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尼采在《查拉圖斯特拉如是說》的開頭,以走繩索的馬戲表演者,來比喻他心目中的超人。傳統在馬戲團中出沒的,不論是表演者或動物,都不是一般的類型。以動物來說,這些動物通常在訓練之後,具備了某一程度的人性,是動物界裡的超人。至於表演者,各種高超的雜耍、空中飛人或馴獸師,則讓觀眾讚嘆不已。不同於一般舞台劇或電視電影,馬戲表演者使用的是超日常技巧,代表了一種自我超越,一種超級英雄。
\n\n2023衛武營馬戲平台將以「超級英雄」作為主題,在向馬戲的本質致敬的同時,也讓馬戲走出傳統的帳篷空間,納入日常生活,跨越文化藩籬,讓觀眾看到,只要能勇於突破自己,完成不可能,人人都可以是超級英雄,是尼采所謂的超人,生命的特技演員。
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周邊
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集章任務:超級英雄養成記
\n\n凡參與2023衛武營馬戲平台系列節目及活動,即可獲得指定經驗值貼紙,集滿指定經驗值後,即有機會兌換1份限量「英雄成就獎勵」贈品各乙份。
\n\n►了解更多
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活動地圖
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活動時間表
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\n\t\t\t 主要贊助 \n\n\t\t\t\n\n\t\t\t 藝文支持 \n\n\t\t\t\n\n\t\t\t 綠色永續文化夥伴 \n\n\t\t\t | \n\t\t
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\n',tabs:[{programs:[],seq:2,name:"售票節目",content:'\n\n
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\n\t\t\t 購票優惠 \n\n\t\t\t
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加拿大七手指特技劇場《魔幻列車》
\n\n整部作品令人難以置信。《魔幻列車》不僅將馬戲藝術作為一種奇觀,還將其作為沈浸式敘事的工具。戲劇性特技表演的出其不意,讓整個演出感覺像是魔法。《魔幻列車》的製作要素完美融合,成就一場具規模的驚奇演出。這場演出的美感和創意使其成為所有觀眾都必看的節目。——美國《哈佛深紅報》
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圓劇團 《交陪曲》+虎劇團《打鐵人們》
\n\n圓劇團 《交陪曲》
\n這是一曲充滿臺味陣頭和馬戲的交陪饗宴,從土地的節慶生活中,迸發出純樸又具野性的風土篇章,讓我們在馬戲裡聽見與看見傳統的近未來交陪曲。
虎劇團《打鐵人們》
\n在街頭,我們利用聽覺來帶動肢體構成表演;在劇場,我們透過肢體律動來創造聲音,藉由看得到的律動,帶出一場音符節奏饗宴。
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衛武營黃昏市集—聖誕馬戲嘉年華
\n\n聖誕精靈們悄悄降臨衛武營黃昏市集-聖誕馬戲嘉年華,
\n\n在這場慶祝活動中,精靈們準備了佳餚大道、創意工坊等,
\n\n要把祝福帶給來到衛武營的眾人們,圍繞著聖誕樹及限定演出,
\n\n穿上聖誕服裝一同享受這充滿自由與創意、多元文化的嘉年華!
\n\n活動時間、地點
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北廣場(衛武營捷運站6號出口前)
\n\n南廣場(衛武營戶外劇場前)
\n\n\n',color:{a:1,r:231,g:25,b:25},type:"content"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"ad08a665166fa8985d0acba30fddbabe",title:"2023衛武營馬戲平台"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:0,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:0},english:{title:"",cover:"a300841735c975ea3c3be5cfc7f301f9",menu:{append:!1},color:{a:1,r:220,g:144,b:182},seq:1,description:"",introduction:'\n\n\n\n
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At the beginning of Thus Spoke Zarathustra, Nietzsche used the circus tightrope walker as an analogy for the Übermensch ("Over human"). Performers or animals that appear in traditional circuses are far from ordinary. For instance, animals that underwent circus training come to possess a certain extent of humanity, thus becoming the Übermensch among other animals. As for human performers, superb jugglers, the flying trapeze, or animal tamers bring a sense of awe and amazement to the audience. Unlike traditional theatre, television, or film, circus performers utilize techniques that surpass ordinary abilities and epitomize a superhero who transcends the limitations of the self.
\n\nThemed "Superhero", the 2023 Weiwuying Circus Platform not only celebrates the circus but also expands its boundaries beyond the traditional tent. By incorporating elements from daily life and transcending cultural boundaries, this platform invites viewers to witness how one can become a superhero and Nietzsche's "Übermensch" by daring to break free from their limitations and achieving the impossible, becoming the stuntman of life.
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More
\n\n►Stamp Collecting Event: Evolution of Superhero
\n\n►Antinomy Company - Banyan Supernova
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Map
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\n\t\t\t Sponsor \n\n\t\t\t\n\n\t\t\t Arts Supporting \n\n\t\t\t\n\n\t\t\t Green Partnerships \n\n\t\t\tMore Info on Taiwan's Sustainability Development, please see: Taiwan Stock Exchange, Taiwan Carbon Solution Exchange \n\t\t\t | \n\t\t
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\n',tabs:[{programs:[],seq:2,name:"Ticketed",content:'
\n\t\t\t Offers \n\n\t\t\t
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Les 7 Doigts - Passagers
\n\nThe entire production is incredible. Passagers uses circus art as not just a spectacle, but a tool for immersive storytelling. The unexpectedness of these dramatic stunts makes the show truly feel like magic. In Passagers every element of production came together to create a show that creates wonder of the same magnitude. The beauty and ingenuity of this show make it a must-see for all audiences. ——The Harvard Crimson, USA
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Thunar Circus - Let's Kau-puê & W.H.O. Theatre - Phah-thih People Party
\n\nThunar Circus - Let's Kau-puê
\nCelebrating the festivity of the land, this dynamic fusion of Taiwanese folk parade and circus showcases a vibrant feast teeming with rustic and unbridled flavors of local culture. Through the spectacle of the circus, the audience is allowed to hear and see a performance conveying a traditional form of mingling and bonding known as kau-puê.
W.H.O. Theatre - Phah-thih People Party
\nW.H.O. Theatre, consecutively awarded the "Creativity Award" of Artistic Performance division of World Yo-Yo Contest from 2013-2015, was founded by a group of performers who are non-professionally trained but passionate for diabolos and yo-yos. Since its inception, the Theatre has garnered numerous awards. In this new work, performers use the spinning motions of diabolos and yo-yos to recreate the industrial production line on stage. This aims to showcase the artisan spirit honed in the industry, and to forge a magnificent visual art.
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\n',color:{a:1,r:231,g:25,b:25},type:"content"},{programs:[{from:"programs",key:"652769e9b9845e0008e3cbb4",title:"【2023 Weiwuying Circus Platform】Formosa Circus Art - Delectation Journey"},{from:"programs",key:"65276df5117b8d0007419a4c",title:"【2023 Weiwuying Circus Platform】Circus D. Lab - Polosseum"},{from:"programs",key:"65279847b9845e0008e3d423",title:"【2023 Weiwuying Circus Platform】CHEN Sheng-wei - Naughty Waiter"},{from:"programs",key:"6527a269b9845e0008e3d602",title:"【2023 Weiwuying Circus Platform】 Circus Variations: KUO Chien-hung x Da Kung - Moving Zen"},{from:"programs",key:"6527abccb9845e0008e3d7cd",title:"【2023 Weiwuying Circus Platform】 Circus Variations: Eye Catching Circus x LIN Liang-yu - 10"},{from:"programs",key:"65279075b9845e0008e3d2b6",title:"【2023 Weiwuying Circus Platform】 Taiwan Acro Dance Association The 1st Acrobatic Dance Big Top Awards Ceremony in Taiwan"},{from:"programs",key:"65278acb117b8d0007419f60",title:"【2023 Weiwuying Circus Platform】Circus Got Talent"}],seq:3,name:"Free Entry",content:"",color:{a:1,r:19,g:150,b:72},type:"reference"},{programs:[{from:"programs",key:"6541f5c1f0365a0009b0dbde",title:"【2023 Weiwuying Circus Platform】Clément DAZIN's Body Training Workshop"},{from:"programs",key:"654881d09a468f00074a1615",title:"Weiwuying Sunset Market Strip—Christmas Circus Carnival"}],seq:4,name:"More",content:"",color:{a:1,r:21,g:86,b:166},type:"reference"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"ad08a665166fa8985d0acba30fddbabe",title:"2023衛武營馬戲平台"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:0,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:0},createdAt:1695109954,updatedAt:1701315094,updatedBy:"林蔚行"},{_id:"632b02f6de574700090eb0f9",category:"5ed47e0358ad3900060874f2",year:2022,chinese:{title:"",cover:"0b87d366e2961ee62e86973c06ed8f59",menu:{append:!1},color:{a:1,r:255,g:128,b:128},seq:0,description:"馬戲是一個神秘的空間,世俗與神聖在這裡相聚,人們在這裡探索想像力的極限。第七屆馬戲平台將以「非常世界,非常遊戲」為策展主題,將衛武營的樹洞,改造成一個象徵性的馬戲棚,邀請觀眾進入歡樂的魔幻世界。",introduction:'
非常世界,非常遊戲
\n\n馬戲是一個神秘的空間,世俗與神聖在這裡相聚,人們在這裡探索想像力的極限。第七屆馬戲平台將以「非常世界,非常遊戲」為策展主題,將衛武營的樹洞,改造成一個象徵性的馬戲棚,邀請觀眾進入歡樂的魔幻世界。在為期一週的平台活動中,不僅可以見到來自國內外的厲害馬戲表演,這裡也是一個大人與小孩可以一起參與的遊戲空間,每一個人都有機會在這裡見證世界的不平凡。
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日程表
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活動地圖
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策展理念
\n\n耿一偉|2022衛武營馬戲平台策展人
\n\n©法國炸影像工作室
\n\n很小的時候看過臺灣的馬戲團演出,但內容幾乎全忘,只模糊記得場地附近的牢籠充斥著動物的糞便味,帳篷裡木頭搭的圓形觀眾席。這個回憶對我來說,揭露了空間的重要性。關鍵不是動物表演是否為馬戲所必須,任何事物只要進入這個遊戲空間,都有機會成為馬戲世界的一部分。開放的觀眾席,則說明這是一個觀眾與觀眾,觀眾與演出相遇的神奇之地。因此,我將2022年馬戲平台的策展主題設定為「非常世界,非常遊戲」。
\n\n為了搭配策展主題,我們凸顯了馬戲作為相遇空間的特質,將衛武營的樹洞,以象徵的設計手法,塑造成馬戲帳篷的樣貌,並安排了好幾個創意遊戲的裝置藝術,期待觀眾到此地時,馬上能感受到那種要與超現實事物相遇的節慶感。
\n\n衛武營馬戲平台自2016年創立以來,一直秉持著結合專業交流與大眾演出這兩個面向。在專業交流上,不但有法國國立馬戲學校的新魔術工作坊,還有馬戲創意製作人工作坊,希望能藉此強化未來國內馬戲的節目企劃。在演出上,廣邀包括高雄在內的國內團隊,還有來自法國與東南亞的表演,試圖展現出馬戲身體背後的多元文化。作為專業的表演藝術平台,最重要的任務就是孕育新的節目誕生。今年衛武營馬平台也首度與雲林國際偶戲節、桃園鐵玫瑰藝術節合作,共同委任與邀約了《採藥記》與《艾拉—第一次造訪》兩個新節目。
\n\n馬戲本來就是無所不包,這種包容性,最終亦需包含觀眾的多樣性。希望今年的整體策畫,能讓所有的觀眾在這個非常的世界裡,能夠盡興遊戲。
\n\n\n',tabs:[{programs:[],seq:2,name:"非常世界",content:'
售票節目:魔人神手製造所《人類狂想曲》
\n\n對你來說,最重要的東西是什麼?工作、家庭、健康?你願意犧牲一點健康換取更大的成就嗎?一天之中,你重複哪個動作最多次?看起來很奇怪嗎?你該不該為了收入多表演幾場?當一切都進展的太快,你要不要先緩緩?
\n\n►節目詳情
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法爾劇團《成住壞空》
\n\n適者生存,掌控、操縱…一場權力的爭奪、一心追求勝利,我們如何找到自己?如何不迷失於外在的光彩?
\n\n►節目詳情
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真雲林閣掌中劇團X方式馬戲《採藥記 Get Well Soon》
\n\n阿蝶是一位中年婦女,出身貧窮,卻還經常賭博、偷東西。有天,村裡來了王爺的使者,宣布懸賞找到「金蝶蛹」的人,獎金一千兩金子。然而,沒人想到捕捉金蝶蛹竟然會受到詛咒,阿蝶與母親自此陷入困境⋯⋯
\n\n►節目詳情
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新象創作劇團《稻花香裡說豐年》
\n\n展現農家秋收冬藏時節,農家耕作與採茶的農忙情景及歡慶豐年的景象,以經典雜技為主軸,結合歌舞等多元呈現,運用意境背景的年代復古感,在舞台上刻劃臺灣經典雜技的年輪。
\n\n►節目詳情
\n\n\n',color:{a:1,r:140,g:204,b:46},type:"content"},{programs:[],seq:3,name:"非常遊戲",content:'
藝術報國《艾拉—第一次造訪》
\n\n來自未來!4米高的艾拉戶外遊走,造訪衛武營!
\n\n「藝術報國」全新創作《艾拉 – 第一次造訪》受「2022衛武營馬戲平台」邀請,並由「2022桃園鐵玫瑰藝術節」及「雲林縣政府」共同合作推出的當代戲偶戶外展演計畫。
\n\n►節目詳情
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郭建宏X野漫空間《當我們開始流動》
\n\n高雄在地馬戲工作者郭建宏與在地音樂團隊野漫空間首次攜手合作,在流動藝術與世界音樂的對話間,共譜一段生命交織的流動旅程。
\n\n►節目詳情
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神色舞形舞團《轉接・點》
\n\n《轉・接・點》將為高空演出創造奇妙體驗,以具體的「點」延伸、串連作品,讓舞者恣意的擴張和移動,展現生命存有的多層意涵。物件驅使,使生命在呼與吸的瞬間,喚醒非本真的存有。Toggle switch命名為轉向新視界,以展演當下人與人相處的直覺反應,指涉周遭世界的空間意義,取代慣性觀看演出的形式,本演出試圖捕捉生命流動過程,尋覓不同世代間的對話關係,穿梭在虛與實的二元結構中,創造新的高空表演美學。
\n\n►節目詳情
\n\n\n',color:{a:1,r:255,g:128,b:128},type:"content"},{programs:[],seq:4,name:"夢幻行動",content:'
二律悖反協作體 藝術裝置
\n\n在過去的時代裡,馬戲團為了巡演的便利性和私人售票的雙重機制,延伸出對於馬戲棚的發明概念和需求。隨著時間的演進,馬戲棚的概念與意義已經逐漸地流變轉化成各種不同的樣態。即便如此,馬戲仍然持續地與「空間、物件、身體」保持著相當親密的關係,而這樣緊密的關係,也將會是此次整體設計之主要目標。
\n\n創意團隊二律悖反協作體首次參與衛武營馬戲平台,將榕樹廣場打造為樹洞馬戲棚,並以「回到空間、回到物件、回到身體」提案,來回應馬戲發展之中的空間、物件和身體之演變和隱喻。
\n\n時間:12/9-12/18
\n\n►活動詳情
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衛武營黃昏市集—聖誕搖擺嘉年華
\n\n歡迎光臨衛武營聖誕搖擺小鎮!
\n\n►活動詳情
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【樹洞耳機電影院】台語有影・紀錄片《地下藝人》
\n\n【樹洞耳機電影院】台語有影・紀錄片《地下藝人》
\n\n「弄鐃」(lāng-lâu)是臺灣喪葬儀式中一項古老的傳統技藝。
\n\n喪家舉辦法事中,黑頭師公(道士)以自身的技藝如特技、雜耍、音樂與戲曲表演,表達對亡者的慎終追遠,撫慰喪家的悲慟,娛人且娛靈。這個古老行業通常世代傳承,如同一個微型的家族馬戲班。
\n\n本片記錄了臺灣弄鐃家族「桃園許家班」祖孫三代的故事,他們從小練習打鼓、吹嗩吶、弄鐃鈸,各各技藝精湛、法術高強。他們的身影出現在街頭、廣場和家家戶戶,輪番上演目連救母、十月懷胎、打火盆、跑藥懺、跑赦馬、化庫錢等,對悲傷的療癒衍生出來的種種科儀,亦是草根的街頭劇場,隨著時代變遷,也融入新的文化意涵。
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周邊活動
\n\n夢想集樂趣
\n\n馬戲表演,宛如創造夢想,利用單純物件,透過不等的專業技巧,呈現獨一無二的精彩演出。
\n\n夢想無限,步步實現,隨著腳步完成遊戲,夢想潛望鏡/貼紙組等你收藏,一齊觀賞繽紛的馬戲世界。
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開放時間:
\n\n12.09(五) 18:30-20:30 (已兌換完畢)
\n\n12.10(六) 15:00-20:30 (已兌換完畢)
\n\n12.11(日) 15:00-20:30 (已兌換完畢)
\n\n12.17(六) 15:00-20:30 (已兌換完畢)
\n\n12.18(日) 15:00-20:30 (已兌換完畢)
\n\n地點:榕樹廣場
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活動內容:
\n\n活動期間參與【2022馬戲平台】夢幻行動遊戲(迷走氣泡、奇境彈珠、夢幻登陸號),
\n\n集滿3款特定印章,即有機會獲得「夢想潛望鏡/貼紙組」乙組。
\n\n憑完成3款印章之折頁,於營業時間內至衛武營三樓服務中心兌換禮品,每日數量有限,兌完為止。
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碰碰奇境彈珠
\n\n繽紛多元的馬戲表演,動動手與腳,帶領你暢遊馬戲世界。
\n\n巨型命運彈珠台降落樹洞馬戲棚,參與並完成遊戲,一同享受這場馬戲冒險。
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開放時間:
\n\n12.09(五) 18:30—20:30
\n\n12.10(六)、12.11(日) 15:00—20:30
\n\n12.17(六)、12.18(日) 15:00—20:30
\n\n地點:榕樹廣場
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活動內容:
\n\n於活動期間參與【2022馬戲平台】夢幻行動「奇境彈珠」遊戲,完成指定遊戲目標,即有機會獲得「老虎口罩 (單入)」乙只。
\n\n每日數量有限,贈完為止。
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小怪獸愛𨑨迌
\n\n散落樹洞馬戲棚內的小怪獸們,等著你來收服!
\n\n五款可鹽可甜小怪獸,只要動動小手分享文章,一起征服佳趣的馬戲世界。
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活動時間:
\n\n12.10(六) 15:00—21:00 (已兌換完畢)
\n\n12.11(日) 15:00—21:00 (已兌換完畢)
\n\n12.17(六) 15:00—21:00(活動取消)
\n\n12.18(日) 15:00—21:00
\n\n12.24(六) 15:00—21:00
\n\n12.25(日) 15:00—21:00
\n\n地點:北廣場
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活動內容:
\n\n於活動期間至衛武營黃昏市集—聖誕搖擺嘉年華「衛武營國家藝術文化中心」攤位,公開分享【2022馬戲平台】指定自媒體貼文,即有機會獲得「小怪獸貼紙組」乙包。
\n\n每日數量有限,兑完為止。
\n\n\n\n
\n',color:{a:1,r:255,g:255,b:255},type:"content"},{programs:[],seq:5,name:"專業工作坊",content:'
CNAC法國國家馬戲藝術中心「新魔術大師班」
\n\n馬戲美學的混種本質,在當代呈現豐沛的跨領域能量,而其中「魔術」更是奇觀展現的經典,也能為演出增添虛實交錯之神秘性。「CNAC法國國家馬戲藝術中心 新魔術大師班」課程方向將包含認識魔術與新魔術的範疇、新魔術戲劇構作的角色,以及新魔術在當代馬戲的發展和運用。深入淺出帶領學員認識新魔術創造新動能的可能性,並嘗試開發與結合新魔術的技巧在自己的表演作品中,或跨界應用到其他領域,發展出新的創作風格!
\n\n►活動詳情
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馬戲創意製作人工作坊
\n\n從2016年起,衛武營就設有馬戲平台,固定為臺灣馬戲與國際交流創造一個友善的環境。如今,隨著環境的變化,下一階段的任務也孕育而生——積極催生具有售票潛力的臺灣馬戲節目。要邁向這個目標,就必須培養馬戲創意製作人這一環。馬戲創意製作人工作坊的目的,是將現階段臺灣馬戲的製作經驗加以公共化,同時讓機構、創作者、製作人都可以聚集一堂,創造一個串聯全臺的馬戲製作網絡。
\n\n►活動詳情
\n\n\n',color:{a:1,r:255,g:128,b:128},type:"content"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"115d6738f4f5934b564af5e4b77de60c",title:"衛武營馬戲平台"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:9,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:8},english:{title:"",cover:"0b87d366e2961ee62e86973c06ed8f59",menu:{append:!1},color:{a:1,r:255,g:128,b:128},seq:0,description:'"Extraordinary World, Extraordinary Games" The circus is a mysterious space where the secular meets the sublime, a place for people to explore the limits of their imaginations. ',introduction:'
Extraordinary World, Extraordinary Games
\n\nThe circus is a mysterious space where the secular meets the sublime, a place for people to explore the limits of their imaginations. The 7th Weiwuying Circus Platform is curated around the theme "Extraordinary World. Extraordinary Games" and transforms Weiwuying Wonderland into a symbolic circus tent, welcoming audiences into the magical and cheery world of the circus. The week-long event will not only allow visitors to enjoy outstanding performances of Taiwan and international performers but also for both adults and children to indulge in play and witness the marvels of the world.
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Schedule
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Map
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Curatorial concept
\n\nKENG Yi-wei|2022 Weiwuying Circus Platform Curator
\n\nI remember seeing a circus when I was very young but have almost completely forgotten everything about it except the smell of animal feces from a cage near the venue and the round, wooden seating in the tent. This memory shows me the importance of space. Animals are not a must for a circus; anything in the space can be part of the circus. An open seating arrangement shows that this is a place where people in the audience can interact with each other and the performances. This is why I designated the theme for the 2022 Weiwuying Circus Platform "Extraordinary World, Extraordinary Games."
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In accordance with the theme, we are highlighting how a circus can be a place of gathering. Through design, we will turn the Weiwuying Wonderland into a circus tent, and there will be several creative installations in which visitors can play games and interact. Upon arriving, they will immediately feel a sense of excitement and surrealism.
\n\n
\nSince the first Weiwuying Circus Platform in 2016, we have always incorporated professional exchanges with performances. For the former, this year, we will have the Workshop for Creative Producers in Circus, put on by Weiwuying, and the New Magic Masterclass, put on by France's National Center for Circus Arts, to enhance Taiwan's future circus programs. As for performances, we will have Taiwanese groups (including one from Kaohsiung) and acts from France and Southeast Asia, presenting the cultural diversity that can be found in the circus industry. As a performing arts platform, the most important task is to serve as a place to propagate new programs. This will be the first year for the platform to coproduce programs with the Yunlin International Puppet Theater Festival and the Taoyuan Iron Rose Music Festival, bringing us Get Well Soon and Ayla - The First Visit.
Anything can be in a circus. Such inclusiveness must also take the diversity of the audience into consideration. I hope the event will allow everyone who comes to fully enjoy themselves in this extraordinary world!
\n\n\n',tabs:[{programs:[],seq:2,name:"Extraordinary World",content:'
Ticketed: La Main de l'Homme - Humanoptère
\n\nWhat is the most important thing for you: Work? Family? Health? Would you sacrifice a little health for greater success? What movements do you repeat most frequently during the day? Do these things seem absurd? Should you juggle more so as to get more? When everything is moving too fast, do you need have to stop before you get hooked?
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Phare the Cambodian Circus - Influence
\n\nInfluence mixes circus and modern puppetry to explore struggles for power and survival. From primordial organisms battling in pre-historic jungles to an ancient king being manipulated by external forces or a runner trapping his competitors to win a race, all seek to triumph.
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Zhen Yun Lin Ge Puppet Theater x Circus P.S. - Get Well Soon
\n\nHow does a middle-aged woman become the village villains? After gambling away her family's fortune, Ah-dieh, fuelled by greed, put her mother into even more trouble.
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New Image Theater Group - Aroma of Rice Ears Telling a Rich Harvest
\n\nAroma of Rice Ears Telling a Rich Harvest features singing and dances through Taiwanese classic acrobatics, presenting the nostalgia of family farming and harvest celebrations.
\n\n\n',color:{a:1,r:140,g:204,b:46},type:"content"},{programs:[],seq:3,name:"Extraordinary Games",content:'
Ars Association : Ayla - The First Visit
\n\nAyla - The First Visit is a new production by Ars Association (Taiwan). It's a contemporary outdoor puppetry performance invited by Weiwuying National Kaohsiung Center for the Arts (Weiwuying), and co-produced by 2022 Taoyuan Iron Rose Festival and 2022 Yunlin International Puppet Theater Festival.
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KUO Chieng-hung X The Wanderoots - Live in the Moment
\n\nKaohsiung circus worker KUO Chieng-hung and local music team The Wanderoots have joined hands for the first time to create a journey of life interwoven in a dialogue between fluid art and world music.
\n\n\n\n
Radiant Dance - Toggle Switch
\n\nExpression: a dreamy state in a trance; colour: outward appearance as a manifestation of the heart; dance: voluntary movements of the body; form: an ineffable combination of lines.
\n\n\n',color:{a:1,r:255,g:128,b:128},type:"content"},{programs:[],seq:4,name:"Dream Mission",content:'
Antinomy Company Installations
\n\nIn the past, circus groups derived the concept and need for inventing circus tents to facilitate touring circuses and adopt the dual mechanism of private ticketing. Over time, the concept and meaning of circus tents have evolved. Nevertheless, the circus remains closely related to "space, objects, and body", and such a close-knit relationship is the main goal of this overall design.
\n\nCreative team Antinomy Company participated in the Weiwuying Circus Platform for the first time, transforming Banyan Plaza into a Banyan Circus Tent. The team proposed "returning to space, to objects, and to the body" to embrace the evolution and metaphor of space, objects, and body in circus development.
\n\nTime:12/9-12/18
\n\n\n\n\n\n
Weiwuying Sunset Market Strip—Christmas Swing Carnival
\n\nWelcome to the Weiwuying Christmas Swing Carnival!
\n\nThe 2022 Weiwuying Circus Platform is to be held from 12/5 to 12/18. In this realm of fun and fantasy, you'll get to see programs, play games, and shop around at the Weiwuying Sunset Market Strip. Starting on 12/10, come dance around our Christmas tree for the most swinging Christmas you've ever had!
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【Headphone Cinema】Circus Underground
\n\n【Headphone Cinema】Circus Underground
\n\n"Lāng-lâu" is a type of ancient traditional performing art performed in funerals in Taiwan. During the rituals at funerals, the "oo-thâu sai-kong", also known as a Taoist priest, carefully shows his respects to the deceased and consoles the grief of the bereaved family. Through acrobatic skills, juggling, and performing Beiguan music[1], the oo-thâu sai-kong entertains the people and the dead spirit...
\n\n\n\n\n',color:{a:1,r:140,g:204,b:46},type:"content"},{programs:[],seq:5,name:"Professional Development",content:'CNAC New Magic Masterclass
\n\nThe hybrid nature of circus aesthetics presents abundant cross-disciplinary energy in contemporary times. Among them, "magic" is a classic of spectacle, which can also add mystery to the performance. "CNAC National Circus Art Center – New Magic Master Class," will cover the areas of understanding magic and new magic, the role of new magic plays, and the development and application of new magic in contemporary circus. This professional workshop will lead participants to explore the possibility of creating new kinetic energy with new magic. Furthermore, to develop and combine the skills of new magic in their performance to apply them to other fields and develop a unique creative style!
\n\n\n\n
Workshop for Creative Producer in Circus
\n\nWorkshop for Creative Producer in Circus will invite national circus experts to share their production experience, brainstorm program concepts, and develop them into proposals for Weiwuying's circus platform, to make our dreams come true. We welcome all theater program departments, municipal cultural bureaus and performance halls, art festival curators, creators, and friends interested in circus production work to participate in this workshop. Considering the inherent inclusiveness of the circus circle, we also invite producers in other fields such as dance, interdisciplinary performance, and outdoor performance to join us and brainstorm together.
\n\n\n',color:{a:1,r:255,g:128,b:128},type:"content"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"115d6738f4f5934b564af5e4b77de60c",title:"衛武營馬戲平台"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:8,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:9},createdAt:1663763190,updatedAt:1701082051,updatedBy:"資訊室管理"},{_id:"60ed62c5fff9e8000779f918",category:"5ed47e0358ad3900060874f2",year:2021,chinese:{title:"",cover:"8a92cc7b4528d26eed8bdb5c20569ab6",menu:{append:!1},color:{a:1,r:1,g:136,b:172},seq:0,description:"從「心」出發,活出精彩,體驗賞、做、遊、樂、閱的馬戲人生!",introduction:'\n\n\n\n
\n\n
馬戲,讓我們參與一場策劃改變的社會行動;當掌聲響起,我們再次擁有相信人生和希望的勇氣!
\n\n文 / 張欣怡|2021衛武營馬戲平台策展人
\n\n@Sara Lando
\n\n\n\n
作為最有活力、可塑性高卻在當代社會流浪的表演藝術,馬戲自18世紀以來,始終遊走在主流價值和社會邊緣之間。
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2021衛武營馬戲平台以「馬戲·人生」為策展主題,蓄積了自2016年開辦以來的能量,邀請臺灣從南到北,以及世界5大洲超過百位的馬戲表演和影像工作者,聚焦這群以馬戲與影像為志業的人生漫遊者,帶來他們經歷世紀瘟疫的變局前後,透過創作對於社會狀態所提出的回應和行動,包括:2場【馬戲實境秀】新創作品、3場數位直送【馬戲體驗工作坊】、4檔【馬戲馬拉松】現場演出、4場【馬戲行內話】雲端講座、為期7天【打開排練室】之國立臺灣戲曲學院民俗技藝學系【雲端移地教學】、40小時不斷電【馬戲藝術家雲端駐地計畫】舞蹈與馬戲特技創作應用2.0,以及30天無休的【短片影展】和【攝影展】。
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位在臺北市邊緣的社子島,FOCA福爾摩沙馬戲團多年來在地創(工)作、生活,陳冠廷導演的《嘛係人》展現這群馬戲專家在常人與超人角色轉換的競合關係,而在《消逝之島》一片中,則看見他們透過馬戲表演,直陳市井小民因都市更新被迫拆遷而爭取基本居住權的答辯。
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在都市開發快速又繁華的臺北城和臺中市,《街頭作品實驗室》的新秀與明日之星們、斜槓街頭藝術家徐開炫、紅鼻子馬戲團陳信達與導演許瀚中、劉彥成與大身體製造,穿梭在街頭、公共空間、劇場和數位環境,重新思考表演的現場性,再創造新生活中的劇場場景;創造焦點的女子馬戲系列《#Since1994》藉由她們的衣櫃,借鏡當代社會對於女性審美觀、身體自主、刻板標籤及道德標準的定義。
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過了濁水溪,跟著圓劇團來到藝陣文化重鎮的臺南學甲,與在地師傅們學習傳統技藝,發揮共學和共享的精神;南下港都的狂夢藝術,探訪曾有百年記憶、位居南來北往軍事要塞的衛武營,走入社區紀錄不同世代和住民在鳳山新城生根發展的故事。
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首次推出的短片影展,呈現世界的馬戲創作風貌:從日本瀨戶內海到柬埔寨暹粒市,看見馬戲可以作為改變社會、生命教育和在地創生的藝術行動;赤道以南的澳洲布里斯本,跟著馬戲表演者學習接納自己真實的樣貌,尊重彼此的不同與共生;沿著赤道往東到拉丁美洲的巴西、哥倫比亞和墨西哥,在疫情擴散的焦慮下,馬戲表演能創造幽默和希望,感受當地文化獨特的創意美學和革命思潮;再往東到非洲衣索比亞,在鏡頭下驚嘆當地馬戲表演者生命的韌性和天空下馬戲的原貌;在富足安定的英國、法國和加拿大,看見困境中藝術工作者的人文關懷,探尋個人之於環境的生命意義、追求美學實踐和重生後的創作力量。
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臺灣不同世代的馬戲和雜技工作者,積極的透過技術切磋、對話思考和田野調查的方式持續進化中。他們走入各地城市鄉鎮和社區街道追本溯源,在進駐與移動間,翻轉了臺灣獨有的身體美學,更為城市、社區和居民帶入新的刺激和想像,創造了特有的在地風景,也留下不可磨滅的印記。
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期盼透過平台策展行動,將這些帶著希望、勇氣、批判又充滿生命力的故事,獻給在陽光普照下,仍為生活踏實奮鬥、為實踐理想而堅持下去的你。
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【國際合作】
\n\n連結的衛武營
\n\n從上游的創意生產、中游的製作到下游的推廣,衛武營馬戲平台透過多角化的合作策略規劃,與國內、外專業的合作夥伴(機構與表演藝術團隊),共同發展點、線、面的支持系統,著眼創意、製作、人才培訓與作品推廣,同時持續為創作者、機構和表演藝術團隊媒合不同的資源,促進在地與國際專業人才到衛武營交流的機會,也從衛武營出發到各地進行交流,累積經營臺灣當代馬戲永續創作和表演的動能:
\n\n\n\n
CAN 亞洲馬戲網絡
\n\nCredit:Designed by Chang Han Kyo / Phare Ponleu Selpak
\n\n「亞洲馬戲網絡」(Circus Asia Network, CAN) 由韓國首爾街頭藝術創作中心 (Seoul Street Arts Creation Center, SSACC) 於2017年發起,促成2018年由來自7個亞洲及太平洋地區的國家,共13個機構與團體共同成立,以長期交流與培育為方法,共同促進區域內的當代馬戲發展。
\n\n2018至2019年間,網絡成員於韓國首爾、日本高松和臺灣高雄舉辦會議及年會,共同繪製亞洲馬戲的藍圖與可能性。2019年,衛武營國家藝術文化中心與首爾街頭藝術創作中心共同策劃「亞洲馬戲駐地計畫」(Circus Asia Residency, CAR),以雙駐地的規劃,支持年輕藝術家的創意發展。網絡成員還包括韓國點子製作公司 (Producer DOT Group);臺灣FOCA福爾摩沙馬戲團、星合有限公司;日本瀨戶內馬戲工廠 (Setouchi Circus Factory);柬埔寨法爾馬戲團 (Phare - The Cambodia Circus)、法爾藝術學院(Phare Ponleu Selapak);蒙古馬戲協會 (Association of Mongolian Circus)、天使的特技和軟骨功中心 (Angels Center of Acrobatic & Contortion);印尼沙利哈拉藝術中心 (Komunitas Salihara Arts Center);澳洲國家馬戲學校 (National Institute of Circus Art)和奧茲馬戲團 (Circus OZ)。
\n\n\n\n
TOHU當代馬戲藝術製作與推廣中心
\n\n2020年7月,由加拿大TOHU當代馬戲藝術製作與推廣中心(TOHU)籌劃的「當代馬戲國際展會」 (International Market of Contemporary Circus, MICC)發起「亞洲與澳洲工作小組」(Asia & Australia Working Group),由衛武營馬戲平台與澳洲Cluster Arts馬戲製作團隊共同策劃推動亞洲與澳洲區域間馬戲交流與產業生態之討論,為期一年的亞澳工作小組,在CAN亞洲馬戲網絡成員的共同協助下,於2021年7月發表第一版亞澳馬戲地圖 (Asia & Australia Circus Map)。
\n\n2021年11-12月間,衛武營國家藝術文化中心與TOHU當代馬戲藝術製作與推廣中心啟動新的交流計畫,透過主題馬戲大師班及工作坊策劃,邀請臺灣與加拿大新銳馬戲創作人才定期參與共學交流,透過促進雙邊馬戲創作者了解彼此從訓練、創作到文化脈絡上的異同,進而開拓未來合作的契機。
\n\n\n\n
\n\n\n',tabs:[{programs:[],seq:1,name:"活動時間表",content:'
【現場節目/活動】
\n\n\n\t\t\t 時間 \n\t\t\t | \n\t\t\t\n\t\t\t 地點 \n\t\t\t | \n\t\t\t\n\t\t\t 節目/活動 \n\t\t\t | \n\t\t
\n\t\t\t 展覽 \n\t\t\t | \n\t\t||
\n\t\t\t 10/30(六) - 11/28(日) | \n\t\t\t\n\t\t\t 三樓樹冠大廳(西側) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 10/30(六) - 11/28(日) | \n\t\t\t\n\t\t\t 榕樹廣場(歌劇院櫥窗) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 【馬戲馬拉松】(現場演出) \n\t\t\t | \n\t\t||
\n\t\t\t 11/26(五) | \n\t\t\t\n\t\t\t 戲劇院 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 戲劇院 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 榕樹廣場 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 榕樹廣場、三樓樹冠大廳 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
【數位播映】
\n\n\n\t\t\t 時間 \n\t\t\t | \n\t\t\t\n\t\t\t 地點 \n\t\t\t | \n\t\t\t\n\t\t\t 節目/活動 \n\t\t\t | \n\t\t
\n\t\t\t 【馬戲實境秀】(線上節目) \n\t\t\t | \n\t\t||
\n\t\t\t 11/26(五) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 【打開排練室】 \n\t\t\t | \n\t\t||
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 推廣共學—【馬戲行內話】共學講座 \n\t\t\t | \n\t\t||
\n\t\t\t 11/22(一) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/23(二) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/24(三) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/25(四) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 推廣共學—【玩·創意 雲端體驗】馬戲工作坊(報名制) \n\t\t\t | \n\t\t||
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 線上教學 Google Meet \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/28(日) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/28(日) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 展覽 \n\t\t\t | \n\t\t||
\n\t\t\t 11/22(一) - 11/25(四) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t 【馬戲.人生】短片影展(線上播映) \n\t\t\t | \n\t\t
※【馬戲實境秀】節目皆設有演後見面會
\n\n\n\n
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Platform Curator | International Cooperations
\n\n\n\n\n\n
Circus, let us take part in a social action of change. When the applause rings, we once again have the courage to believe in life and hope!
\n\nBy Gwen Hsin-Yi CHANG|2021 Weiwuying Circus Platform Curator
\n\n@Sara Lando
\n\n\n\n
As one of the most dynamic and flexible performing arts in contemporary society, the circus has been wandering between mainstream values and the fringe of society since the 18th century.
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With the curatorial theme of "Circus - Life," the 2021 Circus Platform has been gaining momentum since its inception in 2016, inviting more than 100 circus performers and video artists across Taiwan and the five continents to showcase their responses to the social conditions during the pandemic through their creative works. The program features two Circus Live Shows, three online Circus Workshops, 4 Circus Marathon physical performances, 4 Circus Insider Talk cloud lectures, 7-day Open Studio Cloud-Based Training by the Department of Acrobatics of the National Taiwan College of Performing Arts, the 40-hour Circus Artist Cloud Residency Program Dance and Circus Stunt Creation 2.0, and the 30-day Short Film Festival and Photo Exhibition.
\n\n\n\n
FOCA has been creating and living in Shezidao, located on the outskirts of Taipei City, for many years. These FOCA artists' competing relationship between human and superhuman is documented in CHEN Kuan-ting's Circus As Folks. In Disappearing Island, we see them present a circus performance about the defense of housing rights for the inhabitants evicted due to urban renewal.
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In the rapidly growing and bustling cities of Taipei and Taichung, the Street Act Lab's rising stars, HSU Kai-hsuan, On. P. Young's CHEN Hsin-da and director HSU Han-chung, Dua Shin Te Productions featuring LIU Yen-cheng, travel through the streets, public areas, theater, and virtual spaces to rethink the live-ness of performance and recreate theatrical scenes for a new life. By diving into the female wardrobe, Eye Catching Circus #Since1994 explores the definitions of aesthetics, bodily autonomy, stereotypes, and moral standards in society and the relationships between people.
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South of Zhuoshuei River, follow Thunar Circus to Syuejia, Tainan, a major town of din-tao culture, to learn traditional techniques with local masters and bring out the spirit of learning and sharing. LIT ART traveled south to Kaohsiung to visit Weiwuying, a century-old military fortress, and went into the community to record the stories of how different generations of residents made Fengshan their home.
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The first-ever short film festival presents circus creations worldwide. From Seto Inland Sea, Japan to Siem Reap, Cambodia, see how circus can promote social change, life education, and local creativity. South of the equator, in Brisbane, Australia, follow circus artists as they learn to accept themselves, respect each other's differences, and co-exist. Travel east along the equator to Brazil, Colombia, and Mexico, where circus can create humor and hope amidst the anxiety of a spreading pandemic and experience their cultures' unique creative aesthetics and revolutionary thinking. Further east to Ethiopia, Africa, we marvel at the resilience of local circus performers and circus in its original form under the sky. In affluent and prosperous Britain, France, and Canada, we see the humanitarian care of artists in times of hardship, exploring the meaning of life concerning the environment, pursuing aesthetic practice, and the power of creativity after rebirth.
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The Taiwanese circus and acrobats artists of different generations are actively evolving through technical exchanges, dialogues, and fieldwork. They have gone into cities, towns, and communities to trace their roots. Between their residency and travels, they have reversed Taiwan's unique physical aesthetics and brought new excitement and imagination to cities, communities, and residents, creating unique local landscapes and leaving indelible marks.
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We hope to present these stories of hope, courage, critique, and vitality through the platform to whoever is still striving for life and persevering to realize your ideas under the sun.
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International Cooperations
\n\nA Connected Weiwuying
\n\nFrom upstream creative formation, midstream production to downstream promotion, the Weiwuying Circus Platform develops a point-line-plane support system with domestic and foreign professional partners (organizations and performing arts groups) through a multi-faceted cooperative strategy focusing on creativity, production, talent development and program promotion. At the same time, we continue to match different resources for creators, organizations, and performing arts teams to promote opportunities for local and international professionals to travel to and from Weiwuying for exchanges to build momentum for the sustainable creation and performance of Taiwan's contemporary circus
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CAN - Circus Asia Network
\n\nCredit:Designed by Chang Han Kyo / Phare Ponleu Selpak
\n\nThe Circus Asia Network (CAN) was initiated by Seoul Street Arts Creation Center (SSACC) in 2017 and actualized by 13 organizations and institutions from seven Asian-Pacific countries in 2018 to develop contemporary circus in the region through long-term exchange and fostering programs.
\n\nFrom 2018 to 2019, the network members held conferences and annual meetings in Seoul, Takamatsu, and Kaohsiung to map out the blueprint and possibilities of Asian circus jointly. In 2019, National Kaohsiung Center for the Arts (Weiwuying) and SSACC co-produced the Circus Asia Residency (CAR), a dual residency program to support the creative development of young artists. The network also comprises Producer DOT Group (Korea), FOCA (Taiwan), and Hsingho Co., Ltd (Taiwan), the Setouchi Circus Factory (Japan), Phare-the Cambodia Circus, Phare Ponleu Selapak (Cambodia), Association of Mongolian Circus, Angels Center of Acrobatic & Contortion (Mongolia); Komunitas Salihara Arts Center (Indonesia); National Institute of Circus Art (Australia) and Circus OZ (Australia).
\n\n\n\n
TOHU
\n\nIn July 2020, the International Market of Contemporary Circus (MICC), organized by TOHU (Canada), launched the Asia & Australia Working Group, which is headed by the Weiwuying Circus Platform and Cluster Arts (Australia) to promote the exchange and discussion of circus industry between Asia and Australia. The first edition of the Asia & Australia Circus Map was published in July 2021 with the help of CAN members.
\n\nIn November-December 2021, Weiwuying and TOHU will launch a new exchange project, inviting emerging circus artists from Taiwan and Canada to participate in regular exchanges through thematic circus master classes and workshops, and to promote mutual understanding of the similarities and differences between circus artists from both sides in terms of training, creation and cultural contexts, to open up opportunities for future collaboration.
\n\n\n\n
\n\n\n',tabs:[{programs:[],seq:1,name:"Schedule",content:'
- Onsite Performances -
\n\nTime | \n\t\t\tLocation | \n\t\t\tProgram | \n\t\t
Exhibition | \n\t\t||
10/30(Sat) - 11/28(Sun) \n\t\t\t11:00-19:00 | \n\t\t\t3F Crown Hall (West Side) | \n\t\t\tCircus · Life Short Film Festival | \n\t\t
10/30(Sat) - 11/28(Sun) \n\t\t\t11:00-21:00 | \n\t\t\tBanyan Plaza (Opera House Window Facade) | \n\t\t\tCircus · Life Photography Exhibition | \n\t\t
Live Performance | \n\t\t||
11/26(Fri) \n\t\t\t20:00 \n\t\t\t11/27(Sat) \n\t\t\t14:30 | \n\t\t\tPlayhouse | \n\t\t\tFormosa Circus Art - Circus as Folks | \n\t\t
11/27(Sat) \n\t\t\t20:00 \n\t\t\t11/28(Sun) \n\t\t\t14:30 | \n\t\t\tPlayhouse | \n\t\t\tEye Catching Circus - #Since1994 | \n\t\t
11/27(Sat) \n\t\t\t16:00 \n\t\t\t11/28(Sun) \n\t\t\t16:00 | \n\t\t\tBanyan Plaza | \n\t\t\tThunar Circus - Main Agile (Work in Progress) | \n\t\t
11/27(Sat) \n\t\t\t16:30 \n\t\t\t11/28(Sun) \n\t\t\t16:30 | \n\t\t\tBanyan Plaza, 3F Crown Hall | \n\t\t\tLit Art - Flipped Your Daily Routine | \n\t\t
\n\n
- Online Performances -
\n\nTime | \n\t\t\tLocation | \n\t\t\tProgram | \n\t\t
Online Program | \n\t\t||
11/26(Fri) \n\t\t\t21:30 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tOn.P.Young Circus x Mix-Realm x This Moment Lab. - Circus Now: An Experiment※ | \n\t\t
11/27(Sat) \n\t\t\t21:30 | \n\t\t\tLIU Yen-Cheng x Dua shin te Production - Imaginary tragedy – No sacrifice, no victory※ | \n\t\t|
11/27(Sat) \n\t\t\t11:00 \n\t\t\t11/28(Sun) \n\t\t\t11:00 | \n\t\t\tHSU Kai-hsuan - PLAY※ | \n\t\t|
11/27(Sat) \n\t\t\t13:00 Ep.I \n\t\t\t11/28(Sun) \n\t\t\t13:00 Ep.II | \n\t\t\tTaiwan Street Arts and Culture Development Association - Street Act Lab VI※ | \n\t\t|
Open Studio | \n\t\t||
11/27(Sat) \n\t\t\t18:15 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tOpen Studio - Circus Artists Online Residency 2.0 Presentation | \n\t\t
A Circus Education - Lectures on Circus | \n\t\t||
11/22(Mon) \n\t\t\t20:00-21:30 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tA Kaleidoscope Circus Life: An Online Party for Future Taiwanese Circus Art | \n\t\t
11/23(Tue) \n\t\t\t20:00-21:30 | \n\t\t\tThe Road of Companionship in Asian Circus Production and Curatorship ft. CAN and Friends | \n\t\t|
11/24(Wed) \n\t\t\t20:00-21:30 | \n\t\t\tContemporary Circus: Why is Circus the Antidote To Contemporary Art? | \n\t\t|
11/25(Thu) \n\t\t\t20:00-21:30 | \n\t\t\tThe Circus Pilgrimage: Towards TOHU & Circus Talk | \n\t\t|
A Circus Education - Play-Creative Circus Online Workshop (Online Registration) | \n\t\t||
11/27(Sat) \n\t\t\t15:30-16:30 | \n\t\t\tGoogle Meet | \n\t\t\tHula Hoop Juggling Workshop | \n\t\t
11/28(Sun) \n\t\t\t10:00-10:40 | \n\t\t\tParent - Child Circus Workshop | \n\t\t|
11/28(Sun) \n\t\t\t15:30-16:30 | \n\t\t\tHat Juggling Workshop | \n\t\t|
Exhibition | \n\t\t||
11/22(Mon) - 11/25(Thu) \n\t\t\t21:30-22:30 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tCircus · Life Online Short Film Festival | \n\t\t
※After show discussions with the artists.
\n\n\n\n
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\n\n
實踐夢想,永遠走在鋼索上。
\n\n
\n第五屆衛武營馬戲平台,以「夢想」為策展主題。在後疫情時代,不屈不饒的生命力和實踐夢想的力量,顯得更為重要。面對生命的未知,我們需要更多的勇氣去堅持自己的信念,更要有不怕跌倒的精神,重新整裝再出發。
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策展人的話
\n\n勇者無懼,劇場是集眾人之力,完成眾人事的藝術活動。
\n\n2020衛武營馬戲平台策展人|張欣怡
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文|盧映竹
\n\nQ1:衛武營馬戲平台至今第五年,用策展人角度觀看有什麼不同之處?
\n\n回顧2016年,當時的衛武營只有一個舊軍舍改造的小劇場黑盒空間,空間高度至多3米,能運用的空間非常有限。當時雖還未參與策展,但令人印象深刻的是短短兩天吸引超過5,000人參與。高雄地域環境和氣候的優勢,舒爽的好天氣及戶外大空間,這些先天條件非常適合舉辦戶外活動,無論是藝術家或一般大眾,都在兩天活動擁有豐富多元的交流。
\n\n2018衛武營開幕,我們在節目策畫上,必須要考量的面向更全面,以及盡可能的在室內與戶外的空間和節目策展的內容上能取得比較和諧的平衡。蒼狐的女兒們《走鋼索的女子》,本來是【2020衛武營馬戲平台】試圖去凸顯空間和性別平權的討論,很可惜因疫情取消,許多國外優秀團隊、策展人無法參與,希望未來全球疫情趨緩能再有機會邀請來衛武營做精彩演出。
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Q2:在總監的領導下,共同創造哪些在地連結?
\n\n因為高雄和高雄人的支持,衛武營才可以勇敢且大膽的每年推出【衛武營馬戲平台】。作為連結的衛武營,持續透過國外專業馬戲創作師資,與國內馬戲人才培訓機構不間斷的交流,透過駐地創作計畫,進行在地文化地景踏查。
\n\n透過大眾體驗馬戲技巧,讓學習創意不受限於年齡、性別和體能達到平權目的。作為馬戲人的家,衛武營持續鏈結國內外的人才和機構的資源,以高雄為創意基地,持續在國際舞台發聲。無論是參 與亞洲馬戲網絡、馬戲藝術節、論壇、工作坊,乃至於現在新興的 雲端論壇等,把臺灣馬戲生態的脈動分享給世界各地從事馬戲工作的朋友們,促成更多的了解和開啟日後交流的契機。
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Q3:策展衷旨中,希望傳達什麼訊息給一般大眾?
\n\n經過這幾年,我深刻的體認到衛武營不僅是一個國家文化培力生根的藝術文化中心,更是全民的社會藝術大學。作為社會文化教育場所,衛武營有著不同於其他私人文化機構或場所的公共使命與任務。我們作為文化傳遞者的角色,便是持續不斷的思考在藝術創作與社會議題之間取得平衡,並且透過藝術活動幫助不同文化群體間的理解與溝通。讓上一代、這一代和下一代,透過文化傳承、轉譯與創新,達到不同世代文化背景的群體能彼此共融、和樂的生活在臺灣這塊土地上。同總監所說,衛武營是馬戲人的家,是創作過程孵育的實驗場域。能和馬戲人一起將臺灣馬戲生態逐步改善到位,讓民眾感受馬戲的創新思考,觀察日常生活中不同的樂趣,以及看待人事物更活潑、人性的方式。
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連結的衛武營 ─ 國際夥伴計畫
\n\n亞洲馬戲網絡
\n\n衛武營為新成立的「亞洲馬戲網絡」(CAN - Circus Asia Network)的成員,與其他各亞 洲馬戲夥伴定期聚會以及交流,討論關於如何促進區域間對於當代馬戲的關注和資訊。亞洲馬 戲網絡於 2017 年正式成立,由來自 7 個亞洲太平洋地區的國家(澳洲、柬埔寨、印尼、日本、 韓國、蒙古和臺灣),共 12 名成員共同成立。CAN 網絡成立的主要目的希冀能透過成員們的 密切合作,在亞洲建構適合給當代馬戲團體和創作者發展與創作的環境。
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法國國家馬戲藝術中心
\n\n1985 年,由法國文化及通信部所成立的國際機構,兩大任務分別是馬戲藝術高等教育、檔案建 置和學術研究。身為教育、創意及研究中心,法國國家馬戲藝術中心秉持維繫馬戲的價值精神: 包括紀律,自我控制力,團隊意識及尊重他人。此外,法國國家馬戲藝術中心以提供優質的專 業進修課程,期許成為馬戲教育創新、藝術和技術的先鋒者,以求服務更多的學生、馬戲研究 者或表演者,乃至於所有表演藝術相關人士。
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【2020 Weiwuying Circus Platform】Program Guide
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Dream Big, always Walk on the Tightrope.
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The 5th Weiwuying Circus Platform thrives on‘practicing dreams’. In the post-pandemic era, the unyielding vitality and the power to practice dreams are even more important. Facing the uncertainty of life, we need more courage to keep our own faith, do not be afraid of falling down, but keep ourselves getting ready for a restart .
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Words from the Curator
\n\nPreface by Curator
\n\nThe brave are fearless. Theater is an artistic activity that gathers the power of everyone to complete everyone's affairs.
\n\nCurator, 2020 Weiwuying Circus Platform|Gwen Hsin-yi CHANG
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Text by LU Ying-zhu
\n\nQ1:Weiwuying Circus Platform is in its fifth year. From a curator's perspective, what has changed over the years?
\n\nLooking back at 2016Weiwuying was just a black box in an old military dormitory with minimal space and a maximum height of 3 meters. At that time, I had yet participated in the curation in the first Weiwuying Circus Platform. In the end, it attracted more than 5,000 people in just two days, which was utterly impressive.
\n\n2018 was the year of Weiwuying's grand opening, so we had a more extensive curation that tried to strike a balance between indoor and outdoor spaces and program content.
\n\nInitially, the 2020 Weiwuying Circus Platform tried to open discussions on space and gender equality through Les Filles du Renard Pâle’s Résiste. Sadly, it was canceled due to the
\n\npandemic. Similarly, many excellent foreign teams and curators were unable to participate in this year's events. I hope we get another chance to invite them and their wonderful performances back once the pandemic slows down in the future.
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Q2: Under the artistic director’s leadership, what kind of local connections were established?
\n\nAs a bridge, Weiwuying promotes exchanges between foreign professional circus instructors and local circus institutions and conducts regional cultural surveys through artists residency projects.
\n\nHolding public experiences of circus skills allows people to learn creativity regardless of age, gender, and physical fitness, thus fulfilling cultural rights. As the home to circus talents, Weiwuying continues to pair talents with institutional resources at home and abroad.
\n\nWith Kaohsiung as their creative base, they continue to shine on the international stage.
\n\nBy participating in the Circus Asia Network, circus festivals, forums, workshops, or even the emerging online forums, etc., Weiwuying shares the trend of Taiwan's circus community with fellow circus professionals worldwide, promotes mutual understanding, and develops opportunities for future exchanges.
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Q3: What message do you wish to convey to the general public in your curatorial statement?
\n\nOver the past few years, I realized that Weiwuying is not just an art center where national culture is rooted; it is also a community art college for the people. As a place for cultural education, Weiwuying's mission and purpose are different than those of private cultural institutions or facilities. As a cultural transmitter, our role is to continuously think about the balance between artistic creations and social issues and promote understanding and communication between different cultural groups through artistic events.
\n\nThrough cultural inheritance, translation, and innovation, different generations and cultural groups can live harmoniously in Taiwan.
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A Connected Weiwuying ─ the International Partnership Project
\n\nSince 2016, the National Kaohsiung Center for the Arts (Weiwuying) has introduced three international exchange platforms: Taiwan Dance Platform, Weiwuying Circus Platform, and Weiwuying Contemporary Music Platform; and organized the Weiwuying International Symposium and Academy for Creative Producers and professional talent training workshops. Through these multifaceted projects, Weiwuying has established several long-term collaborative partnerships with domestic and international venues and institutions with a focus on supporting artistic production and promotion, residency, talent training, and audience development. These projects obtain resources for circus artists and companies, create exchange opportunities between domestic and international circus professionals, and gather momentum for creating art in Taiwan.
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CAN - Circus Asia Network
\n\nAs a member of Circus Asia Network (CAN), Weiwuying regularly meets and exchanges ideas with other members of the network to stay updated for the latest development in contemporary circus. Circus Asia Network (CAN) was officially established in 2017 thanks to 12 founding organizations based in 7 Asia-Pacific countries (Australia, Cambodia, Indonesia, Japan, Korea, Mongolia, and Taiwan). Its main objective is to cultivate an environment for contemporary circus companies and organizations in Asia through the close collaboration of its members.
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CNAC - Centre National des Arts du Cirque
\n\nA space for education, innovation, and research, the National Centre for Circus Arts (CNAC - Centre National des Arts du Cirque), an internationally recognized institution, was established in 1985 by the French Ministry of Culture and Communication. The CNAC has two main missions—one for higher education in circus arts and the other for resources, studies, and academic research. The CNAC, which continues to garner international acclaim, has stayed true to its roots and is committed to protecting the fundamental spirit of the circus and its values, including rigor, self-control, teamwork, and respect for others. Offering first-class training, the CNAC endeavors to be at the cutting edge of educational, artistic, and technical innovation in order to better serve students, researchers, circus professionals, and more broadly, the field of performing arts.
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馬戲,讓我們參與一場策劃改變的社會行動;當掌聲響起,我們再次擁有相信人生和希望的勇氣!
\n\n文 / 張欣怡|2021衛武營馬戲平台策展人
\n\n@Sara Lando
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作為最有活力、可塑性高卻在當代社會流浪的表演藝術,馬戲自18世紀以來,始終遊走在主流價值和社會邊緣之間。
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2021衛武營馬戲平台以「馬戲·人生」為策展主題,蓄積了自2016年開辦以來的能量,邀請臺灣從南到北,以及世界5大洲超過百位的馬戲表演和影像工作者,聚焦這群以馬戲與影像為志業的人生漫遊者,帶來他們經歷世紀瘟疫的變局前後,透過創作對於社會狀態所提出的回應和行動,包括:2場【馬戲實境秀】新創作品、3場數位直送【馬戲體驗工作坊】、4檔【馬戲馬拉松】現場演出、4場【馬戲行內話】雲端講座、為期7天【打開排練室】之國立臺灣戲曲學院民俗技藝學系【雲端移地教學】、40小時不斷電【馬戲藝術家雲端駐地計畫】舞蹈與馬戲特技創作應用2.0,以及30天無休的【短片影展】和【攝影展】。
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位在臺北市邊緣的社子島,FOCA福爾摩沙馬戲團多年來在地創(工)作、生活,陳冠廷導演的《嘛係人》展現這群馬戲專家在常人與超人角色轉換的競合關係,而在《消逝之島》一片中,則看見他們透過馬戲表演,直陳市井小民因都市更新被迫拆遷而爭取基本居住權的答辯。
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在都市開發快速又繁華的臺北城和臺中市,《街頭作品實驗室》的新秀與明日之星們、斜槓街頭藝術家徐開炫、紅鼻子馬戲團陳信達與導演許瀚中、劉彥成與大身體製造,穿梭在街頭、公共空間、劇場和數位環境,重新思考表演的現場性,再創造新生活中的劇場場景;創造焦點的女子馬戲系列《#Since1994》藉由她們的衣櫃,借鏡當代社會對於女性審美觀、身體自主、刻板標籤及道德標準的定義。
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過了濁水溪,跟著圓劇團來到藝陣文化重鎮的臺南學甲,與在地師傅們學習傳統技藝,發揮共學和共享的精神;南下港都的狂夢藝術,探訪曾有百年記憶、位居南來北往軍事要塞的衛武營,走入社區紀錄不同世代和住民在鳳山新城生根發展的故事。
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首次推出的短片影展,呈現世界的馬戲創作風貌:從日本瀨戶內海到柬埔寨暹粒市,看見馬戲可以作為改變社會、生命教育和在地創生的藝術行動;赤道以南的澳洲布里斯本,跟著馬戲表演者學習接納自己真實的樣貌,尊重彼此的不同與共生;沿著赤道往東到拉丁美洲的巴西、哥倫比亞和墨西哥,在疫情擴散的焦慮下,馬戲表演能創造幽默和希望,感受當地文化獨特的創意美學和革命思潮;再往東到非洲衣索比亞,在鏡頭下驚嘆當地馬戲表演者生命的韌性和天空下馬戲的原貌;在富足安定的英國、法國和加拿大,看見困境中藝術工作者的人文關懷,探尋個人之於環境的生命意義、追求美學實踐和重生後的創作力量。
\n\n\n\n
臺灣不同世代的馬戲和雜技工作者,積極的透過技術切磋、對話思考和田野調查的方式持續進化中。他們走入各地城市鄉鎮和社區街道追本溯源,在進駐與移動間,翻轉了臺灣獨有的身體美學,更為城市、社區和居民帶入新的刺激和想像,創造了特有的在地風景,也留下不可磨滅的印記。
\n\n\n\n
期盼透過平台策展行動,將這些帶著希望、勇氣、批判又充滿生命力的故事,獻給在陽光普照下,仍為生活踏實奮鬥、為實踐理想而堅持下去的你。
\n\n\n\n\n\n
【國際合作】
\n\n連結的衛武營
\n\n從上游的創意生產、中游的製作到下游的推廣,衛武營馬戲平台透過多角化的合作策略規劃,與國內、外專業的合作夥伴(機構與表演藝術團隊),共同發展點、線、面的支持系統,著眼創意、製作、人才培訓與作品推廣,同時持續為創作者、機構和表演藝術團隊媒合不同的資源,促進在地與國際專業人才到衛武營交流的機會,也從衛武營出發到各地進行交流,累積經營臺灣當代馬戲永續創作和表演的動能:
\n\n\n\n
CAN 亞洲馬戲網絡
\n\nCredit:Designed by Chang Han Kyo / Phare Ponleu Selpak
\n\n「亞洲馬戲網絡」(Circus Asia Network, CAN) 由韓國首爾街頭藝術創作中心 (Seoul Street Arts Creation Center, SSACC) 於2017年發起,促成2018年由來自7個亞洲及太平洋地區的國家,共13個機構與團體共同成立,以長期交流與培育為方法,共同促進區域內的當代馬戲發展。
\n\n2018至2019年間,網絡成員於韓國首爾、日本高松和臺灣高雄舉辦會議及年會,共同繪製亞洲馬戲的藍圖與可能性。2019年,衛武營國家藝術文化中心與首爾街頭藝術創作中心共同策劃「亞洲馬戲駐地計畫」(Circus Asia Residency, CAR),以雙駐地的規劃,支持年輕藝術家的創意發展。網絡成員還包括韓國點子製作公司 (Producer DOT Group);臺灣FOCA福爾摩沙馬戲團、星合有限公司;日本瀨戶內馬戲工廠 (Setouchi Circus Factory);柬埔寨法爾馬戲團 (Phare - The Cambodia Circus)、法爾藝術學院(Phare Ponleu Selapak);蒙古馬戲協會 (Association of Mongolian Circus)、天使的特技和軟骨功中心 (Angels Center of Acrobatic & Contortion);印尼沙利哈拉藝術中心 (Komunitas Salihara Arts Center);澳洲國家馬戲學校 (National Institute of Circus Art)和奧茲馬戲團 (Circus OZ)。
\n\n\n\n
TOHU當代馬戲藝術製作與推廣中心
\n\n2020年7月,由加拿大TOHU當代馬戲藝術製作與推廣中心(TOHU)籌劃的「當代馬戲國際展會」 (International Market of Contemporary Circus, MICC)發起「亞洲與澳洲工作小組」(Asia & Australia Working Group),由衛武營馬戲平台與澳洲Cluster Arts馬戲製作團隊共同策劃推動亞洲與澳洲區域間馬戲交流與產業生態之討論,為期一年的亞澳工作小組,在CAN亞洲馬戲網絡成員的共同協助下,於2021年7月發表第一版亞澳馬戲地圖 (Asia & Australia Circus Map)。
\n\n2021年11-12月間,衛武營國家藝術文化中心與TOHU當代馬戲藝術製作與推廣中心啟動新的交流計畫,透過主題馬戲大師班及工作坊策劃,邀請臺灣與加拿大新銳馬戲創作人才定期參與共學交流,透過促進雙邊馬戲創作者了解彼此從訓練、創作到文化脈絡上的異同,進而開拓未來合作的契機。
\n\n\n\n
\n\n\n',tabs:[{programs:[],seq:1,name:"活動時間表",content:'
【現場節目/活動】
\n\n\n\t\t\t 時間 \n\t\t\t | \n\t\t\t\n\t\t\t 地點 \n\t\t\t | \n\t\t\t\n\t\t\t 節目/活動 \n\t\t\t | \n\t\t
\n\t\t\t 展覽 \n\t\t\t | \n\t\t||
\n\t\t\t 10/30(六) - 11/28(日) | \n\t\t\t\n\t\t\t 三樓樹冠大廳(西側) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 10/30(六) - 11/28(日) | \n\t\t\t\n\t\t\t 榕樹廣場(歌劇院櫥窗) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 【馬戲馬拉松】(現場演出) \n\t\t\t | \n\t\t||
\n\t\t\t 11/26(五) | \n\t\t\t\n\t\t\t 戲劇院 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 戲劇院 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 榕樹廣場 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 榕樹廣場、三樓樹冠大廳 \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
【數位播映】
\n\n\n\t\t\t 時間 \n\t\t\t | \n\t\t\t\n\t\t\t 地點 \n\t\t\t | \n\t\t\t\n\t\t\t 節目/活動 \n\t\t\t | \n\t\t
\n\t\t\t 【馬戲實境秀】(線上節目) \n\t\t\t | \n\t\t||
\n\t\t\t 11/26(五) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 【打開排練室】 \n\t\t\t | \n\t\t||
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 推廣共學—【馬戲行內話】共學講座 \n\t\t\t | \n\t\t||
\n\t\t\t 11/22(一) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/23(二) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/24(三) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/25(四) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 推廣共學—【玩·創意 雲端體驗】馬戲工作坊(報名制) \n\t\t\t | \n\t\t||
\n\t\t\t 11/27(六) | \n\t\t\t\n\t\t\t 線上教學 Google Meet \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/28(日) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 11/28(日) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 展覽 \n\t\t\t | \n\t\t||
\n\t\t\t 11/22(一) - 11/25(四) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t\t\n\t\t\t 【馬戲.人生】短片影展(線上播映) \n\t\t\t | \n\t\t
※【馬戲實境秀】節目皆設有演後見面會
\n\n\n\n
\n',color:{a:1,r:0,g:0,b:0},type:"content"},{programs:[{from:"programs",key:"60dd8a55fff9e8000776e408",title:"【2021衛武營馬戲平台】FOCA福爾摩沙馬戲團《嘛係人》",data:{_id:"60dd8a55fff9e8000776e408",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1637928e3,discrete:[{time:1637928e3},{time:1637994600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1433401987818360835"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7e78c6cf3f8472237b44701ae6bc54ac",title:"【2021衛武營馬戲平台】福爾摩沙馬戲團《嘛係人》"}],related:[],title:"【2021衛武營馬戲平台】福爾摩沙馬戲團《嘛係人》",cover:"4980f924fcb31a8394fc16b60836fb38",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:"",description:"超人、飛人、馬戲人\n雜耍、特技、嘛係人",introduction:'\n\n\n\n
福爾摩沙馬戲團 2021年度製作《嘛係人》
\n\n醞釀三年‧馬戲全才陳冠廷‧全新創作
\n\n\n\n
超人、飛人、馬戲人
\n\n雜耍、特技、嘛係人
\n\n跳躍、翻滾、墜落、拋擲。有著一身功夫,超凡的馬戲表演者,總是看來那麼不可思議。但跟大家一樣,他們也要吃飯、刷牙、追公車,小時候也要寫作業,會跟同學玩鬼抓人。一轉眼,他們從高處躍下,空翻接滾地,穿梭於身體與物件之間。每一天,馬戲表演者的身體內,都上演著超人和凡人暨合作又競逐的衝撞賽局。
\n\n沒有獅子、老虎、大象,也沒有馬,這是一齣只有人的馬戲表演,也是一部關於馬戲表演者的馬戲作品。揉合了雜耍、特技舞蹈、大環等不同項目,《嘛係人》不僅讓你看到馬戲的獨特,也讓你從馬戲人高超的技巧與玩性中,看見他們擺盪在日常與表演間,不同的心理狀態與身體思維。
\n\n《嘛係人》編導陳冠廷,不但是臺灣早期少數精通雜耍禮帽的表演者,更是近年福爾摩沙馬戲團馬戲跨界創作中,每每令人眼睛為之一亮的焦點。你可能看過他在《一瞬之光‧How Long Is Now?》中的罐頭疊羅漢、也忘不了《苔痕》裡尋找過去記憶與同伴的主角。如果你喜歡《馬戲派對》、《土地的歌》,那你更不能錯過同樣由陳冠廷編導,累積多年的馬戲創意能量的作品《嘛係人》。
\n\n\n\n
演前導聆
\n\n2021/11/26(五)19:35-19:50 戲劇院觀眾席
\n\n2021/11/27(六)14:05-14:20 戲劇院觀眾席
\n\n\n\n
演出暨製作團隊
\n\n製作人|周盈婷
\n\n導演|陳冠廷
\n\n藝術總監|李宗軒
\n\n表演暨共同創作|陳冠廷、羅元陽、趙偉辰、林聖瑋
\n\n創作陪伴|余岱融
\n\n動作指導|張堅豪
\n\n舞台監督|郭芳瑜
\n\n音樂設計|柯智豪
\n\n燈光設計|王天宏
\n\n舞台設計|鄭烜勛
\n\n平面設計|張仲偉
\n\n執行製作|陳亭伃
\n\n排練助理|邱群翔
\n\n道具統籌|郭璟德
\n\n\n\n
團隊介紹
\n\n福爾摩沙馬戲團 Formosa Circus Art
\n\n福爾摩沙馬戲團成立於2011年,結合傳統文化、在地文化、街頭文化及劇場藝術,以創造屬於臺灣多樣化的當代馬戲藝術為宗旨。福爾摩沙馬戲團的團隊成員來自各種不同的表演領域,為臺灣唯一擁有超過十位正職團員的當代馬戲團隊。
\n\n福爾摩沙馬戲團以多角化的經營模式,創下許多臺灣馬戲的紀錄。不但是第一個登上愛丁堡藝穗節和二度前往外亞維儂藝術節的臺灣馬戲團,也是首個進行海外巡迴的臺灣馬戲團。由於其獨特且多元的美學形式,這些年來福爾摩沙馬戲團受到國內外廣大觀眾群的喜愛。
\n\n2017年福爾摩沙馬戲團開啟馬戲跨界三部曲計畫,分別與臺灣當代劇場導演Baboo、菲律賓視覺藝術家Leeroy New、德國舞蹈劇場團隊Peculiar Man合作,打開臺灣馬戲表演者以往難以接觸的美學視野,希望透過一系列與不同領域藝術家的合作,找到臺灣當代馬戲的可能性。
\n\n\n\n
導演|陳冠廷
\n\n2011 年與林智偉共同創立團隊。冠廷擁有豐富的演出經驗與深厚的馬戲技巧,福爾摩沙馬戲團的每個作品都有他的身影,也常擔任不同作品的表演技術指導。從創團作品《初衣十舞》擔任編舞與演員,到十週年製作《消逝之島》與《苔痕》的演出,冠廷展現了他對多元表演的掌握與當代肢體表現的可能。2016 年起,冠廷開始擔任福爾摩沙馬戲團多部作品的編導,包括《拼圖》、《未來馬戲》、《土地的歌》、《馬戲派對》等,近年也展開全新作品《嘛係人》的製作。冠廷對馬戲的熱愛,以馬戲篷的形象刻畫在右手臂的內側,如同他的個人創作向來以馬戲表演者的身份出發,揉合自己長年身在這個環境的觀察與體驗,挖掘表演者作為個人與群體、團隊的關係,以及關係中的合作、妥協、衝突與不協調等主題。
\n\n\n\n
\n\n
前期創作支持|國家表演藝術中心臺中國家歌劇院
\n\n\n\n
贊助單位
\n\n\n\n
更多節目與活動
\n\n\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7e78c6cf3f8472237b44701ae6bc54ac",title:"【2021衛武營馬戲平台】FOCA福爾摩沙馬戲團《嘛係人》"}],related:[],title:"【2021 Weiwuying Circus Platform】Formosa Circus Art - Circus as Folks",cover:"4980f924fcb31a8394fc16b60836fb38",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Formosa Circus Art 2021 Annual Production Circus as Folks
\n\n3 years in the making, brand new creation of all-rounder circus artist CHEN, Kuan-ting.
\n\n\n\n
\n\n
Superhuman, Flying-human, Circus as Humans
\n\nStuntman, Juggling man, Circus as Folks
\n\nJumping, rolling, falling, throwing. Extraordinary, talented circus performers always seem so incredible. But as normal as being a human, like everybody else, they have to eat, brush their teeth, chase the bus, do their homework and play hide-and-seek with their classmates when they were young. In a blink of an eye, they jumped down from top, flipping to the ground and shuttle back and forth between their bodies and objects. Every single day, there is a contesting game about cooperation and competition between superhuman and mortal in the body of the very same circus performer.
\n\nWith only human beings as the "animal" on the stage, Circus as Folks is a performance without lions, tigers, elephants nor horses. It is also a circus performance about circus performers. Combining with different techniques, such as juggling, acrobatics, stunts and Cyr Wheel, etc.. Circus as Folks completely presents the uniqueness of the circus, and also allows you to see the different mental states and physical thinking between artists' daily life and professional training through the superb skills and playfulness.
\n\nCHEN, Kuan-Ting, the director of Circus as Folks, is not only one of the few Taiwanese performers who are proficient in juggling hats in the early years while the sector just developed, but also the unforgettable artist in Formosa Circus Art's creations in recent years. You may have seen his canned piling performance in How Long Is Now?, and the protagonist in Moss who chases memories and companions. If you like Circus Party and Songs of the Land, then you definitely shouldn't miss Circus as Folks, which is also directed by Chen and has accumulated years of circus creative energy.
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Pre-talk
\n\n2021/11/26(Fri)19:35-19:50 Playhouse Auditorium
\n\n2021/11/27(Sat)14:05-14:20 Playhouse Auditorium
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Creative and Production Team
\n\nProducer|CHOU Ying-ting
\n\nDirector|CHEN Kuan-ting
\n\nArtistic Director|LEE Tsung-hsuan
\n\nCo-Creators and Performer|CHEN Kuan-ting, LO Yuan-yang, CHAO Wei-chen, LIN Sheng-wei
\n\nDramaturge|YU Tai-jung
\n\nAction Instructor|CHANG, Chien-hao
\n\nStage Manager|GUO Fang-yu
\n\nMusic|Blaire KO
\n\nLighting|WANG, Tien-hung
\n\nStage|CHENG Hsuan-hsun
\n\nGraphic Design|CHANG, Chung-wei
\n\nAssociate Producer|CHEN, Ting-yu
\n\nAssistant Rehearsal Master|CHIU, Chun-hsiang
\n\nProp Master|KUO Ching-te
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Team introduction
\n\nFormosa Circus Art
\n\nFormosa Circus Art was established in 2011. Its purpose is to develop the various contemporary circus arts of Taiwan, mixing them with other styles of performance including traditional forms, acrobatics, street culture and theatre arts. Formosa Circus Art's team members come from many different fields of performing arts, which makes Formosa Circus Art the only circus company in Taiwan that has over ten full-time members.
\n\nAs a leading circus company from Taiwan, Formosa Circus Art has set records for many Taiwanese circus in a diversified business model. Not only Formosa Circus Art was the first Taiwan circus company to enter the Edinburgh Fringe Festival and twice to the Festival d'Avignon Off, it was also the first Taiwan circus company to conduct overseas tours. Due to its unique and diverse aesthetic form, over the years Formosa Circus Art has been loved by a large number of audiences both overseas and in Taiwan.
\n\nFormosa Circus Art launched "Interdisciplinary Trilogy" project in 2017. By collaborating with different artists including Taiwanese theatre director Baboo, Filipino visual artist Leeroy New and German dance theatre company "Peculiar Man", Formosa Circus Art recognizes this process as a way of conversation and learning the ethics and methods from peers among the arts sector, trying to generate and expand the meaning of contemporary circus in Taiwan.
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Director|CHEN, Kuan-Ting
\n\nBorn in Taichung, Chen is a circus performer, directorand the co-founder of Formosa Circus Art. His training can be traced back to the folk sport learning in his childhood.
\n\nAs a performer, Chen has performed in most of Formosa Circus Art's productions and involved in touring to the festivals around the world. His directing works include: Circus Party, Songs of the Land, and Future Circus. Chen also served as choreographer and technical director for Self and Others, Pursue Our Dreams, Olé, and Wukong: Before the Journey to the West.
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Pre Support of Creation |National Taichung Theater
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Sponsor
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More
\n\n►2021 Weiwuying Circus Platform
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\n',team:""},createdAt:1625131605,updatedAt:1653029814,updatedBy:"通泰系統管理員",host:!1}},{from:"programs",key:"60dd7441dd9eb4000819dbfa",title:"【2021衛武營馬戲平台】創造焦點女馬系列《#Since1994》",data:{_id:"60dd7441dd9eb4000819dbfa",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638014400,discrete:[{time:1638014400},{time:1638081e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1434857686479060995"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a7a128ed408a7bc34ce2d5e5df68375f",title:"創造焦點女馬系列《#Since1994》"}],related:[],title:"【2021衛武營馬戲平台】創造焦點女馬系列《#Since1994》",cover:"551713ace671aa2e21fc836a2740e291",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'\n\n\n\n
\n\n
「你,喜歡你自己嗎?」
\n馬戲X女性X物件,六位90後#青世代女子最真實的獨白。
帶著女子獨特的細膩和敏銳,拒絕井字思維的價值標籤,不讓「標準」決定我們是誰。存在的價值由我定義,可以不完美的活著,但一定要完美的認識自己。Eye Catching Circus 創造焦點女馬系列《#Since1994》從女性的衣櫃出發,取材社會對審美觀、身體自主、刻板標籤及道德標準的定義,探討人與人之間的關係。透過馬戲探索女性認同與價值,不管私密、開放、想像、掙脫或嚮往自由,從女性視角探討內在與外在的心理對比,詮釋這個時代對於女性的看法與想像。陌生中帶有敵意、競爭卻假裝友好,從第三者角度觀察剖析,亦從女性視角思考自己,我是誰?我喜歡我自己嗎?
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演前導聆
\n\n2021/11/27(六)19:35-19:50 戲劇院觀眾席
\n\n2021/11/28(日)14:05-14:20 戲劇院觀眾席
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演出暨製作團隊
\n\n製作人暨藝術總監|李仕洋
\n\n導演|梅芷菱
\n\n動作設計|王弈樺
\n\n燈光設計|蘇耕立
\n\n服裝設計|巨魚服裝工作室
\n\n音樂製作|空氣色音樂工作室
\n\n執行製作|章家妤
\n\n排練助理|林建賢
\n\n視覺形象整合|三稜鏡有限公司
\n\n劇照攝影|黃星耀
\n\n主視覺設計|物以類聚視覺整合
\n\n表演者|梅芷菱、許家綺 、陳亭宇、廖思諄、蕭似綿、藍翊云 (依筆畫順序排序)
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團隊介紹
\n\n『以新世代馬戲創作者,對當代馬戲的詮釋與想像。』
\n\n榮獲2018-2020臺中市傑出演藝團隊
\n\n成立於2015年,藉由十餘年的專業學習資歷,投入創新傳承,挾專業特技和劇場實力,已累積不少海內外演出經驗,致力於運用當代的思維、新穎的風格,融合特技、馬戲,詮釋當代馬戲藝術及特色。「創造焦點」目標是保留傳統,創新未來,集結各領域表演藝術人才,積極推廣與發展臺灣當代馬戲。未來也期望與各國藝術團隊交流學習,將經驗與創作能量帶回臺灣,創造出專屬當代馬戲的新焦點。
\n\n《創造焦點》體認到馬戲、雜技文化之豐富精彩、透過國際型活動,以及臺中花都藝術季展演平台,更能將臺灣瑰麗文化帶給所有參與的民眾,亦能在國際大型藝術節中吸取寶貴經驗、劇場專業,在既有的基礎之上重新扎根,厚實自我能力,不管是表演藝術經驗、品牌經營、劇場行銷,皆能有長足的成長,回饋給於他表演藝術團隊。期待讓更多民眾能看到臺灣新生代馬戲創作者,將傳統文化與當代藝術並駕而出的當代馬戲美學。
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贊助單位
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更多節目與活動
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\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a7a128ed408a7bc34ce2d5e5df68375f",title:"創造焦點女馬系列《#Since1994》"}],related:[],title:"【2021 Weiwuying Circus Platform】Eye Catching Circus - #Since1994",cover:"551713ace671aa2e21fc836a2740e291",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
"Do you like yourself?"
\nCircus X Women X Objects, six #youngladies born in the '90s and their most genuine monologue.
As meticulous and perceptive women, we refuse to be defined by #hashtags, labels, and "standards" anymore. I, alone, shall define the value of existence. Though I may have an imperfect life, I must know myself entirely. By diving into the female wardrobe, Eye Catching Circus #Since1994 explores the definitions of aesthetics, bodily autonomy, stereotypes, and moral standards in society and the relationships between people. Whether private, open, imaginary, struggling, and yearning for freedom, let us explore female identity and value through circus. From a female perspective, we examine the internal and external psychological differences. Through circus and narrative, they interpret how women in this era are imagined and seen. Strange and hostile, pseudo-friendly yet competitive, from the perspective of a female third party, let us analyze and consider "the self": Who am I? Do I like myself?
\n\n\n\n
Pre-Talk
\n\n2021/11/27(六)19:35-19:50 Playhouse Auditorium
\n\n2021/11/28(日)14:05-14:20 Playhouse Auditorium
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Creative and Production Team
\n\nProducer|LI Shih-yang
\n\nDirector|MEI Chih-ling
\n\nChoreographer|WANG I-hua
\n\nLighting Designer|SU Keng-li
\n\nCostume Designer|Big Fish Costume La
\n\nComposer|Co.Cheese Studio
\n\nExecutive Producer|CHANG Chia-yu
\n\nRehearsal Assistant|LIN Chien-hsien
\n\nVisual Integration|PRISM Co.,Ltd
\n\nPhotographer|HUANG Hsin-yao
\n\nDesign Director|Grandvity Design
\n\nPerformers|MEI Chih-ling, HSU Chia-chi, CHEN Ting-yu, LIAO Ssu-chun, HSIAO Ssu-mien, LAN Yi-yun
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Sponsor
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1625125953,updatedAt:1653033745,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"60ebf612dd9eb400081cccc2",title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現",data:{_id:"60ebf612dd9eb400081cccc2",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638e6,discrete:[{time:1638e6},{time:1638086400}],type:"discrete"},activity:{type:"free",free:{description:"自由入場",englishDescription:"Coming Soon"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"605ad9919fc5bd322b02c53c1a0d6ba1",title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現"}],related:[],title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現",cover:"7b679b36d8a5da6820362c9717f9d03e",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
傳統勞動與農務的身體手路,與當代生活文化有什麼連結?
\n\n由臺灣「圓劇團」與法國「傑若・湯瑪士劇團(Compagnie Jérôme Thomas)」聯手共創,以傳統陣頭文化為主題,深入探索具民族特質與地方習俗性的傳統技藝。透過踏查研究與蹲點學習,馬戲人走入民間,親身學習傳統技藝的腳步手路與肢體動作運行,進一步發現慶典祭儀的民俗陣頭動作,是如何從傳統勞動與農務中誕生。
\n\n從技藝取材經當代轉化,從傳統技藝到當代馬戲。透過階段性探索、實驗與培養,挖掘在地人文故事、土地意象、社群信仰與當代生活,透過馬戲人的身體探循,找出那些經生活與文化的淬煉、塑形,而一步步演變成藝術性的身體動作。那些記憶、生命,與社群生活的連結,都是超乎想像的緊密與關聯。
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演出暨製作團隊
\n\n藝術顧問|傑若・湯瑪士
\n\n研究顧問|龔卓軍
\n\n導演|林正宗
\n\n馬戲設計|傑若・湯瑪士
\n\n馬戲設計助理|Valentin Lechat
\n\n舞蹈設計|林廷緒
\n\n音樂設計與演出|黃思農、曾韻方
\n\n演員|林文尹、林乘寬、學甲中洲高蹺陣
\n\n空間與裝置設計|王鼎曄、林正宗
\n\n燈光設計|黃俊諺
\n\n服裝設計|蔡浩天
\n\n道具設計|林正宗、傑若・湯瑪士、胡閏翔
\n\n影像紀錄與宣傳片|張景泓
\n\n製作人|陳怡伶
\n\n製作推廣|王序平
\n\n執行製作|羅苡榕
\n\n舞台技術總監|張景翔
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贊助單位|國家文化藝術基金會「跨域合創」、臺南市文化局、總爺藝文中心、蕭壠文化園區、台北表演藝術中心前期創作支持、雲門創計畫、台新銀行文化藝術基金會「第18屆台新藝術獎入圍推廣補助」
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團隊介紹
\n\n圓劇團
\n\n「圓」是一個無邊界的自由場域,在多元的面向中,尋求民間技藝與當代馬戲的實驗與探索。「圓」擁有無限循環的生命結構,我們所有的行動與觀點皆連結所依附的土地和文化,讓創作自然地呈現出有機的人性與溫度。「圓」也是個聚集的公共空間,我們藉由技藝與馬戲的創作與分享,讓藝術與民眾在空間裡彼此連結與對話,以真實又詩意的感受,產生對當代社會的哲思。圓劇團作品曾入選「2020年-台新藝術獎決選入圍」、「松菸Lab新主藝」、「台灣當代文化實驗場CREATORS進駐創作」、「雲門羅曼菲獎助金」、「雲門-創計畫」、「2018-2021文化部扶植青年藝術計畫」、「2021總爺藝文中心與蕭壠文化園區駐館」等。
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傑若.湯瑪士劇團
\n\n法國知名當代馬戲大師Jérôme Thomas(傑若.湯瑪士),是法國第一屆當代馬戲暨即興藝術節的創始者、CNAC國家馬戲中心擔任審查委員、SACD(戲劇作家和作曲家協會)的馬戲部門董事、於2003年獲SACD(戲劇作家和作曲家協會)馬戲藝術獎。他認為的當代馬戲是具藝術性、空間性而無論傳統或現代,都有值得稱道的,學習的地方。他期待當代馬戲在肢體、空間、物件等有密切的相互關係,並著重在探討當代馬戲的身體表演系統,企圖尋找馬戲表演者詩意性與創造性的藝術語彙。
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更多節目與活動
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"605ad9919fc5bd322b02c53c1a0d6ba1",title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現"}],related:[],title:"【2021 Weiwuying Circus Platform】Thunar Circus - Main Agile (Work in Progress)",cover:"7b679b36d8a5da6820362c9717f9d03e",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
What is the connection between manual labor and farming techniques and contemporary culture?
\n\nMain Agile, jointly created by Thunar Circus in Taiwan and Compagnie Jérôme Thomas in France, takes traditional Din-tao culture as its theme and explores traditional techniques with ethnic characteristics and local customs. Through field research, circus artists enter rural communities to learn first-hand traditional crafts and discover how the ritual movements of Din-tao emerged from labor and farming.
\n\nTo transform traditional techniques into contemporary circus art, this work explore local stories, rural imageries, communal beliefs, and modern life through investigating, experimenting, and cultivating in stages. Through the physical exploration of circus performers, we find the forms that have been refined by life and culture and evolved into art. The connection between memory, life, and community is incredibly close-knit.
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Teams introduction
\n\nThunar Circus
\n\n"Thunar" is an unlimited free space where we experiment and explore contemporary circus art in various aspects. "Thunar" is an endless life cycle where our actions and perspectives are rooted in our culture, allowing our creations to express humanity and warmth. "Thunar" is also a collective space where audience and art engage in a dialogue through contemporary circus, sparking reflections on modern society with sincerity and poeticism. The works of Thunar Circus was nominated for the 2020 Taishin Arts Award Finalist and selected for Songyan Creative Lab, C-LAB CREATORS Residency Program, Cloud Gate Manfei Grant, Cloud Gate Art Makers Project, 2018-2021 Ministry of Culture Youth Arts Development Grant Program, 2021 Siao-long Cultural Park and Tsung-yeh Arts and Cultural Center Residency, etc.
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Compagnie Jérôme Thomas
\n\nJérôme Thomas is the founder of the first festival of contemporary improvised juggling in France, a member of the review board of the Centre National des Arts du Cirque, administrator for the Circus Arts at the SACD, and winner of the SACD prize for Circus Arts in 2003. He believes that the contemporary circus is artistic and spatial and draws inspiration from traditional or modern. He anticipates the interconnection between contemporary circus, body, space, and object and focuses on exploring the physical performance system of contemporary circus to discover the poetic and creative elements of circus performers.
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Creative and Production Team
\n\nArtistic Consultant|Jérôme Thomas
\n\nResearch Consultant|GONG Jow-jiun
\n\nDirector|LIN Cheng-tsung
\n\nCircus Design|Jérôme Thomas
\n\nCircus Design Assistant| Valentin Lechat
\n\nDance Design|LIN Yuan-Shang、LIN Ting-syu
\n\nMusic Design & Musicians|HUANG Snow, TSENG Yun-fang
\n\nPerformances|LIN Wen-yin, LIN Cheng-kuan, Xuejia Jhong Jhou stilt-walking
\n\nSpace and Installation Design|WANG Ding-yeh, LIN Cheng-tsung
\n\nLighting Design|HUANG Chun-yen
\n\nCostume Design|TSAI Hao-tien
\n\nProp Design|LIN Cheng-tsung, Jérôme Thomas, HU Jun-hsiang
\n\nDocumentary & Promotional Video|JHANG Jing-hong
\n\nProducer|CHEN Yi-ling
\n\nProduction Promotion|WANG Hsu-ping
\n\nExecutive production|LO Yi-Jung
\n\nStage Manager|CHANG Ching-hsiang
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More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1626076690,updatedAt:1637650464,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"60ebfd31dd9eb400081ccdad",title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》",data:{_id:"60ebfd31dd9eb400081ccdad",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638001800,discrete:[{time:1638001800},{time:1638088200}],type:"discrete"},activity:{type:"free",free:{description:"免費報名參與",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"11fa5e4165976c81fe2fc1b908107b33",title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》"}],related:[],title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》",cover:"147395dbe146d29940ab948765566977",site:{isOther:!0,site:"",other:"榕樹廣場、三樓樹冠大廳"},cautions:'
衛武營獨家。
\n\t演出全長約60分鐘,無中場休息。
\n\t本演出為移動式展演,無提供座位,請著輕便服裝參與。
集合地點:榕樹廣場。
\n\t報到時間:16:00 - 16:30
\n\t演出同步攝、錄影,如需保留肖像權請與現場服務人員聯繫。
\n\t為確保演出動線流暢,請與表演者保持適當距離,
一道光,一聲船鳴,一場震盪五感的超現實夢遊。
\n\n船,有著往返交流、乘載希望、逆風而行的精神。「狂夢藝術」以衛武營國家藝術文化中心為中心點,8公里12元的公車行進距離為線,展開公共空間的現地創作,尋找都市中橫跨老、中、青三代的生活痕跡與故事軌跡。
\n\n在衛武營這艘大船上,狂夢藝術試圖淡化觀眾與土地、馬戲與肢體、以至生活物件之間的邊界,重新賦予衛武營新的詮釋和想像,勾起全新的五感探測體驗。在這場不斷移動、交錯觀看的演出中,12種不同樣貌的衛武營表情,透過情緒的轉折、馬戲的行為、以及人文故事與日常物件的堆疊,橫跨空間、移動、抽象、具體的交互關係,創造出一場令人意想不到的陸上行舟——一個明知不可為而為之的超現實夢境。
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(報名期間:即日起至11月22日中午12點止)
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演後座談
\n2021/11/27(六)17:30-17:45 榕樹廣場
2021/11/28(日)17:30-17:45 榕樹廣場
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演出暨製作團隊
\n\n導演|黃子溢
\n\n戲劇構作|陳運成
\n\n執行製作|張凱博
\n\n共同創作/演出|林寶寶、曾少彤、魏暉恩、吳顥中、李睿紘、黃子溢
\n\n特邀藝術家|黃雅蓉、趙亭婷
\n\n美術設計|Kiki YEH
\n\n燈光執行|林岳盟
\n\n音樂執行|陳昱安
\n\n技術統籌|歐獻鴻
\n\n舞台經理|張凱博
\n\n地方文史協力|南熠樂集林喚玲老師、高雄市鳳山城文化志工協會、莊毅冠老師
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團隊介紹
\n\n狂夢藝術
\n\n狂夢藝術立案於臺中,藉由中西方文化風格為底蘊,搭配魔術、當代舞蹈、雜耍特技等新馬戲之元素相互融合,孕育出獨樹一格、 朝氣蓬勃的藝術能量,創作出與觀眾互相共鳴的表演作品,並帶著表演分享至城市的每個角落,以盡心盡力之態度把最完美的作品做到極致。 同時更秉持著「身為臺灣人,我們能夠為臺灣做些什麼?」的信念,結合本土文化與表演藝術,創作屬於臺灣人的表演藝術作品,目標讓世界透過這些作品認識臺灣。
\n\n演出作品:
\n\n2021 國立臺灣美術館委託現地製作《重返沙龍臺中》
\n\n2020 狂夢藝術秋季公演 / 在現地六年編創計畫《西區舊城》
\n\n2019 國際台南街頭藝術節-馬戲在現地共創計畫、馬來西亞北海藝術節、臺韓國際馬戲演出交流計畫
\n\n2018 彰化今秋藝術節
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更多節目與活動
\n\n\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5be731fd0ed7e7731a4e699b314926ac",title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》"}],related:[],title:"【2021 Weiwuying Circus Platform】Lit Art - Flipped Your Daily Routine",cover:"055f195f8061f0906b30d0d2893c7840",site:{isOther:!0,site:"",other:"Banyan Plaza、3F Crown Hall"},cautions:'
A beam of light, a sounding of the ship's horn, a surreal journey that stirs the five senses.
\n\nLIT ART uses National Kaohsiung Center for the Arts Weiwuying as the epicenter and 8 km 12 NTD bus rides as lines to create a public space in situ art and search for stories in the city that span three generations.
\n\nOn the colossal vessel known as Weiwuying, LIT ART attempts to blur the boundaries between audience and land, circus and body, and even between daily objects and re-imagine Weiwuying into a brand new exploration of the five senses. This mobile performance will reveal the 12 different expressions of Weiwuwing through the twists and turns of emotions, circus acts, and the stacking of stories and everyday objects. LIT ART creates a boat on land––a dream world, where anything is possible––that traverses space, movement, abstraction, and materiality.
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(From now until 11/22(Mon)12:00)
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Post-talk
\n2021/11/27(Sat)17:30-17:45 Banyan Plaza
2021/11/28(Sun)17:30-17:45 Banyan Plaza
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Team introduction
\n\nLIT ART
\n\nLIT ART is based in Taichung and uses Eastern and Western styles, magic, contemporary dance, juggling, and other new circus elements to create a unique and exciting artistic energy that resonates with the audience all over the city. They uphold the belief that "as Taiwanese, we should give back to Taiwan," combine local culture and performing arts to create uniquely Taiwanese works through which Taiwan is introduced to the world.
\n\nPerformances: 2021 National Taiwan Museum of Fine Arts commissioned the in situ production Return To The Age Of Salon; 2020 LIT ART autumn performance / six-year in situ project The Old Westside; 2019 Tainan Street Arts Festival - In Situ Circus Creation Project, Butterworth Fringe Festival (Malaysia), Taiwan-Korea International Circus Performance Exchange Project; 2018 Lukang Arts Festival.
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Creative and Production Team
\n\nDirector|HUANG Tzu-yi
\n\nDramaturg|CHEN Yuhn-cheng
\n\nProduction Assistant|ZHANG Kai-bo
\n\nCo-creators & Performers|LIN Bao-bao、ZENG Shao-tong、WEI Hui-en、WU Hao-chung、LI Jui-hung、HUANG Tzu-yi
\n\nSpecial Artists|HUANG Ya-jung、CHAO Ting-ting
\n\nArt Designer|Kiki YEH
\n\nLighting Executive|LIN Yueh-meng
\n\nMusic Executive|CHEN Yu-an
\n\nTechnical Coordinator|OU Hsien-hung
\n\nStage Manager|ZHANG Kai-bo
\n\nLocal Culture Consultant|Nan-Yi Musical Theater LIM Huan-ling、CHUANG Yi-kuan
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1626078513,updatedAt:1637757166,updatedBy:"林蔚行",host:!0}}],seq:2,name:"馬戲馬拉松(現場演出)",content:"",color:{a:1,r:72,g:141,b:105},type:"reference"},{programs:[{from:"programs",key:"6152dc39103d910007ffab81",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室 《馬戲現場-實驗階段》",data:{_id:"6152dc39103d910007ffab81",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1637933400,discrete:[{time:1637933400}],type:"discrete"},activity:{type:"free",free:{description:"線上觀看",englishDescription:"Online Performance"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b5d45b2c5c269e1fc78c6b2459e3d290",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室"},{type:"image",key:"41b34aca43368dba246cb2815be377b9",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室"}],related:[],title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室 《馬戲現場-實驗階段》",cover:"f341a80ea4c366a72ff921c9caa45545",site:{isOther:!0,site:"",other:"衛武營YouTube頻道"},cautions:'
劇場、馬戲、VR影像,三個主要項目的結合。以「英國皇家劇院」劇場導演和影像導演共同製作的概念,運用360的拍攝手法與現場演出,實驗新馬戲、現場、線上的觀賞體驗。作品運用擬人的方式,以器材設備的角度觀看後台工作的環境狀態,並透過小品愛情貫徹整個劇情。分別運用劇場形式、影像分鏡、VR拍攝技術、馬戲技巧的操控與平衡發展,實驗另類的觀看視角。
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演出暨製作團隊
\n\n馬戲導演|陳信達
\n\n劇場導演|許瀚中
\n\n影像導演|陳識安
\n\n舞台監督|吳昀
\n\n音樂設計|高少廷
\n\n燈光設計|蔡政霖
\n\n馬戲演員|李承漢、鄒琯琳
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團隊介紹
\n\n紅鼻子馬戲團
\n\n紅鼻子馬戲團成立於2013年,「On.P.Young」,取自臺語發音「紅鼻子」。成員們大多從戲曲學院起家,藉由馬戲身體、肢體喜劇、小丑面具、歌舞、物件雜耍……等元素作為創作發展,擅長以幽默逗趣的風格探討馬戲、物件及空間,融合街頭互動、馬戲特技、肢體劇場,摸索新的表演形式,找尋屬於現代的大眾劇場。
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混域規劃製作
\n\n創建臺灣藝文圈與各領域產業的平臺與橋樑。藉由對人類和現代社會的觀察提出新觀點,在這個快速變動的時代,意使人們察覺與體會生活中的細節,並透過戲劇、新媒體等多元藝術創作手法與型態,讓參與作品之創作者與觀眾開啟一個屬於自己的思辨過程。利用各式空間,做出更多產業、民眾、藝文結合的藝術創作,建立屬於我們團隊的品牌與平臺。
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湛時這樣影像工作室
\n\n湛時這樣成立於2021年。湛時 ≣ 暫時 每個合作都是一段暫時的關係,但我們相信這些片刻的能量都能交織成美好且精湛的作品。我們致力於發展各種影像創作,包含電影長/短片/紀錄片製片、前期製作、VR360實拍攝影、後期剪接調光、內容企劃開發等。希望能開發視覺的各種可能和把觀看世界的新視角帶給大家。
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主辦單位:衛武營國家藝術文化中心
\n\n製作單位:紅鼻子馬戲團 、 混域規劃製作 、湛時這樣影像工作室
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更多節目與活動
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b5d45b2c5c269e1fc78c6b2459e3d290",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室"},{type:"image",key:"41b34aca43368dba246cb2815be377b9",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室"}],related:[],title:"【2021 Weiwuying Circus Platform】On.P.Young Circus x Mix-Realm x This Moment Lab. “Circus Now: An Experiment”",cover:"f341a80ea4c366a72ff921c9caa45545",site:{isOther:!0,site:"",other:"Weiwuying's YouTube Channel"},cautions:'
Circus Now: An Experiment uses 360-degree filming to experiment with a new, live, and online circus viewing experience based on National Theatre Live's collaborative model involving theater and film directors. The work uses theater, video editing, VR technology, and various circus elements to explore new ways of viewing and present the different moods.
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Creative and Production Team
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Circus Direction|CHEN Sin-da
\n\nTheater Direction|HSU Han-chung
\n\nVideo Direction|CHEN Shih-an
\n\nStage Manager|WU Yun
\n\nMusic Design|KAO Shao-ting
\n\nLighting Design|TSAI Cheng-lin
\n\nCircus Performers|LI Cheng-han, TSOU Guan-lin
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Teams Introduction
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On.P.Young Circus
\n\nFounded in 2013, "On.P.Young" is derived from the Taiwanese pronunciation of "red nose." Most of its members are Taiwan College of Performing Arts alumnus who have created through elements of circus movements, physical comedy, clown masks, song and dance, and juggling. It specializes in exploring circus, objects and space through humor; blending street acts, circus stunts and physical theater; explore new forms of performance and a modern theater for the people.
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Mix-Realm
\n\nMix-Realm creates platforms for the various disciplines in Taiwan's creative and cultural industry. By offering new insights into human existence and modern society, Mix-Realm aims to help people discover the details of life in this era of rapid change and invite the creators and spectators to embark on a journey of reflection through theater, new media, and other diverse artistic methods and forms. It will create more works in various spaces that combine the industry, the people, and the arts and establish an exclusive brand and platform.
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This Moment Lab.
\n\nEstablished in 2021. Each collaboration is a momentary partnership, but This Moment Lab. believes that the energy of these moments can be woven into beautiful and exquisite works ~ It is dedicated to developing diverse video content, including feature-length/short films/documentary, pre-production, VR360 live-action shooting, post-production editing and lighting, and project development. It hopes to develop different visual possibilities and introduce new perspectives to the world.
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More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1632820281,updatedAt:1636945250,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"60ebec58dd9eb400081ccb8b",title:"【2021衛武營馬戲平台】徐開炫《彈彈》",data:{_id:"60ebec58dd9eb400081ccb8b",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1637982e3,discrete:[{time:1637982e3},{time:1638068400}],type:"discrete"},activity:{type:"free",free:{description:"線上觀看",englishDescription:"Coming Soon"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06944e0b5aa482ccd494785c01b67467",title:"【2021衛武營馬戲平台】徐開炫《彈彈》"},{type:"image",key:"1dcd6bc9427e17ec02104e037358d487",title:"【2021衛武營馬戲平台】徐開炫《彈彈》"}],related:[],title:"【2021衛武營馬戲平台】徐開炫《彈彈》",cover:"8426292510887a24499a98dd04cbcfa9",site:{isOther:!0,site:"",other:"衛武營YouTube頻道"},cautions:'
音樂大師—史瓦第要復出了!
\n\n闊別樂壇已久,傳聞中力求完美與帥氣,重視細節不允許失誤的音樂大師史瓦第,在數年前的一場演出後突然隱退,傳說中的大師就這樣從音樂圈消失,只留美好的樂音繚繞在樂迷的記憶中。
\n\n2021 年,史瓦第突然宣吿舉辦「復出音樂會」。這一次,史瓦第穿上精心準備的華服,要挑戰高難度演奏技巧,在觀眾看不出破綻的情況下,順利解決所有意外,保住「音樂大師史瓦第」的金字招牌,再現大師丰采!
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演出暨製作團隊
\n\n導演|方意如、劉孟諴
\n\n演員|徐開炫
\n\n攝影|李昶佑
\n\n道具製作|魏亞民
\n\n剪輯|翁恆悅
\n\n音樂設計|徐平
\n\n影像導演|林宗儒
\n\n製片人|徐開炫
\n\n鋼琴老師|陳若儀
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藝術家介紹
\n\n徐開炫
\n\n獨立街頭藝術家、科學機構研究助理。專注於「與觀眾⼀同遊戲」之創作研究,利⽤⾺戲技巧結合⼼理學與聲⾳科技,引領觀眾進入遊戲空間的⼼流,其作品為《Mario Game Time》、《Baby in Cart》與《PLAY》。現為臺灣街頭藝術⽂化發展協會理事,致⼒於建立良好穩定的街頭創作環境,並與國外藝術節、表演者建立連結,讓美好的事在街頭發⽣。
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更多節目與活動
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"06944e0b5aa482ccd494785c01b67467",title:"【2021衛武營馬戲平台】徐開炫《彈彈》"},{type:"image",key:"1dcd6bc9427e17ec02104e037358d487",title:"【2021衛武營馬戲平台】徐開炫《彈彈》"}],related:[],title:"【2021 Weiwuying Circus Platform】HSU Kai-hsuan - PLAY",cover:"8426292510887a24499a98dd04cbcfa9",site:{isOther:!0,site:"",other:"-"},cautions:'
Maestro Svaldi returns!
\n\nThe legendary master disappeared from the music scene for many years after he suddenly retired following a performance. A perfectionist and detail-oriented musician, who strived for coolness, became a lingering melody in the memories of music fans.
\n\nIn 2021, Svaldi suddenly announced his "comeback concert" at the National Kaohsiung Center for the Arts, Weiwuying. This time, Svaldi will don elaborate costumes, attempt elite techniques, overcome all the mishaps, give a seemingly flawless performance, and keep the "Maestro Svaldi" brand intact and recreate the glory of the Maestro!
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Creative and Production Team
\n\nDirection|FANG Yi-ju, David LIU
\n\nPerformance|HSU Kai-hsuan
\n\nPhotography|LEE Alexander
\n\nProp Making|WEI Ya-min
\n\nEditor|Wong Heng-yueh
\n\nMusic Design|Hsu Ping
\n\nVideo Director|LIM David
\n\nProducer|HSU Kai-hsuan
\n\nPiano Teacher|CHEN Ro-yi
\n\n\n\n
Artists Introduction
\n\nHsu Kai-hsuan
\n\nMr. Hsu is an independent street artist and a research assistant of a scientific research institute. Focusing on "playing with the audience," Mr. Hsu incorporates psychology and sound technology into his circus tricks, guiding the audience to flow in his game space. His productions include Mario Game Time 、Baby in Cart and PLAY. Mr. As the director of Taiwan Street Arts and Culture Development Association (Str.ACD), Mr Hsu strives to build a friendly environment for street art and gets in touch with foreign performers and art festivals regularly. He is trying his best to make good things happen on the street.
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More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1626074200,updatedAt:1636944975,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"6152d6ee87c8d30008b1285a",title:"【2021衛武營馬戲平台】劉彥成x大身體製造《悲劇的扮家家酒》—沒有犧牲沒有勝利",data:{_id:"6152d6ee87c8d30008b1285a",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638019800,discrete:[{time:1638019800}],type:"discrete"},activity:{type:"free",free:{description:"線上觀看",englishDescription:"Online Performance"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d3800613baf200ba6c5f37c87cf3f544",title:"【2021衛武營馬戲平台】劉彥成x大身體製造 《 悲劇的扮家家酒》—沒有犧牲沒有勝利 "},{type:"image",key:"5caf6f47b0cdc2e6f10c1ad177b12a91",title:"【2021衛武營馬戲平台】劉彥成x大身體製造 《 悲劇的扮家家酒》—沒有犧牲沒有勝利 "}],related:[],title:"【2021衛武營馬戲平台】劉彥成x大身體製造《悲劇的扮家家酒》—沒有犧牲沒有勝利",cover:"6e4286d5269b466dd0d292ab461620b2",site:{isOther:!0,site:"",other:"衛武營YouTube頻道"},cautions:'
扮演X真實X虛假 X 數位
\n\n當今人們在數位的洪流裡,遊走在虛擬與現實之間,產生了一種能理解卻無法體會的感受;疏離感。哪些看似遙遠的革命、戰爭、苦難或疾病⋯⋯,顯得更為不真實。《悲劇的扮家家酒》以辦家家酒為形式重新建構悲劇,重新交織當下與不在當下。
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悲劇已死,悲劇萬歲。
\n\n我們來玩一場遊戲,一場關於悲傷的悲劇的遊戲。
\n\n將苦難或死亡神聖化,為了可能成為重要的一個角色,為了獲得悲劇主角的頭銜,感到血脈噴張。雖然難逃一死,但遺留下來的精神是不朽的堅不可破的。
\n\n最後的最後,我們不會為它哀悼。
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演出暨製作團隊
\n\n創作|劉彥成
\n\n表演|鄒瑩霖、王筑樺、劉語凡
\n\n技術統籌|曾睿琁
\n\n技術執行|江承澤、劉彥成(協演)
\n\n攝影|蔡詩凡
\n\n影像攝影|陳冠宇
\n\n影像設計|黃偉軒
\n\n製作顧問|製作循環工作室
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藝術家介紹
\n\n劉彥成
\n\n大身體製造創辦人、藝術總監。
\n\n「沒有人沒有身體」及「一切都是素材」作為創作核心,身體作為主要創作元素並運用多元媒材,實踐劇場創作。2017年國家兩廳院藝術基地計畫短期駐館藝術家。三度獲羅曼菲舞蹈獎助金,曾入選雲門舞集創計畫。2013年以作品《無處》獲北京國際芭蕾舞暨編舞比賽評審特別獎;作品《再見吧!!兔子》 開啟包括法國、西班牙、德國、香港、馬來西亞等國巡迴演出,在外亞維儂藝術節、杜塞朵夫舞蹈博覽會引發關注,並獲得世安美學獎表演藝術類肯定。主要編創作品:《匿名者二號》、《A PIECE OF CAKE》、《垃圾》、《怪獸》、《下面》、《最高的地方-大家都同款》、《一段暫時的混亂》、《再見吧!!兔子》等。
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團隊介紹
\n\n大身體製造
\n\n大身體製造是一個集合獨立個體成為一股更大能量的藝術團體,以「沒有人沒有身體」為團隊宗旨。人活著就有身體,有身體就有動作;沒有什麼事情不是身體的事。身體力行。大身體製造致力於探索創作及表演的多元發展。大身體製造過去曾參與國內外不同的藝術節與展演平台,如;杜賽朵夫舞蹈博覽會、外亞維儂藝術節、香港城市當代舞蹈節、新點子舞展、愛丁堡藝穗節、臺灣舞蹈平台⋯⋯等。
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主辦單位:衛武營國家藝術文化中心
\n\n文化部扶植青年創作計畫
\n\n臺北市文化局 臺北市傑出演藝團體
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更多節目與活動
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d3800613baf200ba6c5f37c87cf3f544",title:"【2021衛武營馬戲平台】劉彥成x大身體製造 《 悲劇的扮家家酒》—沒有犧牲沒有勝利 "},{type:"image",key:"5caf6f47b0cdc2e6f10c1ad177b12a91",title:"【2021衛武營馬戲平台】劉彥成x大身體製造 《 悲劇的扮家家酒》—沒有犧牲沒有勝利 "}],related:[],title:"【2021 Weiwuying Circus Platform】 LIU Yen-cheng x Dua shin te Production “Imaginary tragedy – No sacrifice, no victory”",cover:"6e4286d5269b466dd0d292ab461620b2",site:{isOther:!0,site:"",other:"Weiwuying's YouTube Channel"},cautions:'
People move between the virtual and the real in the digital age, creating a sensation that can be understood but not experienced–Alienation. The seemingly distant revolutions, wars, sufferings, or diseases......become even more unreal. Imaginary tragedy – No sacrifice, no victory reconstructs the tragedy in the form of playing house, and re-interweaves presence and absence.
\n\nTragedy is dead; long live tragedy.
\n\nLet's play a game, a game of tragedy and sorrow.
\n\nIt is sanctifying suffering or death, for the possibility of becoming an important character, for the title of a tragic hero, and for the blood rush. Although death is inevitable, the spirit left behind is immortal and indestructible.
\n\nAt the very end, we will not mourn for it.
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Creative and Production Team
\n\nCreation|LIU Yen-cheng
\n\nPerformance|TSOU Ying-lin, WANG Chu-hua, LIU Yu-fan
\n\nTechnical Coordination|TSENG Jui-hsuan
\n\nTechnical Execution|CHAING Cheng-tse, LIU Yen-cheng (co-star)
\n\nPhotography|TSAI Shi-fan
\n\nVideo photography|CHEN Guan-yu
\n\nVideo Design|HUANG Wei-hsuan
\n\nProduction Consultant|Project zero
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Artist Introduction
\n\nLIU Yen-cheng
\n\nFounder and Artistic Director of Dua shin te Production.
\n\nLIU creates with the philosophy that "no one is without a body" and "everything is material." He uses his body as the primary material, which he seasons with diverse elements, to create theater. In 2017, he was the short-term artist-in-residence of the NTCH Art Base Program. He is a three-time recipient of the Luo Man-fei Dance Fund and was selected for the Cloud Gate Art Maker Project. In 2013, he won the Special Jury Prize in the Beijing International Ballet and Choreography Competition for his work, Nowhere. His Tschüss! Bunny toured France, Spain, Germany, Hong Kong, Malaysia, etc., garnered attention at Festival Off d'Avignon and Internationale Tanzmesse NRW, and received the S-An Aesthetic Award for Performing Arts. His major works include Anonymous No. 2, A PIECE OF CAKE, The End of the Journey, Monster, Below, Highest Places - Everyone's the Same, A Temporary Chaos, Tschüss! Bunny, etc.
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Team Introduction
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Dua shin te Production
\n\nDua shin te Production is an art group that magnifies the power of individuals by bringing them together. Its philosophy is that "no one is without a body." Humans possess a body for as long as they shall live, and with a body comes movement. Everything involves the body. Dua shin te Production is dedicated to exploring the diversity of creativity and performance. It has taken part in various art festivals and performance platforms local and abroad, such as Internationale Tanzmesse NRW, Festival Off d'Avignon, City Contemporary Dance Festival, New Idea Dance, Edinburgh Fringe Festival, Taiwan Dance Platform... etc.
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More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1632818926,updatedAt:1636945240,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"60ec02affff9e800077998cd",title:"【2021衛武營馬戲平台】《街頭作品實驗室》",data:{_id:"60ec02affff9e800077998cd",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1637989200,discrete:[{time:1637989200},{time:1638075600}],type:"discrete"},activity:{type:"free",free:{description:"線上觀看",englishDescription:"Free to Watch"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"c0e5e31755cb1a3e1c8a95406b95a89c",title:"【2021衛武營馬戲平台】《街頭作品實驗室》"}],related:[],title:"【2021衛武營馬戲平台】臺灣街頭藝術文化發展協會《街頭作品實驗室-第六季》",cover:"f544a03361588a669deb56851e62408b",site:{isOther:!0,site:"",other:"衛武營YouTube頻道"},cautions:'
11/27(六)13:00 上集
\n\t11/28(日)13:00 下集
\n\t街頭作品實驗室,首度跨足南臺灣,與衛武營國家藝術文化中心攜手挑戰雲端版作品實驗室!集結了劍玉師小螺絲、俏鈴美少女雷雷、街頭足球籃球先驅唐心磊與黃崇銘、花式調酒師梁嘉仁,以及街頭作品實驗室前五季多位明日之星學長姐,一起歷經數月的創作集訓、鑽研和實驗全新互動表演,將於11月的衛武營馬戲平台,展現他們在雲端空間創新的街頭互動體驗,打破傳統街頭表演和數位空間的界線。
\n\n街頭表演,作為各國當地文化與藝術發展的重要指標,臺灣街頭藝術文化發展協會於2017年春季推出「街頭作品實驗室」,導入系統性教學,發掘並培育街頭馬戲表演人才,透過徵選、創作陪伴、到正式演出,投入專業師資與各方資源,期許為臺灣打造街頭最美的流動風景。多年來已培育出多位別具舞台魅力的街頭表演佼佼者。2021年秋季,透過衛武營馬戲平台的創作支持,街頭作品實驗室將以衛武營作為街頭表演的基地,讓這群馬戲表演者盡情揮灑他們街頭表演的鬼才創意和幽默,帶給民眾全新的互動體驗,一起創造美好的記憶。
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演出內容
\n\n陳益銓
\n\n一直以來我都是以我自己本人小螺絲的身份在街頭表演,因為我非常熱愛劍玉想要推廣給更多人看,所以一直想很多不同劍玉表演方式以及難度的挑戰,這季實驗室我想把這幾年所有的經驗跟表演方式重新整理並且把節目更精緻化,去打造出一個全新不同的小螺絲2.0。
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唐心磊、黃崇銘
\n工程師=宅男?! OUT!
兩個日常生活就是與程式語言為伍的工程師,在一般人眼中,他們可能是不修邊幅、不善言詞的宅男,C++ 、Java、Python才是他們最擅長的語言。
\n\n一個再平凡不過的日子,最不平凡的事發生了!如往常一般工作coding中的兩人,掉入數位世界,開始了駭客任務般的大冒險!
\n\n兩個工程師在這最如魚得水的世界中,激發了無限的潛力,竟然化身為最頂尖的花式足球和籃球好手。現實世界中拿手的程式語言就像是他們的超能力,輸入不同指令,連番使出各種大絕招。但是......該怎麼回到現實世界呢?加油吧!工程師,拿出你們埋藏在心中的街頭藝人魂,大鬧虛擬世界!
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梁嘉仁《街頭酒吧》
\n\n這是一間行腳街頭的小酒吧。在這裡,你可以安心地點一杯華麗的表演,將花式調酒的美盡收眼底。會有骨牌shot,酒吧調酒動作,15個水杯堆疊立在下巴等高難度技巧。期望將來某天,我們能在這街頭酒吧不期而遇,而我將帶領你,緩緩地,舒適地融入敝店美好的氛圍。
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呂佳玲
\n扯鈴在臺灣大多是因為民俗體育的推廣所以在表演上都是技術上的展現很少注意到整體節目的設計,我一直想把扯鈴結合自己喜歡的少女動漫例如美少女戰士,把兩件最愛的事結合一起,扯鈴就像我的魔法一樣,魔法是要經過千錘百鍊的練習才能完成的,為了就是要告訴大家專求夢想一點也不難只要不斷地努力就可以達成。
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周子益
\n\n莫忘初衷 具備了多元的表演技能:丑劇、默劇、雜耍,從魔術師(Magician)轉為小丑(Clown),又變為多才多藝的娛樂者(Entertainer);具備了魔術的驚喜、丑劇的幽默,以及令人嘆為觀止的雜耍技巧! 表演精隨:以丑劇的滑稽去表演雜耍的高超技巧,呈現出魔術般的驚喜! 表演理念:即使被現實改變了,也別忘記最初的自己。
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陳聖崴
\n\n裝逼服務生 哪有人上班的時候還在偷喝酒? 剛開店就喝得醺醺的,一個人在店裡陶醉在自己的世界,整個店裡都是他的舞台!沒錯就是他!裝逼服務生!讓我們跟著他那詭譎又帶點詩意的身體,一起在他的世界裡微醺吧
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謝宗霖、劉孟諴《宗霖&David 衛武營處女秀》
\n\n歌手宗霖的演藝事業發展如日中天,為了力求演出完美,特別請了一個新的助理David,據說David什麼都會,演戲、雜耍、樂器樣樣行。這次宗霖跟David回到熟悉的臺北演出,近鄉情卻的他們,會發生什麼樣的趣事呢?
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Double V
\n\n「節目簡介」:來到此生,尋尋覓覓;對於人生,探索意義。長大後,要懂的事情更多,要背的責任更重。不是任性就能姿意妄為,不是逃避就能全身而退,跌跌撞撞朝著有光的方向走去。 不知不覺,來到了此時此刻!用自己的名字,寫著未知的劇本...
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演出暨製作團隊
\n\n製 作 人|陳信達
\n\n執行製作|林興昱
\n\n影像統籌|李昶佑
\n\n影像導演|李昶佑
\n\n硬體統籌|楊睿彬
\n\n燈光設計|周上凱
\n\n攝 影|馬翔
\n\n燈 光|梁敦學、廖鏡文、廖景棟
\n\n梳 化|任敏嫻、葉恩
\n\n收 音|陳映杉、陳渥鈞
\n\n導 演|廖治強、劉孟諴、王甯、林興昱
\n\n排練助理|郭建廷、黃若茵
\n\n演 員|陳益銓、唐心磊、黃崇銘、呂佳玲、梁嘉仁、周子益、陳聖崴、劉孟諴、謝宗霖、方庭良、謝孟迪、馬成發、沈翰彥
\n\n課程導師|廖治強、姜睿明、劉孟諴、楊乃璇
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團隊介紹
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臺灣街頭藝術文化發展協會
\n\n草創於2017年春天,街頭藝術家徐開炫看見海外街頭表演者以互助的方式,交換專業,有效提升作品的完整度,而提出「街頭作品實驗室」一詞。而後由趙曼伶、徐開炫、陳信達、楊元慶、何政逸等人號召全臺街頭藝人,於2017年6月28日於圓山花博公園舉辦首次的街頭作品實驗室,透過彼此討論作品,形成臺灣街頭圈的一股正向循環。
\n\n2018年1月16日由臺灣街頭藝術文化發展協會主辦正式改版為「街頭作品實驗室2.0」,「進修」「討論」「發表」三大核心建立街頭藝人進修系統,並期望該系統將來能成為臺灣街頭藝術中心使用之教學系統,培育更多具有潛力的表演者躍上國際藝術舞台。
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主辦單位:衛武營國家藝術文化中心、臺灣街頭藝術文化發展協會
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更多節目與活動
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"200872ada34a27ac579f3627d558c5c5",title:"【2021衛武營馬戲平台】《街頭作品實驗室》"}],related:[],title:"【2021 Weiwuying Circus Platform】Taiwan Street Arts and Culture Development Association - Street Act Lab-The Sixth",cover:"9da45ae5c248d26ea6b542a541deab67",site:{isOther:!0,site:"",other:"Weiwuying's YouTube Channel"},cautions:'
For the very first time, Street Act Lab is coming to Southern Taiwan! Street Act Lab will bring together kendama performer Screw, diabolo artist Lay-lay, street soccer and basketball pioneers TANG Hsin-lei and HUANG Chong-ming, Flairbartender Jonas, and the stars of the first five seasons. This November, at Weiwuying's Banayan Plaza, there will be an original street act extravaganza!
\n\nStreet acts are an essential indicator of the development of local culture and art in each country. Four years ago, the Taiwan Street Arts and Culture Development Association launched Street Act Lab, which introduced systematic training to scout and cultivate talents. From recruitment and creative consultant to official performance, the project provides professional instructors and resources to create Taiwan's most fascinating mobile performances. This fall, Street Act Lab will go deep into Southern Taiwan and turn Weiwuying into a base of operation. Circus performers will roam around this massive ship on land and create beautiful memories with the public.
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Program
\n\nYi-chuan CHEN
\n\nI have always performed on the street as Screw. Kendama is my passion, and I would like to promote it to more people, so I have always tried to develop all sorts of tricks and challenges. For this year's Street Act Lab, I want to reflect on all my past experiences and refine my act to create a new and improved Screw 2.0.
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TANG Hsin-lei and HUANG Chong-ming
\n\nEngineer = Nerd? OUT!
\n\nIn the public's eyes, two engineers who work with programming languages are likely geeks who are not well-groomed and not good with words. The only languages they speak are C++, Java, and Python.
\n\nOn an ordinary day, the most extraordinary thing happened! The two engineers are in the middle of coding when they suddenly fall into the digital world and embark on a Matrix-like adventure.
\n\nThe two engineers have unleashed their unlimited potential in this world and transformed into the best soccer and basketball freestyler. The programming languages are like their superpower, typing in different instructions to do many flashy tricks in a row. But ...... How do they return to reality? Go for it! Engineers, bring out your inner street artist and rock the virtual world!
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Flairbartender Jonas The Street Bar
\n\nThis is a small bar in the street. Here, you can order a stunning performance and take in the splendor of flair bartending. There will be advanced techniques like dominoes-shots, bar bartending, and 15 glasses stacked on the chin. I hope that someday in the future, we can meet in this street bar by chance. I will lead you comfortably into the wonderful vibe of our humble establishment.
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LUI Chia-ling
\n\nIn Taiwan, the diabolo is considered a folk sport, so little attention is paid to the overall performance design when showcasing the techniques. I have always wanted to combine diabolo with my favorite animes, such as Sailor Moon. The diabolo is like my magic power, which took a lot of practice to master. However, the pursuit of dreams is not difficult as long as you continue to make an effort.
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CHOU Tzu-Yi
\n\nThe Calling brings together a wide range of skills: clown, pantomime, and juggling. The transformation from Magician to Clown, and then to a multi-talented Entertainer possesses the surprise of magic, the humor of clowns, and the breathtaking skills of juggling!
\n\nThe show's essence: combining comedic clown act with juggling, presenting a magical surprise!
\n\nPerformance philosophy: Even if you are changed by reality, don't forget your true self.
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CHEN Sheng-wei
\n\nThe Poseur Waiter
\n\nWhat kind of waiter drinks on the job? No sooner had the store opened was he drunk. He is drunk in his world, and the whole store is his stage! That's him! The poseur waiter! Let's follow his weird and poetic body and get tipsy in his world!
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HSIEH Tsung-lin and David LIU Tsung-lin & David's Debut at Weiwuying
\n\nTsung-lin's singing career is booming. Striving for perfection, he hired a new assistant, David, who is good at everything: acting, juggling, and musical instruments. Tsung-lin and David are nervous about being back in Taipei for a performance. What is going to happen?
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Double V
\n\nWe came to the world in search of the meaning of life. Maturity meant sensibility and more responsibility. Willfulness does not warrant recklessness, and escape does not guarantee safe retreat. We stumble towards the light. Unwittingly, we have come to this moment! Write an unknown script in your own name...
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Creative and Production Team
\n\nProducer|CHEN Sin-da
\n\nExecutive production|LIN Hsung-yu
\n\nVideo Coordinator|LEE Alexander
\n\nVideo Director|LEE Alexander
\n\nHardware|YANG Jui-pin
\n\nLighting Design|CHOU Shang-kai
\n\nPhotography|MA Hsiang
\n\nLigting Crews|LIANG Tun-hsueh, LIAO Ching-wen, LIAO,Ching-tung
\n\nHair & Makeup Execution|REN Min-sian,YEH En
\n\nSound Execution|CHEN Ying-Shan, CHEN Wo-chun
\n\nDirector|LIAO Chih-chiang, LIU David, WANG Ning, LIN Hsung-yu
\n\nRehearsal Assistant|KUO Chien-ting, HUANG Ruo-yin
\n\nPerformances|CHEN Yi-chuan, TANG Hsin-lei, HUANG Chong-ming, Flairbartender Jonas, LUI Chia-ling, CHOU Tzu-yi, CHEN Sheng-wei, HSIEH Tsung-lin, LIU David, FANG Ting-liang, HSIEH Meng-ti, MA Cheng-fa, SHEN Han-yen
\n\nLecture mentor|LIAO Chih-chiang, JIANG Rui-ming, LIU David,YANG Nai-hsuan
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Team introduction
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Taiwan Street Arts Culture Development Association
\n\nTaiwan Street Arts Culture Development Association (Str.ACD) was founded in the Spring of 2017. After witnessing the improvement in foreign performance through collaboration and exchange, street artist Kai-hsuan HSU developed the concept of Street Act Lab. Later on, CHAO Wan-ling, HSU Kai-hsuan, CHEN Hsin-da, YANG Yuan-ching, and HO Cheng-yi called on street performers across Taiwan to participate in the first-ever Street Act Lab at the Yuanshan EXPO Park in Taipei on June 28, 2017. A positive interaction is introduced into Taiwan's street act circle by initiating a discussion about individual works.
\n\nOn January 16, 2018, Str.ACD introduced the second edition of Street Act Lab and established an education system based on training, discussion, and presentation. Str.ACD is continuously perfecting the Street Act Lab system in hopes of helping more talents get on the international stage.
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More
\n\n►2021 Weiwuying Circus Platform
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\n',team:""},createdAt:1626079919,updatedAt:1636945229,updatedBy:"林蔚行",host:!0}}],seq:3,name:"馬戲實境秀(線上節目)",content:"",color:{a:1,r:197,g:134,b:120},type:"reference"},{programs:[{from:"programs",key:"6152eaac103d910007ffae01",title:"【2021衛武營馬戲平台】「馬戲行內話」共學講座",data:{_id:"6152eaac103d910007ffae01",catalogs:[{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28},{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1698138513,updatedBy:"林蔚行",seq:24}],dateTime:{first:1637582400,discrete:[],type:"continuous",continuous:{time:[1632830400],endTime:[1632835800],start:1637510400,end:1637769600}},activity:{type:"free",free:{description:"免費觀賞",englishDescription:"Free"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"講者介紹",content:'
2021/11/22(一)20:00-21:30 (GMT+8)
\n百變的馬戲人生:臺灣馬戲與特技藝術家的線上趴
2021/11/23(二)20:00-21:30 (GMT+8)
\n亞太馬戲製作與策展的陪伴之路 ft. CAN亞洲馬戲網絡與他們的好朋友
2021/11/24(三)20:00-21:30 (GMT+8)
\n為何馬戲是當代藝術的解藥?一起準備《火箭發射:永不停歇的當代馬戲,24位大師的創作方程式》
2021/11/25(四)20:00-21:30 (GMT+8)
\n馬戲朝聖之路:前進加拿大TOHU當代馬戲藝術製作與推廣中心 & 美國馬戲人才資料庫Circus Talk
百變的馬戲人生:臺灣馬戲與特技藝術家的線上趴
\n\n主持人
\n\n耿一偉|衛武營國家藝術文化中心戲劇顧問
\n\n照片來源:CHEN Li-wei
\n\n目前為衛武營國家藝術文化中心戲劇顧問,臺北藝術大學與臺灣藝術大學戲劇系兼任助理教授。曾任臺北藝術節藝術總監(2012-17),倪匡科幻獎首獎得主。獲頒「德台友誼獎章」與「法國藝術與文學騎士勳章」。
\n\n著有《文化領導力的80個關鍵字》、《故事創作Tips:32堂創意課》、《在台北看書》、《喚醒東方歐蘭朵》、《羅伯威爾森:光的無限力量》、《動作的文藝復興:現代默劇小史》等,譯有《劇場與城市》、《劍橋劇場研究入門》、《空的空間》、《布拉格畫像》、《給菲莉絲的情書》等。
\n\n近期導演作品有音樂劇場《國王的人馬》,視覺藝術包括在北美館的講座行動-裝置藝術「拉然巴在美術館」、空間裝置「去年夏天你不在,我來過」等。
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講者
\n\n余岱融|表演藝術獨立製作人、創作顧問
\n\n照片來源:Yellow
\n\n擅於統合不同藝術表現形式與美學。國立臺北藝術大學戲劇學系,主修戲劇理論。現為國際劇評人協會臺灣分會副理事長,亞洲製作人平台(Asia Producers’ Platform,簡稱APP)成員、《讀馬戲》季刊總編輯。曾任福爾摩沙馬戲團國際事務經理及駐團創作顧問,並代表該團擔任亞洲馬戲網絡(Circus Asia Network,簡稱CAN)成立委員之一。他曾擔任FOCA多部作品之創作顧問,與藝術總監李宗軒共同規劃馬戲跨界三部曲,並積極推動馬戲藝術的公共性與能見度,包括策畫「這算哪門子藝術? 2018 臺灣當代馬戲/雜技論壇──身體技藝在臺灣的衍生與變形」,與衛武營國家藝術文化中心共同策劃「2019臺灣當代馬戲國際論壇」等,並連續三年獲邀擔任衛武營馬戲平台藝術家駐地計畫之嚮導。
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張京嵐|國立臺灣戲曲學院民俗技藝系專技副教授兼系主任
\n\n九歲開始學習雜技,師承李棠華先生,19歲進入復興綜藝團擔任專業特技表演考,並在臺灣各大型劇場及世界各巡迴演出。專長:傳統特技項目(倒立、轉盤、鑽桶、扯鈴、高竿飛人…等),亦將高空特技綢吊、空中環及立體大繩…等,編創引入劇場演出,甚至將這些技藝引入教學體系中,為臺灣高空特技舞蹈教學第一人。
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喻敏婷|2020 馬戲藝術家駐地計畫
\n\n高雄鳳山人,小時候在眷村開始接觸舞蹈,現在以表演藝術工作者的身份,走在創作和表演的路上。
\n\n從2019年即興舞蹈節《最壞的打算》開始梳理自身創作脈絡,今年回到鳳山駐地創作《路過之間》。同時嘗試與不同領域的藝術家合作,近年參與作品有:足技藝術家楊立微《看不見的日常》、陳逸恩《眼淚、暴力、皮膚》、劉俊德《看舞練習》和徐若宇《未選擇的路》。
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楊益全|臺灣特技團藝術總監
\n\n現任臺灣特技團藝術總監。自幼以雜耍拋接演出(球、圈、棒 、轉球)聞名,特技節目編導經歷豐富,多次出國參與文化訪演與國內重要演出,所編導之作品亦曾獲得雜技藝術大獎。
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李宗軒|福爾摩沙馬戲團 藝術總監
\n\n臺北人。前雲門舞集舞者。
\n\n跳舞、編舞,和不同藝術家與團隊合作,也跨足電影與廣告的影像表演。2015 年起擔任 FOCA 藝術總監。十週年製作《消逝之島》及 《苔痕》,他分別擔任編導及製作人。兩齣截然不同作品,前者結合非典型裝置的現地創作,後者融合馬戲和舞蹈劇場的風格,展現他持續帶領FOCA挑戰藝術創作的可能性。
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陳信達|紅鼻子馬戲團團長、臺灣街頭藝術文化發展協會理事長
\n\n三峽人。畢業於國立台灣戲曲學院民俗技藝學系,主修倒立、雜耍。
\n\n2013年創辦紅鼻子馬戲團(On.P.YoungCircus),擔任團長、製作人、編導、演員多種角色
\n\n2015年獲國藝會海外藝遊專案,開啟歐洲馬戲尋根之旅
\n\n2018年成立臺灣街頭藝術文化發展協會(Str.ACD),推動街頭藝術、制度改革及發展街頭藝人創作平台(街頭作品實驗室StreetActLab),活躍於臺灣街頭與亞洲多個藝術節演出,更擔任過多個縣市的街頭藝人評審、講師、制度諮詢委員。
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梅芷菱|創造焦點團員、女馬系列《#Since1994》導演
\n\n現為Eye Catching Circus創造焦點團員,專長為高空特技,近幾年從演員轉為創作者,研究如何利用馬戲獨特的身體語彙,探索性別意識與社會議題之間的連結與思考,2019推出以「女性」為核心的馬戲創作作品《女馬系列#Since1994》,擔任導演與演員,未來將持續以女性議題為主要研究與創作核心。
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黃子溢|狂夢藝術負責人
\n\n臺中人,在地演出深耕九年的馬戲表演者,現致力於在現地六年編創計畫。時常結合當地特色與議題,利用現地創作、移動式劇場的形式,創作出公共空間的表演作品。近期完成國美館委託現地創作《重返沙龍臺中》與自由路上藝術節委託創作《二七部隊》。
\n\n\n\n亞太馬戲製作與策展的陪伴之路 ft. CAN亞洲馬戲網絡與他們的好朋友
\n\n主持人
\n\n余岱融|表演藝術獨立製作人、創作顧問
\n\n照片來源:Yellow
\n\n擅於統合不同藝術表現形式與美學。國立臺北藝術大學戲劇學系,主修戲劇理論。現為國際劇評人協會臺灣分會副理事長,亞洲製作人平台(Asia Producers’ Platform,簡稱APP)成員、《讀馬戲》季刊總編輯。曾任福爾摩沙馬戲團國際事務經理及駐團創作顧問,並代表該團擔任亞洲馬戲網絡(Circus Asia Network,簡稱CAN)成立委員之一。他曾擔任FOCA多部作品之創作顧問,與藝術總監李宗軒共同規劃馬戲跨界三部曲,並積極推動馬戲藝術的公共性與能見度,包括策畫「這算哪門子藝術? 2018 臺灣當代馬戲/雜技論壇──身體技藝在臺灣的衍生與變形」,與衛武營國家藝術文化中心共同策劃「2019臺灣當代馬戲國際論壇」等,並連續三年獲邀擔任衛武營馬戲平台藝術家駐地計畫之嚮導。
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講者
\n\n田中未知子|日本|瀨戶內馬戲工廠總監暨創辦人
\n\n照片來源:小林繭子/瀬戸内通信社
\n\n田中未知子與現代馬戲於2004年結下不解之緣,當時她於北海道一間雜誌社擔任活動製作。在成功邀請四組歐洲馬戲團並累積了兩萬名觀眾後,她選擇辭去工作並成為獨立製作人與現代馬戲專家。她移居至瀨戶內地區,並為了增進日本國內對現代馬戲的認識,於2012年成立瀨戶內馬戲工廠。她之所以選擇瀨戶內,是希望能夠藉此平衡文化資源過度集中的現象。瀨戶內馬戲工廠的主軸包含藝術創作、駐工廠藝術家計畫、藝術家訓練計畫與針對兒童的馬戲教育,以及與各地相互連結;希望能透過這些與在地息息相關的活動,為當地注入生命力。近期則著重於與各產業進行合作。
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趙東熙|韓國|首爾街頭藝術創作中心總監
\n\n趙東熙花了五年的時間,在法國修習文化政策與文化建設。自2010年起,則進入首爾市立首爾藝術文化基金會工作。他在2012年創立了首爾街頭藝術創作中心,作為韓國第一個以街頭藝術與馬戲文化為主的機構,推廣相關的製作、訓練、教育與宣傳活動;此外也創立了馬戲亞洲網。這20年來,他與各個國家合作,參與了許多街頭藝術與公共藝術方面的跨國企劃。
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希琳・阿布杜拉|新加坡|濱海藝術中心製作人
\n\n希琳是一位戲劇和舞蹈製作人。她從事各種規模、領域和形式的節慶活動和制作。她對沈浸式和參與式作品、偶戲和馬戲特別感興趣。
\n\n她的藝術生涯始於W!LD RICE(新加坡)。她創了該團隊教育和社區推廣部門Project Chilli Padi。之後,她與Dream Academy(新加坡)一起制作了許多原創音樂喜劇作品,其中包括點心寶貝、古瑪和梁榮耀等藝術家。
\n\n多年來,作為製作人和藝術經理,希琳構思/經營校園與社區企劃、行銷與宣傳活動、媒體關系、以及電影、音樂和音響企劃。
\n\n她目前是新加坡濱海藝術中心專職製作人和節目企劃,負責該中心的部分重要節日和節目,包括Flipside、da:ns藝術節和The Studios系列。
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符心霖|新加坡|生而為火馬戲團藝術總監
\n\n心霖是位獨立藝術總監、製作人和社區統籌。她同時也是生而為火新加坡的創始人和生而為火馬戲團的藝術總監。
\n\n她畢業於新加坡拉薩爾藝術學院,主修當代舞蹈,並在探索馬戲的旅程中結合舞蹈。在過去16年裡,她籌辦活動活動不停歇,如11個由馬戲工作者主辦的馬戲藝術節、SPROUTS馬戲密集培訓計畫、馬戲同好團體、兩個社區偶戲節和一系列電影放映會。
\n\n目前,她正與濱海藝術中心密切合作,發展新加坡的當代馬戲。
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凱特・馬隆|澳洲|群藝馬戲製作公司 總製作人
\n\n過去15年,凱特在澳洲昆士蘭藝文界頂著不同的頭銜,辦理活動、藝術節與各式空間的展演。作為執行製作,她的工作經歷遍及澳洲與國際。她合作的對象有:Casus Circus、Company 2(現為Chelsea McGuffin & Co)、Briefs Factory、Hoopla Clique和Woodford民俗藝術節。凱特曾在藝文補助委員會、國際馬戲平台擔任評委,並於2020年獲得布里斯本市議會藝文獎。
\n\n凱特曾與世界各地的重大藝術節合作,深諳國際馬戲市場。她擅長媒合澳洲商務署出口市場開發補助機會的企劃。
\n\n\n\n為何馬戲是當代藝術的解藥?一起準備《火箭發射:永不停歇的當代馬戲,24位大師的創作方程式》
\n\n主持人
\n\n耿一偉|衛武營國家藝術文化中心戲劇顧問
\n\n照片來源:CHEN Li-wei
\n\n目前為衛武營國家藝術文化中心戲劇顧問,臺北藝術大學與臺灣藝術大學戲劇系兼任助理教授。曾任臺北藝術節藝術總監(2012-17),倪匡科幻獎首獎得主。獲頒「德台友誼獎章」與「法國藝術與文學騎士勳章」。
\n\n著有《文化領導力的80個關鍵字》、《故事創作Tips:32堂創意課》、《在台北看書》、《喚醒東方歐蘭朵》、《羅伯威爾森:光的無限力量》、《動作的文藝復興:現代默劇小史》等,譯有《劇場與城市》、《劍橋劇場研究入門》、《空的空間》、《布拉格畫像》、《給菲莉絲的情書》等。
\n\n近期導演作品有音樂劇場《國王的人馬》,視覺藝術包括在北美館的講座行動-裝置藝術「拉然巴在美術館」、空間裝置「去年夏天你不在,我來過」等。
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對談者
\n\n余岱融|表演藝術獨立製作人、創作顧問
\n\n照片來源:Yellow
\n\n擅於統合不同藝術表現形式與美學。國立臺北藝術大學戲劇學系,主修戲劇理論。現為國際劇評人協會臺灣分會副理事長,亞洲製作人平台(Asia Producers’ Platform,簡稱APP)成員、《讀馬戲》季刊總編輯。曾任福爾摩沙馬戲團國際事務經理及駐團創作顧問,並代表該團擔任亞洲馬戲網絡(Circus Asia Network,簡稱CAN)成立委員之一。他曾擔任FOCA多部作品之創作顧問,與藝術總監李宗軒共同規劃馬戲跨界三部曲,並積極推動馬戲藝術的公共性與能見度,包括策畫「這算哪門子藝術? 2018 臺灣當代馬戲/雜技論壇──身體技藝在臺灣的衍生與變形」,與衛武營國家藝術文化中心共同策劃「2019臺灣當代馬戲國際論壇」等,並連續三年獲邀擔任衛武營馬戲平台藝術家駐地計畫之嚮導。
\n\n\n\n馬戲朝聖之路:前進加拿大TOHU當代馬戲藝術製作與推廣中心 & 美國馬戲人才資料庫Circus Talk
\n\n主持人
\n\n張欣怡 |臺灣|2021衛武營馬戲平台策展人
\n\n照片來源:Sara LANDO
\n\n現旅居盧森堡,透過獨立策展、書寫和對話,關注國際馬戲及舞蹈創作發展。
\n\n2017-2021曾任衛武營國家藝術文化中心節目部國際事務組長,專司機構策略合作、臺灣舞蹈平台和衛武營馬戲平台系列策展,及策劃相關跨領域節目。
\n\n\n\n
講者
\n\n露絲・茱麗葉・溫克勒|加拿大|TOHU當代馬戲藝術製作與推廣中心 節目副總監
\n\n露絲・茱麗葉・溫克勒是北美頂尖國家馬戲藝術中心的馬戲節目副總監。露絲於2019年6月上任,主掌該中心的國際當代馬戲市場計畫;策劃蒙特婁馬戲藝術節以及國家馬戲藝術中心年度主舞臺馬戲節目;監督國家馬戲藝術中心的馬戲藝術家培訓和駐館計劃;並管理國家馬戲藝術中心館藏的馬戲歷史文物。露絲在創辦美國波特蘭Boom Arts,並為之策劃七季的當代國際戲劇和演出後轉戰國家馬戲藝術中心。她曾擔任紐約市立大學研究所中心席格劇場的節目副總監;為Arts International以及布魯克林愛樂交響樂團等紐約市藝文機構籌募資金與行政管理;並在她所創辦、位於紐約市的Cirque Boom擔任導演和製作。
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史黛西・克拉克 |美國 馬戲人才資料庫Circus Talk執行長
\n\n史黛西是名前體操選手和專業馬戲表演者。在世界各地的舞台上、藝術節裡和螢幕上表演和教授馬戲,史黛西曾任職於行銷和通訊領域。
\n\n史黛西是Creative Athletic Performance的共同創辦人,這是一間從事選角、指導和創作的咨詢單位。她同時在聖地亞哥馬戲中心輔導新一代馬戲藝術家的職涯發展和表演發展。
\n\n2020年前,史黛西是太陽馬戲團的選角總監,領導一群星探和顧問。史黛西與太陽馬戲團的淵源從2007年開始。當時她以星探加入了選角部門,為該團在世界各地的演出招募運動員和馬戲藝術家。2011年,她成為Amaluna的雜技指導,並一同巡迴北美。
\n\n史黛西擁有懷雅遜大學應用藝術學士學位和康克迪亞大學的領導文憑。她是一名經認證的瑜伽教練、營養師、美國國家運動醫學院能力強化專家和Cross Fit一級和兒童Cross Fit教練。
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"08c50624f84c930dd3f0dfc20f9a3fa4",title:"【2021衛武營馬戲平台】「馬戲行內話」共學講座"}],related:[],title:"【2021衛武營馬戲平台】「馬戲行內話」共學講座",cover:"c9860fc5ae4902d2eed571bd6e7699ab",site:{isOther:!0,site:"",other:"衛武營YouTube頻道 "},cautions:'
每場共學講座全長約90分鐘,無中場休息。
\n\t講座語言為部分中文及英文,有同步中英文口譯頻道和中文即時聽打服務。
\n\t本講座為公開直播,請至衛武營YouTube頻道參與觀賞。
\n\t主辦單位保留本活動變更權利。
\n\t如對本活動有任何問題,請洽節目部。artisticplanning@npac-weiwuying.org
\n\t 講座時間
\n2021/11/22(一)20:00-21:30 (GMT+8)
\n百變的馬戲人生:臺灣馬戲與特技藝術家的線上趴
2021/11/23(二)20:00-21:30 (GMT+8)
\n亞太馬戲製作與策展的陪伴之路 ft. CAN亞洲馬戲網絡與他們的好朋友
2021/11/24(三)20:00-21:30 (GMT+8)
\n為何馬戲是當代藝術的解藥?一起準備《火箭發射:永不停歇的當代馬戲,24位大師的創作方程式》
2021/11/25(四)20:00-21:30 (GMT+8)
\n馬戲朝聖之路:前進加拿大TOHU當代馬戲藝術製作與推廣中心 & 美國馬戲人才資料庫Circus Talk
\n\n
如何參與
\n\n參與方式:衛武營YouTube頻道,免費觀賞
\n\n※連結將於11月中公布,或敬請訂閱YouTube頻道隨時收到最新的衛武營影片資訊。
\n\n\n\n共學講座(一)
\n\n百變的馬戲人生:臺灣馬戲與特技藝術家的線上趴
\n\n時間:11/22(一)20:00-21:30 (GMT+8)
\n\n2021衛武營馬戲平台「馬戲.人生」開幕之夜,來場線上趴踢!今晚我們邀請各方表演團隊、藝術家及合作夥伴齊聚一堂,對話、漫談,還有隱藏版的線上活動,以輕鬆活潑的方式,帶來持續蛻變的臺灣馬戲第一手資料,領略馬戲的百種玩法與百變人生,一鍵登入馬戲平台!
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講者:
\n\n主持人|耿一偉 衛武營國家藝術文化中心 戲劇顧問
\n\t與談人:
\n\n\n\n
※語言:全程中文,有同步英文口譯頻道
\n\n\n\n共學講座(二)
\n\n亞太馬戲製作與策展的陪伴之路 ft. CAN亞洲馬戲網絡與他們的好朋友
\n\n時間:11/23(二)20:00-21:30 (GMT+8)
\n\n自2018年CAN亞洲馬戲網絡成立以來,包括藝術機構、教育單位和表演團體在內的各個會員,在彼此積極交流與互動下,馬戲在亞太地區受到更多的關注,形成一股新的浪潮。本次馬戲平台邀請五位亞太地區不同國家的馬戲製作人與策展人,分享各自在藝術陪伴上的觀點、策略與實踐,共同激盪馬戲藝術不同的發展面向與可能模式。
\n\n\n\n
講者:
\n\n與談人:
\n\n\n\n
※語言:全程英文,有同步中文口譯頻道
\n\n\n\n共學講座(三)
\n\n為何馬戲是當代藝術的解藥?一起準備《火箭發射:永不停歇的當代馬戲,24位大師的創作方程式》
\n\n時間:11/24(三)20:00-21:30 (GMT+8)
\n\n具有「混種」(hybrid)本質的馬戲,在演進過程中吸收了許多藝術形式,同時又深深地影響了其他領域,從大眾文化、現代藝術到流行音樂,無一沒有馬戲的影子。適逢衛武營第一本馬戲出版品《火箭發射:永不停歇的當代馬戲,24位大師的創作方程式》發行,中心的戲劇顧問耿一偉將與本書譯者暢談馬戲發展和當代社會、文化與藝術的多重關係。
\n\n\n\n
講者:
\n\n※語言:全程中文,有同步英文口譯頻道
\n\n\n\n共學講座(四)
\n\n馬戲朝聖之路:前進加拿大TOHU當代馬戲藝術製作與推廣中心 & 美國馬戲人才資料庫Circus Talk
\n\n時間:11/25(四)20:00-21:30 (GMT+8)
\n\n北美是馬戲發展最蓬勃的地區之一,包括加拿大的太陽馬戲團、美國的玲玲兄弟與巴努貝利馬戲團等營運多年的大型團隊,都是產業高度發展的證明。今年衛武營馬戲平台為你打開國際視窗,邀請加拿大TOHU當代馬戲藝術製作與推廣中心和美國馬戲人才資料庫Circus Talk,分享他們如何分別以「策畫與培育的實體機構」和「數位資料庫與媒體」的角色,促進北美馬戲產業的發展。
\n\n\n\n
講者:
\n\n與談人:
\n\n※語言:全程英文,有同步中文口譯頻道
\n\n\n\n\n\n
更多節目與活動
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Speakers",content:'
2021/11/22(Mon)20:00-21:30 (GMT+8)
\n\nA Kaleidoscope Circus Life: An Online Party for Future Taiwanese Circus Art
\n\n2021/11/23(Tue)20:00-21:30 (GMT+8)
\nThe Road of Companionship in Asian Circus Production and Curatorship ft. CAN and Friends
2021/11/24(Wed)20:00-21:30 (GMT+8)
\n\nContemporary Circus: Why is Circus the Antidote To Contemporary Art?
\n\n2021/11/25(Thu)20:00-21:30 (GMT+8)
\n\nThe Circus Pilgrimage: Towards TOHU & Circus Talk
\n\n\n\nA Kaleidoscopic Circus Life: An Online Party for Future Taiwanese Circus Art
\n\nHost
\n\nKENG Yi-wei|Dramaturg of National Kaohsiung Center for the Arts (Weiwuying)
\n\nPhoto Credit: CHEN Li-wei
\n\nThe dramaturg of National Kaohsiung Center for the Arts (Weiwuying), visiting assistant professor of theatre arts at Taipei National University of the Arts and National Taiwan University of Arts. He was the Artistic Director of Taipei Arts Festival (2012-17). He was awarded the Freundschaftsmedaille and Chevalier dans l'ordre des Arts et des Lettres.
\n\nKENG Yi-Wei has written the books which include "Tips for Story Writing" "Robert Wilson: The Infinite Power of Lights" "The Short History of Modern Mime". He translates the books from "Letters to Felice, Empty Space", and "Cambridge Introduction to Theatre Studies".
\n\nRecently, he just curated the exhibition "Between Earth and the Sky: The Spiritual State of Our Times" (2020) in Taipei Fine Arts Museum.
\n\n\n\n
Panelist
\n\nYU Tai-jung|Independent producer and dramaturg
\n\nPhoto Credit: Yellow
\n\nAs an independent producer and dramaturg in performing arts fields, Yu holds a MA in theatre arts from Taipei National University of the Arts. Due to his multiple artistic training in the early years, Yu can easily shift his practices and combines them with aesthetics of different genres. He is currently the Vice President of IATC Taiwan branch, Chief Editor of DUMAXI – Taiwanese Circus Media, and the member of Asian Producers' Platform. He was the international affairs manager and resident dramaturg of Formosa Circus Art(FOCA). He represented FOCA in the founding committee of Circus Asia Network since 2018. Yu has participated in following productions of FOCA as a dramaturg: Wukong: Before the Journey to the West, Disappearing Island, Circus As Folks, and Mr. III三III(WIP). He curated and co-organized some of the crucial circus forum in Taiwan, including 2018 Taiwan Contemporary Circus Forum and 2019 Taiwan International Contemporary Circus Forum at National Centre for the Arts - Weiwuying. He has been invited as the facilitator of Artist Residency Project in Weiwuying Circus Platform 2019-2021.
\n\n\n\n
CHANG Ching-lan | Dean of the Department of Acrobatics, National Taiwan College of Performing Arts
\n\nCHANG Ching-lan started to learn acrobatics at the age of 9 under the tutelage of Mr. Lee Tang-hua. She joined Fu-Hsing Comprehensive Acrobatic Group at the age of 19 as a professional acrobat. CHANG specializes in traditional acrobatics (handstands, plate spinning, contortion, diabolo, Chinese pole). She also introduced aerial silk, aerial hoop, and aerial rope into theatrical performances and education. She is the first to teach aerial stunt dance in Taiwan.
\n\n\n\n
YU Min-ting|Artist of 2020 Circus Artists Residency
\n\nBorn in Fengshan, Kaohsiung, YU was introduced to dance when she lived in a military dependant's village. Now, she works as a performing artist.
\n\nSince performing Last Resort at idance Taipei 2019, YU reflected on her artistic journey. This year, she returned to Fengshan to create Between Crossed Paths and collaborated with artists from different fields. Her recent works include antipode artist YANG Li-wei's Unseen Details, CHEN Yi-en's Tears, Violence, Skin, LIU Chun-te's Ex. Dance Appreciation, and HSU Ruo-yu's The Road Not Taken.
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Yang Yi-chuan|Artistic Director of Taiwan Acrobatic Troupe
\n\nSince his childhood, YANG has been recognized for his juggling performances (ball, hoop, stick, and ball spinning). He has won multiple awards for his extensive experience in choreographing and directing stunts and has participated in many overseas performances and major domestic performances.
\n\n\n\n
LEE Tsung-hsuan|Artistic Director of Formosa Circus Art
\n\nBorn in Taipei, former dancer of Cloud Gate Dance Theatre. Lee is a choreographer, dancer. His works crossover various fields including different artists, groups and the image performance of films and commercials. Lee joined FOCA as artistic director in 2015. He is the choreographer of "Disappearing Island" and the producer of "Moss", both of which are produced in FOCA's 10th anniversary. These two distinctive productions, the former combining atypical installation in site and the latter fusing circus and dance theatre styles, demonstrate his continued leadership in challenging the possibilities of artistic creation at FOCA.
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CHEN Sin-da|President of Taiwan Street Arts and Culture Development Association
\n\nCHEN Sin-da is a Sanxia native and alumnus of the Department of Acrobatics, National Taiwan College of Performing Arts, specializing in handstands and juggling.
\n\nIn 2013, he founded On.P.Young Circus and held multiple roles as managing director, producer, choreographer, and actor.
\n\nIn 2015, he received the Overseas Arts Travel project grant for his circus pilgrimage to Europe.
\n\nIn 2018, he founded Taiwan Street Arts and Culture Development Association (Str. ACD) to promote street arts, institutional reform, and Street Act Lab for artistic project development.
\n\nCHEN has actively performed in Taiwan and Asian festivals and served as a judge, lecturer, and consultant for many counties and cities.
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MEI Chih-ling|Member of Eye Catching Circus and director of #Since1994
\n\nMEI specializes in aerial stunts. In recent years, she has switched from performance to creation, exploring the connections and reflections between gender consciousness and social issues through the unique body language of the circus. In 2019, she directed and performed in the circus production #Since1994, centered on women. MEI will continue to focus on women's issues as the core of her research and creation.
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HUANG Tzu-yi |Artistic Director of Litart
\n\nHUANG is a Taichung native and a circus performer who has been performing locally for nine years. Currently, he is working on a six-year in-situ project. He often combines local features and issues with in-situ creation and mobile theater to create performances in public spaces. He recently completed Return To The Age Of Salon, a site-specific work commissioned by the National Museum of Fine Arts, and Army 27, a creation commissioned by the born2befree Festival.
\n\n\n\nThe Road of Companionship in Asian Circus Production and Curatorship ft. CAN and Friends
\n\nHost
\n\nYU Tai-jung|Taiwan|Independent producer and dramaturg
\n\nPhoto Credit: Yellow
\n\nAs an independent producer and dramaturg in performing arts fields, Yu holds a MA in theatre arts from Taipei National University of the Arts. Due to his multiple artistic training in the early years, Yu can easily shift his practices and combines them with aesthetics of different genres. He is currently the Vice President of IATC Taiwan branch, Chief Editor of DUMAXI – Taiwanese Circus Media, and the member of Asian Producers' Platform. He was the international affairs manager and resident dramaturg of Formosa Circus Art(FOCA). He represented FOCA in the founding committee of Circus Asia Network since 2018. Yu has participated in following productions of FOCA as a dramaturg: Wukong: Before the Journey to the West, Disappearing Island, Circus As Folks, and Mr. III三III(WIP). He curated and co-organized some of the crucial circus forum in Taiwan, including 2018 Taiwan Contemporary Circus Forum and 2019 Taiwan International Contemporary Circus Forum at National Centre for the Arts - Weiwuying. He has been invited as the facilitator of Artist Residency Project in Weiwuying Circus Platform 2019-2021.
\n\n\n\n
Panelists
\n\nMichiko TANAKA|Japan|Director and Founder of Setouchi Circus Factory
\n\nPhoto Credit:Setouchi Press
\n\nThe encounter with contemporary circus has completely changed her life in 2004 when she was working for a journal as a event producer in Hokkaido. After invited four European circus companies and gathered 20.000 audience, she quitted the company to be an independent producer, to be an expert of contemporary circus. She moved in Setouchi region, then founded Setouchi Circus Factory in 2012 to nurture a culture of contemporary circus in Japan. The choice of Setouchi was an expression of a cultural decentralization in this country. The axis of Setouchi Circus Factory is; artistic creation, residency programs, artistic training programs, circus education for kids, and networking. These activities are closely related to territories to revitalize and activate them. The recent interest is collaborating with different industrial companies.
\n\n\n\n
CHO Dong-hee|South Korea|Director of Seoul Street Arts Creation Center
\n\nDong Hee CHO, Director of Seoul Street Arts Creation Center (SSACC)
\n\nI studied cultural policies and cultural projects in France for 5 years.
\n\nSince 2010, I have worked at Seoul Foundation for Arts and Culture that is supported by Seoul Metropolitan City.
\n\nI initiated since 2012 the Seoul Street Arts Creation Center(SSACC),
\n\nKorea's first Street Arts and Circus base camp for production, practice, education and distribution and also initiated Circus Asia Network(CAN).
\n\nFor 20 years, I have worked in the field of Street Arts and Arts in public space running many international projects.
\n\n\n\n
Shireen ABDULLAH|Singapore| Producer of The Esplanade - Theatre on the Bay
\n\nShireen is a theatre and dance producer. She works on festivals and productions of varying scales and across a range of contemporary disciplines and forms. She has particular interest in immersive and participatory work, puppetry and circus.
\n\nShe started her arts career with W!LD RICE (Singapore), establishing Project Chilli Padi, the company's education and community outreach division. She went on to produce a number of original musical-comedy productions with Dream Academy (Singapore), featuring artists like the Dim Sum Dollies, Kumar and Hossan Leong.
\n\nOver the years as a producer and arts manager, Shireen has also conceptualised and/or managed school and community programmes, marketing and publicity campaigns, media relations, and film, music and audio production projects.
\n\nShe is currently a full-time producer and programmer with Esplanade - Theatres on the Bay, Singapore, where she works on some of the centre's key festivals and programmes, including Flipside, da:ns festival and The Studios series.
\n\n\n\n
Xyn FOO|Singapore|Artistic Director of Bornfire Circus
\n\n\n\n
Xyn is an independent artistic director, producer, and community organizer. She is also the founder of Bornfire Singapore and artistic director for Bornfire Circus.
\n\nShe is a graduate of Lasalle College of the Arts, majoring in contemporary dance, and uses her practices regularly during her journey in the circus. For the past 16 years, she has been driving initiatives such as 11 practitioner-run circus festivals, SPROUTS intensive circus training programs, circus interest groups, two community puppetry festivals, and a series of films screenings.
\n\nShe is currently working closely with Esplanade Theatres by the Bay to develop the contemporary circus scene in Singapore.
\n\n\n\n
\n\n
Kate MALONE|Australia|Executive Producer of Cluster Arts
\n\nKate has spent the past 15 years working across a range of roles within Queensland Arts delivering events, festivals, shows in theatres, tents & open air. As Executive Producer, she has worked extensively around Australia and internationally with Casus Circus, Company 2 (now Chelsea McGuffin & Co), Briefs Factory, Hoopla Clique and Woodford Folk Festival. Kate has served on peer assessment panels for Arts funding, international circus platforms and in 2020, was awarded a Brisbane City Council Artistic Fellowship.
\n\nKate has worked with major festivals around the world and has a vast knowledge of the international circus market. She specialises in Export Market Development Grant opportunities through Austrade.
\n\n\n\nContemporary Circus: Why is Circus the Antidote To Contemporary Art?
\n\nHost
\n\nKENG Yi-wei|Dramaturg of National Kaohsiung Center for the Arts (Weiwuying)
\n\nPhoto Credit: CHEN Li-wei
\n\nThe dramaturg of National Kaohsiung Center for the Arts (Weiwuying), visiting assistant professor of theatre arts at Taipei National University of the Arts and National Taiwan University of Arts. He was the Artistic Director of Taipei Arts Festival (2012-17). He was awarded the Freundschaftsmedaille and Chevalier dans l'ordre des Arts et des Lettres.
\n\nKENG Yi-Wei has written the books which include "Tips for Story Writing" "Robert Wilson: The Infinite Power of Lights" "The Short History of Modern Mime". He translates the books from "Letters to Felice, Empty Space", and "Cambridge Introduction to Theatre Studies".
\n\nRecently, he just curated the exhibition "Between Earth and the Sky: The Spiritual State of Our Times" (2020) in Taipei Fine Arts Museum.
\n\n\n\n
Speaker
\n\nYU Tai-jung|Independent producer and dramaturg
\n\nPhoto Credit: Yellow
\n\nAs an independent producer and dramaturg in performing arts fields, Yu holds a MA in theatre arts from Taipei National University of the Arts. Due to his multiple artistic training in the early years, Yu can easily shift his practices and combines them with aesthetics of different genres. He is currently the Vice President of IATC Taiwan branch, Chief Editor of DUMAXI – Taiwanese Circus Media, and the member of Asian Producers' Platform. He was the international affairs manager and resident dramaturg of Formosa Circus Art(FOCA). He represented FOCA in the founding committee of Circus Asia Network since 2018. Yu has participated in following productions of FOCA as a dramaturg: Wukong: Before the Journey to the West, Disappearing Island, Circus As Folks, and Mr. III三III(WIP). He curated and co-organized some of the crucial circus forum in Taiwan, including 2018 Taiwan Contemporary Circus Forum and 2019 Taiwan International Contemporary Circus Forum at National Centre for the Arts - Weiwuying. He has been invited as the facilitator of Artist Residency Project in Weiwuying Circus Platform 2019-2021.
\n\n\n\nThe Circus Pilgrimage: Towards TOHU & Circus Talk
\n\nHost
\n\nGwen Hsin-yi Chang | Taiwan | Curator of 2021 Weiwuying Circus Platform
\n\nPhoto Credit: Sara LANDO
\n\nCHANG currently resides in Luxembourg. She contributes to the international circus scene and choreographic creation through independent curations, publications, and discussions.
\n\nBetween 2017 and 2021, she was Head of International Partnerships at Weiwuying's Artistic Planning and Production Department specializing in institutional strategic cooperation, curation of Taiwan Dance Platform and Weiwuying Circus Platform, and planning of related cross-disciplinary programs.
\n\n\n\n
Panelists
\n\nRuth Juliet WIKLER | Canada | Deputy Director of Programming of TOHU
\n\nRuth Juliet Wikler is Deputy Director of Programming for Circus for TOHU, North America's premier circus presenting organization. Appointed in June 2019, Ruth directs the MICC (International Contemporary Circus Market); develops circus programming for the Montréal Complètement Cirque Festival as well as TOHU's annual mainstage season; supervises TOHU's training and residency program for circus artists; and oversees TOHU's museum collection of circus history art and objects. Ruth came to TOHU after curating seven seasons of contemporary international theatre and performance for Boom Arts in Portland, Oregon, which she also founded. She previously served as Associate Director of Programs for the Martin E. Segal Theatre Center (The Graduate Center CUNY); in fundraising and administrative capacities for other NYC arts organizations such as Arts International and the Brooklyn Philharmonic Orchestra; and as director and producer for the NYC troupe Cirque Boom, which she founded.
\n\n\n\n
Stacy CLARK | USA | Chief Executive Officer of Circus Talk
\n\nA former gymnast and professional circus performer, Stacy worked in marketing and communications before leaving it all behind to perform and teach circus around the world on stage, at festivals and on screen.
\n\nStacy is co-founder of Creative Athletic Performance, a consulting service specializing in casting, coaching and creation. She also teaches career development and act development to the next generation of circus artists training at San Diego Circus Center.
\n\nUntil 2020, Stacy was the Director of Casting at Cirque du Soleil, leading a team of international talent scouts and advisors. Stacy's journey at Cirque du Soleil began in 2007 when she joined the Casting department as a Talent Scout, recruiting athletes and circus artists for the company's shows worldwide. In 2011 she became Acrobatic Coach on Amaluna, touring North America.
\n\nStacy holds a Bachelor of Applied Arts from Ryerson University and a Leadership diploma from Concordia University. She is a certified yoga teacher, nutrition coach, NASM performance enhancement specialist and CrossFit level 1 and CrossFit Kids trainer.
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"08c50624f84c930dd3f0dfc20f9a3fa4",title:"【2021衛武營馬戲平台】「馬戲行內話」共學講座"}],related:[],title:"【2021 Weiwuying Circus Platform】Lectures on Circus",cover:"c9860fc5ae4902d2eed571bd6e7699ab",site:{isOther:!0,site:"",other:"Weiwuying's YouTube Channel"},cautions:'
Each talk lasts for 90 minutes. There will be no breaks in between.
\n\tThe organizer reserves the right to change this event as necessary.
\n\tFor further inquiries, please contact:artisticplanning@npac-weiwuying.org
\n\t2021/11/22(Mon)20:00-21:30 (GMT+8)
\nA Kaleidoscope Circus Life: An Online Party for Future Taiwanese Circus Art
2021/11/23(Tue)20:00-21:30 (GMT+8)
\nThe Road of Companionship in Asian Circus Production and Curatorship ft. CAN and Friends
2021/11/24(Wed)20:00-21:30 (GMT+8)
\nContemporary Circus: Why is Circus the Antidote To Contemporary Art?
2021/11/25(Thu)20:00-21:30 (GMT+8)
\nThe Circus Pilgrimage: Towards TOHU & Circus Talk
\n\n\n\n
Lectures on Circus #1
\n\nA Kaleidoscope Circus Life: An Online Party for Future Taiwanese Circus Art
\n\nTime:22nd Nov. (Mon)|20:00-21:30 (GMT+8)
\n\nCome join us for an online party on the opening night of the 2021 Weiwuying Circus Platform "Circus·Life." Tonight, we invite performance groups, artists, and partners to come together for conversations, talks, and secret activities.
\n\nIn a light-hearted and lively fashion, we bring you first-hand information about the evolving Taiwanese circus and a glimpse into the kaleidoscopic world of the circus.
\n\n\n\n
Speaker:
\n\nHost|KENG Yi-wei Dramaturg of National Kaohsiung Center for the Arts (Weiwuying)
\n\tPanelists:
\n\n\n\n
※The talk will be held in Mandarin. English simultaneous interpretation available.
\n\n\n\n\n\n
Lectures on Circus #2
\n\nThe Road of Companionship in Asian Circus Production and Curatorship ft. CAN and Friends
\n\nTime:23rd Nov. (Tue)|20:00-21:30 (GMT+8)
\n\nSince the establishment of the Circus Asia Network (CAN) in 2018, circus has received more attention and formed a new wave in the Asia-Pacific region through active exchanges among its members, which include art institutions, educational organizations and performance groups. This year, five circus producers and curators from different countries in the Asia-Pacific region are invited to share their insights, strategies and practices on artistic accompaniment to stimulate different approaches and possible models for the development of circus art.
\n\n\n\n
Speaker:
\n\nPanelists:
\n\n※The talk will be held in English. Mandarin simultaneous interpretation available.
\n\n\n\n\n\n
Lectures on Circus #3
\n\nContemporary Circus: Why is Circus the Antidote To Contemporary Art?
\n\nTime:24th Nov. (Wed)|20:00-21:30 (GMT+8)
\n\nWith its hybrid nature, circus has absorbed many art forms in its evolution and inspired other fields as well. From popular culture, modern art to pop music, there is no shortage of circus influence. In conjunction with the release of Wei Wu Ying's first circus publication, Contemporary Circus, Weiwuying's dramaturg, KENG Yi-wei, will discuss with the translator the multiple relationships between circus development and contemporary society, culture and art.
\n\n\n\n
Speaker:
\n\n※The talk will be held in Mandarin. English simultaneous interpretation available.
\n\n\n\n\n\n
Lectures on Circus #4
\n\nThe Circus Pilgrimage: Towards TOHU & Circus Talk
\n\nTime:25th Nov. (Thu)|20:00-21:30 (GMT+8)
\n\nNorth America is one of the most prosperous regions for circus development. The Cirque du Soleil in Canada and the Ringling Bros. and Barnum & Bailey Circus in the United States, which have been performing for many years, are testament to the highly developed circus industry. This year, Weiwuying Circus Platform opens up an international window by inviting TOHU from Canada and Circus Talk, a circus talent database in the United States, to share how they are promoting the development of the circus industry in North America through their respective roles as "an institution of sustained planning and cultivation" and "a digital database and medium."
\n\n\n\n
Speaker:
\n\nPanelists:
\n\n\n\n
※The talk will be held in English. Mandarin simultaneous interpretation available.
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1632823980,updatedAt:1636947548,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"6153024e103d910007ffb1b1",title:"【2021衛武營馬戲平台】玩·創意 雲端體驗馬戲工作坊",data:{_id:"6153024e103d910007ffb1b1",catalogs:[{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28},{_id:"6007fc45ba34870007c22b8b",tag:"program",chinese:{onShelf:!0,name:"活動"},english:{onShelf:!0,name:"Events"},createdAt:1611136069,updatedAt:1698138513,updatedBy:"林蔚行",seq:24}],dateTime:{first:1637998200,discrete:[{time:1637998200},{time:1638064800},{time:1638084600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f25bfb10244406ce583b6fe1b036dd9c",title:"【2021衛武營馬戲平台】玩·創意 雲端體驗馬戲工作坊"}],related:[],title:"【2021衛武營馬戲平台】玩·創意 雲端體驗馬戲工作坊",cover:"5b990439d76eafa4d362f8cac700ddf2",site:{isOther:!0,site:"",other:"線上平台"},cautions:'
時間 | \n\t\t\t課程名稱 | \n\t\t\t授課講師 | \n\t\t\t報名人數 | \n\t\t\t報名網址 | \n\t\t
\n\t\t\t 11/27(六) | \n\t\t\t呼拉圈雜耍工作坊 \n\t\t\t(長度: 60分鐘) | \n\t\t\t范婷雅 | \n\t\t\t30人 | \n\t\t\t已額滿 | \n\t\t
\n\t\t\t 11/28(日) | \n\t\t\t親子馬戲工作坊 \n\t\t\t(長度: 40分鐘) | \n\t\t\t林正宗 | \n\t\t\t60人 \n\t\t\t(共30組) | \n\t\t\t立即報名 | \n\t\t
\n\t\t\t 11/28(日) | \n\t\t\t禮帽雜耍工作坊 \n\t\t\t(長度: 60分鐘) | \n\t\t\t石宸亦 | \n\t\t\t30人 | \n\t\t\t已額滿 | \n\t\t
參與方式:線上報名,免費參與
\n\n\n\n
課程內容
\n\n呼拉圈雜耍工作坊|授課講師:范婷雅
\n\n時間:11/27(六)15:30-16:30
\n\n從一個呼拉圈搖到一百個,不只能搖還能耍,千百個招數玩不完,又能瘦身變美的秘方。如何成為呼拉圈達人,成為朋友口中真正腰瘦的人,別錯過呼拉圈女神的線上課!
\n\n\n\n
畢業於國立臺灣戲曲學院,主修呼拉圈、高空綢吊。出訪世界各地,上遍各大節目,用呼拉圈的圓與柔軟的身體技巧,交織出一段空間與線條的樸實美感。在國慶大會、聽障奧運、世大運等等各大慶典上都能看到她的身影,也曾赴法國亞維儂藝術節、帛琉國慶大會演出。
\n\n\n\n
\n\n
親子馬戲工作坊|授課講師:林正宗
\n\n時間:11/28(日)10:00-10:40
\n\n(照片由 台新藝術基金會 提供)
\n\n馬戲雜耍不再是奇觀式的展示與驚呼,這次我們要將雜耍的秘密送到你家,讓你在家與它相遇與互動,雜耍還可以怎麼耍?怎麼玩呢?
\n\n這次工作坊應用遊戲、生活物件與身體律動,一起耍遊戲、弄雜技,共同迸發出有趣的「家庭馬戲新樂園」。我們要哼唱著節奏、天馬行空的變幻出雜耍與身體的千姿百態,更要勇於在生活中冒險與嘗試,讓無拘無束的馬戲雜耍創意開展出無限的生活樂趣。
\n\n\n\n
圓劇團導演,專於民間技藝與當代馬戲之創作、藝術教學。透過身體、物件操控與空間的互動,進行實驗與探索,經由肢體與空間創造出馬戲與技藝的有機想像。重要作品《悲傷ㄟ曼波》、《狂想‧洪通》、《噶哈巫!斷語?》等,作品『入圍第18屆台新藝術獎』。
\n\n\n\n
30組親子(大人與小孩小孩成一對,共60人)共同參與,5-7歲小朋友須由一位大人陪同,7歲以上小孩可以單獨參加。
\n\t課程空間為自家空間,需要有約2公尺 X 2公尺空間。
\n\t須自行準備材料的材料有:塑膠袋3個(規格大小為3斤即可)、衛生紙或抽取式面紙一包、軟式棒球3個。
\n\t\n\n
禮帽雜耍工作坊|授課老師:石宸亦
\n\n時間:11/28(日)15:30-16:30
\n\n帽子飛天又遁地,像顆輪胎滾身體,如果你想變吸睛,現在趕快來報名!
\n\n帽子滾身體不是只有卡通動畫辦得到,怎麼樣戴著帽子又能耍帥,快點跟著石頭老師一起玩!!
\n\n\n\n
花蓮瑞穗人,現居臺北,畢業於國立臺灣戲曲學院。專長為禮帽雜耍,同時也是馬戲創作者,對操控物件有獨特的敏銳度,善長運用身體流動、關節支點來操控物件,曾擔任香港雜耍國際賽事評審,也積極參與各類型的戲劇、馬戲創作。除了表演創作之外平時也喜歡寫歌、饒舌,藉由文字間的情感傳遞抒發北漂生活的壓力,將每一次的情感轉化為藝術創作的能量。
\n\n\n\n
建議10歲以上參與。
\n\t課程空間為自家空間,需要有約2公尺 X 2公尺空間。
\n\t\n\n\n\n
\n\n
更多節目與活動
\n\n\n\n\n\n
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Time | \n\t\t\tTitle | \n\t\t\tInstructor | \n\t\t\tCapacity | \n\t\t\tRegistration | \n\t\t
\n\t\t\t 11/27(Sat) | \n\t\t\tHula Hoop Juggling \n\t\t\t(60min) | \n\t\t\tFAN Ting-ya | \n\t\t\t30 | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/28(Sun) | \n\t\t\tParent-Child Circus Workshop \n\t\t\t(40min) | \n\t\t\tLIN Cheng-tzung | \n\t\t\t60 \n\t\t\t(30 pairs) | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 11/28(Sun) | \n\t\t\tHat Juggling \n\t\t\t(60min) | \n\t\t\tSHIH Chen-yi | \n\t\t\t30 | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
Participation
\n\nOnline registration, free enrollment
\n\n\n\n
\n\n
Course
\n\nHula Hoop Juggling Workshop|Instructor: FAN Ting-ya
\n\nTime: 11/27(Sat)15:30-16:30
\n\nFrom one hula hoop to a hundred, there are thousands of tricks to do. Spin it, juggle it, and even trim it. If you want to become a hula hoop master with a slim waist, do not miss an online workshop from the Queen of Hula Hoop!
\n\n\n\n
FAN graduated from the National Taiwan College of Performing Arts, majoring in hula hoop and aerial silk. She has traveled all over the world and appeared in major shows, using the circle of hula hoop and limber physical techniques to create a rustic beauty of space and lines. She has also performed at the Avignon Festival in France and the Palau National Day Celebration.
\n\n\n\n
Participant should be at least 10 years old and capable of spinning the hula hoop for 10 seconds without falling.
\n\tEnsure there is enough open space, approximately 3m by 3m.
\n\t\n\n
Parent-Child Circus Workshop|Instructor: LIN Cheng-tzung
\n\nTime: 11/28(Sun)10:00-10:40
\n\n(© 台新藝術基金會)
\n\nCircus juggling is no longer just about spectacle and excitement. This time we want to bring the secrets of juggling to your home, so that you can meet and interact with it at home.
\n\nThis workshop uses games, household objects and physical rhythms to create a fun "circus playground at home." We hum the rhythm and change the juggling and body in a variety of ways. We must venture into life and experiment, and allow the creativity of circus juggling to unfold into endless fun.
\n\n\n\n
Director of Thunar Circus, he specializes in the creation and teaching of folk arts and contemporary circus. Through the interaction of body, object manipulation and space, he conducts experiments and explorations to create organic imagination of circus and techniques. His major works include Melancholic Mambo, Hung Tung’s Fantasy, Kaxabu! A Language No Longer Spoken?, etc. His work was nominated for the 18th Taishin Arts Award.
\n\n\n\n
\n\n
Hat Juggling Workshop|Instructor:SHIH Chen-yi
\n\nTime: 11/28(Sun)15:30-16:30
\n\nHats flying and tumbling, like a tire rolling along the body. Become the center of attention, come sign up now! A hat tumble does not only exist in animation. Let Mr. SHIH teach you how to wear a hat and play it cool.
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Circus artist SHIH Chen-yi was born in Ruisui, Hualien, currently resides in Taipei. He graduated from the National Taiwan College of Performing Arts, specializing in hat juggling.
\n\nHe has a unique sensitivity to manipulating objects, using body movement and fulcrum. He has served as a judge for Hong Kong's international juggling competition, and is actively involved in various types of theater and circus productions. In addition to performing and creating, he also enjoys song writing and rapping, expressing the pressure of living in the metropolitan through transformative words of concentrated artistic energy.
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More
\n\n►2021 Weiwuying Circus Platform
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\n',team:""},createdAt:1632830030,updatedAt:1637650883,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"61863f494490a400078fd72f",title:"【2021衛武營馬戲平台】馬戲藝術家雲端駐地計畫 2.0 線上呈現",data:{_id:"61863f494490a400078fd72f",catalogs:[{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638008100,discrete:[{time:1638008100}],type:"discrete"},activity:{type:"free",free:{description:"平台閉門活動",englishDescription:"Closed-door Event"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"788403986c181d15ba20081f445ba34c",title:"【2021衛武營馬戲平台】馬戲藝術家雲端駐地計畫 2.0 線上呈現"}],related:[],title:"【2021衛武營馬戲平台】「打開排練室」馬戲藝術家雲端駐地計畫 2.0 線上呈現",cover:"4b3f7aeff91ba72281ff27dc680ff85f",site:{isOther:!0,site:"",other:"衛武營YouTube頻道"},cautions:"",benefits:"",description:"打開你對創作的想像",introduction:'
打開你對創作的想像
\n\n今年邁入第六屆的衛武營馬戲平台,繼續推出「打開排練室」,邀請五名馬戲藝術家、五名舞蹈家進行雲端駐地,與平台國內外藝術家分享創作的發展階段,並於線上進行直接的對話與交流。
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馬戲藝術家駐地計畫 成員介紹
\n\n嚮導
\n\n余彥芳
\n\n現任國立臺北藝術大學舞蹈系及戲劇系兼任講師、國立臺北城市大學舞蹈系兼任助理教授、默默計畫與默默工作坊發起人以及黑眼睛跨劇團駐團藝術家。曾任美國比比·米勒舞團團員、德國卡賽爾劇院、法蘭克福戲劇院客席表演者、臺灣古舞團團員。曾任教於雲門舞集一團、二團及北京、上海、吉隆坡、荷蘭葛羅尼根等地。2017年起回歸獨立藝術家身份活躍於臺灣與國際之間,以舞者、演員、創作者、教師的身份穿梭在舞蹈、戲劇與現場展覽等不同形式當中。2020年獨舞作品《關於消失的幾個提議III》入圍台新藝術獎年度決選。2021年受邀擔任衛武營五國駐地交流計畫藝術家。
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余岱融
\n\n表演藝術獨立製作人、創作顧問,擅於統合不同藝術表現形式與美學。國立臺北藝術大學戲劇學系,主修戲劇理論。現為國際劇評人協會臺灣分會副理事長,亞洲製作人平台(Asia Producers’ Platform,簡稱APP)成員、《讀馬戲》季刊總編輯。曾任FOCA福爾摩沙馬戲團國際事務經理及駐團創作顧問,並代表該團擔任亞洲馬戲網絡(Circus Asia Network,簡稱CAN)成立委員之一。他曾擔任FOCA多部作品之創作顧問,與藝術總監李宗軒共同規劃馬戲跨界三部曲,並積極推動馬戲藝術的公共性與能見度,包括策畫「這算哪門子藝術? 2018臺灣當代馬戲/雜技論壇──身體技藝在臺灣的衍生與變形」,與衛武營國家藝術文化中心共同策劃「2019臺灣當代馬戲國際論壇」等,並連續三年獲邀擔任衛武營馬戲平台藝術家駐地計畫之嚮導。
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馬戲藝術家
\n\n羅元陽
\n\n新北市人。2013年加入福爾摩沙馬戲團,曾二度隨團前往外亞維儂藝術節演出。元陽有著深厚的特技與雜耍基礎,也有著天生的丑角喜感。他長期專注於雜耍棒技巧的精進與表現性的發展,近年他更關注物件與概念的結合,在團隊的支持下展開個人作品《Mr. III三III》的創作。曾獲邀參加法國OBERNAI新馬戲藝術節、丹麥DGI運動與文化藝術節、法國新東向藝術聯盟香檳區巡演等。
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張書寰
\n\n新北人,畢業於國立臺灣戲曲學院民俗技藝學系,目前為FOCA福爾摩沙馬戲團儲備成員。專長倒立、高空小吊子、轉盤、轉毯、車技等。曾參與2021艋舺國際舞蹈節雙人特技演出《Hey Now》、2020星合有限公司&合作社「IN SITU在原位」現地創作工作坊《|||:轉譯地方》、2019許芳宜《我心我行》電影拍攝、2018年參與日本高円寺佐藤信導演「one table two chairs meeting 2018」演出。
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楊世豪
\n\n2011年接觸馬戲至今,馬戲之門創辦人暨藝術總監,從玩帽子雜耍開始,曾參與瑞士Young stage、古巴Circuba、德國Variete Am Seepark Freiburg、澳門On site等藝術節。2015年開始開始接觸大環特技,從劇場表演橫跨至街頭表演,亦陸續獲得臺南街頭藝人大賽冠軍,以及擔任日本靜岡世界杯街頭藝術節的演出嘉賓。曾創下大環表演影片觀看次數突破千萬點閱率,隨後站上亞洲達人秀的舞台後知名度大開,目前則致力於馬戲的創作發展,並紀錄臺灣馬戲文化的發展脈絡。
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李睿紘
\n\n國立臺灣戲曲學院民俗技藝學系學士,12年科班生主修特技雜耍專業畢業。
\n\n專長雜耍棒、雜耍舞蹈。
\n\n2018年參與進念二十面體演出,榮念曾導演作品擔任表演者,在香港文化中心演出《天宮》、《驚夢》。
\n\n2018參與桃園地景藝術節《水young桃園》
\n\n2018年參加金獎大賽社會組冠軍。《nothing special》(juggling)
\n\n2018年全國大專校院運動會體操一般男子組地板項目銅牌。
\n\n2019年參與雲門舞集創辦人林懷民老師執導的歌劇《TOSCA》擔任演員,在國家音樂廳演出。
\n\n2019年參與音樂劇《Musical TARU》表演,於國家戲劇院、臺中歌劇院,和衛武營藝術中心演出。
\n\n2019桃園閩南文化節《鬥陣》擔任專業特技、舞者,與歌手萬芳合作。
\n\n2020年受邀參與朱宗慶打擊樂團.擊樂實驗室與打擊樂的音樂家一起跨界合作,並擔任《掉了馬戲團》的「動作設計」與「演員」。
\n\n2020年底與衛武營馬戲平台合作計畫《打開排練室》。
\n\n2020年參與新意象特技劇場《山海.江湖.駭客》演出,以默劇、戲劇和高空大繩於國立臺灣戲曲學院演藝中心演出。
\n\n2021年台江文化中心,台江幻想曲開幕秀《潘朵拉的盒子》
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陳彥齊
\n\n國立臺灣戲曲學院民俗技藝學系高職部畢業,現就讀國立臺灣戲曲學院民俗技藝學系大學部。
\n\n在校期間曾參加:
\n\n2016年ICG國際青少年運動會開幕表演
\n\n2017年世界大學運動會開幕表演
\n\n2017年高雄未來馬戲實驗室「台灣之夜」開幕演出
\n\n2018年桃園水上劇場「水漾桃源」演出表演者
\n\n2019年桃園閩南文化節「鬥陣」演出表演者
\n\n2019年全民運動會開幕表演表演者
\n\n2020年受邀澳洲演出「春節慈善文藝晚會」
\n\n2020年跟隨馬戲之門表演團隊參與宜蘭傳統藝術中心 小駐園 演出假面神將
\n\n103、104、105年雙十國慶演出
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舞蹈家
\n\n王甯
\n\n出生於1991年,臺灣臺北。自由舞者、編舞。2018首部中長篇創作《丨丨》The Other 關注身體凝視與性別界限。2020獲選參加 ARTWAVE「能動者平台 #1 臺灣/日本」計畫;同年發表獨舞《十五分鐘運動提案》,提問純粹在場。2021參與新加坡Dance Nucleus [CP]3 當代舞蹈實踐計畫,期待以多元對話培養獨立與批判性思考,策略性地實驗與探索當代產製舞蹈的各種可能。
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王筑樺
\n\n畢業於臺北藝術大學舞蹈表演研究所,現為表演藝術工作者。近年對純身體之外的表演方式與形式產生好奇,現階段關注「意識帶領身體行為而產生動作,身體表演如何闡述內心活動」的表演概念。兩廳院新點子實驗場林素蓮《從一數到五》。驚喜製造/ 進港浪製作《明日俱樂部》。兩廳院新點子實驗場林祐如《臺灣製造》、劉彥成《A piece of cake》。「Helen Simoneau Danse」《Paper wings》 於 BAM Fisher-New York。
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陳逸恩
\n\n攝影師:劉璧慈
\n\n當代舞蹈創作、表演者,因為想要編舞而開始學舞。求學期間曾獲國藝會「新人新視野」專案等數個臺灣青年創作平台獎助。2015年加入雲門2,出演藝術總監鄭宗龍及「春鬥」系列等作品,而後獲文化部支持前往巴黎西帖藝術村交流、旅歐學習。現今致力於舞蹈推廣、跨域表演合作,藉合作交流持續成長。
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施旻雯
\n\n畢業於臺北市立大學舞蹈學系,現為自由藝術工作者(表演者、創作、教學)。現階段專注於蒐集各種對於生活的感知來細膩解構轉化成身體語彙發展,也積極與不同藝術家合作累積經驗。曾參與王宇光、謝杰樺、鄭皓等多位藝術家作品以及2020艋舺舞蹈節、白晝之夜、臺灣設計展─星合有限公司《街道上凡人不會看到的風景》表演者。而創作作品在體相舞蹈劇場 - 創衍計劃編創/表演《㕰》,三十沙龍創作空間 – 與黃靖舒共同編跳《荒衍》。
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葛郁芳
\n\n1996年出生於臺南,高中和大學期間就讀舞蹈科班,現為獨立藝文工作者。畢業後至今透過創作、表演與教學等方式探索身體藝術的可能性,歷年自發性與合作性藝術計畫涵蓋劇場舞蹈、跨域展覽、社群藝術、錄像藝術、攝影藝術與臨場藝術等。而個人創作方面關注「生命議題」以及「身體與時間的關係」,相關創作計畫有:2019年臺北藝穗節《站在三分之一這邊》、2020年鏈反應展演藝術激力計畫《城市中的容器》與2021年漂鳥舞蹈平台Wade In Time。
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更多節目與活動
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"788403986c181d15ba20081f445ba34c",title:"【2021 Weiwuying Circus Platform】 Circus Artists Online Residency 2.0 Presentation"}],related:[],title:"【2021 Weiwuying Circus Platform】Open Studio - Circus Artists Online Residency 2.0 Presentation",cover:"4b3f7aeff91ba72281ff27dc680ff85f",site:{isOther:!0,site:"",other:"Weiwuying's YouTube Channel"},cautions:"",benefits:"",description:"The 6th Weiwuying Circus Platform has launched its second edition of Open Studio, including the online presentation of Circus Artists Residency. This year, five circus artists and five dancers will gather to participate in this digital residency project, guided by YU Yen-fang and YU Tai-jung. ",introduction:'
The 6th Weiwuying Circus Platform has launched its second edition of Open Studio, including the online presentation of Circus Artists Residency. This year, five circus artists and five dancers will gather to participate in this digital residency project, guided by YU Yen-fang and YU Tai-jung.
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Circus Artists Residency Members
\n\nGuide
\n\nYU Yen-fang
\n\nYU Yen-fang is a choreographer, performer, improviser, and dance instructor from Taiwan. Since 2001, YU has choreographed, collaborated and performed with companies and individual performing artists in Taiwan, the U.S. and Europe. In 2011, YU returned to her home country, Taiwan, to continue exploration as a performing artist. In 2013, she initiated a research project entitled: Project MuoMuo. With a collective of young, emerging artists from multi-disciplinary backgrounds, they work to develop an artistic voice that is poetic, specific, and accessible to the audience from her home country and abroad. In 2020, her solo piece Propositions on Disappearance lll was nominated by the Taishin Annual Grand Prize. In 2021, she was invited as the Weiwuying residency artist for the Museum of Human Emotions project.
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YU Tai-jung
\n\nAs an independent producer and dramaturg in performing arts fields, Yu holds a MA in theatre arts from Taipei National University of the Arts. Due to his multiple artistic training in the early years, Yu can easily shift his practices and combines them with aesthetics of different genres. He is currently the Vice President of IATC Taiwan branch, Chief Editor of DUMAXI – Taiwanese Circus Media, and the member of Asian Producers’ Platform. He was the international affairs manager and resident dramaturg of Formosa Circus Art(FOCA). He represented FOCA in the founding committee of Circus Asia Network since 2018. Yu has participated in following productions of FOCA as a dramaturg: Wukong: Before the Journey to the West, Disappearing Island, Circus As Folks, and Mr. III三III(WIP). He curated and co-organized some of the crucial circus forum in Taiwan, including 2018 Taiwan Contemporary Circus Forum and 2019 Taiwan International Contemporary Circus Forum at National Centre for the Arts - Weiwuying. He has been invited as the facilitator of Artist Residency Project in Weiwuying Circus Platform 2019-2021.
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Circus Artists
\n\nLO Yuan-yang
\n\nLO Yuan-yang is originally from New Taipei City. He joined the Formosa Circus in 2013 and participated in the Festival OFF Avignon with the group twice. LO has a deep foundation in stunts and juggling, as well as a natural sense of harlequin joy. He has long focused on the diligence and expressive development of juggling stick skills. In recent years, he has paid more attention to the combination of objects and concepts. With the support of the team, he has developed his work "Mr. III 三 III". He has participated in the French OBERNAI New Circus Festival, the DGI Danish Festival of Sports and Culture, and the French A l'Est du Nouveau in Champagne.
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CHANG Shu-huan
\n\nCHANG Shu-huan is a native of New Taipei City. She graduated from the Department of Acrobatics of the National Taiwan College of Performing Arts and is currently a reserve member of the Formosa Circus Art (FOCA). Specializes in handstand, trapeze, plate-turning acrobatics, turning blanket, bicycle skills, etc.
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YANG Shih-hao
\n\nYANG Shih-hao is the founder and artistic director of Circus Gate. Since 2011, he has been involved with Circus by starting playing with hat juggling. He has participated in many festivals, such as the Young stage in Switzerland, Circuba in Cuba, Variete Am Seepark Freiburg in Germany, and On-site in Macau.
\n\nSince 2015, he has started learning the Cyr wheel stunts. His performances span from theatre play to street performances. He won the Tainan Street Artist Competition and served as a guest performer at Japan's Shizuoka World Cup Street Art Festival. His Cyr wheel performance inline has exceeded 10 million views. After appearing on the stage of the Asian Got Talent Show, he became famous. Currently, he is dedicated to creating and developing Circus arts and records the development of Taiwanese circus culture.
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LI Jui-hung
\n\nNational Taiwan College of Performing Arts of Acrobatics Bachelor's degree (NTCPA), 12-year class student majoring in acrobatics and juggling.
\n\n2018 participated in the performance of Zuni Icosahedron, performed Heavenly Palace of Monkey Business and The Interrupted Dream directed by Danny YUNG at the Hong Kong Cultural Centre.
\n\n2018 participated in Taoyuan Land Art Festival Water Young Taoyuan.
\n\n2018 Awarded First place in Adult Group in the Gold Medal Competition.
\n\n2018 Bronze medal in Floor Exercise of the general men group in the 2018 National Intercollegiate Athletic Games.
\n\n2019 participated in the opera TOSCA directed by the founder of Cloud Gate Dance Theatre- Lin Hwai-min, and performed at the National Concert Hall.
\n\n2019 participated in the musical Musical TARU, performed at the National Theatre, Taichung Opera Theatre, and National Kaohsiung Center for the Arts (Weiwuying).
\n\n2019 participated in Taoyuan Southern Fujian Cultural Festival Dou Zhen, as a stuntman and dancer, performed with singer WAN Fang.
\n\n2020 was invited to participate in Ju Percussion Group Laboratory, collaborated with percussion musicians, acted as the action designer and actor of PerCus.
\n\n2020 cooperate with Weiwuying Circus Platform Open Studio.
\n\n2020 participated in New Image Acrobatic Theater Mountain and Sea. Ganghood .Hacker, performed Mime, Drama and Aerial ropes at the National Taiwan College of Performing Arts.
\n\n2021 participated in the opening show of TaiKang Fantasia Pandora's Box at TaiKang Cultural Center.
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CHAN Yan-chi
\n\nGraduated from the Vocational Division, Department of Acrobatics of National Taiwan College of Performing Arts, CHAN is currently an undergraduate student of Department of Acrobatics, National Taiwan College of Performing Arts.
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Dance Artists
\n\nWANG Ning
\n\nWANG Ning, born in 1991, is a contemporary dancer and choreographer from Taipei, Taiwan. Launching a series of experiments about dance making, she debuted her solo, 15-minute Proposal of Movements (2020), to question the pure presence of a dancer's body. In her current choreography praxes, WANG attempts to explore the embodiment of democracy from the individual to the community.
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WANG Chu-hua
\n\nBorn in 1991, a native of Taipei, Taiwan, WANG Chu-hua graduated from the Graduate School of Dance, Taipei National University of the Arts and is now a performing arts worker. In recent years, she has become curious about performance methods and forms other than the pure body. At this stage, she focuses on the performance concept of "consciousness leads body behaviour to produce actions, and how body performance interprets inner activities."Her experiment is not limited to the body, in addition to the dance works. She was also involved in theatrical works, sound performances, and photography. She has won the talent promotion plan of the Ministry of Education and went to France CNDC, Angers Dance Company for an internship, and exchange study at Folkwang University of the Arts in Germany.
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CHEN Yi-en
\n\n©劉璧慈
\n\nCHEN Yi-en is a contemporary choreographer and performer. He started to learn dance because he wanted to choreograph. During his studies, he has won awards from several Taiwanese youth creative platforms, such as the Young Stars New Vision project from National Art Association. He joined Cloud Gate 2 in 2015 and was featured in the Spring Fight series produced by the artistic director CHENG Tsung-lung. Later, he was supported by the Ministry of Culture to go to La Cité Internationale des Arts for exchanges and study in Europe. CHEN is committed to dance promotion and cross-domain performance cooperation and continues to grow through collaboration and exchanges.
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SHIH Min-wen
\n\nSHIH Min-wen was born in 1998 and her Zodiac sign is Aquarius. Graduated from the Department of Dance, University of Taipei (2020), she is currently a freelance artist (performer, creator, teaching). At this stage, she focuses on collecting various perceptions of life to deconstruct and transform them into body vocabulary. She also actively cooperated with different artists to accumulate experience.
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KE Yu-fang
\n\nKE Yu-fang was born in Tainan in 1996 and majored in dance from high school to college. After graduation, she explores the possibility of body art via creation, performance and teaching. Over the years, she participates in many projects including theatre dance, exhibition, community art, video art and live art. Her creation is about the connection between life and time and also does related works from 2019 till now.
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More
\n\n►2021 Weiwuying Circus Platform
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《消逝之島》
\n\n李宗軒、福爾摩沙馬戲團
\n\n臺灣|2020|20分鐘
\n\n肉身與竹竿在陽光下翻扭成一團生機,束線帶製成的穿戴裝置纏縛出空間紋理,馬戲的肉身徜徉在屋宇巷弄裏,穿梭金屬磚造間,發出聲響、衝撞空氣微塵,訴說著人類與人造的有機相依。1970年,位於臺北邊陲的社子島被劃為禁建的洪氾區;2020年,FOCA福爾摩沙馬戲團與菲律賓藝術家理羅・紐合作,歷經3年的探索,帶領觀眾走進社子島的河岸與廠房,以天空為幕、土地為舞台,結合南管、特技,融建築與街道為場景,將穿越的身影凝固於影像之中,在充滿生命力的戲法與裝置間,探問文明與自然的邊界、感受社子島的掙扎與時空推移。
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\n李宗軒
現任福爾摩沙馬戲團藝術總監,身兼編舞、導演及舞者,創作橫跨肢體、影像、新媒體與當代馬戲。曾擔任臺灣眾多知名舞團舞者,近期導演作品包括2019-2020年《消逝之島》、2018 年《悟空》等。
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\n福爾摩沙馬戲團
成立於2011年,臺灣本土具指標性的當代馬戲團隊。團隊成員來自不同的表演領域,擅於媒合跨領域表演型態,曾以「馬戲跨界三部曲」與劇場、舞蹈等不同領域藝術家合作,發展出獨具一格的肢體語彙與創作美學,廣受海內外觀眾喜愛。
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導演|李宗軒
\n\n裝置設計|理羅・紐
\n\n製作人|余岱融
\n\n表演者|陳冠廷、羅元陽、郭璟德、趙偉辰、林聖瑋、徐岳緯
\n\n影像製作|景軒映像
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《馬戲人生》
\n\n洪偉晟X南洄映画
\n\n臺灣|2021|10 分鐘
\n\n2021年5月11日,臺灣疫情進入二級警戒,素來習慣翻滾、跑跳、疊羅漢、雜耍的馬戲表演者,身體與人生彷彿都隨著警戒升級,一起被封印。有人因現實經濟考量,被迫搬離熟悉的場域;有人透過沉澱,翻轉視角拋開刻板標籤,透過作品探討存在的價值;有人因防疫指引,思考新型態的馬戲表演方式;有人則在艱困時刻,搭建表演者與部會組織的溝通橋樑。馬戲一直在追求平衡,表演者則在多重角色間找平衡,《馬戲人生》記錄下這群人的馬戲人生,也是這疫情時代的「嘛係人生!」
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南洄映画
\n\n深耕南臺灣,以高雄為基地發展影像創作。透過人與人、人與事、人與物之間的交流聯繫,將彼此串聚、回流,如水一般自由,流經上游至大海再回歸於起源,於南臺灣建立良好的循環。讓南部人可以到各地闖蕩,最終流回自己的故鄉。
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製作單位|衛武營國家藝術文化中心、南洄映画
\n參與演出|福爾摩沙馬戲團、創造焦點、徐開炫、圓劇團、狂夢藝術、臺灣街頭藝術文化發展協會、紅鼻子馬戲團X混域規劃製作X湛時這樣影像工作室、劉彥成X大身體製造
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《柬埔寨馬戲傳奇:法爾與白金之歌》
\n\n柬埔寨法爾馬戲團X法爾藝術學院
\n\n柬埔寨|2021|15分鐘
\n\n©Ranuth Yun
\n\n在高棉語中,所有與營養相關的詞,必定都與「米」有關聯。柬埔寨人在田裡出生、長大;工作、死亡,都與米緊緊相依。米為柬埔寨帶來富裕,也寫下長年被外界剝削的歷史。故事中的人們面臨了社區轉型利益導向,彼此陷入競爭、嫉妒、貪婪與自私的漩渦之中,試圖以藝術回應當代社會的精采創作。
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從飯碗到馬戲棚,《White Gold》是被譽為「柬埔寨太陽馬戲團」的柬埔寨法爾法馬戲團近期重要創作,也是他們歷年來以馬戲為媒介,向世界講述柬埔寨故事的重要作品。本片記錄了作品的創作過程,與法爾這座兼具馬戲棚、馬戲團與馬戲學校的奮鬥之路。
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柬埔寨法爾馬戲團、法爾藝術學院
\n\n柬埔寨法爾馬戲團為創立於暹粒的社會組織與馬戲團,除了創作演出,也雇用表演藝術畢業生,創造教育與職涯的正循環。法爾藝術學院創立於1994年,由九位在難民營渡過青少年時期的紅色高棉倖存者共同創辦,是柬埔寨第一所非營利藝術學校,為當地青少年提供表演藝術、視覺與應用藝術等相關課程。在紅色高棉以種族滅絕屠殺了一整代藝術家後,法爾組織致力於保護並重新振興柬埔寨藝術。
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共製單位|法爾藝術學院、法爾表演藝術社會企業、Productions Hors Jeu
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《瀨戶內馬戲工廠》
\n\n瀨戶內馬戲工廠
\n\n日本|2021|15分鐘
\n\n位於日本西南方的瀨戶內海,擁有豐富的藝術能量,以及日本最重要的當代馬戲基地「瀨戶內馬戲工廠」,本片記錄了2021年旗下團員於當地創作的兩支馬戲作品。《YonaYona Circus 2020》專訪了作品中的馬戲藝術家,如何從馬戲技法出發,連結社會、議題與人生的思考脈絡,透過創作反思當代馬戲的存在意義。《Welcome to the Circus at a Harbor !》則由四名馬戲藝術家跨界與當地音樂家合作,詩意的高空綢吊以海港為大幕,為在地居民帶來一場別開生面的戶外演出,也為攜手挺過疫情的城市獻上祝福。
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瀨戶內馬戲工廠
\n\n創立於日本高松市,為日本第一個當代馬戲組織,致力於發展當代馬戲創作與人材培育。瀨戶內馬戲工廠提供馬戲藝術家的支持包含駐村、表演、工作坊與論壇,也舉辦「瀨戶內創意馬戲節」,連結海內外馬戲人才與資源,是日本最重要的馬戲發展基地。
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《YonaYona Circus 2020》
\n\n影像導演|Satoshi UEHARA
\n\n導演|Michiko TANAKA
\n\n表演者|Aki YOSHIDA (Aerial artist), Aimi HASEGAWA (Aerial artist), Kai TANIGUCHI (Cyr Wheel / Acrobat dance)
\n\n本作品由Kagawa Prefecture支持
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《Welcome to the Circus at a Harbor!》
\n\n影像導演|Hiroki NISHIKAWA
\n\n導演|Michiko TANAKA
\n\n表演者|Aki YOSHIDA (Aerial artist), Aimi HASEGAWA (Aerial artist), Kai TANIGUCHI (Cyr Wheel / Acrobat dance)
\n\n音樂導演|Maki NAGASAKI
\n\n音樂家|Takahiro NAKAI (Ukulele), Yo SAKAMOTO (Violin), Korokyu (Accordion), Keisuke TSUCHIDA (sousaphone)
\n\n本作品由高松觀光會展事務局支持
\n\n\n'},{reference:[],type:"content",name:"透視生命的厚度",content:'
《生命練習曲》
\n\nSean GANDINI, Gandini Juggling
\n\n英國|2020|7分鐘
\n\n是馬戲,還是舞蹈?表演者立足於城市稜角間,以拋擲的球、棒對應自然的曲面,變換的身形回應空間的線條,透過鏡頭的框列與堆疊,創造畫面的無限層次。曾編創「機遇編舞法」的美國現代舞大師康寧漢,透過隨機的擲骰方式串連舞蹈動作先後順序,創造出後現代舞的全新面貌。如果康寧漢來為馬戲「編舞」,會是什麼樣的光景?馬戲藝術家Sean Gandini向已故編舞大師致敬之作,拍攝場景橫跨巴黎、紐約、倫敦,多人異地的雜耍表演透過鏡頭語言的堆疊切換,展現出馬戲的靈動與生命力。
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Gandini Juggling
\n\n成立於1992年,由知名馬戲藝術家Sean GANDINI和Kati YLÄ-HOKKALA創辦,為當代馬戲與雜耍劇團先鋒。團隊成員囊括近20位精通各式雜耍技法的表演者,創作產量豐碩,且從未停止探索雜耍的全新可能。成立至今已走遍50個國家、完成超過5千場演出,地點橫跨法國當代美術館到德國歌劇院、黎巴嫩劇院到阿根廷的馬戲篷,近年演出多集中於英國大型劇院與戶外藝術節等。
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導演|Sean GANDINI
\n\n表演者|Kim HUYHN, Jose TRIGUERO, Benjamin BEAUJARD (Paris) ; Jennifer GOGGANS (New York) ; Sean GANDINI, Erin O'TOOLE, Kati YLÄ-HOKKALA (London)
\n\n影片|Vincent ZENZEL (Paris), Daniel MADOFF (New York),
\n\n剪接|Alice UNDERWOOD
\n\n音樂|Caroline SHAW
\n\n合作單位|In collaboration with The Merce Cunningham Trust in New York, Montclair University New jersey, IJA International Juggers Association and Summer Streets Festival
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特別感謝英格蘭藝術委員會、默斯・坎寧安信托基金會和舞蹈無限大計畫
\n\n《生命練習曲》為2020年舞蹈無限大計畫精選作品之一
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《澳洲馬戲群星會》
\n\nCasus Circus、We3、群藝馬戲製作公司
\n\n澳洲|2021|26 分鐘
\n\n©Aaron Walker
\n\n遠在地球的另一端,澳洲馬戲發展自成風格,展現技巧也融入創作者對當代社會的觀察與回應。本片集結了兩部馬戲作品,《You & I》不同於多數悲劇收場的同志故事,以兩個男子的高難度雜技、空中特技,與穿插的魔術和舞蹈,展現一段赤裸又極富詩意的雙人馬戲,深切刻劃關係中充滿接納與信念的愛。《The Long Pigs》劇名取自美拉尼西亞食人族對「人肉」的匿稱,也被視為一種地下小丑邪教;三位偏執的黑鼻子小丑一起工作、玩耍、喃喃自語,詭譎的場景與奇異的節奏交織,是馬戲中難得的黑色喜劇類型。
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Casus Circus
\n\n創立於澳洲布里斯本,擅長融合情感關係、多元文化與獨特的編舞和馬戲雜技,創造舞台上精采的瞬間。
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We3
\n\n澳洲當代馬戲劇場,由三位表演者Nicci WILKS、Derek IVES-PLUNKETT與Clare BARTHOLOMEW組成,三人皆為澳洲重要的馬戲、劇場與小丑表演者。
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群藝馬戲製作公司
\n\n深耕澳洲,致力於發掘在地具潛力的馬戲團隊,提供全方位的藝術經紀與國際推廣支持,計劃於2022年在澳洲布里斯本舉辦「CircFest」馬戲藝術節。
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導演、表演者|Jesse SCOTT, Lachlan MCAULAY (You & I);Nicci WILKS, Derek IVES, Clare BARTHOLOMEW (The Long Pigs)
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《衣索比亞天空下 - 大地馬戲團》
\n\nLukas BERGER, Circus Debere Berhan
\n\n葡萄牙、德國、奧地利、衣索比亞|2019|15 分鐘
\n\n非洲,衣索比亞壯闊的山河美景前,男子拋灑手上的穀物,女孩在泥土地上耍玩花式呼拉圈,群山環繞的大小男孩躺在地上拋接,寺廟裏虔誠的身體與祈禱聲交織一曲和諧。沒有報童大街小巷呼喊馬戲團的到來,也沒有社群媒體的行銷渲染,長長的道路與動物隨興迎接,這是Circus Debere Berhan展開巡迴的起點。導演帶著攝影機走入山河,橫跨都市與鄉間,捕捉演員日常所見、身體所感的自然場域。簡單的節奏烘托動作的生氣,固定的鏡頭捕捉表演的即時性,在這樣壯闊的天地舞台前,欣賞馬戲特技無需屏氣凝神。
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Lukas BERGER
\n\n攝影師、影像創作者,近年往返於衣索比亞、布吉納法索、巴基斯坦、烏茲別克、俄羅斯與歐洲進行影像創作。2015年首部導演作品《Circus Debere Berhan》於米蘭首映,入選超過30個國際影展;2019年執導《衣索比亞天空下 - 大地馬戲團》入選多個國際影展,獲獎無數。
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Circus Debere Berhan
\n\n1998年創立於衣索比亞Debere Berhan小鎮,起源於一場馬戲工作坊,目的是指導當地貧困的幼童馬戲技法,賺取收入並改善生活。如今Circus Debere Berhan已累積近百名馬戲表演者,包括身心障礙兒童與青少年等,以小團體的形式在衣索比亞各地巡迴演出中。
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導演| Lukas BERGER
\n\n共同導演|Mário GAJO DE CARVALHO
\n\n馬戲團藝術總監|Teklu ASHAGIR
\n\n製作人|Mário GAJO DE CARVALHO / Lukas BERGER
\n\n攝影|Lukas BERGER
\n\n表演者|Liya AWRARES, Beza ABEBE (Hoola Hoop), Habtamnesh BAHAILO (Aerial Hoop), Dawit BERIHAN, Beniyam BAHAILO (Footing), Alamseged KEFYALEW (Clown), Fakrata SEGAYE, Marshet W/Agegnw (Whrling lake), Abonesh YELMA, Zakarias KEFYALEW, Woreku BEKELE, Yegle BELETA (Fire Juggling).
\n\n收音|Mário GAJO DE CARVALHO / Lukas BERGER
\n\n服裝|Trngo BEHAILO
\n\n剪接|Mário GAJO DE CARVALHO / Lukas BERGER
\n\n聲音設計|Mário GAJO DE CARVALHO
\n\n音樂|Toumani DIABATE, Tim HECKER, Akalé WUBÉ, Girma BÈYÈNÈ, Tefayé & Ayaléw ABBÈBÈ
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《窗外奇想》
\n\nNikki RUMMER
\n\n英國 |2020|5 分鐘
\n\n隨著世界疫情爆發、英國封城,人們關進家中,在窗前想像戶外的陽光與空氣。馬戲藝術家Nikki RUMMER將身體作為有機介質,思考人們在這之中的身體經驗;她以城市中的船屋為舞台,對世界拋出問句:「還記得從家中看出去的窗外風景嗎?」她以自己的身體模擬自然,爬匐船緣、翻滾如風,在玻璃窗面印下生命的熱氣;又如水般綿延,汨汨流動成視覺的漣漪。在維護城市運行的河道上,用身體創造出如畫般的有機流動光景。透過影像畫框變幻、剪輯視角切換,創造出這部獨特的馬戲抒情詩。
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Nikki RUMMER|
\n\n曾任美國競技體操選手長達十年,後於英國國家馬戲中心主攻平衡桿與雙人頂,於倫敦修習卡波耶拉(巴西戰舞)。她與馬戲藝術家JD BROUSSÉ合作超過七年,兩人專攻雙人頂,並一同創造出以動作為基礎,融合雜技、舞蹈與文字的獨特馬戲敘事手法。2020年英國因疫情封城,她開始創作短片,《窗外奇想》為其首部執導並演出的馬戲影片作品。
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編舞、導演、表演者|Nikki RUMMER
\n\n拍攝、剪接|Alice UNDERWOOD
\n\n聲音設計|Alberto RUIZ SOLER
\n\n音樂|Places by Skygaze
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本作品為夏季街頭藝術節委託製作 ,並受到英格蘭藝術委員會協力支持
\n\n\n'},{reference:[],type:"content",name:"拉美風潮",content:'
《夜幕之城》
\n\nJacob VARGAS TORRES
\n\n哥倫比亞 |2020|6 分鐘
\n\n夜空下,甦醒的城市脈搏顫動,人類的思維蠢蠢欲動,坐困家中的他從四壁牆面起身,試圖改變日常的牆面角度,更換空間氣味、感知與味道,將家變成神聖的戰壕與堡壘,安放情感、思考與身體,也為日常相伴的點滴物件與生命創造新的隱喻。身兼表演者與影像創作者的哥倫比亞導演Jacob VARGAS TORRES,以自身作為表演媒介,串連日常物什與獨特的鏡頭語言,創造出全新的馬戲表演視角,並試圖在他打破的框架中,置入發人深省的當今社會寫實剪影。
\n\n\n\n
Jacob VARGAS TORRES
\n\n哥倫比亞馬戲表演者、影像創作者與鞋履設計師。他擅長打破理論、規則與美學,讓創作接近直覺、即興,甚至失誤。作品深入政治、社會、文化與經濟等議題,以及介於其中的人與時空。Jacob致力與多元領域的藝術團隊合作,並持續發表表演和影像創作。
\n\n\n\n
導演|Jacob VARGAS TORRES
\n\n原創音樂和剪接|Max RUIZ
\n\n攝影|Luisa RODRÍGUEZ S, Ramón EL GATO
\n\n表演者、編導|Coco VARGAS
\n\n製作單位|Jacob Films
\n\n\n\n
《眼中禁果》
\n\nCabaret Capricho
\n\n墨西哥|2021|10 分鐘
\n\n你眼中的我是什麼樣子?你看他的角度和我有什麼不同?
\n\n以施工中的建築為場景,裸露的壁面、脫落的磚塊,解構味十足的場景成為特技施展的空間,肉身坦然地動作、交錯,挑戰極限也創造對話。這是一部探討觀看的方式、觀點,與失去的故事,打破馬戲影片的技巧展現,透過影像剪接創造獨特的視角切換,呼應導演試圖從「凝視」出發,探索視覺感官與情感的連結。抽掉馬戲的娛樂性,加入視障表演夥伴,真切地感受人與人相互牽引的奇妙平衡。
\n\n\n\n
Cabaret Capricho
\n\n墨西哥馬戲團,2007年創作了第一齣馬戲作品,爾後展開國際巡演。曾受邀前往16個國家發表作品,包括馬戲創作、電影,與非典型劇場空間的演出。團隊致力於透過馬戲與影像的創作,持續發掘說故事的新觀點。
\n\n\n\n
導演|César BARRIOS
\n\n表演者|Violeta CASTRO, Itzel BARAJAS, Luna ALBA RODRIGUEZ, Ignacio VARELA, Fernando MANICA, Erándeni NAVA, Omar BARRIOS
\n\n原創音樂|Oscar COYOLI, Ernesto CANO
\n\n收音|Jorge GONZÁLEZ
\n\n文本|Violeta CASTRO, Katalina RAMÍREZ, Omar BARRIOS
\n\n服裝和道具設計|Rombo TALLER
\n\n執行製作和傳播|Cuarta
\n\n攝影|Daniel VALLE, Amapola NAVA, Othocani ALVAREZ
\n\n\n\n
本作品由FiCHo · International Circus and Chou Festival of Mexico, Cuarta Arte Action, Jaque AL REY協力支持
\n\n\n\n
《鄉野情迷》
\n\nGerman ESPIAUT, Cia Barnabô
\n\n巴西|2021|10 分鐘
\n\n\n\t\t |
關係的依存就像探戈,時而濃情蜜意,時而相看兩厭,狀似難以捉摸,卻又一進一退地剛好達到平衡。本片以巴西馬戲團Cia Barnabô的馬戲創作《Rustic》為拍攝主題,與影像導演German ESPIAUT合作,加入鏡頭的多元視角,以馬戲演繹伴侶關係的跌宕起伏,兩個表演者在手把手的雙人雜技中找尋平衡,也在關係的依存間尋找互補的節奏,宛如一場橫跨表演與人生的精采寓言。
\n\n\n\n
German ESPIAUT
\n\n阿根廷裔影像導演、攝影師,參與過多部影片剪輯、導演,定居於巴西。
\n\n\n\n
Cia Barnabô
\n\n由馬戲藝術家Pablo NORDIO與Lu MENIN共同創辦。Pablo NORDIO身兼小丑、雜技、雜耍演員、音樂家和高空安全員,1997年加入Circo Amarillo馬戲團,開始進行馬戲創作;Lu MENIN為傳統芭蕾出身,後學習卡波耶拉(巴西戰舞),1997年於倫敦學習高空和倒立,曾前往多國巡演並持續馬戲創作。
\n\n\n\n
導演、攝影師、剪接|German ESPIAUT
\n\n藝術家|Lu MENIN, Pablo NORDIO
\n\n藝術總監|Leandro MENDOZA
\n\n共製單位|Cíclicus
\n\n執行製作|Gebra SERRA (Cíclicus), Gisele TRESSI (Cia Barnabô)
\n
《誕生獸看世界》
\n\nMichel ALZAGA
\n\n墨西哥 |2021|8 分鐘
\n\n生命,從一顆蛋開始。敲開氣室,粉碎蛋殼,任蛋白、蛋黃、臍帶與胚盤掉落,接觸空氣感受世界。新生命與世界的初見面,帶點恐懼與快樂,還有一點困惑,但絕不停止向陌生探索,如跳舞般在碰撞間尋找平衡。忽然一道光,全新的蛋降落在樹林裡,野獸誕生了,全新的探索於斯起始。
\n\n導演Michel ALZAGA以蛋的孵化為創作起點,自子宮破殼誕生的野獸在人來人往、車水馬龍的世界裡探索、尋找平衡,強烈的意象與表演搭配動人的馬戲輔助思考,將奇幻的動態化為發人深省的人生寓言,深具當代潛力。
\n\n\n\n
Michel ALZAGA
\n\n馬戲創作者,小丑表演者。畢業於加拿大溫哥華馬戲學校,後於墨西哥瓜達拉哈拉大學研讀電影、卡巴納斯文化中心學習表演藝術,並持續小丑與喜劇訓練。他也是「Claunodromo」藝術總監,致力於小丑表演的藝術創作,屢屢獲邀赴國際巡演。
\n\n\n\n
作者、導演和小丑表演|Michel ALZAGA
\n\n攝影和剪接|Alan BECERRA
\n\n原創音樂|Xiranda
\n\n歌曲|Seleni, Cristhoffer MOE DITLEVSEN
\n\n服裝設計|Alondra GARCÍA
\n\n製作助理|Toto CORTÉS
\n\n製作統籌|Claunodromo
\n\n\n'},{reference:[],type:"content",name:"航向新世界+特別放映",content:'
《安可榮耀 - 重返傑克森巷》
\n\nKaveh RAHNAMA、傑克森巷馬戲藝術中心
\n\n英國|2021|8 分鐘
\n\n©Mark Morreau
\n\n街頭飄來不尋常的氣息,一群姿態各異又身懷絕技的表演者,不約而同從公車、地鐵、街道⋯⋯以各種方式朝傑克森巷馬戲藝術中心靠近。打開封鎖的大門,翻越施工中的鐵皮,儘管空間塵土飛揚、舞台也尚未完工,但這一刻,他們引頸期盼已久。作為倫敦重要的馬戲基地,傑克森巷長期支持馬戲的發展與推廣,2020年底開始長達一年的閉館整修,不但提供駐村支持,更號召創作者結合日常與技藝共創馬戲影片。儘管迎接他們的不是華麗帷幕與滿座觀眾,馬戲的魅力可一點也不受時空與工程限制,只待他們挺直身軀、粉墨登場。
\n\n\n\n
Kaveh RAHNAMA
\n\n致力於馬戲表演、視覺藝術,投身馬戲藝術創作超過15年,長期擔任相關課程講師,並曾創作作品《The Hot Dots》、《Backgammon for beginners》。他也以表演者、導演與顧問等身分參與巡迴演出,2009年起與傑克森巷馬戲藝術中心展開密切合作。
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傑克森巷馬戲藝術中心
\n\n倫敦重要的藝術文化中心與當代馬戲劇場,致力於創作當代馬戲,發展藝術參與和教育平台,並與當地社區保持密切交流。
\n\n\n\n
導演|Kaveh RAHNAMA
\n\n拍攝和剪接|Mark MORREAU
\n\n表演者|Charmaine CHILDS, Mike CORR, Joana DIAS, Ella GOLT, Leo HEDMAN, Maz OLAYIWOLA, Si RAWLINSON, Natalie RECKERT, Ed STEPHEN and Kieran WARNER (Simple Cypher)
\n\n燈光設計|Will MONKS
\n\n聲音設計|Liam QUINN
\n\nGaffer and Assistant Camera|Simon JACKSON
\n\n舞台監督和防疫負責人|Jackie LE
\n\n執行製作|Flora HERBERICH
\n\n出品單位|傑克森巷馬戲藝術中心
\n\n特別感謝場地經理Richard BAKER
\n\n\n\n
《航向永續:馬戲新視界》
\n\nAntonine MENARD
\n\n法國 |2021|21 分鐘
\n\n隨著全球暖化、氣候變遷,為了喚起大眾對氣候議題的重視,法國The Elemen’Terre Project邀請加拿大馬戲團Cirque Barcode開啟一項挑戰,以最低碳的方式,駕駛帆船在法國西北方布列塔尼沿海巡迴,生活起居與創作都在船上進行,並沿途停靠小島為居民帶來演出,內容緊扣環境議題。導演貼身拍攝並記錄下馬戲團以帆船為家、在島嶼間移動創作,在有限的空間裡測試身體極限,在極度親密的貼身相處中探索彼此,也在日常起居間討論與辯證。「綠色是最乾淨的顏色。」隨著旅行持續推進,他們的所見所思與理念,都隨著身體的如實體會,藉藝術實踐持續傳遞。
\n\n\n\n
Antonine MENARD
\n\n法國影像創作者、導演,投入電視與廣告影像製作多年,後創辦「Samouraï coop」工作室,開始自己的影像創作,專注於藝術、自然、生態與運動等領域。
\n\n\n\n
Cirque Barcode
\n\n組成於加拿大蒙特婁國家馬戲學校,起初由馬戲藝術家Tristan、Alexandra、Eric與Eve BIGEL一同巡演國際馬戲藝術節,並屢獲獎項。2019年加入共同創辦人Sophie PICARD,正式組成「Cirque Barcode」,創作馬戲劇場《Sweat & Ink》、《Branché》,用馬戲喚起世人對氣候議題的重視。
\n\n\n\n
導演|Antonine MENARD
\n\n表演者|Cirque Barcode
\n\n製作單位|The Elemen’Terre Project
\n經銷單位|Samouraï Coop
\n\n
《甦醒》
\n\nJames BONAS, Inverted Theatre
\n英國 |2020|12 分鐘
以船屋為家的她,封城期間陷入方寸窠臼。從早晨盥洗起身、品嚐第一杯咖啡,到攀附船身船緣,鍛鍊肢體技能,她只能在艙內翻轉,任思緒飄搖攻陷自身。她書寫、思考,在方寸之間呼吸起伏、努力尋找平衡。不同於一般肢體創作先行、影像捕捉的模式,《甦醒》由編舞家Tamzen MOULDING與影像創作者合作,融合影像語彙與肢體語言,設計腳本後付諸拍攝,再委請音樂製作人進行配樂創作。結構清晰,敘事精準詩意,透過鏡頭輔助空間敘事,肢體詮釋內心情緒,展現獨特的影像魅力,觀看的同時亦能同感表演者的內心世界。
\n\n\n\n
Inverted Theatre
\n英國編舞家Tamzen MOULDING創立於2011年,致力於融合雜技、手平衡與舞蹈,創作獨特的馬戲劇場作品。創立至今已發表過多支舞蹈/馬戲影片,屢屢受邀至英國與歐洲劇院、藝術節播映。《甦醒》為其2020年馬戲三部曲作品之一,在疫情期間與影像創作者與音樂製作人透過線上討論,結合各自馬戲、音樂與影像的專業,創作出兼具獨特敘事美學的馬戲影片作品。
\n\n
導演|James BONUS
\n\n編舞|Tamzen MOULDING
\n\n拍攝和剪接|Simon BECKETT
\n\n作曲|Aelfwyn SHIPTON
\n\n製作單位|Inverted Theatre
\n\n\n\n
特別放映
\n\n《醒.者》
\n\n臺灣戲曲學院民俗技藝學系
\n臺灣 |2021|15 分鐘
在睡著與夢醒之間,眼中的模糊是永恆還是瞬間?
\n臺灣戲曲學院民俗技藝學系集結了18位不同背景的學生表演者,透過朝夕相處與學校的技巧訓練累積,逐漸長成一個個獨特的馬戲表演者,彼此亦培養出豐厚的情感與默契。他們以身體來表述沉睡與甦醒的軀殼,藉特技的平衡與失衡,詮釋意識與身體的拉扯狀態,將日常轉化為特技,創作出這齣獨特的表演《醒・者》,並藉由影片記錄下難能可貴的學習與創作過程。
\n臺灣戲曲學院民俗技藝學系
前身為復興劇校與國光藝校,1999年合併為臺灣戲曲專科學校,2006年改制為臺灣戲曲學院,是臺灣第一所12年一貫制的戲曲人才養成學府。民俗技藝學系集結了不同背景的表演者,在
\n\n時間的訓練與默契培養下,打磨出多元的特技技巧與創新表演風格。
\n\n\n\n
主創團隊|臺灣戲曲學院民俗技藝學系
\n\n編導整合暨編創指導|李曉蕾
\n\n特技技術指導|張京嵐
\n\n行政指導|陳碧涵、李曉蕾、張京嵐
\n\n演員|尤崇懿、江宇宏、李承泰、林建銓、林宗瀚、姜乃文、陳彥齊、陳維緯、林怡呈、金睿琳、洪宇葳、高若恬、張芳睿、郭子嘉、郭芸萱、楊斯涵、蔡沄軒、謝欣妤、羅盈采
\n\n製作單位|臺灣戲曲學院民俗技藝學系、臺灣戲曲學院藝文中心
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"810cc70ef611e9d6a4a067fcfcec48e4",title:"【2021衛武營馬戲平台】《馬戲.人生》短片影展"}],related:[],title:"【2021衛武營馬戲平台】《馬戲.人生》短片影展",cover:"842cfb9392dfb2327c9c7fc1525f7bcd",site:{isOther:!0,site:"",other:"3F樹冠大廳、衛武營YouTube頻道"},cautions:"",benefits:"",description:"在世紀瘟疫的推波助瀾下,邁入第六年的衛武營馬戲平台推出了近年臺灣少見、首次聚焦馬戲的國際短片影展...",introduction:'
在世紀瘟疫的推波助瀾下,邁入第六年的衛武營馬戲平台推出了近年臺灣少見、首次聚焦馬戲的國際短片影展,邀請來自世界五大洲、18國,共16支涵蓋表演錄像、紀錄片、劇情片、實驗影像、訪談等多元短片創作,聚焦四大單元—亞洲近未來、透視生命的厚度、拉美風潮、航向新視界,除了強化馬戲平台勇於嘗試和創新的精神,也融入高雄城市多元的海洋性格,呈現世界劇場的馬戲創作風貌。
\n\n\n\n
現場放映:
\n\n地點:衛武營國家藝術文化中心 3F樹冠大廳(西側)
\n\n時間:2021/10/30(六) - 11/28(日) 每日11:00至19:00閉展。
\n\n\n\n
線上放映:
\n\n\n\n時間:2021/11/22(一) - 11/25(四) 每日 21:30 - 22:30 (GMT+8)。
\n\n\n\n
放映片單
\n\n\n\t\t\t 現場放映 \n\t\t\t | \n\t\t\t\n\t\t\t 線上放映 \n\t\t\t | \n\t\t\t\n\t\t\t 單元名稱 \n\t\t\t | \n\t\t\t\n\t\t\t 時長 \n\t\t\t | \n\t\t\t\n\t\t\t 播映片單 \n\t\t\t | \n\t\t
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t X \n\t\t\t | \n\t\t\t\n\t\t\t 《亞洲近未來》 \n\t\t\t | \n\t\t\t\n\t\t\t 20' \n\t\t\t | \n\t\t\t\n\t\t\t 消逝之島* \n\t\t\t | \n\t\t
\n\t\t\t 11/22 | \n\t\t\t\n\t\t\t 10' \n\t\t\t | \n\t\t\t\n\t\t\t 馬戲人生** \n\t\t\t | \n\t\t||
\n\t\t\t 15' \n\t\t\t | \n\t\t\t\n\t\t\t 柬埔寨馬戲傳奇:法爾與白金之歌 \n\t\t\t | \n\t\t|||
\n\t\t\t 15' \n\t\t\t | \n\t\t\t\n\t\t\t 瀨戶內馬戲工廠 \n\t\t\t | \n\t\t|||
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t 11/23 | \n\t\t\t\n\t\t\t 《透視生命的厚度》 \n\t\t\t | \n\t\t\t\n\t\t\t 7' \n\t\t\t | \n\t\t\t\n\t\t\t 生命練習曲 \n\t\t\t | \n\t\t
\n\t\t\t 26' \n\t\t\t | \n\t\t\t\n\t\t\t 澳洲馬戲群星會 \n\t\t\t | \n\t\t|||
\n\t\t\t 15' \n\t\t\t | \n\t\t\t\n\t\t\t 衣索比亞天空下 - 大地馬戲團 \n\t\t\t | \n\t\t|||
\n\t\t\t 5' \n\t\t\t | \n\t\t\t\n\t\t\t 窗外奇想 \n\t\t\t | \n\t\t|||
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t 11/24 | \n\t\t\t\n\t\t\t 《拉美風潮》 \n\t\t\t | \n\t\t\t\n\t\t\t 6' \n\t\t\t | \n\t\t\t\n\t\t\t 夜幕之城 \n\t\t\t | \n\t\t
\n\t\t\t 10' \n\t\t\t | \n\t\t\t\n\t\t\t 眼中禁果 \n\t\t\t | \n\t\t|||
\n\t\t\t 10' \n\t\t\t | \n\t\t\t\n\t\t\t 鄉野情迷 \n\t\t\t | \n\t\t|||
\n\t\t\t 8' \n\t\t\t | \n\t\t\t\n\t\t\t 誕生獸看世界 \n\t\t\t | \n\t\t|||
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t 11/25 | \n\t\t\t\n\t\t\t 《航向新視界》 \n\t\t\t | \n\t\t\t\n\t\t\t 8' \n\t\t\t | \n\t\t\t\n\t\t\t 安可榮耀 - 重返傑克森巷 \n\t\t\t | \n\t\t
\n\t\t\t 21' \n\t\t\t | \n\t\t\t\n\t\t\t 航向永續:馬戲新視界 \n\t\t\t | \n\t\t|||
\n\t\t\t 12' \n\t\t\t | \n\t\t\t\n\t\t\t 甦醒 \n\t\t\t | \n\t\t|||
\n\t\t\t 20' \n\t\t\t | \n\t\t\t\n\t\t\t (特別放映)醒・者 \n\t\t\t | \n\t\t
*《消逝之島》僅提供現場放映
\n\n**《馬戲人生》現場放映日期為 11.20-11.28
\n\n※場次與片單依官網公告為準。
\n\n※主辦單位保有最終修改、變更、活動解釋及取消本活動之權利,若有相關異動將公告於官方網站, 恕不另行通知。
\n\n\n\n
主辦單位
\n\n衛武營國家藝術文化中心
\n\n\n\n
合作夥伴
\n\n英國傑克遜巷藝術中心
\n\n墨西哥馬戲藝術推廣中心
\n\n日本瀨戶內馬戲工廠
\n\n澳洲群藝馬戲製作公司
\n\n\n\n
特別感謝
\n\n國立臺灣戲曲學院
\n\n國立臺灣戲曲學院民俗技藝學系
\n\n\n\n
更多節目與活動
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"In the Near Asian Future",content:'
Disappearing Island
\n\nLEE Tsung-hsuan
\n\nFormosa Circus Art
\n\nTaiwan|2020|20 min
\n\nSince the 70s, a construction ban for Shezidao led to 50 years of seclusion that sheltered its natural landscape and concealed its history. Lately, it is under the threat of urban regeneration.
\n\nFOCA conducted field research with Filipino artist Leeroy NEW on the unique social landscape of Shezidao. They transformed their initial findings into a phenomenal circus and installation art. In this circus video, the images of frozen bodies in moving pictures reflect the island frozen in time.
\n\n\n\n
LEE Tsung-hsuan
\n\nLEE Tsung-hsuan, artistic director of Formosa Circus Art, has worked with various dance companies as a dancer and choreographer. He is known for his cross-disciplinary works, which involve choreography, visuals, new media, and contemporary circus.
\n\n\n\n
Formosa Circus Art
\n\nFOCA has established itself as a leading circus company in Taiwan, aiming to develop contemporary circus arts. Its diverse team members help create the unique circus aesthetics loved internationally.
\n\n\n\n
Director|LEE Tsung-hsuan
\n\nInstallation Designer|Leeroy NEW
\n\nProducer|YU Tai-jung
\n\nPerformers|CHEN Kuan-ting, LO Yuan-yan, KUO Ching-te, CHAO Wei-chen, LIN Sheng-wei, HSU Yue-wei
\n\nVideo Production|Viewfinder Studio
\n\n\n\n
The Circus Life
\n\nSaru RedXSouthLink Film
\n\nTaiwan|2021|10 min
\n\nThe Circus Life is a record of a group of circus artists surviving the time of the pandemic. Since Taiwan entered level 2 nationwide pandemic alert, some circus artists left the field due to financial considerations; some challenged stereotypes and explored the value of existence through their art; some considered new forms of circus performance; and others built bridges between performers and governmental organizations. Circus has always been about balance, and the performers are looking to juggle between their many roles. Such is Life.
\n\n\n\n
SouthLink Film
\n\nBased in Kaohsiung, Taiwan. SouthLink Film believes that the relationship between people, things, and events is a free-flowing cycle, like water traveling downstream into the sea and then returning to its origin.
\n\n\n\n
Production|National Kaohsiung Center for the Arts (Weiwuying), SouthLink Film
\n\nPerformers|Formosa Circus Art, Eye Catching Circus, Mario HSU, Thunar Circus, LIT ART, Taiwan Street Arts and Culture Development Association (Str. ACD), On.P.Young CircusXMix-RealmXThis Moment Lab, LIU Yen-chingXDua Shin Te Production
\n\n\n\n
"White God" and the Cambodian Circus, Phare
\n\nPhare - The Cambodian CircusXPhare Ponleu Selapak
\n\nCambodia|2021|15 min
\n\n©Ranuth Yun
\n\nWhite Gold is Phare's recent production and milestone on their path to tell stories of Cambodia through circus art. This docu-trailer chronicles the show's creation and Phare's struggles. "White gold" refers to rice, which signifies the abundance and exploitation of Cambodia. In the Khmer language, "nourishment" cannot be expressed without the word "rice." In the show, as values shift towards monetary interest, the characters plunge into competition, jealousy, greed, and self-interest to cope with the demands of the modern world.
\n\n\n\n
Phare - The Cambodian Circus, Phare Ponleu Selapak
\n\nBeyond providing unique entertainment, Phare Ponleu Selpak is a non-profit arts school established in 1994 by nine survivors of the Khmer Rouge regime. Together they strive to preserve and revitalize the arts. Today the school campus is a lively haven for disadvantaged children and youth in both performing arts and visual and applied arts programs.
\n\n\n\n
Co-production by Phare Ponleu Selpak, Phare Performing Social Enterprise, Productions Hors Jeu
\n\nStage Director|Bonthoeun HOUN
\n\nCollaborators|Agathe OLIVIER, Molly SAUDEK, Julien CLEMENT
\n\nProducer|Xavier GOBIN
\n\nComposer|Chantha NONG
\n\nCircus Artists|Sophea CHEA, Vanny CHHOERM, Sopheak HOUN, Kimlon KHUON, Tida KONG, Viban KONG, Sreynuth OEURN, HENG Samnang
\n\nPainter|Sereysokun HENG
\n\nMusicians|Chantha NONG, Ratha POV, Danith DEAB
\n\nTechnical Director|Sopheak SAM
\n\nLight Designer|Mono SUN
\n\nCostume Designer|Dari THA
\n\nSet Designer|Chhaiya OUM
\n\nSound Engineer|Mona NHOY
\n\nStage Manager|Soviet CHOEUN
\n\nDocu-trailer Video Editing|TOR Vutha, CHEA Dara, DAIM Soeurt, CHHIM Lik from Phare Visual and Applied Arts School
\n\nVideo Footage Producer|SAO Sopheak
\n\n\n\n
Setouchi Circus Factory
\n\nSetouchi Circus Factory
\n\nJapan|2021|15 min
\n\nSetouchi Circus Factory is located near the Seto Inland Sea, southwest of Japan, and is considered the nation's most important contemporary circus base. YonaYona Circus 2020 is an interview about how the artists reflect on the meaning of contemporary circus through their creations by connecting society, social issues, and life with circus artistry. Welcome to the Circus at a Harbor! is an aerial silk performance in front of a harbor. Four circus artists and local musicians bring a unique outdoor performance to residents and offer blessings to the city that has survived the pandemic.
\n\n\n\n
Setouchi Circus Factory
\n\nBased in Takamatsu City, Setouchi Circus Factory is the first organization in Japan specialized in contemporary circus art. It offers residencies for circus creation, performances, workshops, conferences, networking, and hosts the Setouchi Creative Circus Festival. It is considered Japan's most important contemporary circus institution.
\n\n\n\n
YonaYona Circus 2020
\n\nVideo Director|Satoshi UEHARA
\n\nDirector|Michiko TANAKA
\n\nPerformers|Aki YOSHIDA (Aerial artist), Aimi HASEGAWA (Aerial artist), Kai TANIGUCHI (Cyr Wheel / Acrobat dance)
\n\nSupported by the Kagawa Prefecture
\n\n\n\n
Welcome to the Circus at a Harbor!
\n\nVideo Director|Hiroki NISHIKAWA
\n\nDirector|Michiko TANAKA
\n\nPerformers|Aki YOSHIDA (Aerial artist), Aimi HASEGAWA (Aerial artist), Kai TANIGUCHI (Cyr Wheel / Acrobat dance)
\n\nMusic Director|Maki NAGASAKI
\n\nMusicians|Takahiro NAKAI (Ukulele), Yo SAKAMOTO (Violin), Korokyu (Accordion), Keisuke TSUCHIDA (Sousaphone)
\n\nSupported by Takamatsu Convention and Visitors Bureau
\n\n\n'},{reference:[],type:"content",name:"The Thickness of Being",content:'
LIFE Research
\n\nSean GANDINIXGandini Juggling
\n\nUnited Kingdom|2020|7 min
\n\nMichael CUNNINGHAM, the late American choreographer and creator of "chance operations," created a new post-modern dance that determines the choreography sequence by throwing dice. What would it be like if CUNNINGHAM choreographed for the circus? Circus artist Sean GANDINI's tribute to the late choreographer was shot in Paris, New York, and London. The performers stand in different corners of the city, responding to the natural curves by juggling balls and pins, responding to lines in space with their bodies, creating infinite layers of images through the framing and stacking of shots.
\n\n\n\n
Gandini Juggling
\n\nFormed in 1992 by world-renowned jugglers Sean GANDINI and Kati YLÄ-HOKKALA, Gandini Juggling continues to be at the vanguard of contemporary circus, reinventing and reinvigorating juggling for the 21st century. Ferociously prolific, they are constantly creating new works, which range from radical art/juggling fusions to accessible theatrical performances, from choreographic studies to commercially commissioned routines.
\n\n\n\n
Director|Sean GANDINI
\n\nPerformers|Kim HUYHN, Jose TRIGUERO, Benjamin BEAUJARD (Paris) ; Jennifer GOGGANS (New York) ; Sean GANDINI, Erin O'TOOLE, Kati YLÄ-HOKKALA (London)
\n\nFilm|Vincent ZENZEL (Paris), Daniel MADOFF (New York),
\n\nEdit|Alice UNDERWOOD
\n\nMusic|Caroline SHAW
\n\nPartners |In collaboration with The Merce Cunningham Trust in New York, Montclair University New Jersey, IJA International Juggers Association and Summer Streets Festival
\n\nSpecial thanks to Arts Council of England, Merce Cunningham Trust and Dance Elargie.
\n\n\n\n
Life was part of the Dance Elargie selection in 2020
\n\n\n\n
Casus Circus & We3
\n\nCasus Circus、We3
\n\nCluster Arts
\n\nAustralia|2021|26 min
\n\n©Aaron Walker
\n\nIn Australia, circus art has developed a style of its own, showcasing both the artists' skills and social commentary. The film features two performances, You & I is a homosexual story filled with conviction and acceptance, using high-level acrobatics, trapeze, magic and dance. In The Long Pigs, three paranoid clowns work, play, and mutter in a rickety shack while a pile of shiny red noses emerge from beneath a rusty bucket. The show, a reference to the Melanesian Pidgin phrase for "human flesh," is a stylistically arresting performance rooted in physical and black comedy.
\n\n\n\n
Casus Circus
\n\nBased in Brisbane, Australia. They aim to create circus performances that are rich in human connection, integrity, cultural diversity, and intelligent choreography.
\n\n\n\n
We3
\n\nFounded by Australia's best-established and most highly respected circus, theater, and clown performers, who have developed and represented Australia's internationally excellent circus culture on the world stage.
\n\n\n\n
Cluster Arts
\n\nBased in Brisbane, Cluster Arts are industry leaders in Arts management, supporting and nurturing exciting and unforgettable performances. They plan to host CircFest in Brisbane in 2022.
\n\n\n\n
Directors, Performers|Jesse SCOTT, Lachlan MCAULAY (You & I);Nicci WILKS, Derek IVES, Clare BARTHOLOMEW (The Long Pigs)
\n\n\n\n
Circus Movements
\n\nLukas BERGER
\n\nCircus Debere Berhan
\n\nPortugal, Germany, Austria, Ethiopia|2019|15 min
\n\nSome kids, who are great circus artists, can be found in the magnificent landscapes of Ethiopia. Hoola hoop, aerial hoop, and footing acrobatic, performed by artists as young as five years old. And so the Circus Debere Berhan begins its tour, a series of shots in which the various troupes in the Ethiopian circus company perform their numbers, blending with the landscape and underscored by an enchanting musical accompaniment. This short film plays with the immediate and fixed nature of the shots, like a modern silent cinema.
\n\n\n\n
Lukas BERGER
\n\nLukas BERGER worked on photography and film projects across three continents. His first film, Circus Debere Berhan (2015), premiered at 20th Milano Film Festival and was screened at more than 30 film festivals, winning two international awards.
\n\n\n\n
Circus Debere Berhan
\n\nFounded in 1998 in the small town of Debere Berhan, Ethiopia, Circus Debere Berhan began as a circus workshop to teach circus techniques to underprivileged children in the area, enabling them the opportunity to earn an income and improve their lives. Today Circus Debere Berhan has accumulated nearly 100 circus artists, including physically and mentally challenged children and teenagers. It is currently touring around Ethiopia in small ensembles.
\n\n\n\n
Director|Lukas BERGER
\n\nCo-director|Mário GAJO DE CARVALHO
\n\nCircus Artistic Director|Teklu ASHAGIR
\n\nProducers|Mário GAJO DE CARVALHO / Lukas BERGER
\n\nCinematography|Lukas BERGER
\n\nPerformers|Liya AWRARES, Beza ABEBE (Hoola Hoop), Habtamnesh BAHAILO (Aerial Hoop), Dawit BERIHAN, Beniyam BAHAILO (Footing), Alamseged KEFYALEW (Clown), Fakrata SEGAYE, Marshet W/Agegnw (Whrling lake), Abonesh YELMA, Zakarias KEFYALEW, Woreku BEKELE, Yegle BELETA (Fire Juggling).
\n\nDirect Sound|Mário GAJO DE CARVALHO / Lukas BERGER
\n\nCostumes|Trngo BEHAILO
\n\nEditors|Mário GAJO DE CARVALHO / Lukas BERGER
\n\nSound Designer|Mário GAJO DE CARVALHO
\n\nMusic|Toumani DIABATE, Tim HECKER, Akalé WUBÉ, Girma BÈYÈNÈ, Tefayé & Ayaléw ABBÈBÈ
\n\n\n\n
Out the Window
\n\nNikki RUMMER
\n\nUnited Kingdom|2020|5 min
\n\nWith the pandemic and subsequent lockdown of the UK, people are stuck in their homes imagining the sun and open air in front of their windows. Circus artist Nikki RUMMER uses the body as an organic medium to consider the physical experience of being in the midst of it. A boathouse for a stage, she emulates nature and crawls along the edge of the boat and rolls like the wind. On the river that keeps the city running, she uses her body to create an organic flowing image. Through framing and editing, a unique circus lyrical poem is created.
\n\n\n\n
Nikki RUMMER|
\n\nNikki trained for ten years as an artistic gymnast in Washington State, USA, and has since trained in hand-balancing and hand-to-hand at the National Centre for Circus Arts. Nikki has worked collaboratively with JD BROUSSÉ for over seven years, using acrobatics, dance, and text to develop a unique style of movement-based storytelling.
\n\n\n\n
Choreographer, Director, Performer|Nikki RUMMER
\n\nFilm and Edit|Alice UNDERWOOD
\n\nSound Designer|Alberto RUIZ SOLER
\n\nMusic|Places by Skygaze
\n\n\n\n
A Summer Streets Festival commission. With support from Arts Council England
\n\n\n\n
\n'},{reference:[],type:"content",name:"The Latin American Tides",content:'
No-Polis
\n\nJacob VARGAS TORRES
\n\nColumbia|2020|6 min
\n\nUnder the night sky, the awakening city trembles, and the human mind stirs. Colombian director Jacob VARGAS TORRES, a performer and filmmaker, uses himself as the medium of performance, linking everyday objects with unique camera techniques to create a new perspective of circus performance, and attempts to place a realistic silhouette of today's society in his disrupted framework. Sitting at home, he explores and transforms the everyday architecture of walls, smells, sensations, and tastes, giving a creative and symbolic value to the coexisting objects' subtlety and the facts that trigger daily living.
\n\n\n\n
Jacob VARGAS TORRES
\n\nPerformer, filmmaker and shoemaker based in Bogotá, Colombia. Jacob creates works of art that break down boundaries between disciplines, theories and aesthetics, giving space to spontaneity, failing, and intuition. His work examines and explores the constant shifting of the political, social, cultural, economical dynamics and how it influences our perception of time-space and our desire.
\n\n\n\n
Director|Jacob VARGAS TORRES
\n\nOriginal Music and Editing|Max RUIZ
\n\nCamera|Luisa RODRÍGUEZ S, Ramón EL GATO
\n\nPerformer, Script, Direction|Coco VARGAS
\n\nProduction|Jacob Films
\n\n\n\n
The Apple of My Eyes
\n\nCabaret Capricho
\n\nMexico|2021|10 min
\n\nThe exposed walls and fallen bricks of a construction site becomes the deconstructed scenery for aerobatics. The flesh moves and interlaces openly, pushing limits and creating dialogue. A tale about looking, about the points of view, about what we lost. A Circus-Cinema piece that plays with the theme of "the gaze", the sense of sight and its relationship with our ways of knowing and bonding emotionally. By removing the simple amusement and involving visually impaired performers, experience the wonderful balance of human interactions.
\n\n\n\n
Cabaret Capricho
\n\nBased in Mexico, Cabaret Capricho created its first circus production in 2007, has since embarked on an international tour. Their productions, including circus, film, and performance in non-conventional spaces, have been invited to 16 countries. The group is dedicated to exploring new perspectives on storytelling through circus and film.
\n\n\n\n
Director|César BARRIOS
\n\nPerformers|Violeta CASTRO, Itzel BARAJAS, Luna ALBA RODRIGUEZ, Ignacio VARELA, Fernando MANICA, Erándeni NAVA, Omar BARRIOS
\n\nOriginal Music|Oscar COYOLI, Ernesto CANO
\n\nAudio|Jorge GONZÁLEZ
\n\nTexts|Violeta CASTRO, Katalina RAMÍREZ, Omar BARRIOS
\n\nCostume Designer and Props|Rombo TALLER
\n\nExecutive Production and Media|Cuarta
\n\nCamera|Daniel VALLE, Amapola NAVA, Othocani ALVAREZ
\n\nSupport by FiCHo · International Circus and Chou Festival of Mexico, Cuarta Arte Action, Jaque AL REY
\n\n\n\n
Rustic Cinema
\n\nGerman ESPIAUT
\n\nCia Barnabô
\n\nBrazil|2021|10 min
\n\n\n\t\t |
A relationship is like a tango, the attraction is sometimes strong and sometimes none existent. It appears fickle, and yet there is a balance. Rustic Cinema is Cia Barnabô's newest independent production, from the perspective of cinema in the art of the circus, carried out in partnership with filmmaker German ESPIAUT. This cinematic production was made from the show Rustic, a brilliant fable about the ups and downs of a couple's relationship, in which the two performers find balance in hand-to-hand acrobatics and rhythm.
\n\n\n\n
German ESPIAUT
\n\nAn Argentinean film director and cinematographer who has participated in editing and directing multiple films. He resides in Minas Gerais, Brazil.
\n\n\n\n
Cia Barnabô
\n\nFounded by circus artists Pablo NORDIO and Lu MENIN. NORDIO is a clown artist, acrobat, juggler, musician, and aerialist who joined Circo Amarillo in 1997. MENIN is a classically trained ballet dancer who studied capoeira. In 1997, she studied aerial and inversions in London.
\n\n\n\n
Director, Photographer, Editor|German ESPIAUT
\n\nArtists|Lu MENIN, Pablo NORDIO
\n\nArtistic Director|Leandro MENDOZA
\n\nCo-Production|Cíclicus
\n\nExecutive Production|Gebra SERRA (Cíclicus), Gisele TRESSI (Cia Barnabô)
\n\n\n\n
The Fragile Womb of the Beast
\n\nMichel ALZAGA
\n\nMexico|2021|8 min
\n\nLife begins with an egg. The air chamber is penetrated, the shell is cracked open, the egg white, yolk, umbilical cord, and embryonic disc fall out. A new life meets the open air. Coming from an unusual space, the newborn animal's entrance into the world is a dance between fear, elation, exploration, and confusion. Suddenly, a light, a new egg lands in the woods, a new animal is born, and a new exploration begins.
\n\n\n\n
Michel ALZAGA
\n\nThroughout his career, ALZAGA focuses on clown and dance. He began his studies at the Vancouver Circus School. Later he studied film at the University of Guadalajara and Performing Arts at the Cabañas Cultural Institute. He continued to train in clown, physical comedy, and dance. He is the director of the Claunodromo project, a company dedicated to clown performance.
\n\n\n\n
Author, Director, Clown|Michel ALZAGA
\n\nCamera and Editing|Alan BECERRA
\n\nOriginal Music|Xiranda
\n\nSong|Seleni, Cristhoffer MOE DITLEVSEN
\n\nCostume Designer|Alondra GARCÍA
\n\nProduction Assistant|Toto CORTÉS
\n\nGeneral Production|Claunodromo
\n\n\n'},{reference:[],type:"content",name:"New Horizons + Special Screening",content:'
Jacksons Lane : Encore
\n\nKaveh RAHNAMA
\n\nJacksons Lane
\n\nUnited Kingdom|2021|8 min
\n\n©Mark Morreau
\n\nJacksons Lane has an international reputation for Circus and its support for artists has not wavered during closure. In March this year, they launched Arts Council supported funding scheme Hangwire where artists received cash awards and residency space to develop innovative new work in the coming months; and now it launches Jacksons Lane: Encore - a film that features circus artists performing amidst the rubble and entwined in the scaffolding, to tell a story of resilience and the desire to perform against the odds.
\n\n\n\n
Kaveh RAHNAMA
\n\nKaveh has been performing and devising circus theatre for the last 15 years. He is a regular teacher at the National Centre for Circus Arts and Jacksons Lane. His main interests are working with Circus and visual arts to create narrative-based theatre.
\n\n\n\n
Jacksons Lane
\n\nJacksons Lane is the flagship arts and cultural venue in Haringey, creating a year-round program: the best in contemporary circus and family performance, arts participation, cultural education, and outreach work for its community and the arts sector.
\n\n\n\n
Director|Kaveh RAHNAMA
\n\nCinematography and Editing|Mark MORREAU
\n\nPerformers|Charmaine CHILDS, Mike CORR, Joana DIAS, Ella GOLT, Leo HEDMAN, Maz OLAYIWOLA, Si RAWLINSON, Natalie RECKERT, Ed STEPHEN and Kieran WARNER (Simple Cypher)
\n\nLighting Designer|Will MONKS
\n\nSound Designer|Liam QUINN
\n\nGaffer and Assistant Camera|Simon JACKSON
\n\nStage Management and COVID Safety|Jackie LE
\n\nProduction Coordinator|Flora HERBERICH
\n\nProduced by|Jacksons Lane
\n\nWith special thanks to Richard BAKER, the Site Manager
\n\n\n\n
New Horizons:Sailing Toward Sustainable Circus
\n\nAntonine MENARD
\n\nFrance|2021|21 min
\n\nNew Horizons is a documentary directed by Antoine MENARD as part of the "5.0" project initiated by The Elemen'Terre Project during their eco-friendly tour of the Ponant Islands. It follows the circus artists of the world-famous troupe "Cirque Barcode" as they champion environmental protection through their art. The challenge they set for themselves during this trip is, first of all, to create a tour of shows with low carbon emissions. Then, create and perform a brand new show on each island where they will land.
\n\n\n\n
Antonine MENARD
\n\nAntoine MENARD is a video maker and director, a graduate of the EMC Malakoff audiovisual school. At Samouraï Coop, he found a team that shared his values and interests in art, nature, ecology, and sports.
\n\n\n\n
Cirque Barcode
\n\nFormed by Tristan, Alexandra, Eric, and Eve, they won multiple medals at various festivals. With the addition of Sophie, they created Sweat & Ink and Branché to raise awareness of climate issues through contemporary circus.
\n\n\n\n
Director|Antonine MENARD
\n\nPerformer|Cirque Barcode
\n\nProduction Company |The Elemen'Terre Project
\nDistribution Company|Samouraï Coop
\n\n
Wake
\n\nInverted Theatre
\n\nUnited Kingdom|2020|12 min
\n\nLiving on a houseboat, she found herself bogged down during lockdown, from getting up in the morning, sipping her first cup of coffee, to climbing on the edge of the boat to train. She could only roam around the cabin, letting her thoughts wander and overwhelm her. In this tight space, she writes, thinks, and breathes for balance. Wake is a collaboration between choreographer and filmmaker that blends video and physical expressions. The cinematography highlights spatial narrative and the corporeality that embodies inner emotions, allowing the audience to experience the inner world of the performers simultaneously.
\n\n\n\n
Inverted Theatre
\n\nFounded by Tamzen MOULDING in 2011, Inverted Theatre uses acrobatics, hand-balance, and dance to create Circus Theatre. Starting with a dance/acrobatic film, the company has produced several works, including the award-winning circus film trilogy, Fall, Wake and Exit, which brings circus, music, and film together in three different styles of filmmaking.
\n\n\n\n
Director|James BONUS
\n\nChoreographer|Tamzen MOULDING
\n\nFilming and Edit|Simon BECKETT
\n\nComposer|Aelfwyn SHIPTON
\n\nProduction|Inverted Theatre
\n\n\n\n
Special Screening
\n\nAwakening by Action
\n\nDepartment of Acrobatics, National Taiwan College of Performing Arts
\n\nTaiwan|2021|20 min
\n\nAwakening by Action asks: Is the blur between sleep and wakefulness eternal or transient? Is wakefulness a form or a consciousness? Using the body to express the dynamics of awakening as well as the sleeping body and its context, Awakening by Action uses the balance and imbalance of stunts to present the pull, transforming them into a breakthrough in consciousness, and finding the rhythm of life and the attitude of performance in them.
\n\n\n\n
Department of Acrobatics, National Taiwan College of Performing Arts
\n\nThe Department of Acrobatics is committed to building a professional and innovative environment and legacy to help students express their talents to the world. Students are expected to comply with professional discipline and ethics in every aspect to practice professionalism, enhance international competitiveness, and explore the meaning of acrobatic art in contemporary society.
\n\n\n\n
Creative Team|Department of Acrobatic, National Taiwan College of Performing Arts (TCPA)
\n\nChoreographer and Creative Guidance|LEE Hsiao-lei
\n\nTechnical Guidance|CHANG Ching-lan
\n\nAdministrative Guidance|CHEN Pi-han, LEE Hsiao-lei, CHANG Ching-lan
\n\nPerformers|YU Chung-yi, CHIANG Yu-hong, LI Cheng-tai, LIN Chien-chuan, LIIN Tsung-han, CHIANG Nai-wen, CHEN Yen-chi, CHEN Wei-wei, LIN Yi-cheng, CHIN Ruey-lin, HUNG Yu-wei, KAO Ruo-tian, CHANG Fang-jui, GUO Zi-jia, KUO Yun-hsuan, YANG Ssu-han, TSAI Yun-hsuan, HSIEH Hsin-yu, LO Ying-tsai
\n\nProduction|Department of Acrobatics, National Taiwan College of Performing Arts (TCPA), Performing Arts Center of TCPA
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"810cc70ef611e9d6a4a067fcfcec48e4",title:"【2021衛武營馬戲平台】《馬戲.人生》短片影展"}],related:[],title:"【2021 Weiwuying Circus Platform】Circus・Life Short Film Festival",cover:"842cfb9392dfb2327c9c7fc1525f7bcd",site:{isOther:!0,site:"",other:"3F Crown Hall, Weiwuying YouTube Channel"},cautions:"",benefits:"",description:"Amid a global pandemic, the Weiwuying Circus Platform, now in its sixth year, has launched the first international short film festival in Taiwan to feature circus art. ",introduction:'
Amid a global pandemic, the Weiwuying Circus Platform, now in its sixth year, has launched the first international short film festival in Taiwan to feature circus art. A total of 16 short films, including performance footage, documentaries, dramas, experimental films, interviews, etc., from 18 countries across five continents surrounding four major themes: In The Near Asian Future, The Thickness Of Being, The Latin American Tides, and New Horizons. In addition to strengthening the circus platform's spirit of experimentation and innovation, the festival also reflects Kaohsiung City's diverse oceanic nature and presents circus art of the world.
\n\n\n\n
\n\n
Physical Screening
\n\nVenue: National Kaohsiung Center for the Arts, Weiwuying 3F Crown Hall
\n\nTime: 2021/10/30(Sat) - 11/28(Sun)11:00 - 19:00 (GMT+8)
\n\n\n\n
Online Screening
\n\nChannel: Weiwuying Official YouTube Channel
\n\nTime: 2021/11/22(Mon) - 11/25(Thu)21:30-22:30 (GMT+8)
\n\n\n\n
Films
\n\n\n\t\t\t Physical | \n\t\t\t\n\t\t\t Online Screening \n\t\t\t | \n\t\t\t\n\t\t\t Program \n\t\t\t | \n\t\t\t\n\t\t\t Duration \n\t\t\t | \n\t\t\t\n\t\t\t Films \n\t\t\t | \n\t\t
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t X \n\t\t\t | \n\t\t\t\n\t\t\t In the Near Asian Future \n\t\t\t | \n\t\t\t\n\t\t\t 20' \n\t\t\t | \n\t\t\t\n\t\t\t Disappearing Island* \n\t\t\t | \n\t\t
\n\t\t\t 11/22 | \n\t\t\t\n\t\t\t 10' \n\t\t\t | \n\t\t\t\n\t\t\t The Circus Life** \n\t\t\t | \n\t\t||
\n\t\t\t 15' \n\t\t\t | \n\t\t\t\n\t\t\t "White God" and the Cambodian Circus, Phare \n\t\t\t | \n\t\t|||
\n\t\t\t 15' \n\t\t\t | \n\t\t\t\n\t\t\t Setouchi Circus Factory \n\t\t\t | \n\t\t|||
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t 11/23 | \n\t\t\t\n\t\t\t The Thickness of Being \n\t\t\t | \n\t\t\t\n\t\t\t 7' \n\t\t\t | \n\t\t\t\n\t\t\t LIFE Research \n\t\t\t | \n\t\t
\n\t\t\t 26' \n\t\t\t | \n\t\t\t\n\t\t\t Casus Circus & We3 \n\t\t\t | \n\t\t|||
\n\t\t\t 15' \n\t\t\t | \n\t\t\t\n\t\t\t Circus Movements \n\t\t\t | \n\t\t|||
\n\t\t\t 5' \n\t\t\t | \n\t\t\t\n\t\t\t Out the Window \n\t\t\t | \n\t\t|||
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t 11/24 | \n\t\t\t\n\t\t\t The Latin American Tides \n\t\t\t | \n\t\t\t\n\t\t\t 6' \n\t\t\t | \n\t\t\t\n\t\t\t No-Polis \n\t\t\t | \n\t\t
\n\t\t\t 10' \n\t\t\t | \n\t\t\t\n\t\t\t The Apple of My Eyes \n\t\t\t | \n\t\t|||
\n\t\t\t 10' \n\t\t\t | \n\t\t\t\n\t\t\t Rustic Cinema \n\t\t\t | \n\t\t|||
\n\t\t\t 8' \n\t\t\t | \n\t\t\t\n\t\t\t The Fragile Womb of the Beast \n\t\t\t | \n\t\t|||
\n\t\t\t 10/30-11/28 | \n\t\t\t\n\t\t\t 11/25 | \n\t\t\t\n\t\t\t New Horizons + Special Screening \n\t\t\t | \n\t\t\t\n\t\t\t 8' \n\t\t\t | \n\t\t\t\n\t\t\t Jacksons Lane: Encore \n\t\t\t | \n\t\t
\n\t\t\t 21' \n\t\t\t | \n\t\t\t\n\t\t\t New Horizons: Sailing Toward Sustainable Circus \n\t\t\t | \n\t\t|||
\n\t\t\t 12' \n\t\t\t | \n\t\t\t\n\t\t\t Wake \n\t\t\t | \n\t\t|||
\n\t\t\t 20' \n\t\t\t | \n\t\t\t\n\t\t\t Special Screening | \n\t\t
*Disappearing Island only provides physical screening.
\n\n**The physical screening of The Circus Life is from 11.20 to 11.28.
\n\n※The festival reserves the right to change or cancel the program. Please refer to the announcement on Weiwuying website for changes of screenings and events.
\n\n\n\n
Presented by
\n\nNational Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
In Collaboration with
\n\n\n\n
Special Thanks to
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1632389615,updatedAt:1637631206,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"616e40783b16240007bf3821",title:"【2021衛武營馬戲平台】《馬戲・人生》影像展",data:{_id:"616e40783b16240007bf3821",catalogs:[{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1635562800,discrete:[],type:"continuous",continuous:{time:[1635303600],endTime:[1635339600],start:1635523200,end:1638028800}},activity:{type:"free",free:{description:"自由參觀",englishDescription:"Free Entry"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a97ac17ba13ed082c5dbf7c8fc50f1b3",title:"【2021衛武營馬戲平台】《馬戲・人生》影像展"},{type:"image",key:"cbc359afcedc9d04b16cc9cd9543deae",title:"【2021衛武營馬戲平台】《馬戲・人生》影像展"}],related:[],title:"【2021衛武營馬戲平台】《馬戲.人生》影像展",cover:"b519041d17406ec160a305c2452642f1",site:{isOther:!0,site:"5b1029cdda0322000751e9ad",other:"榕樹廣場(歌劇院櫥窗)"},cautions:"",benefits:"",description:"今年特邀知名劇場攝影師金成財,貼身拍攝國立臺灣戲曲學院民俗技藝學系師生平日的訓練狀況,帶觀眾一窺舞台下無濾鏡、最真實的馬戲人生。",introduction:'
馬戲人帶著疫情期間,走過人生舞台各階段的傾力之作,透過紮實的雜技、特技表演訓練,以及獨特的身體語言,直面生命中各種低潮、不安、矛盾和未知。自去年首次展出即大受好評的馬戲平台影像展,今年特邀知名劇場攝影師金成財,貼身拍攝國立臺灣戲曲學院民俗技藝學系師生平日的訓練狀況,帶觀眾一窺舞台下無濾鏡、最真實的馬戲人生。
\n\n\n\n
攝影師介紹
\n\n金成財
\n\n專業影像工作者,目前擔任無垢舞蹈劇團劇照攝影師。曾出版《我的62個稻草人朋友》、《福爾摩沙稻草人》等攝影作品,影像質樸中帶溫情、定格中具想像空間。
\n\n\n\n
展出作品
\n\n榕樹廣場(歌劇院櫥窗)西側
\n\n\n\n
更多節目與活動
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a97ac17ba13ed082c5dbf7c8fc50f1b3",title:"【2021衛武營馬戲平台】《馬戲・人生》影像展"},{type:"image",key:"cbc359afcedc9d04b16cc9cd9543deae",title:"【2021衛武營馬戲平台】《馬戲・人生》影像展"}],related:[],title:"【2021 Weiwuying Circus Platform】Circus. Life Photography Exhibition",cover:"b519041d17406ec160a305c2452642f1",site:{isOther:!0,site:"",other:"Banyan Plaza (Opera House Window Facade)"},cautions:"",benefits:"",description:"This year, the Platform has specially planned the Circus. Life Photography Exhibition.",introduction:'
This year, the Platform has specially planned the Circus. Life Photography Exhibition. Featured teachers and students of the National Taiwan College of Performing Arts, the photographer CHIN Cheng-tsai captured their daily training process with his lens, creating a unique language and aesthetics.
\n\n\n\n
Photographer
\n\nCHIN Cheng-tsai
\n\nAn exclusive photographer of Legend Lin Dance Theatre. CHIN's images are simple with warmth, freeze-framing the scene where stories flow.
\n\n\n\n
Exhibition
\n\nBanyan Plaza (Opera House Window Facade)
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1634615416,updatedAt:1636875967,updatedBy:"林蔚行",host:!0}}],seq:5,name:"展覽",content:"",color:{a:1,r:0,g:0,b:0},type:"reference"}],onShelf:!0,onShelfRange:{start:null,end:null},sliders:[{type:"image",key:"b4e1b3238833e30f05223f96b96d8037",title:"【2021衛武營馬戲平台】"},{type:"image",key:"c8e84c654917a4d479320760924d0100",title:"【2021衛武營馬戲平台】"}],albums:[],albumsColor:{a:.8,r:255,g:255,b:255},albumsSeq:0,writings:[],writingsColor:{a:.8,r:255,g:255,b:255},writingsSeq:0},english:{title:"",cover:"8a92cc7b4528d26eed8bdb5c20569ab6",menu:{append:!1},color:{a:1,r:1,g:136,b:172},seq:0,description:" ",introduction:'
Platform Curator | International Cooperations
\n\n\n\n\n\n
Circus, let us take part in a social action of change. When the applause rings, we once again have the courage to believe in life and hope!
\n\nBy Gwen Hsin-Yi CHANG|2021 Weiwuying Circus Platform Curator
\n\n@Sara Lando
\n\n\n\n
As one of the most dynamic and flexible performing arts in contemporary society, the circus has been wandering between mainstream values and the fringe of society since the 18th century.
\n\n\n\n
With the curatorial theme of "Circus - Life," the 2021 Circus Platform has been gaining momentum since its inception in 2016, inviting more than 100 circus performers and video artists across Taiwan and the five continents to showcase their responses to the social conditions during the pandemic through their creative works. The program features two Circus Live Shows, three online Circus Workshops, 4 Circus Marathon physical performances, 4 Circus Insider Talk cloud lectures, 7-day Open Studio Cloud-Based Training by the Department of Acrobatics of the National Taiwan College of Performing Arts, the 40-hour Circus Artist Cloud Residency Program Dance and Circus Stunt Creation 2.0, and the 30-day Short Film Festival and Photo Exhibition.
\n\n\n\n
FOCA has been creating and living in Shezidao, located on the outskirts of Taipei City, for many years. These FOCA artists' competing relationship between human and superhuman is documented in CHEN Kuan-ting's Circus As Folks. In Disappearing Island, we see them present a circus performance about the defense of housing rights for the inhabitants evicted due to urban renewal.
\n\n\n\n
In the rapidly growing and bustling cities of Taipei and Taichung, the Street Act Lab's rising stars, HSU Kai-hsuan, On. P. Young's CHEN Hsin-da and director HSU Han-chung, Dua Shin Te Productions featuring LIU Yen-cheng, travel through the streets, public areas, theater, and virtual spaces to rethink the live-ness of performance and recreate theatrical scenes for a new life. By diving into the female wardrobe, Eye Catching Circus #Since1994 explores the definitions of aesthetics, bodily autonomy, stereotypes, and moral standards in society and the relationships between people.
\n\n\n\n
South of Zhuoshuei River, follow Thunar Circus to Syuejia, Tainan, a major town of din-tao culture, to learn traditional techniques with local masters and bring out the spirit of learning and sharing. LIT ART traveled south to Kaohsiung to visit Weiwuying, a century-old military fortress, and went into the community to record the stories of how different generations of residents made Fengshan their home.
\n\n\n\n
The first-ever short film festival presents circus creations worldwide. From Seto Inland Sea, Japan to Siem Reap, Cambodia, see how circus can promote social change, life education, and local creativity. South of the equator, in Brisbane, Australia, follow circus artists as they learn to accept themselves, respect each other's differences, and co-exist. Travel east along the equator to Brazil, Colombia, and Mexico, where circus can create humor and hope amidst the anxiety of a spreading pandemic and experience their cultures' unique creative aesthetics and revolutionary thinking. Further east to Ethiopia, Africa, we marvel at the resilience of local circus performers and circus in its original form under the sky. In affluent and prosperous Britain, France, and Canada, we see the humanitarian care of artists in times of hardship, exploring the meaning of life concerning the environment, pursuing aesthetic practice, and the power of creativity after rebirth.
\n\n\n\n
The Taiwanese circus and acrobats artists of different generations are actively evolving through technical exchanges, dialogues, and fieldwork. They have gone into cities, towns, and communities to trace their roots. Between their residency and travels, they have reversed Taiwan's unique physical aesthetics and brought new excitement and imagination to cities, communities, and residents, creating unique local landscapes and leaving indelible marks.
\n\n\n\n
We hope to present these stories of hope, courage, critique, and vitality through the platform to whoever is still striving for life and persevering to realize your ideas under the sun.
\n\n\n\n\n\n
International Cooperations
\n\nA Connected Weiwuying
\n\nFrom upstream creative formation, midstream production to downstream promotion, the Weiwuying Circus Platform develops a point-line-plane support system with domestic and foreign professional partners (organizations and performing arts groups) through a multi-faceted cooperative strategy focusing on creativity, production, talent development and program promotion. At the same time, we continue to match different resources for creators, organizations, and performing arts teams to promote opportunities for local and international professionals to travel to and from Weiwuying for exchanges to build momentum for the sustainable creation and performance of Taiwan's contemporary circus
\n\n\n\n
CAN - Circus Asia Network
\n\nCredit:Designed by Chang Han Kyo / Phare Ponleu Selpak
\n\nThe Circus Asia Network (CAN) was initiated by Seoul Street Arts Creation Center (SSACC) in 2017 and actualized by 13 organizations and institutions from seven Asian-Pacific countries in 2018 to develop contemporary circus in the region through long-term exchange and fostering programs.
\n\nFrom 2018 to 2019, the network members held conferences and annual meetings in Seoul, Takamatsu, and Kaohsiung to map out the blueprint and possibilities of Asian circus jointly. In 2019, National Kaohsiung Center for the Arts (Weiwuying) and SSACC co-produced the Circus Asia Residency (CAR), a dual residency program to support the creative development of young artists. The network also comprises Producer DOT Group (Korea), FOCA (Taiwan), and Hsingho Co., Ltd (Taiwan), the Setouchi Circus Factory (Japan), Phare-the Cambodia Circus, Phare Ponleu Selapak (Cambodia), Association of Mongolian Circus, Angels Center of Acrobatic & Contortion (Mongolia); Komunitas Salihara Arts Center (Indonesia); National Institute of Circus Art (Australia) and Circus OZ (Australia).
\n\n\n\n
TOHU
\n\nIn July 2020, the International Market of Contemporary Circus (MICC), organized by TOHU (Canada), launched the Asia & Australia Working Group, which is headed by the Weiwuying Circus Platform and Cluster Arts (Australia) to promote the exchange and discussion of circus industry between Asia and Australia. The first edition of the Asia & Australia Circus Map was published in July 2021 with the help of CAN members.
\n\nIn November-December 2021, Weiwuying and TOHU will launch a new exchange project, inviting emerging circus artists from Taiwan and Canada to participate in regular exchanges through thematic circus master classes and workshops, and to promote mutual understanding of the similarities and differences between circus artists from both sides in terms of training, creation and cultural contexts, to open up opportunities for future collaboration.
\n\n\n\n
\n\n\n',tabs:[{programs:[],seq:1,name:"Schedule",content:'
- Onsite Performances -
\n\nTime | \n\t\t\tLocation | \n\t\t\tProgram | \n\t\t
Exhibition | \n\t\t||
10/30(Sat) - 11/28(Sun) \n\t\t\t11:00-19:00 | \n\t\t\t3F Crown Hall (West Side) | \n\t\t\tCircus · Life Short Film Festival | \n\t\t
10/30(Sat) - 11/28(Sun) \n\t\t\t11:00-21:00 | \n\t\t\tBanyan Plaza (Opera House Window Facade) | \n\t\t\tCircus · Life Photography Exhibition | \n\t\t
Live Performance | \n\t\t||
11/26(Fri) \n\t\t\t20:00 \n\t\t\t11/27(Sat) \n\t\t\t14:30 | \n\t\t\tPlayhouse | \n\t\t\tFormosa Circus Art - Circus as Folks | \n\t\t
11/27(Sat) \n\t\t\t20:00 \n\t\t\t11/28(Sun) \n\t\t\t14:30 | \n\t\t\tPlayhouse | \n\t\t\tEye Catching Circus - #Since1994 | \n\t\t
11/27(Sat) \n\t\t\t16:00 \n\t\t\t11/28(Sun) \n\t\t\t16:00 | \n\t\t\tBanyan Plaza | \n\t\t\tThunar Circus - Main Agile (Work in Progress) | \n\t\t
11/27(Sat) \n\t\t\t16:30 \n\t\t\t11/28(Sun) \n\t\t\t16:30 | \n\t\t\tBanyan Plaza, 3F Crown Hall | \n\t\t\tLit Art - Flipped Your Daily Routine | \n\t\t
\n\n
- Online Performances -
\n\nTime | \n\t\t\tLocation | \n\t\t\tProgram | \n\t\t
Online Program | \n\t\t||
11/26(Fri) \n\t\t\t21:30 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tOn.P.Young Circus x Mix-Realm x This Moment Lab. - Circus Now: An Experiment※ | \n\t\t
11/27(Sat) \n\t\t\t21:30 | \n\t\t\tLIU Yen-Cheng x Dua shin te Production - Imaginary tragedy – No sacrifice, no victory※ | \n\t\t|
11/27(Sat) \n\t\t\t11:00 \n\t\t\t11/28(Sun) \n\t\t\t11:00 | \n\t\t\tHSU Kai-hsuan - PLAY※ | \n\t\t|
11/27(Sat) \n\t\t\t13:00 Ep.I \n\t\t\t11/28(Sun) \n\t\t\t13:00 Ep.II | \n\t\t\tTaiwan Street Arts and Culture Development Association - Street Act Lab VI※ | \n\t\t|
Open Studio | \n\t\t||
11/27(Sat) \n\t\t\t18:15 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tOpen Studio - Circus Artists Online Residency 2.0 Presentation | \n\t\t
A Circus Education - Lectures on Circus | \n\t\t||
11/22(Mon) \n\t\t\t20:00-21:30 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tA Kaleidoscope Circus Life: An Online Party for Future Taiwanese Circus Art | \n\t\t
11/23(Tue) \n\t\t\t20:00-21:30 | \n\t\t\tThe Road of Companionship in Asian Circus Production and Curatorship ft. CAN and Friends | \n\t\t|
11/24(Wed) \n\t\t\t20:00-21:30 | \n\t\t\tContemporary Circus: Why is Circus the Antidote To Contemporary Art? | \n\t\t|
11/25(Thu) \n\t\t\t20:00-21:30 | \n\t\t\tThe Circus Pilgrimage: Towards TOHU & Circus Talk | \n\t\t|
A Circus Education - Play-Creative Circus Online Workshop (Online Registration) | \n\t\t||
11/27(Sat) \n\t\t\t15:30-16:30 | \n\t\t\tGoogle Meet | \n\t\t\tHula Hoop Juggling Workshop | \n\t\t
11/28(Sun) \n\t\t\t10:00-10:40 | \n\t\t\tParent - Child Circus Workshop | \n\t\t|
11/28(Sun) \n\t\t\t15:30-16:30 | \n\t\t\tHat Juggling Workshop | \n\t\t|
Exhibition | \n\t\t||
11/22(Mon) - 11/25(Thu) \n\t\t\t21:30-22:30 | \n\t\t\tWeiwuying YouTube Channel | \n\t\t\tCircus · Life Online Short Film Festival | \n\t\t
※After show discussions with the artists.
\n\n\n\n
\n',color:{a:1,r:0,g:0,b:0},type:"content"},{programs:[{from:"programs",key:"60dd8a55fff9e8000776e408",title:"【2021衛武營馬戲平台】FOCA福爾摩沙馬戲團《嘛係人》",data:{_id:"60dd8a55fff9e8000776e408",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1637928e3,discrete:[{time:1637928e3},{time:1637994600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1433401987818360835"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7e78c6cf3f8472237b44701ae6bc54ac",title:"【2021衛武營馬戲平台】福爾摩沙馬戲團《嘛係人》"}],related:[],title:"【2021衛武營馬戲平台】福爾摩沙馬戲團《嘛係人》",cover:"4980f924fcb31a8394fc16b60836fb38",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:"",description:"超人、飛人、馬戲人\n雜耍、特技、嘛係人",introduction:'\n\n\n\n
福爾摩沙馬戲團 2021年度製作《嘛係人》
\n\n醞釀三年‧馬戲全才陳冠廷‧全新創作
\n\n\n\n
超人、飛人、馬戲人
\n\n雜耍、特技、嘛係人
\n\n跳躍、翻滾、墜落、拋擲。有著一身功夫,超凡的馬戲表演者,總是看來那麼不可思議。但跟大家一樣,他們也要吃飯、刷牙、追公車,小時候也要寫作業,會跟同學玩鬼抓人。一轉眼,他們從高處躍下,空翻接滾地,穿梭於身體與物件之間。每一天,馬戲表演者的身體內,都上演著超人和凡人暨合作又競逐的衝撞賽局。
\n\n沒有獅子、老虎、大象,也沒有馬,這是一齣只有人的馬戲表演,也是一部關於馬戲表演者的馬戲作品。揉合了雜耍、特技舞蹈、大環等不同項目,《嘛係人》不僅讓你看到馬戲的獨特,也讓你從馬戲人高超的技巧與玩性中,看見他們擺盪在日常與表演間,不同的心理狀態與身體思維。
\n\n《嘛係人》編導陳冠廷,不但是臺灣早期少數精通雜耍禮帽的表演者,更是近年福爾摩沙馬戲團馬戲跨界創作中,每每令人眼睛為之一亮的焦點。你可能看過他在《一瞬之光‧How Long Is Now?》中的罐頭疊羅漢、也忘不了《苔痕》裡尋找過去記憶與同伴的主角。如果你喜歡《馬戲派對》、《土地的歌》,那你更不能錯過同樣由陳冠廷編導,累積多年的馬戲創意能量的作品《嘛係人》。
\n\n\n\n
演前導聆
\n\n2021/11/26(五)19:35-19:50 戲劇院觀眾席
\n\n2021/11/27(六)14:05-14:20 戲劇院觀眾席
\n\n\n\n
演出暨製作團隊
\n\n製作人|周盈婷
\n\n導演|陳冠廷
\n\n藝術總監|李宗軒
\n\n表演暨共同創作|陳冠廷、羅元陽、趙偉辰、林聖瑋
\n\n創作陪伴|余岱融
\n\n動作指導|張堅豪
\n\n舞台監督|郭芳瑜
\n\n音樂設計|柯智豪
\n\n燈光設計|王天宏
\n\n舞台設計|鄭烜勛
\n\n平面設計|張仲偉
\n\n執行製作|陳亭伃
\n\n排練助理|邱群翔
\n\n道具統籌|郭璟德
\n\n\n\n
團隊介紹
\n\n福爾摩沙馬戲團 Formosa Circus Art
\n\n福爾摩沙馬戲團成立於2011年,結合傳統文化、在地文化、街頭文化及劇場藝術,以創造屬於臺灣多樣化的當代馬戲藝術為宗旨。福爾摩沙馬戲團的團隊成員來自各種不同的表演領域,為臺灣唯一擁有超過十位正職團員的當代馬戲團隊。
\n\n福爾摩沙馬戲團以多角化的經營模式,創下許多臺灣馬戲的紀錄。不但是第一個登上愛丁堡藝穗節和二度前往外亞維儂藝術節的臺灣馬戲團,也是首個進行海外巡迴的臺灣馬戲團。由於其獨特且多元的美學形式,這些年來福爾摩沙馬戲團受到國內外廣大觀眾群的喜愛。
\n\n2017年福爾摩沙馬戲團開啟馬戲跨界三部曲計畫,分別與臺灣當代劇場導演Baboo、菲律賓視覺藝術家Leeroy New、德國舞蹈劇場團隊Peculiar Man合作,打開臺灣馬戲表演者以往難以接觸的美學視野,希望透過一系列與不同領域藝術家的合作,找到臺灣當代馬戲的可能性。
\n\n\n\n
導演|陳冠廷
\n\n2011 年與林智偉共同創立團隊。冠廷擁有豐富的演出經驗與深厚的馬戲技巧,福爾摩沙馬戲團的每個作品都有他的身影,也常擔任不同作品的表演技術指導。從創團作品《初衣十舞》擔任編舞與演員,到十週年製作《消逝之島》與《苔痕》的演出,冠廷展現了他對多元表演的掌握與當代肢體表現的可能。2016 年起,冠廷開始擔任福爾摩沙馬戲團多部作品的編導,包括《拼圖》、《未來馬戲》、《土地的歌》、《馬戲派對》等,近年也展開全新作品《嘛係人》的製作。冠廷對馬戲的熱愛,以馬戲篷的形象刻畫在右手臂的內側,如同他的個人創作向來以馬戲表演者的身份出發,揉合自己長年身在這個環境的觀察與體驗,挖掘表演者作為個人與群體、團隊的關係,以及關係中的合作、妥協、衝突與不協調等主題。
\n\n\n\n
\n\n
前期創作支持|國家表演藝術中心臺中國家歌劇院
\n\n\n\n
贊助單位
\n\n\n\n
更多節目與活動
\n\n\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7e78c6cf3f8472237b44701ae6bc54ac",title:"【2021衛武營馬戲平台】FOCA福爾摩沙馬戲團《嘛係人》"}],related:[],title:"【2021 Weiwuying Circus Platform】Formosa Circus Art - Circus as Folks",cover:"4980f924fcb31a8394fc16b60836fb38",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Formosa Circus Art 2021 Annual Production Circus as Folks
\n\n3 years in the making, brand new creation of all-rounder circus artist CHEN, Kuan-ting.
\n\n\n\n
\n\n
Superhuman, Flying-human, Circus as Humans
\n\nStuntman, Juggling man, Circus as Folks
\n\nJumping, rolling, falling, throwing. Extraordinary, talented circus performers always seem so incredible. But as normal as being a human, like everybody else, they have to eat, brush their teeth, chase the bus, do their homework and play hide-and-seek with their classmates when they were young. In a blink of an eye, they jumped down from top, flipping to the ground and shuttle back and forth between their bodies and objects. Every single day, there is a contesting game about cooperation and competition between superhuman and mortal in the body of the very same circus performer.
\n\nWith only human beings as the "animal" on the stage, Circus as Folks is a performance without lions, tigers, elephants nor horses. It is also a circus performance about circus performers. Combining with different techniques, such as juggling, acrobatics, stunts and Cyr Wheel, etc.. Circus as Folks completely presents the uniqueness of the circus, and also allows you to see the different mental states and physical thinking between artists' daily life and professional training through the superb skills and playfulness.
\n\nCHEN, Kuan-Ting, the director of Circus as Folks, is not only one of the few Taiwanese performers who are proficient in juggling hats in the early years while the sector just developed, but also the unforgettable artist in Formosa Circus Art's creations in recent years. You may have seen his canned piling performance in How Long Is Now?, and the protagonist in Moss who chases memories and companions. If you like Circus Party and Songs of the Land, then you definitely shouldn't miss Circus as Folks, which is also directed by Chen and has accumulated years of circus creative energy.
\n\n\n\n
Pre-talk
\n\n2021/11/26(Fri)19:35-19:50 Playhouse Auditorium
\n\n2021/11/27(Sat)14:05-14:20 Playhouse Auditorium
\n\n\n\n
Creative and Production Team
\n\nProducer|CHOU Ying-ting
\n\nDirector|CHEN Kuan-ting
\n\nArtistic Director|LEE Tsung-hsuan
\n\nCo-Creators and Performer|CHEN Kuan-ting, LO Yuan-yang, CHAO Wei-chen, LIN Sheng-wei
\n\nDramaturge|YU Tai-jung
\n\nAction Instructor|CHANG, Chien-hao
\n\nStage Manager|GUO Fang-yu
\n\nMusic|Blaire KO
\n\nLighting|WANG, Tien-hung
\n\nStage|CHENG Hsuan-hsun
\n\nGraphic Design|CHANG, Chung-wei
\n\nAssociate Producer|CHEN, Ting-yu
\n\nAssistant Rehearsal Master|CHIU, Chun-hsiang
\n\nProp Master|KUO Ching-te
\n\n\n\n
Team introduction
\n\nFormosa Circus Art
\n\nFormosa Circus Art was established in 2011. Its purpose is to develop the various contemporary circus arts of Taiwan, mixing them with other styles of performance including traditional forms, acrobatics, street culture and theatre arts. Formosa Circus Art's team members come from many different fields of performing arts, which makes Formosa Circus Art the only circus company in Taiwan that has over ten full-time members.
\n\nAs a leading circus company from Taiwan, Formosa Circus Art has set records for many Taiwanese circus in a diversified business model. Not only Formosa Circus Art was the first Taiwan circus company to enter the Edinburgh Fringe Festival and twice to the Festival d'Avignon Off, it was also the first Taiwan circus company to conduct overseas tours. Due to its unique and diverse aesthetic form, over the years Formosa Circus Art has been loved by a large number of audiences both overseas and in Taiwan.
\n\nFormosa Circus Art launched "Interdisciplinary Trilogy" project in 2017. By collaborating with different artists including Taiwanese theatre director Baboo, Filipino visual artist Leeroy New and German dance theatre company "Peculiar Man", Formosa Circus Art recognizes this process as a way of conversation and learning the ethics and methods from peers among the arts sector, trying to generate and expand the meaning of contemporary circus in Taiwan.
\n\n\n\n
Director|CHEN, Kuan-Ting
\n\nBorn in Taichung, Chen is a circus performer, directorand the co-founder of Formosa Circus Art. His training can be traced back to the folk sport learning in his childhood.
\n\nAs a performer, Chen has performed in most of Formosa Circus Art's productions and involved in touring to the festivals around the world. His directing works include: Circus Party, Songs of the Land, and Future Circus. Chen also served as choreographer and technical director for Self and Others, Pursue Our Dreams, Olé, and Wukong: Before the Journey to the West.
\n\n\n\n
\n\n
Pre Support of Creation |National Taichung Theater
\n\n\n\n
Sponsor
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1625131605,updatedAt:1653029814,updatedBy:"通泰系統管理員",host:!1}},{from:"programs",key:"60dd7441dd9eb4000819dbfa",title:"【2021衛武營馬戲平台】創造焦點女馬系列《#Since1994》",data:{_id:"60dd7441dd9eb4000819dbfa",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638014400,discrete:[{time:1638014400},{time:1638081e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1434857686479060995"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a7a128ed408a7bc34ce2d5e5df68375f",title:"創造焦點女馬系列《#Since1994》"}],related:[],title:"【2021衛武營馬戲平台】創造焦點女馬系列《#Since1994》",cover:"551713ace671aa2e21fc836a2740e291",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n「OPENTIX兩廳院文化生活」為全新售票平台,邀請您註冊OPENTIX帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n\n\n',benefits:'\n\n\n\n
\n\n
「你,喜歡你自己嗎?」
\n馬戲X女性X物件,六位90後#青世代女子最真實的獨白。
帶著女子獨特的細膩和敏銳,拒絕井字思維的價值標籤,不讓「標準」決定我們是誰。存在的價值由我定義,可以不完美的活著,但一定要完美的認識自己。Eye Catching Circus 創造焦點女馬系列《#Since1994》從女性的衣櫃出發,取材社會對審美觀、身體自主、刻板標籤及道德標準的定義,探討人與人之間的關係。透過馬戲探索女性認同與價值,不管私密、開放、想像、掙脫或嚮往自由,從女性視角探討內在與外在的心理對比,詮釋這個時代對於女性的看法與想像。陌生中帶有敵意、競爭卻假裝友好,從第三者角度觀察剖析,亦從女性視角思考自己,我是誰?我喜歡我自己嗎?
\n\n\n\n
演前導聆
\n\n2021/11/27(六)19:35-19:50 戲劇院觀眾席
\n\n2021/11/28(日)14:05-14:20 戲劇院觀眾席
\n\n\n\n
演出暨製作團隊
\n\n製作人暨藝術總監|李仕洋
\n\n導演|梅芷菱
\n\n動作設計|王弈樺
\n\n燈光設計|蘇耕立
\n\n服裝設計|巨魚服裝工作室
\n\n音樂製作|空氣色音樂工作室
\n\n執行製作|章家妤
\n\n排練助理|林建賢
\n\n視覺形象整合|三稜鏡有限公司
\n\n劇照攝影|黃星耀
\n\n主視覺設計|物以類聚視覺整合
\n\n表演者|梅芷菱、許家綺 、陳亭宇、廖思諄、蕭似綿、藍翊云 (依筆畫順序排序)
\n\n\n\n
團隊介紹
\n\n『以新世代馬戲創作者,對當代馬戲的詮釋與想像。』
\n\n榮獲2018-2020臺中市傑出演藝團隊
\n\n成立於2015年,藉由十餘年的專業學習資歷,投入創新傳承,挾專業特技和劇場實力,已累積不少海內外演出經驗,致力於運用當代的思維、新穎的風格,融合特技、馬戲,詮釋當代馬戲藝術及特色。「創造焦點」目標是保留傳統,創新未來,集結各領域表演藝術人才,積極推廣與發展臺灣當代馬戲。未來也期望與各國藝術團隊交流學習,將經驗與創作能量帶回臺灣,創造出專屬當代馬戲的新焦點。
\n\n《創造焦點》體認到馬戲、雜技文化之豐富精彩、透過國際型活動,以及臺中花都藝術季展演平台,更能將臺灣瑰麗文化帶給所有參與的民眾,亦能在國際大型藝術節中吸取寶貴經驗、劇場專業,在既有的基礎之上重新扎根,厚實自我能力,不管是表演藝術經驗、品牌經營、劇場行銷,皆能有長足的成長,回饋給於他表演藝術團隊。期待讓更多民眾能看到臺灣新生代馬戲創作者,將傳統文化與當代藝術並駕而出的當代馬戲美學。
\n\n\n\n
贊助單位
\n\n\n\n
更多節目與活動
\n\n\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a7a128ed408a7bc34ce2d5e5df68375f",title:"創造焦點女馬系列《#Since1994》"}],related:[],title:"【2021 Weiwuying Circus Platform】Eye Catching Circus - #Since1994",cover:"551713ace671aa2e21fc836a2740e291",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
"Do you like yourself?"
\nCircus X Women X Objects, six #youngladies born in the '90s and their most genuine monologue.
As meticulous and perceptive women, we refuse to be defined by #hashtags, labels, and "standards" anymore. I, alone, shall define the value of existence. Though I may have an imperfect life, I must know myself entirely. By diving into the female wardrobe, Eye Catching Circus #Since1994 explores the definitions of aesthetics, bodily autonomy, stereotypes, and moral standards in society and the relationships between people. Whether private, open, imaginary, struggling, and yearning for freedom, let us explore female identity and value through circus. From a female perspective, we examine the internal and external psychological differences. Through circus and narrative, they interpret how women in this era are imagined and seen. Strange and hostile, pseudo-friendly yet competitive, from the perspective of a female third party, let us analyze and consider "the self": Who am I? Do I like myself?
\n\n\n\n
Pre-Talk
\n\n2021/11/27(六)19:35-19:50 Playhouse Auditorium
\n\n2021/11/28(日)14:05-14:20 Playhouse Auditorium
\n\n\n\n
Creative and Production Team
\n\nProducer|LI Shih-yang
\n\nDirector|MEI Chih-ling
\n\nChoreographer|WANG I-hua
\n\nLighting Designer|SU Keng-li
\n\nCostume Designer|Big Fish Costume La
\n\nComposer|Co.Cheese Studio
\n\nExecutive Producer|CHANG Chia-yu
\n\nRehearsal Assistant|LIN Chien-hsien
\n\nVisual Integration|PRISM Co.,Ltd
\n\nPhotographer|HUANG Hsin-yao
\n\nDesign Director|Grandvity Design
\n\nPerformers|MEI Chih-ling, HSU Chia-chi, CHEN Ting-yu, LIAO Ssu-chun, HSIAO Ssu-mien, LAN Yi-yun
\n\n\n\n
Sponsor
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1625125953,updatedAt:1653033745,updatedBy:"通泰系統管理員",host:!0}},{from:"programs",key:"60ebf612dd9eb400081cccc2",title:"【2021 Weiwuying Circus Platform】Thunar Circus - Main Agiles (Work in Progress)",data:{_id:"60ebf612dd9eb400081cccc2",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638e6,discrete:[{time:1638e6},{time:1638086400}],type:"discrete"},activity:{type:"free",free:{description:"自由入場",englishDescription:"Coming Soon"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"605ad9919fc5bd322b02c53c1a0d6ba1",title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現"}],related:[],title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現",cover:"7b679b36d8a5da6820362c9717f9d03e",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
傳統勞動與農務的身體手路,與當代生活文化有什麼連結?
\n\n由臺灣「圓劇團」與法國「傑若・湯瑪士劇團(Compagnie Jérôme Thomas)」聯手共創,以傳統陣頭文化為主題,深入探索具民族特質與地方習俗性的傳統技藝。透過踏查研究與蹲點學習,馬戲人走入民間,親身學習傳統技藝的腳步手路與肢體動作運行,進一步發現慶典祭儀的民俗陣頭動作,是如何從傳統勞動與農務中誕生。
\n\n從技藝取材經當代轉化,從傳統技藝到當代馬戲。透過階段性探索、實驗與培養,挖掘在地人文故事、土地意象、社群信仰與當代生活,透過馬戲人的身體探循,找出那些經生活與文化的淬煉、塑形,而一步步演變成藝術性的身體動作。那些記憶、生命,與社群生活的連結,都是超乎想像的緊密與關聯。
\n\n\n\n
演出暨製作團隊
\n\n藝術顧問|傑若・湯瑪士
\n\n研究顧問|龔卓軍
\n\n導演|林正宗
\n\n馬戲設計|傑若・湯瑪士
\n\n馬戲設計助理|Valentin Lechat
\n\n舞蹈設計|林廷緒
\n\n音樂設計與演出|黃思農、曾韻方
\n\n演員|林文尹、林乘寬、學甲中洲高蹺陣
\n\n空間與裝置設計|王鼎曄、林正宗
\n\n燈光設計|黃俊諺
\n\n服裝設計|蔡浩天
\n\n道具設計|林正宗、傑若・湯瑪士、胡閏翔
\n\n影像紀錄與宣傳片|張景泓
\n\n製作人|陳怡伶
\n\n製作推廣|王序平
\n\n執行製作|羅苡榕
\n\n舞台技術總監|張景翔
\n\n\n\n
贊助單位|國家文化藝術基金會「跨域合創」、臺南市文化局、總爺藝文中心、蕭壠文化園區、台北表演藝術中心前期創作支持、雲門創計畫、台新銀行文化藝術基金會「第18屆台新藝術獎入圍推廣補助」
\n\n\n\n
團隊介紹
\n\n圓劇團
\n\n「圓」是一個無邊界的自由場域,在多元的面向中,尋求民間技藝與當代馬戲的實驗與探索。「圓」擁有無限循環的生命結構,我們所有的行動與觀點皆連結所依附的土地和文化,讓創作自然地呈現出有機的人性與溫度。「圓」也是個聚集的公共空間,我們藉由技藝與馬戲的創作與分享,讓藝術與民眾在空間裡彼此連結與對話,以真實又詩意的感受,產生對當代社會的哲思。圓劇團作品曾入選「2020年-台新藝術獎決選入圍」、「松菸Lab新主藝」、「台灣當代文化實驗場CREATORS進駐創作」、「雲門羅曼菲獎助金」、「雲門-創計畫」、「2018-2021文化部扶植青年藝術計畫」、「2021總爺藝文中心與蕭壠文化園區駐館」等。
\n\n\n\n
傑若.湯瑪士劇團
\n\n法國知名當代馬戲大師Jérôme Thomas(傑若.湯瑪士),是法國第一屆當代馬戲暨即興藝術節的創始者、CNAC國家馬戲中心擔任審查委員、SACD(戲劇作家和作曲家協會)的馬戲部門董事、於2003年獲SACD(戲劇作家和作曲家協會)馬戲藝術獎。他認為的當代馬戲是具藝術性、空間性而無論傳統或現代,都有值得稱道的,學習的地方。他期待當代馬戲在肢體、空間、物件等有密切的相互關係,並著重在探討當代馬戲的身體表演系統,企圖尋找馬戲表演者詩意性與創造性的藝術語彙。
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更多節目與活動
\n\n\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"605ad9919fc5bd322b02c53c1a0d6ba1",title:"【2021衛武營馬戲平台】圓劇團《手路》臺法共創-階段性呈現"}],related:[],title:"【2021 Weiwuying Circus Platform】Thunar Circus - Main Agile (Work in Progress)",cover:"7b679b36d8a5da6820362c9717f9d03e",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
What is the connection between manual labor and farming techniques and contemporary culture?
\n\nMain Agile, jointly created by Thunar Circus in Taiwan and Compagnie Jérôme Thomas in France, takes traditional Din-tao culture as its theme and explores traditional techniques with ethnic characteristics and local customs. Through field research, circus artists enter rural communities to learn first-hand traditional crafts and discover how the ritual movements of Din-tao emerged from labor and farming.
\n\nTo transform traditional techniques into contemporary circus art, this work explore local stories, rural imageries, communal beliefs, and modern life through investigating, experimenting, and cultivating in stages. Through the physical exploration of circus performers, we find the forms that have been refined by life and culture and evolved into art. The connection between memory, life, and community is incredibly close-knit.
\n\n\n\n
Teams introduction
\n\nThunar Circus
\n\n"Thunar" is an unlimited free space where we experiment and explore contemporary circus art in various aspects. "Thunar" is an endless life cycle where our actions and perspectives are rooted in our culture, allowing our creations to express humanity and warmth. "Thunar" is also a collective space where audience and art engage in a dialogue through contemporary circus, sparking reflections on modern society with sincerity and poeticism. The works of Thunar Circus was nominated for the 2020 Taishin Arts Award Finalist and selected for Songyan Creative Lab, C-LAB CREATORS Residency Program, Cloud Gate Manfei Grant, Cloud Gate Art Makers Project, 2018-2021 Ministry of Culture Youth Arts Development Grant Program, 2021 Siao-long Cultural Park and Tsung-yeh Arts and Cultural Center Residency, etc.
\n\n\n\n
Compagnie Jérôme Thomas
\n\nJérôme Thomas is the founder of the first festival of contemporary improvised juggling in France, a member of the review board of the Centre National des Arts du Cirque, administrator for the Circus Arts at the SACD, and winner of the SACD prize for Circus Arts in 2003. He believes that the contemporary circus is artistic and spatial and draws inspiration from traditional or modern. He anticipates the interconnection between contemporary circus, body, space, and object and focuses on exploring the physical performance system of contemporary circus to discover the poetic and creative elements of circus performers.
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Creative and Production Team
\n\nArtistic Consultant|Jérôme Thomas
\n\nResearch Consultant|GONG Jow-jiun
\n\nDirector|LIN Cheng-tsung
\n\nCircus Design|Jérôme Thomas
\n\nCircus Design Assistant| Valentin Lechat
\n\nDance Design|LIN Yuan-Shang、LIN Ting-syu
\n\nMusic Design & Musicians|HUANG Snow, TSENG Yun-fang
\n\nPerformances|LIN Wen-yin, LIN Cheng-kuan, Xuejia Jhong Jhou stilt-walking
\n\nSpace and Installation Design|WANG Ding-yeh, LIN Cheng-tsung
\n\nLighting Design|HUANG Chun-yen
\n\nCostume Design|TSAI Hao-tien
\n\nProp Design|LIN Cheng-tsung, Jérôme Thomas, HU Jun-hsiang
\n\nDocumentary & Promotional Video|JHANG Jing-hong
\n\nProducer|CHEN Yi-ling
\n\nProduction Promotion|WANG Hsu-ping
\n\nExecutive production|LO Yi-Jung
\n\nStage Manager|CHANG Ching-hsiang
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1626076690,updatedAt:1637650464,updatedBy:"林蔚行",host:!0}},{from:"programs",key:"60ebfd31dd9eb400081ccdad",title:"【2021 Weiwuying Circus Platform】Lit Art - Flipped Your Daily Routine",data:{_id:"60ebfd31dd9eb400081ccdad",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1638001800,discrete:[{time:1638001800},{time:1638088200}],type:"discrete"},activity:{type:"free",free:{description:"免費報名參與",englishDescription:"Registration"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"11fa5e4165976c81fe2fc1b908107b33",title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》"}],related:[],title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》",cover:"147395dbe146d29940ab948765566977",site:{isOther:!0,site:"",other:"榕樹廣場、三樓樹冠大廳"},cautions:'
衛武營獨家。
\n\t演出全長約60分鐘,無中場休息。
\n\t本演出為移動式展演,無提供座位,請著輕便服裝參與。
集合地點:榕樹廣場。
\n\t報到時間:16:00 - 16:30
\n\t演出同步攝、錄影,如需保留肖像權請與現場服務人員聯繫。
\n\t為確保演出動線流暢,請與表演者保持適當距離,
一道光,一聲船鳴,一場震盪五感的超現實夢遊。
\n\n船,有著往返交流、乘載希望、逆風而行的精神。「狂夢藝術」以衛武營國家藝術文化中心為中心點,8公里12元的公車行進距離為線,展開公共空間的現地創作,尋找都市中橫跨老、中、青三代的生活痕跡與故事軌跡。
\n\n在衛武營這艘大船上,狂夢藝術試圖淡化觀眾與土地、馬戲與肢體、以至生活物件之間的邊界,重新賦予衛武營新的詮釋和想像,勾起全新的五感探測體驗。在這場不斷移動、交錯觀看的演出中,12種不同樣貌的衛武營表情,透過情緒的轉折、馬戲的行為、以及人文故事與日常物件的堆疊,橫跨空間、移動、抽象、具體的交互關係,創造出一場令人意想不到的陸上行舟——一個明知不可為而為之的超現實夢境。
\n\n\n\n
\n\n
(報名期間:即日起至11月22日中午12點止)
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演後座談
\n2021/11/27(六)17:30-17:45 榕樹廣場
2021/11/28(日)17:30-17:45 榕樹廣場
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演出暨製作團隊
\n\n導演|黃子溢
\n\n戲劇構作|陳運成
\n\n執行製作|張凱博
\n\n共同創作/演出|林寶寶、曾少彤、魏暉恩、吳顥中、李睿紘、黃子溢
\n\n特邀藝術家|黃雅蓉、趙亭婷
\n\n美術設計|Kiki YEH
\n\n燈光執行|林岳盟
\n\n音樂執行|陳昱安
\n\n技術統籌|歐獻鴻
\n\n舞台經理|張凱博
\n\n地方文史協力|南熠樂集林喚玲老師、高雄市鳳山城文化志工協會、莊毅冠老師
\n\n\n\n
團隊介紹
\n\n狂夢藝術
\n\n狂夢藝術立案於臺中,藉由中西方文化風格為底蘊,搭配魔術、當代舞蹈、雜耍特技等新馬戲之元素相互融合,孕育出獨樹一格、 朝氣蓬勃的藝術能量,創作出與觀眾互相共鳴的表演作品,並帶著表演分享至城市的每個角落,以盡心盡力之態度把最完美的作品做到極致。 同時更秉持著「身為臺灣人,我們能夠為臺灣做些什麼?」的信念,結合本土文化與表演藝術,創作屬於臺灣人的表演藝術作品,目標讓世界透過這些作品認識臺灣。
\n\n演出作品:
\n\n2021 國立臺灣美術館委託現地製作《重返沙龍臺中》
\n\n2020 狂夢藝術秋季公演 / 在現地六年編創計畫《西區舊城》
\n\n2019 國際台南街頭藝術節-馬戲在現地共創計畫、馬來西亞北海藝術節、臺韓國際馬戲演出交流計畫
\n\n2018 彰化今秋藝術節
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更多節目與活動
\n\n\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5be731fd0ed7e7731a4e699b314926ac",title:"【2021衛武營馬戲平台】狂夢藝術《路上行舟的12種表情》"}],related:[],title:"【2021 Weiwuying Circus Platform】Lit Art - Flipped Your Daily Routine",cover:"055f195f8061f0906b30d0d2893c7840",site:{isOther:!0,site:"",other:"Banyan Plaza、3F Crown Hall"},cautions:'
A beam of light, a sounding of the ship's horn, a surreal journey that stirs the five senses.
\n\nLIT ART uses National Kaohsiung Center for the Arts Weiwuying as the epicenter and 8 km 12 NTD bus rides as lines to create a public space in situ art and search for stories in the city that span three generations.
\n\nOn the colossal vessel known as Weiwuying, LIT ART attempts to blur the boundaries between audience and land, circus and body, and even between daily objects and re-imagine Weiwuying into a brand new exploration of the five senses. This mobile performance will reveal the 12 different expressions of Weiwuwing through the twists and turns of emotions, circus acts, and the stacking of stories and everyday objects. LIT ART creates a boat on land––a dream world, where anything is possible––that traverses space, movement, abstraction, and materiality.
\n\n\n\n
\n\n
(From now until 11/22(Mon)12:00)
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Post-talk
\n2021/11/27(Sat)17:30-17:45 Banyan Plaza
2021/11/28(Sun)17:30-17:45 Banyan Plaza
\n\n\n\n
Team introduction
\n\nLIT ART
\n\nLIT ART is based in Taichung and uses Eastern and Western styles, magic, contemporary dance, juggling, and other new circus elements to create a unique and exciting artistic energy that resonates with the audience all over the city. They uphold the belief that "as Taiwanese, we should give back to Taiwan," combine local culture and performing arts to create uniquely Taiwanese works through which Taiwan is introduced to the world.
\n\nPerformances: 2021 National Taiwan Museum of Fine Arts commissioned the in situ production Return To The Age Of Salon; 2020 LIT ART autumn performance / six-year in situ project The Old Westside; 2019 Tainan Street Arts Festival - In Situ Circus Creation Project, Butterworth Fringe Festival (Malaysia), Taiwan-Korea International Circus Performance Exchange Project; 2018 Lukang Arts Festival.
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Creative and Production Team
\n\nDirector|HUANG Tzu-yi
\n\nDramaturg|CHEN Yuhn-cheng
\n\nProduction Assistant|ZHANG Kai-bo
\n\nCo-creators & Performers|LIN Bao-bao、ZENG Shao-tong、WEI Hui-en、WU Hao-chung、LI Jui-hung、HUANG Tzu-yi
\n\nSpecial Artists|HUANG Ya-jung、CHAO Ting-ting
\n\nArt Designer|Kiki YEH
\n\nLighting Executive|LIN Yueh-meng
\n\nMusic Executive|CHEN Yu-an
\n\nTechnical Coordinator|OU Hsien-hung
\n\nStage Manager|ZHANG Kai-bo
\n\nLocal Culture Consultant|Nan-Yi Musical Theater LIM Huan-ling、CHUANG Yi-kuan
\n\n\n\n
More
\n\n►2021 Weiwuying Circus Platform
\n\n\n\n
\n',team:""},createdAt:1626078513,updatedAt:1637757166,updatedBy:"林蔚行",host:!0}}],seq:2,name:"Program (on-site)",content:"",color:{a:1,r:72,g:141,b:105},type:"reference"},{programs:[{from:"programs",key:"6152dc39103d910007ffab81",title:"【2021 Weiwuying Circus Platform】On.P.Young Circus x Mix-Realm x This Moment Lab. “Circus Live – An Experiment”",data:{_id:"6152dc39103d910007ffab81",catalogs:[{_id:"5fe2bffdde1961000737545c",tag:"program",chinese:{onShelf:!0,name:"衛武營主合辦節目"},english:{onShelf:!0,name:"Weiwuying Selected Programs"},createdAt:1608695805,updatedAt:1698138502,updatedBy:"林蔚行",seq:36},{_id:"5f6f57551efdfd0006068dd8",tag:"program",chinese:{onShelf:!0,name:"馬戲"},english:{onShelf:!0,name:"Circus"},createdAt:1601132373,updatedAt:1698138510,updatedBy:"林蔚行",seq:28}],dateTime:{first:1637933400,discrete:[{time:1637933400}],type:"discrete"},activity:{type:"free",free:{description:"線上觀看",englishDescription:"Online Performance"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b5d45b2c5c269e1fc78c6b2459e3d290",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室"},{type:"image",key:"41b34aca43368dba246cb2815be377b9",title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室"}],related:[],title:"【2021衛武營馬戲平台】紅鼻子馬戲團 x 混域規劃製作 x 湛時這樣影像工作室 《馬戲現場-實驗階段》",cover:"f341a80ea4c366a72ff921c9caa45545",site:{isOther:!0,site:"",other:"衛武營YouTube頻道"},cautions:'
劇場、馬戲、VR影像,三個主要項目的結合。以「英國皇家劇院」劇場導演和影像導演共同製作的概念,運用360的拍攝手法與現場演出,實驗新馬戲、現場、線上的觀賞體驗。作品運用擬人的方式,以器材設備的角度觀看後台工作的環境狀態,並透過小品愛情貫徹整個劇情。分別運用劇場形式、影像分鏡、VR拍攝技術、馬戲技巧的操控與平衡發展,實驗另類的觀看視角。
\n\n\n\n
演出暨製作團隊
\n\n馬戲導演|陳信達
\n\n劇場導演|許瀚中
\n\n影像導演|陳識安
\n\n舞台監督|吳昀
\n\n音樂設計|高少廷
\n\n燈光設計|蔡政霖
\n\n馬戲演員|李承漢、鄒琯琳
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團隊介紹
\n\n紅鼻子馬戲團
\n\n紅鼻子馬戲團成立於2013年,「On.P.Young」,取自臺語發音「紅鼻子」。成員們大多從戲曲學院起家,藉由馬戲身體、肢體喜劇、小丑面具、歌舞、物件雜耍……等元素作為創作發展,擅長以幽默逗趣的風格探討馬戲、物件及空間,融合街頭互動、馬戲特技、肢體劇場,摸索新的表演形式,找尋屬於現代的大眾劇場。
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混域規劃製作
\n\n創建臺灣藝文圈與各領域產業的平臺與橋樑。藉由對人類和現代社會的觀察提出新觀點,在這個快速變動的時代,意使人們察覺與體會生活中的細節,並透過戲劇、新媒體等多元藝術創作手法與型態,讓參與作品之創作者與觀眾開啟一個屬於自己的思辨過程。利用各式空間,做出更多產業、民眾、藝文結合的藝術創作,建立屬於我們團隊的品牌與平臺。
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湛時這樣影像工作室
\n\n湛時這樣成立於2021年。湛時 ≣ 暫時 每個合作都是一段暫時的關係,但我們相信這些片刻的能量都能交織成美好且精湛的作品。我們致力於發展各種影像創作,包含電影長/短片/紀錄片製片、前期製作、VR360實拍攝影、後期剪接調光、內容企劃開發等。希望能開發視覺的各種可能和把觀看世界的新視角帶給大家。
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主辦單位:衛武營國家藝術文化中心
\n\n製作單位:紅鼻子馬戲團 、 混域規劃製作 、湛時這樣影像工作室
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更多節目與活動
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