music, where she worked with pianists Seymour LIPKIN and Gary GRAFFMAN. She then continued her studies with Claude FRANK, earning her Master of Music degree from Yale University, where she also pursued a concentration in architecture. Upon graduating from Yale University, she was under the tutelage of celebrated pianist Richard GOODE.
\n\nMs. WANG is widely in demand as a soloist and chamber musician. She has appeared with the Stamford Symphony, Chattanooga Symphony Orchestra, Taipei Philharmonic, and many others. Ms. WANG has collaborated with members of the Guarneri, Juilliard, Orion, Mendelssohn and Miro quartets, and with musicians such as Hilary HAHN, Cho-Liang LIN, Ida and Ani KAVAFIAN, Nicola BENEDETTI, Mitsuko UCHIDA, Peter WILEY and David SOYER. She is regularly invited to perform chamber music at festivals such as Marlboro, Bard, Santa Fe, Hong Kong and Chamber Music Northwest. Ms. WANG has given concerts throughout the United States, Canada, Europe and Asia; including venues such as the Salle des Varietes in Monte Carlo, the Suntory Hall in Tokyo, the National Concert Hall in Taipei, the Shanghai Symphony Orchestra Hall, Beijing Concert hall, the Alice Tully Hall, and Carnegie Hall's Stern, Weill, and Zankel Halls. A frequent guest at the Chamber Music Society of Lincoln Center, she became a member of the Chamber Music Society Two from 2002-2004.
\n\nAs a graduate of the Metropolitan Opera Lindemann Young Artist Program, Ms. WANG has worked with noted conductors such as James LEVINE, Alan GILBERT, to name a few. As part of the production team at the Metropolitan Opera, the noted opera production of Doctor Atomic by John ADAMS received the Grammy Award in 2011. She has continued to expand her repertoire in Taiwan with engagements that include Salome, Der Ring des Nibelungen, Turn of the screw, Un Ballo in Maschera, La Traviata and Tristan und Isolde to name a few. In addition, Ms. WANG is active as a vocal pianist, having worked extensively with singers such as Sasha COOKE, John MOORE, and many others.
\n\nMs. WANG has commissioned and premiered over 20 solo and chamber works in the past. She made her conducting debut in 2017 at the National Concert Hall in Taipei, Taiwan, premiering 7 new vocal chamber works by Taiwanese female composers. Pei-Yao WANG currently teaches at National Taiwan University of Arts as visiting professor.
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Sponsor
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月13日(三)、4月14日(四)19:30於表演廳演出之【2022衛武營國際音樂節】衛武營當代樂團《時時刻刻》、《時空之旅》,本節目原演出人員指揮家格雷戈爾·麥爾霍夫(Gregor A. MAYRHOFER),異動為指揮家楊書涵(YANG Su-han)及演出曲目異動,節目名稱《時時刻刻》異動為《憤怒狗》。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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策展人陳銀淑在首屆音樂節策展論述中提到:「我們將與國際音樂界接軌,進行密集對話,讓這個音樂節成為臺灣音樂家和新藝術創作的平台。」懷抱這份期待,音樂節特別組成了衛武營當代樂團,同時也讓臺灣演奏家們透過演奏新作,深入世界樂壇脈動。
\n\n本次兩場演出,都委託了臺灣作曲家創作新曲,且將分別舉行奧地利作曲家多伊奇過往代表作的臺灣首演,以及榮獲武滿徹作曲大賽首獎的巴西裔美籍作曲家保羅·布里托為衛武營國際音樂節創作的新曲《鳥占》。第一天演出的《憤怒狗》,是一首聲響豐富、逗趣橫生的作品。第二天演出的《未來博士》則是德意志受美國科幻作家迪克同名小說啟發之成果,聽眾將在繽紛跳動的音響中聽見一則時空旅行故事。
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演後座談
\n\n2022/4/13(三)、4/14(四)演出後於表演廳
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演出曲目
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4.13《憤怒狗》
\n\n張婉俞-《恬靜世界》
\n\n趙立瑋-《颯》為中西樂器之十一重奏
\n\n保羅·布里托:《鳥占》(為衛武營國際音樂節創作)
\n\n伯恩.理查.多伊奇:《憤怒狗》(臺灣首演)
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4.14《時空之旅》
\n\n熊仁岳-《冬天的腳步》
\n\n徐敬彤-《餘波》
\n\n陳以軒-《爍》
\n\n伯恩.理查.多伊奇:《未來博士》(臺灣首演)
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演出暨製作團隊
\n\n指揮|楊書涵
\n\n演出|衛武營當代樂團(特邀臺灣音樂家)
\n\n小提琴 張庭碩/小提琴 蔡承宏/中提琴 郭珮容/大提琴 黃子維/低音提琴 簡敏卉/長笛(中音長笛&短笛)吳正宇/雙簧管(英國管) 鍾筱萱/單簧管(低音單簧管)王冠傑/單簧管(低音單簧管)莊凱圍/低音管(倍低音管)歐易欣/薩克斯風 顧鈞豪/法國號 蘇毓婷/小號 查修齊/長號 楊錦龍/低音號 林昀宏/打擊 余若玫/打擊 張瑜蓁/豎琴 邱芸婕/鋼琴(鋼片琴) 許毓婷/鋼琴 翁重華/手風琴 潘默士/琵琶 趙怡然/箏 郭靖沐
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藝術家介紹
\n\n指揮|楊書涵
\n\n現任NSO國家交響樂團協同指揮,於第⼗屆波蘭費特伯格國際指揮⼤賽贏得⾸獎,曾受邀客席指揮波蘭西利西亞愛樂、波蘭波羅的海愛樂、匈牙利廣播交響樂團、德國布蘭登堡交響樂團…等樂團,並長期與巴雀Camerata Taiwan合作演出。2022年8⽉將於臺中國家歌劇院指揮演出歌劇《糖果屋》。曾受邀於TIFA臺灣國際藝術節、臺北國際現代⾳樂節、亞洲作曲家聯盟⼤會暨亞太⾳樂節、格地尼亞新古典⾳樂節,以及克拉科夫波蘭⾳樂節指揮演出。2018年獲選由作曲暨指揮家Peter EÖTVÖS創辦之培訓計畫。2017年受邀赴⽇參加太平洋⾳樂節,接受指揮家Jun MÄRKL指導。2015年獲選參加義⼤利歌劇學院,由指揮家Riccardo MUTI親⾃指導威爾第歌劇《法斯塔夫》。畢業於柏林⾳樂學院、臺灣師範⼤學⾳樂系碩⼠班,以及東海⼤ 學⾳樂系,與Christian EHWALD、Hans-Dieter BAUM、許瀞⼼教授,以及鍾安妮教授學習指揮。
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主辦單位|衛武營國家藝術文化中心
\n\n執行單位|時間藝術工作室
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贊助單位
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\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d718f277a6c32515ccbb26b64f3f70c9",title:'【2022 Weiwuying Intearnational Music Festival】Weiwuying Contemporary Music Ensemble "Mad dog" & "Time and Space Voyage" '}],related:[],title:'【2022 Weiwuying Intearnational Music Festival】Weiwuying Contemporary Music Ensemble "Mad dog" & "Time and Space Voyage" ',cover:"ed472855320fa861d75319313a2646bc",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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2022 Weiwuying International Music Festival Artistic Director Unsuk CHIN, in the curatorial discussion, promised, "we will have an intense dialogue with the international music world and use the festival as a platform for Taiwanese musicians and new artistic creation." Embracing such expectation, the festival specially arranges the Weiwuying Contemporary Ensemble allowing Taiwanese performers to connect to the global music industry by performing new works.
\n\nIn the two performances, Taiwanese composers are commissioned to create new composition, and there will be Taiwan premieres of iconic works by Austrian composer Bernd Richard DEUTSCH. Also, a new commission Ornithomancy for Weiwuying International Music Festival by Brazilian-American composer Paulo BRITO will be performed.
\n\nDEUTSCH's Mad dog performed on the first day was inspired by Italian artist Giacomo BALLA's painting Dynamism of a Dog on a Leash. The second day's performance, DEUTSCH's Dr. Futurity, was inspired by the novel of the same title written by American science fiction writer Philip K. DICK. The audience will hear a story of time and space travel in colorful and lively sounds.
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Post-talk
\n\n2022/4/13(Wed)、4/14(Thu) After performance at Recital
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Program
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4/13(Wed) Mad dog
\n\nCHANG Wan-yu: Silent world for String Quartet and Pipa
\n\nCHAO Li-wei: Soughing for mixed ensemble
\n\nPaulo BRITO: Ornithomancy (World Premiere, commissioned by Weiwuying)
\n\nBernd Richard DEUTSCH: Mad Dog (Taiwan Premiere)
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4/14(Thu) Time and Space Voyage
\n\nHSIUNG Jen-yueh: Winter Footsteps
\n\nHSU Ching-tung: Residual Waves for 7 instrumentalists
\n\nCHEN Yi-hsien: Subtle Influx for ensemble
\n\nBernd Richard DEUTSCH: Dr. Futurity for ensemble (Taiwan Premiere)
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Creative and Production Team
\n\nConductor|YANG Su-han
\n\nWeiwuying Contemporary Music Ensemble
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Artists Introduction
\n\nConductor|YANG Su-han
\n\nYANG Su-han currently serves as Associate Conductor of Taiwan Philharmonic. He won first prize in the 10th International Grzegorz Fitelberg Competition for Conductors in 2017 and received numerous invitations to collaborate with the Silesian Philharmonic, the Polish Baltic Philharmonic, the Hungarian Radio Symphony Orchestra, the Brandenburger Symphoniker, and many others. Since 2016 he regularly works with the Camerata Taiwan. In August 2022 he will conduct performances of “Hänsel und Gretel” at the National Taichung Theater. His appearance at music festival includes the Taiwan International Festival of Arts, the Taipei International New Music Festival, the Asian Composers League's Conference and Festival, the Classica Nova in Gdynia, and the Festival of Polish Music in Kraków. He was one of the two conductors selected for the Mentoring Program of Peter EÖTVÖS Contemporary Music Foundation in 2018. In 2017 he was invited to study with Jun MÄRKL at the Conducting Academy of Pacific Music Festival. He was chosen as conductor to work with Riccardo Muti on the production of VERDI’s Falstaff at the Italian Opera Academy in 2015. He graduated from the Hochschule für Musik Hanns Eisler Berlin, the National Taiwan Normal University, and the Tunghai University, where he studied conducting with Christian EHWALD, Hans-Dieter BAUM, Apo HSU, and Annie CHUNG.
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Birmingham Contemporary Music Group
\n\nBirmingham Contemporary Music Group is one of the world's foremost new music ensembles. Over three decades, BCMG has developed the music of today for the audiences of tomorrow. The ensemble has commissioned over 175 pieces of music from the world's finest composers and emerging international talent. Many of the works have been commissioned through its innovative pioneering Sound Investment crowd-funding scheme to which over 500 donors have contributed more than £300,000; many of these works have subsequently found their way into worldwide repertoire.
\n\nBCMG was founded by Simon CLUGSTON and Ulrich HEINEN, musicians from the City of Birmingham Symphony Orchestra, in 1987, with Sir Simon RATTLE as Founding Patron. Since then, BCMG has reached over 10 million people in concert and through broadcasts. The Group performs regularly at CBSO Centre, Symphony Hall and Town Hall Birmingham, Wigmore Hall in London and at the BBC Proms and Aldeburgh Festival. To this day, BCMG maintains a close link to the CBSO and regularly works with CBSO's Music Director, Mirga Gražinytė-TYLA.
\n\nInternational tours have included visits to the USA (Library of Congress), Mexico, India and venues across France, Germany, the Netherlands and Austria. The Group is regularly heard in concert on BBC Radio 3, and has recorded extensively. Recordings include discs of works by Thomas ADÉS, Mark-Anthony TURNAGE and Benjamin BRITTEN, and a Grammy Award-nominated recording of Gerald BARRY's opera, The Importance of Being Earnest, for NMC Recordings. Recent releases include Wilde Lieder Marx.Music on Coviello and Howard SKEMPTON's The Rime of the Ancient Mariner, a series of recordings devoted to British composers including BCMG's late Artist-in-Association Oliver KNUSSEN, Julian ANDERSON and Charlotte BRAY (all on NMC) and a disc of the works of Elliott CARTER on Ondine.
\n\nBCMG's work both inside and outside the concert hall has earned it many awards and accolades. Over the last decade it has been shortlisted for: ITV's South Bank Show's Classical Music Award; the Royal Philharmonic Society's Ensemble Award and BBC Music Magazine's Chamber Award. Its long-established Learning and Participation programmes actively engage young people in composing and performing, and have earned BCMG nationwide recognition (in 2016, the Group was highly commended in the Family Arts Festival Awards).
\n\nIn partnership with Royal Birmingham Conservatoire, BCMG has created the NEXT Music Study Programme in Contemporary Performance, an innovative programme of study which supports early career musicians who want to dedicate their professional career to contemporary music. It is the only programme in the UK providing intensive, year-long training in contemporary music performance practice, offering musicians an unprecedented opportunity to learn from some of the most exciting performers and composers working today.
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Sponsor
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\n',team:""},createdAt:1636774939,updatedAt:1653017207,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"619cb125d970790007fc209a",title:"【2022 Weiwuying International Music Festival】Beyond the Score® - Pictures at an Exhibition—Pictures of What? ",data:{_id:"619cb125d970790007fc209a",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1687241860,updatedBy:"林蔚行",seq:35},{_id:"5aec4184b01ea6000520f633",tag:"program",chinese:{onShelf:!0,name:"音樂"},english:{onShelf:!0,name:"Music"},createdAt:1525432708,updatedAt:1686187845,updatedBy:"通泰系統管理員",seq:31}],dateTime:{first:1650022200,discrete:[{time:1650022200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1500],link:"https://www.opentix.life/event/1468786289919827970"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bfa2f6f7ba23c6d74250ead4eb7b517a",title:"【2022衛武營國際音樂節】《音樂揭秘:展覽會之What?》"}],related:[],title:"【2022衛武營國際音樂節】《音樂揭秘:展覽會之What?》",cover:"a22bd1adc70853f5b2c5e3b9fcb2e035",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
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\n',benefits:'\n\t\t\t ※原訂2022年4月15日(五)19:30於音樂廳演出之【2022衛武營國際音樂節】《音樂揭秘:展覽會之What?》,本節目原演出人員指揮家史丹尼斯拉夫.康查諾夫斯基(Stanislav KOCHANOVSKY),異動為指揮家楊智欽(YANG Chih-chin)。鋼琴林麥可(LIN Mai-ke),異動為鋼琴廖培鈞(LIAO Pei-chun)。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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「儘管難得,事實證明具啟發性的事物也可以如此有趣。」--《芝加哥論壇報》
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本節目是美國芝加哥交響樂團(CSO)專門為大眾「音樂揭秘」的演出,該系列會透過戲劇、投影、燈光等多媒體,結合現場演出的形式,帶領聽者深入樂譜細節與作曲家的內在世界。在這次的音樂節中,策展人陳銀淑特別安排了著重「視、聽交響」的《展覽會之畫》經典製作,拓展第一屆活動風貌。
\n\n《展覽會之畫》是俄羅斯作曲家穆索斯基受哈特曼畫作啟發完成的鋼琴曲,曲中有活潑熱鬧的〈雛雞之舞〉、雄偉壯麗的〈基輔城門〉,極簡與極繁的聲響設計,惟妙惟肖傳達出原畫氣韻。後來善於配器的法國作曲家拉威爾將之改成了樂團版本,精妙的編曲使該作品一躍成為現代管絃樂音樂會中最常見的曲目之一。而透過這場CSO製作的節目,我們將聽見人聲旁白與樂團娓娓道出作曲家的創作初衷、拉威爾如何將鋼琴譜「交響化」,再次領略「音畫」的魅力。
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演出曲目
\n\n穆索斯基-拉威爾:《展覽會之畫》
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演出暨製作團隊
\n\n指揮|楊智欽
\n\n鋼琴|廖培鈞
\n\n演員|許逸聖
\n\n說書人|藍貝芝
\n\n樂團|高雄市交響樂團
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藝術家介紹
\n\n指揮|楊智欽
\n\n「他對樂團展現高度的掌控能力,指揮技術精準,內斂且富於表情……」──聲樂家月刊
\n\n現任高雄市交響樂團指揮。畢業於俄羅斯國立葛涅辛音樂學院。
\n\n音樂風格細膩,流暢優美,嚴謹的工作態度與對樂譜的忠實解讀,使其演出均獲愛樂者熱烈迴響。其演出類型廣泛,除經典管絃曲目外,對於跨界、歌劇、芭蕾製作及演出經歷也極為豐富,包含高雄春天藝術節草地音樂會、大型自製節目與全本歌劇製作等。
\n\n敏銳的音樂性及靈活的樂團掌握能力,讓他跟國內外優秀獨奏家與樂團的合作,激盪出精彩火花,包括:小提琴家列賓、諏訪內晶子、鋼琴家波哥雷里奇、俄羅斯史維特蘭諾夫交響樂團、德國符騰堡愛樂交響樂團、日本金澤管弦樂團等。2017年率高雄市交響樂團赴日本金澤「貝多芬音樂節」演出,更獲聽眾及樂評一致讚賞。
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鋼琴|廖培鈞
\n\n「她的演奏擁有著相當的敏銳度與變化色彩的能力,特別在寧靜的段落,她傳達了一種非常具有說服力的溝通力量。」──鋼琴家Ronan O'Hora.
\n\n廖培鈞被鋼琴家 Paul Badura-Skoda 讚譽為「傑出成熟」的青年鋼琴家。榮獲多項大賽肯定,如臺灣蕭邦青少年鋼琴大賽、兩廳院樂壇新秀、英國伯明罕交響音樂廳鋼琴獨奏會獎和義大利第七屆馬諾保羅‧摩諾波利國際鋼琴大賽第二名、最佳協奏曲演奏與最有潛力音樂家之特別獎等。
\n\n演奏足跡遍及世界各地,曾於奧地利 Mozarteum Wiener Sall、法國 Salle Cortot、俄羅斯坦波夫 Rachmaninov Hall、英國 Barber Institute、Birmingham Symphony Hall、London Regent Hall 和西班牙 Castilla y León 地區演出多場室內樂巡迴音樂會。近年也常受邀至美國、義大利國際音樂節擔任駐節藝術家或校際演出教學,近期合作的音樂家有小號演奏家 Reinhold FRIEDRICH、小提琴家 Benny KIM 和鋼琴家 Peter DONOHOE、 Benjamin FRITH 等;亦多次與知名樂團合作,如臺北愛樂青年管絃樂團、國立臺灣交響樂團、桃園春之聲管絃樂團、伯明罕音樂院交響樂團、樂興之時管絃樂團、中國長沙交響樂團、臺灣國樂團與Bacau Philharmonic Orchestra。先後師事陳泰成、Philip MARTIN、Malcolm WILSON和 Vitali BERZON等教授,為英國伯明罕音樂院獨奏家文憑與音樂藝術碩士,並獲德國弗萊堡音樂院最高獨奏家文憑,現為臺北市立大學音樂學系專任助理教授。
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演員|許逸聖
\n\n大學講師、劇場工作者,畢業於國立臺北教育大學音樂研究所,主修聲樂。為2009聲協新秀;2009兩廳院歌劇工作坊成員。表演橫跨歌劇、音樂劇、舞台劇,並經常受邀編導。2019年受邀演出諾貝爾文學獎得主高行健教授劇作《獨白》世界首演,大獲好評。現任教於南臺科技大學流行音樂產業系、實踐大學音樂系、臺灣師範大學表演藝術研究所。
\n\n許逸聖於2008年與臺北市立交響樂團合作《強尼史基基》,飾SPINELLOCCIO,開始了歌劇的演出,此後演出的角色包括《黑鬚馬偕》飾劉大人;《馬儂.雷斯考》飾 L’OSTE、SERGENTE;《唐.喬望尼》飾LEPORELLO;《女人皆如此》飾GUGLIELMO;《頑童與魔法》飾L’Horloge Comtoise、Le Chat;《茶花女》飾Marquis;《夢遊女》飾ALEXIS;《睡美人》飾國王、大使、樵夫;《魔笛》飾PAPAGENO;《糖果屋》飾Peter;《波西米亞人》飾SCHAUNARD;《鄭莊公涉泉會母》飾穎考叔、衛士乙;《月亮》飾偷月者。並於2018年衛武營開幕季輕歌劇《憨第德》中飾演說書人、潘格羅斯、馬丁。
\n\n早年多演出歌劇作品,2012年開始積極參與劇場演出,舞台劇作品有果陀劇場《徵婚啟事》、《一個兄弟》、《淡水小鎮》;臺灣戲劇表演家劇團《天若光》、《兄弟》。音樂劇作品有台北市立交響樂團《綠島小夜曲》、果陀劇場《吻我吧娜娜》、《愛呀,我的媽!》、臺灣師範大學《山海經傳》;只是嚷嚷《下午,美術館裡的四個人》、《不讀書俱樂部》、相信音樂《搭錯車》。兒童劇作品有如果兒童劇團《天使愛唱歌》、《流浪狗之歌》、《舅舅的閣樓》。
\n重要編導作品:國家交響樂團歌劇推廣《小齊的煩惱》、屏東縣文化處委托創作阿卡貝拉音樂劇《阿爸掠魚的時陣攏咧唱歌》、交響音樂劇《皮爾金厲害》、歌劇選粹《卡門》、音樂劇《阿嬤的歌本》、2014台南藝術節音樂劇《心之鎖愛》、歌劇《糖果屋》。
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說書人|藍貝芝
\n\n資深劇場演員及製作人。曾演出莎妹劇團《膚色的時光》和《殘, 。》分別榮獲台新藝術奬2010首獎及評審團特別獎、同黨劇團《飛天行動》2009年度十大表演藝術。其它重要演出有獨腳戲《無枝nostalgia》、差事劇團《麻辣時代》《敗金歌劇》、河床劇團《羅伯威爾森的生平時代》《百夜之夢》、徐堰鈴《三姊妹》《踏青去》、黎煥雄《幾米地下鐵:一個音樂的旅程》皆於戲劇中有歌唱演出。聲音作品曾出現於夾子電動大樂隊《地下人》、《THE SOUND陳建騏劇場音樂1997–2007》 和公視單元劇《偵探物語》原聲帶。並曾持續演出由義大利導演姬雅拉.瑰蒂執導之台北兒童藝術節定目劇《拇指小英雄》,以說書人一人聲音分飾多角。重要藝術行政經歷包括:台北V-Day《陰道獨白》發起人、2008年女節製作人、台北詩歌節國際連絡人、台灣國際女性影展選片人、衛武營藝術文化中心童樂節特約策展及臺北藝穗節協同策展人。現職樹德科技大學表演藝術系助理教授,亦為亞洲製作人平台籌辦委員。
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高雄市交響樂團
\n\n1981年成立。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,時任高雄市文化局史哲局長出任董事長。2010年,朱宏昌先生出任執行長。2011年,楊智欽先生出任駐團指揮。現任董事長為高雄市文化局長王文翠。
\n\n樂團以高雄代表自許,曾與卡列拉斯、海莉、布赫賓德、列賓、明玆、麥斯基、諏訪內晶子等大師合作,厚植樂團演奏實力及建立品牌。除堅守古典演奏形式,也積極走出廳堂,結合不同場域、型態的表演藝術擁抱大眾;尤以參與高雄春天藝術節系列草地音樂會、名家音樂會、寶寶音樂會及全本歌劇製作演出要角。2018年更獲邀參與台灣最大表演藝術中心──衛武營國家藝術文化中心啟用及開幕系列多場節目,精湛演出受國內樂壇及樂迷一致肯定。
\n\n先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡、北京、日本及香港演出,跨越城市與國界,逐步以國際性樂團為目標,堅定向前。
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Beyond the Score® 由芝加哥交響樂團製作
\n\n創意總監:傑拉德‧麥博尼
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合作夥伴:
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贊助單位
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\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"bfa2f6f7ba23c6d74250ead4eb7b517a",title:"【2022 Weiwuying International Music Festival】Beyond the Score® - Pictures at an Exhibition—Pictures of What? "}],related:[],title:"【2022 Weiwuying International Music Festival】Beyond the Score® - Pictures at an Exhibition—Pictures of What? ",cover:"a22bd1adc70853f5b2c5e3b9fcb2e035",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This performance consists of a first-half of Beyond the Score® and a second-half of the complete piece of Pictures at an Exhibition arranged by Maurice RAVEL.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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Beyond the Score® is a comprehensive multimedia experience that brings the listener through a lively historic context, revealing illuminating stories, intriguing perspectives and thoughtful insights within a musical score. In this year's festival, Curator and Artistic Director Unsuk CHIN particularly selected Pictures at an Exhibition, focusing on "symphony with visual and listening experience," which expands the style of classical music events.
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Pictures at an Exhibition is a piano piece by Russian composer Modest MUSSORGSKY inspired by the paintings of Viktor HARTMANN. There is the lively and jubilant Ballet of Unhatched Chicks, as well as the majestic The Great Gate of Kiev. The suite has the sounds of both minimalism and extreme complexity, which vividly convey the detailed characters of the original paintings. The French composer Maurice RAVEL, who was skilled at orchestration, later adapted it for full orchestra. The subtle arrangement made the work become one of the most popular repertoires in orchestral concerts. Through the use of Live actors, musical examples, and breathtaking projections, we will be hearing the vocal narration along with the music, explaining the original intention of the composer, how RAVEL “symphonized” the piano score, allowing us to appreciate the charm of the tone painting once again.
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Program
\n\nMUSSORGSKY/RAVEL: Pictures at an Exhibition
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Creative and Production Team
\n\nConductor|YANG Chih-chin
\n\nPiano|LIAO Pei-chun
\n\nActor|HSU Yi-sheng
\n\nNarrator|Betsy LAN
\n\nOrchestra|Kaohsiung Symphony Orchestra
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Artists Introduction
\n\nConductor|YANG Chih-chin
\n\nPrincipal Conductor of Kaohsiung Symphony Orchestra (KSO), YANG Chih-chin is a renowned conductor in his generation in Taiwan. Born in 1969, he graduated from The Russian Academy of Gnesin, Moscow, Russia, and studied with Miroslav RUSIN, Filex CHEN Chiu-Sheng, András LIGETI, Gunther HERBIG, Michael JUROWSKI. Before joining KSO, YANG served as the Assistant Conductor of Taipei Symphony Orchestra, the Conductor of Opera Studio of National Chiang Kai-Shek Cultural Center, Taiwan.
\n\nYANG obtains very great success in performance from the public by his passion of music, rich orchestral color control capabilities, excellent rhythm, and faithful interpretation of the score.
\n\nYANG has performed with many excellent soloists including Vadim REPIN, Ivo POGORELICH, Andrei GAVRILOV, Sergei NAKARIAKOV, Akiko SUWANAI, Valentina LISITSA, Konstantin LIFSCHITZ, Gavriel LIPKIND, Alban GERHARDT, YANG Wen-Sinn, Ilya GRINGOLTS, Alexei VOLODIN, Tsuyoshi TSUTSUMI, LIN Cho-Liang, HU Nai-Yuan, and LIU Meng-Chieh.
\n\nYANG has worked with and conducted Svetlanov Symphony Orchestra of Russia, Voronezh Philharmonic Orchestra, Württemberg Philharmonic Reutlingen, Bulgarian State Opera Burgas, Filarmonica Brasov, Orchestra Ensemble Kanazawa of Japan, Taipei Symphony Orchestra, National Taiwan Symphony Orchestra and Nanjing Jiangsu Symphony. Highlights in recent season, 2017, YANG was invited to Kanazawa Japan with KSO, performing in Spring Green Music Festival where they were highly acclaimed by critics and reviews.
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Piano: LIAO Pei-chun
\n\n"[LIAO's] playing showed great subtlety and a real sense of color and variety, particularly in quiet passages, and there was throughout a sense of a real communicative force in the playing which was very persuasive." - Ronan O'Hora
\n\nHailed as a "truly matured pianist" by pianist BADURA-SKODA, LIAO Pei-chun has won a prizes at the International Chopin Competition in Taiwan; recognition at National Theater and Concert Hall’s Young Stars Series; in solo performance from the Birmingham Conservatoire; and second prize overall as well as prizes for best concerto and musician with the greatest potential at the Mauro Paolo Monopoli Prize Piano Competition.
\n\nShe has performed at Mozarteum Wiener Sall in Salzburg; Salle Cortot in Paris; Rachmaninov Hall in Tambov; the Barber Institute, Birmingham Symphony Hall, and London Regent Hall in the UK; and in Castilla y León in Spain, and has been frequently invited to music festivals in the US and Italy as a resident artist and performance instructor. Recent collaborations have been with trumpeter Reinhold FRIEDRICH, violinist Benny KIM, and pianists Peter DONOHOE and Benjamin FRITH. She has performed with the Taipei Philharmonic Youth Orchestra, National Taiwan Symphony Orchestra, Birmingham Conservatoire Symphony Orchestra, Philharmonia Moments Musicaux, National Chinese Orchestra in Taiwan, and Bacau Philharmonic Orchestra. She studied under CHEN Tai-cheng, Philip MARTIN, Malcolm WILSON, and Vitali BERZON, received bachelor's and master's degrees in music performance from the Birmingham Conservatoire and the highest honor from the Musikhochschule in Freiburg. She is currently an assistant professor at the University of Taipei.
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Actor: HSU Yi-sheng
\n\nA university lecturer, stage performer, playwright, and director, HSU Yi-sheng earned a master's in vocal performance from National Taipei University of Education. In 2009, he won the Newcomer Award at the Association of Vocal Artists of ROC and worked at the Opera Workshop of the National Theater and Concert Hall. In 2019, he received high acclaim for his performance in the global debut of Nobel laureate GAO Xingjian's The Monologue. He currently teaches at Southern Taiwan University of Science and Technology, Shih Chien University, and National Taiwan Normal University.
\n\nHe initiated his opera career by playing Spinelloccio in Gianni Schicchi in 2008. He has also played LIU in Mackay: The Black-bearded Bible Man, L'oste and Sergente in Manon Lescaut, Leporello in Don Giovanni, Guglielmo in Così Fan Tutte, L'Horloge Comtoise and Le Chat in L'enfant et les Sortilèges, Marquis in La Traviata, Alexis in La Sonnambula, the king, ambassador, and woodman in Sleeping Beauty, Papageno in The Magic Flute, Peter in Hansel and Gretel, Schaunard in La Bohème, Ying Kao-shu and the Knight in A Vow to the Underworld Spring, and the moon thief in Der Mond. In 2018, he played the storyteller, Pangloss, and Martin in Weiwuying's Candide.
\n\nHe became more active in stage drama in 2012, including Godot Theatre Company's Mr. Right Wanted, U, Brother?, and Our Town; and Performer's Bright Sky and Brothers. Musicals include the Taipei Symphony Orchestra's Green Island Serenade, Godot Theatre Company's Kiss Me Nana and Love Ya Mom; National Taiwan Normal University's Classic of Mountains and Seas; Just Murmur's Afternoon, 4 Persons at the Museum and Non Reading Club; and B'in Music's An Accident of Love. His children's plays include If Kids' Angels Love to Sing, Dogs, and Rhythm Way Back Home.
\n\nHis major works as a playwright/director include Qi's Trouble for the National Symphony Orchestra; the a cappella musical Dad Stealing Fish, the symphony musical Peer Gynt Suites, Excerpts from Carmen, and the musical The Grandma's Songbook for the Pingtung Cultural Affairs Bureau; and the musical Closing Off the Heart and the opera Hansel and Gretel for the 2014 Tainan Arts Festival.
\n\n\n\n
Narrator: Betsy LAN
\n\nBetsy LAN, a highly experienced stage performer and producer, performed in Shakespeare's Wild Sisters Group's Once, upon Hearing the Skin Tone and Tsen,。 (which respectively won the top prize and the special jury prize at the 2010 Taishin Arts Awards) and The Party Theatre Group's The Sky Crisis (named one of the 2009 Top Ten Performing Arts Acts). Other major performances are the monologue Nostalgia, Assignment Theatre's Hot Time and The Corruption Opera, Riverbed Theatre's Life and Times of Robert Wilson and One Hundred Nights' Dreams, Yen Ling HSU's Sisters Trio and Skin Touching, and LI Huan-hsiung's Jimmy's Subway Book—A Musical Journey. She has been recorded for The Clippers' album Underground Man, THE SOUND: Chien-chi Chen Music 1997–2007, and Public Television Service's A.S.T. She managed several different voices as the storyteller in Buchettino (directed by Chiara Guidi) at the Taipei Children's Arts Festival and was instrumental in bringing The Vagina Monologues to V-Day in Taipei. Besides, she has been a producer for the 2008 Taiwan Women Theatre Festival, the international contact for the Taipei Poetry Festival, a member of the film selection committee for Women Make Waves, a curator for the Weiwuying Children's Festival and Taipei Fringe Festival. She is currently an assistant professor at Shu-Te University and a founding member of the Asian Producers' Platform.
\n\n\n\n
Orchestra: Kaohsiung Symphony Orchestra (KSO)
\n\nWherever there is music, there is you.
\n\nA young orchestra which marches on steadily
\n\nIt is an asset for a city to have an orchestra of its own. Young and energetic, the Kaohsiung Symphony Orchestra (KSO) invites world-class conductors and masters for collaboration and challenges itself by staging performances of diversified styles. The development of the orchestra focuses on both classical and crossover genres; it has not only created increasingly more high quality musical miscellanies for music enthusiasts but also planted numerous seeds for music appreciation and performance, contributing to the innovation of classical music.
\n\nThe Kaohsiung Symphony Orchestra was founded in 1981. It was merged with the Kaohsiung Chinese Orchestra in 2009 as "Kaohsiung Philharmonic Culture and Arts Foundation." Since 2009, the KSO has made considerable contribution in the Kaohsiung Spring Arts Festival, successfully promoting its grassland concerts. In the last decade, the KSO has collaborated with renowned local and international artists and music groups and staged numerous concert series. The KSO has been invited to perform on international stages regularly. Reaching beyond city and country borders, the KSO advances steadily with the self-development goal of becoming an internationally acclaimed orchestra.
\n\n\n\n
Beyond the Score® is a production of the Chicago Symphony Orchestra
\n\nGerard McBurney, Creative Director for Beyond the Score®
\n\n\n\n
Partner:
\n\n\n\t\t |
\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1637658917,updatedAt:1652775072,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"6200cad098a2890007bdc789",title:"【2022 Weiwuying International Music Festival】WANG Pei-yao - Luminous Shadow",data:{_id:"6200cad098a2890007bdc789",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1687241860,updatedBy:"林蔚行",seq:35},{_id:"5aec4184b01ea6000520f633",tag:"program",chinese:{onShelf:!0,name:"音樂"},english:{onShelf:!0,name:"Music"},createdAt:1525432708,updatedAt:1686187845,updatedBy:"通泰系統管理員",seq:31}],dateTime:{first:1650108600,discrete:[{time:1650108600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1493937398516367362?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e3dfabc5b81ebeea3f76bf3fd6fdd21f",title:"【2022衛武營國際音樂節】王佩瑤《浮光流影》音樂會"}],related:[],title:"【2022衛武營國際音樂節】王佩瑤《浮光流影》音樂會",cover:"bb58ff6a18f32e71051aaf239cbebffa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'★ 鋼琴家王佩瑤X小提琴家魏靖儀X大提琴家高炳坤
\n\n★ 受吳明益暢銷小說《單車失竊記》啟發
\n\n★ 記憶自小說流出,把時間走成一首樂曲
\n\n\n\n
記憶是明亮的,才能在時光中投下陰影。生命中有某些記憶太深刻,必須慢慢醞釀、仔細品味,就像是寫作、作曲或是沖洗照片的過程。
\n\n\n\n
受吳明益暢銷小說《單車失竊記》啟發,鋼琴家王佩瑤將盤根錯節的生命軸線中的「記憶」化成音符,尋覓文學與音樂的全新面貌。王佩瑤、伊莉莎白女王國際音樂大賽優勝得主魏靖儀、菲律賓華裔大提琴家高炳坤等音樂家,聯手演奏東歐作曲家楊納傑克、李蓋悌、艾內斯科、高大宜等人的作品。部份作品的靈感來自於這些作曲家蒐集到的鄉間民謠,據以創作出他們自己的曲子。這個過程類似讀者體驗小說中不同語言的發音。
\n\n\n\n
音樂反映出小說中的精心設計,觸動深藏在聽眾內心的情感。音樂會開始時臺灣攝影藝術家會啟動箱式相機,紀錄音樂會的片段。所拍的影像為當天與觀眾的共同記憶,看似相同的照片,卻是在場每個人各自擁有的獨特體驗。音樂會後將郵寄底片至馬來西亞,由攝影藝術家Jeffrey 重新創作與手工沖洗黑白照片,作為限量100 份私房禮,限定給本場音樂會觀眾。
\n\n\n\n
沖洗時間約需一個月。這段等待的時間,亦呼應了「浮光流影」的企劃精神:時間如流影,記憶若浮光。人生有一種深刻,需要慢慢醞釀,細細品嘗──如文字推砌、如樂音流瀉,或一張經曝光與沖洗而浮現的影像。
\n\n\n\n
當記憶逐漸被遺忘時,藉由這份私房禮,希望讓您重新回想起這段時光─你我之間的「此時此刻」,更能深刻體會模糊的影像與鮮明的記憶之間,產生的追逐與矛盾。這時候才算是音樂會真正的結束。
\n\n\n\n
2021年4月23日於2021台灣國際藝術節(TIFA)首演
\n\n\n\n
周邊活動
\n\n限量100 份私房禮獲取方式:
\n\n\n\n\n\n
演後座談
\n\n2022/4/16(六)演出後於表演廳舉行
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演出曲目
\n\n楊納傑克:《在迷霧中》,第一樂章:行板
\n\n普羅科菲夫:F小調第一號小提琴奏鳴曲,作品80,第一樂章:相當的行板
\n\n高大宜:無伴奏大提琴奏鳴曲,作品8,第二樂章:極富表情的慢板
\n\n李蓋悌:華沙的秋天,選自第一冊,第六號鋼琴練習曲
\n\n齊馬諾夫斯基:〈羅莎之歌〉,改編給小提琴與鋼琴,選自歌劇《羅傑國王》,作品46
\n\n艾內斯科:第三號小提琴奏鳴曲,第二樂章:持續神秘的行板
\n\n巴巴扎年:升F小調鋼琴三重奏,第一樂章:有表情的快板&第二樂章:行板
\n\n蒙波:如天使般,選自《沉默的音樂》
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|王佩瑤
\n\n藝術總監暨鋼琴|王佩瑤
\n\n小提琴|魏靖儀
\n\n大提琴|高炳坤
\n\n導演|黃郁晴
\n\n概念來源|吳明益《單車失竊記》
\n\n製作人|吳昀璇
\n\n攝影藝術家|林猷進、陳姿華
\n\n影像設計|徐逸君
\n\n燈光設計|胡翊潔
\n\n舞臺監督|鄒昌荃
\n\n影像執行|何欣蓓
\n\n燈光工作人員| 陶曉慧、段功芸
\n\n製作助理|呂怡青
\n\n攝影助理|李映嫻、楊皓婷
\n\n製作單位|國家兩廳院
\n\n\n\n
藝術家介紹
\n\n鋼琴&企劃發想|王佩瑤
\n\n留美近三十年,受紐約時報、舊金山時報和華盛頓時報推崇「如詩人般的獨特風格和細膩的觸鍵,加上充滿張力的詮釋,是位傑出的音樂家。」曾受聘為紐約林肯中心長駐室內樂鋼琴家,並於2006年起於紐約大都會歌劇院擔任聲樂指導,為歌劇院少數受聘之華人。活躍於全世界各大廳院,且合作過無數知名音樂家如呂紹嘉、簡文彬、林昭亮、曾宇謙、Hilary Hahn等;返臺後,擔任諸多歌劇演出之聲樂指導,現為國立臺灣藝術大學音樂系客座教授。
\n\n\n\n
小提琴|魏靖儀
\n\n2015年比利時伊麗莎白女王國際音樂大賽桂冠優勝,自此,魏靖儀展開其個人的世界巡迴演奏生涯。以家鄉臺灣為巡迴起點,活躍於各大音樂節與音樂廳,並與世界各地交響樂團及音樂家合作,如Eliahu INBAL、Gil SHAHAM、Marin ALSOP、Brian SUITS等。目前使用由奇美基金會贊助提供的1761年Balestrieri名琴。
\n\n\n\n
大提琴|高炳坤
\n\n出生於菲律賓華裔之音樂世家,十四歲即與馬尼拉愛樂演出海頓C大調大提琴協奏曲。十七歲與美國世界青少年交響樂團演出聖桑第一號大提琴協奏曲,並於紐約卡內基音樂廳和華盛頓特區的甘迺迪中心協奏曲演出,足跡遍及亞洲,北美洲及歐洲。現為國立臺北藝術大學音樂系專任助理教授、國立高雄師範大學音樂系兼任助理教授。
\n\n\n\n
導演|黃郁晴
\n\n1985年生,基隆人。劇場導演、演員、劇本翻譯、策展人與戲劇教育工作者。15歲開始接觸戲劇,共參與超過50個劇場製作;作品包括《星期一猴子死翹翹》(吳明倫編劇)、《同棲時間》(林孟寰編劇)、《春眠》(簡莉穎編劇)等。目前任教於國立臺北藝術大學戲劇學系,曾任台大話劇社、清大人社公演、復興高中戲劇班、Studio Q表演教室之指導老師。現為國家兩廳院「藝術基地計畫」駐館藝術家(2021-2022年)。
\n\n\n\n
\n\n
製作單位|國家兩廳院
\n\n《浮光流影》照片版權由 鄭達敬 提供
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e3dfabc5b81ebeea3f76bf3fd6fdd21f",title:"【2022 Weiwuying International Music Festival】WANG Pei-yao - Luminous Shadow"}],related:[],title:"【2022 Weiwuying International Music Festival】WANG Pei-yao - Luminous Shadow",cover:"bb58ff6a18f32e71051aaf239cbebffa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
At the beginning of the concert, the photograpgher will activate different types of cameras, such as box-type cameras, large format and kanta-box-kamra, to record the moment of the concert.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"Memory can be luminous so as to cast shadow in time. ",introduction:'\n\n\n\nMemory can be luminous so as to cast shadow in time. Certain memories in life are so profound that they need to be slowly brewed and carefully tasted, similar to the process how literature is penned, music is composed, or photography is developed.
\n\n
\nInspired by the bestselling novel The Stolen Bicycle written by WU Ming-yi, pianist WANG Pei-yao seeks to explore a new dimension of literature and music through the complexity of life itself. Musicians WAMG Pei-yao, William Wei, laureate of the Queen Elisabeth International Violin Competition, and Victor COO, the Filipino-Chinese cellist, perform pieces by the Eastern European composers JANÁČEK, LIGETI, ENESCU, and KODÁLY. Some of the pieces were based on rural folksongs collected by the composers, which then inspired them to produce compositions of their own. This process is akin to the way readers experience different languages phonically throughout the novel. The music reflects the elaborate setup of the novel to evoke the audience's deep hidden emotions.
\n\n
Luminous Shadow had its world premiere in 2021Taiwan International Festival of Arts(TIFA)in April 23rd, 2021.
\n\n\n\n
Post-talk
\n\n2022/4/16(Sat) After performance at the Recital Hall.
\n\n\n\n
Program
\n\nLeoš JANÁČEK: In the Mists, I. Andante
\n\nSergei PROKOFIEV: Violin Sonata No.1 in F Minor, Op. 80, I. Andante assai
\n\nZoltán KODÁLY: Sonata for Solo Cello, Op. 8, II. Adagio con gran espressione
\n\nGyörgy LIGETI: Automne à Varsovie, from Piano Etudes, Book 1 No.6
\n\nKarol SZYMANOWSKI: "Chant de Roxane", Transcription for Violin and Piano, from King Roger, Op.46
\n\nGeorge ENESCU: Violin Sonata No.3, II. Andante sostenuto e misterioso
\n\nArno BABADJANIAN: Piano Trio in F-Sharp Minor, I. Largo- allegro espressivo & II. Andante
\n\nFederico MOMPOU: Angelico, from Musica Callada
\n\n\n\n
Creative and Production Team
\n\nArtistic Director & Piano|WANG Pei-yao
\n\nViolin|William WEI
\n\nCello|Victor COO
\n\nDirector|HUANG Yu-ching
\n\nInspired by|The Stolen Bicycle from WU Ming-yi
\n\nProducer|Annie WU
\n\nPhotography Artist|Jeffrey LIM、Luc CHEN (Uselrepe)
\n\nVideo Designer|HSU Yi-chun
\n\nLighting Designer|HU Yi-jie
\n\nStage Manager|JHU Chang-chuan
\n\nProjection Operator|HO Hsin-Pei
\n\nLighting Technician|TAO Siao-huei、TUAN Kung-yun
\n\nProduction Assistant|LU I-ching
\n\nPhotography Assistant|LEE Ying-hsien、YANG Hao-ting
\n\nProduced by|National Theater& Concert Hall(NTCH)
\n\n\n\n
Artists Introduction
\n\nPiano & Programing | WANG Pei-yao
\n\nHaving studied and lived in the US for close to 30 years, Pei-yao was hailed by The New York Times, The San Francisco Times, and The Washington Times as "an exceptional musician with a poetically unique style, delicate touch, and an interpretation full of drama". She was a resident pianist for chamber music in Lincoln Center in New York, and starting in 2006, served as one of the few vocal coaches of Chinese descent for Metropolitan Opera in New York. She regularly performs in major concert halls around the world and has collaborated with numerous renowned musicians, including LU Shao-chia, CHIEN Wen-pin, LIN Cho-liang, TSENG Yu-chien, and Hilary HAHN. Since moving back to Taiwan, she has served as the vocal coach for many opera performances and is currently a visiting professor at Department of Music in National Taiwan University of Arts.
\n\n\n\n
Violin | William WEI
\n\nWilliam's touring career began after winning the laureate prize from the 2015 Queen Elizabeth Competition in Belgium. Using his hometown Taiwan as the theme, he has performed in major festivals and concert halls and collaborated with symphony orchestras and musicians around the world, including Eliahu INBAL, Gil SHAHAM, Marin ALSOP, and Brian SUITS. He currently uses a 1761 Balestrieri violin sponsored by the Chimei Museum Foundation.
\n\n\n\n
Cello | Victor COO
\n\nBorn from a music family of Chinese descent in the Philippines, Victor performed Haydn's Cello Concerto in C Major with the Manila Philharmonic Orchestra at age 14. He performed Saint-Saëns's Cello Concerto No. 1 with the World Youth Orchestra of the US at 17 and has performed other concertos at Carnegie Hall in New York and the John F. Kennedy Center for the Performing Arts in Washington, D. C. He has performed in venues across Asia, North America, and Europe, and is currently a full-time assistant professor at Department of Music in Taipei National University of the Arts and part-time assistant professor at Department of Music in National Kaohsiung Normal University.
\n\n\n\n
Director | HUANG Yu-ching
\n\nBorn in 1985 in Keelung. Theater director, actress, script translator, curator, and drama educator. Yu-ching was exposed to drama at 15 and has since participated in more than 50 theater productions. Her works include Monkey Business (by playwright WU Ming-lun), The Brotherhood (by playwright LIN Meng-huan), and Spring Sleeping (by playwright CHIEN Li-ying). She currently teaches at School of Theatre Arts in Taipei National University of the Arts, and previously served as an instructor for NTU Drama Club—the annual production of NTHU's Interdisciplinary Program of Humanities and Social Sciences, the drama program at Fuxing High School, and Studio Q. She's currently the resident artist for National Theater & Concert Hall's Art Base Program (2021-2022).
\n\n\n\n
\n\n
Produced by National Theater & Concert Hall
\n\nLuminous Shadow Photo © 鄭達敬
\n\n\n\n
Sponsor
\n\n\n\n
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※原訂2022年4月17日(日)14:30於音樂廳演出之【2022衛武營國際音樂節】閉幕音樂會《天方夜譚—神話交響詩》,本節目原演出人員指揮家史丹尼斯拉夫.康查諾夫斯基(Stanislav KOCHANOVSKY),異動為指揮家廖國敏;拉榭爾薩克斯風四重奏(Raschèr Saxophone Quartet),異動為米特薩克斯風重奏團(MIT Saxophone Ensemble)及演出曲目異動。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於演出前一日辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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林姆斯基-高沙可夫二十四歲時,就曾在同儕鼓勵下,以俄羅斯作家森科夫斯基(O. SENKOVSKY)的奇幻故事為題材,寫作第二號交響曲《安塔爾》(後改為交響組曲),試圖從阿拉伯騎士故事出發,找出與德奧音樂迥異的風格。多年以後,他又受到阿拉伯民間文學《天方夜譚》吸引,寫作四樂章交響組曲。整體樂思延續了之前濃厚的調式風味,但管絃樂法運用得更加自如;無論是代表蘇丹王的銅管合奏、代表女主角雪赫拉查德的小提琴獨奏,或是表現公主王子天真爛漫的木管斷奏,都帶出生動的畫面感。
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同場另外安排的兩首現代作品,一首是策展人陳銀淑在2020年,慶祝貝多芬週年紀念完成的新作《突然使勁》。她擷取貝多芬眾多經典樂曲,像是〈科里奧蘭序曲〉、《皇帝》鋼琴協奏曲片段,重組、發展成馬賽克般的音畫。另一首則是奧地利年輕作曲家多伊奇的《給薩克斯風四重奏與管絃樂團的協奏曲》,該作為衛武營國家藝術文化中心與萊比錫布商大廈管絃樂團共同委託創作,2021年底在萊比錫發表世界首演。
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演前導聆
\n\n2022/4/17(日)13:50-14:10 音樂廳三樓大廳
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演出曲目
\n\n陳銀淑:《突然使勁》(臺灣首演)
\n\n伯恩.理查.多伊奇:給薩克斯風四重奏與管絃樂團的協奏曲(亞洲首演,與萊比錫布商大廈管弦樂團共同委託創作)
\n\n林姆斯基-高沙可夫:交響詩《天方夜譚》,作品35
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演出暨製作團隊
\n\n指揮|廖國敏
\n\n四重奏|米特薩克斯風重奏團
\n\n客席樂團首席(天方夜譚)|魏靖儀
\n\n高雄市交響樂團
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藝術家介紹
\n\n指揮 | 廖國敏
\n\n「...令人矚目的指揮奇才。」《費城詢報》
\n\n「...為音樂會掀起序幕,以溫雅自信帶領樂團演出。」《沙托華日報》
\n\n「...極有掌控大局的天賦」《星電報》
\n\n廖國敏 指揮 現任澳門國際音樂節節目總監及香港管弦樂團駐團指揮的廖國敏曾獲美國《費城詢問 報》譽為「令人矚目的指揮奇才」,2014 年法國巴黎國際使雲蘭諾夫指揮大賽勇奪亞軍、觀眾大獎及樂團大獎,並獲美國費城交響樂團委任為助理指揮,為該團史上首位華人助理指揮。 廖國敏活躍於國際舞台,近期重要演出包括獲邀指揮維也納交響樂團,為樂團成立121年來樂季音樂會上首位華人指揮;獲法國政府委派與圖盧茲國家交響樂團首度出 訪沙特阿拉伯;韓國平昌音樂節;國立臺灣交響樂團共十場演出及香港管弦樂團樂季閉幕音樂會等。其他合作樂團包括美國底特律交響樂團、法國國家電台管弦樂團、馬賽歌劇院樂團、韓國首爾愛樂樂團、日本NHK交響樂團、廣島交響樂團、東京都交 響樂團、京都交響樂團、俄羅斯國家交響樂團、莫斯科愛樂樂團、拉脫維亞國家交響樂團等。歌劇指揮也備受矚目,近期與臺中歌劇院合作《塞維亞理髮師》。其他歌劇指揮作品包括《波西米亞人》、《愛情靈藥》、《小丑》、《杜蘭朵》、《遊唱詩人》、《弄 臣》、《蝴蝶夫人》、《卡門》等;並獲指揮家瓦列里·格吉耶夫邀請客席指揮俄羅斯 馬林斯基歌劇院。廖國敏曾以鋼琴家身份與多個樂團演出包括奧地利薩爾斯堡室樂團 和美國沃斯堡交響樂團等。 在香港演藝學院畢業,再赴美國入讀紐約茱莉亞音樂學院、費城寇蒂斯音樂學院、波士頓新英格蘭音樂學院深造。為推廣室內樂,廖國敏為澳門室內樂協會的創會主席。曾獲香港及澳門特區政府頒授嘉許獎狀及文化功績勳章表揚他在文化藝術等多方面的成就。廖國敏於2021獲選為香港十大傑出青年。
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客席樂團首席(天方夜譚)|魏靖儀
\n\n「第一樂章便成功吸引所有人的目光;第二樂章更是完整呈現所有可能性...魏靖儀在音樂中燃燒他的熱情與率性直到樂曲完結。」
\n\n─《比利時時報Le Soir》
\n\n2015年比利時伊麗莎白女王國際音樂大賽桂冠優勝。
\n\n2021四月底,世界級小提琴家什洛莫.明茲 (Shlomo MINTZ) 與台北市立交響樂團合作的音樂會,因緊急狀況,當下短短兩日內緊急代打演出柴可夫斯基小提琴協奏曲,成功完美的演出之後深獲樂界好評。也受到指揮Eliahu INBAL青睞,在同年11月三度合作貝多芬小提琴協奏曲。
\n\n2013年,魏靖儀始於國際舞台嶄露頭角,一舉奪得「庫柏國際小提琴比賽」首獎(Thomas and Evon Cooper International Competition),並與指揮家林望傑和美國五大樂團之一克里夫蘭管絃樂團在賽佛倫斯音樂廳演出。
\n\n2015年與Marin Alsop 所指揮的比利時國家管絃樂團在伊麗莎白女王國際音樂大賽決賽時演出蕭斯塔高維契小提琴協奏曲,獨特的音色、精湛且極具表現力的演奏摘下桂冠殊榮,更獲得樂壇一致好評。自此,魏靖儀展開其個人的世界巡迴演奏生涯。
\n\n以家鄉臺灣作為巡迴起點,接續與國家交響樂團、臺北市立交響樂團、德國巴登巴登愛樂、台灣絃樂團、世宗獨奏家樂團、Mainzer Virtuosi、比利時國家管絃樂團...... 等世界各地交響樂團合作多首協奏曲演出。期間亦與多位世界知名的音樂家合作,如Eliahu INBAL、Gil SHAHAM、Marin ALSOP、Pavel BALEFF、Brian SUITS、胡乃元、林昭亮、陳鋭、王佩瑤、Orion WEISS、Marc DANEL、Sungwon YANG以及Ronald FELDMAN等。
\n\n作為炙手可熱的小提琴家,魏靖儀亦受邀在多個音樂節與音樂廳演出,如紐約卡內基音樂廳、林肯中心、Alice Tully Hall 音樂廳、紐澤西四絃音樂節、佛蒙特綠山音樂節、義大利 Casalmaggiore 音樂節、比利時公牛音樂廳、首爾藝術中心、義大利史特拉底瓦里博物館(Museo del Violino)與臺灣的國家音樂廳。
\n\n甫於2018年獲得Salon de Virtuosi 藝術事業獎,魏靖儀在音樂上的成就更受到著名的《紐約時報》以及Robert SHERMAN 讚賞,後者邀請魏靖儀在美國電臺WQXR節目上演出。
\n\n1994年生於臺灣臺南,先後師事鍾佳妙、許恕藍、吳孟平與陳鈺雯;亦曾於大師班接受胡乃元大師指導。16歲的魏靖儀遠赴茱莉亞音樂院就讀,爾後獲得學校Jerome L. Greene基金會獎學金以及奇美基金會藝術獎學金,師事KANG Hyo及LEE I-hao教授。目前於德國柏林Hanns Eisler 藝術學院,師從前柏林愛樂首席Kolja BLACHER門下。目前使用由奇美基金會贊助提供的1761年Balestrieri名琴。
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米特薩克斯風重奏團
\n\nMIT Saxophone Ensemble
\n\n2013年成立,由團長陳冠文號召12位留學自歐美歸國的青年演奏家組成。背負著提升臺灣古典薩克斯風之國際能見度、推廣薩克斯風重奏的使命,成立八年多來,不斷舉辦各種形式的演出,廣邀國外知名音樂家來臺
\n\n交流,也持續委託臺灣作曲家譜寫原創作品。
\n\n2017年受國際大師 Vincent David 邀請,於香港、澳門、臺灣三地舉辦巡迴演出;2018年獲選為臺灣有史以來第一個進入文化部「演藝團隊分級獎助計畫」的薩克斯風重奏團;並於同年七月參加「第18屆國際薩克斯風年會」,登上克羅埃西亞國家劇院演出,發表作曲家邱浩源融合臺灣元素之創作《慶長生》,將臺灣獨有之音樂特色及演奏水平展現於國際舞台,其收錄於同年發行的首張同名專輯內;十二月與日本薩克斯風大師須川展也合作,米特首度登上國家音樂廳;2019年,首次評選進入國藝會年度獎助團隊(Taiwan Top);並於同年八月代表臺灣首次受邀前往新加坡,參與第九屆國際研討會,且首度舉辦國表藝三館巡迴演出;2020、2021年,亦連續獲選為國藝會年度獎助團隊。
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演出人員
\n\n高音薩克斯風:陳力鋒
\n\n中音薩克斯風:陳品樺
\n\n次中音薩克斯風:黃珮涵
\n\n上低音薩克斯風:張柏方
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高雄市交響樂團
\n\n樂在,你也在。
\n\n-年輕的樂團 堅定向前行
\n\n對一個城市而言,有專屬的樂團是難得珍貴的。高雄市交響樂團成立於1981年,是一個年輕有活力的樂團,2009年起迄今,擔任高雄春天藝術節重要演出角色,成功打響「高雄春天藝術節草地音樂會」品牌;十餘年來,不斷的與國際級指揮與名家大師們合作共鳴,勇於嘗試多元型態的演出,兼具古典與跨界是樂團發展的主軸,為樂迷創造更多優質的音樂饗宴,也培育無數表演與欣賞的種子,延展古典音樂創新的鴻翅;疫情期間也持續以各種線上模式音樂會與樂迷們見面,以音樂的能量撫慰人心。
\n\n在國際舞台上,樂團不斷獲邀至多個國際城市演出,逐步跨越城市與國界,以國際級樂團為自我提升與成長目標,堅定向前。
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合作夥伴:
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贊助單位
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1638856200,end:4794566399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e6f8aadf7c196bc83c1848b5a8f99505",title:"【2022衛武營國際音樂節】《天方夜譚—神話交響詩》"}],related:[],title:"【2022 Weiwuying International Music Festival】Closing Concert - Scheherazade: The Mythic Symphonic Poem",cover:"0c789029508dd5a6cee3a7b2694b83cd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'※The program has been changed. For more information, please contact +886-7-2626666. | \n\t\t
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At the age of twenty-four, Nikolai RIMSKY-KORSAKOV, encouraged by his peers, wrote Symphony No. 2 Antar (later changed to a symphonic suite), based on the fantasy stories of Russian writer Osip SENKOVSKY. Differing from the traditional German and Austrian music, this music incorporates the style and the stories of Arabia. Years later, RIMSKY-KORSAKOV was intrigued by the Arabian folk literature Arabian Nights and wrote a four-movement symphonic suite Scheherazade. The music continues the same exotic mode of the previous, with more sophisticated and unconstrained orchestration techniques. Whether it is the brass ensemble representing the sultan, the violin solo representing the heroine Scheherazade, or the staccato woodwinds depicting the innocent princess and prince, all bring out vivid and dramatic scenes.
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Two other contemporary works will be presented: Subito con Forza is the new work composed in 2020 by the Festival Artistic Director Unsuk CHIN to celebrate the anniversary of BEETHOVEN. She extracted many of BEETHOVEN's classic pieces, such as fragments from the Coriolan Overture and the Emperor piano concerto, reorganized and developed them into a mosaic-like tone painting. The Concerto for Saxophone Quartet and Orchestra by the young Austrian composer Bernd Richard DEUTSCH, which is co-commissioned by National Kaohsiung Center for the Arts (Weiwuying) and the Gewandhaus Orchestra from Leipzig, will also be presented. It had its world premiere in Leipzig at the end of 2021.
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Pre-talk
\n\n2022/4/17(Sun)13:50-14:10 Concert Hall 3rd Floor
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Program
\n\nUnsuk CHIN: Subito con Forza (Taiwan Premiere)
\n\nBernd Richard DEUTSCH: Concerto for Saxophone Quartet and Orchestra (Asian Premiere, joint commission with Gewandhaus Orchestra)
\n\nN. A. Rimsky-KORSAKOV: Scheherazade, Op.35
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Creative and Production Team
\n\nConductor|LIO Kuokman
\n\nQuartet|MIT Saxophone Ensemble
\n\nGuest Concertmaster (Scheherazade)|William WEI
\n\nKaohsiung Symphony Orchestra
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Artists Introduction
\n\nConductor | Lio Kuokman
\n\n"...a startling conducting talent." -Philadelphia Inquirer
\n\n"...opening the concert evening and leading the orchestra with grace and assurance." -The Chautauquan Daily
\n\n"...beautiful sense of control."- Star Telegram
\n\nCurrently serving as Programme Director of the Macao International Music Festival and Resident Conductor of the Hong Kong Philharmonic Orchestra, LIO is praised by the Philadelphia Inquirer as "a startling conducting talent." He was the second prize winner of the third Svetlanov International Conducting Competition in Paris with audience prize and orchestra prize and has served as the first Chinese Assistant Conductor with the Philadelphia Orchestra. LIO has successfully collaborated with many leading orchestras across the globe. This season he was invited as the first Chinese conductor to conduct subscription concert with the Vienna Symphony; Invited by the French government to lead the first Saudi Arabia performance tour with Orchestre National du Capitole de Toulouse; Completed 10 performances in Taiwan with NTSO; Appearance at Music in PyeongChang Festival and conducted the season closing concert with Hong Kong Philharmonic. Other collaborated orchestras including Detroit Symphony, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Marseille, Seoul Philharmonic, NHK, Hiroshima, Tokyo Metropolitan, Kyoto Symphony, Russian National Symphony Orchestra, Moscow Philharmonic, Latvian National Symphony, etc. LIO recently collaborated with National Taichung Theater on a production of Il Barbiere di Siviglia. Other opera performances including La bohème, L'elisir d'amore, Pagliacci, Turandot, Il Trovatore, Rigoletto, Madama Butterfly, Carmen; And was invited by Valery GERGIEV as guest conductor at the Mariinsky Theatre. As a concert pianist LIO has collaborated with Mozarteum Orchestra Salzburg and Fort Worth Symphony. Educated at the Hong Kong Academy for Performing Arts, the Juilliard School, the Curtis Institute of Music and the New England Conservatory, LIO is a founding member and President of the Macao Chamber Music Association. For his contributions to the development of arts and culture, LIO has received a Certificate of Commendation and Medal of Cultural Merit from both governments of Hong Kong and Macao. In 2021 LIO is the recipient of the Hong Kong Ten Outstanding Young Persons award.
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Guest Concertmaster (Scheherazade) | William WEI
\n\nLaureate of the prestigious 2015 Queen Elisabeth International Violin Competition, rising Taiwanese violinist William Wei is quickly building an international career as a soloist. Of his performance of the Shostakovich Violin Concerto with conductor Marin Alsop and the National Orchestra of Belgium, Le Soir wrote that William "gets everyone's attention in the first movement; he expresses all the possibilities in the second movement; [and he] burns all his passion and freedom in the music till the end." Radio Télévision Belge Francophone simply called his playing "superb".
\n\nWilliam's recent highlights have included concert series stepping in for violinist Shlomo MINTZ in Tchaikovsky Violin Concerto in D Major with Eliahu INBAL. National Symohony Orchestra with HU Nai-yuan and CHEN Ray, and Baden-Baden Philharmonic with Pavel BALEFF.
\n\nA winner of the Salon de Virtuosi's 2018 Career Grant, William has been invited twice by renowned New York Times music critic Robert SHERMAN to perform on WQXR's Young Artists Showcase. He performed the Tchaikovsky Violin Concerto with conductor, Jahja LING and the Cleveland Orchestra at Severance Hall as a winner of the Thomas and Evon Cooper International Competition in 2013.
\n\nFollowing his recital debut in Taiwan, William has appeared as soloist on multiple occasions, performing with such orchestras as the Belgium National Orchestra, Cleveland Orchestra, Sejong Soloists, Taipei Symphony Orchestra, Taiwan Philharmonic, Boston Longwood Symphony, and Mainzer Virtuosi. He has appeared as soloist at Lincoln Center, Carnegie Hall, Kaufman Music Center, Merkin Concert Hall, Jordan Hall, the Henry le Boeuf Hall in Belgium, Gasteig Concert Hall in Munich, Seoul Arts Center, Cremona Stradivari Museum (Museo del Violino), and Taiwan National Concert Hall, and has been invited to perform at several festivals, including the 4string festival in New Jersey, Incheon Music Festival in Korea, Green Mountain Music Festival in Vermont, and the Casalmaggiore Music Festival in Italy. William has performed with such renowned musicians as Eliahu INBAL, Gil SHAHAM, CHEN Ray, Marin ALSOP, Hu Nai-yuan, LIN Cho-liang, WANG Peiyao, Orion WEISS, Marc DANEL, Yang Sung-won, Brian SUITS, and Ronald FELDMAN.
\n\nBorn in Taiwan, William began his violin studies at the age of five. He is a proud recipient of the Jerome L. Greene Foundation Scholarship at the Juilliard School, where he earned his Bachelor's degree under KANG Hyo. He is currently pursuing his Master's degree at the Hochschule für Musik Hanns Eisler in Berlin under Kolja BLACHER, former concertmaster of the Berlin Philharmonic. William plays on a 1761 Tomasso Balestrieri loaned from the Chimei Foundation in Taiwan.
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MIT Saxophone Ensemble
\n\nMIT (Made in Taiwan) Saxophone Ensemble was formed in 2013 by talented Taiwanese saxophonists who have studied in the United States, France, Japan, Thailand, and the Netherlands. As an emerging chamber group, the MIT has held over 50 concerts and events since forming in 2013.
\n\nAs a pioneer saxophone ensemble in Taiwan, the MIT Saxophone Ensemble takes a duty of expending the saxophone ensemble repertoire. In addition to arranging works for the ensemble, they continuously commission new works by active composers, including Philippe GEISS, CHIU Hao-yuan, and LEE Che-yi. The MIT also devotes to promoting the saxophone in Taiwan and bringing it into the mainstream, by holding masterclasses, lectures, recitals, and out-reaching concerts. The most successful among all is currently there are more than 25 ensembles, over 250 players, coached by the MIT. Member of these ensembles varies from youth to adult, and beginners to music-major students.
\n\nDefined themselves a versatile chamber group, the MIT Saxophone Ensemble always enjoy to innovate their performance, teaching, and all other aspects. The broad interests of members contribute to this characteristic, and lead the group to have wider and deeper influences that are essential to improve the local saxophone society toward its audient.
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Performers
\n\nSoprano Saxophone|CHEN Li-fong
\n\nAlto Saxophone|CHEN Pin-hua
\n\nTenor Saxophone|HUANG Pai-haw
\n\nBaritone Saxophone|CHANG Po-fang
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Kaohsiung Symphony Orchestra
\n\nWherever there is music, there is you.
\n\n-A young orchestra moving forward with determination.
\n\nA city's orchestra is a rare and precious attribute for any place to have. The Kaohsiung Symphony Orchestra is a young, talented, and energetic orchestra that cooperates with internationally renowned conductors. The KSO strives to incorporate classical and cross-border performances into their repertoire, permeated with their unique passion.
\n\nThe KSO was founded in 1981 and since 2009, the orchestra has played a pivotal role in the Kaohsiung Spring Arts Festival and successfully established the reputation of the "Kaohsiung Spring Arts Festival Grassland Concert." Over the past decade, the KSO has continued to absorb the encouragement and tempering of various international personalities to create a series of concerts performed jointly by famous domestic and foreign artists. During the pandemic, there was a series of online concerts that connected music with fans to soothe their hearts with the energy of music.
\n\nOn the international stage, the KSO continuously receives international invitations to perform in many cities, gradually reaching beyond the borders and proudly taking the name of an international-level orchestra. The KSO moves firmly onwards with talent and strength while striving for growth.
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Partner:
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Sponsor
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\n',team:""},createdAt:1636688455,updatedAt:1653017414,updatedBy:"通泰系統管理員",host:!0}}],seq:2,name:"Programs",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"b0507ef7cc3ff5d25ec426ceb0c7c0dd",title:"2022衛武營國際音樂節"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:2,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:1},createdAt:1638273553,updatedAt:1669700333,updatedBy:"林蔚行",content:{title:"2022衛武營國際音樂節",cover:"fef299d4b7584a10e5a215b44c82fd73",menu:{append:!1,appendTo:"program",text:"2022衛武營國際音樂節"},color:{a:1,r:79,g:79,b:79},seq:2,description:"2022 年的首屆音樂節,將獻上來自不同時代、不同文化的音樂,除了有國際及臺灣的首演作品,更將音樂史上重要的巨作以非比尋常的脈絡及展演方式呈現。",introduction:'
藝術總監|陳銀淑
\n\n我非常榮幸能擔任衛武營國際音樂節的藝術總監。
\n\n臺灣朝氣蓬勃的音樂生態及致力投入的精神受到國際景仰,而其中,衛武營國家藝術文化中心這座建築不僅美麗且擁有極佳的音響效果,是臺灣的一枚瑰寶。
\n\n衛武營國際音樂節是一個發現與創新的嶄新平台。
\n\n2022 年的首屆音樂節,將獻上來自不同時代、不同文化的音樂,除了有國際及臺灣的首演作品,更將音樂史上重要的巨作以非比尋常的脈絡及展演方式呈現。
\n\n我們試著讓當代最前線的東西方音樂與古典音樂展開對話,體驗迥然不同的視聽饗宴;我們將海頓與盧托斯瓦夫斯基作對比,讓小提琴家魏靖儀演奏魏本及布拉姆斯,使臺灣作曲家林佳瑩與史特拉汶斯基產生交流,我們更找尋著跨文化的連結,推出創新的多媒體音樂會「Beyond the Score®」,演奏受眾人喜愛的經典作品《展覽會之畫》。
\n\n另外,臺灣鋼琴家王佩瑤所策展的《浮光流影》,靈感源自作家吳明益的暢銷小說《單車失竊記》。波蘭導演聶辛斯基 (Zbig RYBCZYŃSKI)在實驗電影《管絃樂團》中,以他獨特的超現實方式向我們展示了與交響樂團有關的有趣聯想。
\n\n這次我們也特別聚焦來自奧地利的作曲家伯恩・理查・多伊奇 (Bernd Richard DEUTSCH) ,與萊比錫布商大廈管絃樂團共同委託這位當今最才華出眾的年輕作曲家,創作充滿異國情調的薩克斯風四重奏和交響樂團的作品。 另外我們也委託兩位新世代的傑出作曲家:臺灣的林佳瑩和巴西的保羅・布里托(Paulo BRITO),為本此音樂節創作精彩的作品。
\n\n此次音樂盛會上,非常開心能邀請許多樂團來共襄盛舉:米特薩克斯風重奏團、國家交響樂團,及高雄市交響樂團,更能看到簡文彬、廖國敏和楊智欽的精彩指揮。除此之外,新成立的衛武營當代樂團將由楊書涵指揮,匯集並演出來自臺灣及世界各地的新作品。
\n\n歡迎一同踏上這場全新的藝術冒險之旅
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2022衛武營國際音樂節藝術總監陳銀淑
\n\n©Priska Ketterer
\n\n身兼作曲家與音樂策展人的陳銀淑生於1961年的韓國首爾,並自1985年起旅居德國。其職業生涯中曾獲頒許多古典音樂獎項,她的音樂也吸引了許多國際級指揮大師的矚目。陳銀淑更經常受邀為許多全球知名樂團譜寫演奏曲目,曾演出其作品的樂團有柏林愛樂樂團、紐約愛樂樂團、芝加哥交響樂團以及東京交響樂團等等,並在眾多音樂節和樂團擔任駐節/團作曲家,如瑞士琉森音樂節、巴黎秋季藝術節、北德廣播交響樂團、柏林德意志交響樂團等等。
\n\n2007年,陳銀淑的首部歌劇作品《愛麗絲夢遊仙境》在德國巴伐利亞國立歌劇院舉行全球首演,以此揭開慕尼黑歌劇節序幕。此外,陳銀淑也以音樂策展人的身分活躍於樂壇。於2006年至2017年間在首爾愛樂負責監督現代音樂節「新視界」系列的演出(該音樂節由她本人所創辦);於2011年至2020年間,則在倫敦擔任愛樂管弦樂團「當代音樂」系列音樂會的藝術總監。此外,她也在2021年出任洛杉磯愛樂樂團首爾音樂節總監一職。其作品由英國古典音樂出版商博浩公司獨家代理發行。
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贊助單位
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