\n
\nPerformers:
Soprano|Huang Li-chin
\n\nBaroque Flute|Ma Yu
\n\nBaroque Recorder|Liang Yi-Chang
\n\nBaroque Oboe|Chang Duan-Ting
\n\nBaroque Bassoon|Martin Chiang
\n\nBarroque Violin|Shio Ohshita
\n\nBaroque Contra Bass, Viola da Gamba|Yang Chun-Yuan
\n\nHarpsichord|Machiko Suto
\n\nHistorical Percussion|Wang Wei
\n\n\n\n
\n',team:""},createdAt:1660189135,updatedAt:1665044537,updatedBy:"林蔚行",host:!1},{_id:"633659d912f38c00082a9bf6",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635"],dateTime:{first:1677238200,discrete:[{time:1677238200},{time:1677306600},{time:1677324600},{time:1677393e3},{time:1677411e3},{time:1677479400},{time:1677565800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1600,2200,3e3,3600,4200,4800,5800],link:"https://tickets.udnfunlife.com/Application/UTK02/UTK0201_.aspx?PRODUCT_ID=N25OLIOZ"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"368f4b42546c13a17dbc58318b7de986",title:"經典法文音樂劇《羅密歐與茱麗葉》"}],related:[],title:"經典法文音樂劇《羅密歐與茱麗葉》",cover:"654da136f83be5c68aa9615c8813a99f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
影片來源:YouTube(udn x瘋活動)
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"如果你一生只看兩部莎士比亞戲劇,這絕對是其中一!" ——《世界報》
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法國改編自莎士比亞愛情名作的《羅密歐與茱麗葉》音樂劇,以法國獨樹一格的「演唱會」形式製作打造,特別強調「音樂」與「演員魅力」,以「歌」帶「戲」是法式音樂劇製作的順序與模式,藉由歌曲詠唱以及雋永詞彙的表達,再加上多樣化背景音樂的襯托,讓演員的情緒起伏及情感傳遞更加深刻且不「言」而喻。
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演出暨製作團隊
\n\n導演/作詞/作曲|Gérard Presgurvic
\n\n羅密歐|Damien Sargue
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"368f4b42546c13a17dbc58318b7de986",title:"經典法文音樂劇《羅密歐與茱麗葉》"}],related:[],title:" Roméo & Juliette, les enfants de Vérone",cover:"654da136f83be5c68aa9615c8813a99f",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
© YouTube(udn x瘋活動)
\n\n\n\n
Roméo et Juliette: de la Haine à l'Amour is a French musical based on William Shakespeare's play Romeo and Juliet, with music and lyrics by Gérard Presgurvic. It premiered in Paris on January 19, 2001. The production was directed and choreographed by Redha, with costumes by Dominique Borg and settings by Petrika Ionesco. The producers were Gérard Louvin, GLEM, and Universal Music. ! Since then, the musical has been performed in Verona, Rome, Canada, Antwerp, London, Amsterdam, Budapest, Szeged, Moscow, Vienna, Bucharest, Seoul, Pusan (South Korea), Taipei, Monterrey, Japan, Hong Kong, Shanghai and Portugal and has been translated into several languages, including Dutch, Italian, Hungarian, Russian, English, German, Spanish, Romanian, Japanese, Korean, Portuguese, and Slovak.
\n\n\n\n
Creative and Production Team
\n\nComposer:Gérard Presgurvic
\n\nRomeo:Damien Sargue
\n\n\n\n
\n',team:""},createdAt:1664506329,updatedAt:1671417586,updatedBy:"林蔚行",host:!1},{_id:"63466e4f26fa100008a38cc9",catalogs:["5fe2bffdde1961000737545c","63631a36cf05170008b40bba","5aec4184b01ea6000520f633"],dateTime:{first:1679486400,discrete:[{time:1679486400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1584857172502659073"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1667444400,end:4823164799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"087a15ab008efe2ba0a22c87335a9e43",title:"【衛武營小時光】黃氏兄弟《暖心小時光》"}],related:[],title:"【衛武營小時光】黃氏兄弟《暖心小時光》",cover:"f9ebd7e69bb0030f46a168d3cf447ee9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
黃氏兄弟的《暖心小時光:屬於你的樹洞時刻》將於高雄衛武營與您相聚
\n\n臺灣知名YouTuber——黃氏兄弟,頻道由哲哲、瑋瑋共同經營,目前訂閱數已突破兩百多萬,自創立頻道起黃氏兄弟一直期待與黃豆們一起成為有溫度的人。哲哲、瑋瑋也不斷地在各領域持續努力發展,希望除了透過影片帶給觀眾歡笑外,也可以展現更多不同的面向;過去四年瑋瑋透過歌曲陪伴粉絲度過人生不同的階段及經歷。
\n\n時隔五個月哲哲、瑋瑋再度回到高雄與粉絲相見,希望藉由這次的演出給粉絲帶來力量,在屬於你的樹洞時刻中一起聆聽內心的聲音,共同度過暖心小時光。
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演出者介紹
\n\nYouTuber|黃氏兄弟
\n\n「黃氏兄弟」哥哥哲哲(黃雍哲)和弟弟瑋瑋(黃挺瑋)是臺灣YouTuber排名前幾名的影音創作者,作為新世代的超級偶像,YouTube頻道已有超過兩百萬訂閱,兄弟間反差的個性和可愛的互動深深擄獲粉絲的心,2022年「返校日5」演唱會吸引超過千名粉絲參加、2021年10月發行第二本寫真,過去曾受邀各大時尚媒體專訪並與臺北時裝週官方合作,從YouTube發聲,哲哲與瑋瑋持續在各個領域拓展黃氏兄弟獨特魅力!
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歌手|黃挺瑋
\n\n2019年發布首張個人單曲〈不專心〉,而後陸續發佈超過十單曲,其中包含兩首個人創作單曲〈世界再大你擁有我〉、〈曖昧變成傷害〉,目前單首MV觀看數累積就超過兩千萬。
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:1667444400,end:4823164799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"087a15ab008efe2ba0a22c87335a9e43",title:"【衛武營小時光】黃氏兄弟《暖心小時光》"}],related:[],title:"【Weiwuying Showtime】Huang Brothers - A Short Time Escape",cover:"f9ebd7e69bb0030f46a168d3cf447ee9",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 11/16(Wed)12:00 !
\n\tFamous Taiwanese YouTuber channel the Huang Brothers is managed by Zhe Zhe and Wei Wei together, with a current subscriber count of over 2 million. From the beginning, the Huang Brothers always aspired to be kind and warm-hearted people with their fans (a.k.a. Huang Dou, or "Soybeans"). Zhe Zhe and Wei Wei are working hard and making progress in their respective fields, in an effort to expand beyond their role as entertainers who bring laughter to their viewers through their videos. Over the past 4 years, Wei Wei's songs have accompanied fans through different stages of their life experiences.
\n\nIt will be 5 months since Zhe Zhe and Wei Wei last met up with fans in Kaohsiung. They hope that they can bring their fans strength with this return performance and take heed of their inner voice during this secret time of small heartwarming moments together.
\n\n\n\n
Artists Introduction
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YouTuber|Huang Brothers
\n\nHuang Brothers are A-list YouTube video creators in Taiwan. Their contrasting personalities and adorable interactions have captured the hearts of their fans and made them super idols of the younger generation; their YouTube channel has reached over 2 million subscribers, and their 2022 "Homecoming Day 5" concert attracted an audience of thousands. In early October, 2021, they released their second photo book, and the pair has been invited to exclusive interviews with major fashion media outlets and even partnered with Taipei Fashion Week. Having found their voice on YouTube, Zhe Zhe and Wei Wei now spread the unique charm of the Huang Brothers wherever they venture.
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\n\n
Singer|HUANG Ting-wei
\n\nHe released his first solo single 'Not Attentive' in 2019 with 10 more in succession, including original songs 'However Big the World Is, I'm Still with You' and 'Love Became Hurt,' whose music videos have garnered over 20 million hits apiece.
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\n\n
\n',team:""},createdAt:1665560143,updatedAt:1667873544,updatedBy:"林蔚行",host:!0},{_id:"6353aa5d534d0d0007c69b24",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1678516200,discrete:[{time:1678516200},{time:1678602600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[100,300,500,700,1200,1600,2e3],link:"https://www.opentix.life/event/1600373586958299141"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"44a76f1871437fde8e79529c3f90f9aa",title:"明華園戲劇總團《東海鍾離》"}],related:[],title:"明華園戲劇總團《東海鍾離》",cover:"554d507e92564fea2e2c1769159b8d63",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
相關優惠請至購票網站查詢。
\n\t衛武營協辦節目
\n\t臺灣台語演出,中英文字幕。
\n\t明華園總團最新力作《東海鍾離》由國家文藝獎劇作家陳勝國擔任編導,傳統戲劇無敵小生孫翠鳳主演,描述漢鍾離成仙的故事,為明華園藝術家族代表性的「八仙傳奇系列」最終章。
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天庭之上,東華帝君獲諸神舉薦,將成為登上蓬萊仙島的第二位神仙,孔子傳玉帝聖旨卻遭東華帝君斷然拒絕,卻見聖旨背後寫著「捉李代桃破雲霧,本是鍾離樑一株,是五是二君自選,師度徒來徒度師」!東華靈光乍現認定漢將鍾離權是最佳的替代人選,於是,東華千方百計接近鍾離權,費盡唇舌欲度他成仙,卻屢遭鍾離權驅趕,東華是否能順利度化鍾離?其身後的青龍劍已經暗喻⋯⋯
\n\n
\n邁向創團百年,明華園總團藝術家族為臺灣傳統藝術傳承投注心力,積極培養新生代表演人才,《東海鍾離》由孫翠鳳領銜主演新生代演員陳昭賢、李郁真、陳昭婷、陳子豪、晨翎、吳米娜等聯合主演,為傳統戲劇注入新活力。
\n\n
相關報評
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演出暨製作團隊
\n\n藝術總監|陳勝福
\n\n編劇暨總導演|陳勝國
\n\n製作人|陳昭賢
\n\n武戲導演|戴立吾
\n\n身段指導|朱安麗
\n\n舞台設計|吳明軒
\n\n燈光設計|陳為安
\n\n影像多媒體設計|王奕盛
\n\n音樂設計暨指揮|莊家煜
\n\n音樂設計|呂冠儀
\n\n舞蹈設計|王靉天
\n\n服裝設計|林詩昌
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主演|孫翠鳳、陳昭賢、李郁真、陳昭婷、陳子豪、晨翎、吳米娜等
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藝術家介紹
\n\n藝術總監|陳勝福
\n\n明華園戲劇總團總團長。以打造「精緻、創意、東方歌舞劇」為目標,運用現代的舞台特效,結合創新劇場技術、流暢變換的舞台場景,成功將臺灣傳統戲劇及明華園行銷到國際舞台。
\n\n\n\n
編劇、總導演|陳勝國
\n\n明華園戲劇總團首席編導。自1971年起至今,外台口述幕表戲發表高達三百多本,劇場歌仔戲劇本五十多齣。1982年起以《父子情深》、《濟公活佛》、《劉全進瓜》蟬聯三屆戲劇比賽冠軍及編導獎、2018年獲頒「國家文藝獎」,2022年經典再現《韓湘子》入圍傳藝金曲獎最佳編劇。
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製作人、漢鍾離(上半場)|陳昭賢
\n\n明華園第三代青年軍、明華園總團青年軍執行長、風神寶寶兒童劇團團長。3歲開始粉墨登場,從小學習民俗舞蹈與芭蕾,將舞蹈融合傳統身段,展現新生代特有的表演風格。2012年創立風神寶寶兒童劇團,帶領新生代演員,為延續臺灣傳統戲劇而努力。
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漢鍾離(下半場)|孫翠鳳 飾
\n\n臺灣傳統戲劇無敵小生,明華園總團青年軍團長。勇於挑戰生、旦、淨、丑多種角色,憑藉著先天資質與後天鍥而不捨的努力,成為傳統戲劇界難得一見的舞台影視全方位演員。因在歌仔戲推廣上的卓越貢獻,於1996年獲頒「十大傑出青年」、1997年獲「亞洲最傑出藝人獎」、2020年教育部「藝術教育貢獻獎」。
\n\n\n\n
東華帝君|李郁真 飾
\n\n國立高雄師範大學表演藝術學程碩士、國立臺灣藝術大學舞蹈系畢業。自高中時期開始即追隨明華園總團學習傳統戲劇,專攻文、武小生,師承明華園當家台柱孫翠鳳,基本身段紮實,經常在明華園總團公演、電視製作中擔任重要角色。
\n\n\n\n
白鹿鳴|陳昭婷 飾
\n\n明華園第三代、華岡藝校舞蹈科畢業。專攻旦角,嗓音柔美,做工細膩。2004年於海峽兩岸歌仔戲藝術節榮獲「十佳優秀青年演員獎」,2012年榮獲「中國文藝獎章」肯定。
\n\n\n\n
劉宏(漢靈帝)|陳子豪飾
\n\n明華園第三代,藝華園團長,專攻武生與丑角,師傳自父親及明華園前輩的好功夫,不只功夫了得,扮相更是英姿勃發,傳統身段紮實,且幽默風趣,從小在家族耳濡目染,全身都是「戲胞」。
\n\n\n\n
迷吾閨(西羌王后)|晨翎 飾
\n\n藝華園戲劇團當家小旦。扮相清秀、身段柔美,自幼就參加舞蹈班。高中畢業後加入明華園,從戲迷變成演員,從ㄚ環、宮女到獨當一面的旦角表現有目共睹。
\n\n\n\n
攝影|陳又維
\n\n\n\n
主辦單位:明華園戲劇總團
\n\n協辦單位:衛武營國家藝術文化中心
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"44a76f1871437fde8e79529c3f90f9aa",title:"明華園戲劇總團《東海鍾離》"}],related:[],title:"Ming Hwa Yuan Arts & Cultural Group - The 8 Immortals of PengLai: ZhongLi of Han",cover:"554d507e92564fea2e2c1769159b8d63",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
ZhongLi of Han marks the latest production of Ming Hwa Yuan Arts & Cultural Group. This production is helmed by National Award for Arts winning playwright, CHENG Sheng-kuo, featuring the Star Male Lead of Traditional Theatre, SUN Tsui-feng. The grand finale of Ming Hwa Yuan's 8 Immortal Series is none other than Han ZhongLi's journey in becoming an immortal.
\n\n\n\n
Every deity in the Celestial Court supported Imperial Lord DongHua to be the 2nd Immortal on the fairy island of PengLai, except DongHua himself. DongHua outright rejected the decree of the Jade Emperor when Master Confucius presented it to him. The decree had a hidden message on its back that read "Get a replacement; ZhongLi, a great candidate. You decide to be the second or the fifth; Role reversal between mentor and student."! DongHua was inspired and tried every means to transcend ZhongLi into the ranks of immortals, but his effort was met with refusal and rejection too. Will DongHua succeed in this divine undertaking? The Green Dragon Sword carried by DongHua seems to hint at...
\n\n
\nAs Ming Hwa Yuan approaches its centennial, it continues to focus on passing down the tradition to the new generation, actively training up a new generation of star performers. ZhongLi of Han features both existing and rising stars, including SUN Tsui-feng, CHEN Chao-hsien, LI Yu-chen, CHEN Chao-ting, CHEN Tzu-hao, CHEN Ling, injecting new vigor into traditional theatre.
\n\n
Creative and Production Team
\n\nArtistic Director|CHEN Sheng-fu
\n\nPlaywright & Director|CHEN Sheng-kuo
\n\nProducer|CHEN Chao-hsien
\n\nMain Performer|SUN Tsui-feng, CHEN Chao-hsien, LI Yu-chen, CHEN Chao-ting, CHEN Tzu-hao, CHEN Ling, WU Mi-na
\n\n\n\n
Photo ©陳又維
\n\n\n\n
Presenter: Ming Hwa Yuan Arts & Cultural Group
\n\nCo-presenter: National Kaohsiung Center for the Arts (Weiwuying)
\n\n\n\n
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※本節目錄影場次原訂3月18日變更至3月17日。 \n\t\t\t | \n\t\t
一次再平常不過的房客退租,為什麼會引來家門口一輛停了一年也不開走的卡車?為了清空家門,怎麼又得牽扯上警察、司法官僚體系,以及賴也賴不掉的人情世故?
\n\n臺灣戰後堅持採日文寫作、曾獲首屆吳濁流文學獎的作家黃靈芝,晚年始被日本學者重新發現,被視為臺灣文學遺忘的瑰寶。他以洞察世事的眼光及奇特的佈局,留下超越時代的作品。《天中殺》由同名短篇小說改編,標題意指「空亡」,實則以卡夫卡式的敘事,反映出大時代下卑微小人物的生存困境。
\n\n編劇暨導演鴻鴻向來擅長跨界創作與革新思維,在本次製作中,他不僅要讓聲樂家們透過華、臺、日語等多語言交織,映照出分歧的價值觀,更將協同指揮簡文彬,與作曲家李元貞、爵士樂手謝明諺攜手合作,以充滿彈性的爵士樂風格為槓桿,打造出融合室內樂、聲樂演唱與薩克斯風自由協奏的當代歌劇,邀您一同在「混種」中找到藝術開創的全新可能。
\n\n\n\n
天中殺 (tentyuusatu),為日文占卜用語,又稱空亡或天中煞。意指命盤中遇到天干地支不合時出現的神煞格局,此時陷入局中,將會凡事災煞上身無法化解。
\n\n\n\n
演前導聆
\n\n2023/3/17(五)19:00 戲劇院2樓大廳
\n\n2023/3/18(六)14:00 戲劇院2樓大廳
\n\n2023/3/19(日)14:00 戲劇院2樓大廳
\n\n\n\n
周邊活動
\n\n►《天中殺》 系列講座「文學、類型片與當代歌劇—對話《天中殺》」
\n\n►《天中殺》 系列講座「是他跨越時代,還是時代跨越他?——黃靈芝〈天中殺〉導讀」
\n\n►《天中殺》 系列講座「從文本到舞台──談臺文作家黃靈芝與〈天中殺〉的特殊性」
\n\n\n\n\n\n
延伸閱讀
\n\n►衛武營 Call Cue 青少年-混種當代歌劇《天中殺》.pdf
\n\n\n\n\n\n
文章閱讀
\n\n►【MUSICO特別報導】與命運的和解?混種當代歌劇《天中殺》——專訪作曲家李元貞
\n\n\n\n\n\n►【專訪】混種當代歌劇《天中殺》編導鴻鴻:刻意使用中、臺、日三種語言發聲,除了臺灣沒有地方能這樣做——The News Lens
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演出暨製作團隊
\n\n原著小說|黃靈芝
\n\n指揮|簡文彬
\n\n編劇、導演|鴻鴻
\n\n原著小說翻譯|阮文雅
\n\n劇本台語翻譯|MC JJ、蕭茜
\n\n台語指導|鄭順聰
\n\n動作指導|賴翠霜
\n\n作曲|李元貞
\n\n爵士樂編曲|謝明諺
\n\n舞台設計|陳威光
\n\n服裝造型設計|謝建國
\n\n燈光設計|王芳寧
\n\n影像設計|黃詠心
\n\n聲樂家|林義偉、翁若珮、林慈音、羅俊穎、趙方豪、張殷齊
\n\n說書人|黃大旺
\n\n薩克斯風|謝明諺 (3/17、3/18場次)、廖莊廷 (3/19場次)
\n\n鋼琴|李世揚
\n\n鼓手|Andrew SALIM
\n\n長榮交響樂團 重奏團
\n\n演出單位|黑眼睛跨劇團(本團獲國藝會111年度演藝團隊分級獎助專案贊助)
\n\n\n\n
本節目由衛武營國家藝術文化中心與臺北表演藝術中心共同製作。
\n\n\n\n
巡演場次
\n\n《天中殺》臺北場演出資訊
\n\n臺北表演藝術中心 大劇院
\n\n4/28(五)19:30
\n\n4/29(六)19:30
\n\n4/30(日)14:30
\n\n\n\n\n\n
贊助單位
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\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"78ce320140b5af65b8766d3f1a8c3c33",title:"混種當代歌劇《天中殺》"}],related:[],title:"Opera - Portent",cover:"3eff74b2fb550cab37df0e98a6d9b90a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Why would a tenant moving out attract a truck that parked in front of the door for a year? Why would clearing the house involve the police, the jurisdiction, and such sophistication? HUANG Ling-zhi, a writer who persisted in writing in Japanese after World War II and won the 1st WU Chuo-liu Literature Prize, was given importance by Japanese scholars in his late period, and his works were considered the forgotten gem in Taiwanese literature. With a clear vision and a unique format, HUANG created works that far surpassed the scope of his era. Portent, based on a short story of the same name, refers to a human-induced disaster. HUANG told the story in the Kafkaesque style to depict the hardship of the common people in this era of drastic change.
\n\nDeft at creating cross-disciplinary works and equipped with the creative thinking ability, Playwright and Director HUNG HUNG will arrange for vocalists to communicate with each other in Mandarin, Taiwanese, and Japanese to reflect the divergent value of each character. In addition, he will work with conductor CHIEN Wen-pin, composer LI Yuan-chen and jazz musician Minyen HSIEH to create a contemporary opera based on jazz music. It will incorporate chamber music, voice, and freestyle saxophone to explore new possibilities for artistic creation through such a mixed style.
\n\n\n\n
Pre-talk
\n\n2023/3/17(Fri)19:00 Playhouse 2nd Floor
\n\n2023/3/18(Sat)14:00 Playhouse 2nd Floor
\n\n2023/3/19(Sun)14:00 Playhouse 2nd Floor
\n\n\n\n
Article
\n\n►Opera Portent─Interview with librettist and director Hung Hung
\n\n\n\n
Creative and Production Team
\n\nOriginal Novel Writer|HUANG Ling-zhi
\n\nConductor|CHIEN Wen-pin
\n\nPlaywright & Stage Director|HUNG HUNG
\n\nOriginal Novel Translator|JUAN Uen-ia
\n\nTaiwanese Script Translator|MC JJ,HSIAO Chien
\n\nTaiwanese Coach|Tēnn Sūn-tshong
\n\nChoreography Coach|LAI tsui-shuang
\n\nComposer|LI Yuan-chen
\n\nJazz Arranger|Minyen HSIEH
\n\nStage Designer|CHEN Wei-kuang
\n\nCostume Designer|Jeffy CHEAH
\n\nLighting Designer|WANG Fang-ning
\n\nNew Media Designer|HUANG Yong-hsin
\n\nSoloists|LIN Yi-wei, WENG Jo-pei, Grace LIN, Julian LO, CHAO Fang-hao, CHANG Yin-chi
\n\nNarrator|HUANG Dawang
\n\nSaxophone|Minyen HSIEH (3.17、3.18)、Justin LIAO (3.19)
\n\nPiano|LEE Shih-yang
\n\nDrum|Andrew SALIM
\n\nEvergreen Symphony Orchestra Ensemble
\n\nPerforming Company|Dark Eyes Performance Lab (2021 TAIWAN TOP PERFORMING ARTS GROUP)
\n\n\n\n
The program is co-produced by National Kaohsiung Center for the Arts (Weiwuying) and Taipei Performing Arts Center.
\n\n\n\n
Sponsor
\n\n\n\n
\n',team:""},createdAt:1666594350,updatedAt:1678759494,updatedBy:"林蔚行",host:!0},{_id:"6358d601afce7d0007842f9f",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1677929400,discrete:[{time:1677929400},{time:1677997800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1400,1700,2e3,2300,2600],link:"https://tixfun.com/UTK0201_?PRODUCT_ID=N18ITTNC"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2c048177d81c7e6e9dc30c38572ddfca",title:"舞台劇《最後14堂星期二的課》"}],related:[],title:"舞台劇《最後14堂星期二的課》",cover:"24562f1dbb507e0629261f6c5ba5468a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
壹戲劇大賞評語:「一個脆弱的病人成為了精神的巨人。他的表演返璞歸真、動情觀照、感人至深,是勵志,是解藥,也是對人性的堅決肯定,他引領我們穿越黑暗與死亡的幽谷,重見世界的美好與光明。 」
\n\n白玉蘭獎評語:「他的表演不賣弄技巧,細節拿捏十分準確,人物塑造唯妙唯肖。」
\n\n一本美妙的書,一個作者以靈魂訴說,關於心靈的故事—【洛杉磯時報】
\n\n生動捕捉到複雜生命背後的簡單純粹,既清晰又富有智慧的美麗故事。——【美國暢銷心靈作家史考特‧派克(M. Scott Peck,M.D.)】
\n\n\n\n
改編自美國著名作家米奇‧艾爾邦的同名暢銷小說《最後14堂星期二的課》。米奇(卜學亮飾)大學畢業16年後一直處於埋頭工作的狀態。在追求理想、事業和物質享受的生活中迷失了自我。一天,他偶然在電視上看見大學時期的恩師莫利(金士傑飾)不幸罹患了肌萎性脊髓側索硬化症(簡稱ALS),決定抽空去見這位導師。莫利雖然患了不治之症,卻拒絕讓自己即將步入死亡的事實影響情緒。在他剩下的日子裡,他以自己的生命經驗當作活教材,與他的學生相約在每週的星期二,展開為期14場既幽默又觸動人心的生命對談。
\n\n\n\n
演出暨製作團隊
\n\n製作統籌|果陀劇場
\n\n藝術總監|梁志民
\n\n演出人員|金士傑、卜學亮
\n\n導演/劇本翻譯|楊世彭
\n\n小說原著|米奇 · 艾爾邦
\n\n原著劇本|傑佛瑞 · 海其爾、米奇 · 艾爾邦
\n\n服裝造型設計|王怡美
\n\n舞台設計|劉達倫
\n\n燈光設計|曹安徽
\n\n音樂暨音效設計|傑夫 · 馬克思
\n\n影像設計|王奕盛
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2c048177d81c7e6e9dc30c38572ddfca",title:"舞台劇《最後14堂星期二的課》"}],related:[],title:"Mitch Albom's TUESDAYS WITH MORRIE ",cover:"24562f1dbb507e0629261f6c5ba5468a",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
One of the world's top-selling memoirs of all time, Tuesdays with Morrie is a moving rumination about life and death, based on author Mitch Albom's interviews with his college Professor Morrie Schwartz. Albom is a newspaper sports reporter who becomes so absorbed in his work and materialistic pursuits that it consumed his life. When he learnt from a television interview that his favourite professor, Schwartz, was afflicted with the terminal amyotrophic lateral sclerosis (ALS) or Lou Gehrig's disease, he was moved to reconnect with his old mentor. The story chronicles Schwartz's thoughts about living a meaningful life over a series of meetings—always on Tuesdays— that Schwartz had with Albom before his passing.
\n\n\n\n
Creative and Production Team
\n\nProduced by|Godot Theatre Company
\n\nArtistic Director by|James Chi-Ming Liang
\n\nActed by|Shih-Chieh Chin 、 Hsueh-liang Pu
\n\nDirected & Script Translated|Daniel S.P. Yang
\n\nBased on the Novel by|Mitch Albom
\n\nOriginal Screenplay by|Jeffrey Hatcher、Mitch Albom
\n\nCostume Designed by|Yimeei Wang
\n\nSet Designed by|Dar-Lurn Liu
\n\nLighting Designed by|An-Huei Tsao
\n\nSound Designed by|Jeff Mockus
\n\nVisual Designed by|Ethan Wang
\n\n\n\n
\n',team:""},createdAt:1666766337,updatedAt:1667378358,updatedBy:"林蔚行",host:!1},{_id:"635cd7d176d38900090ed703",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1679657400,discrete:[{time:1679657400},{time:1679743800},{time:1679812200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600],link:"https://www.opentix.life/event/1594248156477132803"}},attachment:{key:"5c291479286daba9efc4d71c36e83bca",name:"羅伯・勒帕吉×機器神《庫維爾1975:青春浪潮》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"021a2716104b72736e7c491488ac8077",title:"羅伯・勒帕吉×X機器神《庫維爾1975:青春浪潮》"}],related:[{from:"programs",key:"63f872bcabd333000ac8e9df",title:"【大師講座】遇見當代達文西-探索羅伯.勒帕吉的創意世界"},{from:"programs",key:"63c65fe72322390008fa3d84",title:"【夜遊劇場】探索羅伯・勒帕吉×機器神《庫維爾1975:青春浪潮》後台風景"}],title:"羅伯・勒帕吉×機器神《庫維爾1975:青春浪潮》",cover:"a0bbb85cd43eb0f591b319b88db72bf6",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'「舞台呈現富含電影感」——加拿大《義務報》(評《庫維爾》)
\n\n「羅伯.勒帕吉的偉大傑作…開創劇場藝術新高度」——《魁北克日報》(評《庫維爾》)
\n\n\n\n
「世上最閃耀的劇場巫師」——英國《電訊報》(The Telegraph)
\n\n「被譽為當代達文西的魁北克導演羅伯.勒帕吉,身兼電影導演、劇場導演、歌劇導演、演員、舞台設計等多重角色,擅長結合科技與個人經驗,創造幻炫的舞台效果,堪稱最會說故事的藝術大師。臺灣對勒帕吉的作品向來不陌生,《安徒生計畫》、《眾聲喧嘩》與《癮.迷》來臺演出時,皆創下絕佳口碑,他的電影也曾在臺北電影節以專題方式呈現。」——耿一偉
\n\n\n\n
《庫維爾1975:青春浪潮》是當代劇場大師羅伯.勒帕吉繼《887》後,一部野心勃勃又私密無比的半自傳式作品。故事發生在1975年的加拿大,如今不復存在的庫維爾。剛滿17歲的西蒙,在家裡的地下室有自己的房間。他的生活裡有一位與無賴叔叔廝混的寡婦母親、被強迫紋上的胸膛刺青、向他求愛未果的女性朋友和一位未受良好教育但四肢發達的男性友人。在《庫維爾1975:青春浪潮》這幅青春浮世繪裡,呼之欲出的情慾覺醒、對旁人眼光的在意以及對外表的迷戀等,與接踵而來的社會動盪,在西蒙的生命中引發關鍵性的迴響。
\n\n\n\n
台上的角色將由受日本文樂(人形淨琉璃)啟發的人偶飾演。勒帕吉曾表示自己的青春期並不燦爛,因此他想以更成熟的眼光去看待這個充滿矛盾的人生階段。他認為將青春期的記憶與情感注入無生命的戲偶,較能誠實訴說並昇華這個故事。除此之外,本劇利用升降式雙層平台,讓場景在西蒙的地下室於外在世界(樓上、城鎮、學校、街道、游泳池等)間流暢切換。這是一場青春期的磨難與探詢,結合操偶、舞台機關、燈光投影,勒帕吉營造了一場創意無限、目眩神迷的視覺奇觀。
\n\n\n\n
演前導聆
\n\n2023/3/24(五)19:00-19:20 戲劇院二樓大廳
\n\n2023/3/25(六)19:00-19:20 戲劇院二樓大廳
\n\n2023/3/26(日)14:00-14:20 戲劇院二樓大廳
\n\n\n\n
演後座談
\n\n2023/3/24(五)21:45 戲劇院舞台
\n\n與談人|導演羅伯.勒帕吉
\n\n主持人|衛武營戲劇顧問耿一偉
\n\n\n\n
延伸閱讀
\n\n►衛武營Call Cue 青少年_羅伯・勒帕吉×機器神《庫維爾1975:青春浪潮》
\n\n(*內文調整說明:本節目Call Cue青少年撰稿年份為2022年,該年因疫情取消演出。2023年演出場次,羅伯・勒帕吉無親自飾演。)
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文章閱讀
\n\n\n\n\n\n\n\n
周邊活動
\n\n\n\n►【夜遊劇場】探索羅伯・勒帕吉×機器神《庫維爾1975:青春浪潮》後台風景
\n\n\n\n演出暨製作團隊
\n\n編劇、概念發想、導演|羅伯.勒帕吉
\n\n概念發想暨創意指導|史帝夫.布蘭琪
\n\n助理導演|法蘭西斯.博略
\n\n演出|奧利維爾.諾曼德
\n\n操偶師|瑪麗-克勞德.拉布萊特、威爾斯立.羅伯森三世、馬丁.瓦蘭古
\n\n助理舞台設計|亞莉安.薩瓦
\n\n戲偶設計暨製作|金-蓋伊.懷特、席林.懷特
\n\n作曲暨音響設計|馬修.杜永
\n\n影像設計|菲利克斯.佛雷代-法吉
\n\n燈光設計|尼古拉.德科托
\n\n服裝設計|維吉尼.勒克萊爾
\n\n道具設計|珍.拉比耶爾
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藝術家介紹
\n\n羅伯・勒帕吉
\n\n跨領域藝術家羅伯・勒帕吉身兼演員、導演、劇作家及劇場導演,其作品汲取近代歷史,具原創性、當代性及獨特性,更藉由新科技超越界域限制,也挑戰了劇場書寫的標準,深受國際藝評界讚揚。
\n\n1994年是勒帕吉創作生涯的重要階段,他在這年成立了跨領域創作的團隊「機器神」(Ex Machina)並擔任藝術總監。在其主導下,名為La Caserne的跨領域製作中心於1997年6月在魁北克市成立;截至2019年,幾乎所有機器神的創作均誕生於此。
\n\n其重要作品包括:舞台劇《太田川的七條支流》、《龍之三部曲》;獨角戲《在月球的彼端》、《887》;歌劇《浮士德的天譴》、華格納《尼伯龍根的指環》;多媒體作品《影像廠》、《夜間圖書館》。他也曾與太陽馬戲團合作《雙星奇緣》及《圖騰》。
\n\n\n\n
機器神
\n\n在藝術總監羅伯.勒帕吉的帶領之下,機器神創作、製造、並傳播跨領域的藝術作品,其中又以戲劇作品為主。
\n\n機器神匯集了來自不同領域的創作者,碰撞出多元的藝術創作:以單獨或集體方式撰寫並演出原創劇本、以現有文本發展的戲劇作品、將其他多種領域(如舞蹈、音樂、博物館學)結合戲劇的製作,以及大量運用科技所創作的歌劇及多媒體作品。機器神主要在魁北克市發展創作,並經常於加拿大魁北克和美洲、歐洲、亞洲、大洋洲等其他地區演出。
\n\n多語言的運用、大量圖像、視角顛倒、規模變化、電影敘事手法的借用以及科技工具的使用,以上種種都是為了激發觀眾情緒並啟發意義,同時也反映出機器神試圖為戲劇表達賦予詩意的渴望。
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本節目由衛武營國家藝術文化中心、臺中國家歌劇院、魁北克市鑽石劇院、法國國立火山劇院及法國國立彗星劇院共同製作
\n\n合作夥伴:高雄春天藝術節
\n\n支持單位:加拿大駐台北貿易辦事處
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Photo © Francois Latulippe / Ex Machina
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"021a2716104b72736e7c491488ac8077",title:"羅伯・勒帕吉×X機器神《庫維爾1975:青春浪潮》"}],related:[],title:"Robert LEPAGE × Ex Machina - Courville",cover:"a0bbb85cd43eb0f591b319b88db72bf6",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Courville is an ambitious and intimate semi-autobiographical work by the wizard of modern theatre direction, Robert LEPAGE, following his one-man show 887. The story takes place in Canada, 1975, in the now non-existent Courville. Simon, just 17 years old, has his own room in the basement of a bungalow. In his circle are a widowed mother mixed up with a shifty uncle, an involuntary and painfully permanent tattoo on his chest, a female friend who woos him without much success, and a poorly educated athletic male friend. In this ukiyo-e of youth, Simon's life is marked by the torments of sexual awakening, the gaze of others, and obsession with appearance, as well as the social unrest that ensues.
\n\nThe characters on stage are played by puppets inspired by the Japanese bunraku. LEPAGE described his adolescence as somewhat gloomy, so he wanted to look at this conflicting stage of life with a more mature perspective. He believes injecting adolescent memories and emotions into the inanimate puppets will lead to sublimated and honest storytelling. In addition to being a formal experiment, Courville also displays an abundance of technological wizardry. The play utilizes a double-layered platform that allows the scenes to switch smoothly between Simon's basement and the outside world (ground floor, township, school, street, swimming pool, etc.) An adolescent ordeal and inquiry, combined with puppets, stage machinery, lighting, and projections, Courville is an inventive and dazzling visual spectacle.
\n\n\n\n
Pre-talk
\n\n2023/3/24(Fri)19:00-19:20 Playhouse 2nd Floor
\n\n2023/3/25(Sat)19:00-19:20 Playhouse 2nd Floor
\n\n2023/3/26(Sun)14:00-14:20 Playhouse 2nd Floor
\n\n\n\n
Post-talk
\n\n2023/3/24(Fri)21:45 Playhouse Stage
\n\nGuest|Director Robert LEPAGE
\n\nHost|KENG Yi-wei, Dramaturg of Weiwuying
\n\n\n\n
Creative and Production Team
\n\nWritten, Designed, & Directed by|Robert LEPAGE
\n\nDesign & Creative Director|Steve BLANCHET
\n\nAssistant Director|Francis BEAULIEU
\n\nPerformed by|Olivier NORMAND
\n\nPuppeteers|Marie-Claude LABRECQUE, Wellesley ROBERTSON III, Martin VAILLANCOURT
\n\nAssociate Set Designer|Ariane SAUVÉ
\n\n\n\n
Puppet Design & Building|Jean-Guy WHITE, Céline WHITE
\n\nComposer & Sound Designer|Mathieu DOYON
\n\nImage Designer|Félix FRADET-FAGUY
\n\nLighting Designer|Nicolas DESCÔTEAUX
\n\nCostume Designer|Virginie LECLERC
\n\nProperties Designer|Jeanne LAPIERRE
\n\n\n\n
Co-produced by National Kaohsiung Center for the Arts (Weiwuying), National Taichung Theater, Le Diamant, Quebec City, Le Volcan - Scène Nationale du Havre and La Comète -Scène Nationale de Châlons-en-Champagne
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Partner: Kaohsiung Spring Arts Festival
\n\nSupported by: Canadian Trade Office in Taipei – Bureau commercial du Canada à Taipei
\n\n\n\n
Photo © Francois Latulippe / Ex Machina
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衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
管風琴天后伊維塔X指揮簡文彬,獻上德法樂派顛峰之作
\n\n管風琴音樂節的第二場是「管絃樂篇」,除了穆索斯基《荒山之夜》和櫻井弘二《不散。》外,重頭戲在兩首以管風琴為主的曲目上,分別是巴赫d小調管風琴協奏曲,BWV1052,和吉爾曼第一號交響曲,作品42。巴赫d小調協奏曲常見的是大鍵琴演奏版本,但根據音樂學者克里斯多福・沃夫和古格里・巴特勒最新的研究顯示,這首作品可能是巴赫定居在萊比錫初期為管風琴創作的協奏曲,管風琴擔任主奏,給人耳目一新的感覺。吉爾曼是19世紀法國「管風琴交響學派」代表性作曲家之一,作品42第一號交響曲是根據他的管風琴奏鳴曲加以改寫而成的,樂曲中管風琴展現了足以媲美整個交響樂團的磅礴氣勢。巴赫及吉爾曼分別代表了德國巴洛克樂派以及法國浪漫派兩個管風琴的巔峰時期,兩種風格之美一場音樂會同時呈現!
\n\n\n\n
演前導聆
\n\n2023/3/24(五)19:00 音樂廳三樓大廳
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演出曲目
\n\n巴赫:d小調鍵盤協奏曲,BWV 1052
\n\n穆索斯基:《荒山之夜》(林姆斯基・高沙可夫改編)
\n\n櫻井弘二:《不散。》-來自紅玫瑰與白玫瑰的敘情曲
\n\n吉爾曼:給管風琴及樂團的d小調第一號交響曲,作品42
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演後簽名會
\n\n管風琴家伊維塔.艾普卡娜於演後將於前廳進行親筆簽名會,活動時間約30分鐘,開放每人1樣物件,簽名物件僅限現場販售之節目冊及專輯。歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
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周邊活動
\n\n3/4(六)14:00
\n►【武營來開槓】打卡新勝地!世界管風琴之旅
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演出暨製作團隊
\n\n管風琴|伊維塔.艾普卡娜
\n\n指揮|簡文彬
\n\n高雄市交響樂團
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藝術家介紹
\n\n管風琴|伊維塔.艾普卡娜
\n\n拉脫維亞管風琴演奏家伊維塔.艾普卡娜,是現今重要的世界級演奏家之一。自2017年開始,於德國漢堡易北愛樂廳擔任演奏克萊斯管風琴的領銜管風琴演奏家。在2017年的音樂廳開幕音樂會上,她首演了兩首作品:與托馬斯.亨格爾.布洛克及北德廣播易北愛樂管絃樂團合作的沃爾夫岡.里姆《紀念漢斯.亨利.楊的三聯畫和格言》,以及與長野健和漢堡愛樂管絃樂團合作的約爾格.威德曼《弧形》。最近,她透過柏林經典唱片發行了新專輯《光與暗》,這是首張以易北愛樂廳的克萊斯管風琴錄製的獨奏專輯。
\n\n伊維塔.艾普卡娜曾獲多項殊榮及大賽獎項。2018年3月,獲得拉脫維亞最負盛名的「拉脫維亞音樂大獎」中的「年度音樂家」及「年度音樂會」獎項。此外,她獲頒拉脫維亞文化部「2015文化傑出獎」,並成為拉脫維亞文化大使。2005年,伊維塔成為獲得回聲音樂獎「最佳演奏家」頭銜的第一位管風琴演奏家。
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指揮|簡文彬
\n\n衛武營國家藝術文化中心藝術總監。1967年生,國立藝專(今國立臺灣藝術大學)鍵盤組畢業,維也納音樂暨表演藝術大學指揮碩士學位。1996年起擔任德國萊茵歌劇院(Deutsche Oper am Rhein)駐院指揮長達22年;1998-2004年為日本太平洋音樂節(Pacific Music Festival)駐節指揮;2001-2007年為國家交響樂團(NSO)音樂總監,在其任內推動「定期音樂會系列」、國人作品委託創作及錄製、「歌劇系列」等創舉,並在2006年樂團20週年時推出華語地區首次自製之華格納《尼貝龍指環》四部曲;2014-2016年擔任國立臺灣交響樂團藝術顧問,並於2014年9月獲頒第18屆國家文藝獎。
\n\n\n\n
高雄市交響樂團
\n\n1981年成立。2009年與高雄市國樂團整併為「財團法人高雄市愛樂文化藝術基金會」,時任高雄市文化局史哲局長出任董事長。2010年,朱宏昌先生出任執行長。2011年,楊智欽先生出任駐團指揮。現任董事長為高雄市文化局長王文翠。
\n\n樂團以高雄代表自許,曾與卡列拉斯、海莉、布赫賓德、列賓、明玆、麥斯基、諏訪內晶子等大師合作,厚植樂團演奏實力及建立品牌。除堅守古典演奏形式,也積極走出廳堂,結合不同場域、型態的表演藝術擁抱大眾;尤以參與高雄春天藝術節系列草地音樂會、名家音樂會、寶寶音樂會及全本歌劇製作演出要角。2018年更獲邀參與臺灣最大表演藝術中心──衛武營國家藝術文化中心啟用及開幕系列多場節目,精湛演出受國內樂壇及樂迷一致肯定。
\n\n先後獲邀至美國、澳門、南京、上海、青島、蘇州、新加坡、北京、日本及香港演出,跨越城市與國界,逐步以國際性樂團為目標,堅定向前。
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合作夥伴:高雄春天藝術節
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"028289b83ffff4560739af43ec6c6e81",title:"【衛武營管風琴音樂節】《經典盛會》伊維塔.艾普卡娜X簡文彬X高市交"}],related:[],title:"【2023 Weiwuying Organ Festival 】Classic Celebration Iveta APKALNA × CHIEN Wen-pin × KSO",cover:"072112760767da6c5a42d94d9dc3afb3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
For the second concert of the Weiwuying Organ Festival, the organ and the orchestra, we will be presenting modest MUSSORGSKY's Night on Bald Mountain and Koji SAKURAI's Last Forever, and as the main course two organ works, Johann Sebastian BACH's Concerto in d minor, BWV 1052, and Alexandre GUILMANT's Symphony No. 1, Op. 42. BACH's Concerto in d minor has often been played on harpsichord, but according to new research by music scholars Christoph WOLFF and Gregory BUTLER, the piece may have originally been written for organ early in BACH's stay in Leipzig. The organ's lead provides a novel and refreshing listening experience. GUILMANT was one of the characteristic composers of the 19th-century "French Symphonic Organ School." The organ in Symphony No. 1, adapted from the composer's Organ Sonata, shows a sense of grandeur comparable to that of the entire orchestra. In this concert, we will enjoy the beauty of two styles, the German Baroque and the French Romantic, which BACH and GUILMANT represent respectively.
\n\n\n\n
Pre-talk
\n\n2023/3/24(Fri)19:00 Concert Hall 3F Lobby
\n\n\n\n
Program
\n\nJ. S. BACH: Keyboard Concerto in d minor, BWV 1052
\n\nM. MUSSORGSK: Night on Bald Mountain (Arranged by RIMSKY-KORSAKOV)
\n\nKoji SAKURAI: Last Forever
\n\nA. GUILMANT: Symphony No. 1 for Organ and Orchestra in d minor, Op. 42
\n\n\n\n
Creative and Production Team
\n\nOrgan|Iveta APKALNA
\n\nConductor|CHIEN Wen-pin
\n\nKaohsiung Symphony Orchestra
\n\n\n\n
Artists Introduction
\n\nIveta APKALNA
\n\nLatvian organist Iveta APKALNA is considered one of the leading instrumentalists in the world. Since 2017 she has served as the titular organist of the Klais organ at the Elbphilharmonie in Hamburg, Germany. The January 2017 opening offered two world premieres: Wolfgang RIHM's Triptychon und Spruch in Memoriam Hans Henny Jahnn with Thomas HENGELBROCK and the NDR Elbphilharmonie Orchestra and Jörg WIDMANN's ARCHE with Kent NAGANO and the Philharmonic State Orchestra Hamburg. Most recently, she has released her new CD Light & Dark, the first solo album recorded on the Klais organ at the Elbphilharmonie, produced by the label Berlin Classics.
\n\nIveta APKALNA has earned international recognition for honours and competitions. In March 2018 she received the "Latvian Grand Music Award", the most prestigious award in music in Latvia, in the categories "Musician of the Year" and "Concert of the Year". Furthermore, she was appointed cultural ambassador of Latvia by receiving the "Excellence Award in Culture 2015" from the Latvian Ministry of Culture. Iveta APKALNA became the first organist to receive the title of "Best Performing Artist" award at the 2005 ECHO Klassik.
\n\n\n\n
CHIEN Wen-pin
\n\nCHIEN Wen-pin, General and Artistic Director of the National Kaohsiung Center for the Arts (Weiwuying), was born in 1967, graduated from the National Taiwan Academy of Arts and awarded a Master's degree at the National University for Music and Performing Arts Vienna. CHIEN joined the Deutsche Oper am Rhein (Düsseldorf/Duisburg, Germany) in 1996 and served as "Kapellmeister" for 22 years. 1998-2004 he was Resident Conductor of the Pacific Music Festival (Sapporo, Japan). 2001-2007 he was Music Director of National Symphony Orchestra (Taiwan Philharmonic); during his tenure the orchestra has achieved several milestones such as creating Subscription series, commissioning Taiwanese composers, introducing an opera series which coroneted with the first production of the complete Der Ring des Nibelungen by Richard WAGNER in Chinese speaking areas, upon orchestra's 20th anniversary in 2006. 2014-2016 CHIEN was Artistic Advisor of the National Taiwan Symphony Orchestra. In addition, CHIEN was the winner of the National Award for Arts in 2014.
\n\n\n\n
Kaohsiung Symphony Orchestra
\n\nFounded in 1981, the Kaohsiung Symphony Orchestra(KSO)taking pride as the music ambassador of Kaohsiung City, has collaborated with a variety of renowned artists at home and abroad, including Josep CARRERAS, Hayley WESTENRA, Rudolf BUCHBINDER, Vadim REPIN, Shlomo MINTZ, Mischa MAISKY and Akiko SUWANAI, to name a few. KSO strives to pursue music excellence while establishing its branding image: in addition to performing classic concerts in concert halls, KSO expands its repertoire by visiting different venues and space, and producing non-traditional performing arts close to the audiences, as well as building up an unexplored arts population. KSO is in particular known for its featured participation in the annual Kaohsiung Spring Art Festival, including the open-air Grassland Concerts, the Amadeus Baby Concerts and the full Opera productions. In the recent 2018 season, KSO has appeared in various opening programs of National Kaohsiung Center for the Arts (Weiwuying), the largest performance venue in Taiwan; the performances all earned KSO great acclaim.
\n\nKSO has been widely invited to perform in different regions of the world, including the United States, Macau, Nanjing, Shanghai, Qingdao, Suzhou, Singapore, Beijing, Japan and Hong Kong, receiving internationally-acclaimed applause. Crossing national and continental borders, the Kaohsiung Symphony Orchestra continues to push forward as an international first-class orchestra.
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Partner: Kaohsiung Spring Arts Festival
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\n',team:""},createdAt:1667293883,updatedAt:1679387985,updatedBy:"林蔚行",host:!0},{_id:"6368af15cf05170008b925d1",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1679484600,discrete:[{time:1679484600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200],link:"https://www.opentix.life/event/1593498585431818244"}},attachment:{key:"d499ab0d45cfa41e091cc4b8b5b184ce",name:"《巴赫與葛拉斯》伊維塔.艾普卡娜獨奏會 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"76ceb3e155da8dbc1b8ef880c3f42780",title:"【衛武營管風琴音樂節】《巴赫與葛拉斯》伊維塔.艾普卡娜獨奏會"}],related:[{from:"programs",key:"63f872bcabd333000ac8e9df",title:"【大師講座】遇見當代達文西-探索羅伯.勒帕吉的創意世界"},{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"}],title:"【2023衛武營管風琴音樂節】《巴赫與葛拉斯》伊維塔.艾普卡娜獨奏會",cover:"d1ee2bc07ad667ae17f818d7bf2f2b14",site:{isOther:!0,site:"",other:"屏東演藝廳音樂廳"},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
衛武營聯手屏東演藝廳,全臺灣最好的管風琴都在南方!
\n\n2023年衛武營管風琴音樂節的首場音樂會在屏東演藝廳舉行,由拉脫維亞籍管風琴天后伊維塔・艾普卡娜擔綱演出。本場獨奏會聚焦在古今兩位作曲家——巴赫的大型管風琴作品,以及美國當代重量級作曲家菲利普・葛拉斯(Philip GLASS)的音樂。出生於1937年的葛拉斯是極簡主義(Minimalism)音樂的代表性人物之一,擅長使用重複的節奏和簡短的旋律,隨著時間的推移做緩慢的改變演進,宛若時間的長河,綿延不絕、無窮無盡。
\n\n葛拉斯也是著名的電影配樂作曲家,他所創作的電影配樂如:《楚門的世界》深受普羅大眾的喜愛。巴赫的管風琴音樂則是管風琴家必備的經典曲目,最能表現管風琴的獨特性及恢宏大氣的格局。本場獨奏會透過兩位偉大作曲家作品的相互參照,讓聽眾感受古典音樂三百年來的演變,並體會管風琴音樂的前世與今生。
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演前導聆
\n\n2023/3/22(三)19:00 屏東演藝廳音樂廳
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演出曲目
\n\n巴赫:C大調觸技曲、慢板與賦格,BWV 564
\n\n菲利普・葛拉斯:反向運動的音樂
\n\n巴赫:c小調帕薩卡雅舞曲,BWV 582
\n\n菲利普・葛拉斯:歌劇《真理堅固》第三幕—終曲(麥可・里斯曼改編)
\n\n巴赫:G大調幻想曲,BWV572
\n\n巴赫:聖詠前奏曲《來吧!外邦人的救世主》, BWV 659
\n\n菲利普・葛拉斯:《狂奔》
\n\n巴赫:d小調觸技曲與賦格,BWV 565
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演後簽名會
\n\n管風琴家伊維塔.艾普卡娜於演後將於前廳進行親筆簽名會,活動時間約30分鐘,開放每人1樣物件,簽名物件僅限現場販售之節目冊及專輯。歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
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周邊活動
\n\n3/4(六)14:00
\n►【武營來開槓】打卡新勝地!世界管風琴之旅
\n\n
演出暨製作團隊
\n\n管風琴|伊維塔.艾普卡娜
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藝術家介紹
\n\n拉脫維亞管風琴演奏家伊維塔.艾普卡娜,是現今重要的世界級演奏家之一。自2017年開始,於德國漢堡易北愛樂廳擔任演奏克萊斯管風琴的領銜管風琴演奏家。在2017年的音樂廳開幕音樂會上,她首演了兩首作品:與托馬斯.亨格爾.布洛克及北德廣播易北愛樂管絃樂團合作的沃爾夫岡.里姆《紀念漢斯.亨利.楊的三聯畫和格言》,以及與長野健和漢堡愛樂管絃樂團合作的約爾格.威德曼《弧形》。最近,她透過柏林經典唱片發行了新專輯《光與暗》,這是首張以易北愛樂廳的克萊斯管風琴錄製的獨奏專輯。
\n\n伊維塔.艾普卡娜曾獲多項殊榮及大賽獎項。2018年3月,獲得拉脫維亞最負盛名的「拉脫維亞音樂大獎」中的「年度音樂家」及「年度音樂會」獎項。此外,她獲頒拉脫維亞文化部「2015文化傑出獎」,並成為拉脫維亞文化大使。2005年,伊維塔成為獲得回聲音樂獎「最佳演奏家」頭銜的第一位管風琴演奏家。
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合辦 :國家表演藝術中心衛武營國家藝術文化中心、屏東縣政府文化處
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\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"76ceb3e155da8dbc1b8ef880c3f42780",title:"【衛武營管風琴音樂節】《巴赫與葛拉斯》伊維塔.艾普卡娜獨奏會"}],related:[],title:"【2023 Weiwuying Organ Festival 】BACH & GLASS Iveta APKALNA Organ Recital ",cover:"d1ee2bc07ad667ae17f818d7bf2f2b14",site:{isOther:!0,site:"",other:"Pingtung Performing Arts Center Concert Hall"},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
In the first concert of the 2023 Weiwuying Organ Festival at Pingtung Performing Arts Center, Iveta APKALNA, an internationally-renowned Latvian organist, will take the lead. This recital features the music of two composers from different eras – a large-scale work by J. S. BACH and a work by Philip GLASS, a prominent contemporary American composer. GLASS, born in 1937, is a representing composer of minimalism. He's skillful at slowly developing repeated rhythms and short melodies, making them sound like a river of time that flows forever.
\n\nGLASS is also a famous soundtrack composer – his music for The True Man's World is widely received. On the other hand, BACH's organ music, classic for organists, perfectly presents the uniqueness and grandeur of the organ. Through the juxtaposition of the works of these two great composers, this recital will allow the audience to experience how the classical music has evolved throughout the past 300 years and organ music's development.
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Pre-talk
\n\n2023/3/22(Wed)19:00 Pingtung Performing Arts Center Concert Hall
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Program
\n\nJ. S. BACH: Toccata, Adagio and Fugue in C Major, BWV 564
\n\nPhilip GLASS: Music in Contrary Motion
\n\nJ. S. BACH: Passacaglia in c minor, BWV 582
\n\nPhilip GLASS: Satyagraha, Act III - Finale (Arranged by Michael RIESMAN)
\n\nJ. S. BACH: Fantasia in G major, Pièce d'Orgue, BWV 572
\n\nJ. S. BACH: Choral Prelude, Nun komm, der Heiden Heiland, BWV 659
\n\nPhilip GLASS: Mad Rush
\n\nJ. S. BACH: Toccata and Fugue in d minor, BWV 565
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Creative and Production Team
\n\nOrgan|Iveta APKALNA
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Artist Introduction
\n\nLatvian organist Iveta APKALNA is considered one of the leading instrumentalists in the world. Since 2017 she has served as the titular organist of the Klais organ at the Elbphilharmonie in Hamburg, Germany. The January 2017 opening offered two world premieres: Wolfgang RIHM's Triptychon und Spruch in Memoriam Hans Henny Jahnn with Thomas HENGELBROCK and the NDR Elbphilharmonie Orchestra and Jörg WIDMANN's ARCHE with Kent NAGANO and the Philharmonic State Orchestra Hamburg. Most recently, she has released her new CD Light & Dark, the first solo album recorded on the Klais organ at the Elbphilharmonie, produced by the label Berlin Classics.
\n\nIveta APKALNA has earned international recognition for honours and competitions. In March 2018 she received the "Latvian Grand Music Award", the most prestigious award in music in Latvia, in the categories "Musician of the Year" and "Concert of the Year". Furthermore, she was appointed cultural ambassador of Latvia by receiving the "Excellence Award in Culture 2015" from the Latvian Ministry of Culture. Iveta APKALNA became the first organist to receive the title of "Best Performing Artist" award at the 2005 ECHO Klassik.
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\n',team:""},createdAt:1667804949,updatedAt:1679385048,updatedBy:"林蔚行",host:!0},{_id:"6368ba8c76d389000912bfeb",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1679830200,discrete:[{time:1679830200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,1800],link:"https://www.opentix.life/event/1593927550339067907"}},attachment:{key:"49ddaf868b3b842415c16e9e7cb9c97e",name:"《管風琴與手風琴二重奏之夜》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0ac9f22c896db1fc4e054f3df4c82a92",title:"【2023衛武營管風琴音樂節】《管風琴與手風琴二重奏之夜》"}],related:[{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"},{from:"programs",key:"63d7841d2322390008fe5083",title:"【樹洞耳機電影院】奪冠之路:管風琴大賽"}],title:"【2023衛武營管風琴音樂節】《管風琴與手風琴二重奏之夜》",cover:"133b001a9b9ea8519dab8ae5de920cb1",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
國際手風琴巨星馬丁納斯首度來臺!雙風琴的獨家重奏盛會
\n\n管風琴音樂節第三場是「二重奏」音樂會,由管風琴家伊維塔・艾普卡娜與手風琴家馬丁納斯・萊維茨基斯攜手演出。若説管風琴是最古老的樂器,手風琴則是18世紀末中國的笙傳到歐洲後所改良發明的年輕樂器,但二者卻有許多相似之處,都是透過鼓風方式引入氣流來發聲,音色很接近。管風琴給人的印象是莊嚴恢宏的,手風琴則是活潑而感性的。上半場的獨奏曲目巧妙地安排了巴赫、史卡拉第這兩位同一年出生(1685)作曲家的作品做對比,大小樂器各自揮灑,也展現了德國音樂的嚴謹和義大利音樂的熱情。二重奏的曲目有韋瓦第《四季》中的「夏季」、法國浪漫時期作曲家貝爾曼的代表作《哥德組曲》,以及現代作曲家庫亞拉充滿奇幻風格的《光子》。管風琴不但很古典、很浪漫,也可以很前衛,快來衛武營音樂廳體驗她的多重魅力!
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演前導聆
\n\n2023/3/26(日)19:00 音樂廳三樓大廳
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演出曲目
\n\n巴赫:c小調六聲部主題模仿曲,選自《音樂的奉獻》BWV 1079,管風琴獨奏
\n\n史卡拉第:d小調奏鳴曲,K1,改編給手風琴獨奏
\n\n史卡拉第:d小調奏鳴曲,K9,改編給手風琴獨奏
\n\n里昂・貝爾曼:《哥德》組曲,作品25,改編給管風琴及手風琴
\n\n韋利・庫亞拉:《光子》(2015年),為管風琴及手風琴
\n\n馬丁納斯・萊維茨基斯
\n立陶宛民歌,改編給手風琴獨奏
\nI.冬之歌
\nII.快!回家吧!
\nIII.路旁低垂的菩提樹
\nIV.青翠的街道
\nV.黎明破曉
安東尼奧・韋瓦第
\n「夏季」,選自《四季》小提琴協奏曲,改編給管風琴及手風琴
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演後簽名會
\n\n管風琴家伊維塔・艾普卡娜與手風琴家馬丁納斯・萊維茨基斯於演後將於前廳進行親筆簽名會,活動時間約30分鐘,開放每人1樣物件,簽名物件僅限現場販售之節目冊及專輯。歡迎粉絲踴躍參與,珍藏藝術家親筆簽名。
\n\n\n\n
周邊活動
\n\n3/4(六)14:00
\n►【武營來開槓】打卡新勝地!世界管風琴之旅
\n\n
\n\n
演出暨製作團隊
\n\n管風琴|伊維塔.艾普卡娜
\n\n手風琴|馬丁納斯・萊維茨基斯
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藝術家介紹
\n\n管風琴|伊維塔.艾普卡娜
\n\n拉脫維亞管風琴演奏家伊維塔.艾普卡娜,是現今重要的世界級演奏家之一。自2017年開始,於德國漢堡易北愛樂廳擔任演奏克萊斯管風琴的領銜管風琴演奏家。在2017年的音樂廳開幕音樂會上,她首演了兩首作品:與托馬斯.亨格爾.布洛克及北德廣播易北愛樂管絃樂團合作的沃爾夫岡.里姆《紀念漢斯.亨利.楊的三聯畫和格言》,以及與長野健和漢堡愛樂管絃樂團合作的約爾格.威德曼《弧形》。最近,她透過柏林經典唱片發行了新專輯《光與暗》,這是首張以易北愛樂廳的克萊斯管風琴錄製的獨奏專輯。
\n\n伊維塔.艾普卡娜曾獲多項殊榮及大賽獎項。2018年3月,獲得拉脫維亞最負盛名的「拉脫維亞音樂大獎」中的「年度音樂家」及「年度音樂會」獎項。此外,她獲頒拉脫維亞文化部「2015文化傑出獎」,並成為拉脫維亞文化大使。2005年,伊維塔成為獲得回聲音樂獎「最佳演奏家」頭銜的第一位管風琴演奏家。
\n\n\n\n
手風琴|馬丁納斯・萊維茨基斯
\n\n馬丁納斯・萊維茨基斯將自己的樂器形容為「魔術盒」,而這並非只是徒有其名,當這位立陶宛音樂家背起手風琴開始演奏時,觀眾常陷入靜默、聽得入迷,如同觀看魔術秀一般。萊維茨基斯能夠精湛地透過「魔術盒」製造出多變、令人出乎意料的聲音風景,而他的目標只有一個:讓一直以來受到輕忽的手風琴獲得應有的重視。而他也取得了非凡的成果。《獨立報》曾寫道:「才華橫溢的馬丁納斯・萊維茨基斯靠著自己的力量,為手風琴賦予了全新的生命。」古典音樂台也表示:「這位傑出的立陶宛手風琴家已吸引了音樂圈的注意,他讓人們對手風琴有了新的認識,並了解到手風琴也能表達豐富的情感。」
\n\n萊維茨基斯的故鄉位於立陶宛的森林地區。在僅僅三歲時,他便會使用手風琴模仿鳥兒、樹林所發出的聲音。他在八歲時進入家鄉斯奧萊的沙利斯桑德基斯音樂學校就讀,爾後則就讀於倫敦皇家音樂學院,師事歐文.莫瑞。
\n\n堪稱「手風琴大使」的萊維茨基斯事業起步快速,更由於參加2010立陶宛達人秀而知名度大漲,成為立陶宛家喻戶曉的巨星,也在國際舞台上發光發熱。後來,他與迪卡古典唱片公司合作錄製了首張專輯,也成為該公司首位簽約的手風琴家,而這張專輯更躍居英國古典樂銷售排行榜第一名。他的作品斬獲超過30個國際獎項,包含世界盃手風琴大賽首獎。
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d4f981e7727a2a53a87a0a2007134f9a",title:"【2023衛武營管風琴音樂節】《管風琴與手風琴二重奏之夜》"}],related:[],title:"【2023 Weiwuying Organ Festival】Organ and Accordion Duo Concert Night",cover:"1803543581927c4e7b3c5efeac759dee",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
The third performance of the Weiwuying Organ Festival, a concert of duets, will be presented by organist Iveta APKALNA and accordionist Martynas LEVICKIS. It's said that the organ is the oldest instrument, while the accordion was the result of an improved version of sheng from China by the Europeans during the late 18th century. However, the two have many similarities – they both make sounds through blowing wind into the instrument, and they thus have similar tones. The organ gives a solemn and grand impression, while the accordion feels more agile and emotional. The first half of the program includes solo works of J. S. BACH and D. SCARLATTI, both of whom were born in 1685. The works contrast with each other, and with organist and accordionist displaying their own virtuosic playing, the audience can clearly identify the contrasting carefulness of German music and the passion of Italian style. Duets include Summer from VIVALDI's Four Seasons, Romantic French composer BOËLLMANN's Suite Gothique, and contemporary composer KUJALA's Photon. The organ can be classical, romantic, and avant-garde. Come to Weiwuying's Concert Hall to enjoy her diverse charisma!
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Pre-talk
\n\n2023/3/26(Sun)19:00 Concert Hall 3F
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Program
\n\nJ. S. BACH:Ricercar a 6 in c minor from the Musical Offering, BWW 1079 (Organ solo)
\n\nD. SCARLATTI:Sonata in d minor for Accordion Solo, K.1 (Arranged for Accordion Solo)
\n\nD. SCARLATTI:Sonata in d minor for Accordion Solo. K 9 (Arranged for Accordion Solo)
\n\nLéon BOËLLMANN:Suite Gothique for Organ and Accordion, Op. 25 (Arranged for Organ and Accordion)
\n\nVeli KUJALA: Photon (2015) for Organ and Accordion
\n\nMartynas LEVICKIS
\nLithuanian Folk Songs, (Arranged for Accordion Solo)
I. Lieliumoj
\nIl. Gee up, home / Siù namo, tprù namo
\nIll. A linden by the roadside bowed / Palinko liepa Salia kelio
\nIV. The verdant Rue / Ruta Zalioj
\nV. The Dawn is Breaking / Beaustanti aurele
A.L.VIVALDI: "Summer" from the Four Seasons (Arranged for Organ and Accordion)
\n\n\n\n
Creative and Production Team
\n\nOrgan|Iveta APKALNA
\n\nAccordion|Martynas LEVICKIS
\n\n\n\n
Artist Introduction
\n\nOrgan|Iveta APKALNA
\n\nLatvian organist Iveta APKALNA is considered one of the leading instrumentalists in the world. Since 2017 she has served as the titular organist of the Klais organ at the Elbphilharmonie in Hamburg, Germany. The January 2017 opening offered two world premieres: Wolfgang RIHM's Triptychon und Spruch in Memoriam Hans Henny Jahnn with Thomas HENGELBROCK and the NDR Elbphilharmonie Orchestra and Jörg WIDMANN's ARCHE with Kent NAGANO and the Philharmonic State Orchestra Hamburg. Most recently, she has released her new CD Light & Dark, the first solo album recorded on the Klais organ at the Elbphilharmonie, produced by the label Berlin Classics.
\n\nIveta APKALNA has earned international recognition for honours and competitions. In March 2018 she received the "Latvian Grand Music Award", the most prestigious award in music in Latvia, in the categories "Musician of the Year" and "Concert of the Year". Furthermore, she was appointed cultural ambassador of Latvia by receiving the "Excellence Award in Culture 2015" from the Latvian Ministry of Culture. Iveta APKALNA became the first organist to receive the title of "Best Performing Artist" award at the 2005 ECHO Klassik.
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Accordion|Martynas LEVICKIS
\n\nMartynas LEVICKIS likes to call his instrument a 'box of magic tricks'. And it's true: when this Lithuanian musician straps on his accordion and begins to play the audience often falls silent, spellbound as if watching an amazing magic show. The soundscapes that LEVICKIS succeeds in rising from his 'box of tricks' are truly as varied as they are unexpected and masterly. LEVICKIS is a man with a single mission: to at last secure for his eternally underestimated instrument the renown that it deserves. And he could hardly be more successful. The Independent had this to say about him: "The unbelievably talented Martynas LEVICKIS, the man who is single-handedly reinventing the accordion". While Classic FM declared: "This brilliant Lithuanian accordion player has captured the attention of the world of music and has caused people to see his instrument in a new light, realising that it is capable of great emotional expression".
\n\nLEVICKIS' career began in the dense woods of Lithuania, where he was already imitating the birds and the sound of the trees with his accordion at the age of three. When he was eight he then attended the S. Sondeckis School of the Arts in his hometown of Šiauliai before later going on to study under Owen Murray at the Royal Academy of Music in London.
\n\nThe steep trajectory of LEVICKIS' career as the ambassador of the accordion speeded up further when he won the casting show 'Lithuania's Got Talent' in 2010, becoming a superstar in his own country and thus finally proving that he and his instrument deserved international attention. This was followed by a debut album with Decca Classics – LEVICKIS was the first accordionist to sign with the label – and this shot immediately to number one in the British classical music charts. He also received more than 30 international awards for his work, including first place in the Coupe Mondiale World Accordion Championships.
\n\n\n\n
\n',team:""},createdAt:1667807884,updatedAt:1679384975,updatedBy:"林蔚行",host:!0},{_id:"636a22ee76d389000912f50f",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1679743800,discrete:[{time:1679743800},{time:1679812200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3,2500,3e3],link:"https://www.opentix.life/event/1580740545329442818"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e022371ffd92c26a07ae634881505dc1",title:"《同學會!同鞋~》音樂劇"}],related:[],title:"《同學會!同鞋~》音樂劇",cover:"c3edefb815452e4da16dbfc7a1c06a12",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
經典舞台劇 改編成同名音樂劇!
\n\n首度全臺巡演
\n\n\n\n
歌后歌王重磅登場:
\n\n賴雅妍、許富凱、趙詠華、范瑞君、謝佳見、藍鈞天、凱爾、金仁馨、王鏡冠
\n\n\n\n
從相識的開學典禮,到人生的畢業典禮
\n\n回首1992的美好,走向未知的2050年
\n\n橫越半載的情誼,一同從年輕唱到後熟齡的歌曲
\n\n一群大學同學,約好畢業後每十年開一次同學會
\n\n美好青春的模樣、中年近況的慘樣、年邁再聚的喜樣
\n\n同鞋~情同家人
\n\n同學會~坐上時光機
\n\n每次見面都要說:「這些年過得好嗎?」
\n\n每次離開也要說:「再見,再見,我們約好,一定再見。」
\n\n\n\n
演出暨製作團隊
\n\n製作人|陳怡靜
\n\n編 導|謝念祖
\n\n音樂總監|黃韻玲
\n\n歌詞創作|黃婷
\n\n歌唱詮釋指導|魏世芬
\n\n舞台設計|劉達倫
\n\n燈光設計|黃諾行
\n\n服裝設計|陳佳敏
\n\n舞蹈設計|郭靜婷
\n\n影像設計|羅士翔
\n\n\n\n
領銜主演|
\n\n賴雅妍、許富凱、趙詠華、范瑞君、謝佳見、藍鈞天、凱爾、金仁馨、王鏡冠
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e022371ffd92c26a07ae634881505dc1",title:"《同學會!同鞋~》音樂劇"}],related:[],title:"《Class reunion》Musical",cover:"c3edefb815452e4da16dbfc7a1c06a12",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
A group of college classmates had a reunion after graduation, and they agreed to come back to the same old place every ten years hereafter. Every time they got together, joyful memories were polished and time smoothed the hurt and scars. Gradually, the bond between them became tight and solid. Even though the good old days are gone, and the chairs are getting less occupied, those friendship and love have never passed away. From young to old, their life stories have been intertwined for decades. Every class reunion is a chapter you wouldn't want to miss. No LINE, no lie. Be there or be square.
\n\n\n\n
Creative and Production Team
\n\nPerformers|Megan LAI, Fu-Kai HSU, Cyndi CHAO, Jui- Chun FAN, Melvin SIA, Chun-Tien LAN, Kyle LO, In-Hyoung KIM, Ching-Kuan WANG
\n\nProducer|Yi-Ching CHEN
\n\nScreenwriter-director|Nien-Tsu HSIEH
\n\nMusic director|Kay HUANG
\n\nLyricist|Ting HUANG
\n\nSinging instructor|Shih-Fen WEI
\n\nSet designer|Dar-Lurn LIU
\n\nLighting designer|Nuo-Hsing HUANG
\n\nCostume designer|Chia-Min CHEN
\n\nChoreographer|Ching-Ting KUO
\n\nImage designer|Shih-Hsiang LO
\n\n\n\n
\n',team:""},createdAt:1667900142,updatedAt:1679556250,updatedBy:"林蔚行",host:!1},{_id:"637363e469d78d00082c1290",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1677843e3,discrete:[{time:1677843e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3,2400],link:"https://www.opentix.life/event/1592814627151622147"}},attachment:{key:"714897c68284a7438c47df1c3c091d74",name:"《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會 電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"973b4ce87f629852bb1ecc3f7607e5b1",title:"《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會"}],related:[],title:"《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會",cover:"3ca10eb60ddb4103a30b9b2e6a01fb08",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\t\t\t ※2023年3月3日(五)19:30於衛武營音樂廳演出之「《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會」,原訂曲目「巴赫:法國風序曲,作品831 」變更為「巴赫:e小調第六號組曲,作品830 」,其餘曲目不變。 \n\t\t\t | \n\t\t
\n\n
三月初將迎來被《衛報》佳評為「以無比清晰智慧及音樂洞察力來演奏」的波蘭鋼琴家——安德佐夫斯基!琴鍵間總能傳達滿溢出的真切,在彈奏巴赫的鋼琴曲目時,以近乎完美的觸鍵彈奏輕快的速度,那樣的清晰又震懾人心。而在彈奏普羅科菲夫時,他又能精確掌握作曲者那強烈不安又發人深省的意涵。「每個人都喜歡脆弱,並被脆弱感動。」安德佐夫斯基在紀錄片《不安的旅行者》中曾提到布拉姆斯是那樣苛求完美,而他時常想著自己似乎亦是如此,而這想法使他自覺不安。才華橫溢的他,早期以富有精彩表現力著稱,多年的舞台歷練下,更增添人生經驗所賦予他的智慧,並直視心底那份脆弱,我們期待他將這些最深層的體悟化作音符,帶領觀眾體會不一樣的樂章滋味。
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演前導聆
\n\n2023/3/3(五)19:00 音樂廳三樓大廳
\n\n\n\n
演出曲目
\n\n巴赫:e小調第六號組曲,BWV 830
\n\n席馬諾夫斯基:二十首馬祖卡舞曲,作品50,第三、第七、第五及第四首(依演出順序)
\n\n魏本:鋼琴變奏曲,作品27
\n\n貝多芬:降A大調第31號鋼琴奏鳴曲,作品110
\n\n\n\n
文章閱讀
\n\n\n\n►溫柔而敏感的說書人:安德佐夫斯基 ——他的巴哈與席瑪諾夫斯基
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|皮奥特.安德佐夫斯基
\n\n\n\n
藝術家介紹
\n\n皮奥特.安德佐夫斯基
\n\n波蘭裔鋼琴家皮奥特.安德佐夫斯基被認為是當代最傑出的音樂家之一,1990年初出茅廬,以魏本的鋼琴變奏曲打入里茲國際鋼琴大賽的準決賽,卻因自覺彈奏不夠好而毅然退出,追求完美的精神也讓樂壇刮目相看。自此安德佐夫斯基便成為世界各大音樂廳及樂團的經常座上賓,曾與柏林愛樂、倫敦交響樂團及NHK交響樂團合作,更於維也納金色大廳、卡內基音樂廳舉辦獨奏會。他所錄製的專輯獲獎無數,2006年至2021年就以席馬諾夫斯基鋼琴獨奏、舒曼及巴赫作品相繼獲得留聲機獎、BBC音樂雜誌的年度唱片獎及回聲音樂獎的多重肯定。別具個人魅力的他也是著名製片人蒙桑容多部紀錄片的主角,捕捉了鋼琴家對音樂表演及他波蘭-匈牙利血統的反思。
\n\n\n\n
\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"973b4ce87f629852bb1ecc3f7607e5b1",title:"《大師風範》皮奥特.安德佐夫斯基鋼琴獨奏會"}],related:[],title:"Maestro Spirit -Piotr ANDERSZEWSKI Piano Recital",cover:"3ca10eb60ddb4103a30b9b2e6a01fb08",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
At the beginning of March, we will welcome the Polish pianist Piotr ANDERSZEWSKI, praised by The Guardian as "playing the piano with a clarity, intelligence and musical insight that few can match." His playing always conveys sincerity. When performing BACH's piano works, though he takes a brisk tempo, he is articulate and enchanting. When playing PROKOFIEV, he precisely grasps the composer's angst and thought-provoking connotations. "When you love, you love the weakness, and are touched by the weakness." ANDERSZEWSKI mentioned in the documentary that features him, Unquiet Traveller, that BRAHMS's determination for perfection reminds him of himself, and that makes him feel uneasy. ANDERSZEWSKI was known for his splendid expressiveness in his early career, and after many years of performing on stage, he has added the wisdom endowed by his life experience, and confronted the fragility and uncertainty deep in his heart. We look forward to seeing him turn these most profound understandings into musical notes and lead the audience to taste the flavors of life.
\n\n\n\n
Pre-talk
\n\n2023/3/3(Fri)19:00 Concert Hall 3F
\n\n\n\n
Program
\n\nJ.S. BACH: Partita No. 6 in e minor, BWV 830
\n\nK. SZYMANOWSKI: 20 Mazurkas, Op. 50, Nos. 3, 7, 5 & 4 (in order of performance)
\n\nA. WEBERN: Variations for Piano, Op. 27
\n\nL.v. BEETHOVEN: Piano Sonata No.31 in A-flat Major, Op. 110
\n\n\n\n
Articles
\n\n►Well-seasoned Master ─ Piotr ANDERSZEWSKI
\n\n\n\n
Creative and Production Team
\n\nPiano|Piotr ANDERSZEWSKI
\n\n\n\n
Artists Introduction
\n\nPiotr ANDERSZEWSKI
\n\nPolish pianist Piotr ANDERSZEWSKI is considered one of the most outstanding contemporary musicians. At the beginning of his career in 1990, ANDERSZEWSKI entered the semi-finals of the Leeds International Piano Competition with Anton WEBERN's Variations for Piano, Op. 27, but withdrew because he felt that his playing was not good enough. The pursuit of perfection has impressed the music world. Since then he has been a frequent guest soloist at major concert halls and orchestras around the world. He has collaborated with the Berlin Philharmonic, the London Symphony Orchestra, and the NHK Symphony Orchestra, and has given solo recitals at venues like the Vienna Musikverein and Carnegie Hall. His records have won numerous awards. Between 2006 and 2021, he successively earned the Gramophone Classical Music Award, BBC Music Magazine's Recording of the Year Award, and the ECHO Klassik Award for piano solo of SCHUMANN and BACH. With captivating charisma, ANDERSZEWSKI has also been the subject of several documentaries by renowned film producer Bruno MONSAINGEON, capturing the pianist's reflections on musical performance and his Polish-Hungarian heritage.
\n\n\n\n
\n\n
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\n\n
大眾參與,與眾不同的舞蹈初體驗
\n\n跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同舞團與藝術家帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
上半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
1/4(三) \n\t\t\t19:00-20:30 | \n\t\t\t 秋杉所在 \n\t\t\t授課:林廷緒 \n\t\t\t助教:陳欣瑜 | \n\t\t\t《日復一日 - 身體的狀態》 | \n\t\t\t立即報名 | \n\t\t
2/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t《老中青 - 身體的動能》 | \n\t\t||
3/1(三) \n\t\t\t19:00-20:30 | \n\t\t\t《你我的故事 - 身體的符號》 | \n\t\t||
4/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t稻草人現代舞蹈團 \n\t\t\t授課:羅文瑾 \n\t\t\t助教:李佩珊 | \n\t\t\t《聽與看》 | \n\t\t\t立即報名 | \n\t\t
5/3(三) \n\t\t\t19:00-20:30 | \n\t\t\t《味道》 | \n\t\t||
6/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t《觸‧動》 | \n\t\t
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秋杉所在
\n藝術家:林廷緒、助教:陳欣瑜
©攝影 李欣哲
\n\n「秋杉所在」成立於2019年
\n\n秋杉過去創作鑽研於臺灣民間文化,透過田野走訪探尋具臺灣草根性素材來做為作品的題材及走向之一。近年在身體觀點發展上專注在與大自然的關係和個體之精神狀態,透過各類社會議題來體現當代身體介入其精神性的可能,也展現舞蹈創作為其反思身體存在的意義。
\n\n其創作作品三度受台新藝術獎提名與一入圍,年度入圍作品有2020年《八 八》,提名作品有2020年《八 八》、2022年《在山海來去》、2022年《不存在的金烏》。
\n\n曾獲2019年日本YDC橫濱舞蹈大賽決賽入選作品《八八》;2019年西班牙24MASDANZA國際編舞大賽《金烏雲薦》「最佳表演獎」、南韓SCF首爾國際編舞節官方頒授藝術總監林廷緒「傑出舞蹈藝術家」證書。
\n\n在臺作品受邀及發表2022年如衛武營國家藝術文化中心臺灣舞蹈平台、國藝會14th新人新視野國家三館巡演、高雄春天藝術節;2021年臺中國家歌劇院-孵育計畫、雲門創計畫、漂鳥舞蹈平台;2020年臺南藝術節、相遇舞蹈節;2019年三十沙龍創作空間。過去也積極參與國際表演藝術平台足跡至西班牙、南韓、日本、香港、中國、澳門等。
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課程簡介
\n\n「秋杉動身軀」
\n\n勞動的身軀、身體的意義、當代的舞、當下的我們。
\n\n當代舞一點都不抽象,抽象的是當和它有距離時,來跟著秋杉一起動身軀~
\n\n拉近與身體的距離~透過狀態、動能、符號來去觸發更多的身體幫助、好奇與樣貌,來體現舞蹈介入其個人精神性的可能,也展現當代舞為其反思身體存在的意義。
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稻草人現代舞蹈團
\n藝術家:羅文瑾、助教:李佩珊
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©攝影 陳長志
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2022年再度獲選為「Taiwan Top演藝團隊」(財團法人國家文化藝術基金會演藝團隊年度獎助專案),於2007年起便已連續10年榮獲「文化部扶植/演藝團隊分級獎助」專案補助之臺南市傑出演藝團隊(2005-2006)的稻草人現代舞蹈團,由藝術總監羅文瑾主導舞團開創性的創作與表演風格,行政總監及製作人羅文君負責策劃創新思維的跨界演出製作。舞團積極開發當代舞蹈和其他藝術及劇場領域間相互合作的各種可能性,藉結合來自各地優秀的舞蹈及藝術工作者,突破既有的舞蹈編創、表演概念及製作模式,以觀察生活、表現人性、關懷生命、反觀人生、省思社會為題展現獨樹一格的演出風格。
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課程簡介
\n\n《身體接收器》
\n\n課程將引導大家透過聽味嗅觸視五感與意識第六感,將各自的感官感受投射至空間之中,觀察、吸納、接收環境裡所存在的各種人物、事件、物體、氣體、時間所反射出的精力、狀態與能量,再透過身體線條、力度、手勢、姿勢、動作與行為來進行有意識與無意識、理性與感性、抽象與具象等多重意象與層次的生理反饋與身體語彙。
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「在殷巴爾身上不難看見像是弗蘭克・法拉拉與塞爾吉烏・傑利畢達克等幾位大師的身影;這些人物散發一股寧靜的力量以及戲劇性的創造力與熱情。」—— 世界報
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殷巴爾生於以色列,26歲贏得坎泰利國際指揮比賽首獎,2019年至2022年擔任臺北市立交響樂團首席指揮,2023年起擔任桂冠指揮;這位來自以色列的指揮家,對馬勒、布魯克納及蕭斯塔科維契的詮釋深受讚譽。
\n\n此次殷巴爾與臺北市立交響樂團,將聯手大提琴家高炳坤,帶來瑞士裔猶太作曲家布洛赫的希伯來狂想曲《所羅門》,並與男低音施卡魯帕及木樓合唱團共同呈現蕭斯塔科維契第13號交響曲《巴比雅》。
\n\n演出曲目包含布洛赫樂音中呈現的所羅門王盛世光景,以及蕭斯塔科維契用音樂轉化詩人筆下,控訴法西斯軍隊入侵烏克蘭,屠殺猶太人的罪刑;殷巴爾以其敏銳細膩的人性關懷和音樂思路,引領你我進入歷史洪流,聆賞穿越三千年的亙古情愁。
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演出曲目
\n\n歐內斯特.布洛赫:《所羅門》,給大提琴與大型樂團的希伯來狂想曲,B. 39
\n\n蕭斯塔科維契:降b小調第13號交響曲,作品113,《巴比雅》
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演出暨製作團隊
\n\n指揮|伊利亞胡.殷巴爾
\n\n大提琴|高炳坤
\n\n男低音|格里高利.施卡魯帕
\n\n臺北市立交響樂團
\n\n木樓合唱團
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藝術家介紹
\n\n指揮| 伊利亞胡.殷巴爾
\n\n殷巴爾26歲時贏得坎泰利國際指揮比賽首獎,從此展開國際指揮生涯。曾任法蘭克福廣播交響樂團、威尼斯鳳凰劇院管絃樂團、都靈廣播交響樂團、柏林音樂廳管絃樂團、捷克愛樂與東京大都會交響樂團的首席指揮,並於2014年由東京大都會交響樂團授予桂冠指揮榮銜。2019年8月起擔任臺北市立交響樂團首席指揮。
\n\n至今他仍是法蘭克福廣播交響的榮譽指揮,帶領該團期間,他的傑出音樂表現享譽世界。這位魅力十足的以色列指揮家的馬勒、布魯克納及蕭斯塔科維契的詮釋深受國際讚譽,其所灌錄唱片獲獎無數,他也是布魯克納原版全集的第一人。而他與維也納交響樂團所詮釋的蕭斯塔科維契更為人稱道。他所參與演出並屢獲殊榮的作品,包含華格納歌劇《帕西法爾》、《崔斯坦與伊索德》及《尼伯龍根的指環》,而2010年他在荷蘭皇家大會堂管絃樂團的馬勒全集中,演出馬勒第十號交響曲的精彩表現也已發行DVD。
\n\n殷巴爾生於以色列,早期在耶路撒冷音樂學院學習小提琴和作曲,之後受伯恩斯坦推薦進入巴黎高等音樂院就讀,師事佛瑞斯提耶、梅湘與布朗惹,他也深受費拉拉與傑利畢達克的影響。曾獲頒法國藝術暨文學勳章、維也納市金牌勳章、法蘭克福市歌德榮譽勳章及德意志聯邦功績勳章。
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大提琴|高炳坤
\n\n出生於菲律賓華裔之音樂世家,足跡遍及亞洲,北美洲,及歐洲。自青少年時期年年屢獲全額獎金受邀參與歐美著名音樂節:包括Interlochen ,Masterworks ,Fontainebleau,及Bowdoin等。以室內樂演奏家身分受邀演出於Taiwan Connection,Cello Plus Series等。合作過的國際級著名音樂家包括:Ilya KALER,Marc DANEL,Yuri GANDELSMAN, Suren BAGRATUNI,Sung-Won YANG,Quatuor Diotima,Joseph ROBINSON,Ralph VOTAPEK,Kyoko HASHIMOTO,Paul EDMUND-DAVIES、華裔小提琴家胡乃元。
\n\n畢業於美國密西根州立大學音樂藝術博士學位及馬里蘭州立大學音樂碩士。 曾師事Suren Bagratuni及Evelyn Elsing。基於對音樂教育的熱情,亦曾與許多著名演奏家及學者包括: Orlando COLE,Ronald LEONARD,Timothy EDDY,Steven DOANE,Peter WILEY,Herre-Jan STEGENGA,Henri DEMARQUETTE,Diana LIGETI和Dominique de WILLIENCOURT研習。
\n\n現為 Taiwan Connection Chamber Orchestra大提琴首席與Voyage String Quartet 之大提琴家,國立臺北藝術大學音樂系專任助理教授,並兼任於國立高雄師範大學音樂系。
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男低音|格里高利.施卡魯帕
\n\n格里高利.施卡魯帕在很年輕時,就憑藉著他低沈、溫暖和精準演唱技巧獲得各式獎項。 2011年,他在聖彼得堡第一屆的艾蓮娜・奧布拉茨索娃歌劇大賽中獲獎,之後分別在烏克蘭雅爾塔的夏里亞平國際大賽、聖彼得堡的《三世紀古典浪漫》國際比賽,以及俄國庫爾斯克舉行的全俄史維里多夫聲樂比賽贏得佳績。
\n\n19歲時,施卡魯帕在聖彼得堡的馬林斯基劇院首次亮相。 他曾演唱的角色包括威爾第《拿布果》的囚徒,林姆斯基-高沙可夫《聖誕夜》的巫師帕瑟克,穆索斯基《鮑利斯.郭多諾夫》的農民米秋哈,《卡門》的騎兵隊隊長祖尼卡,威爾第《唐卡洛》的修士,白遼士《特洛伊人》的士兵⋯等等。施卡魯帕曾與多位傑出指揮家合作,包括捷吉耶夫、特米爾卡諾夫、諾塞達、塔塔尼科夫、弗朗茨,以及阿格列斯特。 他還曾與馬林斯基劇院芭蕾舞團暨交響樂團一同在西班牙、以色列、德國和立陶宛等國巡迴演出。
\n\n2010年10月,施卡魯帕成為莫斯科大劇院青年藝術家計劃的成員,並定期在莫斯科大劇院演出。2013年,他成為柏林歌劇院「國際歌劇工作坊」的成員, 並在那裡演出威爾第 《化妝舞會》 的塞謬爾,威爾第《茶花女》的侯爵,寇特・威爾 《馬哈哥尼城的興衰》的阿拉斯加沃爾夫,貝爾格 《露露》的馴獸師,和史特勞斯《莎樂美》的第五猶太人。 他亦曾在布雷根茨音樂節上演唱莫札特的《女人皆如此》中的阿方索先生一角。
\n\n施卡魯帕自2015年9月起正式成為柏林國家歌劇院的成員,在那裡出演了《魔笛》的薩拉斯特羅、《遊唱詩人》的費蘭多、《弄臣》的史帕拉夫契雷、《塞維亞理髮師》的巴西里歐、莫札特《唐.喬望尼》的馬賽托、史特勞斯《納克索斯島上的阿麗雅德妮》屈法迪諾,及《唐懷瑟》的畢特洛夫。 施卡魯帕曾受邀在日內瓦大劇院演出,還曾與巴倫波因、梅塔、尤洛夫斯基、阿萊瓦比尼、索契耶夫、扎內蒂等指揮合作演出。
\n\n1989年出生於聖彼得堡,施卡魯帕2007年從格林卡合唱學院畢業後,繼續於聖彼得堡音樂學院學習歌唱及合唱指揮,而在音樂學院的歌劇工作坊中,施卡魯帕曾演唱華格納《帕西法爾》歌劇選段中大騎士古奈曼茲一角,並在馬里斯・楊頌斯指揮的比才《卡門》中扮演祖尼加,還演唱過林姆斯基-高沙可夫的《聖誕夜》中的帕納斯等角色。
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臺北市立交響樂團
\n\n臺北市立交響樂團創立於1969年。創團超過50年,臺北市立交響樂團從原本只有少數一群音樂家組成的小樂團,成長為超過百位團員的大型樂團。除厚植團員專業演奏素養,亦是真正屬於這個世界上最友善的都市獨一無二的西方樂團。
\n\n從成立之初,臺北市立交響樂團就以高水準的音樂品質聞名,邀請合作的知名音樂家不計其數,包括女高音安娜.涅翠科、安琪拉.蓋兒基爾,小提琴家祖克曼、凡格羅夫,大提琴家馬友友、羅斯托波維奇,指揮家泰密卡諾夫、單簧管演奏家莎賓.梅耶、長號演奏家林柏格、作曲家譚盾等。1979年開辦「臺北市音樂季」,創立臺灣大型音樂季之先河,除了邀請國際知名樂團來臺外,更建立每年進行歌劇製作的悠久傳統,曾演出《丑角》、《茶花女》、《浮士德》、《卡門》、《杜蘭朵》、《波西米亞人》等經典劇碼。2011年10月《阿依達 在臺北》,成為首齣登上臺北小巨蛋的全本歌劇表演,確立臺北市立交響樂團在臺灣歌劇製作上的重要性。
\n\n除了國內演出,臺北市立交響樂團更沒有缺席於國際舞臺,曾赴奧地利、美國、日本、俄羅斯、法國、西班牙、德國、盧森堡、新加坡、中國、菲律賓等地演出;近年來更參與許多國際藝術節慶及重要活動,如2010年上海世博會、2011年亞洲文化推展聯盟大會閉幕演出、2012年日本金澤、富山及東京熱狂之日音樂節、2014年日本巡迴、2015年法國漢斯夏日漫步音樂節、2016年上海國際藝術節、2017年美國巡迴及2019年中國大陸巡迴,2019年11月應華府表演藝術協會(WPA)邀請於美國華府演出。
\n\n2019至2022年,由國際指揮大師伊利亞胡.殷巴爾擔任首席指揮,並於2023年起擔任桂冠指揮。臺北市立交響樂團不間斷地淬鍊音樂成果,持續推動樂團成長並向國際發聲,讓全世界聽見TSO!
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"In Inbal, one can trace the clear traits of role models and teachers such as Franco Ferrara and Sergiu Celibidache; he possesses the strength for tranquility and the sense to create unbridled passion and dramatic effect.” —─”Die Welt"
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Born in Israel, INBAL won first prize at the Cantelli Conducting Competition at the age of 26. He has been the chief conductor of the Taipei Symphony Orchestra from 2019 to 2022, and will be serving as the Conductor Laureate from 2023. His interpretation of Gustav MAHLER, Anton BRUCKNER, and Dmitri SHOSTAKOVICH has received high praise internationally.
\n\nMaestro Eliahu INBAL will lead the Taipei Symphony Orchestra, together with cellist Victor COO, presenting Ernest BLOCH's Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra, as well as Dmitri SHOSTAKOVICH's Symphony No. 13, "Babi Yar," which will be performed with Bass Grigory SHKARUPA and the Müller Chamber Choir.
\n\nBLOCH's Schelomo depicts the great era ruled by King Solomon. In "Babi Yar," SHOSTAKOVICH adapts poems into melodies, condemning the Fascist invasion of Ukraine and the massacre of Jews. INBAL will lead us into the torrent of history with his keen human observation and musical ideology. Let's hear the deep emotions that have traveled through three thousand years of Hebrew history.
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Program
\n\nErnest BLOCH: Schelomo, Hebräische Rhapsodie Für Violoncello Und Grosses Orchester, B.39
\n\nD. SHOSTAKOVICH: Symphony No. 13 in b-flat minor, Op. 113, Babi Yar
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Creative and Production Team
\n\nConductor|Eliahu INBAL
\n\nCello|Victor COO
\n\nBass|Grigory SHKARUPA
\n\nMüller Chamber Choir
\n\nTaipei Symphony Orchestra
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Artists Introduction
\n\nConductor|Eliahu INBAL
\n\nSince winning first prize in the Cantelli Conducting Competition at the age of 26, INBAL has enjoyed a career of international renown, conducting leading orchestras around the world. Over the years, he has been appointed principal conductor of the Frankfurt Radio Symphony (hr-Sinfonieorchester), Teatro La Fenice in Venice, RAI National Symphony, Konzerthausorchester Berlin, Czech Philharmonic, and the Tokyo Metropolitan Symphony, who named him Conductor Laureate in 2014. From August 2019 on, Eliahu Inbal will take on the role of Principal Conductor of the Taipei Symphony Orchestra.
\n\nDuring his tenure with the hr-Sinfonieorchester, whose honorary conductor he remains today, he distinguished himself with his outstanding musicianship. Based in Berlin, the charismatic Israeli conductor has garnered international acclaim for his interpretations of Mahler and Bruckner on a number of award-winning recordings (Deutscher Schallplattenpreis, Grand Prix du Disque), and was the first to record the original versions of Bruckner's symphonies. He has received special recognition particularly for his interpretations of Dmitri Shostakovich's symphonies with the Vienna Symphony Orchestra. Eliahu Inbal's operatic engagements include an award-winning production of Parsifal, as well as Tristan and Isolde and The Ring tetralogy of Wagner. His extensive discography features a performance of Mahler's Symphony No.10 (completed version by D. Cooke), as part of the Royal Concertgebouw Orchestra's Mahler cycle in 2010, which was also released on DVD.
\n\nBorn in Israel, Inbal studied violin and composition at the Jerusalem Music Academy before completing his studies at the Conservatoire National Supérieur in Paris on the recommendation of Leonard Bernstein. His teachers there included Louis Fourestier, Olivier Messiaen, and Nadia Boulanger. He was also greatly influenced by Franco Ferrara in Hilversum (Netherlands) and Sergiu Celibidache in Siena (Italy). In 1990, the French government named Eliahu Inbal an officer of the Order of Arts and Letters. In February 2001 he was awarded the Golden Medal of Merit from the city of Vienna. He received the Goethe Badge of Honour from the City of Frankfurt and the Order of Merit from the Federal Republic of Germany in 2006.
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Cello|Victor COO
\n\nTaiwan-based Filipino cellist Victor COO is currently a full-time Assistant Professor for cello and chamber music at the Taipei National University of the Arts, and also teaches at the National Kaohsiung Normal University. An active chamber musician, he is a founding-member and cellist of the Voyage String Quartet, and principal cellist of Taiwan Connection Chamber Orchestra, he has collaborated both international and local musicians. Also a regular recitalist and soloist, he recently performed the Tyzen HSIAO Cello Concerto with the Taipei Chinese Orchestra.
\n\nA Doctoral of Musical Arts graduate at the Michigan State University, he also obtained degrees at the University of Maryland, Columbia Union College (now Washington Adventist University) and a graduate of the Philippine High School for the Arts. His principal teachers include Suren BAGRATUNI, Evelyn ELSING, Johanne PERRON, Wilfredo PASAMBA, and Amador TAMAYO. He attended music festivals such as Fontainebleau, Sarasota, Bowdoin, Master Works, and Interlochen; working with cellists such as Peter WILEY, Steven DOANE, Ron LEONARD, Timothy EDDY, Henri DEMARQUETTE, and Herre-Jan STEGENGA.
\n\nHe is based in Kaohsiung, Taiwan, with his pianist-wife, Ya-Hsin WU, and two kids
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Bass|Grigory SHKARUPA
\n\nGrigory SHKARUPA started winning prizes at a very young age with his deep, warm and precisely sung bass. In 2011 he was a prizewinner at the 1st Elena Obraztsova International Competition of Young Singers in St. Petersburg. Later followed the Shalyapin International Competition in Yalta, the 'Three Centuries of the Classical Romance' International Competition in St. Petersburg, as well as the All-Russian Sviridov Vocal Competition in Kursk.
\n\nAt the age of 19, SHKARUPA debuted at the Mariinsky Theatre in St. Petersburg. He sang the roles of the Prisoner in VERDI's Nabucco, Patsyuk in RIMSKY-KORSAKOV's Christmas Eve, Mityukha in MUSSORGSKY’s Boris Godunov, Zuniga in CARMEN, The Monk in VERDI's Don Carlo, Soldier in BERLIOZ's Les Troyens, and many others. He has performed with such distinguished conductors as Valery GERGIEV, Yuri TEMIRKANOV, Gianandrea NOSEDA, Mikhail TATARNIKOV, Justus FRANTZ, and Mikhail AGREST. He has also toured Spain, Israel, Germany and Lithuania with the ensemble of the Mariinsky Theatre.
\n\nIn October of 2010, SHKARUPA became a member of the Young Artists Program at the Bolshoi Theatre where he regularly performed on the stage of the Bolshoi.
\n\nIn 2013, SHKARUPA became a member of the International Opernstudio at the Staatsoper Berlin. He has performed there as Samuel in VERDI's Un ballo in maschera, Marchese D'obigny in VERDI’s La traviata, Joe Alaskawolfjoe in Kurt WEILL's Mahagonny, Ein Athlet in BERG's Lulu and the Fifth Jew in STRAUSS' Salome. He sang the role of Don Alfonso in MOZART's Cosi fan tutte at the Bregenz Festival.
\n\nGrigory SHKARUPA is a member of the Staatsoper Berlin since September of 2015, where he has performed the roles of Sarastro In Zauberflöte, Ferrando In Trovatore, Sparafucile in Rigoletto, Basilio in Barbiere di Siviglia, Masetto in MOZART's Don Giovanni, Trufaldino in STRAUSS's Ariadne auf Naxos, Biterolf in Tannhäuser. Grigorii SHKARUPA performs as a guest in Grand Theatre de Genève has also performed with such conductors as Daniel BARENBOIM, Zubin MEHTA,Vladimir JUROWSKI, P.ARRIVABENI, T.SOKHIEV, M.ZANETTI and others.
\n\nBorn in St. Petersburg in 1989, after graduating from the Glinka Choral College in 2007, he went on to study at the St. Petersburg State Conservatory as both a singer and a choral conductor. At the opera studio of the conservatory, SHKARUPA already performed the roles of Gurnemanz in WAGNER's Parsifal (excerpts of the opera), Zuniga in BIZET's Carmen conducted by Mariss JANSONS, Panas in RIMSKY-KORSAKOV's Christmas Eve, and others.
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Taipei Symphony Orchestra
\n\nTaipei Symphony Orchestra was founded in 1969, in the past 5 decades, it has evolved from a small group of musicians into a professional ensemble with over 100 members. TSO has graced the city with beautiful music since it was first founded, and its 50th anniversary also opened a brilliant new chapter in Taiwan's music history.
\n\nFrom the ensemble's inception, TSO has been known for its high musical standards, and has invited innumerable renowned musicians to perform and collaborate with them, including sopranos Anna Netrebko and Angela Gheorghiu, violinist Pinchas Zukerman and Maxim Vengerov, cellists Yo-Yo Ma and Mstislav Rostropovich, conductor Yuri Temirkanov, clarinetist Sabine Meyer, trombonist Christian Lindberg and composer Tan Dun. In 1979, when the first Taipei Music Festival was held, it set the precedent for large-scale music festivals in Taiwan, and aside from inviting renowned international orchestras, such as the Pittsburgh Symphony Orchestra, the Oslo Philharmonic, and the Saint Petersburg Philharmonic Orchestra, TSO also established its long tradition of performing an opera every year, including such classic works as "Pagliacci", "La Dame aux Camelias", "Faust", "Carmen", "Turandot", and "La bohème". In October of 2011, TSO's production of Verdi's "Aida" was the first time a full opera was ever performed at the Taipei Arena. In recent years, TSO performed "La Clemenza di Tito" in its entirety for the first time ever in Taiwan, as well as the Taiwan debuts of "Ariadne auf Naxos", "Eugene Onegin", "Die Kluge" and "Der Mond", establishing the importance of TSO in the performance of opera in Taiwan.
\n\nApart from performing in Taiwan, TSO is also no stranger to international concert halls, having performed in Austria, the U.S., Japan, Russia, France, Spain, Germany, Luxembourg, Singapore, China, and the Philippines; in particular, TSO's 2017 return tour of the west coast of the United states after 26 years gave fans on the other side of the Pacific Ocean the opportunity to hear the pride of Taipei and indeed the whole of Taiwan! In recent years, the orchestra has participated in many international music festivals and important events, such as the Expo 2010 Shanghai China, the closing ceremony of the Federation for Asian Cultural Promotion in 2011, La Folle Journee in Kanazawa, Toyama and Tokyo, Japan in 2012, a tour of Japan in 2014, and performing at France's Les Flaneries Musicales de Reims in June 2015, Shanghai International Arts Festival in 2016, a U.S. tour in 2017, as well as a China tour in 2019, and has been invited by Washington Performing Arts (WPA) in Washington, D.C. to perform at The Music Center at Strathmore in November 2019.
\n\nIn 2019, TSO appointed Maestro Eliahu Inbal as Principal Conductor from 2019 to 2022. In 2022, TSO named him as Conductor Laureate from 2023. Taipei Symphony Orchestra continuous presents the great music and quality sound to the world, then will become the most beautiful sound in Taipei City and let the world hear TSO!
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《我在,不在?》
\n\n新加坡濱海藝術中心委製作品
\n導演:鄧寶翠 / 編舞暨舞者:蔣佩杉、林振發 / 動作共創暨表演者:郭沛珊、龍麗琴、吳敏寶、卓慧玲 / 音樂與音效設計:錦、劉常慶
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家,是永恒的,還是流動的?
\n\n家,總是看似回歸之處。當身邊的空間在不斷地又拆又遷,我們還能找到完整的歸途與自己嗎?
\n\n人的身體一呱呱墜地,就開始探索他與所在地和身邊人千絲萬縷的聯繫。舞蹈短片《我在,不在?》透過重新審視的童年記憶,重新拼湊與思索家庭關係裡的疏離和牽絆。
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主要創作者
\n\n導演|鄧寶翠
\n\n鄧寶翠在香港大學求學21歲榮獲香港中文文學獎散文冠軍,之後在《聯合早報》任職,後來到倫敦主修電影,獲得英國國立電影電視學院導演系碩士學位。她的學生短片是首部入選威尼斯影展的新加坡短片。寶翠的首部紀錄長片《我們唱著的歌》創下新加坡紀錄片的票房記錄,是《海峽時報》評選的2015年度最佳影片。中國人氣影評人桃桃淘電影在台北金馬影展觀賞了《我們唱著的歌》也將之列入2016年度十大佳片。
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聯合編舞暨舞者|蔣佩杉
\n\n佩杉是一位舞蹈藝術家和編舞家。她在新加坡國家藝術理事會的支持下,獲得獎學金到倫敦當代舞蹈學院學習當代舞,取得碩士學位。她的創作改編自親身經歷,通過對肢體語言的探索,遊走於現實與想象,置於主觀真實和創意表現之間。她曾受委約為新典現代舞蹈團、舞·微⻛蕩漾、舞人二團、Dance In Situ、拉薩爾藝術學院、新加坡管理大學和新加坡國立大學創作作品。她的作品曾在濱海藝術中心舞蹈節、M1觸·當代舞蹈節、英國、香港等地呈現。
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聯合編舞暨舞者|林振發
\n\n從純美術⾛⼊劇場和舞蹈,三⼗年來,振發以跨界藝術⼯作者遊⾛於不同的藝術創作與表演界,從概念構思、跨界創作、劇場與⾮劇場空間、室內與戶外、裝置藝術、設計、表演,到藝術教育拓展分享等。身為新加坡專業舞蹈事業推動⼈之⼀,振發和已故舞蹈家陳浩聯合創辦舞蹈多⾯體(1996-2013)兼藝術總監,曾獲頒⻘年藝術家獎(2000),南洋藝術學院傑出校友獎(2019)及創業精神獎⼊圍(2004)。他的跨界構思創作與演出作品都不乏突破局限與視覺元素,創作作品和演出也登上了貝爾格萊德國際戲劇節、新加坡藝術節、維也納藝術節、⽇惹亞洲藝術節、紐⻄蘭亞洲節、北京朝陽⽂化館、北京⾸都劇院、泉州海上絲綢之路藝術節、濱海花園開幕和新加坡國慶等舞台。綢之路藝術節、濱海花園開幕和新加坡國慶等舞台。他的跨界創作能⼒也讓他獲得許多創作與合作項⽬,合作過的新加坡藝術團體與機構包括湘靈⾳樂社、化⽣藝術團、⼗指幫、潮州⼋⾢會館、聯合早報、亞洲⽂明博物館、藝術之家、馬賽地亞洲服裝⼤賽和新傳媒等。近期,振發參與演出的舞蹈短⽚包括 re:walk/Telok Ayer 和 Guide Me。 ⾃2015年開始,振發加⼊跨⽂化戲劇學院擔任表演肢體訓練導師,同時也致⼒於劇場創作與肢體訓練兼引導⼯作。
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\n動作共創暨表演者|郭沛珊
畢業於新加坡拉薩爾-新航藝術學院表演藝術系。郭沛珊曾參於無數的舞臺劇包括、《哪 吒》、《0501》、《漂移》、 《後代》、《詠蟹花》、《掌中》、 《靈戲》 等,也曾到過不同國家巡迴演出。除此之外,她也參與電視劇及電視電影的演出,包括《從維多利亞到宏茂橋》、《回程 667 之柳影袈裟》、《我是孝 子》、《爸媽不在家》、《一個小女孩的願望-騰飛的夢想》、《天堂情書之愛是永不止息》 等。
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動作共創暨表演者|龍麗琴
\n\n龍麗琴於2016年畢業於新加坡藝術學院,之後加入拉薩爾藝術學院舞蹈系,並在2019年取得榮譽學士學位。她因熱衷於培養年輕舞者而成為舞蹈老師,同時也為了要不斷自我提升而加入舞人二團。她的舞蹈風格專注於動作間的流動性,並據此繼續發展她的教學法,也希望與不同的藝術家合作以拓展她的舞蹈事業。
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動作共創暨表演者|吳敏寶
\n\n敏寶是⼀名劇場⼯作者,參與演出、創作和教學⼯作。參演過的製作包括《她們的秘密》、《四馬路》、《XX神童》、《我要上天的那⼀晚》、⼩問號系列等,以及⾃編⾃演的單⼈劇《我以為家》、《⼥兒》、《我全部都相信》。另外也曾投⼊實踐演員實驗室的演員訓練,參與作品有《裸畫室》、《從頭開始》及《到此⼀遊》。敏寶也致⼒於教導與推廣兒童戲劇教育,在排練、演出、創作和教學的過程中持續探索⾃⼰與他⼈/事/物。
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動作共創暨表演者|卓慧玲
\n\n卓慧玲是⼀名多媒體藝術家,從表演藝術,⾄製作實驗影⽚,台前幕後從事跨領域的藝術創作。她是義大利Jinen Butoh舞踏學校的成員,也是新加坡跨⽂化戲劇學院的校友。
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音樂與音效設計|錦
\n\n錦是一位元裝置藝術家、音樂家、教育家和大家賴以信任的合作夥伴。涉獵設計、音樂、藝術、教育和戲劇領域,錦的優勢在於能夠綜合不同領域的想法和實踐經歷,輕鬆地利用不同的方法與觀眾和學習者互動,讓他們通過多種方式參與其中。她的大型裝置作品 Sky Kave,繼首次獲新加坡國際藝術節(2018年5月)委託後,先後也獲共和理工學院藝術節(2018年10月)和晝夜璀璨藝術節(2019年1月)委託。除此,錦也與不同的藝術人或團體合作創作戲劇表演,如 Project Utopia(2019年)和 Poppy(2020年)的 Songs of Tau。她與 Kamini Ramachandran 的最新合作專案 O/Aural Waves(Textures,2020年3月,以及新加坡濱海藝術中心,2019年10月)是一個混合型作品,結合了故事、現場擬音以及佈景裝置。為了實現抱負以及創造跨越形式的觀眾體驗,她一直堅持不懈地設計能夠挑戰和改變固有觀點的作品,尤其是與社會議題相關的題材。錦 於2021年完成教育學與教育實踐碩士學位(倫敦大學金匠學院-拉薩爾藝術學院),目前是實踐劇場的藝術工作者。
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音樂與音效設計|劉常慶
\n\n劉常慶是新加坡聲音設計師兼藝術家,受過傳統大提琴訓練,以有機和電子聲音元素,創造出有質感的音景。他的創作受到極簡主義、電子音樂和環境音樂流 派的影響,創造出有機和電子聲音元素共存的空間。 常慶也是電子環境音樂四重Canvas Conversations 的成員,此組合在2015年的Noise Singapore Award 獲獎,也在2016年的新加坡雙年展演出 。常慶在 2019年以The Watching (肥料廠),被提名海峽時報 “生活!戲劇獎”中的最佳聲音設計獎項。
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製作團隊
\n新加坡濱海藝術中心委託製作
導演|鄧寶翠
\n\n編舞暨舞者|蔣佩杉、林振發
\n\n動作共創暨表演者|郭沛珊、龍麗琴、吳敏寶、卓慧玲
\n\n音樂與音效設計|錦、劉常慶
\n\n演員|Ganapathy Balamurugan, Md Mukul, Rafique, Tahar Sarkar
\n\n剪輯|何延⽂
\n\n美術指導與服裝|⽅珍⽂、翁惠敏
\n\n攝影指導|陳松光
\n\n燈光|陳得能
\n\n調⾊|佘家亮
\n\n製作主任|謝⽟珊
\n\n副導|Gayle Hariff
\n\n梳化|梁淑涵
\n\n視覺效果|林勤之
\n\n攝影⼤助|吳數⽂
\n\n攝影⼆助|鄒慧賢
\n\n跟機員|Spencer Jerrold Maximilian
\n\n跟機員助理|林明藯、莊詩敏
\n\n現場錄⾳|洪慧璿
\n\n美術助理|李偉翔、李佳靜
\n\n美術助理實習⽣|李佳璿、吳⼦欣
\n\n製作助理|洪霈珊、古怡⼼
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《當下》
\n\n香港大館-古蹟及藝術館委製作品
\n\n導演/編劇/作曲/演奏:萬幸 | 踢踏舞:黃思豐 | 當代舞:麥琬兒 | 攝影/影像設計/拍攝/後期製作:黃子豐 | 燈光:黃仲明
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面對外在變化,經歷高低起伏。過去無法改寫,未來無法揣度,人生本是無常,順境、逆境、唯有回歸當下,才能尋獲心中一方樂土。
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女舞者(當代舞)受困於受傷的身體,男舞者(踢踏舞)受困於疫情失業,現實生活帶來的衝擊。從他們身上,亦映照芸芸眾生表面不同,實則本質如一的受困境遇。而真正束縛他們、我們的,從來不是外在的變化有多大、要面對的困難有多少,而是心智、情緒對我們內心的綑綁有多深。
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回歸當下、往內尋,
\n\n接受、釋然
\n\n隨心、隨樂、
\n\n即刻、起舞……
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主要創作者
\n\n導演/編劇/作曲/演奏|萬幸
\n\n萬幸,中央音樂學院學士、香港演藝學院碩士、香港中文大學文化管理碩士。曾獲中國文化部民族器樂大賽「優秀演奏獎」、國際古箏比賽「金獎」等殊榮。她喜愛跨界創作演出,音樂風格新穎多元、作品富有靈性、時代感與藝術情調。獲邀合作的單位包括:香港藝術館、香港康樂及文化事務署、香港太空館、香港舞蹈團、無極樂團、臺灣九歌民族樂團等。
\n\n2021年,由萬幸創作的世界首演新作多達十四首《玲瓏》、《塵源》、《初心》等作品,均獲得業界認可,並深受觀眾喜愛。香港著名藝術評論家周凡夫先生形容:“萬幸的音樂,寫出了塵世渺渺”。她與跨界藝術家曾文通合作的《黑天幻日》,更是世界首部將古箏與古希臘單弦琴結合的演奏創作。
\n\n萬氏獲康文署邀請,她擔任音樂藝術總監,策劃創作的「心 • 弦」古箏音樂影像作品系列,《萌芽》、《嚮往》、《聲影墨色》、《箏跡》四部作品,將古箏音樂分別與陶藝、園林藝術、黑白菲林攝影以及書法相結合,作品屬世界首創的藝術構想,極具東方簡約、自然、雅靜的美學意境。2019年,獲意大利Arpe del Mondo 國際豎琴節邀請,成為首位香港音樂家,在該藝術節舉辦專場音樂會,並擔任開幕表演嘉賓。
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踢踏舞|黃思豐
\n\n黃氏現為自由身表演者、編舞、舞蹈導師。「音樂劇作」創辦人之一。
\n\n2006年畢業於香港演藝學院,主修音樂劇舞系。並擁有英國皇家教師協會踢躂舞中級證書。在校期間曾獲取多過獎學金包括成龍慈善獎學金及代表學院前往廣州作交流演出。黃氏自小參與多個合唱團,包括音樂事務處兒童合唱團及青年合唱團,2002年曾到鹿兒島作交流演出。畢業後參與多個音樂劇、舞蹈及戲劇演出包括香港音樂劇藝術學院、香港話劇團、香港舞蹈團、動藝、異人實現劇場、演戲家族、7A班戲劇組、舞合劇場、春天舞台、R&T及標局等。
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當代舞|麥琬兒
\n\n現為獨立舞者、編舞及舞蹈教師。另為註冊500小時瑜珈及空中瑜伽導師。
\n\n畢業於香港演藝學院中國舞系,榮獲學士(榮譽)學位。在學期間獲頒春天舞台獎學金及兩度獲頒迪士尼獎學金。並於2017年獲提名香港舞蹈年獎「傑出女舞蹈員演出」。
\n\n2014-2020間加入城市當代舞蹈團成為全職舞者,曾與多位著名編舞家合作,包括:金在德(韓國)、桑吉加(中國)、黎海寧(香港)、陳小寶(澳洲)等。期間並隨團到訪以色列、日本、澳洲、臺灣等地演出。
\n\n近年編舞作品包括《由離分子》(2021)、《被扔到世上的石頭》(2016 )。
\n\n麥琬兒另亦醉心研究頌缽療法及瑜珈,祈望於將舞蹈與身心靈的生活哲學融合,與大眾分享身心合一的身體美學。
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攝影/影像設計/拍攝/後期製作|黃子豐
\n\n黃子豐為TimeCapsule Storytelling Limited 創辦人 。擁有五年拍攝經驗,擅長於影片製作並勇於嘗試新拍攝手法。在過往 5 年,有拍攝 MV、 廣告、活動、婚禮和紀錄片等。 曾獲邀參與製作香港 6 星級酒店 Rosewood Hotel 和 5 星級酒店 St. Regis Hotel 的 開幕典禮影片。 除此之外,亦有統籌拍攝香港著名品牌 MyAleshia 的廣告和 TVB 藝人安俊豪的 MV 拍攝 等等。
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製作團隊
\n\n香港大館-古蹟及藝術館委託製作
\n\n導演/編劇/作曲/演奏|萬幸
\n\n踢踏舞|黃思豐
\n\n當代舞|麥琬兒
\n\n攝影/影像設計/拍攝/後期製作|黃子豐
\n\n燈光|黃仲明
\n\n\n\n
\n'},{reference:[],type:"content",name:"《我・我們》",content:'\n
\n
《我・我們》
\n\n臺中國家歌劇院委製作品
\n\n編舞:布拉瑞揚・帕格勒法 | 影像導演:何孟學 | 音樂統籌:阿爆(阿仍仍)| 編曲&混音:溫娜 | 舞者:高旻辰、陳忠仁、孔柏元、王傑、朱雨航、奧宇巴萬、陳聖志 | 製作:布拉瑞揚舞團 | 攝影指導:唐健哲 | 攝影助理:謝東霖 | 燈光指導:彭嘉慶 | 燈光助理:楊育鈞、陳宇颿、耿敬襄 | 化妝師&髮型師:柯佩其 | 化妝助理:郭軒愷 | 平面攝影&花絮剪輯:高信宗
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恍惚間墜入夢中,一切都有了可能。
\n\n獵人、百步蛇、水精靈和老鷹,鋪織成夢。在這個時空之中,沒有事情需要被定義。
\n\nABAO阿爆統籌音樂,山林氛圍中竄入電子噪訊,建構現實與虛幻無限交錯的異世界;以藝術家磊勒丹圖繪的琉璃珠為意象,繪出生命相連的循環觀。當舞者爬行如蛇、俯衝如鷹、聚散如水,夢和真實只有連結,沒了界限。
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主要創作者
\n\n編舞|布拉瑞揚・帕格勒法
\n\n臺灣排灣族。12歲立志成為舞者,臺北藝術大學舞蹈系畢業後加入雲門舞集。1998年獲亞洲文化協會獎助金赴紐約研習。曾受邀為雲門舞集,雲門2,美國瑪莎・葛蘭姆舞團等編作。2012年榮獲十大傑出青年,2022年獲贈國家文藝獎。2015年回家鄉臺東成立布拉瑞揚舞團。
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影像導演|何孟學
\n\n政治大學中文系畢業。目前從事劇場紀錄、影像創作,也參與電影製作及廣告拍攝。長期與B. DANCE丞舞製作團隊合作,作品有INNERMOST,No Man's Land。2021年拍攝布拉瑞揚舞團《沒有害怕太陽和下雨》及曉劇場《之間》。2017年影像作品Chasser獲Bucharest International Dance Film Festival國際競賽項目入圍。
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音樂統籌|ABAO阿爆(阿仍仍)
\n\n臺東排灣族人。音樂專輯有全母語古謠專輯《東排三聲代》、首張母語專輯《vavayan.女人》、以及第31屆金曲獎八項入圍並拿下年度專輯獎的《Kinakaian母親的舌頭》。2021年製作首張原民新聲合輯《N1那屋瓦一號作品》,希望透過合作讓新一代年輕人的聲音有更廣更多元的文化呈現。
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編曲&混音|溫娜Wenna
\n\n新生代音樂製作人。以藝名「Ń7ä」於2019發行首張專輯《Panorama》獲得第11屆金音獎最佳電音專輯;隔年與阿爆(阿仍仍)、R.fu合作單曲〈zaljum 水〉再獲第12屆金音獎最佳電音歌曲。其他合作對象包括:YELLOW黃宣、草東沒有派對、《黑天鵝》舞蹈顧問Francesca Harper等。
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製作團隊
\n\n臺中國家歌劇院委託製作
\n\n編舞|布拉瑞揚・帕格勒法
\n\n影像導演|何孟學
\n\n音樂統籌|阿爆(阿仍仍)
\n\n編曲&混音|溫娜
\n\n舞者|高旻辰、陳忠仁、孔柏元、王傑、朱雨航、奧宇巴萬、陳聖志
\n\n製作|布拉瑞揚舞團
\n\n攝影指導|唐健哲
\n\n攝影助理|謝東霖
\n\n燈光指導|彭嘉慶
\n\n燈光助理|楊育鈞、陳宇颿、耿敬襄
\n\n化妝師&髮型師|柯佩其
\n\n化妝助理|郭軒愷
\n\n平面攝影&花絮剪輯|高信宗
\n\n
攝影 高信宗
\n\n\n'},{reference:[],type:"content",name:"《沖流》",content:'\n
\n
《沖流》
\n\n衛武營國家藝術文化中心委製作品
\n\n導演 / 攝影 / 剪輯:駱思維|創作陪伴:周書毅|編舞:王宇光/舞者暨共創 :李尹櫻、田孝慈|音樂、聲音設計:許雁婷|執行製片:林柔雯|特別感謝:王宇煬、陳逸恩
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人,是浪花與沙。
\n\n他影響了你?你改變了他?
\n\n留下什麼?被帶走什麼?
\n\n以海浪撲上沙灘的現象作為靈感,映照人際關係中彼此相互影響,不斷循環。
\n\n延遲與放大這份影響的過程,發展為肢體、編輯成故事。
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主要創作者
\n\n導演 / 攝影 / 剪輯|駱思維
\n\n擁有豐富舞蹈演出經驗,2021年正式成為獨立影像工作者,以表演藝術作為影像創作的基底,並深信其轉化爲影像的無限可能性,致力透過鏡頭的捕捉、畫面的安排,來呈現表演藝術細膩動人的視角與故事。
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創作陪伴|周書毅
\n\n從身體出發,用舞蹈作為與世界溝通的語言,關注人與社會環境之間的關係,編創聚焦叩問生命的價值。作品以劇場、非傳統劇場、舞蹈錄像等形式呈現,持續以移地移居的創作方式遊走各地,在過往的創作及行動中,強調藝術公共性與社會性的發生。近年專注尋找屬於「亞洲的身體語彙」。2020年,受邀擔任衛武營首位駐地藝術家,移居南方,開啟一連串的駐地計畫,期待在城市移動間的創作行動,創造藝術的未來風景。
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編舞|王宇光
\n\n現為「微光製造」藝術總監,持續發展創作與舞蹈推廣工作坊,作品探究人與城市、環境的連結與疏離,關注城市中的身體異化,實驗空間與物件解構做為創作發展,以哲理思考用舞蹈對當代提問。
\n\n舞蹈創作:《馴順的我們》、《捺撇》、《半島來跳舞》等,其中《捺撇》於2021年榮獲日本橫濱舞蹈節暨舞蹈大賽雙獎項,並於2022年在歐陸進行巡演。近年與雲門劇場、臺中國家歌劇院、衛武營國家藝術文化中心、寶藏巖國際藝術村等合作工作坊、編舞及演出。
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舞者
\n\n\n暨共創|李尹櫻
\n\n2019年與王宇光共同成立微光製造,舞團核心發展為以當代實驗作品的舞蹈創作與製造微光工作坊的藝術推廣兩大方向。以「散發微光,從身體開始」為初衷,除了持續發表舞蹈創作外,同時也持續發展素人、樂齡、青少年舞蹈計畫與身體知覺工作坊,不從舞蹈教起,但從認識自己呼吸開始,透過感知與想像的練習打開自己與身體對話的空間。演出創團作品《馴順的我們》發表於2019松菸Lab新主藝。並參與素人計畫《製造微光身體工作坊》帶領⺠眾從感知身體開始,探索肢體與意識的銜接,創造身體使用的更多可能性。
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舞者
\n\n\n暨共創|田孝慈
\n\n1984年生於臺南,現居臺北,從事創作、表演與教學,以「身體」作為創作的發展核心。近年專注於觀察時代、歷史、文化與環境所形塑並建立於人之上的情感,及其透過身體表述之形式。持續累積並開發身體動態的不同可能,企圖藉由身體連結相異文化與多元藝術領域。2020年與王世偉、李慈湄、Helmi Fita共創作品「群眾」獲第十八屆台新藝術獎表演藝術大獎。2016年獲文化部獎助赴巴黎駐村,並陸續獲得國家文化藝術基金會、雲門基金會與羅曼菲獎助金發展創作及參與各項國際交流。作品曾獲邀參與法國亞維儂國家編舞中心夏日藝術節、深圳戲劇雙年展、釜山藝術市集、印度加爾各答Dance Bridge Festival演出。2008年起於國內外諸多平台發表個人創作,如微舞作、創計畫、新人新視野、跳島舞蹈節、台北藝術節、下一個編舞計畫、草草戲劇節、嘉義新舞風等。近年跨足與不同領域藝術家的合作,包含視覺、新媒體、行為藝術等,並擔任多齣戲劇作品之表演者與肢體設計。
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配樂、聲音設計|許雁婷
\n\n以聲音為主要創作媒材,關注聲音蘊涵的文化脈絡與紋理,作品常映照聲音與環境、個人/集體記憶或內在情緒的關係。交織田野錄音、電子和物件聲響,其探索常擺盪在錄音聲音的紀錄及虛構、敘事及想像特質間;亦時常混融其他媒材及藝術領域創作,以裝置、表演、聲音紀錄片、電子原音音樂等形式呈現。另也從事舞蹈劇場及影像聲音設計/配樂。作品曾於台北國際藝術村、台北市立美術館、台東美術館、成龍濕地國際環境藝術節、台北國際紀錄片影展、日惹紀錄片影展、日本富山玻璃藝術博物館、伯斯當代藝術中心PICA、法國Arte Radio、失聲祭、混種現場、澳洲液態建築(Liquid Architecture)、台北藝術節《噪集》(Asian Meeting Festival)、臺灣聲響實驗室等展演。
\n\n\n\n
製作團隊
\n\n衛武營國家藝術文化中心委託製作
\n\n導演 / 攝影 / 剪輯|駱思維
\n\n創作陪伴|周書毅
\n\n編舞|王宇光
\n\n舞者暨共創|李尹櫻、田孝慈
\n\n音樂、聲音設計|許雁婷
\n\n執行製片|林柔雯
\n\n特別感謝|王宇煬、陳逸恩
\n\n\n\n
\n'}],onShelf:!0,sliders:[{type:"image",key:"41dcda42ec738d0dca2393df0c38fba8",title:"2023《舞蹈風景-亞洲舞蹈影像共製計劃展》 "}],related:[{from:"programs",key:"63f88c1babd333000ac8ef18",title:"【衛武營親子日】芭蕾親子嘉年華"},{from:"programs",key:"63eddd147700940008015729",title:"【創意學習工作坊】跳,我的款式"}],title:"2023《舞蹈風景-亞洲舞蹈影像共製計畫展》 ",cover:"4a0c17618d4d01936e27a5b66f837e12",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
從亞洲躍向世界的舞蹈風景
\n\n文/周書毅
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2020年初,疫情影響了全世界人類的生命樣態,政治、經濟、教育、藝術文化等都受了很大的衝擊,而表演藝術場館更是在疫情高峰期時,休館數次,當時的表演節目紛紛取消,各種線上展演的形式開始出現,而舞蹈影像創作也是其中一種延續與持續動能的方式。於是2021年初,新加坡濱海藝術中心、香港大館、臺中國家歌劇院與衛武營國家藝術中心聯手發起「舞蹈風景-亞洲舞蹈影像共製計畫」,透過影像與舞蹈的委託創作,打開了屬於亞洲的身體故事。有紀錄片,也有劇情片,還有許多難以定義的實驗片,當電影遇上舞蹈,就是這麼多可能,只是沒有想到當電影真正走入市場的時候,舞蹈是如何生存的。
\n\n我們為何不看舞蹈的實體表演,要看舞蹈電影?當然這樣的藝術並非在疫情下誕生的,有了影像開始就有了所有人類的行為背影紀錄下來,只是影像的語言有非常多,與舞蹈依樣都是一種說話的方式,所以當影像遇見舞蹈,那就構築成一種新的藝術語彙,於是也開始越來越多創作者開始創作這樣的作品,也因此世界上有非常多舞蹈影像節,無論長片或短片,無論是劇情或是非敘事的實驗,都非常的多。而在疫情下,也許我們能再次藉由這樣的藝術形式,來與大家分享舞蹈的力量,在影像的舞台之中。
\n\n走過三年的「舞蹈風景-亞洲舞蹈影像共製計畫」,累積出這麼多的創作能量,期待能延續下去,從亞洲出發,走向世界 !
\n\n►詳全文
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展出資訊
\n\n展出時間:2023/3/10(五)-3/12(日) 11:00-21:00
\n\n展出地點:衛武營演講廳
\n\n自由參觀
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周邊活動
\n\n映後座談:2023/3/12(日)14:00 演講廳
\n\n主持人:
\n周書毅 (衛武營駐地藝術家、2022臺灣舞蹈平台策展人)
與談人:
\n《沖流》創作團隊 駱思維(導演/攝影/剪接)、*許雁婷(配樂、聲音設計)
\n《我.我們》布拉瑞揚・帕格勒法(編舞)、何孟學(影像導演)
\n*《我在,不在?》-鄧寳翠(導演)、蔣佩杉(編舞暨舞者)
\n*《當下》-萬幸(導演/編劇/作曲/演奏)
*線上參與
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舞蹈影片
\n\n《舞蹈風景》將放映以下舞蹈影片:
\n\n新加坡濱海藝術中心委製作品《我在,不在?》
\n\t導演:鄧寶翠 / 編舞暨舞者:蔣佩杉、林振發 / 動作共創暨表演者:郭沛珊、龍麗琴、吳敏寶、卓慧玲 / 音樂與音效設計:錦、劉常慶
香港大館-古蹟及藝術館委製作品《當下》
\n\t導演/編劇/作曲/演奏:萬幸 | 踢踏舞:黃思豐 | 當代舞:麥琬兒 | 攝影/影像設計/拍攝/後期製作:黃子豐 | 燈光:黃仲明
臺中國家歌劇院委製作品《我・我們》
\n\t編舞:布拉瑞揚・帕格勒法 | 影像導演:何孟學 | 音樂統籌:阿爆(阿仍仍)| 編曲&混音:溫娜 | 舞者:高旻辰、陳忠仁、孔柏元、王傑、朱雨航、奧宇巴萬、陳聖志 | 製作:布拉瑞揚舞團 | 攝影指導:唐健哲 | 攝影助理:謝東霖 | 燈光指導:彭嘉慶 | 燈光助理:楊育鈞、陳宇颿、耿敬襄 | 化妝師&髮型師:柯佩其 | 化妝助理:郭軒愷 | 平面攝影&花絮剪輯:高信宗
衛武營國家藝術文化中心《沖流》
\n\t導演 / 攝影 / 剪輯:駱思維|創作陪伴:周書毅|編舞:王宇光/舞者暨共創 :李尹櫻、田孝慈|音樂、聲音設計:許雁婷|執行製片:林柔雯|特別感謝:王宇煬、陳逸恩
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影片簡介可參閱上方頁籤
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\n',team:""},english:{onShelfRange:{start:1669699800,end:4825411199},tabs:[{reference:[],type:"content",name:"Am I Here?",content:'\n
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Am I Here?
\n\nAn Esplanade-Theatres on the Bay commissioned film.
\nDirector: Eva TANG | Choreographers & Dance Artists: CHIEW Peishan & LIM Chin Huat | Movement Collaborators & Performers: Jo KWEK, Kimberly LONG, NG Mun Poh & Wendy TOH | Music & Sound Designers: Ferry & Vick LOW
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Home, is it permanent or fluid?
\n\nHome, a place that seemingly calls for one's return. What remains of the traces of connection between people and spaces amidst the evolving environment spurred by development?
\n\nPerhaps, the moment of one's birth begins the exploration of an inextricable web of connections. Embarking on an introspective journey, Am I Here? Reimagines childhood memories to ponder on presence and absence in exploring the notions of home and familial relationships.
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Artists Introduction
\n\nDirector|Eva TANG
\n\nEva TANG was awarded Hong Kong Chinese Literature Award first prize for her prose at the age of 21, when she was an undergrad at the University of Hong Kong. A journalist-turned-filmmaker, Eva pursued her Masters of Arts in Fiction Directing at the prestigious National Film and Television School in the United Kingdom. Her student film While You Sleep (2002) was the first short film by a Singaporean selected by the Venice Film Festival.
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Her debut documentary, The Songs We Sang, premiered at The Esplanade Grand Theatre, was the first sold-out film at the 2015 Singapore International Film Festival. It has also set the box office record for Singapore documentary. The Straits Times rated it one of the Best Movies of 2015. It is honoured the 10 Best Films of 2016 by China's popular film reviewer ttfilm who saw The Songs We Sang at the Taipei Golden Horse Film Festival.
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Co-choreographer & Dancer|CHIEW Peishan
\n\nPeishan is a dance artist and choreographer. She graduated with a Master of Arts in Contemporary Dance from London Contemporary Dance School, with the support of the National Arts Council Arts Scholarship (Overseas).
\n\nPeishan draws from her lived experiences to craft autobiographical fiction. Engaging the body as the central medium, her works explore the connections and tensions between reality and imagination and situate in the in-between of subjective truth and inventive representation. She received commissions to create for Frontier Danceland, Re: Dance Theatre, T.H.E Second Company, Dance in Situ, as well as LASALLE College of the Arts, Singapore Management University and National University of Singapore. Her works have been performed at the Esplanade da:ns Festival and M1 Contact Contemporary Dance Festival in Singapore, as well as in the United Kingdom and Hong Kong.
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Co-choreographer & Dancer|LIM Chin Huat
\n\nA visual artist who ventures into theatre and later dance, Chin Huat is a cross-disciplinary artist and a recipient of the prestigious Young Artist Award conferred by the National Arts Council, Singapore in 2000. A recipient of Nanyang Academy of Fine Arts Distinguished Alumni Medal, Chin Huat is a familiar name in Singapore's dance scene. The former co-founder and artistic director of ECNAD (1996 – 2013) have over 100 creative works, mainly full-length dance since 1993. He is currently a senior faculty member of the Intercultural Theatre Institute.
\n\nHis creative commissioned works have been part of the Asia Interaction (Yogyakarta, 1999 & 2001), Actor Studio (Kuala Lumpur, 2000), 35th Belgrade International Theatre Festival (2021), Festival of Asia (New Zealand, 2001), Singapore Arts Festival (2002), Beijing's Chaoyang Cultural Centre (2005), Mercedes-Benz Asia Fashion Award (2006), National Day Parade (2007 & 2008), Singapore River Festival (2008 &2009), Wiener Festwochen, Asian Village (Vienna, 2009), Esplanade Raw Series (2011), Media Corp Star Awards (2011), NUS Arts Festival (2011), Gardens by The Bay Opening Finale (2012), SPH Zaobao 90th Anniversary (2013), Teochew Festival (2014), Maritime Silk Road International Arts Festival (Quanzhou, 2017), 2nd Nanyin International Youth Festival (2018), NAFA 80th Anniversary (2018), SeptFest in March (Substation 30th Anniversary Finale, 2021) and many others.
\n\nA cross-disciplinary artist, Chin Huat has worked as a visual artist, actor, dancer, choreographer, director, movement director, costume designer, production designer, educator to mentor. Other than ECNAD, his creative direction, production design, and movement performance work with local arts companies include Siong Leng Musical Association, The Arts Fission Company, The Finger Players, DramaBox, Nine Years Theatre, The Theatre Practice, NAFA Dance Alumni Chapter, SIFA 2015, Nanyang Collective, The Substation, and others. His latest featuring performance in a short film includes re:walk Telok Ayer (2022) and Guide Us (2022).
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\nMovement Collaborator & Performer|Jo KWEK
Jo KWEK graduated with a Diploma in Performing Arts (Drama) from LASALLE (SIA) College of the Arts. Since then, she has been involved in numerous theatre productions and television dramas both in Singapore and abroad. She is also an arts educator in Singapore and China.
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Movement Collaborator & Performer|Kimberly LONG
\n\nKimberly graduated from SOTA with an International Baccalaureate (IB) Diploma in 2016. In 2019, Kimberly completed her BA(Hons) in Dance at LASALLE College of the Arts.
\n\nHer passion for nurturing the youth led her to start her journey as an instructor with Jete Dance Studio. She also became a dance artist with The Human Expression Second Company to develop herself as an artist continuously. Kimberly strongly desires to develop her dance pedagogy and style that focuses on fluidity in movements. She is open to working with various artists to improve her voice. She hopes to carve her path continuously as a dance artist.
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Movement Collaborator & Performer|NG Mun Poh
\n\nMun Poh is a theatre practitioner, performer and educator. She has been in many productions such as The Bride Always Knocks Twice — Killer Secrets, Four Horse Road, Immortalx, The wee Question Mark series, and Day I Met the Prince, among others. As a playwright and performer, she has created a few monodramas: Almost Home, Daughter, I believe. She has also trained with The Theatre Practice's Actor's Lab. Her performance credits with Lab include The Nude, Upstream and Uproot. Mun Poh is also committed to teaching and promoting children's drama education. Whether rehearsing, performing, creating or teaching, she continues to explore her relationship with self and others through her work.
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Movement Collaborator & Performer|Wendy TOH
\n\nWendy TOH is a multi-disciplinary Singaporean artist whose work ranges from performing arts to making experimental films. She is a Jinen Butoh School (Italy) member and an alumnus of Singapore's Intercultural Theatre Institute.
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Music & Sound Designer|Ferry
\n\nFerry is an installation artist, musician, educator, and collaborator. Honed through a practice that spans design, music, art, education and theatre, Ferry's edge is in synthesizing ideas and practices from diverse fields, utilizing different methodologies to create audience experiences that engage through multiple means.
\n\nHer works range from large-scale installations such as Sky Kave – first commissioned by the Singapore International Festival of Arts (May 2018), recommissioned for Reflections Festival (Oct 2018) and Light to Night Festival (Jan 2019) – to collaborative performances with various art makers such as Songs of Tau for Project Utopia – The Theatre Practice (Aug 2019).
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Music & Sound Designer|Vick LOW
\n\nVick is a sound designer/artist based in Singapore. Traditionally trained in the cello, he fuses organic and electronic sonic elements to create textural soundscapes. His works are influenced by minimalism, electronica and ambient genres, creating a space for organic and electronic elements to co-exist.
\n\nAfter graduating from LASALLE College of the Arts in 2015, specializing in Music Technology, he went on to design for dance, film and theatre. In 2019, he was nominated for Best Sound Design for The Straits Times Life Theatre Awards for The Watching (Toy Factory Productions). Being heavily involved in Theatre for Young Audiences, his compositions have been featured in works such as In Search of You (The Kueh Tutus), When Sadness Comes to Call (MySuperFuture Theatrical Productions), Esplanade's PLAY!time Series, namely The Dragon's Dentist and Us. Some of his recent sound design work includes Kwa Geok Choo (Toy Factory Productions), See You Anniversary (Nine Years Theatre), Hutan (2022 AWESOME Festival, Perth) and Windward Side of the Mountain (SCCC Cultural Extravaganza 2022).
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Production Credits
\n\nAn Esplanade Commission
\n\nDirector|Eva TANG
\n\nChoreographers & Dance Artists|CHIEW Peishan & LIM Chin Huat
\n\nMovement Collaborators & Performers|Jo KWEK, Kimberly LONG, NG Mun Poh & Wendy TOH
\n\nMusic & Sound Designers|Ferry & Vick LOW
\n\nCast|Ganapathy Balamurugan, Md Mukul, Rafique, Tahar Sarkar
\n\nEditor|Alson HO
\n\nProduction Design & Wardrobe|Dorothy PNG & ANG Hui Bin
\n\nDirector of Photography|Shyan TAN
\n\nGaffer|Eljin TAN
\n\nColourist|Eugene SEAH
\n\nProduction Manager|Shirley CHIA
\n\nAssistant Director|Gayle HARIFF
\n\nHair & Make-up|Hana LEONG
\n\nVisual Effects|Kew LIN
\n\n1st Camera Assistant|Justin Faith NG
\n\n2nd Camera Assistant|CHOW Hui Xian
\n\nGrip|Spencer Jerrold Maximilian
\n\nJunior Grip|McDouglas LIM & Vivienne CHONG
\n\nLocation Sound Recordist|Chris ANG
\n\nArt Assistants|Ian LEE & LEE Jia Jing
\n\nArt Assistant Interns|LI Jiaxuan & WU Zixin
\n\nProduction Assistants|ANG Peishan & GU Yixin
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\n'},{reference:[],type:"content",name:"Present",content:'\n
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Present
\n\nA Tai Kwun - Centre for Heritage and Arts commissioned film.
\n\nDirector / Scriptwriter / Composer / Musician: WAN Xing | Tap Dance: Eric HUYNH | Contemporary Dance: Natalie MAK | Videographer / Post-production: Thomas WONG | Lighting Designer: Victor WONG
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Life is a constant change. We cannot change the past nor predict the future, whether in the fortune or the adverse; we can only live in the moment and gain peace of mind.
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A contemporary dancer is injured and can no longer dance freely. A tap dancer has lost all performance opportunities due to the pandemic. They are each facing a struggle, but the sorrow is the same. What confines our mind is not our challenges but how we weigh these difficulties and allow them to burden us.
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\nFocus on the present and listen deeply. Embrace and release.
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Artists Introduction
\n\nDirector / Scriptwriter / Composer / Musician|WAN Xing
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WAN Xing graduated with a Bachelor degree in Music from the Central Conservatory of Music in China. She continued her studies at The Hong Kong Academy for Performing Arts and received her master's degree. She also obtained a master's degree in Cultural Management from the Chinese University of Hong Kong.
\n\nWAN won numerous accolades including the Best Performance Award 2002 in the First Chinese Folk Instruments Competition organized by the Ministry of Culture, Gold Award (Young Performers Category) in the Second International Guzheng Competition 2011 and the Best Instructor Award 2013 in the Third International Zheng Contest. She also participated in other music activities including recording a demonstration DVD for the Central Conservatory of Music examination pieces, adjudicating the 32nct Macao Young Musicians Competition and the Second Hong Kong Students Open Music Competition. She has given classes at the Education University of Hong Kong recently.
\n\nBeing a young artist and curator, WAN's music is often perceived as spiritual with oriental aesthetics, and is aligned with her idea of composition - simple and natural. She masters diversified music styles and crossovers with her zheng. In 2020, she was invited by the Leisure and Cultural Services Department to compose for the Hong Kong Space Museum multimedia clip, the Tour de force - Museum x Performing Art: Origins. Her other new piece Aspiration is also invited as the designated music showcased at the Hong Kong Museum of Art "Honouring Tradition and Heritage: Min Qiu Society at Sixty" exhibition. In 2019, she was invited by Arpe del Mondo to hold concerts in Italy and as performing guest at the event's Opening Ceremony. WAN has been actively involved in musical performances and events of various natures and performed in several concerts including "Our Music Talents Series: WAN Xing Guzheng Recital" in 2017. She has cooperated with Hong Kong Dance Company at the Original Dance Poem Shan Shui: An Ode to Nature and Mindful Theatre Vipassana; Wuji Ensemble at Atmospheric Music Theatre Tranquil as a Chrysanthemum and Siinyata; world premiere of zheng pieces by renowned composer LAW Wing-fai, namely La Blancheur and In Oneness.
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Tap Dance|Eric HUYNH
\n\nEric HUYNH graduated from the Hong Kong Academy for Performing Arts (HKAPA), majoring in Musical Theatre Dance. He is the Founder of Musical Trio, a local musical creative group in Hong Kong. Eric has attained the ISTD Intermediate Tap Certificate with distinction. During his program of study, he was awarded scholarships from the Jackie Chan Charitable Foundation Scholarships and has performed on a study tour to Guang Zhou.
\n\nEric was active in various genres of art groups. He was a performer for 3AMI, HKREP, HKDC, Theatre Noir, DanceArt, Actor Family, and 7A drama group among others…Eric also has taught at numerous groups, including CCDC dance center, HKAPA EXCEL… Eric is currently a freelance performer, choreographer and dance teacher.
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Contemporary Dance|Natalie MAK
\n\nNatalie MAK is an independent dancer, choreographer and dance teacher. MAK is also a registered yoga teacher with Yoga Alliance (500 hours) and certified Flyoga® instructor.
\n\nMAK studied Chinese Dance at The Hong Kong Academy for Performing Arts (HKAPA). MAK was awarded the Spring Time Stage Productions Scholarship and the Disney Scholarship twice.
\n\nAlso, MAK was nominated for Hong Kong Dance Awards "Outstanding Performing Female Dancer" in 2017.
\n\nMAK was a full-time dancer in the City Contemporary Dance Company (CCDC) during 2014 – 2020. MAK has worked with various renowned choreographers, including KIM Jaeduk (Korea), SANG Jijia (China), Helen LAI (Hong Kong), Kristina CHAN (Australia) etc.
\n\nMAK recent choreographic works include: 1/2 TBC presented by Hong Kong Dance Alliance "New Force in Motion" Series (2021), and Wandering Stone presented by CCDC Dancer Homework (2016).
\n\nMAK has also developed profound interests in Singing Bowl Therapy and Yoga in recent years. MAK wishes to merge dance with well-being awareness and spirituality, to promote a body-mind aligned aesthetic.
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Videographer/Post-production|Thomas WONG
\n\nThomas Wong is the founder of TimeCapsule Storytelling Limited. He has been a professional videographer for five years and constantly explores new techniques. His past works include music videos, commercials, events, weddings and documentary filming. He participated in the filming of the grand opening of the Rosewood Hotel and St. Regis Hotel. Apart from these, he collaborates regularly with apparel brand MyAleshia and TVB artist Simon On Chun Ho.
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Production Credits
\n\nA Tai Kwun - Centre for Heritage and Arts commission
\n\nDirector / Scriptwriter / Composer / Musician|WAN Xing
\n\nTap Dance: Eric HUYNH |Contemporary Dance|Natalie MAK
\n\nVideographer/Post-production|Thomas WONG
\n\nGaffer|Victor WONG
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\n'},{reference:[],type:"content",name:"tiaen tiamen",content:'\n
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tiaen tiamen
\n\nby Bulareyaung Dance Company
\n\nA National Taichung Theater commissioned film.
\n\nChoreography: Bulareyaung Pagarlava | Film Director: Mon Cher HO | Music Director ABAO | Music Arranger & Mixer Wenna | Dancers: aulu tjibulangan, giljigiljaw tjaruzaljum,Kwonduwa Takio, Siyang Sawawan, Liay Kitoh, Awi Pawan, CHEN Sheng-chih | Produced by Bulareyaung Dance Company | Director of Photography TANG Chien-che | 1st Assistant Cameraman SHIE Dong-lin | Chief Lighting Technician: Emile PENG | Assistant Lighting Technicians: YANG Yu-jun, CHEN Yu-fan, GENG Jing-xiang | Makeup & Hair Artist: Paggy KO | Makeup Assistant: Jens | Photographer & BTS editor: Pungiya KAO
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Zoning out, I plummet into a dream. All things thus become possible.
\n\nHunters, hundred-pacer, water elves, and eagles are woven into this fantasy world, in which nothing needs to be defined as before. Dancers slither like a snake, dive like an eagle, and gather and disperse like water—the boundary between dream and reality melts away, and only connections between the two remain.
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Choreographer Bulareyaung Pegarlava joined hands with music director Aljenljeng Tjaluvie (ABAO) and graphic designer reretan pavavaljung for an otherworldly and transcendent experience through movement on film. ABAO uses electronic noises to scramble into an ambience of mountains and forests, constructing another world where reality and illusion intersect. Graphic designer reretan pavavaljung utilises the imagery of glass beads to portray a recycling view of life in which all beings are interconnected.
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Artists Introduction
\n\nChoreography|Bulareyaung Pagarlava
\n\nBulareyaung Pagarlava is from the Paiwan tribe of Taiwan. He aspired to become a dancer when he was twelve. After he graduated from the Dance Department, Taipei National University of the Arts, Bulareyaung joined the Cloud Gate Dance Theatre. He was awarded a fellowship by the Asian Cultural Council to study in New York in 1998, and has created dance pieces for the Cloud Gate Dance Theatre, Cloud Gate 2, and the Martha Graham Dance Company. Bulareyaung was selected as one of the Ten Outstanding Young Persons of Taiwan in 2012 and National Award of Arts presented by the National Culture and Arts Foundation in 2022. He went back to his hometown Taitung and founded the Bulareyaung Dance Company in 2015.
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Film Director | Mon Cher HO
\n\nGraduated from the Department of Chinese Literature, National Chengchi University in Taiwan, Mon Cher HO devotes himself to theater documentation, film creation, film production and commercial filming. HO has a long-term collaboration with B.DANCE, a modern dance company in Taiwan. His works include INNERMOST and No Man's Land. In 2021, he filmed Not Afraid of the Sun and Rain by the Bulareyaung Dance Company, and In Between by the Shinehouse Theatre. His dance film Chasser was shortlisted in the international competition of the Bucharest International Dance Film Festival in 2017.
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Music Director|aljenljeng tjaluvie (aka "ABAO")
\n\nABAO is from the Paiwan tribe of Taitung, a county on the east coast of Taiwan. She has received a total of five Golden Melody Awards, including Best Vocal Group in 2004, Best Indigenous Language Album in 2017, and Song of the Year, Album of the Year, and Best Indigenous Language Album in 2020. In 2014, ABAO, together with her grandmother and her mother, sang in an all-Paiwan album The East Payuan Folk And Three Generations. In 2016, she released her first solo album vavayan. Women in her mother tongue. In 2019, she published her second written Paiwan album Mother Tongue. In 2021, she made her first compilation album N1: Nanguaq No.1 on indigenous originals. Through collaboration, she hopes that the voices of the younger generation could thus have a broader and more diverse cultural representation.
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Music Arranger & Mixer|Wenna
\n\nWenna is a record producer from the new generation in Taiwan, known professionally as Ń7ä. In 2019, her first album Panorama is released under the stage name Ń7ä and won the 11th Golden Indie Music Awards for Best Electronic Album; the following year the single zaljum, together with ABAO and the Amis rapper R.fu, won the Best Electronic Song at the 12th Golden Indie Music Awards again. Other collaborators include YELLOW, No Party For Cao Dong, Black Swan dance consultant Francesca Harper, etc.
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Production Credits
\n\nA National Taichung Theater Commission
\n\nChoreography|Bulareyaung Pagarlava
\n\nFilm Director|Mon Cher HO
\n\nMusic Director ABAO
\n\nMusic Arranger & Mixer|Wenna
\n\nDancers|aulu tjibulangan, giljigiljaw tjaruzaljum, Kwonduwa Takio, Siyang Sawawan, Liay Kitoh, Awi Pawan, CHEN Sheng-chih
\n\nProduced by Bulareyaung Dance Company
\n\nDirector of Photography TANG Chien-che
\n\n1st Assistant Cameraman SHIE Dong-lin
\n\nChief Lighting Technician|Emile PENG
\n\nAssistant Lighting Technicians|YANG Yu-jun, CHEN Yu-fan, GENG Jing-xiang
\n\nMakeup & Hair Artist|Paggy KO
\n\nMakeup Assistant|Jens
\n\nPhotographer & BTS Editor|Pungiya KAO
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攝影 高信宗
\n\n\n'},{reference:[],type:"content",name:"Swash",content:'\n
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Swash
\n\nA National Kaohsiung Center for the Arts (Weiwuying) commissioned film.
\n\nDirector & Cinematographer & Editor: LUO Sih-wei | Creation Partner CHOU Shu-yi | Choreographer WANG Yeu-kwn | Dancers & Co-choreographers: LEE Yin-ying, TIEN Hsiao-tzu | Music & Sound Designer: HSU Yen-ting | Executive Producer: LIN Jou-wen | Special Thanks: Jasper WANG, CHEN Yi-en
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Humans are spray and sand.
\n\nDid he affect you?
\n\nDid you change him?
\n\nWhat's left? What's taken?
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Inspired by how waves hit the beach, this work reflects humans' mutual and ever-continuing influence in relationships. The artist translated this into physical movements and stories by zooming in on how influence occurs.
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Artists Introduction
\n\nDirector & Cinematographer & Editor|LUO Sih-wei
\n\nAs a dancer with abundant performing experiences, LUO officially became a freelance image artist in 2021. With a base in performing arts, he believes in the infinite possibilities of transforming the arts into images. He is committed to presenting the delicate perspective and the story of performing arts.
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Creation Partner|CHOU Shu-yi
\n\nCHOU Shu-yi starts from the body and communicates with the world through dance and choreography. He focuses on the relationship between human beings and society. In his past creations and actions, he can capture the powers of cross-disciplinary collaboration to address the publicness of arts. His creations focus on the value of life and reflect the state of individuals or collectives in different social contexts. Through his creations, CHOU Shu-yi makes propositions of a "body vocabulary that is specifically Asian" in theatre, non-traditional theatre and dance videos. He continues to create as he travels to different sites and places. In 2020, he was invited as the Weiwuying's first artist-in-residence and has been living in Kaohsiung ever since.
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Choreographer|WANG Yeu-kwn
\n\nIn addition to exploring the connections and disconnections between people and cities, people and
\n\nenvirons, WANG Yeu-kwn cares about bodily alienation in urbanity. His works experiment space and objects to deconstruct movements and propose philosophical questions in contemporary times through dance. Since the founding of Shimmering Production, WANG has focused his artistic approach toward dance creation and arts diffusion practice. He has recently collaborated with Cloud Gate Theater, National Taichung Theater, Treasure Hill Artist Village, and the National Kaohsiung Center for the Arts to engage in workshops, choreography commissions, and performances.
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Dancer & Co-choreographer|LEE Yin-ying
\n\nLEE is the co-founder of Shimmering Production. After graduating from the National Taiwan University of Arts, LEE worked with several professional dance companies in Taiwan and received a scholarship to the American Dance Festival in 2007. LEE then joined Cloud Gate 2 from 2009 to 2019; during that period, she cooperated with world-renowned Taiwanese choreographers such as CHENG Tsung-lung, WU Kuo-chu, Bulareyaung Pagarlava, SUN Shang-chi, and HUANG Yi. She also toured with the company to participate in dance festivals and performances at the Joyce Theater, New York City Center, Sadler's Wells Theatre, Esplanade-Theatres on the Bay, International Tanzmesse NRW Duesseldorf and China Shanghai International Arts Festival. As a senior dancer, in addition to continuing to explore the various possibilities of performances, LEE has participated in cross-border video shooting, dramatic body action design, and sharing physical skills with professional dancers and non-professionals. She hopes that through the sorting and inheritance of physical experience, she can help to guide more people to know themselves better through dance.
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Dancer & Co-choreographer|TIEN Hsiao-Tzu
\n\nTIEN Hsiao-Tzu was born in 1984 in Tainan as a freelance choreographer, dancer, and performer in Taipei. TIEN puts the focus of her choreography research on human emotions shaped by time, history, culture, and environment. She also develops the potential of body and movements through international exchange and collaboration with theatre or performance arts, keeping connected with foreign cultures and other disciplines. The work, Masses co-created by WANG Shih-wei, LI Tzi-mei, Helmi FITA won the Performing Arts Award of the 18th Taishin Arts Award in 2020. In 2016, she was selected by the Ministry of Culture of Taiwan for the artist residency program in Paris. Her work The Hole was nominated for Taishin Arts Award in 2015. Her works have been premiered at Taipei Arts Festival, Dance Massive (Melbourne), America Dance Festival, among others. The Hole and Stem have been presented respectively in Avignon, Shenzhen Contemporary Theatre Biennale and Dance Bridges Festival (Kolkata). Drifting Dust, the dance video she created with artist CHIH Cheuk-lam, has been exhibited in Kaohsiung, Chiayi (Taiwan) and Madrid (Spain).
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Music / Sound Design|HSU Yen-ting
\n\nUsing sound as primary creation medium, HSU Yen-ting investigates sound's cultural context and texture. Her works often reflect the relationship between sounds, environment, individual and/or collective memories and emotions. Interweaving field recordings with electronic sounds and objects, Hsu keeps exploring and experimenting with documentary and fiction/narrative and imaginary elements of recorded sounds. Using other art mediums and disciplines, HSU creates installations, performances, audio documentaries, electro-acoustic music, and more. She collaborates with dance theaters and films as a sound designer/composer. Her work has been shown at Taipei Artist Village, Taipei Fine Arts Museum, Taitung Art Museum, Cheng Long Wetlands International Environmental Art Project (Taiwan), Taipei International Documentary Festival, Asian Meeting Festival (Japan) in Taipei Arts Festival, Festival Film Dokumenter (Indonesia), Toyama Glass Art Museum(Japan), Perth Institute of Contemporary Art (Australia), Fremantle Arts Centre(Australia), Lacking Sound Festival and On-Site (Taiwan), Liquid Architecture(Australia), Arte Radio (France), Resonance fm (UK), among others.
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Production Credits
\n\nA National Kaohsiung Center for the Arts (Weiwuying) commission
\n\nDirector & Cinematographer & Editor|LUO Sih-wei
\n\nCreation Partner CHOU Shu-yi
\n\nChoreographer WANG Yeu-kwn
\n\nDancers & Co-choreographers|LEE Yin-ying, TIEN Hsiao-tzu
\n\nMusic, Sound Design|HSU Yen-ting
\n\nExecutive Producer|LIN Jou-wen
\n\nSpecial Thanks|Jasper WANG、CHEN Yi-en
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Dance en Scene, from Asia to the world
\n\nText: CHOU Shou-yi
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In early 2020, lifestyles and lives across the world were impacted by the pandemic, obstructing politics, the economy, education, art, and culture. At the peak of the pandemic, performing arts venues were closed down multiple times, and performances were cancelled, leading to the emergence of different forms of online performances and presentations, among which was creative dance films. Then, in early 2021, Esplanade – Theatres on the Bay (Singapore), Tai Kwun – Centre for Heritage and Arts(Hong Kong), National Taichung Theater, and National Kaohsiung Center for Arts(Weiwuying) worked together to initiate the Dance en Scene: An Initiative of Commissioning New Dance Films in Asia, exploring body narratives with exclusive Asian characteristics through commissioning image and dance projects. Works included documentaries, drama films, and various experimental films that were difficult to categorize. Countless possibilities emerged when film collided with dance; it's hard to imagine how dance managed to survive when film officially entered the market.
\n\nWhy would someone prefer dance films over physical dance performances? Of course, this art form was not born during the pandemic; all human behaviour has been documented since images appeared. However, since images involve countless expressions and are similar to dance, it is a way of expressing the self, when one encounters the other, it leads to a new art language. As a result, more and more creatives started creating these types of works, leading to worldwide dance film festivals and myriad works, either feature films or short films, dramas or non-narrative experimental films. Perhaps the pandemic has allowed us to share the power of dance with the public through this art form on the stage of images and film.
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Dance en Scene: An Initiative of Commissioning New Dance Films in Asia has accumulated substantial creative energy throughout the past three years. We hope this force can progress from Asia to the world.
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Time: 2023/3/10(Fri)-3/12(Sun) 11:00-21:00
\n\nVenue: Lecture Hall
\n\nFree Entry
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Post-Talk
\n\n2023/3/12(Sun)14:00 Lecture Hall
\n\nHost:
\nCHOU Shou-yi (Weiwuying Artist-In-Residence, 2022 Taiwan Dance Platform Curator)
Speaker:
\nSwash Production Team : LUO Shih-wei (Director), *HSU Yen-ting (Music, Sound Designer)
\ntiaen tiamen Production Team : Bulareyaung Pagarlava (Choreographer), Mon Cher HO (Film director)
\n*Am I Here? Production Team : Eva TANG (Director), CHIEW Peishan (Choreographers & Dance Artist)
\n*Present Production Team : WAN Xing (Concept / Director / Composer / Musician)
*Participe online
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Films
\n\nAm I Here?
\n\tAn Esplanade-Theatres on the Bay commissioned film.
\n\tDirector: Eva TANG | Choreographers & Dance Artists: CHIEW Peishan & LIM Chin Huat | Movement Collaborators & Performers: Jo KWEK, Kimberly LONG, NG Mun Poh & Wendy TOH | Music & Sound Designers: Ferry & Vick LOW
Present
\n\tA Tai Kwun - Centre for Heritage and Arts commissioned film.
\n\tDirector / Scriptwriter / Composer / Musician: WAN Xing | Tap Dance: Eric HUYNH | Contemporary Dance: Natalie MAK | Videographer / Post-production: Thomas WONG | Lighting Designer: Victor WONG
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tiaen tiamen by Bulareyaung Dance Company
\n\tA National Taichung Theater commissioned film.
\n\tChoreography: Bulareyaung Pagarlava | Film Director: Mon Cher HO | Music Director ABAO | Music Arranger & Mixer Wenna | Dancers: aulu tjibulangan, giljigiljaw tjaruzaljum,Kwonduwa Takio, Siyang Sawawan, Liay Kitoh, Awi Pawan, CHEN Sheng-chih | Produced by Bulareyaung Dance Company | Director of Photography TANG Chien-che | 1st Assistant Cameraman SHIE Dong-lin | Chief Lighting Technician: Emile PENG | Assistant Lighting Technicians: YANG Yu-jun, CHEN Yu-fan, GENG Jing-xiang | Makeup & Hair Artist: Paggy KO | Makeup Assistant: Jens | Photographer & BTS editor: Pungiya KAO
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Swash
\n\tA National Kaohsiung Center for the Arts (Weiwuying) commissioned film.
\n\tDirector & Cinematographer & Editor: LUO Sih-wei | Creation Partner CHOU Shu-yi | Choreographer WANG Yeu-kwn | Dancers & Co-choreographers: LEE Yin-ying, TIEN Hsiao-tzu | Music & Sound Designer: HSU Yen-ting | Executive Producer: LIN Jou-wen | Special Thanks: Jasper WANG、CHEN Yi-en
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李國修的經典作品《京戲啟示錄》被譽為「華人劇場的驚嘆之作」,出自於李國修追思父親而創作出的半自傳作品。以在中華商場裡終生做戲鞋的父親為原型,老鞋匠手中的針線,穿引出「戲中戲中戲」的故事;由「屏風表演班」演出「風屏劇團」,「風屏劇團」演出《梁家班》的故事,而「梁家班」演出京劇《打漁殺家》。獨特的敘事結構,是人一輩子一定要看的好戲!2023創拓版《京戲啟示錄》由導演李小平及王月領軍超強黃金製作團隊與舞台劇菁英演員卡司,將一同帶領觀眾回到那個戲中戲中戲的故事。李國修:「人,一輩子能做好一件事情,就功德圓滿了。」是李國修對表演藝術傳承的堅持,寬宏藝術將秉持如此精神,創造《京戲啟示錄》新高峰!
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演出暨製作團隊
\n\n演員|屈中恆、王月、樊光耀、郭子乾、戴立吾、黃宇琳、張本渝、范瑞君、張允曦小8、高健國、呂名堯、曾冠東、葉信威、李芙蓉
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製作團隊
\n\n藝術總監|王月
\n\n導演|李小平
\n\n舞台設計顧問|王孟超
\n\n服裝設計|蔡毓芬
\n\n音樂設計|張藝
\n\n燈光設計|車克謙
\n\n影像設計|王奕盛
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\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fbdd0e425755dd7178e548acf61caf87",title:"李國修紀念作品《京戲啟示錄》"}],related:[],title:"Apocalypse Beijing Opera",cover:"06f2767bcddf1925eb15be795c47a317",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Li Guoxiu's classic work "Apocalypse of Beijing Opera" is known as "the amazing work of Chinese theater", and it is a semi-autobiographical work created by Li Guoxiu in memorializing his father. Based on his father who has been making theater shoes in the China Shopping Mall……. The unique narrative structure is a must-see drama in a lifetime!The 2023creative version of "Apocalypse of Beijing Opera", led by directors Li Xiaoping and Wang Yue, will lead the super gold production team and elite stage casts, who will lead the audience back to the story of the play in the play. Li Guoxiu said: "People, if you can do one thing well in your life, you will be fulfilled." It is Li Guoxiu's insistence on the inheritance of performing arts. KHAM will uphold this spirit and make a new peak in "Revelation of Peking Opera"!
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Creative and Production Team
\n\nArtists: CHU Chung-Heng, Moon WANG, FAN Guang-Yao, KUO Tzu-Chien, DAI Li-Wu, HUANG Yu-Lin, Jessie CHANG, FAN Jui-Chun, CHANG Yun Xi, Jacob KAO, LU Ming-Yao, TSENG Kuan-Tung, YEH Shin-Wei, Eloise LEE
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Artistic Director|Moon WANG
\n\nDirector|LEE Xiao-Ping
\n\nConsultant of stage Design|Austin WANG
\n\nCostume Designer|TSAI Yu-Fen
\n\nComposers of Original Music|CHANG Yi
\n\nLighting Designer|CHE Ko-Chien
\n\nProjection Designer|Ethan WANG
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\n',team:""},createdAt:1669617442,updatedAt:1677981225,updatedBy:"黃薏靜",host:!1},{_id:"6386fc6e0f301d0007b6d449",catalogs:["5e9d21f90bddaa00065d24dd"],dateTime:{first:1678082400,discrete:[{time:1678082400},{time:1678156200},{time:1678168800},{time:1681106400},{time:1681180200},{time:1681192800},{time:1684735200},{time:1684809e3},{time:1684821600},{time:1686549600},{time:1686623400},{time:1686636e3}],type:"discrete"},activity:{type:"free",free:{description:"線上申請,媒合參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1669867200,end:4825497599},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b65ebb67dac03745e535fcacd3f73a61",title:"2023【衛武營藝企學】上半年登場!"}],related:[],title:"2023【衛武營藝企學】上半年登場!",cover:"8346156b93a64dd51b75b6a58dc9e200",site:{isOther:!0,site:"",other:"衛武營"},cautions:"",benefits:"",description:"衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴、全臺唯一葡萄園式座席設計音樂廳與全臺唯一凸出式可升降延伸舞台的戲劇院。",introduction:'
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衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴、全臺唯一葡萄園式座席設計音樂廳與全臺唯一凸出式可升降延伸舞台的戲劇院。為能讓全國學生有機會進入如此具有特色的國際表演廳院,並透過藝文欣賞的體驗,讓美感教育潛移默化,本計畫邀請專業表演團隊精心設計演出腳本,將「劇場禮儀」、「國際廳院介紹」融入精采表演中,期望師生透過親身蒞臨衛武營與表演欣賞,達到培養學生對於表演藝術美學的感受力與接觸美感場域之目的。
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演出場次
\n2023上半年共計12場,各場次日期時間如下表:
國小高年級場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/7 (二) | \n\t\t\t10:30-11:30 | \n\t\t
2 | \n\t\t\t3/7 (二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
4 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
8 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
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國中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t3/6(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t3/7(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
3 | \n\t\t\t3/7(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t4/10(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t4/11(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t5/22(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
8 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
9 | \n\t\t\t5/23(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
10 | \n\t\t\t6/12(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
11 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
12 | \n\t\t\t6/13(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
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高中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 3/6(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 4/10(一) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t5/22(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t6/12(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
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體驗內容
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國際廳院介紹:實際走進衛武營音樂廳,認識全亞洲最大管風琴以及葡萄園式座席,感受國際廳院的魅力。或是認識全臺唯一凸出式可升降延伸舞台的衛武營戲劇院(可變換作為觀眾席、樂池、供不同類型演出使用)。
\n\n劇場禮儀:實際體驗驗票進場流程、尋找票面上的座位入席,並在演出過程中學習遵守國際劇場禮儀。
\n\n精彩表演體驗:衛武營藝企學每年邀請音樂、舞蹈、馬戲、傳統戲曲四大類型的專業表演團隊,並精心設計適該年齡層的演出腳本,並搭配精美學習單,培養學生對於表演藝術美學的感受力。
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體驗時間
\n\n各場次約60分鐘
\n\n上午場 | \n\t\t\t下午場 | \n\t\t\t流程 | \n\t\t
09:30~10:00 | \n\t\t\t13:00~13:30 | \n\t\t\t集合整隊、發放票券及學習單 | \n\t\t
10:00~10:30 | \n\t\t\t13:30~14:00 | \n\t\t\t驗票入場、活動介紹、使用洗手間 | \n\t\t
10:30~11:30 | \n\t\t\t14:00~15:00 | \n\t\t\t正式演出 | \n\t\t
*因各場次人流眾多,等待時間可能較長,造成不便敬請見諒
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申請流程
\n\n本計畫提供全國各縣市學校進行申請(申請單位為「學校」)
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申請對象
\n\n全國各縣市之國小五年級生至高中職生
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\n\n
媒合與公告時程
\n\n各場次演出前兩週發送詳細行前通知與演出內容簡介。
\n\n\n\n
聯絡窗口
\n\n衛武營國家藝術文化中心 學推部
\n\n李詠嫣 07-262-6413
\n\n\n',team:""},createdAt:1669790830,updatedAt:1676261130,updatedBy:"翁玉芬",host:!0},{_id:"638d6b3b0f301d0007baeff0",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1677565800,discrete:[{time:1677565800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400,600,800,1e3,1200,1500,2e3,2500],link:"https://www.opentix.life/event/1589884808719527940"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"73aba7d74cf1ef111aeee0261e66c95e",title:"《神劇:以利亞 》"}],related:[],title:"《神劇:以利亞 》",cover:"4c237ecee35335111646e225de73b43c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'曾以神劇以利亞入圍金曲獎的指揮劉盛福,對神劇以利亞有深刻獨道想法的音樂詮釋,其起心動念是有感於新冠病毒成為全人類的危機,藉著投射到聖經的故事,讓我們深思,人類是否就是世界窘境結果的主因?以利亞的故事只是我們現今人類的投射,藉由此作品喚醒人類靈性議題,如果把神這個字眼改成宇宙或大自然,我們是否會發現?先知以利亞要提醒我們的是,一切的果效其實都是由心發出,災難也許是人類的集體意識顯化,對地球環保對靈性是否重視而遭來的結果,願感動以利亞的靈再度感動我們。
\n\n\n\n
演出曲目
\n\n孟德爾頌:神劇《以利亞》
\n\n\n\n
演出暨製作團隊
\n\n指揮|劉盛福
\n\n男中音|盧逸超
\n\n男高音|施岷佳
\n\n女高音|陳慧真.江柔
\n\n女中音|曹忠美
\n\n合唱團|LVA歌劇合唱團
\n\n樂團|LVA室內管弦樂團
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"73aba7d74cf1ef111aeee0261e66c95e",title:"《神劇:以利亞 》"}],related:[],title:"Mendelssohn Oratoria《ELIJAH》",cover:"4c237ecee35335111646e225de73b43c",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Let me inherit a double portion of your spirit" Mendelssohn Oratoria ELIJAH.
\n\n\n\n
Program
\n\nMENDELSSOHN: Oratoria ELIJAH
\n\n\n\n
Creative and Production Team
\n\nConductor|LIU SHENG FU
\n\nBaritone|Lu Yih-Chau
\n\nTenor|Shih, Min-Chia
\n\nSoprano|Hui-chen Chen.Chiang Jo
\n\nMezzo Soprano|Tsao Chung-Mei
\n\nChoir|LVA Opera Singing
\n\nChoirOrchestra|LVA Chamber Orchestra
\n\n\n\n
\n',team:""},createdAt:1670212411,updatedAt:1671017736,updatedBy:"林蔚行",host:!1},{_id:"639a8376b811800007165db2",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1680330600,discrete:[{time:1680330600},{time:1680417e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,1e3,1500,2e3],link:"https://www.opentix.life/event/1599666959359328262"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"82e21f3d6fb27b689d462651ee44c9b4",title:"《因愛啟程》音樂劇"}],related:[],title:"《因愛啟程》音樂劇",cover:"130488584aabca62bfbdbe532f96e9b8",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
心在哪裡,家就在哪裡
\n\n而我的心在這,臺灣就是我的家
\n\n《因愛啟程》The Journey of Love
\n\n她 芳華正盛 揮别家人 一待七十年
\n\n她 仰望天際 離别戀人 一生獻給上帝
\n\n千萬人的英文老師-彭蒙惠
\n\n用英文與音樂 祝福臺灣 連結世界
\n\n信仰在心中 好奇心在腦中
\n\n愛是原動力 奉獻是行動力
\n\n人很有限,可是靠神什麼都能做!
\n\n\n\n
演出暨製作團隊
\n\n導演|呂曼茵、謝念祖
\n\n編劇|王慕天
\n\n舞台設計|張哲龍
\n\n燈光設計|黃諾行
\n\n服裝設計|陳佳敏
\n\n音樂設計|天韻合唱團
\n\n舞蹈設計|郭靜婷
\n\n歌唱詮釋指導|魏世芬
\n\n影像設計|羅士翔
\n\n演出陣容|空中英語教室師資群、天韻合唱團、全民大劇團
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"82e21f3d6fb27b689d462651ee44c9b4",title:"《因愛啟程》音樂劇"}],related:[],title:"《The Journey of Love》",cover:"130488584aabca62bfbdbe532f96e9b8",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Home is where your heart is,
\n\nand Taiwan is my home. - Doris Brougham
\n\nShe left family and home, and stayed 70 years.
\n\nShe chose God over love and a family of her own.
\n\nDoris Brougham- teacher to thousands upon thousands.
\n\nThrough English and music, she connected Taiwan with the world.
\n\n\n\n
Creative and Production Team
\n\nDirector|Grace LU, HSIEH Nien-tsu
\n\nScreenwriter|WANG Mu-tien
\n\nStage Design|CHANG Che-lung
\n\nLighting Design|HUANG Nuo-hsing
\n\nCostume Design|CHEN Chia-min
\n\nMusic Production|Heavenly Melody
\n\nChoreography|KUO Ching-ting
\n\nGuidance on Music Performance|WEI Shih-fen
\n\nImage Design|LO Shih-hsiang
\n\nPerformers|Heavenly Melody, Studio Classroom teachers, All U People Theatre
\n\n\n\n
\n',team:""},createdAt:1671070582,updatedAt:1671624634,updatedBy:"林蔚行",host:!1},{_id:"639a854bb811800007165e2d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1680262200,discrete:[{time:1680262200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300],link:"https://www.opentix.life/event/1596112022157963268"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e3a6f0051506db3a46fbb4303a4203f3",title:"《覓》2023李卿碧琵琶獨奏會"}],related:[],title:"《覓》2023李卿碧琵琶獨奏會",cover:"6b8838d2a6df9c89d3d4245e3e039f76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
由當代藝林樂集籌劃主辦之【覓】2023李卿碧琵琶獨奏會,此場曲目中,以琵琶著名大師劉德海所作《人生篇》為主軸,五首作品巧妙的融入了創新技法,並將自身的人生哲理與豐富的想像映入樂曲,為琵琶曲賦予強烈的人文精神;《平沙落雁》曲調悠揚流暢,雁群翱翔高空而欲降落前在空際盤旋顧盼、鳴叫,而最終撲落平沙之形象;張永欽老師《靈動》描繪傣族民族舞蹈孔雀舞,維妙維肖;鄭光智老師《煙雨含霜》旅足太湖有感,並融入蘇州「評彈」音樂特色,描繪漫步煙雨景致,美不勝收。另外,特邀青年作曲家許子薇為此場音樂會,全新創作一首當代琵琶作品,希冀透過琵琶演奏中豐富的音色與音樂風格,激發出不同的琵琶演奏文化。
\n\n\n\n
演出曲目
\n\n劉德海 / 人生篇 《秦俑》、《童年》、《天鵝》、《老童》、《春蠶》
\n\n楊大鈞 演奏譜 / 《平沙落雁》
\n\n許子薇 / 《覓》委創首演
\n\n張永欽 / 《靈動》
\n\n鄭光智 / 《煙雨含霜》
\n\n\n\n
演出暨製作團隊
\n\n製作團隊|當代藝林樂集
\n\n演 出|李卿碧、陳汶青、當代藝林樂集
\n\n導 聆|黃詩芸
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"e3a6f0051506db3a46fbb4303a4203f3",title:"《覓》2023李卿碧琵琶獨奏會"}],related:[],title:"【Seeking】2023 Li, Ching-Pi Pipa Recital ",cover:"6b8838d2a6df9c89d3d4245e3e039f76",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Organized by Comtemporary Artists Ensemble, 《Seeking》2023 Li, Chin-Pi Pipa Recital aims to adopt the "Life Series" composed by great Pipa master, Liu De-Hai as the principal concept, and those five pieces in the series amazingly combined innovative technique, life phylosophies and diverse imaginations with the music itself, granting pipa mucic with vivid spirits of humanity. "The Wild Geese Landing on the Peaceful Beach" is a melodious piece which depicts the flying geese circling with birdsong and end up a smooth landing on the beach. "Nimble Movements" composed by Chang, Yung-Chin vividly elaborates the the Peacock Dance by Dai people of China. "The Frost in the Misty Rain" by Cheng, Kuang-Chih depicts the sentiments after travelling to Tai Lake in such a beatifully rainy day where frosts and mists were all around, combining the musical characteristic of Suzhou Pingtan. In addition, this recital cordially invited the renowned youth composer, Hsu, Zi-Wei to produce a comtemporary piece, hoping that through plentiful timbers of Pipa and music styles, this recital will be able to trigger different Pipa music culture and further sculpt the musical.
\n\n\n\n
Program
\n\nLiu, De-Hai / Life Series, 《Qin Figurines》、《Childhood》、《Swan》、《Old Child》、《Spring Silkworm》
\n\nYang, Da-Chin / 《The Wild Geese Landing on the Peaceful Beach》
\n\nHsu, Zi-Wei / 《Seeking》the premiere of a commissioned piece
\n\nChang, Yung-Chin / 《Nimble Movements》
\n\nCheng, Kuang-Chih / 《The Frost in the Misty Rain》
\n\n\n\n
Creative and Production Team
\n\nExecuting Team|Compemporary Artists Ensemble
\n\nMusicians|Li, Ching-Pi / Chen, Wen-Ching / Compemporary Artists Ensemble
\n\nEmcee|Huang, Shih-Yun
\n\n\n\n
\n',team:""},createdAt:1671071051,updatedAt:1671624652,updatedBy:"林蔚行",host:!1},{_id:"63a14f28f740d30007272431",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677843e3,discrete:[{time:1677843e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3],link:"https://www.opentix.life/event/1600745750016139267"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92ecfb4142b1b292c1d2267f16c121ec",title:"《白色探戈》李齊小提琴獨奏會"}],related:[],title:"《白色探戈》李齊小提琴獨奏會",cover:"11576d499f154d79d318eb620562f5c8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
2014年獲得洛杉磯席瑪艾法音樂比賽第一名。
\n\n2019年獲得維也納首獎音樂大賽第一名。
\n\n\n\n
年輕小提琴家李齊由日裔傳奇小提琴家五嶋綠所發掘,深受其喜愛,更被譽為日後樂壇的新星。李齊所熟悉的曲目甚為廣泛,從巴赫到現代作品,而他的演奏足跡更橫跨了三大洲。
\n\n\n\n
演出曲目
\n\n皮亞佐拉 探戈組曲
\n第1號
\n第2號
\n第3號
皮亞佐拉 四季
\n夏
\n秋
\n冬
\n春
-中場休息-
\n\n自由探戈
\n\n一步之遙
\n\n廣場
\n\n旅行
\n\n再見了
\n\n不曾擁有的愛人
\n\n沒有
\n\n遺忘
\n\n好似兩個陌生人
\n\n※上半場:小提琴&吉他合奏
\n※下半場:小提琴&手風琴合奏
\n經由兩種不同的合作樂器表達探戈的樂曲自由性
\n\n
演出暨製作團隊
\n\n小提琴|李齊
\n\n吉他|林家瑋
\n\n手風琴|吳詠隆
\n\n製作團隊|李齊愛樂
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"92ecfb4142b1b292c1d2267f16c121ec",title:"《白色探戈》李齊小提琴獨奏會"}],related:[],title:"Tango Blanco Chi Lee Violin Concert",cover:"11576d499f154d79d318eb620562f5c8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The violinist Chi Lee is in the developing stages of a significant career already spanning three continents. A winner of awards and competitions both in his native Taiwan and the U.S., he brings a wide repertoire, from Bach to contemporary scores, to his concerts throughout the United States, Asia and Europe.
\n\n\n\n
Program
\n\nPiazzola Tango Suite
\nNo.1
\nNo.2
\nNo.3
Piazzola Four Seasons
\nSummer
\nAutumn
\nWinter
\nSpring
-Intermission-
\n\nLibertango
\n\nPor Una Cabeza
\n\nLa Cumparsita
\n\nLa Voyage
\n\nAdios nonio
\n\nNunca Tuvo novio
\n\nNada
\n\nOblivion
\n\nComo dos extranos
\n\n\n\n
Creative and Production Team
\n\nViolin|LEE Chi
\n\nGuitar|LIN Chin Wei
\n\nAccordion|WU Yong Long
\n\nProduction Team|CHI HARMONIC
\n\n\n\n
\n',team:""},createdAt:1671515944,updatedAt:1672213240,updatedBy:"林蔚行",host:!1},{_id:"63a151edb81180000719fde4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1679121e3,discrete:[{time:1679121e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1602253224023564290"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"40e8f02dfee1931127d7b9ae197a5949",title:"任俞仲2023鋼琴獨奏會《阿爾康經典I》"}],related:[],title:"任俞仲2023鋼琴獨奏會《阿爾康經典I》",cover:"983d7348cb12395920213fb5724e1c61",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
法國作曲家、鋼琴家阿爾康(Alkan, Charles-Valentin Morhange, 1813.11.30-1888.03.29)出生於巴黎,從小展露驚人的音樂才華,並為法國七月王朝時期匯集巴黎的藝文名家之一,雖然不若同時期蕭邦、李斯特等外來音樂家受到萬眾矚目,但阿爾康超凡的鍵盤演奏仍廣泛受到各界讚賞,其鋼琴作品反映人格特質和猶太教典籍奧義,並將鋼琴音樂的表現力推展到無邊無際的極致,而有高度藝術上的價值與獨特性,漸受近代鋼琴家關注、研究及演奏。
\n
\n身為臺灣極少數同時擔任執業律師的鋼琴家—任俞仲,繼去年(2022)為慶祝斯克里亞賓150周年誕辰,演奏全場斯克里亞賓作品鋼琴獨奏會;今年(2023)適逢阿爾康210周年誕辰,將以《阿爾康經典》音樂會,帶來全場阿爾康的經典曲目,演奏選自《12首為小調而作的練習曲,作品39》的《單鋼琴交響曲》,和全本《12首為大調而作的練習曲,作品35》,以此向阿爾康致敬。
\n\n
演出曲目
\n\n阿爾康 單鋼琴交響曲,作品39之4、5、6、7
\n\n阿爾康 12首為大調而作的練習曲,作品35
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|任俞仲
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"40e8f02dfee1931127d7b9ae197a5949",title:"任俞仲2023鋼琴獨奏會《阿爾康經典I》"}],related:[],title:"Tony Jen's 2023 Piano Recital - Alkan Classics I",cover:"983d7348cb12395920213fb5724e1c61",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
To celebrate & commemorate the 210th birthday of Alkan, This recital will bring the whole Alkan repertoire, including Symphonie pour piano seul (Op.39 No.4~7) and Douze études dans tous les tons majeurs (Op.35).
\n\n\n\n
Program
\n\nC.V.Alkan: Symphonie pour piano seul, Op.39 No.4~7
\n\nC.V.Alkan: Douze études dans tous les tons majeurs, Op.35
\n\n\n\n
Creative and Production Team
\n\nPiano|Tony JEN (JEN Yu-Chung)
\n\n\n\n
\n',team:""},createdAt:1671516653,updatedAt:1672726296,updatedBy:"林蔚行",host:!1},{_id:"63aa9479f740d300072b8c28",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677481200,discrete:[{time:1677481200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,700,1e3],link:"https://www.opentix.life/event/1583305059934945282"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7823ea739b957f1ca38c48fffdb60321",title:"《遷徙》2023林志謙單簧管獨奏會"}],related:[],title:"《遷徙》2023林志謙單簧管獨奏會",cover:"01f57277548f6c26ae8e6bca88a5acb3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
遷徙一詞代表著一個人的整體移動,不管是物理上的位移或是心理上的轉移,有些出自被迫、無奈,有些帶著的是希望,本場音樂會發想於米堯因納粹追捕的遷徙,連結幾位曾經飄蕩各地的作曲家,因戰爭、政治、感情等因素而四處遷居。
\n\n\n\n
演出曲目
\n\n米堯:單簧管小奏鳴曲
\n\n侯志正:海之旅程
\n\n巴克斯:單簧管奏鳴曲
\n\n薩洛夫斯基:單簧管小奏鳴曲
\n\n齊爾品:單樂章奏鳴曲
\n\n普羅高菲夫:單簧管奏鳴曲,作品94
\n\n\n\n
演出暨製作團隊
\n\n單簧管|林志謙
\n\n鋼琴|吳明靜
\n\n\n\n
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7823ea739b957f1ca38c48fffdb60321",title:"《遷徙》2023林志謙單簧管獨奏會"}],related:[],title:"2023 Chih-Chien Lin Clarinet Recital",cover:"01f57277548f6c26ae8e6bca88a5acb3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Migration can be defined as physical and mental moving of individuals. Some people are forced to leave, while others look forward to moving to a better place. This concert is based on the migration of Darius Milhaud, who were force to leave his hometown due to pursuit of Nazi, and connecting with composers who migrate because of wars, political issues and romances.
\n\n\n\n
Program
\n\nDarius Milhaud: Sonatina for Clarinet and Piano
\n\nChih-Cheng Hou: Journey to the Sea for Solo Clarinet in Bb
\n\nArnold Bax: Sonata for Clarinet and Piano
\n\nAntoni Szalowski: Sonatina for Clarinet and Piano
\n\nAlexander Tcherepnin: Sonata in one movement
\n\nSergei Prokofiev: Sonata for Clarinet and Piano, Op. 94
\n\n\n\n
Creative and Production Team
\n\nClarinet|LIN Chih-Chien
\n\nPiano|WU Ming-Ching
\n\n\n\n
\n',team:""},createdAt:1672123513,updatedAt:1672213190,updatedBy:"林蔚行",host:!1},{_id:"63aaa14ef740d300072b8e6d",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1678534200,discrete:[{time:1678534200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[900,1200,1600,2e3,2400,2800,3200,3600],link:"https://www.opentix.life/event/1604738558666743814"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3dd2719aa7ec315366179bd0eb439b6c",title:"《布朗五兄妹》"}],related:[{from:"programs",key:"63f872bcabd333000ac8e9df",title:"【大師講座】遇見當代達文西-探索羅伯.勒帕吉的創意世界"},{from:"programs",key:"63f869d2abd333000ac8e7f1",title:"【武營來開槓】聊聲音—問建築:我們能控制建築物內的聲音嗎?"}],title:"《布朗五兄妹》",cover:"51860a60160087bbfb496b9fcd05fa44",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「布朗五兄妹」首度造訪高雄,潮翻古典!
\n紐約時報、洛杉磯時報、時代雜誌、歐普拉脫口秀聯合推薦!
\n「布朗五兄妹是古典樂界最大的驚喜。他們的演奏極其優異,樂曲改編極其華麗堂皇。」-Audiophile Audition
\n\n
紮實的古典音樂訓練,加上巧妙樂思和獨特詮釋,「布朗五兄妹」為古典音樂注入全新活力與觀點,帶來無限驚喜。成團以來,國際各大音樂節競相邀請,媒體熱烈報導,五位鋼琴家均畢業於茱利亞音樂學院,同為史坦威音樂家,獨奏實力堅強,重奏默契非凡!
\n\n\n\n
演出曲目
\n\n蓋希文:藍色狂想曲
\n\n高夏克:華麗的塔朗泰拉舞曲
\n\n林姆斯基-高沙可夫:大黃蜂的飛行
\n\n蕭邦:C小調夜曲
\n\n巴赫:B小調彌撒
\n\n伯恩斯坦:西城故事
\n\n約翰威廉斯:星際大戰組曲
\n\n魯托斯拉夫斯基:帕格尼尼主題變奏曲
\n\n李斯特:第2號匈牙利狂想曲
\n\n披頭四:黑鳥
\n\n史特拉汶斯基:火鳥
\n\n\n\n
演出暨製作團隊
\n\n鋼琴|黛斯蕊.布朗
\n\n鋼琴|狄翁黛拉.布朗
\n\n鋼琴|葛雷哥里.布朗
\n\n鋼琴|美樂蒂.布朗
\n\n鋼琴|雷恩.布朗
\n\n\n\n
\n\n
※主辦單位保留所有活動異動權與解釋權。
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3dd2719aa7ec315366179bd0eb439b6c",title:"《布朗五兄妹》"}],related:[],title:"The 5 Browns",cover:"51860a60160087bbfb496b9fcd05fa44",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Five pianos and 50 fingers add up to the biggest classical music sensation in years." -The New York PostThe 5 Browns are delivering on their dream to wake up classical music. Whether performing individually or together in various combinations, The 5 Browns reveal a deep love of classical music while bringing a fresh energy and original palate of tonal colors. The 5 Browns have released 8 CDs that have cumulatively spent over 30 weeks at #1 on Billboard Magazine’s Classical Album Chart.
\n\n\n\n
Program
\n\nGeorge Gershwin/Jeffrey Shumway: Rhapsody in Blue
\n\nLouis Moreau Gottschalk: Grande Tarantelle, Op. posth. 67
\n\nNikolai Rimsky-Korsakov/Jeffrey Shumway: Flight of the Bumblebee
\n\nFrederic Chopin: Nocturne in C Minor, Op. 48 No. 1
\n\nJohann Sebastian Bach: Mass in B Minor BWV 232
\n\nLeonard Bernstein/Kendall Durelle Briggs: Scenes from West Side Story
\n\nJohn Williams/Greg Anderson: Star Wars: Suite for Five Pianos
\n\nWitold Lutoslawski: Variations on a Theme of Paganini for Two Pianos
\n\nFranz Liszt/Vladimir Horowitz: Hungarian Rhapsody No. 2
\n\nThe Beatles: Blackbird
\n\nIgor Stravinsky/Jeffrey Shumway: The Firebird (from the 1911 Version)
\n\n\n\n
Creative and Production Team
\n\nPiano|Desirae BROWN
\n\nPiano|Deondra BROWN
\n\nPiano|Gregory BROWN
\n\nPiano|Melody BROWN
\n\nPiano|Ryan BROWN
\n\nPiano|Desirae Brown
\n\n\n\n
※The program is subject to change.
\n\n\n\n
\n',team:""},createdAt:1672126798,updatedAt:1678082471,updatedBy:"林蔚行",host:!1},{_id:"63b68cfc72bcdc0007d18cc4",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1680417e3,discrete:[{time:1680417e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,600,800],link:"https://www.opentix.life/event/1608644524982411265"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"772cd49be7fc7d05b5a60c08b6902aec",title:"《大甲愛樂-音樂家的生日PARTY》"}],related:[],title:"《大甲愛樂-音樂家的生日Party》親子音樂劇",cover:"0a475316be2ee68c20b444e5c7233b3b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
大甲愛樂指揮家要舉辦生日PARTY啦!究竟指揮邀請了哪些音樂家參加他的派對呢?「砰!」是什麼人出現在派對上搗亂?是哪個神秘人喋喋不休的在唱歌?神射手威廉的箭到底射中了什麼?生日派對上一連串瘋狂、歡笑不斷,讓你意想不到的故事情節都發生了!快來參加這場特別的生日派對。
\n\n\n\n
演出曲目
\n\n威爾第:飲酒歌
\n\n莫札特:我是一個快樂的捕鳥人,選自歌劇《魔笛》
\n\n巴赫:小步舞曲
\n\n巴赫:d小調觸技曲,選段
\n\n韓德爾:皇家煙火組曲 歡慶
\n\n韓德爾:哈雷路亞,選自神劇《彌賽亞》
\n\n布拉姆斯:搖籃曲
\n\n布拉姆斯:第五號匈牙利舞曲
\n\n老約翰•史特勞斯:拉黛斯基進行曲
\n\n小約翰•史特勞斯:「喋喋不休」波卡舞曲
\n\n羅西尼:威廉泰爾序曲
\n\n小約翰•史特勞斯:狩獵波卡
\n\n\n\n
演出暨製作團隊
\n\n製作團隊:
\n\n藝術總監|鄭宥媃
\n\n編劇導演|鄭宥媃.蕭立瑋
\n\n燈光設計|項人豪
\n\n舞臺監督|吳承翰
\n\n音響工程|李智遠
\n\n錄影工程|李思江
\n\n平面攝影|殷莒俊
\n\n平面設計|黃昱維
\n\n公關宣傳|張靜葳
\n\n票務行政|鄭素雅
\n\n\n\n
主要演出人員:
\n\n第一小提琴|楊筑涵
\n美國密蘇里大學之坎薩斯分校小提琴演奏碩士及演奏文憑
第二小提琴|康芝華
\n德國國立羅斯托克音樂與戲劇學院小提琴演奏碩士文憑
中提琴|黃玟潔
\n美國辛辛那提音樂院中提琴演奏碩士
大提琴|柯欣吟
\n德國紐倫堡音樂院大提琴演奏碩士文憑
低音提琴|戴佩勳
\n法國國立Rueil Malmaison 音樂學院
聲樂家男中音|廖宇盟
\n奧地利薩爾茲堡莫札特音樂表演藝術大學(Mozarteum University of Salzburg)
聲樂家女高音|王嘉琳
\n德國斯圖加特音樂暨表演藝術學院
專業演員|蕭立瑋、陳繪安、林宇珊
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"772cd49be7fc7d05b5a60c08b6902aec",title:"《大甲愛樂-音樂家的生日PARTY》"}],related:[],title:"《Dajia Philharmonic Musician's Birthday Party 》 Parent-Child Musical",cover:"0a475316be2ee68c20b444e5c7233b3b",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The Dajia Philharmonic conductor is going to hold a birthday party! Which musicians were invited to his party?" Bang! Who's in trouble at the party? Which mysterious man is singing? What did the archer of the god, William's arrow hit? The birthday party last a series of crazy, laughing, let you unexpected story happen! Come and join this special birthday party.
\n\n\n\n
Program
\n\nGiuseppe Verdi: Drinking Song
\n\nMozart: "Der Vogelfänger Bin Ich Ja" from Die Zauberflöte
\n\nBach JS: Minuet
\n\nBach JS: Toccata and Fugue in D minor
\n\nFriedrich Händel: Music for the Royal Fireworks
\n\nFriedrich Händel: “Hallelujah" from Messiah
\n\nJohannes Brahms: Lullaby
\n\nJohannes Brahms: Hungarian Dance No 5
\n\nJohann Baptist Strauss: Radetzky-Marsch
\n\nJohann Strauss: Tritsch-Tratsch-Polka, Op.214
\n\nRossini: William Tell Overture
\n\nJohann Strauss: Auf der Jagd
\n\n\n\n
Creative and Production Team
\n\nProduction Team
\n\nArtistic Director|CHENG Yu-jou
\n\nDirector, Bookwriter|CHENG Yu-jou , HSIAO Li-wei
\n\nLighting Design|XIANG Ren-hao
\n\nStage manager|Wu Cheng-han
\n\nSound Engineer|LEE Zhi-yuan
\n\nFilm Engineer|LEE Ssu-chiang
\n\nGraphic Photography|YIN,JU-jun
\n\nGraphic Design|HUANG Yu-wei
\n\nMedia, Propaganda|CHANG Ching-wei
\n\nAdministrative|CHENG Su-ya
\n\n\n\n
Actor
\n\nFirst Violin|YANG Chu-han
\n\nSecond Violin|KANG Chih-hua
\n\nViola|HUANG Wen-chieh
\n\nCello|KO Hsin-yin
\n\nDouble Bass|DAI Pey-shiun
\n\nVocal Singing baritone|LIAO Yu-meng
\n\nVocal Singing soprano|WANG Jia-lin
\n\nProfessional Actress|HSIAO Li-wei ,CHEN Hui-an, LIN Yu-shan
\n\n\n\n
\n',team:""},createdAt:1672908028,updatedAt:1679035221,updatedBy:"林蔚行",host:!1},{_id:"63b69b27bc2ba9000724be96",catalogs:["5aec45edb01ea6000520f655"],dateTime:{first:1678516200,discrete:[{time:1678516200},{time:1678586400}],type:"discrete"},activity:{type:"signup",signup:{limit:33,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5c5169ff62156f0006731a9a",text:"家長姓名 Full Name of Parent",english:"家長姓名 Full Name of Parent"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)"},{required:!0,key:"5cab0fea552deb0006aa1ca3",text:"聯絡人手機號碼 Number of Contact Person",english:"聯絡人手機號碼 Number of Contact Person"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing address",english:"郵寄地址(申請退費時使用)Mailing address"},{required:!0,key:"5e2921ce9083ca0006cf52b8",text:"小朋友姓名 Full Name of Attending Child",english:"小朋友姓名 Full Name of Attending Child"},{required:!0,key:"5e2921e52d46f400067fbe6a",text:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)",english:"小朋友出生年月日(西元年/月/日) Birthday of Attending Child (Year/Month/Day/)"},{required:!1,key:"custom_text_1673622720455",text:"請問會攜帶何種樂器一起加入即興演奏?(選填)",english:""},{required:!0,key:"63bf8038bc2ba90007295d0f",text:"請問是如何得知此活動?",english:"請問是如何得知此活動?"}],vip:{start:1673082e3,end:1678528859},open:{start:1673082e3,end:1678528859},description:'
報名對象
\n\n藝起同樂班:1名小朋友(適國小1-6年級生)+1名大人為一組
\n\n\n\n
注意事項
\n\n授課老師
\n\n朱郁柔|Orgelkids Taiwan 音樂總監
\n\n高師大表演藝術所。有二十年國小藝術與人文科老師、樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營藝企學管風琴音樂會「遺忘、終曲」主持人、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
\n
\n\n
侯喜恩|藝術手作專職講師
\n\n在臺主修西法外語,後赴英深造西洋藝術史評論,旅居紐約期間涉獵世界繪本與黑白暗房攝影,返台後追隨多位臺灣工藝名師學習傳統印染技術,並於國立臺灣工藝研究發展中心參與師生聯展。長期擔任葡萄園協會專業講師,透過結合藝術欣賞與工藝體驗的方式,致力推動全人的生命教育和美感教育。
\n'}],onShelf:!0,sliders:[{type:"image",key:"b1a500b782921590de30d8f1e98ae05a",title:"【創意學習工作坊】玩樂管風琴(藝起同樂班)"}],related:[{from:"programs",key:"63bcd7db72bcdc0007d5bf17",title:"2023【探索管風琴音樂】2-6月"},{from:"programs",key:"63eddd147700940008015729",title:"【創意學習工作坊】跳,我的款式"}],title:"【創意學習工作坊】玩樂管風琴(藝起同樂班)",cover:"3c6659b42dbe88933de1707bdd2473eb",site:{isOther:!0,site:"",other:"衛武營1186排練室"},cautions:'我們把世界上體積最大的樂器—管風琴,縮小了!
\n\n管風琴是世界上最古老的樂器之一,通常我們都只能從視覺還有聽覺上去體驗與感受,這次衛武營【創意學習工作坊】玩樂管風琴,就是要讓雄偉的大樂器變得平易近人!課程除了分享管風琴非凡特點外,更透過「組裝小管風琴」的方式,讓參與者在動手組裝的同時就能輕易認識管風琴的構造和發聲原理,帶領大家在玩樂中領略樂器之王—管風琴的奧妙!
\n\n\n\n
課程內容
\n\n主題 | \n\t\t\t內容 | \n\t\t
環遊世界管風琴 | \n\t\t\t透過老師的帶領,讓我們一起徜徉世界,看看各地有哪些不同造型、特色的管風琴。 | \n\t\t
組裝管風琴 | \n\t\t\t透過小管風琴133個精巧的零組件,老師將帶領大家一起動手組裝起來,並讓參與者現場體驗彈奏小管風琴的樂趣! | \n\t\t
絹印造型手提袋 | \n\t\t\t\n\t\t\t 老師將帶學員實作體驗「絹印」這項有趣的印刷技術,印製【衛武營創意學習工作坊】玩樂管風琴專屬的圖樣提袋和束口袋,實用精美又有紀念性。(束口袋為藝起同樂班限定) \n\t\t\t | \n\t\t
※ 每班課程均含三大主題,課程進度將視現場學員狀態調整。
\n\n※ 課程示意圖
\n\n\n\n
開課資訊
\n\n※本頁面為「藝起同樂班」報名頁面,本活動另有開設「青壯年/後青春班」,歡迎報名參加!
\n\n課程日期:
\n\n報名對象:藝起同樂班為「1位小朋友(適國小1-6年級)+ 1位成人」為一組,歡迎喜愛藝術活動、音樂的朋友,一起來參與!
\n\n報名人數:每梯次各招收15組,額滿為止。
\n\n上課地點:衛武營1186排練室
\n\n\n\n
\n\n
報名方式與費用
\n\n報名時間:即日起至2023/3/7(二) 23:59止。
\n\n報名流程:官網報名 → 繳交費用 → 檢視官網報名狀況 → 完成報名。
\n\n課程費用:$1,000/組(內含課程絹印材料費、【探索管風琴音樂】活動門票2張)。
\n\n優惠方案:
\n\n(1) 衛武營四卡會員「早鳥優惠」 $800,優惠日至2023/2/11(六)中午17:00止。
\n(2) 衛武營四卡會員「一般優惠」 $900,優惠日為2023/2/11(六)中午17:00起至報名截止。
※為鼓勵本課程學員進入場館參觀「亞洲最大管風琴」,衛武營將贈予每組學員3/29(三) 14:30【探索管風琴音樂】活動門票2張。
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注意事項
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附加優惠
\n\n\n',team:""},createdAt:1672911655,updatedAt:1678850130,updatedBy:"黃薏靜",host:!0,hasSignup:!0},{_id:"63b7978f72bcdc0007d2782b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1678620600,discrete:[{time:1678620600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa65970f8b189ab693ea0108575d017d",title:"《絢麗系列》卡蒂雅.布尼亞季什維莉鋼琴獨奏會"}],related:[],title:"「節目取消」《絢麗系列》卡蒂雅.布尼亞季什維莉鋼琴獨奏會",cover:"369005dc49429340124c1625579ba8b3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2023年3月12日(日)19:30於衛武營音樂廳演出之絢麗系列—卡蒂雅.布尼亞季什維莉鋼琴獨奏會,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年3月17日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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巴哈靈感的「絢麗系列」匯集當代最具影響力的中生代獨奏家,他們卓越的音樂表現與非凡的舞台魅力帶來振奮人心的傳承與革新。本次邀請風靡全球的鋼琴天后卡蒂雅.布尼亞季什維莉(Khatia Buniatishvili),與台灣觀眾分享她觸動人心的音樂世界。
\n\n三歲啟蒙於母親,六歲時即舉辦個人第一場音樂會,十歲時的演奏足跡就遍布歐洲、以色列和美國等地。卡蒂雅精通五門語言:喬治亞語、法語、英語、德語和俄語。她與許多國際著名樂團和指揮家保持著長期且頻繁的合作,包括以色列愛樂樂團、聖彼得堡愛樂樂團、琉森節日樂團、慕尼黑愛樂樂團、法國廣播愛樂樂團、巴黎交響樂團、BBC交響樂團等。
\n\n睽違7年,鋼琴巨星卡蒂雅再度來臺,將於3月11日和12日在台北國家音樂廳和高雄衛武營音樂廳,為臺灣觀眾帶來最細膩精湛的演出。
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演出曲目
\n\n薩提《吉諾佩第第一號》
\n\n蕭邦《E小調前奏曲》,作品28第4首
\n\n蕭邦《升C小調第3號詼諧曲》,作品39
\n\n巴哈《G弦之歌》,第三號管弦樂組曲
\n\n舒伯特《降G大調第三號即興曲》
\n\n舒伯特/李斯特《小夜曲》
\n\n蕭邦《降A大調波蘭舞曲》,作品53
\n\n蕭邦《A小調馬厝卡舞曲》,作品17第4首
\n\n庫普蘭《不能說的秘密》
\n\n巴哈/李斯特《A小調前奏與賦格》
\n\n李斯特《第三號安慰曲》
\n\n李斯特/霍洛維茲/布尼亞季什維莉《升C小調第二號匈牙利狂想曲》
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演出暨製作團隊
\n\n鋼琴|卡蒂雅.布尼亞季什維莉
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"fa65970f8b189ab693ea0108575d017d",title:"《絢麗系列》卡蒂雅.布尼亞季什維莉鋼琴獨奏會"}],related:[],title:"(Program cancelled) The Magnificent Series---Khatia Buniatishvili Piano Recital",cover:"369005dc49429340124c1625579ba8b3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-2-27005595. | \n\t\t
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"Magnificent Series — Khatia Buniatishvili Piano Recital" is the most exciting highlight of 2023 season launched by Bach Inspiration Music & Culture Association. Pianist Khatia Buniatishvili will perform at National Kaohsiung Center for the Arts - Weiwuying.
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Program
\n\nErik Satie: Gymnopédie No. 1
\n\nFrédéric Chopin: Prélude in E Minor, Op. 28, No. 4
\n\nFrédéric Chopin: Scherzo No. 3 in C-Sharp Minor, Op. 39
\n\nJohann Sebastian Bach: "Air" Suite No. 3 in D Major, BWV 1068
\n\nFranz Schubert: Impromptu No. 3 in G-Flat Major, D 899
\n\nFranz Schubert/Franz Liszt: Ständchen, S. 560
\n\nFrédéric Chopin: Polonaise in A-Flat Major, Op. 53
\n\nFrédéric Chopin: Mazurka in A Minor, Op. 17, No. 4
\n\nFrançois Couperin: "Les Barricades Mystérieuses"
\n\nJohann Sebastian Bach/Franz Liszt: Prelude and Fuge in A Minor, BWV 543 (S. 462)
\n\nFranz Liszt: Consolation No. 3, S. 172
\n\nFranz Liszt/Wladimir Horowitz/Khatia Buniatishvili: Hungarian Rhapsody No. 2 in C-sharp Minor
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Creative and Production Team
\n\nPiano|Khatia Buniatishvili
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\n',team:""},createdAt:1672976271,updatedAt:1676692903,updatedBy:"林蔚行",host:!1},{_id:"63b7b89e72bcdc0007d27db6",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677911400,discrete:[{time:1677911400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800,1e3,1200,1400,1600,1800],link:"https://www.opentix.life/event/1574228565206343683"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c03c1dec9f3a9a97f2042c70cded092",title:"《久石讓的燦爛樂章》 交響音樂會"}],related:[],title:"《久石讓的燦爛樂章》 交響音樂會",cover:"c6968d06af39bacdffb5a94c982526c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
有著「東方電影配樂大師」美譽的久石讓先生,透過筆下揮灑的音樂魔法,總能讓觀眾感受到不同張力的聲音美學。此次,狂美精選多部其歷年創作之最,透過大型樂團的磅礡演繹、愛樂電台資深主持人-邢子青深度導聆,以及各場次專業演奏嘉賓的精采詮釋,盼與樂迷在音樂廳來場輝煌燦爛的音樂共振。
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演出曲目
\n\n任沛晨 編曲:《太王四神記》交響組曲
\n\n小島里美 編曲:送行者~禮儀師的樂章
\n\n遠藤幸夫 編曲:動畫《神隱少女》精選
\n\n西條太貴 編曲:《Summer》鋼琴協奏曲 選自《菊次郎的夏天》
\n\n西條太貴 編曲:《阿席達卡與小桑》鋼琴協奏曲 選自《魔法公主》
\n\n三浦秀秋 編曲:《人生的選轉木馬》爵士改編版
\n\n鄉間幹男 編曲:《生命的記憶》選自《輝耀姬物語》
\n\n任沛晨 編曲:《逝去的往日》選自《紅豬》
\n\n龜井光太郎 編曲:交響故事《龍貓》管樂篇
\n\n金山徹 編曲:《崖上的波妞》搖滾改編版
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演出暨製作團隊
\n\n說書人、製作人|劉可婕(狂美交響管樂團 總監)
\n\n監製、指揮|謝韋民(狂美交響管樂團 團長)
\n\n節目導聆|邢子青(愛樂電台 資深主持人)
\n\n演出嘉賓|沈妤霖
\n\n視覺設計|呂純婷
\n\n樂團|狂美交響管樂團
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4c03c1dec9f3a9a97f2042c70cded092",title:"《久石讓的燦爛樂章》 交響音樂會"}],related:[],title:"Symphonic Concert: Score Selections from Joe Hisaishi",cover:"c6968d06af39bacdffb5a94c982526c7",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Mr. Joe Hisaishi, who has the reputation of the "Oriental Film Score Master, always makes the audience feel the sound of different tension through the magic of music swayed under his pen. This time, Con Bello Symphony Band has selected a number of his best creations over the years. Though the majestic performance of large-scale orchestra, the in-depth guided listening of Hsing Tzu-ching, the senior host of PRT, and the brilliant interpretation of professional performers in various sessions. Looking forward to have a brilliant and glorious music resonance with our fans in the concert hall.
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Program
\n\nJen, Pei-Chen Arranged: The Great King Four God Story
\n\nSatomi Kojima Arranged: Depratures
\n\nYukio Endou Arranged: Highlights from “Spirited Away”
\n\nTaiki Saijo Arranged: Summer -Piano Solo Feature-
\n\nTaiki Saijo Arranged: Ashitaka and San -Piano Solo Feature-
\n\nHideaki Miura Arranged:Merry Go Round of Life -Jazz Ver.-
\n\nGohma Miki Arranged: When I Remember This Life
\n\nJen, Pei-Chen Arranged: The Bygone Days
\n\nKamei Kotaro Arranged: Orchestra Story -
\n\nTohru Kanayama Arranged: Ponyo on the Cliff by the Sea -Brass Rock Ver.-
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Creative and Production Team
\n\nProducer|LIU Ke-chieh
\n\nDirector, Conductor|HSIEH Wei-min
\n\nGuide|HSING Tzu-ching
\n\nGuest|SHEN-Yu-lin
\n\nGraphic Designer|LU Chun-ting
\n\nPerformer|Con Bello Symphonic Band
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\n',team:""},createdAt:1672984734,updatedAt:1673337614,updatedBy:"林蔚行",host:!1},{_id:"63b7ebb072bcdc0007d28615",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677997800,discrete:[{time:1677997800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1605091714030379010"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3044565dbd86eb43d048b3cdfd23b64f",title:"《2023徐文妙、張有慶小提琴聯合演奏會》"}],related:[],title:"《2023徐文妙、張有慶小提琴聯合演奏會》",cover:"be33d49caa230fc99fd68f41fab46db3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
徐文妙與張有慶皆為醫療工作者,忙碌的身份並沒有澆熄他們對於音樂的熱情與對小提琴的熱愛,反而促使他們成為更優秀的小提琴家,經常擔任樂團首席及獨奏家並參與各類型演出。
\n今年,小提琴家徐文妙與鋼琴家何琇嫺將帶來艾內斯科《第二號f小調小提琴奏鳴曲,作品6》及易沙意《第一號g小調無伴奏小提琴奏鳴曲,作品27》;小提琴家張有慶與鋼琴家潘祖欣將帶來泰勒曼《第七號幻想曲,作品40:20》及貝多芬《第三號降E大調小提琴奏鳴曲,作品12》,四位音樂家期盼透過絕美的音色與技巧,在後疫情時代帶領觀眾進入音樂的療癒世界。
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演出曲目
\n\n泰勒曼:第七號幻想曲,作品40:20
\n\n艾內斯科:第二號f小調小提琴奏鳴曲,作品6《獻給提博》
\n\n易沙意:第一號g小調無伴奏小提琴奏鳴曲,作品27《獻給西格提》
\n\n貝多芬:第三號降E大調小提琴奏鳴曲,作品12
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演出暨製作團隊
\n\n小提琴|徐文妙、張有慶
\n\n鋼琴|何琇嫺、潘祖欣
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3044565dbd86eb43d048b3cdfd23b64f",title:"《2023徐文妙、張有慶小提琴聯合演奏會》"}],related:[],title:"Wen-Miao and Yu-Ching Violin Recital",cover:"be33d49caa230fc99fd68f41fab46db3",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Violinists Hsu Wen-Miao and CHANG Yu-Ching are medical professionals, and their busy schedules in the medical occupation have not devitalized their passion for music and their love of the violin, but have made them even more definite violinists, often serving as orchestra principals and soloists and performing in various venues.This year, violinist HSU Wen-Miao and pianist HO Hsiu-Hsien will present Violin Sonata No.2 in f minor by George Enescu, Op.6 and Violin Sonata No.1 in g minor, Op.27 by Eugène Ysaÿe; violinist CHANG Yu-Ching and pianist PAN Tsu-Hsin will present Fantasia No. 7, Op. 40:20 by Georg Philipp Telemann and Violin Sonata No. 3 in E-flat Major, Op. 12 by Beethoven. The four musicians hope to bring the audience into the healing world of music in the post-epidemic era through their tranquil tones and striking techniques.
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Program
\n\nGeorg Philipp Telemann: Fantasia No.7, TWV 40:20
\n\nGeorge Enescu: Violin Sonata No.2 in f minor, Op.6《à Joseph et à Jacques Thibaud》(1899)
\n\nEugène Ysaÿe: Solo Violin Sonata No.1 in g minor, Op.27《A Joseph Szigeti》
\n\nLudwig van Beethoven: Violin Sonata No.3 in E-Flat Major, Op.12
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Creative and Production Team
\n\nViolin|HSU Wen-Miao、CHANG Yu-Ching
\n\nPiano|HO Hsiu-Hsien、 PAN Tsu-hsin
\n\n\n\n
\n',team:""},createdAt:1672997808,updatedAt:1674033662,updatedBy:"林蔚行",host:!1},{_id:"63b94dad72bcdc0007d3d0a1",catalogs:["5feb0656c2db7a00075450a2","5aec45edb01ea6000520f655"],dateTime:{first:1677909600,discrete:[{time:1677909600}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Admission"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b484ae8e991e66b6885ff3abd1324be4",title:"【武營來開槓】打卡新勝地!世界管風琴之旅"}],related:[{from:"programs",key:"63bcd7db72bcdc0007d5bf17",title:"2023【探索管風琴音樂】2-6月"},{from:"programs",key:"63c502121a2c980007a35c97",title:"【創意學習工作坊】玩樂管風琴(青壯年/後青春班)"}],title:"【武營來開槓】打卡新勝地!世界管風琴之旅",cover:"5608c78fedd2ab8bc7d9fc393ea5f66f",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
2023年,世界恢復常態之際,您已經在準備下次的旅程了嗎?面對千篇一律的知名地標、米其林餐廳跟風景名勝外,還有什麼耳目一新的景點,讓人一看就驚豔呢?
\n\n樂器之王「管風琴」的英姿,正是社群軟體的打卡新勝地!
\n\n從德國科隆大教堂、法國巴黎聖母院到日本三得利音樂廳,還有「亞洲最大管風琴」的衛武營音樂廳,這些知名景點的琴不但讓人看得精采,聽起來更是過癮!在實際到訪之前,由管風琴家劉信宏為大家指路,讓您看熱鬧也看門道,感受世界知名管風琴的迷人魅力!
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★ 誰來開槓:
\n\n管風琴家|劉信宏、古典樂網站「MUZIK Air」副總編輯|連士堯
\n\n活動時間:2023/03/04 (六)14:00
\n\n參加對象:歡迎喜愛藝術活動的朋友,一起來開槓!
\n\n報名方式:報名參加,免費入場(限量100名,額滿為止)。
\n\n(線上報名至2023/03/02 (四)23:59止,講座優先保留席次予線上報名者;現場將視狀況開放現場報名觀眾進場。)
\n\n報名網址: 報名請點我
\n\n活動地點:衛武營國家藝術文化中心3F演講廳
\n\n※全程參與者可享2023衛武營管風琴音樂節單檔演出節目8折購票優惠。
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管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士,911美國衛理公會西北部教區紀念禮拜之首席管風琴家,2002年加拿大國際卡加利管風琴大賽與Triumphant Foundation評論他為當今最優秀之管風琴家之一。返臺至今除多次應邀於音樂會外,他也協助奇美博物館整理臺灣最早的管風琴,建構臺灣最大的教堂管風琴(臺北大稻埕教會),與近期國家音樂廳的管風琴整修,協助完成屏東演藝廳與高雄衛武營的管風琴。
\n曾任行政院公共建設審查委員會委員、臺北國家音樂廳親子音樂會管風琴顧問、屏東演藝廳管風琴委員、高雄衛武營國家藝術文化中心籌備處管風琴委員會委員/召集人。他現為台南神學院教會音樂系所專任副教授暨兼任教國立臺北藝術大學、美國管風琴家協會會員與臺灣協會理事。
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連士堯|古典樂網站「MUZIK Air」副總編輯
\n\n高中因在管樂社演奏低音管並擔任學生指揮,與古典樂結下不解之緣,2009年進入《MUZIK》團隊擔任編輯,認為自己能夠將興趣與專業結合是極為幸運的一件事,期間訪問過國內外知名音樂名家,如小澤征爾、路易西、殷巴爾、張莎拉、夏漢、王羽佳、陳銳等。2020年與樂刊同步數位轉型為古典樂網站「MUZIK AIR」副總編輯,並且於「MUZIK閱聽古典樂」YouTube頻道主持「早餐會報」節目,以及錄製Podcast「節氣古典樂」單元,希望帶領大家發現古典音樂在生活中不可或缺的一面。
\n\n關於武營來開槓
\n\n藝術,是由生活經驗所累積。
\n\n《武營來開槓》透過邀請知名藝術家,無論音樂、戲劇、電影等,分享對藝術的所思所見,剖析藝術用什麼傳達方式,與觀眾產生共鳴?
\n\n創作皆是從生活小事延伸而成,就像對生活的日積月累、夢境的天馬行空、興趣的不斷鑽研,挖掘靈感,創造有生活記憶的故事!或許大家可以想想,你生活中的哪些小事,也是藝術表現的一部份呢?
\n\n《武營來開槓》一場與藝術零距離的交流,為你的日常生活創造驚喜!
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演出節目資訊
\n\n► 2023/03/22 ~ 2023/03/26
\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b484ae8e991e66b6885ff3abd1324be4",title:"【武營來開槓】打卡新勝地!世界管風琴之旅"}],related:[],title:"【Arts Talk】Check in! Follow Organist on a Trip",cover:"5608c78fedd2ab8bc7d9fc393ea5f66f",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'As the world returns to normal in 2023, are you ready for your next trip? In addition to the usual popular landmarks, Michelin restaurants, and scenic spots, what other unique and impressive sights can you discover?The king of musical instruments, the “Pipe Organ”, is the latest check-in hotspot on social media!
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The pipe organs in well-known locations such as the Cologne Cathedral, Notre-Dame, Suntory Hall, and the largest pipe organ in Asia at the National Kaohsiung Center for the Arts (Weiwuying) offer both a visual and musical experience. Organist Hsin-Hung Liu will guide visitors and provide insight into the techniques behind the world's famous pipe organs, allowing for a captivating experience.
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※The event will be conducted in Mandarin.
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Facilitators
\n\nPipe Organist|Hsin-Hung LIU
\n\nDr. LIU Hsin-Hung holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. He was a visiting scholar at the University of British Columbia and Vancouver School of Theology in 2015 and 2016. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
\n\nHe has served as a member of the Public Construction Commission, Executive Yuan's Infrastructure Review Committee, a consultant for the Organ for Families Concert at the National Concert Hall, and the convener for the Weiwuying Preparation Office's organ committee.
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\nDr. LIU has made significant contributions to the organ scene in Taiwan, including the overhaul of the organs at the Chimei Museum in Tainan and the National Concert Hall, as well as the construction of Taiwan's largest church organ in Presbyterian Church of Taiwan Datong Church, the Pingtung Performing Arts Center, and the world-renowned Weiwuying Concert Hall, which has the largest and most advanced organ in Asia.
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Eric LIEN|MUZIK Air, Deputy Chief Editor & Senior Managing Editor
\n\nEric Lien started his love and passion about classical music since he joined the high school wind ensemble, in which he played the bassoon and conducted the concerts. In 2009, Eric joined classical music media "MUZIK" and now served as Deputy Chief Editor of "MUZIK Air" website, also hosting "Morning Report" series on MUZIK YouTube channel, and co-hosting Podcast series "Listening Classical Music with Solar Terms."
\n\nAbout ARTS TALK
\n\nArt is a summary of life experiences.
\n\nArts Talk is a project which gathers together renowned artists from different fields such as music, theater or movie domains for sharing their thought about art with the public, telling us how art can communicate and resonate with its audience.
\nCreative work is like an extension of every incident in one's life. The accumulation of your everyday experience, the moments when your imagination runs wild, and your persistent cultivation of hobbies can all be the sources of your inspiration, enabling you to write stories that recount your memories of life.
\nSo why not do some brainstorming to see which part of your life, no matter how trivial it is, can be turned into a work of art?
Arts Talk gives you an opportunity to interact directly with art and brings wonderful surprises into your life!
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Programs Information
\n\n► 2023/03/22 ~ 2023/03/26
\n\n\n',team:""},createdAt:1673088429,updatedAt:1678014893,updatedBy:"黃薏靜",host:!0},{_id:"63bcd7db72bcdc0007d5bf17",catalogs:["5aec4184b01ea6000520f633","5aec45edb01ea6000520f655","5fe2bffdde1961000737545c"],dateTime:{first:1677047400,discrete:[{time:1677047400},{time:1680071400},{time:1682490600},{time:1683700200},{time:1686724200}],type:"discrete"},activity:{type:"free",free:{description:"售票節目",englishDescription:"Tickets: $300"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"演出者介紹",content:'管風琴家|劉信宏
\n\n美國華盛頓大學音樂博士。現為台南神學院專任教授,兼任教於國立臺北藝術大學、臺南應用科技大學。2015-2016年間獲邀至加拿大英屬哥倫比亞大學、溫哥華神學院擔任訪問學者,現為美國管風琴家協會會員與臺灣管風琴家協會理事長。
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曾擔任行政院公共建設審查委員會委員、臺北國家音樂廳管風琴親子音樂會顧問與高雄衛武營國家藝術文化中心籌備處管風琴委員會召集人。協助修建臺南奇美博物館的管風琴、2015年國家音樂廳管風琴,並建構臺灣最大的大稻埕教會管風琴、屏東演藝廳管風琴,與目前亞洲最大、全世界最先進的「衛武營國家藝術文化中心 - 音樂廳管風琴」。
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主持人|陳俊佑
\n\n高雄師大數學教育碩士及文藻外語大學藝術創作碩士,藝文工作者,長期在劇場擔任編劇/導演/演員,編導創作作品累積約二十部,現為放克劇團藝術總監。另一個身分是樂團樂手,參與過國內諸多音樂祭演出,並曾帶領樂團拿過全國熱門音樂大賽總冠軍及最佳貝斯手個人獎項,目前致力於推廣藝文及戲劇/音樂創作。
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管風琴家|Sean Jackson (四月場客席管風琴家)
\n\n國際上出色的獨奏家和伴奏家,演出遍及英國、愛爾蘭、德國、臺灣、中國大陸、加拿大、美國及加勒比海。於倫敦皇家音樂學院學習取得學士學位後,進入茱莉亞音樂學院完成了碩士和博士學位。在學期間獲獎無數, 包括倫敦皇家音樂學院 Parratt、Walford Davies 和 Geoffrey Tankard 管風琴獎、Douglas Whittaker Chamber Music 獎;以及茱莉亞音樂學院 A.H. Kuhn 紀念獎學金、 1999 年 William Schumann 獎和 C.V. Starr 茱莉亞音樂學院博 士獎學金。2012 年起擔任斯坦威奇公理會教堂管風琴師及音樂總監。目前已錄製多張獨奏及合作專輯。
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小鼓手|陳揚 (四月場協演小鼓手)
\n\n定音鼓及打擊樂演奏家陳揚,於紐約大學取得音樂碩士,曾就讀於新加坡楊秀桃音樂學院,在新加坡及美國的六年期間皆獲得全額獎學金。師承定音鼓獨奏家Jonathan Haas,並曾師事Jim Saporito、Simon Boyar、Jonathan Fox 以及朱崇義。
\n陳揚專精於多種不同領域的音樂,是一位經驗極豐富的樂團打擊樂家,曾經擔任國立台灣交響樂團打擊樂職務代理人。他也擁有非常豐富的室內樂的演奏經驗,曾向So Percussion學習室內樂長達兩年,為現任的Cc打擊樂音樂總監,並參與大量樂團演出。
管風琴是世界上最古老的樂器之一,歷史可以追溯至西元前三世紀的古希臘。由於演奏效果莊嚴宏偉,與教堂迴聲搭配更顯氣勢,加上有多變的音色選擇,從中世紀開始,管風琴成為宗教音樂中相當重要的存在,也讓後世作曲家為管風琴創作大量作品。
\n\n隨著傳教士的腳步,管風琴走出歐洲,在全球的教堂內出現,像是在臺灣就有三十幾台位於教會內的管風琴。而在西方古典音樂成為主流演出的當代,建造音樂廳等表演場館時,管風琴亦成為標準配備,讓更多觀眾能夠有機會聽到此項雄偉樂器的壯觀聲響。
\n\n因此,衛武營在規劃時,就決定要在音樂廳內建置管風琴,委託德國波昂百年管風琴製造商克萊斯(Johannes Klais Orgelbau)量身打造,歷經三年多時間完成,共有9085支音管與127支音栓,為目前亞洲最大的音樂廳演奏用管風琴,也是目前全世界音樂廳內唯一可以同時邀請3位管風琴家登台演奏的音樂廳。與葡萄園式觀眾席融為一體的外觀設計,更是讓來訪的世界級管風琴家們驚艷不已!
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主辦單位保留本活動變更權利。
\n\t本活動之費用將列入衛武營會員卡消費點數累積。
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n參與2023年定時導覽「廳院導覽」、主題導覽「廳院自由探索」至三樓服務中心臨櫃購買2023【探索管風琴音樂】演出,即享購票8折優惠(各項優惠折扣方案僅能擇一使用),不限購買張數。
\n\t衛武營卡友:9折
\n\t團票:8折(30人以上)
\n\t敬老票、身障及陪同:5折
\n\t更多優惠方案詳見售票頁面。
\n\t走進衛武營音樂廳,除了驚嘆葡萄園式觀眾席與極佳音響效果外,位於最頂層的管風琴,也是眾人矚目的焦點。若是您曾經好奇,這台亞洲最大的音樂廳管風琴,究竟能展現什麼樣的百變樣貌,「探索管風琴音樂」系列活動,將是得到解答的大好機會!
\n\n衛武營特別邀請臺灣管風琴協會理事長、美國華盛頓大學音樂博士劉信宏設計獨家節目:從音樂之父巴赫到電影配樂大師約翰.威廉斯、從《結婚進行曲》到《龍貓》主題曲,還有更換觀眾位置、搭配其他樂器以及加入燈光效果等特殊聆賞規劃,加上平易近人的專業解說,展現管風琴的萬千變換與可親可愛。
\n\n2023年2月至6月,每月一小時,相約「探索管風琴音樂」,揭開管風琴的神祕面紗,拉近管風琴與我們的距離!
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\n 2023上半年活動場次表
\n\t\t\t 6/14(三)14:30-15:30 \n\n\t\t\t【毛小孩的狂歡】 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 六月管風琴要與觀眾一同狂歡!聖桑名作《動物狂歡節》將展現出管風琴活潑有趣的一面;更有趣的是,吉卜力動畫《龍貓》與《貓的報恩》配樂,還有人人都玩過的《超級瑪莉歐》電玩音樂,也都將出現獨一無二的管風琴音色詮釋;最終更有法國作曲家魏多的《第五號管風琴交響曲》,以華麗繁複、讓人目不轉睛的管風琴觸鍵,帶來毛小孩的狂歡音樂! \n\n\t\t\t\n\n\t\t\t 結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t日本動畫電玩主題曲:《龍貓》、《超級瑪利歐兄弟》、《貓的報恩》 \n\n\t\t\t聖桑:《動物狂歡節》選曲-化石、烏龜、大象、森林中的布穀鳥、天鵝、終曲 \n\n\t\t\t孟德爾頌:〈結婚進行曲〉,選自《仲夏夜之夢》,作品61 \n\n\t\t\t魏多:觸技曲,選自f小調第5號管風琴交響曲,作品42/1 \n\t\t\t | \n\t\t|
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好書推薦
\n\n《打開管風琴的祕密》
\n\n由來自德國的繪本作者西妮雅.博尼希編寫繪製,衛武營取得授權後和時報出版合作在臺發行繁體中文版。以淺顯易懂的文字和充滿童趣插圖,講解樂器之王管風琴的組成構造、發聲原理,以及衛武營音樂廳中全亞洲最大管風琴,如何由德國波昂的百年管風琴製造廠Johannes Klais Orgelbau, 歷經三年多時間設計製造,並橫跨9,500多公里搬運來到高雄衛武營組裝完工的巨大挑戰 。
\n►購買連結
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2023上半年結束之場次
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\n\t\t\t 2/22(三)14:30-15:30 \n\n\t\t\t【永恆的愛:巴洛克協奏曲】 | \n\t\t|
\n\t\t\t 在2月情人節的浪漫氣氛中,規劃兩首音樂史上最著名的《婚禮進行曲》─華格納與孟德爾頌筆下的動聽旋律,讓人彷彿置身教堂、為新人獻上祝福!透過兩首名曲,觀眾同時可以感受比起管弦樂團版本,管風琴演奏絲毫不遜色。為了更加印證此點,將演出兩首改編自韋瓦第樂團協奏曲的作品:巴赫《D小調協奏曲》及華爾特.約翰《B小調協奏曲》,充分展現管風琴的音色多變性。同時佐以巴赫《耶穌,世人仰望的喜悅》與米特爾《F大調幻想曲》兩首動聽小品,為2023年2月揭開溫馨幸福的序幕! \n\n\t\t\t\n\n\t\t\t 華格納:結婚進行曲 ,選自《羅恩格林》 \n\n\t\t\t巴赫:《耶穌,世人仰望的喜悅》,作品147 \n\n\t\t\t孟德爾頌:結婚進行曲,選自《仲夏夜之夢》,作品61 \n\n\t\t\t約翰・華爾特:b小調協奏曲,作品133(改編自韋瓦第e小調協奏曲,RV275) \n\n\t\t\t米特爾:給管風琴的F大調幻想曲 \n\n\t\t\t巴赫:d小調協奏曲,作品596 (改編自韋瓦第d小調協奏曲,作品3,第11號,RV565) \n\t\t\t | \n\t\t|
\n\t\t\t 3/29(三)14:30-15:30 \n\n\t\t\t【Bach Do-Re-Mi】 | \n\t\t|
\n\t\t\t 巴洛克作曲家J.S.巴赫,在現代樂迷心中是無人不曉的「音樂之父」,不過在同時代人的眼裡,巴赫可是不折不扣的「管風琴巨星」!從18歲起,巴赫就在教堂中擔任管風琴師,更為了教會寫下眾多聖詠作品,展現驚人不凡的演奏技巧。在3月的「2023探索管風琴音樂」系列中,將精選5首精采的巴赫作品,包含兩首旋律動聽、耳熟能詳的「不敗金曲」:《善牧羊群》與《醒來吧,那聲音在呼喚我們》,以及三首激昂高亢、技術高超的《前奏和賦格曲》,讓觀眾在短短一小時內,理解巴赫管風琴音樂的無邊魅力! \n\n\t\t\t\n\n\t\t\t 巴赫:c小調前奏曲與賦格,作品549 \n\n\t\t\t巴赫:《善牧羊群》,作品208 \n\n\t\t\t巴赫:《醒來吧,那聲音在呼喚我們》,作品645 \n\n\t\t\t巴赫:D大調前奏曲與賦格,作品532 \n\n\t\t\t巴赫:降E大調前奏曲與賦格《聖安妮》,作品552 \n\t\t\t | \n\t\t|
\n\t\t\t 4/26(三)14:30-15:30 \n\n\t\t\t【舞動管風琴】 \n\n\t\t\t※管風琴X大鍵琴X鋼琴X小管風琴 \n\n\t\t\t※特別來賓:Sean Jackson \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 古典音樂在走入浪漫時期後,作曲家與宮廷的關係脫鉤,管風琴音樂也因此變得極為多元。4月的「舞動管風琴」,管風琴家劉信宏力邀尚傑生博士一同合作,除了分別兩首獨奏作品展現法式浪漫之外,更以不同樂器編制激盪出新的火花:聖桑《骷髏之舞》搭配大鍵琴表現魔幻時刻,德布西《月光》與鋼琴展現不同氛圍,拉威爾《波麗露》則用管風琴四手聯彈加上著名的小鼓獨奏,發揮出管風琴「以一抵百」的驚人氣勢,而法國作曲家法朗克的名作《前奏、賦格與變奏》,更將以原始編制之一的「移動式管風琴+鋼琴」呈現。在舞台上一次放上四台鍵盤樂器的「鍵盤家族全餐」,只在「2023探索管風琴音樂」看得到! \n\n\t\t\t\n\n\t\t\t 聖桑:《骷髏之舞》,作品40(大鍵琴+管風琴版) \n\n\t\t\t玻耶利 :B降大調幻想曲與賦格 (管風琴獨奏) \n\n\t\t\t法朗克:前奏、賦格與變奏,作品18(移動式小管風琴+鋼琴) \n\n\t\t\t德布西 :〈月光〉,選自《貝加馬斯克組曲》作品 L75 - 第三首 (鋼琴 + 管風琴合奏) \n\n\t\t\t勒菲比赫-維利:降E大調出陣曲 (管風琴獨奏) \n\n\t\t\t拉威爾 :《波麗露》舞曲 (管風琴雙人四手聯彈+小鼓手) \n\t\t\t | \n\t\t|
\n\t\t\t 5/10(三)14:30-15:30 \n\n\t\t\t【星際之旅】 \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t 進入20世紀後,管風琴成為大眾音樂中不可或缺的靈感來源:電影作曲家約翰.威廉斯最知名的《星際大戰》〈帝國進行曲〉旋律,使用管風琴演奏磅礡震撼加倍;太空科幻電影《星際效應》裡,金獎配樂家漢斯.季默以管風琴重複的音符堆積,對比出宇宙的無垠巨大與人類的微不足道;無獨有偶,如此感受也能在當代音樂巨擘梅湘《耶穌升天》與法國作曲家阿蘭《連禱曲》中聽見,展現出當代宗教音樂更貼近人類自省的況味。 \n\n\t\t\t\n\n\t\t\t 約翰・威廉斯:〈帝國進行曲〉電影《星際大戰》主題曲 \n\n\t\t\t漢斯・季默:電影《星際效應》配樂組曲 \n\n\t\t\t梅湘:《耶穌升天》第一~三樂章 \n\n\t\t\t阿蘭:《連禱曲》 \n\t\t\t | \n\t\t|
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Pipe Organist|Hsin-Hung LIU
\n\nDr. LIU Hsin-Hung holds a Doctor of Musical Arts degree from the University of Washington and is currently a professor at Tainan Theological College and Seminary and an adjunct professor at Taipei National University of the Arts and Tainan University of Technology. He was a visiting scholar at the University of British Columbia and Vancouver School of Theology in 2015 and 2016. LIU is a member of the American Guild of Organists (AGO) and serves as the chair of the AGO's Taiwan Chapter.
\n\n\n\n
He has served as a member of the Public Construction Commission, Executive Yuan's Infrastructure Review Committee, a consultant for the Organ for Families Concert at the National Concert Hall, and the convener for the Weiwuying Preparation Office's organ committee.
\nDr. LIU has made significant contributions to the organ scene in Taiwan, including the overhaul of the organs at the Chimei Museum in Tainan and the National Concert Hall, as well as the construction of Taiwan's largest church organ in Presbyterian Church of Taiwan Datong Church, the Pingtung Performing Arts Center, and the world-renowned Weiwuying Concert Hall, which has the largest and most advanced organ in Asia.
Host|CHEN Chun-yu
\n\nCHEN Chun-Yu holds two master's degrees, one in math education from National Kaohsiung Normal University and another in creative arts industries from Wenzao Ursuline University of Languages. He has extensive experience in theater, having worked as a playwright/director for about 12 productions and as a performer. CHEN is currently the artistic director for Funk theater and is also in a band that has played at various music festivals in Taiwan, including winning Taiwan's hottest music contest and receiving the award for best bassist. CHEN's focus is now on promoting art, theater, and music.
\n\n\n\n
Organist and pianist|Sean Jackson (April)
\n\nSean Jackson began his musical studies at the age of five and quickly demonstrated his talent by winning his first gold medal in the National Independence Festival of Creative Arts at the age of eleven. He received recognition for his achievements and was awarded the National Youth Award by the Barbados Government. Jackson went on to receive numerous prizes and awards at both the undergraduate and graduate levels, including the Parratt, Walford Davies, and Geoffrey Tankard organ prizes, the Douglas Whittaker Chamber Music Prize, the A.H. Kuhn Memorial Scholarship, the 1999 William Schumann Prize, and the C.V. Starr Doctoral Fellowship, all from prestigious institutions such as the Royal College of Music and the Juilliard School. In 2004, Jackson graduated from The Juilliard School with both a Master of Music and Doctorate degree.
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While still a student at the Juilliard School, Jackson won an organ competition in October 2000 and performed Stephen Paulus's Organ Concerto with the Juilliard Symphony at Alice Tully Hall. He was also featured again with the Juilliard Symphony in November 2003, performing the Saint-Saëns Organ Symphony at the Lincoln Center. Jackson has had numerous other performances as a guest organist, including with the New York Youth Symphony at Carnegie Hall, as a featured artist in the International Concert Series at Trinity, Wall Street, and in a solo concert at The Washington National Cathedral in 2006.
\n\n\n\n
Since 2012, Jackson has been presenting concerts, workshops, and masterclasses in Taipei, Taiwan as a featured guest of the Taiwan Chapter of the American Guild of Organists.
\n'},{reference:[],type:"content",name:"The pipe organ",content:"The pipe organ is one of the world's oldest instruments, dating back to as early as the 3 rd century BC in Greece. Since it has a majestic, dignified sound, which is even more pronounced by the echo in large churches, along with its variance in timbre, it became an important presence in Christianity beginning in the Middle Ages, in turn prompting the composition of a great number of pieces over time.
\n\n\n\n
As missionaries brought their faith out of Europe, the organ followed to churches all over the world—over 30 can be found in Taiwanese churches. Now that Western classical music is a popular genre, almost all concert halls are built with an organ, allowing people all over to hear the grandeur of this fascinating instrument.
\n\n\n\n
Similarly, an organ was also put into the plans for Weiwuying.Century-old German organ manufacturer Johannes Klais Orgelbau built the instrument, which has 9,085 pipes and 127 stops, over a period of a bit more than three years. It is both the largest organ in Asia and the only concert hall organ in the world with the capacity to be played by three organists at the same time.Being perfectly blended into the vineyard seating as the cherry on top, it never fails to stun world-class organists from around the globe!
\n\n\n\n
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\n"}],onShelf:!0,sliders:[{type:"image",key:"d62d332dcced00082e4e3df4249df4f2",title:"2023【探索管風琴音樂】1-6月"}],related:[],title:"2023【Explore the Pipe Organ】Feb - June",cover:"e3e7511a97161b2e1b144b1f09ff6fb3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Discount
\n\nBesides the breathtaking vineyard-style seating and outstanding acoustics at the Weiwuying Concert Hall, the pipe organ, located on the top floor, is another major highlight. If you're wondering what this largest organ in Asia can do, our Explore the Pipe Organ series of events is just what you're looking for!
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Dr. Hsin Hung Liu, the chair of the American Guild of Organists (Taiwan Chapter) with a DMA from the University of Washington, has been invited to exclusively arrange programs for Weiwuying. The audience will be able to enjoy a diverse range of music, from classical compositions by Bach to film scores by John Williams, including well-known works such as the "Bridal Chorus" and the theme song for My Neighbor Totoro. The experience will be enhanced with opportunities to switch seats for different acoustics, complementary performances on other keyboard instruments, special lighting effects, and informative explanations. These features aim to make the organ's diversity and charm more accessible and understandable to the audience.
\n\n\n\n
So for an hour each month from February to June this year, come to our Explore the Pipe Organ events to see all the secrets behind this fascinating instrument!
\n\nPrograms
\n\n\n\t\t\t 6/14(Wed)14:30-15:30 \n\n\t\t\tFurry Friends Carnival \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t In June, come and go wild with the organ as it livens up from SAINT-SAËNS' Carnival of the Animals. Then, we'll see some more fun and unique organ interpretations with scores from Studio Ghibli's My Neighbor Totoro and The Cat Returns, along with the music from the classic video game Super Mario Bros. To close this wild hour of animal-themed music, Dr. LIU will play French composer C. WIDOR's Toccata (from his Symphony No. 5), with its highly complex melody that the organ makes even more captivating. \n\t\t\t | \n\t\t|
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\n\t\t\t 2/22(Wed)14:30-15:30 \n\n\t\t\tEternal Love - Baroque Concertos (close-up show) \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t For the romantic atmosphere of Valentine's Day, February's event will showcase solo organ performances of two of history's most well-known songs, WAGNER's "Bridal Chorus" from Lohengrin and MENDELSSOHN's "Wedding Procession" from A Midsummer Night's Dream—you might just think you should be throwing rice and crying! The show will produce a different, but by no means inferior, feel compared with the commonly heard orchestra versions. \n\n\t\t\t\n\n\t\t\t To emphasize this distinction, BACH's Concerto in D Minor and WALTHER's Concerto in B Minor (adaptations of concertos by VIVALDI) will fully express the diversity of the organ's timbre. In addition, BACH's "Jesu, Joy of Man's Desiring" and MÜTHEL's Fantasie in F Major for Organ will add to the warmth and joy of the program. \n\t\t\t | \n\t\t|
\n\t\t\t 3/29(Wed)14:30-15:30 \n\n\t\t\tBach Do-Re-Mi \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t Baroque composer BACH, known as the "father of classical music" and a household name in our day, was mostly famed as an organist in his own time. At the age of 18, he became the church organist and, as a devout Christian, wrote numerous hymns requiring exceptional skill. For the Explore the Pipe Organ event in March, five exquisite pieces by BACH, "Sheep May Safely Graze"and "Sleepers Awake," as well as three exciting and technically challenging prelude and fugues, will present the marvel of BACH's organ music. \n\t\t\t | \n\t\t|
\n\t\t\t 4/26(Wed)14:30-15:30 \n\n\t\t\tDancing Organ \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t With the advent of the Romantic period, composers became unshackled from the royal courts, which inspired more diversity in their music, that for the organ being no exception. For April's Dancing Organ program, organist Dr. LIU and Sean JACKSON will partner up in presenting France's Romantic period and adding interesting twists via other instruments: SAINT-SAËNS' Danse Macabre, Op. 40 will be performed on the harpsichord, creating a sense of fantasy, DEBUSSY's"Clair de lune" will be given a different atmosphere on the piano, and RAVEL's Boléro will be played jointly by both musicians on the organ (along with the well-known accompaniment of the snare) as proof of how the organ can indeed take the place of an entire orchestra. Meanwhile, French composer FRANCK's Prélude, Fugue and Variation will be performed on the positive organ and piano. You'll only see such a "family gathering" of keyboard instruments at Weiwuying's 2023 Explore the Pipe Organ series of events! \n\t\t\t | \n\t\t|
\n\t\t\t 5/10(Wed)14:30-15:30 \n\n\t\t\tInterstellar Journey \n\n\t\t\t\n\t\t\t | \n\t\t|
\n\t\t\t By the 20 th century, no longer relegated to the most sophisticated of venues, the organ had become an inseparable source of inspiration for popular music. One of film score composer John WILLIAMS' most famous pieces, "Imperial March" from Star Wars, grows even more resolute when played on the organ. "Interstellar Suite," composed by Golden Globe winner for Best Original Score Hans ZIMMER, produces a stark contrast between the boundlessness of the universe and the smallness of humanity by stacking notes on the organ. You can get a similar feeling from modern composers O. MESSIAN's L' Ascension and J. ALAIN's Litanies, which exhibit how modern religious music was brought closer to its human audience. You won't want to miss this journey through space with the organ in May! \n\t\t\t | \n\t\t|
《哈利波特》系列電影到了第五集「鳳凰會的密令」,
\n曾獲世界配樂發明獎的作曲家尼可拉斯胡珀,
\n「哈利波特:鳳凰會 的密令™電影交響音樂會」以四十呎大螢幕播放高畫質電影全片,
\n\n
演出暨製作團隊
\n\n指揮|約翰·雅森斯基
\n\n樂團|長榮交響樂團
\n\n\n\n
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Year Five begins! Audiences will experience the next chapter of the Harry Potter Film Concert Series with a full orchestra performing Nicholas Hooper's entire score live to picture.
\n\nThe Harry Potter Film Concert Series returns to the Weiwuying Opera House. On 4-5 March 2023, the Evergreeen Symphony Orchestra will perform the magical score live from Harry Potter and the Order of the Phoenix and the Half-Blood Prince while the entire film plays in high-definition on a 40-foot screen.
\n\n\n\n
Creative and Production Team
\n\nConductor|JOHN JESENSKY
\n\nEvergreen Symphony Orchestra
\n\n\n\n
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很榮幸的宣布將迎接哈利波特™系列電影交響音樂會—哈利波特:混血王子的背叛™,透過管弦樂團現場演奏全片配樂,在音樂中重溫霍格華茲™的魔法。瞧瞧哈利成為魔藥奇才,創造出幸運藥水「福靈劑」,並揭開魂器暗藏的意義!
\n\n\n\n
演出暨製作團隊
\n\n指揮|約翰·雅森斯基
\n\n樂團|長榮交響樂團
\n\n\n\n
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Relive the magic of year six in Harry Potter and the Half-Blood Prince™ in Concert.For the second consecutive film in the Harry Potter™ franchise, director David Yates tapped Nicholas Hooper to compose the score, which earned a Grammy Award nomination. And with a whopping $250 million budget, Harry Potter and the Half-Blood Prince™ was one of the most expensive movies ever made when it was released in 2009. With this film, based on the sixth instalment of the classic saga, fans of all ages can now experience the thrilling tale of Harry's obsession with a mysterious potions book accompanied by the music of a live symphony orchestra as Harry soars across the big screen in HD!
\n\n\n\n
Creative and Production Team
\n\nConductor|JOHN JESENSKY
\n\nOrchestra|Evergreen Symphony Orchestra
\n\n\n\n
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「他是文化與古典音樂禁忌的毀滅者,在技巧及音樂性上,絕對是成就最高的管風琴家!」——《洛杉磯時報》
\n
卡麥隆是首位入圍葛萊美獎的管風琴家,他顛覆世人對於管風琴的想像,一身耀眼龐克打扮,將個人特色融合在編曲中,以驚人的原創性奏出管風琴的無限可能!他同時也熱衷於推廣管風琴,曾受柏林愛樂之邀為駐廳音樂家,為孩童解說、近距離示範管風琴。
\n\n這次,為了讓全臺樂迷親炙管風琴之王,牛耳藝術特別推出卡麥隆青少年音樂計畫,青年學子可享特定票區6折優惠,激發年輕世代對音樂、對管風琴的興趣!
\n\n今年3月,邀你一起來現場享受原音震撼,從巴哈經典、久石讓電影配樂,到穆索斯基《展覽會之畫》,他將以頂尖絕技,在臺掀起一場管風琴革命!
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演出曲目
\n\n3/5(日)
\n巴哈:《郭德堡變奏曲》
\n久石讓:《霍爾的移動城堡》
\n久石讓:《紅豬》
\n穆索斯基:《展覽會之畫》
\n\n3/10(五)
\n巴哈:降E大調前奏曲與賦格,BWV552
\n穆索斯基:《展覽會之畫》
\n久石讓:《霍爾的移動城堡》
\n久石讓:《紅豬》
\n即興曲目
\n\n
演出暨製作團隊
\n\n管風琴| 卡麥隆.卡本特
\n\n\n\n
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"Flamboyant presentation goes hand in hand with unquestioned virtuosity."— THE NEW YORKER Cameron Carpenter incorporated symphony into his organ repertoire in a groundbreaking way of arrangement. He is the first organist to ever be nominated for a Grammy Award. He swayed among thousands of sound pipes just like conducting thousands of musicians! The meeting between Weiwuying's largest pipe organ in Asia and Cameron, the king of pipe organs is super exciting!
\n\n\n\n
Program
\n\n3/5(Sun)
\nGoldberg Variations
\nJoe Hisaishi: Howl's Moving Castle
\nJoe Hisaishi: Porco Rosso
\nMUSSORGSKY: Pictures at an Exhibition
\n\n
3/10(Fri)
\nJ. S BACH: Prelude and fugue in Eb (BWV 552)
\nMUSSORGSKY: Pictures at an Exhibition
\nJoe Hisaishi: Howl's Moving Castle
\nJoe Hisaishi: Porco Rosso
\nImprovisations
\n\n
Creative and Production Team
\n\nOrgan|Cameron Carpenter
\n\n\n\n
\n',team:""},createdAt:1673339405,updatedAt:1677981263,updatedBy:"黃薏靜",host:!1},{_id:"63be3538bc2ba9000728d578",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1679052600,discrete:[{time:1679052600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[1800,2e3,2200,2400,2600,3e3,3300,3600,3900,4200,4800],link:"https://ticket.mna.com.tw/UTK0201_?PRODUCT_ID=P021LFON"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4068ebaf03f17f87c83b5e38a6684255",title:"《溫頓.馬沙利斯 爵士五重奏音樂會》"}],related:[],title:"《世紀爵士天王 溫頓・馬沙利斯》",cover:"33b0ab8da59a3dc4be0f122874b864cc",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
世紀爵士天王 Wynton Marsalis 即將睽違20年訪臺!
\n
\n「溫頓·馬沙利斯,曾經與未來的爵士樂之王」—紐約時報
\n
\n全球爵士樂標竿人物、#紐約市林肯中心爵士樂團藝術總監、榮獲9座葛萊美、成為第一也是唯一贏得普利茲音樂獎的爵士樂錄音、全球唱片銷量超過700萬的爵士天王!他有著如百科全書一般的小號演奏技巧,他的演奏音調清晰,情感深沉,展現獨一無二的演奏風格。聆聽Marsalis 演奏時,就像聆聽生命透過音樂的展演一樣。
\n
\n「我親身見證了藝術的力量,更具體來說,是爵士樂的力量,這種力量能夠不斷提升你的生命。」-Wynton Marsalis
\n
\n經過多年來不斷力邀,大師終於敲出唯一一天檔期,在遍尋全臺場館後,終於敲定!2023年3月17日衛武營音樂廳,親臨爵士傳奇的魅力!
\n\n
演出暨製作團隊
\n\n小號|溫頓・馬沙利斯
\n\n鋼琴|丹・尼默
\n\n低音提琴|卡洛斯・恩瑞圭茲
\n\n鼓手|奧貝德・卡爾維爾
\n\n長號|克里斯・克倫蕭
\n\n中音薩克斯風|克里斯・路易斯
\n\n次中音薩克斯風|阿布迪亞斯・阿門特羅斯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4068ebaf03f17f87c83b5e38a6684255",title:"Wynton Marsalis in Concert"}],related:[],title:"Wynton Marsalis in Concert",cover:"33b0ab8da59a3dc4be0f122874b864cc",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Wynton Marsalis: The Once and Future King of Jazz"— The New York Times
\n
\n*Artistic Director of Jazz at Lincoln Center
\n*Nine-times Grammy winner
\n*The first jazz musician to win the Pulitzer Prize for Music
\n*Produced over 100 records which have sold over 7 million copies worldwide
\n
\nHe is a composer, conductor, trumpeter, and a mentor to generations of jazz musicians. He is widely recognized as the superstar who saved the jazz music in the 80s, and has continually building and shaping the world of music. For the first time in 20 years, the legendary Wynton Marsalis is finally coming to Taiwan!
\n\n
Creative and Production Team
\n\nTrumpet|Wynton Marsalis
\n\nPiano|Dan Nimmer
\n\nBass|Carlos Henriquez
\n\nDrums|Obed Calvaire
\n\nTrombone|Chris Crenshaw
\n\nAlto Sax|Chris Lewis
\n\nTenor Sax|Abdias Armenteros
\n\n\n\n
\n',team:""},createdAt:1673409848,updatedAt:1678968642,updatedBy:"林蔚行",host:!1},{_id:"63c502121a2c980007a35c97",catalogs:["5aec45edb01ea6000520f655"],dateTime:{first:16785e5,discrete:[{time:16785e5},{time:1678602600}],type:"discrete"},activity:{type:"signup",signup:{limit:49,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"5db2988a1c2f2a0007bbbe30",text:"姓名 Name",english:"姓名 Name"},{required:!0,key:"605959bf17cddb00070a6fd8",text:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)",english:"出生年月日(西元年/月/日) Birthday (Year/Month/Day)"},{required:!0,key:"5c516a3a62156f0006731aac",text:"聯絡手機號碼 Phone number",english:"聯絡手機號碼 Phone number"},{required:!0,key:"5c516a4762156f0006731aad",text:"電子郵件地址 E-mail Address",english:"電子郵件地址 E-mail Address"},{required:!0,key:"5e292b8b9083ca0006cf534a",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:"身分證字號或護照號碼(申請退費時使用) ID Number"},{required:!0,key:"5e292b9c2d46f400067fbef9",text:"郵寄地址(申請退費時使用)Mailing address",english:"郵寄地址(申請退費時使用)Mailing address"},{required:!1,key:"custom_text_1673855231965",text:"請問會攜帶何種樂器一起加入即興演奏?(選填)",english:""},{required:!0,key:"63bf8038bc2ba90007295d0f",text:"請問是如何得知此活動?",english:"請問是如何得知此活動?"}],vip:{start:1673938800,end:1678334459},open:{start:1673938800,end:1678334459},description:'
報名對象
\n\n\n\n
注意事項
\n\n授課老師
\n\n朱郁柔|Orgelkids Taiwan 音樂總監
\n高師大表演藝術所。有二十年國小藝術與人文科老師、樂隊團隊指導老師經驗、十年台北麗庭莊園婚禮電子管風琴琴師。曾經擔任多場屏東演藝廳管風琴推廣音樂會主持人、屏東演藝廳管風琴工作坊講師、屏東藝遊影音「9分鐘認識音樂界的重量級樂器-管風琴」主講人、屏東演藝廳兒童管風琴夏令營音樂總監、衛武營管風琴校園推廣計畫講師、衛武營藝企學管風琴音樂會「遺忘、終曲」主持人、國藝會「音樂飄鄉」組裝Orgelkids 小管風琴工作坊講師。
\n
\n\n
侯喜恩|藝術手作專職講師
\n\n在臺主修西法外語,後赴英深造西洋藝術史評論,旅居紐約期間涉獵世界繪本與黑白暗房攝影,返台後追隨多位臺灣工藝名師學習傳統印染技術,並於國立臺灣工藝研究發展中心參與師生聯展。長期擔任葡萄園協會專業講師,透過結合藝術欣賞與工藝體驗的方式,致力推動全人的生命教育和美感教育。
\n'}],onShelf:!0,sliders:[{type:"image",key:"b1a500b782921590de30d8f1e98ae05a",title:"【創意學習工作坊】玩樂管風琴(青壯年/後青春班)"}],related:[{from:"programs",key:"63b6a17cbc2ba9000724bfac",title:"【創意學習工作坊】給身體的音樂課"},{from:"programs",key:"63eddd147700940008015729",title:"【創意學習工作坊】跳,我的款式"}],title:"【創意學習工作坊】玩樂管風琴(青壯年/後青春班)",cover:"3c6659b42dbe88933de1707bdd2473eb",site:{isOther:!0,site:"",other:"衛武營1186排練室"},cautions:'我們把世界上體積最大的樂器—管風琴,縮小了!
\n\n管風琴是世界上最古老的樂器之一,通常我們都只能從視覺還有聽覺上去體驗與感受,這次衛武營【創意學習工作坊】玩樂管風琴,就是要讓雄偉的大樂器變得平易近人!課程除了分享管風琴非凡特點外,更透過「組裝小管風琴」的方式,讓參與者在動手組裝的同時就能輕易認識管風琴的構造和發聲原理,帶領大家在玩樂中領略樂器之王—管風琴的奧妙!
\n\n\n\n
課程內容
\n\n主題 | \n\t\t\t內容 | \n\t\t
環遊世界管風琴 | \n\t\t\t透過老師的帶領,讓我們一起徜徉世界,看看各地有哪些不同造型、特色的管風琴。 | \n\t\t
組裝管風琴 | \n\t\t\t透過小管風琴133個精巧的零組件,老師將帶領大家一起動手組裝起來,並讓參與者現場體驗彈奏小管風琴的樂趣! | \n\t\t
絹印造型手提袋 | \n\t\t\t\n\t\t\t 老師將帶學員實作體驗「絹印」這項有趣的印刷技術,印製衛武營【創意學習工作坊】玩樂管風琴專屬的圖樣提袋,實用精美又有紀念性。 \n\t\t\t | \n\t\t
※ 每班課程均含三大主題,課程進度將視現場學員狀態調整。
\n\n※ 課程示意圖
\n\n開課資訊
\n\n※本頁面為「青壯年/後青春」報名頁面,本活動另有開設親子共同參加的「藝起同樂班」,歡迎報名參加!
\n\n報名對象:
\n\n報名人數:每班各招收25人,額滿為止。
\n\n上課地點:衛武營 1186排練室
\n\n\n\n
\n\n
報名方式與費用
\n\n報名時間:即日起至2023/3/9 (四) 12:00止。
\n\n報名流程:官網報名 → 繳交費用 → 檢視官網報名狀況 → 完成報名。
\n\n課程費用:$750/人(內含課程絹印材料費、【探索管風琴音樂】活動門票1張)。
\n\n優惠方案:
\n\n(1) 衛武營四卡會員「早鳥優惠」 $600,優惠日至2023/2/11(六)下午17:00止。
\n(2) 衛武營四卡會員「一般優惠」 $675,優惠日為2023/2/11(六)中午17:00起至報名截止。
※為鼓勵本課程學員進入場館參觀「亞洲最大管風琴」,衛武營將贈予每位學員3/29(三) 14:30【探索管風琴音樂】活動門票1張。
\n\n\n\n\n\n
\n\n
注意事項
\n\n\n\n
附加優惠
\n\n巴拉靈感2023年推出「交響系列」,聚集國際級受喜愛的交響樂團,演示氣勢磅礡的交響樂曲以及精湛的樂器獨奏。聚集國際級受喜愛的交響樂團,演示氣勢磅礡的交響樂曲以及精湛的樂器獨奏。本次邀請因其特有的醇厚、圓潤和富有穿透力的聲音在全球掀起熱潮的班貝格交響樂團。2023年3月捷克指揮家雅各.胡薩將、班貝格交響樂團和陳鋭攜手前來臺灣,與臺灣觀眾分享精湛難忘的音樂盛宴。
\n\n\n\n
演出曲目
\n\n布魯克納:C小調交響前奏曲
\n\n孟德爾頌:E小調小提琴協奏曲,作品64
\n\n德弗札克:E小調第九號交響曲《新世界》,作品95
\n\n\n\n
演出暨製作團隊
\n\n樂團|班貝格交響樂團
\n\n指揮|雅各.胡薩
\n\n小提琴|陳鋭
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4b6f123eef30e2478f8c8167a5f00c89",title:"《交響系列—班貝格交響樂團x陳鋭亞洲巡迴》"}],related:[],title:"Bamberg Symphony Orchestra x Ray Chen Recital 2023",cover:"bbd22d165a62659e42245244874ef612",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Symphonic Series — 2023 Bamberg Symphony Orchestra x Ray Recital" is the most exciting highlight of 2023 season launched by Bach Inspiration Music & Culture Association. Bamberg Symphony Orchestra and Violinist Ray will perform at National Kaohsiung Center for the Arts (Weiwuying).
\n\n\n\n
Program
\n\nAnton Bruckner: Symphonic Prelude in C Minor
\n\nMendelssohn: Violin Concerto in E Minor, Op. 64
\n\nAntonín Dvořák: Symphony No. 9 in E Minor, "From the New World", Op. 95, B. 178
\n\n\n\n
Creative and Production Team
\n\nOrchestra|Bamberg Symphony
\n\nConductor|Jakub Hrůša
\n\nViolin|Ray Chen
\n\n\n\n
\n',team:""},createdAt:1673860976,updatedAt:1674035154,updatedBy:"林蔚行",host:!1},{_id:"63c5242e1a2c980007a36256",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1677497400,discrete:[{time:1677497400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800,1e3],link:"https://www.opentix.life/event/1611663863575568385"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32a400d73a085f445c6afe6fbbffa399",title:"《童年的山丘-青韵合唱團2023年度音樂會》"}],related:[],title:"《童年的山丘-青韵合唱團2023年度音樂會》",cover:"5efd7eb6221ea044de47e93f470c1bb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
記憶中的童年情景,是人們心中一輩子的想念。聲音觸動著兒時回憶的湧現,成為作曲家筆下充滿畫面的音樂篇章,如同電影場景般帶給人們深刻的感觸。父母親情的滋潤,讓我們的兒時回憶充滿著溫暖與情感,在父愛、母愛的環抱與呵護之下,心底的歌聲自然引領出父母對子女的關愛,以及子女對父母的渴慕。
\n\n青韵合唱團2023年《童年的山丘》製作,希望透過音樂藝術與歌聲從兒時回憶裡汲取力量與希望,藉以讓疫情時代疲於防備的身心恢復溫度與柔軟,以包容、以盼望,溫柔堅定地邁步前方。
\n\n\n\n
演出曲目
\n\nAnton Bruckner|聖母頌
\n\nAmbrož Čopi|聖母頌
\n\n林明杰|聖母頌
\n\nDaniel Elder|搖籃曲
\n\nJohn Corigliano|蕨葉山丘
\n\n李子聲|只為了一首歌
\n\n石青如|阿爹的飯包、今生今世
\n\n張舒涵|媽媽的花環
\n\n林松樺|心肝寶貝
\n\n\n\n
演出暨製作團隊
\n\n指 揮|張成璞
\n\n鋼 琴|李妮穎
\n\n作 曲 家|李子聲、林松樺
\n\n女 高 音|周欣潔、宋欣霓
\n\n男 中 音|蔡漢俞
\n\n演 唱|青韵合唱團
\n\n聯演樂團|Dominant5 鋼琴五重奏室內樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"32a400d73a085f445c6afe6fbbffa399",title:"《童年的山丘-青韵合唱團2023年度音樂會》"}],related:[],title:"Fern Hill",cover:"5efd7eb6221ea044de47e93f470c1bb2",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Scenes from childhood are for a lifetime to savor. Playing with friends, going to festivals with family, and being pampered by parents: Recollection of these carefree moments is soothing at times of hardships.
\n\nSights and sounds from tender years inspired composers including John Corigliano from the U.S. and Taiwan's Lin Sung-hua to create picturesque music, transforming past emotions into one movie-like scene after another: Be it the fern hill that associated with happiness or the festival garland that evoked joy.
\n\nAs movies employ various camera works, the concert will be presented from several perspectives — the children's, the parents', and adults reminiscing. A religious angle is added with odes to the Holy Mother.
\n\nThrough the production of Fern Hill, Ching-Yun Choir aims to draw strength from childhood, when love between parents and children drives away worries. The choir hopes to provide catharsis with the music, for people worn out or even suffocated by the Covid pandemic, to feel rejuvenated and be ready to stride into the next stage life, with courage and smiles.
\n\n\n\n
Program
\n\nCamille SAINT- SAËNS: Ave Maria
\n\nFranz BIEBL: Ave Maria
\n\nLIN Ming-chieh: Ave Maria
\n\nDaniel ELDER: Lullaby
\n\nJohn CORIGLIANO: Fern Hill
\n\nAll for a Song
\n\nPapa's Lunchbox
\n\nAll This Life
\n\nMother's Garland
\n\nApple of My Eye
\n\n\n\n
Creative and Production Team
\n\nConductor|CHANG Cheng-pu
\nPiano|LI Ni-ying
\nComposer|LEE Tzyy-sheng、LIN Song-hua
\nSoloist|CHOU Hsin-chieh、SUNG Hsin-ni、TSAI Han-yu
\nSingers|Ching-Yun Choir
\nString Orchestra|Dominant5
\n\n
\n',team:""},createdAt:1673864238,updatedAt:1675043077,updatedBy:"林蔚行",host:!1},{_id:"63c65cdd2322390008fa3cf6",catalogs:["5aec45edb01ea6000520f655"],dateTime:{first:1679128200,discrete:[{time:1679128200}],type:"discrete"},activity:{type:"signup",signup:{limit:25,standby:0,updatable:!1,cancelable:!1,basicFields:[],fields:[{required:!0,key:"custom_text_1673944237226",text:"姓名 Name",english:""},{required:!0,key:"custom_text_1673944238063",text:"電子郵件地址 E-mail Address",english:""},{required:!0,key:"custom_text_1673944239485",text:"聯絡手機號碼 Phone number",english:""},{required:!0,key:"custom_text_1673944240033",text:"身分證字號或護照號碼(申請退費時使用) ID Number",english:""},{required:!0,key:"custom_text_1673944241611",text:"郵寄地址(申請退費時使用)Mailing address",english:""}],vip:{start:1673942400,end:1679068799},open:{start:1673942400,end:1679068799},description:'
好奇一部精采節目的製作過程嗎?
\n\n好奇演出結束後的劇場舞台在做什麼嗎?
\n\n現今世界最大單一屋頂劇院—衛武營,不只舞台上的演出精彩,隱身背後的後台工作空間及製作過程一樣精采可期,由場館資深工作人員從製作為您解說這之中精準的設計執行與工作甘苦談,並率領觀眾走上衛武營戲劇院舞台,掀開劇場的神秘面紗!
\n\n歡迎對劇場有無限好奇、夜貓子一族的您,這一晚,邀您一起夜遊劇場!
\n\n限量席次,獨家體驗!
\n\n\n\n
★混種當代歌劇《天中殺》後台風景
\n\n夜遊景點
\n\n營運辦公室入口集合 →戲劇院《天中殺》舞台 → 戲劇院休息室後台化妝室 → 西碼頭
\n\n\n\n
夜遊領隊
\n\n《天中殺》編劇暨導演│鴻鴻
\n\n生於臺南。詩人,劇場及電影編導。著有多本詩集《跳浪》、《
擔任臺北詩歌節、
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《天中殺》舞台設計│陳威光
\n\n臺南人,畢業於國立臺灣大學戲劇系,
在學期間曾以《李爾王》
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報名對象與方式
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演出節目資訊
\n\n►2023/3/17(五)19:30、3/18(六)14:30、3/19(日)14:30 戲劇院
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