\n\t管風琴、作曲/謝宗仁\n\t
\n\n
演出暨製作團隊
\n\n演出|王如哲校長
\n\n策劃|莊敏仁院長
\n\n執行暨音樂總監|李麗蓉主任
\n\n行政總監|張碩宇
\n\n行政|馬廣駿
\n\n樂團指揮|許智惠教授、梶間聡夫
\n\n雙鋼琴|李麗蓉、劉蕙華
\n\n女高音|黎蓉櫻
\n\n管風琴、作曲|謝宗仁
\n\n小提琴|徐晨又
\n\n長笛|張碩宇
\n\n樂團|國立臺中教育大學音樂學系管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1af91a85e53f26747e5583ef916a2776",title:"《跟著動物去旅行》臺中教育大學音樂學系教師音樂會"}],related:[],title:"(Program changed) NTCU Department of Music Faculty Concert",cover:"85487a88af3cfd9ad429950a35936cee",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-4-22181072. | \n\t\t
\n\n
The Music Department of National Taichung University of Education (NTCU) presents "Animals of the World" A Musical Tour
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nPerformance|WANG Ru-Jer
\n\nMusic Director|CHUANG Ming-Jen
\n\nExective Producert|LEE Li-Jung
\n\nDirector of Administration|CHANG Shuo-Yu
\n\nAdministration Producer|MA KUANG-CHUN
\n\nDirector of Orchestra|HSU Chih-Hui 、Fusao Kajima
\n\nPiano Duo|LEE Li-Jung、LIU Huey-Hwa
\n\nSoprano|LEE Jung-Ying
\n\nOrgan、Composer|HSIEH Tsung-Jen
\n\nViolin|HSU Chen-Yu
\n\nFlute|CHANG Shuo-Yu
\n\nOrchestra|National Taichung University of EducationMusic Department Orchestra
\n\n\n\n
\n',team:""},createdAt:1642405242,updatedAt:1658468364,updatedBy:"林蔚行",host:!1},{_id:"61f0f8567236db00087f3053",catalogs:["6010ca1afb81540009f438e6"],dateTime:{first:1645857e3,discrete:[{time:1645857e3},{time:1651905e3},{time:1654410600},{time:1655620200},{time:1662791400},{time:1663482600},{time:1664087400},{time:1664605800},{time:1667716200},{time:1671258600}],type:"discrete"},activity:{type:"free",free:{description:"報名參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1643256e3,end:4798972799},tabs:[],onShelf:!0,sliders:[{type:"image",key:"cc765b6b476c7b026510b6e90cce81a0",title:"2022【衛武營場館友善計畫】演出欣賞"}],related:[],title:"2022【衛武營場館友善計畫】演出欣賞",cover:"df474bc7894bbdd614d2a90b6782f04e",site:{isOther:!0,site:"",other:"衛武營"},cautions:'
衛武營自2018年開館以來,致力成為眾人的藝術中心,盼社會上眾多族群在衛武營找到自己安適的方式參與藝術活動。藉由各項無障礙軟硬體設施建置,讓視障和聽障朋友在友善的空間,與眾人一同感受衛武營的美好,在促進文化平權上往前邁向一大步。「演出欣賞」由場館主辦節目中挑選音樂、舞蹈、戲劇等演出,邀請大眼睛大耳朵朋友們走進劇場欣賞演出,共享表演藝術的美好與悸動。本活動包含特製節目單(視演出節目需求製作)、演前導聆與演出賞析,歡迎大眼睛大耳朵朋友們一同來參與!
\n\n\n\n
報名對象
\n\n身心障礙證明註記第二類者(視覺障礙、聽覺機能障礙),建議7歲以上觀眾觀賞。
\n\n\n\n
報名時程
\n\n上半年度(1-6月)
\n\n2022/1/27(四)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
\n\n下半年度(7-12月)
\n\n2022/7/1(五)12:00起至各場次額滿為止。
\n\n若該場次未報名額滿,將於演出前一周關閉報名表單。
\n\n\n\n
報名費用
\n\n每人(組)每場次酌收300元保證金,並於演出當日退還。
\n\n\n\n
報名流程
\n\n1. 請確認參與場次後,填寫報名表單
\n\n2. 報名完成後,請將保證金匯款至衛武營帳戶
\n\n3. 主辦單位確認匯款後,將以信件通知報名成功,收到信件通知方算報名成功。
\n\n※報名順序將以保證金匯款順序為依據,非表單填寫順序。
\n\n\n\n\n\n
\n\n
參與人數
\n\n上半年度(1-6月)
\n\n大眼睛節目每場至多10組(每組含1位視障朋友及1位陪同者)
\n\n大耳朵節目每場至多20人(含20位聽障朋友)
\n\n下半年度(7-12月)
\n\n大眼睛節目每場至多5組(每組含1位視障朋友及1位陪同者)
\n\n大耳朵節目每場至多10人(含10位聽障朋友)
\n\n\n\n
溫馨提醒
\n\n\n\n
演出節目
\n\n【大耳朵節目】
\n\n表演類型 | \n\t\t\t演出日期 | \n\t\t\t可報名人數 | \n\t\t\t演出節目 | \n\t\t
---|---|---|---|
舞蹈 | \n\t\t\t\n\t\t\t 2022/5/7(六)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 20人 \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
舞蹈 | \n\t\t\t2022/6/19(日)14:30 | \n\t\t\t\n\t\t\t 10組 \n\n\t\t\t(聽障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\t\t\t 舞蹈 \n\t\t\t | \n\t\t\t2022/9/18(日)14:30 | \n\t\t\t\n\t\t\t 10人(倒數名額) \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t無垢舞蹈劇場《觀》 | \n\t\t
舞蹈 | \n\t\t\t2022/10/1(六)14:30 | \n\t\t\t\n\t\t\t 10人(倒數名額) \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
戲劇 | \n\t\t\t2022/12/17(六)14:30 | \n\t\t\t\n\t\t\t 10人 \n\n\t\t\t(聽障者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
【大眼睛節目】
\n\n表演類型 | \n\t\t\t演出日期 | \n\t\t\t可報名人數 | \n\t\t\t演出節目 | \n\t\t
---|---|---|---|
戲劇 | \n\t\t\t\n\t\t\t 2022/2/26(六)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 5組 \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t \n\n\t\t\t 【2022衛武營新春燈會系列】黃翊工作室 +《小螞蟻與機器人:遊牧咖啡館》 \n\n\t\t\t\n\t\t\t | \n\t\t
歌劇 | \n\t\t\t2022/6/5(日)14:30 | \n\t\t\t\n\t\t\t 10組 \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t台北歌劇劇場《50年回顧展演》 | \n\t\t
戲劇 | \n\t\t\t2022/9/10(六)14:30 | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
舞蹈 | \n\t\t\t2022/9/18(日)14:30 | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
歌仔戲 | \n\t\t\t\n\t\t\t 2022/9/25(日)14:30 \n\t\t\t | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
戲劇 | \n\t\t\t2022/11/6(日)14:30 | \n\t\t\t\n\t\t\t 5組(已額滿) \n\n\t\t\t(視障者+陪同者) \n\t\t\t | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
\n\n
\n\n
贊助單位
\n
\n\n
\n\n
\n\n
\n',team:""},createdAt:1643182166,updatedAt:1666603099,updatedBy:"黃薏靜",host:!1},{_id:"6215eb75c446a60007404f96",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1669532400,discrete:[{time:1669532400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,1e3],link:"https://www.opentix.life/event/1484013135196000257?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c316ac1ea05c99fc597fcd432625eab",title:"《南加大音樂學院校友音樂會(五)》"}],related:[],title:"《南加大音樂學院校友音樂會(五)》",cover:"582ff46df45cac525e8fdc28f476cffa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年5月12日(四)19:30於衛武營表演廳演出之《南加大音樂學院校友音樂會(五)》,節目延期至2022年11月27日(日)15:00原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年5月20日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
此場音樂會集合13位南加大音樂學院傑出校友。曲目包含了二十世紀作曲家蓋希文、皮亞佐拉、蕭泰然等的作品。除此之外,校友林弘韜、蔣榮宗也藉此發表個人新創作品,形式結合電子數位音效,相信能帶給聽眾不同凡響的音樂饗宴。
\n\n\n\n
演出曲目
\n\nAstor Piazzolla:Primavera Porteña (arr. by Zong Chiang)
\n\nG. Gershwin:A Gershwin Sampler (arr. by P.Baker)
\n\nRachmaninov:Valse and Romance for six-hands
\n\n蕭泰然:D調夜曲-至聖的愛
\n\n林弘韜:《爆發》"Outbreak"(委託創作)(世界首演)
\n\n蔣榮宗:《自然・源起》"Natural Bound"(委託創作)(世界首演)
\n\n\n\n
演出暨製作團隊
\n\n主持人&單簧管|曾智寧
\n\n豎琴|陳欣意
\n\n長笛|陳企維
\n\n單簧管|林志謙
\n\n鋼琴/作曲|林弘韜
\n\n鋼琴|林曉莉 徐慧真 陳霈安 賈元元 歐玲如 謝采芝
\n\n女高音|翁芸芸
\n\n多媒體合成器&作曲|蔣榮宗
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8c316ac1ea05c99fc597fcd432625eab",title:"《南加大音樂學院校友音樂會(五)》"}],related:[],title:"USC Music Alumni Concert Ⅴ",cover:"582ff46df45cac525e8fdc28f476cffa",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-953858573. | \n\t\t
\n\n
This concert will be presenting 13 outstanding alumni of the USC School of Music. The repertoire includes the works of twentieth-century composers such as G. Gershwin, A. Piazzolla, Tyzen Hsiao, etc. In addition, alumni Hung-Tao Lin and Zong Chiang will debute their new works, which combines with electronic digital sound effects.
\n\n\n\n
Program
\n\nAstor Piazzolla:Primavera Porteña (arr. by Zong Chiang)
\n\nG. Gershwin:A Gershwin Sampler (arr. by P.Baker)
\n\nRachmaninov:Valse and Romance for six-hands
\n\n\n\n
Creative and Production Team
\n\nHost & Clarinet|Juliana TZENG
\n\nHarp|Cindy CHEN
\n\nFlute|Chi-Wei CHEN
\n\nClarinet|Chih-Chien LIN
\n\nPiano / Composer|Hung-Tao LIN
\n\nPiano|Hsiao-Li LIN, Angel HSU, Pei-An CHEN, Edna Yuan-Yuan CHIA, Lin-Ju OU, Amy Tsai-Chih HSIEH
\n\nSoprano|Yun-Yun WOONG
\n\nImmersive Audio & Composer|Zong CHIANG
\n\n\n\n
\n',team:""},createdAt:1645603701,updatedAt:1659433678,updatedBy:"林蔚行",host:!1},{_id:"621600a1dbebd900074a9342",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667475e3,discrete:[{time:1667475e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,500,600],link:"https://www.opentix.life/event/1492069878343745541?openExternalBrowser=1"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》"}],related:[{from:"programs",key:"6268a28302b8ab0007c7e112",title:"NSO《詩琴畫語》"},{from:"programs",key:"62399e347afcc40008ee9c8a",title:"《戀戀35-陳明章現場作品三十五年》"}],title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》",cover:"6bfb940cac040f622494d1703e4ba536",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年6月1日(三)19:30於音樂廳演出之《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》,節目延期至2022年11月3日(四)19:30原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年6月3日(五)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
臺南藝術大學音樂學系管弦樂團由指揮范楷西率領,本場音樂會以〈來自南方〉展現獨特的熱情之聲,安排地理位置相對南端的臺灣、西班牙、義大利作曲家作品,分別為張曉雯〈管弦樂曲《氛圍》〉、羅塔《低音提琴嬉遊協奏曲》、雷史畢基《第三號古代歌調與舞曲》以及法雅《第二號三角帽組曲》,其中羅塔的作品將由音樂學系專任教授、低音提琴演奏家郭馥玫擔任獨奏。
\n\n\n\n
演出曲目
\n\n張曉雯:〈管弦樂曲《氛圍》〉
\n\n羅塔: 《低音提琴嬉遊協奏曲》
\n\n雷史畢基: 《第三號古代歌調與舞曲》
\n\n法雅: 《第二號三角帽組曲》
\n\n\n\n
演出暨製作團隊
\n\n指 揮│范楷西
\n\n低音提琴│郭馥玫
\n\n樂 團│國立臺南藝術大學管弦樂團
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"13b13643eac28c0f8caeabf3121da079",title:"《來自南方—國立臺南藝術大學音樂學系管弦樂團音樂會》"}],related:[],title:"From the South",cover:"7522c847be6033b36ed57458c4d6e7bd",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been changed. For more information, please contact +886-6-6932012. | \n\t\t
\n\n
Led by conductor Kai-Hsi Fan, the Orchestra of TNNUA Music Department will show its special timbre by presenting "From the South" featuring composers from geographical south —Taiwan, Spain and Italy. The program includes "Die Stimmung" for Orchestra by Shiao-Wen Chang, Divertimento Concertante for Double Bass and Orchestra by Nino Rota, Ancient Airs and Dances No. 3 by Ottorino Respighi, and The Three-Cornered Hat Suite No. 2 by Manuel de Falla. TNNUA Music Department Faculty Bassist Fu-Mei Kuo will be the soloist for Rota's composition.
\n\n\n\n
Program
\n\nShiao-Wen Chang: "Die Stimmung" for Orchestra
\n\nNino Rota: Divertimento Concertante for Double Bass and Orchestra
\n\nO. Respighi: Ancient Airs and Dances No. 3
\n\nManuel de Falla: The Three-Cornered Hat Suite No. 2
\n\n\n\n
Creative and Production Team
\n\nConductor|FAN Kai-Hsi
\n\nDouble bass|KUO Fu-Mei
\n\nPerforming|TNNUA Orchestra
\n\n\n\n
\n',team:""},createdAt:1645609121,updatedAt:1659433710,updatedBy:"林蔚行",host:!1},{_id:"6232cc9e425eae00071fec68",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1669030200,discrete:[{time:1669030200}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f7c763cd0e33810742c263498dcd3531",title:"《百年青春 風華齊綻》師大管樂隊一百週年校慶紀念音樂會"}],related:[],title:"「節目取消」《百年青春 風華齊綻》師大管樂隊一百週年校慶紀念音樂會",cover:"d224e09e1135e2a42705473ef2189000",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
\n\t\t\t ※原訂2022年11月21日(一)19:30於衛武營音樂廳演出之《百年青春 風華齊綻》師大管樂隊一百週年校慶紀念音樂會,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年12月31日(六)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
國立臺灣師範大學管樂隊目前由音樂系的同學與各科系音樂好手共同組成。成立於1950年,成立之初主要任務是擔任學校重要典禮之典禮樂演出工作;經過十年的努力,不但各樂器的編制擴大,隊員質與量亦相對提高,乃於1969年第二十三屆校慶時舉辦第一次演奏會,為日後的演出奠定了基礎及努力的方向。本場演出為師大管樂隊例行大型公開演出,演出曲目主要為世界經典交響曲與管樂作品,演出時間約為2小時。葉樹涵教授精心作曲家之作品。
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n指揮老師|葉樹涵 老師
\n\n總召集人|林晏筠、黃鈺淳
\n\n隊 長|張兆緯
\n\n公關股|顏敬潔、吳沛臻
\n\n活動股|李予瑄、黃聖憶、林佩璇
\n\n器管股|賴奕熏、王翔恩
\n\n總務股|陳可得
\n\n譜務股|許承浩、徐子晴
\n\n文書股|吳牧芸、廖可瑄
\n\n課務股|顏郁珊、莊啓文、林品翰
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"f7c763cd0e33810742c263498dcd3531",title:"《百年青春 風華齊綻》師大管樂隊一百週年校慶紀念音樂會"}],related:[],title:"(Program cancelled) National Taiwan Normal University Wind Band Concert",cover:"d224e09e1135e2a42705473ef2189000",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※The program has been cancelled. For more information, please contact +886-3393-9888 . | \n\t\t
\n\n
The Wind Band of National Taiwan Normal University is currently composed of students from the Music Department and musicians from various departments. Founded in 1950, the main purpose of performing at the beginning of the establishment was to serve as the ceremonial music performance of the school's important ceremonies; after ten years of efforts, not only the establishment of various musical instruments was expanded, but the quality and quantity of the team members were also relatively improved, and the first concert was held at the 23rd school celebration in 1969, laying the foundation for future performances and the direction of efforts.This performance is a regular large-scale public performance of the DivisionAlda Wind Band, and the repertoire is mainly the world's classic symphony and wind works, and the performance time is about 2 hours. Professor Yeh Shuhan carefully composed the works of the composers.
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nConductor|YEH Shu-Han
\n\nCoordinator|LIN Yen-Yun、HUANG Yu-Chun
\n\nLeader|CHANG Chao-Wei
\n\nPublic Relations|YEN Ching-Chien、WU Pei-Chen
\n\nEvent Planning|LI Yu-Xuan、HUANG Sheng-Yi、LIN Pei-Hsuan
\n\nCustodian|LAI Yi-Syun、WANG Hsiang-En
\n\nGeneral Affairs|CHEN Ko-Te
\n\nLibrarian|HSU Chong-Hao、HSU Tzu-Ching
\n\nSecretary|WU Mu-Yun、LIAO Ko-Hsuan
\n\nCurriculum Section|YEN Yu-Shan、LIN Pin-Han、JHUANG Ci-Wun
\n\n\n\n
\n',team:""},createdAt:1647496350,updatedAt:1662370150,updatedBy:"林蔚行",host:!1},{_id:"6242c65ce4b8a10007d7b589",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667388600,discrete:[{time:1667388600}],type:"discrete"},activity:{type:"free",free:{description:"節目取消",englishDescription:"Program cancelled"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f0fc1e32d2fd126ce268ce786362e1d",title:"《北境之歌-百年經典與傳承》"}],related:[],title:"「節目取消」《北境之歌-百年經典與傳承》",cover:"d57da3c6221849a0838c4b4633cd9370",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
主辦:VIO提琴樂集、迷樂.樂迷弦樂四重奏
\n\t協辦: 中信金融管理學院
\n\t\n\t\t\t ※原訂2022年11月2日(三)19:30於衛武營表演廳演出之《北境之歌-百年經典與傳承》,節目取消。 \n\n\t\t\t※已購票觀眾,最遲請於2022年11月2日(三)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
迷樂.樂迷弦樂四重奏為小提琴家張群、黃奐瑋;中提琴家劉穎文與大提琴家權雋文,四位自學生時期即一同演出的好友,各自走過世界另一端又齊聚一堂的組合。
\n\n此次以俄羅斯百年經典與傳承;演出十九世紀浪漫樂派以林姆斯基.高沙可夫為首,以俄國民謠創作主題與變奏,與柴可夫斯基創作生涯的初生之犢《第一號弦樂四重奏》;及二十世紀蕭士塔高維奇融合後浪漫主義及新古典主義《第八號弦樂四重奏》,期待呈現給觀眾俄羅斯民族主義的意識及融合現實主義內涵,又點綴著西方文化精髓的藝術。
\n\n\n\n
演出曲目
\n\n俄國作曲家:俄國民謠主題與變奏
\n\n蕭士塔高維奇:第八號弦樂四重奏
\n\n柴可夫斯基:第一號弦樂四重奏
\n\n\n\n
演出暨製作團隊
\n\n小提琴|張群、黃奐瑋
\n\n中提琴|劉穎文
\n\n大提琴|權雋文
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7f0fc1e32d2fd126ce268ce786362e1d",title:"《北境之歌-百年經典與傳承》"}],related:[],title:"(Program cancelled) Songs From The North – A hundred years' classic and legacy",cover:"d57da3c6221849a0838c4b4633cd9370",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-988028951. | \n\t\t
\n\n
The Obbligato String Quartet posts a label of new and young sound in classical music field. With the violinists Chang Chun, Huang Huan-Wei, violist Liu Ying-Wen, and cellist Chuan Chun-Wen, they have been performed several concerts since they were in conservatory, and finally united together after living abroad for years. For presenting the 100 years of classic and legacy of Russian spirit, they will be performing the for String Quartet by various Russian composers, and the by Tchaikovsky, and the which merged Post-Romanticism and Neoclassicism by Shostakovich. They would like to show people the diversity of Russian spirit, which combines the awareness of Nationalism, contents of Realism and essence of western culture.
\n\n\n\n
Program
\n\nVarious Composers: Variations on a Russian Theme
\n\nDmitri Shostakovich: String Quartet No.8
\n\nPyotr Tchaikovsky: String Quartet No.1
\n\n\n\n
Creative and Production Team
\n\nViolin|CHANG Chun, HUANG Huan-Wei
\n\nViola|LIU Ying-Wen
\n\nCello|CHUAN Chun-Wem
\n\n\n\n
\n',team:""},createdAt:1648543324,updatedAt:1667180653,updatedBy:"林蔚行",host:!1},{_id:"624fcc6bfb823f000af318a8",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1669375800,discrete:[{time:1669375800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1457613667052736516"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ae3affd9c516c4dc828c58956d084dec",title:"《聲樂與手風琴相遇 - 聲琴對話》"}],related:[],title:"「節目異動」《聲樂與手風琴相遇 - 聲琴對話》",cover:"1779260d64ae09f2bfddb7da231c2e0e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
\n\t\t\t ※原訂2022年6月11日(六)19:30 於衛武營表演廳演出之郭錦慧潘默士《聲樂與手風琴相遇- 聲琴對話》,因防疫考量,將延期至2022年11月25日(五)19:30 原場地演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,最遲請於2022年7月30日(六)前完成辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
\n\n
⼥⾼⾳郭錦慧 (Ching-Hui KUO) 被加拿⼤國家廣播電台讚譽為: 「⼀位全⽅位,多才多藝且充滿表現⼒的演唱家。
\n\n潘默⼠ (Primož Parovel)曾贏得第36屆德國Klingenthal國際⼿⾵琴⼤賽第三名,以及西班⽛Arrasate第12屆“Arrasate Hiria”國際⼿⾵琴⼤賽⾸獎。
\n\n\n\n
郭錦慧與帕洛威的聲琴對話:由旅居歐美25年的抒情女高音郭錦慧,和來自斯洛維尼亞的古典手風琴演奏家帕洛威博士攜手合作,精選從16世紀到20世紀的優美歌曲,例如法雅的七首西班牙民歌,羅德利哥的四首愛的牧歌,貝托爾德的六首手風琴歌曲,以及多首經典的義大利16-18世紀的歌曲,以難得的組合和詮釋,呈現給大家全新的音聲體驗和感動。
\n\n\n\n
演出曲目
\n\n\n\n
演出暨製作團隊
\n\n演 出|郭錦慧、潘默士
\n\n助理|郭家良、劉寧宇
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ae3affd9c516c4dc828c58956d084dec",title:"《聲樂與手風琴相遇 - 聲琴對話》"}],related:[],title:"(Program changed) KUO & PAROVEL: Voice & Accordio",cover:"1779260d64ae09f2bfddb7da231c2e0e",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
※The program has been changed. For more information, please contact +886-976665092. | \n\t\t
\n\n
Voice & Accordion: The concert of two international artists Kuo & Parovel is a great opportunity to enjoy beautiful selection of European classic music songs from 16th century to the 20th century. On the program Arie antiche from Italy, famous Seven Spanish Folksongs composed by M. de Falla, Four Madrigales by Rodrigo and Six Accordion songs, specially composed for this ensemble by German composer H. Berthold. Both artists have been living in Europe for long time and performed concerts all over the world. Their expression and musical feeling is a unique musical experience.
\n\n\n\n
Program
\n\n\n\n
Creative and Production Team
\n\nPerformer|Primoz Parovel, GUO Ching-hui
\n\nAssistant|Jason KWOK, Heidi LIU
\n\n\n\n
\n\n
\n',team:""},createdAt:1649396843,updatedAt:1651836191,updatedBy:"林蔚行",host:!1},{_id:"6260d3bb02b8ab0007c5a0aa",catalogs:["5aec4184b01ea6000520f633","5aec418cb01ea6000520f635"],dateTime:{first:1667561400,discrete:[{time:1667561400},{time:1667716200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,1e3,1500,2e3,2500],link:"https://www.opentix.life/event/1503997330248556548"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8fc4acf9b94d36c38ecf0276b6307bba",title:"2022歌劇《蔥仔開花》"}],related:[],title:"2022歌劇《蔥仔開花》",cover:"06a19d5c9fe68ca1f5eefde648e25f92",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
臺北市立國樂團自製推出的【TCO劇院】,繼歌劇《李天祿的四個女人》、《我的媽媽欠栽培》後,再度推出全新臺文國樂歌劇《蔥仔開花》,講述馬偕夫人張聰明女士傳奇的一生。
\n\n本劇由臺北市立國樂團製作,邀請名導魏德聖擔任創意總監、梁越玲劇本創作、李哲藝音樂設計、曾慧誠執導,並結合國內頂尖聲樂家陳美玲、蔣啟真、孔孝誠、林孟君等攜手獻演。
\n\n想知道張聰明如何從目不識丁的童養媳、一路蛻變至馬偕博士宣教的得力助手,當中經歷的笑與淚嗎?今年適逢馬偕來臺宣教150週年,竭誠歡迎您走入臺北表演藝術中心大劇院,一同以熱烈掌聲向新時代女性—張聰明致敬。
\n\n\n\n
演前導聆
\n\n主講人:曾慧誠(導演)、梁越玲(劇本)
\n\n2022/11/4(五)19:00 於歌劇院
\n\n2022/11/6(日)14:00 於歌劇院
\n\n\n\n
演出暨製作團隊
\n\n創意總監|魏德聖
\n作曲|李哲藝
\n劇本|梁越玲
\n導演|曾慧誠
\n合唱指導|陳麗芬
\n聲樂指導|謝欣容
\n舞台設計|范振罡、蕭登及
\n燈光設計|何定宗
\n影像設計|鄭雅之
\n道具設計|言行
\n音響設計|楊孟儒
\n服裝設計|張渝婕
\n髮型設計|楊攸仁
\n造型設計|曾均峰
\n舞蹈設計|張擎佳
\n平面設計|鄭秀芳
\n舞台監督|陳昭郡
\n
\n演出人員:
\n指 揮|江振豪
\n演 唱|陳美玲、蔣啟真、孔孝誠、鄭海芸、羅俊穎、陳慧如、范婷玉、李增銘、謝銘謀、王郁馨、劉夢潔、梁又中、宮天平、林映旻、王璟頤
\n群 演|胡雅絜、周貞妤、周宛怡、黃巨東、黃匯森、程筱琪、賴玟芳、王雯婷、陳福榮、劉俊德、王瑋麟、吳俊哲
\n臺北市立國樂團
\nTCO 合唱團
\n躍演
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8fc4acf9b94d36c38ecf0276b6307bba",title:"2022歌劇《蔥仔開花》"}],related:[],title:"Opera from the TCO Theater - Formosa Bloom",cover:"06a19d5c9fe68ca1f5eefde648e25f92",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
Formosa Bloom takes the form of full-staged opera. Taiwanese humor, romantic music, fancy cast, and staff from the music and theater circle… it is an opera exclusively produced by TCO, and more than anything you could ever expect.
\n\n\n\n
Creative and Production Team
\n\nCreative Director|WEI Te-Sheng
\nComposer|LEE Che-Yi
\nLibrettist|LIANG Yue-Ling
\nDirector|TSENG Hui-Cheng
\nChorus Coach|CHEN Li-Fen
\nVocal Coach|HSIEH Hsin-Jung
\nStage Designer|FAN Chen-Kang、HSIAO Deng-Chi
\nLighting Designer|HO Ting-Tsung
\nImage Designer|Ashzey CHENG
\nProp Designer|YAN Xing
\nSound Engineer|YANG Meng-Ju
\nCostume Designer|CHANG Yu-Chieh
\nHairstyle Designer|YANG You-Ren
\nAppearance Designer|TSENG Chun-Feng
\nChoreographer|CHANG Ching-Chia
\nGraphic Designer|CHENG Siu-Fang
\nStage Manager|CHEN Chao-Chun
\n\n
Conductor|CHIANG Chen-hao
\nVocal|CHEN Mei-Lin, CHIANG Chi-Chen, KONG Siao-Cheng, CHENG Hai-Yun, Julian LO, CHEN Hui-Ju, FAN Ting-Yu, Rios LI, HSIEH Ming-Mou, WANG Yu-Hsin, LIU Meng-CHieh, LIANG You-Jhong, Kingston KUNG, LIN Yin-Ming, WANG Ching-Yi
\nTaipei Chinese Orchestra
\nTCO Chorus
\nVMTheatre Company
\n\n
\n',team:""},createdAt:1650512827,updatedAt:1650968785,updatedBy:"林蔚行",host:!1},{_id:"626695e17406e30007cd7053",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1669809600,discrete:[{time:1669809600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500],link:"https://www.opentix.life/event/1526523490825195523"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1ef35d72e9d7e618ea4973d604145a5b",title:"【衛武營小時光】《日本傳統表演藝術-落語》"}],related:[],title:"【衛武營小時光】《日本傳統表演藝術-落語》",cover:"6fedb57bbbe715d3411f48e2a82e99ed",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t不論是NHK晨間劇《笑口常開》、有漫畫/卡通/連續劇三種版本的《昭和元祿落語心中》,還是即將改成卡通影集的漫畫《我家師傅沒有尾巴》,每隔幾年日本電視台就會出現關於落語的戲劇節目,往往造成校園裡落語社團的大熱門。落語是一種類似單口相聲的日本傳統藝能,其特殊處,在於規定表演者不能站起來,只能利用手帕與扇子來講述故事,加上一人飾演多角,要經過多年拜師才能出道的落語家,將說笑話、說故事、默劇、單人表演與物件劇場結合為一體。
\n\n繼2019年小時光系列推出爆棚好評的落語公演之後,今年衛武營的觀眾有機會再度欣賞到日本直送,最原汁原味的落語演出。這個臺灣難得一見的落語現場表演,三位技藝高超的獲獎藝術家,將展現看家絕活,帶領大家度過一個充滿歡笑的夜晚,一掃疫情、家庭與天庭與的各種煩惱,大步迎向美好明天。
\n\n\n\n
演出者
\n\n落語|林家彦いち、林家きよ彦
\n\n剪紙|林家正楽
\n\n三味線|井上りち
\n\n\n\n
藝術家介紹
\n\n落語|林家彦いち
\n\n本名安田修。出身於鹿兒島縣。1989年入林家木久藏門下為弟子,2002年晉升「真打」(落語表演中壓軸登場者,為落語家的最高階段)。2020年就任為落語協會的協會理事。
\n\n2000年NHK新人演藝大獎落語部門大獎
\n\n2003年彩之國落語大獎殊勳獎
\n\n2005年彩之國落語大獎
\n\n有多數自行創作之落語演出,並定期於日本各地舉辦獨演會。
\n\n\n\n
落語|林家きよ彦
\n\n本名早坂清花。出身於北海道札幌市,2016年入林家彦いち門下為弟子,2021年晉升「二目」(落語表演中第二階段,即可以正式登台演出)。表演方式以創作落語為中心,喜歡藝術與酒,同時也有社會福祉士及學藝員資格。
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剪紙|林家正楽
\n\n出身於東京都。1966年入二代目林家正楽門下為弟子,並於2000年襲名為三代目林家正楽。1983年獲得第13屆國立新人演藝會金獎。2020年獲得第70屆藝術選獎文部科學大臣獎(大眾藝術部門)。
\n\n喜歡散步、體育賽事觀戰、排字遊戲。身為剪紙藝術中的首屈佼佼者,不受壓力或外界影響,在表演當下專注於觀眾的要求,呈現專業與快速確實。
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1ef35d72e9d7e618ea4973d604145a5b",title:"【衛武營小時光】《日本傳統表演藝術-落語》"}],related:[],title:"【Weiwuying Showtime】Traditional Storytelling Japanese Performance - Rakugo",cover:"6fedb57bbbe715d3411f48e2a82e99ed",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tPerformed in Japanese with Mandarin surtitles
\n\tEvery couple of years, rakugo-themed television series, including the NHK morning drama series Warotenka, the anime/drama adaptation of the manga series Descending Stories: Showa Genroku Rakugo Shinju, and the upcoming anime adaptation of the manga series My Master Has No Tail, are aired on Japanese TV, resulting in a spurt in popularity for rakugo clubs in schools. Rakugo is a traditional Japanese art similar to stand-up comedy. What makes rakugo unique is how it is performed without the performer standing up, how only a small cloth and paper fan are used as props, and how it requires the performer to play different characters. Rakugo performers have to study under a master for many years before they can make their official debut as a master of the art of combining comedy, storytelling, mime, solo performance, and object theater.
\n\n\n\n
This year, following the well-received success of the public rakugo performance of Weiwuying Showtime in 2019, Weiwuying has arranged for another opportunity for the audience to enjoy an authentic rakugo performance from the Japanese performers. In this once-in-a-lifetime performance, three talented award-winning rakugo performers will show their skills and bring the audience an evening filled with laughter. Brush off the pandemic with this performance, forget everything troubling you, and let us welcome a better tomorrow.
\n\n\n\n
Performers
\n\nRakugo|HAYASHIYA Hikoichi, HAYASHIYA Kiyohiko
\n\nSilhouette Cutting (Kamikiri)|HAYASHIYA Shouraku
\n\nShamisen|INOUE Litchi
\n\n\n\n
Artists Introduction
\n\nRakugo|HAYASHIYA Hikoichi
\n\nBorn YASUDA Osamu, Kagoshima Prefecture native. He began studying under HAYASHIYA Kikuo in 1989 and was promoted to shin-uchi, the headliner of a rakugo performance and the highest rank for a rakugoka, in 2002. He became a board member of the Rakugo Association in 2020.
\n\n2000—Grand prize at the NHK Newcomer Entertainer Awards, Rakugo Category
\n\n2003—Honorable mention at the Aya no Kuni Rakugo Awards
\n\n2005—Grand prize at the Aya no Kuni Rakugo Awards
\n\nHe has written multiple rakugo acts and has been giving regular solo performances across Japan.
\n\n\n\n
Rakugo|HAYASHIYA Kiyohiko
\n\nBorn HAYASAKA Kiyoka of Sapporo, Hokkaido. She became a disciple of HAYASHIYA Hikoichi in 2016 and was promoted to futame (second-ranked rakugoka eligible for stage appearances) in 2021. Her performances mainly feature original rakugo acts inspired by arts and sake. Besides her rakugo achievements, she is also a certified social worker and an accredited museum curator.
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Silhouette Cutting (Kamikiri)|HAYASHIYA Shouraku
\n\nBorn in Tokyo, HAYASHIYA began studying under the second generation HAYASHIYA Shouraku in 1966 and later became the third generation HAYASHIYA Shouraku in 2000. He won gold at the 13th National Engei Hall Hanagata Newcomer Awards in 1983 and the 70th Minister of Education, Culture, Sports, Science and Technology Award (Popular Art Category) in 2020.
\n\nHe likes to take strolls, watch sports, and play scrabble. As a leading paper-cutting artist, he is known for his concentration on satisfying audiences' demands in a quick and professional manner, without being affected by the high stakes of live performance.
\n\n\n\n
\n',team:""},createdAt:1650890209,updatedAt:1653905415,updatedBy:"通泰系統管理員",host:!0},{_id:"6279fc3a7406e30007d2ad89",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1667995200,discrete:[{time:1667995200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,800],link:"https://www.opentix.life/event/1528994276511887364"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b66c4f15238639b5a7b051f66bff14bb",title:"【衛武營小時光】關韶文+蔡黃汝《職業訪談—歌手的天份》"}],related:[],title:"【衛武營小時光】關韶文+蔡黃汝《職業訪談—歌手的天份》",cover:"d4c10ef6ff48344b44eab019525efb39",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
5/31(二)12:00至6/1(三)12:00止衛武營會員優先選購9檔衛武營小時光節目各1張,不限票級。
\n\t記者出身的關韶文,轉戰Youtube開創了備受歡迎的「職業訪談」系列單元,瞭解各行各業的有趣故事。以清新特質在綜藝節目展露頭角的蔡黃汝,進軍影視圈之後,更橫跨音樂圈,成為全方位的藝人。這次衛武營小時光限定的《職業訪談—歌手的天份》,集結了兼具主持人與歌手身份的兩人,一點一滴揭開「天份」的神秘面紗。
\n\n\n\n
藝術家介紹
\n\n關韶文|主持人、YouTuber
\n\n關韶文原為《完全娛樂》、《ETtoday星光雲》網路媒體娛樂線記者,在ETtoday星光雲主持直播節目《明星鍵盤手》和《星光cue新聞》,2019年脫離記者身份轉為全職YouTuber, 被《DailyView網路溫度計》評為2020年爆紅YouTuber第六名。
\n\n\n\n
蔡黃汝|藝人、歌手、演員
\n\n2008年因甜美的清新氣質在PTT表特板引起迴響,接著參加《我猜我猜我猜猜猜》獲得超人氣店花第一名,人氣扶搖直上,成為第一位於出道前受邀數十項商品代言活動及各大電視節目通告與主持的藝人,也是第一位出道即同步推出四項同名商品的藝人。之後在演藝上全方位發展,擔任多部偶像劇女主角。
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"b66c4f15238639b5a7b051f66bff14bb",title:"【衛武營小時光】關韶文+蔡黃汝《職業訪談—歌手的天份》"}],related:[],title:"【Weiwuying Showtime】Ethan KUAN + FLO. - A Singer's Talent: An Interview",cover:"d4c10ef6ff48344b44eab019525efb39",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Available starting 6/8(Wed)12:00 !
\n\tFormer journalist turned Youtube content creator Ethan KUAN, created the popular "Career Interviews" series, which looks into interesting stories from all walks of life. After making a name for herself in variety shows with her girl-next-door quality, FLO. TSAI has crossed over to the music industry and became a versatile artist. The Weiwuying Showtime limited edition Career Interview - A Singer's Talent brings together two host/singers to unveil the mystery of "talent."
\n\n\n\n
Artists Introduction
\n\nEthan KUAN|Host、YOUTUBER
\n\nEthan KUAN was originally an entertainment journalist for the online media ShowBiz and ETtoday Star-News. At ETtoday, KUAN hosted two live shows before switching his career to full-time YouTuber. He was ranked the 6th most popular YouTuber in 2020 by the site DailyView Internet Thermometer.
\n\n\n\n
FLO.|Actress、Singer、Host
\n\nIn 2008, FLO. TSAI Huang-ru became popular on the internet for her beauty and refreshing charisma. She then caught more attention from the public after attending Guess Guess Guess, the famous live TV talk show in Taiwan, and won the pageant for "the most beautiful store clerk." She was invited for many product endorsements, and to attend and host numerous TV talk shows before she was signed to be a professional performing artist, a first in the Taiwanese entertainment industry. She was also the first performing artist to already have four products titled with her name as soon as she became professional. Her entertainment career has been thriving since then and she has served as the heroine of many idol dramas.
\n\n\n\n
\n',team:""},createdAt:1652161594,updatedAt:1661393354,updatedBy:"林蔚行",host:!0},{_id:"628de6fc43d46d000727a465",catalogs:["5aec45edb01ea6000520f655","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1657105200,discrete:[{time:1657105200},{time:1659524400},{time:1662548400},{time:1664967600},{time:1667386800},{time:1670410800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1a5ef525148a19175973f5d177c751cb",title:"2022【武營來跳舞】"}],related:[],title:"2022【武營來跳舞】7-12月",cover:"ae0cc127f0d382ec1e33abfca83d87b4",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
大眾參與,與眾不同的舞蹈初體驗
\n\n\n\n
跳舞是什麼?
\n\n《武營來跳舞》能滿足您對舞蹈的好奇,一起探索跳舞的樂趣!
\n\n為使愛跳舞、想嘗試跳舞的您有更多機會親近舞蹈,《武營來跳舞》在每個月的第一個星期三的晚上,與您相約在衛武營榕樹廣場西側平台。
\n\n透過不同藝術家的帶領,認識舞蹈的基礎語言,探索舞動的美好,找尋你與他身體之間的共振。
\n\n邀請您報名參與,盡情享受舞蹈及活動空間,感受舞動的自由吧!
\n\n\n\n
下半年活動場次表
\n\n時間 | \n\t\t\t誰來跳舞 | \n\t\t\t跳什麼舞 | \n\t\t\t報名網址 | \n\t\t
---|---|---|---|
7/6(三) \n\t\t\t19:00-20:30 | \n\t\t\t \n\t\t\t授課:蘇威嘉 \n\t\t\t助教:方妤婷 \n\t\t\t | \n\t\t\t「大家一起來跳舞-觀察肢體」 | \n\t\t\t已結束 | \n\t\t
8/3(三) \n\t\t\t19:00-20:30 | \n\t\t\t「大家一起來跳舞-開發肢體」 | \n\t\t||
9/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t「大家一起來跳舞-創造肢體」 | \n\t\t||
10/5(三) \n\t\t\t19:00-20:30 | \n\t\t\t授課:葉麗娟 \n\t\t\t 助教:王雨婕 | \n\t\t\t「打造浪漫芭蕾情境」 | \n\t\t\t立即報名 | \n\t\t
11/2(三) \n\t\t\t19:00-20:30 | \n\t\t\t「仙女如何輕盈」 | \n\t\t||
12/7(三) \n\t\t\t19:00-20:30 | \n\t\t\t「優雅的圓舞曲」 | \n\t\t
\n\n
藝術家:蘇威嘉、助教:方妤婷
\n\n©攝影 呂國瑋
\n\n蘇威嘉
\n\n1981年生於臺灣高雄,畢業於國立臺灣藝術專科學校,受吳素芬教授啟發,畢業後於2004年成立驫舞劇場,長期為舞團編創新作與演出。2007年集體創作作品《速度》獲得第六屆台新藝術獎表演類年度大獎,2012年與陳武康合作的自傳式作品《兩男關係》於德國獲科特尤斯編舞大賽金獎與最佳觀眾票選獎。2009至2013年在美國芭蕾大師艾略特費爾德邀請下,加入Ballettech舞團擔任客席舞者。2013年開始蘇威嘉開始進行以《自由步》為題的十年編舞計畫,被舞評形容為將美感耕耘至極致的演出,並結合擴增實境(AR),「跳」出劇場的空間限制。近年除了持續跳舞、創作,也開始作為舞蹈工作者的社會責,並四處分享跳舞的喜悅於各地。
\n\n\n\n
課程簡介
\n\n由蘇威嘉帶領的《大家一起來跳舞》舞蹈肢體開發課程,結合肢體開發、身體察覺、舞蹈創作,希望透過舞蹈打開身體,拉近人與人之間的距離。透過語言指令給予類似遊戲般的規則和限制,讓每個人都能親身體驗舞動身體的感受,依靠想像力引導肢體,探索身體的無限可能;藉由舞步及運用自己的大小肌肉,與自己的身體對話,同時與身旁的夥伴互動,跳出屬於自己的舞蹈,將藝術能量散播給更深更廣的大眾。
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藝術家:葉麗娟、助教:王雨婕
\n\n葉麗娟
\n\n國立臺灣藝術專科學校舞蹈科畢業
\n\n曾獲國家劇院榮譽芭蕾舞者「明日之星」,並榮獲臺北「ICRT──青春之星」國內「舞蹈表演獎」。曾任臺北首督芭蕾舞團、臺北組合語言現代舞團創團首席舞者,和蒂摩爾古薪舞團客席舞者、滯留島舞蹈劇場以及HPS舞蹈劇場客席舞者、台南蘭陵芭蕾舞團芭蕾老師。現任高雄城市芭蕾舞團、左營高中,、左派舞蹈協會之客席舞者。
\n\n2003~2021年高雄城市芭蕾舞團「2021高雄春天藝術節 環境舞蹈《華麗的年代》」、芭蕾創作「點子鞋Dance Shoe」系列I~XⅦ;高雄城市芭蕾舞團:《火Fire》、《水Water》、《19世紀浪漫芭蕾》(農民雙人舞)、《光Light》、《胡桃鉗The Nutcracker》(西班牙獨舞)、《仙履奇緣 Cinderella》、《彼得與狼》(飾演彼得)&創作芭蕾《綻》(擔任雙人舞和solo)、《帕吉達Paquita》、《傾城之戀love in city》、《祭禮Rite》&《仙女們Les Sylphides》、《牡丹亭The Peony Pavilion》(飾演杜麗娘);HPS舞蹈劇場《暗角》、滯留島舞蹈劇場:《Lost in Grey》(赴英國「愛丁堡藝穗節」演出)、《魚貫職態》、《時代下的灰斑》;「高雄春天藝術節KSAF」:《茶花女》、《春之祭》、《東之風──鼓踞雄風》(擔任主要角色);廖末喜舞蹈劇場《靈動運河》(客席舞者);蒂摩爾古薪舞集《Kurakuraw.戀羽》(擔任獨舞者,赴加拿大「原住民藝術節」)、《Kavulungan.會呼吸的森林》、《Kavaluan.戀念百合》、《Mananigai.勇士》;「高雄世界運動會」開幕典禮(演出大雙人舞);左派舞蹈協會之舞劇《對弈 Chess》(飾演虞姬,參加2008年「愛丁堡藝穗節」) 、《牽連.連牽》(擔任女主角);左中舞30週年《Ha! Happy Birthday》。擔任法國普雷祖卡芭蕾舞團高雄演出客席芭蕾指導;2003~2018年間帶領左營高中舞蹈班參加澳洲阿得列德、法國昂熱世界舞蹈節、新加坡、蘇州、美國邁阿密、香港、馬來西亞、美國科羅拉多等各舞蹈節。
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課程簡介
\n\n喜歡舞蹈的人,大多數喜歡看芭蕾舞的表演,即使看不懂,也會被芭蕾舞者的線條與精彩的技巧而驚豔! 場中預計有數支把桿擺放著,先認識芭蕾,讓芭蕾舞可以融入生活,不但能改變體態,舉止變得優雅有氣質且增加自信心! 這項運動是緩和的,卻可達到肌肉的訓練,不分男女老少,安全性高,勢必可成為全民運動!
\n\n\n\n
芭蕾舞者通常有個細長的脖子以及直挺挺的軀幹,這有功於多年沈浸在芭蕾訓練與聆聽古典音樂的環境裏,而長出來的氣質~ 首先利用雙手扶把,平穩把身體重心站高且提氣,並開始感受腳指、腳踝、膝蓋,練習這些關節的彎直動作,再配合雙手左右平衡的擺動,把芭蕾的舞姿,自然的呈現出美麗順暢的流暢感~
\n\n\n\n
認識芭蕾腳的位置及手的位置,身體主軸是方正,四肢是圓的走向,配合呼吸,將華爾滋舞步,搭配3拍子的弦律慢慢帶入⋯步伐可大可小,更可轉換方向的律動感~
\n\n\n\n
弦律優美的古典音樂,帶領大家先暖身10分鐘,接著由老師講解芭蕾基本,淺顯易懂的動作,提醒大家該注意的重點,一套接著一套,由瞭解到熟悉,從把桿進行到不扶把的場中,不急不徐將芭蕾組合,帶入身體與空間的流動,相信這美麗的畫面可以深植人心,讓芭蕾融入生活裡!
\n\n\n\n
\n',team:""},createdAt:1653466876,updatedAt:1669087367,updatedBy:"林蔚行",host:!0},{_id:"6294b69143d46d00072a0344",catalogs:["5fe2bffdde1961000737545c","5aec418cb01ea6000520f635"],dateTime:{first:1668771e3,discrete:[{time:1668771e3},{time:1668857400},{time:1668925800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1600,2e3],link:"https://www.opentix.life/event/1550330629795995654"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"8e690dfdc98eefe247a9deb5227da807",title:"奔放樂集 布瑞頓歌劇《碧廬冤孽》"}],related:[],title:"奔放樂集 布瑞頓歌劇《碧廬冤孽》",cover:"bd428a354b5383a60d5d2de26dc8093b",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
英文演出,中文、英文字幕
\n\t優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n',benefits:'布瑞頓的音樂描述人性的脆弱不安
\n\n痛苦無可遁逃,而寧靜為心靈所致
\n\n層層追求生命之真實樣貌與魂魄之昇華淨化
\n\n\n\n
布瑞頓的音樂,一半像是寫給在世的人聽,另一半寫給離世的人聽。他的音樂語彙裡充滿了「神性」的合一博愛與「人性」的黑暗爭亂兩種力量的互相拉扯,既有對和平主義的崇高理想,也有對紛爭痛苦的無限憐憫。布瑞頓的音樂描述人性的脆弱不安,因為他極力倡導以人道精神為基本價值的和平主義,不願接受二次大戰時的徵召而受到許多來自社會的苛責與批判。但他的音樂裡在面對如此苦楚時,仍透露一道微弱亮光,謙卑虔誠地尋求和平寬恕。
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布瑞頓以深厚的古樂對位基礎,融合熟稔的現代十二音律技巧,讓寧靜深遠的祈禱儀式音樂,與對立分化極度不安的現代合聲,成為兩個身處現實與內心嚮往的世界。痛苦是如此巨大而無可遁逃,但寧靜同樣是深邃且心靈所至。布瑞頓在音樂中由憤怒痛苦不斷追求昇華與淨化。
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《碧廬冤孽》藉由一個表面上謎樣的鬼故事,來講述受困苦枷鎖的魂魄與極力救贖的力量。故事由一名年輕而涉世未深的女教師的旅程展開,她受英俊紳士的神秘委託,前往碧廬鄉間擔任一對孤兒兄妹的家教。可愛的兄妹看似天使般姣好純真,但女教師很快就察覺了偌大豪宅裡眾人刻意隱藏的秘密,而孩子的無辜天真其實並非如表相。女教師的一廂情願、內心的懷疑與外在的魅影不斷糾結增強,以致無法判斷天真與邪惡、犧牲者與加害者。
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布瑞頓用十三人的室內樂編制、六個聲樂家扮演的角色,共二幕十六景,為時兩小時的「室內歌劇」形式,成功塑造若即若離的神秘氣氛。他用十二音律建構貫穿整個歌劇的「螺絲主題」,並用變奏曲的形式將主題不斷推向不安、堆疊、纏捲的層次。奔放樂集此次演出將全本以背譜的方式詮釋,打破傳統歌劇演出聲樂家在台上與音樂家在台下的演出形式,十九人於舞台上共同演繹《碧廬冤孽》的時空環境與人性詭譎。
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奔放歷年製作,探索的不只是外在的奔放,更是內心的自在。因著一次次竭力地深刻地探索,我們得以更清澈地看到世間景態。音樂不再只是娛樂大眾的工具,而是認識生命的途徑。
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演前導聆
\n\n2022/11/18(五)18:45-19:15 戲劇院二樓大廳
\n\n2022/11/19(六)18:45-19:15 戲劇院二樓大廳
\n\n2022/11/20(日)13:45-14:15 戲劇院二樓大廳
\n\n導聆人|呂岱衛
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演後座談
\n\n2022/11/20(日)16:45-17:15 戲劇院觀眾席
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周邊活動
\n\n2022/10/14(五)19:30 演講廳
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演出團隊
\n\n女教師|林孟君
\n\n葛羅絲太太|許育甄
\n\n昆特|湯發凱
\n\n潔索小姐|陳妍陵
\n\n芙蘿拉|吉澤真紀
\n\n邁爾斯|朱育陞
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奔放樂集
\n\n小提琴 I|吳敏慈
\n\n小提琴 II|郭南慧
\n\n中提琴|林倢伃
\n\n大提琴|張逸中
\n\n低音提琴|邱苡軒
\n\n長笛|孫莉
\n\n雙簧管|鍾筱萱
\n\n單簧管|高承胤
\n\n低音管|郭䕒棋
\n\n法國號|林芳瑜
\n\n鋼琴|蔡學民
\n\n豎琴|許淑婷
\n\n打擊|黃敬渝
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製作團隊
\n\n藝術總監|吳敏慈
\n\n舞台導演|馬龍
\n\n舞台設計|梁若珊
\n\n燈光設計|李意舜
\n\n服裝設計|梁若珊、林玉媛
\n\n聲樂指導|徐嘉琪
\n\n舞台監督|蔡馨瑩
\n\n宣傳協力|鳳東文創
\n\n平面攝影|許瑋
\n\n平面視覺設計|林宇宣
\n\n製作行政|林易臻、李佳怡
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藝術家介紹
\n\n女高音|林孟君
\n\n2004年獲教育部公費留學獎學金,於美國辛辛那提大學攻讀聲樂博士學位;返臺之後,定期舉辦個人獨唱會及室內樂音樂會,且多次受邀參與中華民國聲樂家協會、臺中國家歌劇院、國家交響樂團(NSO)、臺北市立國樂團、樂興之時管絃樂團、灣聲樂團等單位演出,並擔任2013 NSO 歐洲巡演女高音;目前為中華民國聲樂家協會基本會員兼任理事,日文藝術歌曲研究會會員,《詠樂集》歌手;於國立臺灣師範大學音樂系專任,兼任於國立臺北藝術大學音樂系、實踐大學音樂學系、與東吳大學音樂系,並擔任師大附中校友合唱團指導老師。
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女高音|許育甄
\n\n國立臺北藝術大學聲樂組博士班,東海大學音樂研究所演唱碩士。以歌手、編導及演員等多元身分,積極參與劇場製作、演出及講座規劃、演唱及演講,近年積極從事兒童劇場製作規劃及兒童音樂劇場教育,現任謎思星球劇團藝術總監。
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女高音|陳妍陵
\n\n畢業於義大利國立米蘭音樂院。旅義期間曾師事Prof. B. Adele、G. Cigna,後隨我國旅義女高音朱苔麗習唱,至今未輟。在義期間參加Camerino歐洲音樂節(Festival Musicale di Camerino),獲頒聲樂組最高榮譽獎章(Premio d'Onore)。2002-2016年國家交響樂團製作之「歌劇系列」飾演《托斯卡》—Tosca,《唐.喬望尼》—Donna Anna,《諾瑪》—Clotilde,《女人皆如此》—Fiordiligi,《費加洛婚禮》—Susanna,《馬勒—千人大合唱》擔任女高音獨唱,並參與《尼貝龍根指環》、 《艾列克特拉》及《修女安潔莉卡》等演出 。2013-2015年分別與臺北市立交響樂團與國立臺灣交響樂團演出莫札特歌劇《狄托的仁慈》、布列頓歌劇《碧廬冤孽》以及威爾第歌劇《假面具舞會》。2016-2017年擔任兩廳院歌劇工作坊導師、聲樂指導。2018-2021擔任兩廳院評議委員。現任教於國立臺灣藝術大學;並為中華民國聲樂家協會會員。
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女高音|吉澤真紀
\n\n生於日本神奈川,先後畢業於日本桐朋學園大學,維也納音樂暨表演藝術大學,臺北藝術大學聲樂組碩士班。曾師事名古屋木実,Maria BAYER、鄧吉龍、Anne RODIER教授。留學歐洲期間曾參與如布列根音樂節等多項歐陸重要音樂活動的演出,演唱足跡遍及日本、奧地利、德國、匈牙利、義大利及臺灣。出於對歐洲古樂的熱愛,曾多次在許多奧地利的教堂及音樂會中以獨唱家及重唱團員的身份與古樂團演出古樂作品及巴洛克歌劇。其中最重要的演出為2016年在奧地利演出夏龐悌的歌劇《凡爾賽的樂趣》中,飾演La Musique 一角。2017年參與涴莎藝術中心製作的歌劇《糖果屋》,飾演葛麗特一角。
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男高音|湯發凱
\n\n臺灣臺北人。接觸音樂源自於錦和國小的管樂團,擔任小號手。以管樂考取復興高中音樂班後,高二暑假萌生習唱念頭,遇見聲樂的啟蒙鄧吉龍老師後,升上高三時順利轉修聲樂,師事何康婷教授,隨即考取臺北藝術大學。就讀臺北藝術大學及研究所時,領略美聲的奧妙及精進,皆跟隨唐鎮教授學習近十年。2010年考取德國國立漢堡音樂暨戲劇學院歌劇碩士,並以優秀成績畢業,獲得錄取最高文憑就讀資格。2013年飾演莫札特的歌劇《費加洛婚禮》中的音樂教師Basilio一角和個人詠嘆調獨唱會後,贏得教授一致恭賀榮譽畢業,獲取國立漢堡音樂暨戲劇學院之歌劇類最高演唱文憑(等同博士)。返臺之後,常與國內外交響樂團演出歌劇與神劇,每年並固定舉辦個人獨唱會,也致力於歌唱教育。常不定期舉辦戲劇與歌唱類的工作坊,並定期指導輔仁大學德文系與東方設計大學之表演藝術課程之歌唱與戲劇訓練,近期與臺北歌德學院定期舉辦德語音樂劇工作坊。目前任教於國立臺灣師範大學表演藝術所及東海大學音樂系,光仁中學與莊敬高中音樂班。
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假聲男高音|朱育陞
\n\n2021年以最高榮譽畢業於英國皇家伯明罕音樂院聲樂演唱碩士,同年入選倫敦皇家歌劇院青年藝術家培訓計畫與義大利奧林匹亞音樂藝術大學巴洛克聲樂主修全額獎學金。為音樂院 Paul Spicer指揮的室內合唱團成員,並獲得Jeffrey Skidmore指揮的Ex Cathedra 2019-2020合唱學者獎學金。演出曲目涵蓋男中音與假聲男高音。曾參與關渡藝術節《愛情靈藥》歌劇製作,飾演貝爾科雷,由張佳韻教授指揮北藝大管絃樂團;北藝大歌劇班《老處女與賊》飾演陶德小姐;伯明罕音樂院歌劇選粹《波佩亞的加冕》飾演尼祿、巴洛克拼貼劇《奇幻之島》飾演Ariel。近期獲得2022聲樂家協會新秀獎,演唱之餘積極推廣聲樂教育,YouTube聲樂頻道已達一萬人訂閱。
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團隊介紹
\n\n奔放樂集
\n\n帶著屬於孩子般的好奇心與藝術家的探索魂,小提琴家吳敏慈於2013 年創立奔放樂集,與一群熱血的藝術工作者,在臺灣各地古蹟、教堂、校園、大樹下及三座國家級展演空間,展現古典音樂的創新格局。每個奔放製作都是用心探索藝術與生命的深層共鳴,及跨越種族背景、宗教文化、意識形態的普世精神。時而澎湃、時而細緻,均為令觀眾驚豔的獨特詮釋。2017年透過「藝術浸潤空間計畫」,將位於臺南永康工業區一閒置廠房改造為黑盒子劇場空間「奔放E倉庫」,其不凡成果收錄於第14屆文化部之文馨獎。歷年的奔放代表作有《吻》(2013)、《戀戀卡門》(2014)、《寫真人生》(2015)《痕》(2016)、《幻。想》(2017)、《徐志摩的昇華之夜》(2017/ 2018/ 2020)、《克羅采》(2019)、《漫遊舒伯特》(2020)。其寬廣自在、行雲流水的奔放思維,與深厚精準的專業造詣,獨樹一格,為臺灣新一代表演藝術之領航者。
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奔放樂集藝術總監|吳敏慈
\n\n吳敏慈於2013年創立奔放樂集,奔放二字是她探索藝術與如常生活的精神。畢業於室內樂殿堂的克里夫蘭音樂學院,期間所習之教授均滋養對以室內樂為本的音樂態度。2003至2007年曾為Azmari弦樂四重奏成員,並任教於北肯德基大學音樂系。2006年起為加拿大Gros Morne Summer Music駐地音樂家,2009年創立在科羅拉多州的Sounds of Lyons音樂節,2013年返臺後創辦奔放音樂節,任奔放樂集音樂總監至今,致力於將古典音樂以多元細緻、 跳脫框架的面貌呈現,探索其在表演藝術中的各種可能性及與生命的對話。最愛山、咖啡、啤酒、家人、貝多芬。現旅居於美國科羅拉多州山上的小鎮。
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主辦單位:奔放樂集
\n\n協辦單位:衛武營國家藝術文化中心
\n\n贊助單位:國藝會、奔放文化藝術基金會
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By arrangement with Boosey & Hawkes, Inc., publisher and copyright owner.
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BRITTEN's music is written for both the visible and invisible worlds. His music vocabulary speaks of both the light of spirituality and the dark of human conditions, especially the struggles between the two. As a committed pacifist, Britten refused the fate of being drafted during WWII, and endured harsh critiques and even trials. Yet he remained compassionate in his music to find the voices of the vulnerable, and the hopefulness amongst the sufferings, finding light where darkness seems so dense, thick and inescapable. The dichotomy of the medieval chant and the twelve-tone serialism, both of which Britten was deeply fascinated with and steeped in, provided the juxtaposition of a ceremonial religiousness and a tormented soul. Where the agony seems overwhelming, so is the depth of healing. BRITTEN's music takes you on the journey of such a transformation.
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The Turn of the Screw uses the plot of a psychological thriller to reflect on the loss of innocence (of the children) and the desperation to rescue (of the Governess). The story begins with the journey of a young and pretty Governess to Bly House to care for an orphaned boy and girl. The job entailed the most unusual circumstances, and even though the Governess was captivated by the children's angelic appearances and demeanours, she quickly received signs that told a different story. What lies beneath the angelic innocence is horror, and where self-righteousness exists is blindness. There is no clear division between innocence and evil, victims and tormentors. BRITTEN incorporates six singing roles and a chamber ensemble of thirteen that consists of a string quintet, a wind quintet, a piano, percussion, and a harp, in the chamber opera of two acts and 16 scenes. The "Theme of Screw" is constructed by twelve-tone series in a deceivingly simple and childish melody. The opera is revealed with each variation as a turning of the screw, each turning deeper into the mystery, the suspended horror and the unsettling revelation. BenFeng Music Production is the first to bring a staged performance of The Turn of the Screw to Taiwan. In another first, the groundbreaking opera presents all musicians joining the singers on stage to perform from memory, in the chamber music style with no conductor.
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As in all of the BenFeng Music Productions, the exploration is not just in the freedom of expressing music in the realm of performing art, but also in the freedom of our inner spirit. Because of the relentless exploration, we are bestowed with more clarity of the world we live in and we aspire for it to be. Music and art not as entertainment, but as a way of learning about life.
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Pre-talk
\n\n2022/11/18(Fri)18:45-19:15 Playhouse 2nd Floor
\n\n2022/11/19(Sat)18:45-19:15 Playhouse 2nd Floor
\n\n2022/11/20(Sun)13:45-14:15 Playhouse 2nd Floor
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Post-talk
\n\n2022/11/20(Sun)16:45-17:15 Playhouse Auditorium
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Creative and Production Team
\n\nArtists:
\n\nGoverness|LIN Meng-chun
\n\nMrs. Grose|HSU Yu-chen
\n\nPrologue & Quint|TANG Fa-kai
\n\nMiss Jessel|CHEN Yen-ling
\n\nFlora|YOSHIZAWA Maki
\n\nMiles|CHU Yu-sen
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Violin I|WU MinTze
\n\nViolin II|KUO Nan-hui
\n\nViola|LIN Chieh-yu
\n\nVioloncello|CHANG Yi-chung
\n\nDouble Bass|CHIU Yi-hsuan
\n\nFlute|SUN Li
\n\nOboe|CHUNG Hsiao-hsuan
\n\nClarinet|KAO Chen-yin
\n\nBasson|KUO Chia-chih
\n\nFrench Horn|LIN Fang-yu
\n\nKeyboard|TSAI Hsueh-min
\n\nHarp|HSU Suting
\n\nPercussions|HUANG Ching-yu
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Production:
\n\nArtistic Director|WU MinTze
\n\nStage Director|MALONEY John
\n\nSet Design|LIANG Joshan
\n\nLight Design|LEE I-shun
\n\nCostume Design|LIANG Joshan & LIN Yu-yuan
\n\nMaestro Concertatore|HSU Chia-chi
\n\nStage Manager|TSAI Hsin-ying
\n\nMarketing|Oriental Phoenix Cultural Creativity Co. Ltd
\n\nPhotography|HSU Wei
\n\nGraphic Design|LIN Yu-hsuan
\n\nProduction Assistant|LIN Yi-chen & LI Chia-yi
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Artists Introduction
\n\nSoprano|LIN Meng-chun
\n\nWhile her repertoire includes music from all historical periods, her specialty is in vocal chamber and contemporary music. Soprano LIN Meng-chun has received Masters of Fine Arts from Taipei National University of the Arts in Vocal Performance, and Bachelor of the Fine Arts from National Taiwan Normal University in Vocal Performance. She has won the Taiwan Ministry of Education Scholarship (2004-07) and pursued Doctor of Musical Arts at the College-Conservatory of Music in University of Cincinnati. Ms. LIN is currently a contract instructor at National Taiwan Normal University, and adjunct faculty at Taipei National University of the Arts, Soochow University, and Shih-chien University, where she teaches Voice Lesson, Opera Performance, Vocal Chamber Music, Vocal Pedagogy, and English Diction and Song Literature.
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Soprano|HSU Yu-chen
\n\nLyric Soprano HSU Yu-chen, entered the Music Department of Tung-hai University and received a Master Degree in Vocal Performance in 2002. She is now a singer and vocal teacher. As a professional singer and performer, she has been on most of the stages in U.S.A., Taiwan, Korea and Japan.
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Soprano|CHEN Yen-ling
\n\nSoprano CHEN Yen-ling, a native of I-Lan, Taiwan, Ms. CHEN earned her master degree in vocal performance from Conservatorio G. Verdi di Milano, Italy. In Italy, Ms. CHEN studied from Professor B. Adele and Professor G. Cigna for vocal techniques. Soprano CHU Tai-li has been Ms. CHEN's lifetime mentor since studying from her in Italy. In 1996, CHEN was honored “Premio d'Onore'' in the Festival Musicale di Camerino. CHEN was also a popular guest performer in major theaters and musical schools, such as Conservatorio di Lecce, Teatro Erba and Teatro Rosetum. Ms. CHEN performs major roles with NSO's (National Symphony Orchestra) from 2002 to 2012; successes include role as Tosca in Tosca, Donna Anna in Don Giovanni, Clotilde in Norma, Fiordiligi in Cosi fan tutte, Susanna in Le nozze di Figaro.
\n\nWith National Taiwan Symphony Orchestra, Ms. CHEN has sung as soloists in several concerts and Mimi in La Bohème, Miss Jessel in The Turn of the Screw, and C. DEBUSSY: La Damoiselle elue. 2013 with Taipei Symphony Orchestra: La clemenza di Tito. Other highlights include as soloist in Mahler Symphony No. 8, appearing in Der Ring des Nibelungen, Elektra and Suor Angelica. In addition to her vocal performances, Ms. CHEN teaches in National Taiwan University of Arts.
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Soprano|YOSHIZAWA Maki
\n\nBorn in Kanagawa, Japan. After graduating from the Toho College of Music in voice performance in Japan, she continued her study at the University of Music and performing arts in Vienna and Taipei University of the Arts. Her important performances include the Bregenz Festival in Austria, and other solo and ensemble performances in Japan, Germany, Hungary, Italy, and Taiwan. Especially from her passion in Early Music she has had a lot of performances with historical instruments in churches of Austria. Her opera performances include a Baroque opera, Marc-Antoine CHARPENTIER's Les plaisirs de Versailles as the main role La Musique at the Zwettl Abbey in Austria in 2016 and an Engelbert Humperdinck's opera Hänsel und Gretel as the role of Gretel in Tainan, Taiwan in 2017. She is currently working as a voice trainer for preschool kids to elderly people and Rhythmic and Elementary Music Education at Centre musical et artistique Debussy and Kids Link Montessori in Taipei.
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Tenor|TANG Fa-kai
\n\nTANG studied vocal music in the Taipei National University of the Arts and the graduate school, under TENG Ji-lung, HO Kang-ting, and TANG Chen; studied piano under LIN Hsiang-ti and LIN Ho-hui. With his excellent performance, TANG achieved his master's degree in opera from the University of Music and Drama in Hamburg (Hochschule für Musik und Theater Hamburg) in 2012. Subsequently, in 2013, he gained the highest diploma in opera singing from HFMT Hamburg. TANG was awarded many times, including The Best Asian Prize and Akishino Prize of Japanese Song in the International Francesco Paolo Tosti Singing Competition 2007. In November 2007, he won The Best Singing in the NTD Television International Vocal Contest and won the TNUA Concerto Contest of New Artists as well. He was awarded the second prize in Mozart Vocal Contest in Hamburg. In 2011, he also won the Tai-nan Chi-mei Arts Award twice in 2012 & 2014. TANG is a full-time educator, teaching in Kuang-jen High School, Juang-jing High School, National Taiwan Normal University, and Tong-hai University.
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Countertenor|CHU Yu-sen
\n\nIn 2021, CHU accomplished an MMus degree with Distinction in Vocal Performance at Royal Birmingham Conservatoire. Meanwhile, he was offered with Royal Opera House Jette Parker Young Artist mentoring Programme and Olimpia College of Music and Arts-Baroque Specialist's Full Scholarship. He was the member of RBC Chamber Choir under Paul Spicer and Ex Cathedra under Jeffrey Skidmore, where he held a scholarship for the 2019-2020 season. His performance included Baritone and Countertenor's repertoire. He participated Kuandu Arts Festival's Opera Production-Donizetti's L'elisir d'amore as Belcore with TNUA Symphony Orchestra conducted by Prof. Amy CHANG; TNUA Opera Production-Menotti's The Old Maid and the Thief as Mrs. Todd; RBC Opera Scene-Monteverdi's L'incoronazione di Poppea as Nerone, and The Enchanted Island as Ariel.
\n\nCHU recently received 2022 Taiwan Young Vocal Artist Award. Besides performing, he has been promoting Vocal Pedagogy through workshops and lectures.
\n\nCHU Yu-sen's YouTube Vocal Pedagogy Channel has reached ten thousand subscribers.
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Team Introduction
\n\nBenFeng Music Productions
\n\nEntering music with playful curiosity, BenFeng (meaning "running with free spirit") Music Productions was initiated in 2013 by violinist WU MinTze. Along with a great array of artists of similar minds, the artistic exploration of BenFeng Music Productions has journeyed to ancient sites, churches, temples, campuses, parks, and all three National Performing Arts stages of Taiwan. Each BenFeng Music Productions strives to discover what is beyond and underneath the known materials, and to experiment in a new expressive and immersive style of classical music presentation. The aspiration, whether existing in large-scale productions or intimate chamber music setting, is to transcend boundaries between races, faiths, cultures, and artistic disciplines. The experiences created by BenFeng Music Productions are both powerful and exquisite, and most definitely memorable. In 2017, BenFeng transformed an empty warehouse into a black box theatre “BenFeng E Warehouse”, which was recognized by the Taiwan Ministry of Culture with an award in Outstanding in Creativity. The notable BenFeng Music Productions include Kiss (2013), Carmen Fantasy (2014), Life True (2015), Traces (2016), Beneath (2017), XU Zhi-mo & His Transfigured Night (2017/2018/2020), Kreutzer Sonata (2019), and Strolling with Schubert (2020). Its unique style of expansiveness and free-spirit, its embrace of both eastern aesthetics and western philosophy, and its unparalleled precision and expressiveness, all make BenFeng Music Productions one of the kind in both classical music world and performing art.
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Artistic Director|WU MinTze
\n\nWU MinTze, is a violinist of many passions, and a visionary with illuminating artistry. A native of Taiwan and deeply rooted in the richness of classical music, MinTze embraces the word “BenFeng” (running with free spirit) as her way of exploring the world and the music. Expanding on the ideals of chamber music, MinTze interweaves words, movements, and other theatrical elements to create a compelling narrative and a multi-dimensional experience for performers and audiences alike. Infused with spirit, precision, and soulfulness, MinTze founded BenFeng Music Productions and played the role as producer and artistic director to several notable productions, including Kreutzer, Beneath, Xu Zhimo & His Transfigured Night, and Death of the Pugilist.
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\n\n
Presenter: BenFeng Music Productions
\n\nCo-Presenter: National Kaohsiung Center for the Arts (Weiwuying)
\n\nSponsors: National Culture and Arts Foundation, BenFeng Culture & Arts Foundation
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By arrangement with Boosey & Hawkes, Inc., publisher and copyright owner.
\n\n\n\n
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中文、臺語演出,中文、臺語字幕。
\n\t11/6(日)場次提供口述影像服務(含演前觸覺導聆)
\n\t演出部分含不雅字眼、裸露、性愛、暴力與巨大聲響,請留意並斟酌入場。
\n\t11/5(六)14:30及11/6(日)14:30場次建議15歲以上觀眾觀賞。
\n\t11/5(六)19:30場次為無碼版,限滿18歲觀眾觀賞。如驗證未滿18歲者,應至售票處辦理退票(酌收10%手續費)。
\n\t衛武營會員綁定OPENTIX
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\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
嘉義天團阮劇團首度跨界布袋戲
\n\n國際偶戲大師楊輝擔綱主演/導演
\n\n打造瘟疫時代布袋戲的臺式嬉皮
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1348年繁華的佛羅倫斯發生一場殘酷的瘟疫(黑死病),喪鐘亂鳴,死了十多萬人,在整個歐洲,因此病死的人多達千萬人。隔年,薄伽丘以這場瘟疫為背景寫下了《十日談》,講述七女三男為躲避瘟疫來到佛羅倫斯郊外山上,在賞心悅目的園林別墅裡住了下來,災難當前只求放鬆心情,在十天之間,說了一百則輕鬆幽默的冒險故事、色情笑話等。
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時序來到現代,震撼全球的新冠肺炎,世界各地無一倖免,原本高速發展的社會隨之停擺,現代版的臺灣十日談——《釣蝦場的十日談》,就設定在如此時空下,描寫瘟疫苦苦相逼的日子裡,一群人在嘉義鄉間複合式釣蝦場裡偷得浮生十日閒,訴說十個真真假假的情慾故事。
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阮劇團藝術總監汪兆謙與國際偶戲大師楊輝聯手執導,特邀臺灣布袋戲明星陣容同場拼戲,探討這場新世紀瘟疫對全球造成的改變。故事取材驚世駭俗的西方《十日談》,結合人戲、偶戲、即時投影等複合演出形式,在葷腥不忌與嬉笑怒罵的演出中,反映疫情當下的荒誕人性,其中晚場尺度大開,只在衛武營獨家無碼演出!
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演前導聆
\n\n2022/11/5(六)13:50 戲劇院二樓大廳
\n\n2022/11/5(六)18:50 戲劇院二樓大廳
\n\n2022/11/6(日)13:50 戲劇院二樓大廳
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演後座談
\n\n2022/11/5(六)16:10 戲劇院觀眾席
\n\n\n\n
\n\t\t\t 視障觀眾口述影像席次與票價 \n\n\t\t\t11/6(日)場次提供口述影像席(含演前觸覺導聆服務) \n\n\t\t\t對象:以有相關需求使用者為主,例如:視障者、視力退化年長者、學習障礙者。 \n\n\t\t\t票價:900。 \n\n\t\t\t優惠:視障觀眾享5折優惠,及其必要陪同者1人購票5折(須與優待身分者同時購票),入場需出示有效證件,並同時進/出場觀賞。 \n\n\t\t\t座位: \n\n\t\t\t二樓20排28,30號 \n\n\t\t\t二樓21排26,28,30,32,34,36,33,35號 \n\n\t\t\t
● 演前觸覺導聆為提供參與者觸摸演出相關物件以更快了解展演內容之服務,活動於11/6(日)12:30-13:15進行,請於12:15-12:30至戲劇院一樓售票處取票報到。 \n\n\t\t\t● 欲收聽口述影像演前導聆者,請於14:05分入座口述影像席次並佩戴耳機。 \n\n\t\t\t
| \n\t\t
\n\n
周邊活動
\n\n10/2(日)14:00 演講廳
\n\n►【武營來開槓】這時候只要笑就可以了—《釣蝦場的十日談》變啥蝦?
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演出暨製作團隊
\n\n《十日談》原著|薄伽丘
\n\n戲劇顧問|何一梵
\n\n製作人暨導演|汪兆謙
\n\n導演暨主演|楊輝
\n\n編劇|集體創作
\n\n劇本整合|吳明倫
\n\n臺語協力暨口述影像|MC JJ
\n\n舞臺設計|李柏霖
\n\n燈光設計|莊知恆
\n\n服裝設計|林玉媛
\n\n影像設計|王正源
\n\n音樂與音效設計|柯鈞元
\n\n主視覺設計|廖小子
\n\nDJ|李冠億
\n\n演員|王凱生、余品潔、李京曄、吳盈萱、林曉函、莊庭瑜、陳佳豪、黃僑偉、蘇俊穎(依筆畫順序排列)
\n\n口述影像設計|阮劇團
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團隊介紹
\n\n阮劇團簡介
\n\n阮,就是臺語的「我們」:一群人,一起完成一件事。
\n\n阮劇團立基於南臺灣嘉義,致力發展不同於都會觀點的劇場美學,將在地的民俗文化揉合於現代戲劇中,也思考、實踐著,讓表演藝術更積極地走向民眾與社會,探索當代「常民戲劇」的更多可能。
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戲劇顧問|何一梵
\n\n國立臺北藝術大學戲劇學系副教授、英國威爾斯大學戲劇博士。專長為戲劇顧問、西方戲劇史。曾擔任阮劇團《十殿》戲劇顧問,以及青藝盟花樣戲劇節—全國高中戲劇比賽「戲劇顧問計畫」主持人。 著有:《劇場敘事學》(2018)、《莎士比亞不做的事》(2016)。
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導演&製作人|汪兆謙
\n\n國立臺北藝術大學劇場藝術研究所碩士,主修導演。阮劇團創辦人,藝術總監暨團長;新嘉義座創辦人。國家兩廳院『藝術基地計畫』駐館藝術家(2021-2022年)。
\n\n大學時期返鄉創立阮劇團,長年於嘉義地區進行戲劇創作與教學推廣工作。近年以「常民文化」為核心創作主軸,探索「常民文化與現代劇場」接軌之可能性。近期主導創作包括:《十殿》、《你嘛好啊!!》、2021臺灣文博會《照起工》、《皇都電姬》、《大路:七天》、《嫁妝一牛車》等。
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導演&主演|楊輝
\n\n楊輝1964年出生於中國福建省漳州市的布袋戲世家。1980年代末期起,楊輝就帶著木偶遊走於全世界的舞臺,2001年至今定居於法國。楊輝的演出足跡遍佈世界五大洲。除了演出,也以教學推廣傳統布袋戲藝術。他在法國著名的國際偶戲學校沙勒維爾梅濟耶爾(l‘École Nationale Supérieure des Arts de LaMarionnette)擔任導師,並受邀在德國、西班牙、俄羅斯、義大利、波蘭、巴西、以色列、澳大利亞等國家開辦大師班。
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劇本整合│吳明倫
\n\n嘉義市人,臺大戲劇所畢業。現為阮劇團編劇。曾任國家兩廳院「藝術基地計畫」駐館藝術家(2019-2020年)。創作企圖透過現代眼光重看民間信仰、連結在地文化,期望說出屬於臺灣的故事。
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特邀演出|李京曄
\n\n「真雲林閣掌中劇團」第二代負責人,接掌劇團口白、主演、創作等職務。
\n\n曾擔任沈明正廣播劇團操偶師、台藝衛星電視傳統布袋戲節目現場導播,製作節目有《孫龐演義》、《羅通掃北》、《包公傳》等。
\n\n近年的作品《汪洋中的一條船》、《兩隻老虎》、《傲氣之珠—幽冥節度使》、《夢・斷・情河》等,皆深受觀眾喜愛。多次獲得雲林偶戲節金掌獎肯定,2016年獲得第27屆傳藝金曲獎榮獲「最佳個人表演新秀獎」。
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特邀演員|黃僑偉
\n\n黃僑偉由臺灣的國寶級布袋戲大師李天祿先生啟蒙,並師事陳錫煌、李傳燦二位老師,是臺灣極少數有完整傳統布袋戲學習的演師,一路走來,眼見傳統藝術的式微,還是毅然決然的在保持傳統元素,並不斷地融入跨界的藝術,一路學習南管、傀儡、歌仔戲、京劇、小劇場、現代舞蹈、古典音樂、燈光、劇場設計、編劇、導演等。
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阮劇團班底演員|余品潔
\n\n嘉義人,於眷村成長。國立臺北藝術大學戲劇系主修表演。18歲與夥伴共同創立阮劇團,現為阮劇團副團長。長年定居嘉義,表演風格夾帶巨大能量與道地生猛的地氣。與阮劇團密切合作19年,擔綱各個製作的主要角色。近年演出作品:《十殿》、《嫁妝一牛車》、《家族排列》等。
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特邀演員|蘇俊穎
\n\n1989年出生於臺南善化。臺南應用科技大學美術系畢業。成立蘇俊穎木偶劇團與蘇大俠文創工作室,於國中與國小教授美術與表演藝術。
\n\n曾獲教育部藝術菁英培育計畫個人獎優選與團體金牌獎,協助張三李四用布袋戲拍/拆MV榮獲第28屆金曲獎最佳音樂錄影帶獎。
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特邀演員|王凱生
\n\n1989 年出生,為義興閣掌中劇團第四代傳人,現為嘉義市傑出演藝團隊「義興閣掌中劇團」製作人/主演。
\n\n專業領域為布袋戲口白、操偶、音樂設計、詞曲創作、編曲、教學推廣、吉他演奏。曾任多所學校布袋戲指導,並曾任臺灣南北傳統戲劇協會籌備委員與第一及二屆監事、南北戲劇祖師會副會長。首創「布袋戲搖滾音樂劇」表演形式,獲第九、十屆雲林偶戲金掌獎「最佳配樂音效獎,2018 臺灣原創流行音樂大獎「河洛語組」入圍。
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特邀演員|林曉函
\n\n中山大學劇場藝術學系畢業,劇場自由工作者,以演員為主,亦擔任編劇、導演、戲劇教學等工作,近年延伸探索偶戲與物件劇場,尋找火花。期望能成為一個安穩樹洞,傾聽每個相遇的生命,好好說故事、聽故事。
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特邀演員|陳佳豪
\n\n偶戲工作者及劇場演員,跨足傳統布袋戲與當代偶戲,與不同偶團及劇團合作,也和梁夢涵以偶人工作桌的名義進行各種偶戲創作及小型偶戲演出。
\n\n近年演出:再現劇團《物怪之里》、山豬影像《毛神仔》、偶人工作桌《嘶嘶嗷嗷》、真快樂掌中劇團X台灣國樂團《落花斷情雨》、真快樂掌中劇團《破窯記呂蒙正》、偶人工作桌《繭》、飛人集社《天堂動物園》、鞋子兒童實驗劇團《爸爸的爸爸的爸爸的寶藏》、《奶奶與他的精靈》、兩廳院X楊輝《邊界》…等。
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阮劇團班底演員|吳盈萱
\n\n臺灣嘉義人。畢業於國立中山大學劇場藝術系表演導演組。曾任樓閣舞蹈劇場團員,現為阮劇團演員組組長。
\n\n近年演出作品:阮劇團《皇都電姬》、《熱天酣眠》、《城市戀歌進行曲》、《家族排列》等。
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阮劇團班底演員|莊庭瑜
\n\n臺南人,畢業於國立臺北藝術大學戲劇學系,主修表演;現任阮劇團演員、Podcast《這聲好啊!》主持群。近期演出作品:阮劇團《十殿》、《家族排列》、《城市戀歌進行曲》等。
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攝影|馬雨辰
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感謝單位|台新銀行文教基金會
\n\n本節目由衛武營國家藝術文化中心、國家兩廳院、臺中國家歌劇院、國立傳統藝術中心共同製作
\n\n前期創研由國藝會跨域合創專案計畫支持
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
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Performed in Chinese and Taiwanese with Chinese and Taiwanese surtitles
\n\tPlease note that the performance contains coarse language, nudity, sex, violence and loud noise.
\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
In 1348, a tragic plague suddenly ravaged the prosperous Florence, resulting in more than ten thousand deaths. People who died were as high as ten million across Europe back then. The next year, BROCCACCIO's The Decameron was written with the Black Death as the background, telling the story of seven women and three men who ran to the mountains, settling down in a beautiful garden to escape the plague. Facing the disaster, all they wanted was some peaceful time. One hundred happy, humorous adventure stories, erotic jokes, and more were told in ten days.
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When COVID-19 spreads around the world, the high-speed society has no choice but to pause. Now, we present to you a modern version of The Decameron that belongs to the Taiwanese—The Prawning Decameron. It portrays that in the gloomy life haunted by the plague, a bunch of people are goofing around for ten days in a prawn-fishing farm in rural Chiayi, trying to have fun by telling lust stories that no one can tell if they were true or not.
\n\n\n\n
The artistic director of Our Theatre, WANG Jhao-cian, and puppet master, YEUNG Fai, co-direct this work. The performance also features a star studded cast of Taiwanese glove puppetry, exploring the changes brought forth by the pandemic. Following the narrative structure of the earth-shattering Decameron, the performance assembles dramas, puppet shows, and interactive projections, illustrating the absurdity of humanity that is revealed in midst of the pandemic.
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Pre-talk
\n\n2022/11/5(Sat)13:50 Playhouse 2nd Floor
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Post-talk
\n\n2022/11/5(Sat)16:10 Playhouse Auditorium
\n\n2022/11/5(Sat)18:50 Playhouse Auditorium
\n\n2022/11/6(Sun)13:50 Playhouse Auditorium
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Creative and Production Team
\n\nInspired by|Giovanni BOCCACCIO's Decameron
\n\nDramaturg|HO I-fan
\n\nProducer & Director|WANG Jhao-cian
\n\nDirector, Leading Role|YEUNG Fai
\n\nPlaywright|Collective Creation
\n\nScript Integration|WU Ming-lun
\n\nTaiwanese Adviser & Audio Description|MC JJ
\n\nSet Designer|LI Po-lin
\n\nLighting Designer|CHUANG Chih-heng
\n\nVideo Designer|WANG Cheng-yuan
\n\nSound & Music Designer|KO Chun-yuan
\n\nKey Visual Design|Godkidlla
\n\nDJ|Daiken LEE
\n\nCast|WANG Kai-sheng, YU Pen-chieh, LI Ching-yen, WU Ying-hsuan, LIN Hsiao-han, CHUANG Ting-yu, CHEN Chia-hao, HUANG Chiao-wei, SU Chun-ying
\n\nAudio Description Design|Our Theatre
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Team Introduction
\n\nOur Theatre
\n\nOur Theatre is the first performing arts group for contemporary theatre to be officially established in the greater Chiayi area. It intentionally distances itself from the metropolitan areas and chooses Chiayi as its base. The troupe focuses on folk culture and common people and is devoted to developing productions from a southern point of view and experimenting with a new generation of Taiwanese-language works. It strives to set a new direction for the development of art and culture in Chiayi. At the same time, it is constantly aware of the question of how theatre should connect with people and society.
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Producer, Director|WANG Jhao-cian
\n\nThe founder and artistic director of Our Theatre. He also founded an experimental theater in Chiayi City in 2018. Artist-in-residence at the NTCH 2021-2022. With the encouragement of his mentor, he returned to his hometown and founded Our Theatre after graduating from NTUA.
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Director, Leading Role|YEUNG Fai
\n\nBorn into a well-known glove puppetry family in Zhangzhou, Fujian Province, China in 1964, YEUNG Fai had toured stages across the globe with nothing but his puppets since the late 1980s and up until 2001, when he settled down in France. YEUNG's paths spanned all five major continents of the world. In addition to performances, he is also a dedicated educator and promoter of traditional glove puppetry art. He holds a teaching position at the renowned École Nationale Supérieure des Arts de La Marionnette in France, and he regularly gives master classes in Germany, Spain, Russia, Italy, Poland, Brazil, Israel, and Australia.
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Photo © 馬雨辰
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Special thanks|Taishin Bank Foundation for Arts and Culture
\n\nCo-produced by National Kaohsiung Center for the Arts (Weiwuying), National Theater & Concert Hall, National Taichung Theater and National Center for Traditional Arts
\n\nThe early stage of the creative research was supported by The Rainbow Initiative grant of National Culture and Arts Foundation
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田孝慈×李世揚×戴孜嬣《連篇歌曲》
\n\n田孝慈
\n\n1984年生於臺南。現居臺北,從事創作、表演與教學,以「身體」作為創作的發展核心。 持續累積並開發身體動態的不同可能,企圖經由身體連結相異文化與多元藝術領域。2020 年與王世偉、李慈湄、Helmi Fita 共創作品《群眾》獲第18屆台新藝術獎表演藝術大獎。2016 年獲文化部獎助赴巴黎駐村,並陸續獲得國家文化藝術基金會、雲門基金會與羅曼菲獎助金發展創作及參與各項國際交流。作品曾獲邀參與法國亞維儂國家編舞中心夏日藝術節、深圳戲劇雙年展、釜山藝術市集、印度加爾各答 Dance Bridge Festival演出。2008年起於國內外諸多平台發表個人創作,如微舞作、創計畫、新人新視野、跳島舞蹈節、臺北藝術節、下一個編舞計畫、草草戲劇節、嘉義新舞風等。近年跨足與不同領域藝術家的合作,包含視覺、新媒體、行為藝術等,並擔任多齣戲劇作品之表演者與肢體設計。
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李世揚
\n\n1982年生。是一位習慣從即興尋找創作靈感的音樂家。其合作過的藝術家來自於各領域,如:繪畫、劇場、多媒體、舞蹈等。他創立「卡到音即興樂團」。個人及樂團多次榮獲金音創作獎、傳藝金曲獎,曾受邀至中、美、墨、英、法、比、荷、德、奧、新、馬、日等各國演出。近十年,他催生臺灣即興與實驗音樂的頻繁交流,協助引薦近百位國內外音樂家,他亦策畫「台馬音樂新勢力」、「混沌身響」、「即興集樂聚」等系列活動。並與朋友創辦「臺灣國際即興音樂節」,並擔任音樂總監。
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戴孜嬣
\n\n1992年生。在創作裡力求尋找更多聲音的可能性,以敏銳感知出的實驗音樂即興、及以縝密結構的新音樂劇場作曲,彈性在兩種完全不同心裡狀態的創作模式中平衡自我,試圖透過創作探索萬物未知的奧秘及其生成的文化背景。更純粹的與空間、環境、人對話,喚醒聽者心中某些生命片刻。
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高辛毓
\n\n高雄人,畢業於國立臺北藝術大學舞蹈系、高雄市立左營高中舞蹈班。現任國立臺灣體育運動大學舞蹈學系兼任教師、樹德科技大學表演藝術學系兼任教師、左營高中舞蹈班兼任教師。曾任泰國東方大學專任教師(Burapha University)、法國卡菲舞團舞者(Compagnie Kafig)、新加坡舞人舞團客席舞者(T.H.E. Dance Company)、臺北舞蹈空間舞團舞者。 曾受邀至法國、荷蘭、比利時、美國、土耳其、新加坡、泰國、韓國、尼泊爾、柬埔寨、阿爾巴尼亞...等地授課,並曾於美國、法國、德國、瑞士、奧地利、匈牙利、澳洲、新加坡、中國、俄羅斯、韓國、泰國等國家的國際藝術節授課或演出。
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捌號會所&捕貓人製品
\n\n捌號會所是一個集結音樂家、作曲家、藝術家與藝術行政的專業團隊,以藝術陪伴和製作創發為核心業務,在艱困的表演環境中,透過行政統籌與資源整合,協助與引導藝術家們開創新的可能性、充分發揮優異的專業能力和強大的創作展演能量。挖掘更多臺灣優秀的人才、為藝術家們規劃展演,並透過國際網絡及全球巡演計畫,為藝術家鋪設踏上國際舞台的路徑。旗下單位「大聲藝術」為青年藝術家建立完善的職涯計畫與國際發展,結合藝術經紀、委託創作與出版發行,配合捌號會所製作與展演計畫,共同打造完善的音樂與藝術生態。「捕貓人製品」則以創新製作為目標,協助藝術家實踐作品。
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蘇品文《少女須知》
\n\n蘇品文
\n\n女性主義藝術家、舞蹈(?)、自由意志、38歲單身、吃素、Skoliosexual,看名字常被誤認為是生理男。以觸覺做為身體訓練,將舞蹈視為觀念藝術,不能只為美學服務。2018年開啟「蘇品文女性主義三年計畫」於臺北藝穗節發表獨立作品《少女須知》系列作品,本人始終覺得,觀眾只是喜歡看蘇品文全裸,如此而已。
\n\n近年重要藝術實踐:2018-2020《少女須知》系列、《A Radical Nipple奶頭拍攝計畫》、2057:給35年後的活存演習《中性練習》與仍在持續進行的女性主義線上朗讀會。
\n\n\n\n
林麥可
\n\n先後畢業於高雄新興國中、高雄市立新莊高中、高雄師範大學音樂系,畢業後赴德國隨Alexander Schmalcz 學習德文藝術歌曲伴奏。曾擔任多齣著名歌劇鋼琴排練,如莫札特《唐.喬凡尼》、《女人皆如此》、《魔笛》、史特勞斯《蝙蝠》、梅諾蒂《電話》、美聲歌仔戲《什細記》(又名《烈女傳》)等。並擔任多場音樂會鋼琴合作,2018宜蘭《水田音樂會》與高雄市交響樂團小號首席David Argenta、2019至2022屏東演藝廳《沙龍音樂會》、2020聲協新秀音樂會《當貝多芬遇上雷哈爾》、2020台南奔放音樂節《漫遊舒伯特》、2020至2022《武營歐普拉》、2021《你喜愛的歌》、2021至2022《焦元溥瘋歌劇》與知名樂評焦元溥、知名聲樂家郭錦慧、林健吉、趙方豪、鄭思筠等共同演出。2022《愛與幻想》女高音曹書文獨唱會、2022《台南藝術節》宣傳短片中擔任鋼琴家等。
\n\n\n\n
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11/12(六)19:30為同步錄影場次
\n\t衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
田孝慈×李世揚×戴孜嬣《連篇歌曲》
\n\n若是人生如河 ,每次相遇後的篇章,是偶然?是必然?
\n\n\n\n
取自古典音樂曲式,「連篇歌曲」為多首藝術歌曲組成一個故事或主題的套曲。三位藝術家以樂器和身體開啟對話,訴說音樂與舞蹈的瞬間與永恆,書寫關於生命的幽微光點。他們如同室內樂組合般,在一樣起點與拍速上,在排練出來的結構與形式限制中,結合部分的即興表演。
\n\n本創作計畫自2019年啟動,樂手要學習身體節奏與流動,理解舞者的身體語彙;舞者則學習音樂理論與聲音結構,理解樂手的樂句發展。透過定期的排練,長期彼此磨合、啟發、丟接、抗衡,不再只有主從關係,也能同時競奏與對位。當音樂的理性碰上舞蹈的感性,聆聽彼此的呼吸流轉,每個抉擇看似隨意,卻是累積下的必然發展,如同生命中的當下,是背負一輩子過往的抉擇,人生的篇章回應《連篇歌曲》裡生命的即興。
\n\n由多次獲得金音獎、金曲獎、傳藝金曲獎肯定的鋼琴即興狂人李世揚,搭配實驗音樂即興、新音樂劇場的創作精靈中提琴戴孜嬣,打破對於樂器、音色與肢體的慣性。臺灣獨立舞蹈家田孝慈,長期以創作挖掘自我、回應社會,用舞蹈勾勒出新世代表演者的獨特樣態。三位藝術家將與於不同場館邀請一位在地客席藝術家,於某一篇章中共同即興創作回應生命的偶然,在《連篇歌曲》中流動的景象裡,妙語如珠般辯證答與不答之間的哲思。
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《連篇歌曲》巡迴場次:
\n\n2022/11/05-11/06 臺北 雲門劇場
\n\n2022/11/11-11/12 衛武營戲劇院
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文章閱讀
\n\n\n\n\n\n
蘇品文《少女須知》
\n\n《少女須知》是一本書,封面上寫著「少女情懷總是詩」,以下為隨機挑選的幾個篇章:
\n\n\n\n
愛情遊戲中妳扮演的是什麼角色
\n\n假如失戀了怎麼辦?
\n\n與少女們討論性
\n\n女孩子千萬別忽視步態美
\n\n\n\n
2022年的此刻閱讀這本書其實還是很有意思,「要知道許多事情,不應在戀愛時候做的,像接吻、愛撫、性行為等等。」、「每個男人都有唯我獨尊的自大狂,希望女人依賴他。雖然妳是個能幹的女子,但妳仍舊要常常做出孤苦無助的表情。」,女性主義藝術家蘇品文以當代女性的觀點,為《少女須知》一書進行單身(Single-Body)獨角創作, 從動作實踐探討「女性」的模樣,用裸身發表的《少女須知》讀書報告,邀請觀眾一起來參與這場劇場內的讀書會。
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周邊活動:
\n\n►8/13(六)19:00
\n\n【2022臺灣舞蹈平台】 講座 | 身體與少女:女性主義的創作
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演後座談
\n\n2022/11/12(六) 戲劇院觀眾席
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演出暨製作團隊
\n\n田孝慈×李世揚×戴孜嬣《連篇歌曲》
\n\n創作暨演出|田孝慈、李世揚、戴孜嬣
\n\n客席藝術家|高辛毓
\n\n藝術概念|林芳宜
\n\n舞蹈顧問|陳品秀
\n\n燈光設計|吳文安
\n\n攝影|陳長志
\n\n製作經理|黃珮婕
\n\n國際聯繫|王詠鑑
\n\n製作|捕貓人製品
\n\n\n\n
贊助單位|國家文化藝術基金會
\n\n特別感謝|和碩設計
\n\n本製作由衛武營國家藝術文化中心、首爾國際舞蹈節、雲門劇場共同製作
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蘇品文《少女須知》
\n\n藝術家|蘇品文
\n\n鋼琴家|林麥可
\n\n燈光設計|林秉昕
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攝影:陳長志
\n\n攝影:黃煚哲
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了解更多
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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TIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning - Liederzyklus
\n\nTIEN Hsiao-tzu
\n\nBorn in Tainan in 1984, TIEN is a performer and teacher currently based in Taipei and works as. Her work is centred around the human body, and she constantly endeavours to accumulate and develop new possibilities of physical movement, with the aim to bridge different cultures and artistic fields via the body.
\n\nIn 2020, TIEN received the 18th Taishin Arts Award for Performing Arts for her joint creation with WANG Shih-wei, LI Tzi-mei, and Helmi FITA. In 2016 she was awarded a grant from the Ministry of Culture for a residency in Paris. Thereon, she has received grants from the National Culture and Arts Foundation, the Cloud Gate Foundation, and the Lo Man-fei Dance Scholarship for the development of her work as well as international exchanges. Her performances have been invited to events such as the CDC-Les Hivernales' On (y) Danse Aussi L’été!, Shenzhen Theatre Biennale, Busan Art Market, and Dance Bridge Festival. Since 2008, she has been publishing her work across many different platforms, both at home and abroad, including Mixed Program, Art Makers Project, Young Star New Vision in Performing Arts, We Island Dance Festival, Taipei Arts Festival, Next Choreography Project, Grasstraw Festival, and Chiayi New Style Choreography. More recently, she has reached out to a variety of art fields and created collaborations with visual, new media, and performance artists, while also serving as a performer and movement designer for a number of theatre productions.
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LEE Shih-yang
\n\nLEE was born in 1982. As a musician, he finds inspiration in improvisation. He has collaborated with artists from all across the creative spectrum, including painting, theatre, multimedia, and dance. He founded the band Ka Dao Yin, and together they have won multiple Golden Indie Music Awards as well as the Golden Melody Awards for Traditional Arts and Music. LEE has been invited to perform throughout the Americas, Europe, and Asia. In the past decade, he has been facilitating exchanges between improvised and experimental music in Taiwan, connecting nearly a hundred domestic and international musicians. He also curated New Talents of Taiwan and Malaysia, Primal CHAOS - Dance X Sounds Improvisation, and Trois Chapeaux. He co-founded the Taiwan International Improvised Music Festival, for which he serves as the music director.
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TAI Zih-ning
\n\nBorn in 1992, TAI explores the possibilities of sound in her creative process. Her keen sense of perception helps her improvise in her experimental music, while she also composes carefully constructed neo-music for theatre. She moves fluidly between the two disparate states of mind to find her creative balance. Through her creative process, TAI seeks to uncover unknown secrets of the universe and the cultural backgrounds of their evolution. TAI seeks a pure and direct conversation with space, the environment, and people, thus evoking the echo in the ears of the beholder.
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KAO Hsin-yu
\n\nKAO was born in Taiwan. He graduated from Taipei National University of the Arts. Currently, he is a part-time lecturer in Dance Faculty of National Taiwan University of Sports, Performing Arts of Shu-Te University and dance division of Tso-Ying senior high school, Kaohsiung. He was a full-time lecturer in Faculty of Music and Performing Arts of Burapha University in Thailand. A dancer with Compagnie Kafig in France, Dance Forum Taipei in Taiwan, a guest dancer with T.H.E. dance company in Singapore. He has choreographed for many dance programs at educational institutions in Taiwan. Also, has taught dance workshops in America, Cambodia, France, Netherlands, Turkey, Nepal, Singapore, Korea, Thailand and Taiwan etc…
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Studio Acht & Katzefänger Production
\n\nStudio Acht is a professional team of musicians, composers, artists, and art administrators. Through administrative coordination and resource integration, the team assists and guides artists to explore possibilities and capitalise on their professional excellence, strong creativity, and powerful performance energy in an often challenging field. The team scouts for outstanding Taiwanese talents, organises performances on behalf of the artists, and paves the way to the international stage through global networking and touring programs. The company's subsidiary, Taiwan Musicians & Artists Promotion, draws up comprehensive career plans and international development for young artists, integrating art management, commissioning, publishing, distribution, and collaborates with Studio Acht's production and exhibition programs to create a comprehensive music and art ecology. Katzefänger Production, in the meantime, is targetted at innovative production and helps artists to realise their visions.
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SU Pin-wen - Girl's Notes
\n\nSU Pin-wen
\n\nSU Pin-wen, feminism artist, dance(?), free will, 38 years old and single, a flexi-vegan and skoliosexual, often being mistaken for a biological male by SU's name. SU uses tactile sensation for training and regards dance as conceptual art, which serves more than just aesthetics. In 2018, SU launchedthe "SU Pin-wen's Feminism, a three-year project" and presented the independent work Girl's Notes series at the Taipei Fringe Festival. The artist believes that the audience are only interested in SU's nudity.
\n\nRecent important projects include 2018-2020 Girl's Notes series, A Radical Nipple photography Project, 2057: Rehearsing ways of living - Transgender Exercise, and the ongoing feminism reading sessions.
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LIN Mai-ke
\n\nBorn in Kaohsiung in 1990. He studied in the gifted music class of Kaohsiung Hsin Hsing Junior High School and Hsin Chuang Senior High School, graduated from National Kaohsiung Normal University with a degree in Music, and studied German lieder from Alexander Schmalcz in Germany. He was the rehearsal pianist in several well-known operas, such as Mozart's Don Giovanni, Cosi fan tutte, and Die Zauberflote, as well as Die Fledermaus by Strauss and The Telephone by Menotti. LIN was also a collaborative pianist with KSO Principal Trumpet, David Argenta, in 2018. He has played in several concerts, including Concert Salon of Pingtung Performing Arts Center from 2019 to 2022, Beethoven vs. Lehar and Arts Evolution Music Festival in 2020, Let's Opera by Weiwuying from 2020 to 2022, and performed with Yuan Pu,Soprano KUO Ching-hi, Tenor LIN Chien-chi,Baritone CHAO Fan-hao and Soprano CHENG Szu-yun in Fun Opera by NTT from 2021 to 2022.
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\n\t※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
TIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning Liederzyklus
\n\nIf life is like a river, is the chapter that follows each encounter serendipitous or inevitable?
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In classical music, the German term Liederzyklus refers to a series of songs that are designed to be performed in a sequence which forms a story. Based on this idea, Liederzyklus consists of three artists who initiate conversations with their musical instruments and their bodies. They reflect both the moment and the eternity of music and dance through addressing the delicate lights of lives. They are like members of a chamber music group who all begin performing at the same starting point and tempo but then improvise within a rehearsed construction and limited form.
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In the Liederzyklus project, begun in 2019, musicians respond to the movement and tempo of dancers' bodies and aim to understand their body language. In return, dancers need to be aware of music theory and sound structure as they respond to the way musical phrases develop. By rehearsing together regularly, musicians and dancers become familiar with one another and adapt, enlighten, contend and comply with each other as they perform. There is no longer a set relationship of dominance and submission between them; they constantly compete and jostle for position. When the rationale of music meets the sensibility of dance, the performers must listen to one another, mutually reacting to each other's breath. Every choice may appear random, but is nevertheless an inevitable development of an accumulation of a lifetime's experience which we all act upon at every moment of life. This is how Liederzyklus responds to the improvisation of life.
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The project is led by three artists: pianist LEE Shih-yang, multi-awarded winner of Taiwan's Golden Indie Music Awards, Golden Melody Awards (both for Popular Music, and for Traditional Arts and Music); violaist TAI Zih-ning who creates experimental improvisation music and music theater, and aims to break free from the inertia of musical instruments, timbre, and physicality; dancer TIEN Hsiao-tzu who continuously explores herself, responds to society through her work and attempts to portray the unique shape of new generation artists with dance as an art form. The three performers invite local artists to join them in the project when touring different venues in order to create a unique improvisation. This not only reflects the accidental nature of life, but also the witty deliberation of intelligence in the flowing image of Liederzyklus.
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SU Pin-wen Girl's Notes
\n\nGirl's Notes is a book with the sentence "A young girl's fantasy is nothing but a poem." on its cover. Even in the year of 2022, it's still interesting to read the book. "You need to know, there are many things that you shouldn't do while in love, such as kissing, touching, and sex, etc." "All males are conceited and arrogant. They hope that women will depend on them. Although you are a brilliant woman, you should pretend you are helpless." From contemporary feminists' points of view, SU Pin-wen created the production "Single-Body" based on Girl's Notes, with nudity instead of written words, inviting audience to join SU's in this alternative theatrical book review.
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Post-talk
\n\n2022/11/12(Sat) Playhouse Auditorium
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Creative and Production Team
\n\nTIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning Liederzyklus
\n\nArtists|TIEN Hsiao-tzu, LEE Shih-yang, TAI Zih-ning
\n\nGuest Dancer|KAO Hsin-yu
\n\nArtistic Concept|LIN Fang-yi
\n\nDance Advisor|CHEN Pin-hsiu
\n\nLighting Design|GOH Boon-ann
\n\nPhotographer|CHEN Chang-chih
\n\nProduction Manager|HUANG Pei-jie
\n\nInternational Affairs|WANG Yung-chieng
\n\nProduction|Katzenfänger Production
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Sponsor|National Culture and Arts Foundation (NCAF)
\n\nSpecial Thanks | PEGA Design & Engineering
\n\nCo-produced by National Kaohsiung Center for the Arts (Weiwuying), SIDance and Cloud Gate Theater
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SU Pin-wen Girl's Notes
\n\nArtist|SU Pin-wen
\n\nPiano|LIN Mai-ke
\n\nLighting Design|LIN Ping-hsin
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Photo © 陳長志
\n\nPhoto © HUANG Jyong-jhe
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Learn More
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衛武營會員綁定OPENTIX
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歲月風景如此精彩,讓我們一起上台自由搖擺。
\n\n出生於高雄的編舞者蘇威嘉,以十年編舞計畫《自由步》,持續開發舞步與身體的可能,在不同的舞者身上刻畫與挖掘舞蹈的樣態,以純粹的舞蹈身體為素材,持續思考當代舞蹈觀演關係的可能,並帶給觀眾觀賞舞蹈演出不同的體驗。
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2022年是十年編舞計畫《自由步》的第九年,出生高雄的編舞者蘇威嘉,期待在他生長的地方,與這裡的大家,共同探索舞蹈的美好與生命的韻味,一起創造這份身體的共同經驗;蘇威嘉與近百位樂齡舞者共同合作,將不同的生命經歷轉化到舞蹈肢體,呈現一場獨特限定的「眾人的舞」,讓衛武營的舞台,成為大家用肢體表現並訴說故事的地方。
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演後座談
\n\n2022/11/13(日) 歌劇院觀眾席
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演出暨製作團隊
\n\n編舞|蘇威嘉
\n\n音樂設計|柯智豪
\n\n燈光設計|劉家明
\n\n文字協作|張智一
\n\n排練指導|方妤婷、王思涵、陳珮榕、黎偉翰
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藝術家介紹
\n\n編舞|蘇威嘉
\n\n驫舞劇場創辦人之一,2004年成立驫舞劇場,長期為舞團編創新作與演出,2007年集體創作作品《速度》獲得第六屆台新藝術獎表演類年度大獎,2012年與陳武康合作的自傳式作品《兩男關係》於德國獲科特尤斯編舞大賽金獎與最佳觀眾票選獎,2009至2013年在美國芭蕾大師艾略特.費爾德邀請下,加入Ballet Tech舞團。
\n2013年開始進行以《自由步》為題的十年編舞計畫,加深探索線條、舞步、造型、律動與音樂及光線的關聯,追求舞蹈身體的細緻、極限,進而引領觀眾賦予表演者各種想像與情感的連結,被舞評形容為將美感耕耘至極致的演出。2016年蘇威嘉於國家兩廳院擔任駐館藝術家。近年除了持續跳舞、創作,也開始關注作為舞蹈工作者的社會責任並四處分享跳舞的喜悅於各地。
\n音樂設計|柯智豪
臺灣音樂家,曾獲臺灣金曲獎最佳客語專輯,金鐘獎最佳音效配樂,金音獎最佳嘻哈專輯製作人,法國金音叉獎,誠品選樂,TAIPEI TIMES年度最佳專輯,金音獎最佳電子音樂製作人,最佳民謠作曲,金曲獎最佳樂團,最佳非流行演奏專輯,最佳客語專輯製作人等。音樂作品涵蓋古今東西古典,演唱會,電視,電影,舞台劇,京崑,歌仔布袋戲等戲曲,創作上達到驚人的質量與跨度兼備。柯智豪持續在音樂創作與嘗試上不斷的往前推進,近年來致力於臺灣傳統音樂,臺灣多項語文,東方儀式與戲曲的採集與重製。
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\n燈光設計|劉家明
目前專職於劇場及商業活動專任燈光設計及技術統籌之工作,近年活躍於各類大型商業活動與晚會擔任燈光設計及舞臺監督。常與表演藝術團隊赴美國、馬來西亞、新加坡、日本、匈牙利、捷克、上海、北京等參加國際藝術節訪問演出。曾代表《1998年中華民國青年友好訪問團》及僑委會《1999年海華訪問團》赴美國、加拿大地區演出任舞台監督一職。曾為驫舞劇場《樓梯》《速度》《骨》《正在長高》《M Dans》《我》《繼承者》《兩男關係》《翻滾吧舞男》《男人與狗》《馬上三人》《裝死》《兩對TWO DUET》《我知道的太多了》、蘇威嘉《自由步》《一盞燈的景身》,劉冠詳《棄者》及董陽孜書法藝術跨界劇場2015《騷+》及2016《騷》、2016何曉玫Meimage Dance《鈕扣計畫》2018《默島新樂園》 等技術總監。並隨團至紐約JOYCE THEATRE、羅德島 Firstworks Festival、廣州現代舞週、法國亞維農藝術節演出。
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\n文字協作|張智一
國立臺灣大學戲劇學系第十一屆畢業,現為劇場演員、燈光設計者、自由接案平面設計與咖啡商人。
\n近年演出作品有2018台南人劇團《第十二夜》、2019倫敦Chinese Art Now《Lao Can Impression》、躍演原創音樂劇《釧兒》、2020陳家聲工作室《黃金人生》、2021台南人劇團《泰特斯》。
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\n排練指導|方妤婷
當代舞蹈表演者。專業舞者生涯始於雲門舞集,曾於林懷民經典作品《家族合唱》、《如果沒有你》、《九歌》中演出。2015 年加入驫舞劇場擔任舞者與排練指導,多次與編舞家陳武康、周書毅等人合作,現為蘇威嘉十年編舞計畫《自由步》系列之主要舞者,演出《自由步—沉浸式曲線》、《自由步— 聽身變位》、《自由步—日光、軌跡、身影》等。2019年於兩廳院 TIFA 臺灣國際藝術節演出獨舞作品《自由步—一盞燈的景身》,入圍台新藝術獎年度十大表演藝術作品。
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\n排練指導|王思涵
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水瓶座,出生於嘉義市,現就讀國立臺北藝術大學舞蹈研究所創作主修。2021年以作品《走進.走近》獲得世安美學獎評審特別獎,創作曾發表於關渡藝術節《下一次》、艋舺國際藝術節《你好嗎?—雙人舞想像提案》、回桃看藝術節《D-day》、大稻埕國際藝術節《逗陣ㄟ》等。表演者經歷:身體微旅行青銀共創《Wolves》、小事製作《暗光鳥紀-E世界藝世界》、劉奕伶《13+1》、黃懷德《臺南藝術節-(X_X)府城流水席》、王怡方《兩端:跨藝二十流》、Timothy Nouzak《Field-Works Nº2.3》。
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\n排練指導|陳珮榕
畢業於國立臺灣藝術大學舞蹈系研究所。《自由步》系列主要舞者,曾隨驫舞劇場參加2019年《自由步》臺澳共創、2015年法國外亞維儂藝術節、《摩擦琥珀》、《馬上三人》等。2020年於白晝之夜演出雕塑藝術家劉侑珣《時刻瞬息》。其他經歷包括林文中舞團《風起》、許芳宜&藝術家《2 x 2》、《身體要快樂—年輕藝術家城市系列》、福爾摩沙芭蕾舞團《天鵝湖》、台北芭蕾舞團《足尖上的旋風》、《花炫臺灣101》(Fantastic Taiwan 101) 美加巡演、2011年美國大學舞蹈節、2011年波士頓 Summer Stage Dance at Concord Academy。
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\n排練指導|黎偉翰
萬華人,肆業於國立臺灣藝術大學舞蹈系。曾為林文中舞團、雲門二舞者。雲門二演出《毛月亮》、《變態》、《南方》選粹、《亮》。林文中舞團演出《掽,碰!》、《空氣動力學》、《長河》、《慢搖.滾》、《小.結》、《小南管》、《情歌》、《文積起舞》、《小系列與他的朋友們—小河倘水》。2019臺南藝術節擔任黃懷德編導《(X_X)府城流水席》獨舞者、2018白蹈場╳大象體操《灰》。
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\n驫舞劇場
成立於2004年,以不受拘束無限創意的創作、精準到位的舞蹈肢體表現,展現獨樹一幟的舞蹈劇場風格,獲得紐約時報「迷人、充滿想像力,來自臺灣的舞團」的讚許。2008年以詼諧與深度並具的《速度》,首度入圍並拿下第六屆台新藝術表演藝術類大獎,2013年以《兩男關係》獲得德國科特尤斯國際編舞大賽 (Kurt Jooss Preis) 首獎及最佳觀眾票選獎。近年由兩位靈魂人物陳武康及蘇威嘉各自發展出創作路徑,兩人在臺灣當代舞蹈中持續邁進第16年的變種時期。驫舞劇場除了創作之外也致力於跨國合作、舞蹈推廣及策劃系列活動如:舞蹈與音樂即興創作平台《混沌身響》、經典作品舞蹈策展《重製場》、共融藝術計畫、跳島舞蹈節。
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本節目由國家文化藝術基金會Taiwan Top年度獎助演藝團隊。
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了解更多
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藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
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\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"36929e256966c2fbc4267952ae56fed5",title:"驫舞劇場《自由步─搖擺歲月》"}],related:[],title:"【2022 Taiwan Dance Platform】HORSE FreeSteps - Swinging Years",cover:"b498fefd3716c7e5480edd2a40d90d73",site:{isOther:!1,site:"5aec4743b01ea6000520f65e",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Life grants us fascinating vistas. Let's take the stage and swing freely.
\n\nKaohsiung-born choreographer SU Wei-chia explores the choreographic and physical possibilities with his ten-year project Freesteps, which depicts and discovers the forms of different dancers. With the purely dancing body as material, SU ponders the possibilities of the performer-audience relationship in contemporary dance, looking to introduce a different viewing experience.
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2022 marks the ninth year of the ten-year choreography project FreeSteps. Choreographer SU Wei-chia looks forward to exploring the beauties of dance and the rhythms of life with the citizens of his hometown, Kaohsiung. SU collaborates with nearly 100 senior dancers to transform different life experiences into dance forms and present an exclusive "dance of the masses" at Weiwuying, where they tell stories through their bodies.
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Post-talk
\n\n2022/11/13(Sun) Opera House Auditorium
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Creative and Production Team
\n\nChoreographer|SU Wei-chia
\n\nMusic Design|Blaire KO
\n\nLighting Design|LIU Chia-ming
\n\nText|CHANG Chih-yi
\n\nRehearsal Director|FANG Yu-ting, WANG Ssu-han, CHEN Pei-yung, LI Wei-han
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Artists Introduction
\n\nChoreographer|SU Wei-chia
\n\nBorn in Kaohsiung, in 2004 co-founded HORSE. His numerous choreographies and collaborations include the group-created work Velocity, a winner of the 6th Taishin Arts Awards, and the autobiographical 2 Men, a collaboration with CHEN Wu-kang, and the 1st prize winner and Audience's Choice Award of the 2013 Kurt-Jooss-Preis. From 2009 to 2013, he was invited by Eliot Feld to join the Ballet Tech Dance Company in New York.
\nHis ongoing FreeSteps project, launched in 2013, explores the relationship between contours, movements, characters, rhythm, music, and light; a performance at Les Hivernales - CDCN d'Avignon was described as“a succession of shocks that drive the imagination into obscure and delicious depths.”
\nHe was the Artist-in-Residence of the NTCH in 2016. In addition to continuous dancing and creation in recent years, he has also started to focus on his social responsibility as a dancer and share the joy of dancing everywhere.
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Music Design|Blaire KO
\n\nTaiwance composer, won the Taiwan Golden Bell Award for Best Sound Soundtrack, Melody Award for Best Hakka Album. Repeatedly nominated for the Golden Melody Award for Best Orchestra, Best Pop Instrumental Album,Eslite election music, TAIPEI TIMES best album of the year, etc.has taught at the National Taiwan Normal University Department of Music Composer group his works cover classical to experimental, concert , theater,TV and movie soundtrack.
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\nLighting Design|LIU Chia-ming
As Lighting designer and Technical director among various theater productions, commercial events and ceremonies, LIU has been on tours with companies to the U.S., Malaysia, Singapore, Japan, Hungary, Czech Republic, Shanghai and Beijing. He was the technical director in HORSE for productions between 2004 to 2016 including Stairs, Velocity, Bones, Growing up, Two Men, and Freesteps among others and tours in Joyce Theatre (N.Y.), Firstworks Festival, Guangdong Modern Dance Week and Avignon Off. Other productions he participated as technical director are: LIU Guan-hsiang Karma, Tong,Yang-Tze SAO and SAO PLUS, Meimage Dance New Choreographer Project 2016 and New Paradise of Silent Island 2018.
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\nText|CHANG Chih-yi
Graduated from the Department of Drama at National Taiwan University in the 11th class, now working as a theater actor, lighting designer, freelance graphic designer and running a coffee shop.
\nRecent performances include: 2018 Tainaner Ensemble Twelfth Night , 2019 London Chinese Art Now Lao Can Impression, VMTheatre's original musical Reed Unbroken, 2020 Chen Jiasheng Studio Golden Life , 2021 Tainaner Ensemble Titus.
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\nRehearsal Director|FANG Yu-ting
Born in Kaohsiung, FANG Yu-ting joined Cloud Gate Dance Theatre shortly after her graduation. She has been a dancer and rehearsal director in HORSE since 2015 and is currently one of the main dancers in the productions that are part of SU Wei-chia's FreeSteps series. In 2019, she performed FreeSteps-NiNi as the soloist for the Taiwan International Festival of Arts(TIFA), and was nominated for the Taishin Performing Arts Award. In the same year, FreeSteps-NiNi toured to A4-Zero Space, Slovakia, and One Dance Week, Bulgaria.
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\nRehearsal Director|WANG Ssu-han
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Aquarius, from Chiayi city. Studying in Graduate Institute of Dance Choreography in Taipei National University of the Arts. The dance video work Inside・Insight created in Chiayi East Market , won the Special Jury Award of S-An Aesthetics Award in 2021. Other creations have been published in Kuandu Arts Festival Next , Want to Dance Festival How Are You? - Imagination Proposal for Pas de Deux, BacktoTao Arts Festival D-day, Tua-Tiu-Tiann International Festival of Arts Get Together. Performer experience: Body Detour Elders&Youth Co-Create Wolves, Les Petites Choses Production Dark Light Birds - E World Art World, LIU Yi-ling 13+1, HUANG Huai-de Tainan Art Festival - (X_X) Flowing Feast, WANG Yi-fang Both Ends: Twenty Streams Across Artists, Timothy Nouzak Field-Works Nº2.3.
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\nRehearsal Director|CHEN Pei-yung
CHEN Pei-yung received a master's degree in dance performance at National Taiwan University of the Arts and is the lead dancer of FreeSteps series. In 2019, she participated in the Taiwan-Macau co-production of FreeSteps with HORSE and her past performance experiences include 2015 Festival Off d'Avignon, 2020 Nuit Blanche Taipei The Flowing Body Sculpture in Time, The Wind Rises by WCdance, 2×2 by Sheu Fang-yi & Artists, Swan Lake by Formosa Ballet and 2011 Summer Stage Dance at Concord Academy, Boston.
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\nRehearsal Director|LI Wei-han
LI Wei-han attended the Department of Dance at National Taiwan University of the Arts. He was previously a dancer of WCdance and Cloud Gate 2. The performances in which he participated include Touch, Aerodynamics, Long River, Small Nanguan 2, Small End, Small Nanguan, Small Songs, Small Puzzles 2, and WCdance×The Seldoms. In 2019, he performed for Tainan Arts Festival : (X_X) Flowing Feast directed by HUANG Huai-de and Gray by White Dance Theater and Elephant Gym in 2018.
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\nHORSE
Founded in 2004, HORSE has established a distinctive profile with delicate physical movements and unrestricted creativities. In 2008, Velocity won the Taishin Arts Award, Taiwan's grand arts prize. In 2013, 2 Men won the 1st prize and Audience Award in Kurt Jooss Preis, PACT Zollverein, Essen, Germany. In recent years, CHEN Wu-kang, the artistic director, and SU Wei-chia, the general director, have developed their unique art praxis. They continue to advance the company into the bright future, a period of metamorphism for them in the Taiwanese contemporary dance scene. HORSE also endeavors on international collaboration, outreach programs and curatorial projects. The practices include the platform Primal Chaos Dance x Sounds Improvisation, Back to the moment Dancing Talking Bar, a dance cinema in which creators and commentators have a live sharing, and others.
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Learn More
\n\n\n\n\n\n\n',team:""},createdAt:1654166138,updatedAt:1668139633,updatedBy:"林蔚行",host:!0},{_id:"62989b04c9bbe00007288949",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1668236400,discrete:[{time:1668236400},{time:1668322800}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800],link:"https://www.opentix.life/event/1538848854599884805"}},attachment:{key:"f28d3be06c20c1e69ed236472cd32209",name:"【2022臺灣舞蹈平台】翃舞製作《羽人》+秋杉所在《採 身》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[{reference:[],type:"content",name:"藝術家介紹",content:'
翃舞製作《羽人》
\n\n翃舞製作
\n\n來自臺灣的當代舞團。成立於2017年,由編舞家賴翃中擔任藝術總監,以「『翃」』字作為團名,翱翔之意。舞作以生活日常事物為創作發想來源,將內在情緒與外在身體狀態導入舞蹈肢體當中,關懷人群及自然間的細微關係,並延伸太極元素融合當代思維,耕耘新的舞蹈語彙。舞團以「年度製作」、「國際共製計畫」、「漂鳥舞蹈平台」三個主軸為發展方向。
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秋杉所在《採 身》
\n\n秋杉所在
\n\n成立於2019年
\n\n曾獲2020年第18屆台新藝術獎|表演藝術類|年度入圍作品、日本YDC橫濱舞蹈大賽決賽入選;2019年西班牙24MASDANZA國際編舞大賽「最佳表演獎」、南韓SCF首爾國際編舞節官方頒授藝術總監林廷緒「傑出舞蹈藝術家」證書。
\n\n秋杉團隊近年創作鑽研於臺灣民間文化,透過田野走訪,挖掘具臺灣草根性素材做為作品的題材與走向之一,目前在新創作的發展專注於人與大自然的關係,與個體之精神狀態。
\n\n作品在臺灣受邀及發表於2022年國藝會14th新人新視野國家三館巡演、高雄春天藝術節;2021年臺中國家歌劇院-孵育計劃、雲門創計劃、漂鳥舞蹈平台;2020年臺南藝術節、相遇舞蹈節-共創;2019年三十沙龍創作空間、相遇舞蹈節-共感。也受邀演出在國際多個表演藝術平台,如西班牙、南韓、日本、香港、中國、澳門等。
\n\n在表演藝術的推廣上,秋杉所在也發起「動聲軀」當代舞工作坊系列,目前已在臺北及高雄偏鄉社區發展出相關計劃,未來也持續拓展於各地區。
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a45a6286c7fb5da0ad210364beae5b15",title:"亞洲連結 II - 翃舞製作《Birdy》、秋杉所在《採身》"}],related:[],title:"【2022臺灣舞蹈平台】翃舞製作《羽人》+秋杉所在《採 身》",cover:"a580a570f451b0100bd3fbd020965b57",site:{isOther:!0,site:"",other:"樹冠大廳東側露台 "},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
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翃舞製作《羽人》
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舞作表現人類夢想成為鳥獸飛翔於天際,渴望享受自由的天空,但現實中卻囚於各種道德條件、價值觀、規範及責任約束,並不能隨心所欲,更不能放手一搏,雖然世界之大,卻受限於種種因素,導致生活充斥著無形或有形的牢籠。
\n\n《羽人》,雙人舞,結合傳統戲曲中常見的物件「翎子」,用來表現內心的狀態,轉化為鳥獸意象、情緒延伸、逃離現實渴望以及追尋夢想的符號。藉由翎子的擺盪,呈現舞者內心的奮鬥、掙扎與糾結,最後回歸平靜。
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秋杉所在《採 身》
\n\n你我可曾都忘了自己真實的身份,這是關於找回真正的自己與回家的路。
\n\n在人生的旅途上有著千百樣態的選擇及被選擇,這些五味與雜陳所堆疊而成的情緒,會隨著年齡的推動而有不同的心理面向衍生,可排解的還有無法排解的,各樣的層次也就成為了現階段的自我。
\n\n所謂的階段性人生,那麼此階段、彼階段,每個人又是經歷了哪些顛沛流離,才能到達現在或未來的某個時間軸而得到適當的擺置,你我的相遇又是在世間螻蟻中何等的難逢與千載,我們都寄望去到更好的地方與更好的自己,如果有一處沒有時間限制的烏托邦,在那淨土萬物是否能永在?用純然的身體使之,牽動那不存在也既存在的精神體與肉體。
\n\n來自日子的試煉,承接了世世的聚集,在此時與此刻,找到回家的路與本來的面目。
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演後座談
\n\n2022/11/12(六)15:50-16:10 樹冠大廳東側露台
\n\n2022/11/13(日)15:50-16:10 樹冠大廳東側露台
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演出暨製作團隊
\n\n翃舞製作《羽人》
\n\n編舞者|賴翃中
\n\n表演者|鄭伊涵、黃于軒
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秋杉所在《採 身》
\n\n編舞者|林廷緒
\n\n表演者|陳欣瑜、文韻筑
\n\n音樂暨聲音設計|顏晟文
\n\n文字構思|樊香君
\n\n宣傳片剪輯|朱駿騰
\n\n平面設計|許銘文
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攝影|Sugawara Kota
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\n\n\n\n\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[{reference:[],type:"content",name:"Artists Introduction",content:'
Hung Dance Birdy
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Hung Dance
\n\nHung Dance, a Taiwanese contemporary dance company founded in 2017.Choreographer LAIai Hung-chung serves as the artistic director, and the troupe's name comes from the Chinese character 翃, meaning to fly. The creative source of Hung Dance's works come from daily life matters, with internal emotions and external physical states transformed into physical dance movements. By caring for the subtle relationship between people and nature and extending the elements of Tai Chi to integrate contemporary thinking, we cultivate a new dance vocabulary. The company has adopted three core elements in its development: Annual productions, the International Collaboration Project, and the Stray Birds Dance Platform.
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Autumn Cedar Sóo-Tsāi Picking the Corpus
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Autumn Cedar Sóo-Tsāi
\n\nIn 2020, had been nominated for the 18th Taishin Arts Award and was selected for Yokohama Dance Collection finalist. In 2019, he was the winner of the "Best Performer Award" of 24MASDANZA, the International Contemporary Dance Festival in Spain, and was awarded as the "Highly Qualified Dance Artist" by the Seoul International Choreography Festival.
\n\nThe group's previous works delved into various aspects of the Taiwanese folk culture, uncovering local, grassroots materials via field research and adapted these elements to stage work production. In recent years, Lin's development of the body perspective has been focusing on the relationship between nature and the spiritual state of the individual.
\n\n\n'}],onShelf:!0,sliders:[{type:"image",key:"a45a6286c7fb5da0ad210364beae5b15",title:"【2022 Taiwan Dance Platform】Hung Dance - Birdy & Autumn Cedar Sóo-Tsāi - Picking the Corpus"}],related:[],title:"【2022 Taiwan Dance Platform】Hung Dance - Birdy & Autumn Cedar Sóo-Tsāi - Picking the Corpus",cover:"a580a570f451b0100bd3fbd020965b57",site:{isOther:!0,site:"",other:"Crown Hall 3F (East Terrace)"},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Hung Dance Birdy
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The creative motivation of Birdy starts from the desire to accomplish dreams. In this duet, the female dancer dreams of a life of a bird and the male dancer symbolizes a supporter, a cage, a heart of mirror and a dream. However, in reality, people often feel trapped in their own little bubbles because of different morality, different beliefsbelief, different idealsideal, and different responsibility.
\n\nWe say to ourselves that we can't always follow our heart and do whatever we want to do in order to chase the dream. We are trapped in the cage we build for ourselves.
\n\nIn this work, the female dancer wears a special head piece called "Ling Zi". Its long pheasant tail feathers are oftenfeathers often worn on warriors' helmets in traditional Chinese opera in order to present the warriors' power and skill.
\n\nIn this duet, "Ling Zi" presents an image of a bird, an extension of inner emotions, a desire to escape from reality. "Ling Zi"’ swings around as the dancer moves through space to express the real struggles and battle on the inside.
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Autumn Cedar Sóo-Tsāi Picking the Corpus
\n\nThe trials from days of life bear the cluster of choices throughout generations and lifetimes. Here and now, we once again find the way home, and the way we were. There are innumerable choices in life in which we either choose or be chosen. What hardship and distress must one undergo in order to be eventually properly placed in a certain stage, in a certain timeline? What are the odds of us encountering each other in this world? We all long for a beer place and a beer self. If there was an utopia beyond the limit of time, would it be a paradise in which everything exists for eternity?
\nWith utilizing the pure corpus, we aect the existing mental and physical body which does not exist.
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Post-talk
\n\n2022/11/12(Fri)15:50-16:10 Crown Hall 3F (East Terrace)
\n\n2022/11/13(Sat)15:50-16:10 Crown Hall 3F (East Terrace)
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Creative and Production Team
\n\nHung Dance Birdy
\n\nChoreographer|LAI Hung-chung
\n\nPerformer|CHENG I-han, HUANG Yu-hsuan
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Autumn Cedar Sóo-Tsāi Picking the Corpus
\n\nChoreographer|LIN Ting-syu
\n\nPerformers|CHEN Hsin-yu, WEN Yun-chu
\n\nMusic and Sound Design|YAN Sheng-wen
\n\nText Ideation|FAN Xiang-jun
\n\nTrailer Editor|CHU Chun-teng
\n\nGraphic Design|HSU Ming-wen
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Photo|Sugawara Kota
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Learn More
\n\n\n\n\n\n\n',team:""},createdAt:1654168324,updatedAt:1668139714,updatedBy:"林蔚行",host:!0},{_id:"6298a9a6cd649e0007700a56",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1668169800,discrete:[{time:1668169800},{time:1668256200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800],link:"https://www.opentix.life/event/1538840788894957572"}},attachment:{key:"f898f02b6c533661b5c884b21adfb4ad",name:"【2022臺灣舞蹈平台】王宇光 x Danang Pamungkas《去你的島》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"2df780cfb54ec386e4f6a8298e8f0827",title:"【2022臺灣舞蹈平台】王宇光 x Danang Pamungkas《去你的島》"}],related:[],title:"【2022臺灣舞蹈平台】王宇光 x Danang Pamungkas《去你的島》",cover:"e595f4a85e996c25f71ff4aba76c569e",site:{isOther:!0,site:"",other:"樹冠大廳東側露台"},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:'\n\n
以身體為載體,隨著波浪搖晃,
\n\n也許,到了島嶼之外,我們才開始認識了我們。
\n\n\n\n
《去你的島》邀請印尼舞蹈家Danang Pamungkas 共同合作,進行一場關於「我(們)是誰」的對話,探問藏匿在彼此身體中所刻畫的文化底蘊的樣貌,在跨文化的對話當中,尋找超越個人的探索與關懷。
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演後座談
\n\n2022/11/11(五)21:20 3樓樹冠大廳東側露台
\n\n2022/11/12(六)21:20 3樓樹冠大廳東側露台
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文章閱讀
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演出暨製作團隊
\n\n概念暨編舞|王宇光
\n\n共同發展|Danang Pamungkas
\n\n戲劇構作|王世偉
\n\n演出|王宇光、Danang Pamungkas
\n\n製作人|陳柏潔
\n\n燈光設計|黃羽菲
\n\n舞台監督|藍靖婷
\n\n執行製作|簡姵伽
\n\n製作單位|微光製造
\n\n製作行政支援|藝術報國有限公司
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藝術家介紹
\n\n概念暨編舞/演出|王宇光
\n\n攝影|陳韋勝
\n\n現為「微光製造」藝術總監,持續發展創作與舞蹈推廣工作坊,作品探究人與城市、環境的連結與疏離,關注城市中的身體異化,實驗空間與物件解構做為創作發展,以哲理思考用舞蹈對當代提問。
\n\n舞蹈創作:《馴順的我們》、《捺撇》、《半島來跳舞》等,其中《捺撇》於2021年榮獲日本橫濱舞蹈節暨舞蹈大賽雙獎項,並於2022年受邀至 Spring Forward 舞蹈節於希臘埃萊夫西納演出及德國美茵茲Tanzkongress舞蹈節演出進行巡演。近年與雲門劇場、臺中國家歌劇院、衛武營國家藝術文化中心、寶藏巖國際藝術村等合作工作坊、編舞及演出。
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共同發展/演出|Danang Pamungkas(印尼)
\n\n來自印尼梭羅的舞者、編舞者,擁有深厚傳統舞與現代舞訓練。畢業自Indonesian Institute of the Arts,並於梭羅的旺古尼嘉藍宮(Mangkunegaran Palace)學習爪哇傳統舞,成為核心舞者。2008至 2011年期間為雲門2專職舞者,之後返回印尼發展個人編舞生涯。
\n\n曾與印尼知名電影導演嘎林.努戈羅和合作《爪哇安魂曲》擔任編舞者。Danang 曾獲印尼雅加達Next Wave 編舞家競賽首獎。並曾受邀於雅加達舞蹈藝術節、泗水藝術節、雅加達薩利哈拉藝術節、維也納國際舞蹈節及維也納世界博物館進行表演及演出其舞蹈創作。
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戲劇構作|王世偉
\n\n1980年生。於台北藝術大學主修導演畢業後,前往法國鑽研劇場美學。旅法期間,以實務者的角度參與、解讀、分析、研究表演藝術,在賈克.樂寇國際戲劇學校的動作實驗室研習,並於巴黎新索邦第三大學完成劇場藝術博士、碩士學業。深諳歐陸劇場文化,曾在《表演藝術雜誌》和臺中歌劇院《大劇報》上撰寫專文。目前旅居巴黎,從事創作、翻譯、學術研究、文化交流等工作,翻譯出版品包括《舞台書寫:解讀喬埃‧波默拉》、《喬埃・波默拉的童話三部曲―小紅帽、小木偶》。2020年,以《群眾》獲得第18屆台新藝術獎「表演藝術獎」的殊榮。2021年獲選為臺灣當代文化實驗場Creators,並與擊樂家、布袋戲劇團、舞蹈、聲響、燈光藝術家合作創作出三齣跨領域作品─新點子實驗場《虛擬日常》(噪音印製)、戲曲夢工場《掰》(真快樂掌中劇團)、兩廳院秋天藝術節《群眾》(代藝室)。
\n\n目前仍積極籌備未來一系列創作。在希望尚有能力之時,持續做一位真誠且負責的藝文工作者,透過材質實驗與各個團隊合作,發展出回應當代時局的表演創作。
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團隊介紹
\n\n微光製造
\n\n舞團於2019年由王宇光與李尹櫻共同成立,持續發展素人舞蹈計畫與發表當代舞蹈作品,近年演出、計畫有:松菸LAB新主藝發表《馴順的我們》、淡⽔環境藝術節《任務1884》、寶藏巖光節「捺撇解構式」、臺中國家歌劇院「玩.劇場—PLAY 這不是你想像的現代舞教學」、半島歌謠祭《半島來跳舞》、《捺撇》於2021年榮獲日本橫濱舞蹈節暨舞蹈大賽雙獎項於希臘「Aerowaves」與德國「Tanzkongress」兩大歐陸藝術節進行巡演。
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了解更多
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'\n\n
Bodies are like vessels drifting with the waves of the ocean; perhaps we began to understand each other as we left our islands.
\n\nTaiwanese choreographer WANG Yeu-kwn invites renowned Indonesian dance artist Danang Pamungkas to join his new choreography — A Quest for Relationship: Island of________ . Together, they'll conduct a dialogue about "who am I (we)", to explore the appearance of the cultural heritage hidden in each other's bodies, and to seek beyond personal exploration and solicitude in this cross-cultural dialogue.
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Post-talk
\n\n2022/11/11(Fri)21:20 Crown Hall 3F (East Terrace)
\n\n2022/11/12(Sat)21:20 Crown Hall 3F (East Terrace)
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Creative and Production Team
\n\nConcept & Choreography|WANG Yeu-kwn
\n\nCo-development|Danang Pamungkas
\n\nDramaturge|WANG Shih-wei
\n\nPerformer|WANG Yeu-kwn, Danang Pamungkas
\n\nProducer|CHEN Po-chieh
\n\nLighting Design|Faye HUANG
\n\nStage Manager|LAN Chin-ting
\n\nExecutive Producer|Angelina JIAN
\n\nProduction|Shimmering Production
\n\nProduction Administrative Support|Ars Association Ltd.
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Artists Introduction
\n\nConcept & Choreography
\n\n\n/Performer|WANG Yeu-kwn
\n\nPhoto|CHEN, WEI-SHENG
\n\nWANG is the artistic director of Shimmering Production. He focuses his artistic approach on dance creation and arts diffusion practice. His works explore the connections and disconnections between people and cities, people and environs, WANG Yeu-kwn cares about bodily alienation in urbanity. His works experiment with space and objects to deconstruct movements and propose philosophical questions in contemporary times through dance. His recent works include: Taming Us (2019), Being (2020) and Hand in Hand, We Dance (2022). Wang is the receiver of the double awards of "2021 Yokohama Dance Collection Competition I" with his creation Beings and has been invited to perform at Aerowave in Greece and Tanzkongress in Germany. In recent years, he also collaborated with Cloud Gate Theater, National Taichung Theater, the Treasure Hill Artist Village and the National Kaohsiung Center for the Arts to engage workshops, choreography commissions and performances.
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Co-development/Performer|Danang Pamungkas (Indonesia)
\n\nDanang Pamungkas was born in Solo, Indonesia. He studied traditional Javanese dance at the Mangkunegaran Palace of Surakarta and graduated from the Indonesian Institute of the Arts in Surakarta. From 2008 to 2011, he was a member of the renowned Cloud Gate Dance Theatre of Taiwan under artistic director LIN Hwai-min.
\n\nDanang's choreography includes Panyot Pun Padam, which was awarded First Prize at The Next Wave Indonesian Choreographer in Jakarta, and has performed at Surabaya Art Festival (2004) and Indonesian Dance Festival 2012 in Jakarta. He collaborated as a choreographer with Indonesian director and filmmaker Garin Nugroho on Opera Jawa: Selendang Merah in 2013. His choreographic works have been presented at the Festival Salihara Jakarta, Impulstanz Festival and Welt Museum Vienna.
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Dramaturge|WANG Shih-wei
\n\nTaiwanese director, dramaturge, performer, and journalist. After finishing his P.H.D. degree in the University of Paris III, Shih-wei works between France and Taiwan as an artist, cultural journalist and translator. His projects comprise a variety of forms, including collective creation Blossom of the Fallen Flowers (2011), theatrical adaptation Bal-con (2019), solo choreographic performance Masses (2019/2021), in-situ performance Still Living and music theatre, Existence of Absent Reality (2021). Masses is the winner of the 18e Taishin Performing Arts Award. Shih-wei also collaborates with Taiwanese artists as a dramaturge in an adaptation of the traditional puppet show, Adieu (2021). Shih-Wei is also a critic of Performing Arts Review. His translation works include the plays of Edward Albee and of Joël Pommerat.
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Team Introduction
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Shimmering Production
\n\nShimmering Production was co-founded by interdisciplinary choreographer, WANG Yeu-kwn and dance artist LEE Yin-ying in 2019. The company focuses its core development on exploring dance creation and arts diffusion practice.
\n\nThe company has produced and developed various creations and projects, such as Taming Us (2019), which was presented in the New Point on Stage organised by Songshan Cultural and Creative Park, Mission 1884, a commission by 2019 New Taipei City Tamsui Environmental Arts Festival, Trance of Being invited by 2021 Treasure Hill Light Festival, "Shimmering Production Online Dance Project" (2021), a commissioned by the National Taichung Theater and Hand in Hand, We Dance invited by the 2022 Hear Here Festival.
\n\nIn addition, WANG Yeu-kwn's creation Beings (2020) won double awards at the "2021 Yokohama Dance Collection Competition I" and has been invited to perform at Aerowave in Greece and Tanzkongress in Germany.
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Learn More
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\n\n※300元(含)以下票級不提供折扣。
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\n',benefits:'\n\t\t\t ※本節目原特別來賓王若琳將改由桑布伊演出,不便之處,敬請見諒。 \n\t\t\t | \n\t\t
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生祥樂隊長期關注農村、城鄉關係與環境議題,善於運用臺灣音樂資產,使鄉音接合搖滾,消融前現代與後現代,成為臺灣獨樹一格的新民謠實驗樂種。此次集結《我庄》、《圍庄》及《野蓮出庄》三張專輯,凝視一座樸實的農村在現代化過程中的變與不變。這次更與當代作曲家張玹合作,以西方管弦樂配器架構原有編曲,將數首歌結為一曲,或於不同地方重複出現,使新元素與原歌曲交雜、穿插,產生新的對話。國家交響樂團應生祥樂隊之邀,參與製作協力,由該團 11 位演奏家群出任演出,並邀請單簧管演奏家 羅達鈞、薩克斯風演奏家謝明諺等音樂家同台,與生祥樂隊共同演繹充滿境外之音的我庄三部曲。
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演前導聆
\n\n2022/12/3(六)18:50 戲劇院二樓大廳
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周邊活動
\n\n2022/11/06 (日)14:00 演講廳
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兌換專輯
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延伸閱讀
\n\n►衛武營 Call Cue 青少年-生祥樂隊《我庄三部曲》演唱會
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演出暨製作團隊
\n\n【生祥樂隊】
\n\n主唱、六弦月琴|林生祥
\n\n詩人、筆手|鍾永豐
\n\n電吉他|大竹研
\n\n電貝斯|早川徹
\n\n鼓|福島紀明
\n\n打擊樂器、二胡|吳政君
\n\n嗩吶、笛子|黃博裕
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作曲、改編|張玹
\n\n指揮|范楷西
\n\n特別來賓|桑布伊
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【樂團】
\n\n小提琴|洪章文 *
\n\n中提琴|黃亞漢 *
\n\n大提琴|陳怡婷 *
\n\n低音提琴|蘇億容 *
\n\n長笛|宮崎千佳 *
\n\n雙簧管|李明怡 *
\n\n單簧管|羅達鈞
\n\n低音管|陳奕秀 *
\n\n薩克斯風|謝明諺
\n\n小號|鄒儒吉 *
\n\n長號|李昆穎 *
\n\n打擊|楊璧慈 *
\n\n鋼琴|翁重華 *
\n\n*為國家交響樂團演奏家群
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團隊介紹
\n\n生祥樂隊
\n\n成員包括林生祥(六弦月琴、電月琴、主唱)、大竹研(吉他)、早川徹(電貝斯、電鋼琴)、吳政君(打擊樂器)、福島紀明(鼓)、黃博裕(嗩吶、管子)及詩人鍾永豐。永豐與生祥的詞曲合作,始於1998年交工樂隊時期的《我等就來唱山歌》專輯,至今已發表十一張作品。鍾永豐拿過兩屆金曲獎最佳作詞人獎,林生祥則有九座金曲獎、十座金音創作獎、兩座金馬獎及一座臺北電影獎。
\n\n日本籍的大竹研與早川徹分別於2006及2009年加入,吳政君則於2011年成為團員,福島紀明和黃博裕則於2014年成為團員;樂手皆有爵士樂的即興修養,每一次的現場演出,均有令人驚喜的表現。生祥樂隊關注農工、環境議題,音樂上則以臺灣傳統音樂元素為基底,並協調西方當代音樂。
\n\n生祥樂隊從2001年走向國際,巡迴歐、亞、美洲等十幾個國家,2018年7月登上紐約中央公園Summer Stage,把臺灣獨樹一格的農村搖滾傳到國際。
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主唱、六弦月琴|林生祥
\n\n美濃山下歌手。目前發表十一張音樂專輯、三張電影配樂專輯,拿過九座金曲獎(其中拒領了兩座)、十座金音獎、一座臺北電影獎、兩座金馬獎。走唱天涯,行腳歐、美、亞洲;在生活裡寫歌、唱歌、看影像配樂,養小孩。
\n\n1998年回鄉參與美濃反水庫運動,創作主題圍繞著土地、農民與勞工。音樂上擷取臺灣傳統音樂元素結合西方節奏,並改造月琴、三弦樂器。2006年創作專輯《種樹》,探討安靜的力量和農業的價值。2009年發表作品《野生》聚焦在「女性」的生命故事。2010年超時空與文學家鍾理和合作,完成《大地書房》專輯。2013年組「生祥樂隊」發表專輯《我庄》,唱著家鄉的榮耀與悲傷。2016年透過群眾募資出版生涯首張概念雙唱片《圍庄》,內容關於與石化工業交纏、交戰的故事。睽違四年後,於2020年完成我庄三部曲最終章《野蓮出庄》專輯,藉由食物與植物,唱出農村風土的經濟價值遷變與人情記憶。
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詩人、筆手|鍾永豐
\n\n作詞人、詩人、音樂專輯製作人、文化行政工作者、與林生祥合作超過二十年的最重要夥伴。
\n\n出身種植菸草的農家,交工樂隊筆手(執筆者),2000年以音樂專輯《我等就來唱山歌》與林生祥、陳冠宇同獲第11屆金曲奬最佳專輯製作人獎。2005年以臺灣客語歌詞〈臨暗〉得第16屆金曲奬最佳流行音樂作詞人獎。2007年,以臺灣客語歌詞〈種樹〉再度獲得第18屆金曲奬演唱類最佳作詞人獎。2014年以〈我庄〉入圍金曲獎最佳作詞人獎。
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作曲、改編|張玹
\n\n法國著名音樂評論雜誌《Classic Agenda》 寫道 「充滿靈性」的旅美作曲家張玹,1989 年生於臺北,作品曾受邀於紐約卡內基音樂廳、林肯中心、芝加哥交響中心、東京三多利音樂廳、莫斯科愛樂廳、法國 Royuamont、柏林愛樂室內樂廳、日內瓦 Archipel Festival、國家音樂廳等音樂殿堂演出,並在這幾年陸續與雲門舞集、國家交響樂團、臺北市立交響樂團、芝加哥市民管弦樂團、普林斯頓室內合唱團、斯圖加特人聲獨唱團、莫斯科現代室內樂團合作。
\n\n2016年創辦音元 Innuan,活躍於紐約,結合空間、藝術、音樂、科技舉辦策展演出。演出策展場地包含紐約哥倫比亞大學祖克曼中心、康乃爾大學強森美術館、紐約普瑞特藝術學院畫廊、義大利現代藝術中心、Fotografiska、紐約百老匯大道等。
\n\n除了藝術與嚴肅音樂領域,張玹也積極投入慈善公益活動:2015年為喜憨兒基金會創作20週年影片配樂,並於松菸誠品演奏廳合辦創世基金會慈善音樂會。
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指揮|范楷西
\n\n德國國立斯圖加特音樂暨表演藝術學院指揮最高演奏家文憑,師事佩爾.波林教授(Per BORIN);國立臺北藝術大學指揮碩士及小提琴學士,師事徐頌仁與蘇顯達教授。留歐期間,曾多次跟隨伯納.海汀克(Bernard HAITINK)、約瑪.帕努拉(Jorma PANULA)、根特.赫比希(Günther HERBIG)等指揮大師學習。
\n\n2012年8月於布達佩斯邁克.迪特里希指揮大師賽中表現優異,榮獲「第一獎」殊榮;2013年9月於法國貝桑頌國際指揮大賽,從來自46國、296位參賽者中脫穎而出,擠身「最後五強」。2018年9月在法國尼斯歌劇院指揮大賽中,深受團員愛戴,榮獲「最佳樂團票選獎」。
\n\n2014至2015年,擔任德國斯圖加特藝術家室內管弦樂團(Collegium Artium Stuttgart)音樂總監。2015至2018年,為國立臺灣交響樂團助理指揮。曾任教於國立中山大學與嘉義大學音樂學系。現任教於東海大學音樂系與國立臺南藝術大學音樂系。
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特別來賓|桑布伊
\n\n來自臺東山與海交界處卑南族古老部落的青年,一開口歌唱就讓這個喧囂的世界瞬間寧靜。曾獲得金曲獎第 24、28 、32屆最佳原住民歌手獎,第28屆最佳演唱錄音專輯獎,第28、32屆年度專輯獎,美國獨立音樂獎。
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國家交響樂團(NSO)
\n\n國家交響樂團(NSO)的前身「聯合實驗管絃樂團」成立於1986年,以打造頂尖交響樂團為目標;2014年4月改隸國家表演藝術中心,以「臺灣愛樂」立足國際。經過三十多年耕耘,NSO 參與交響樂、室內樂、歌劇、舞蹈、跨界製作。樂團在歷任音樂總監張大勝、林望傑、簡文彬、呂紹嘉共同悉心呵護下成長,以專業、開放、勇於創新的職業樂團為發展核心,現已成為亞洲地區最具指標性的樂團。2021年8月,德國指揮家準・馬寇爾(Jun Märkl)接任NSO藝術顧問,2022年1月起擔任音樂總監,期望以樂團獨特的聲音擔任臺灣的文化大使,向全世界表達特有的身份和情感。
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單簧管|羅達鈞
\n\n旅法單簧管演奏家。新加坡木管音樂節國際大賽單簧管首獎得主。
\n\n先後就讀臺灣大學土木工程學系、臺師大音樂學系、法國巴黎高等師範音樂院Ecole Normal de Mu-sique de Paris,師事Ronald VAN SPAENDONCK(前比利時國家交響樂團單簧管首席)、Patrick MESSIN(法國國家交響樂團單簧管首席),考取高級教育文憑和高級演奏文憑並榮獲評審一致通過獎。
\n\n曾獲臺師大音樂學系協奏曲比賽第一名及臺師大室內樂比賽首獎、羅馬尼亞DIMA國際單簧管大賽第二輪等多項佳績。經常受邀演出外,並於2019年創辦D.C.台灣室內樂團擔任音樂總監,致力於各種形式之室內樂演出。
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薩克斯風|謝明諺
\n\n臺北人,爵士樂手,就讀全人中學時開啟了他的音樂之路。現活躍於各式各樣的國內外演出現場,跨界合作邀約不斷。他曾獲得2012臺中國際爵士薩克斯風大賽首獎,並受邀在2017臺北世大運閉幕式演出熄聖火樂。參與過的十餘張爵士專輯共獲得了兩座金曲獎、四座金音獎的肯定。在獨立音樂和影視、流行樂壇也跨刀合作了超過百首以上的作品。自歐洲留學回臺七月將滿十年的他,仍然持續發掘及探索新的領域,同時將投注無數的時間於形塑環境、提升年輕樂手水準。
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特別感謝:國家交響樂團、書法題字李根政先生、生祥樂隊服裝:APUJAN
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主辦單位:衛武營國家藝術文化中心
\n\n本演出由國家兩廳院、
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攝影:劉振祥
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\n',team:""},english:{onShelfRange:{start:1655962200,end:4811587199},tabs:[],onShelf:!0,sliders:[{type:"image",key:"24bfa27790caff2fbaa47992505862a1",title:"生祥樂隊《我庄三部曲》演唱會"}],related:[],title:"Sheng Xiang & Band - I-Village Trilogy",cover:"44dfb3abe21e68f1c17ae7e2b689f97f",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:'Sheng Xiang & Band is a six-piece band led by singer-songwriter LIN Sheng-xiang and lyricist CHUNG Yung-feng. For this performance, Sheng Xiang & Band will perform songs from his I-Village Trilogy of albums: I-Village (2013), Village Besieged (2016), and Water Snowflake Goes to Market (2020). These critically-acclaimed, award-winning recordings trace the changes of a Taiwanese farming village through modern times, offering a larger commentary on the current struggles of working-class and ordinary people in Taiwan. Sheng Xiang & Band will be backed by a 13-piece Western classical string and wind ensemble, led by composer and arranger CHANG Shiuan. Fans will hear fresh arrangements of beloved songs.
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Pre-talk
\n\n2022/12/3(Sat)18:50 Playhouse 2nd Floor
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Creative and Production Team
\n\n【Sheng Xiang & Band】
\n\nLead Vocals & 6-String Moon Guitar|LIN Sheng-xiang
\n\nLyrics & Spoken Word Poetry|CHUNG Yung-feng
\n\nElectric Guitar|Ken OHTAKE
\n\nElectric Bass|Toru HAYAKAWA
\n\nDrums|Noriaki FUKUSHIMA
\n\nPercussion & Erhu|Alex WU
\n\nSuona & Dizi|HUANG Po-yu
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Composition & Orchestral Arrangements|CHANG Shiuan
\n\nConductor|FAN Kai-hsi
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【Orchestra】
\n\nViolin|HUNG Chang-wen *
\n\nViola|HUANG Ya-han *
\n\nCello|CHEN I-ting *
\n\nDouble Bass|SU Yi-jung *
\n\nFlute|Chika MIYAZAKI *
\n\nOboe| LEE Ming-i *
\n\nClarinet|LO Ta-chun
\n\nBassoon|CHEN I-hsiu *
\n\nSaxophone|HSIEH Min-yen
\n\nTrumpet|CHONG Loo-kit *
\n\nTrombone|LEE Kun-ying *
\n\nPercussion|YANG Pi-tzu *
\n\nPiano|WENG Chung-hua *
\n\n*NSO Musicians
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Team Introduction
\n\nSheng Xiang & Band
\n\nSheng Xiang & Band is a six-piece band led by singer-songwriter LIN Sheng-xiang and lyricist CHUNG Yung-feng. The duo's decades-long partnership has produced a large body of work about rural life and environmental issues, which have won them a large and loyal following across Taiwan. They are considered pioneers among the Hakka-speaking community for using the language exclusively in the modern rock idiom. Their efforts have yielded a long string of awards, including the Golden Melody Awards, Taiwan's highest music honor, for Best Album and Best Lyricist.
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Lead Vocals, 6-String Moon Guitar|LIN Sheng-xiang
\n\nLIN Sheng-xiang was born in Meinung, a small rural town in southern Taiwan, near the port city of Kaohsiung. As a singer and songwriter, he came to prominence in the late 1990s with the Labor Exchange Band, which set him on a path to becoming one of Taiwan's most highly regarded folk singers of today. At the time, he and his songwriting partner, CHUNG Yung-feng, were part of a grassroots movement to save their hometown from a government dam project that endangered local communities and posed ecological risks to the environment. Combining Western folk rock with traditional Taiwanese music and singing in their native Hakka language, the pair created new, exciting music that galvanized a protest movement across Taiwan, and inspired generations of musicians and activists across the island. LIN has toured all over the world, performing in Europe, the Americas, and Asia. He lives in Meinung today, and describes his life as one devoted to making music and raising his daughter.
\n\nLIN's career has seen the release of eleven albums and three film soundtracks, for which he has won nine Golden Melody Awards, ten Golden Indie Music Awards, one Taipei Film Festival award, and two Golden Horse Film Festival awards. Some of his landmark recordings include Planting Trees (2006), which explores the trials and tribulations of modern rural life for youth, The Land Is My Study (2010), an exploration of the work of the renowned Hakka-Taiwanese writer CHUNG Li-he (1915-1960), and Village Besieged (2016), a concept album about activists fighting pollution produced by the petrochemical industry in Southern Taiwan. LIN's current group, Sheng Xiang & Band, released their latest recording, Water Snowflake Goes to Market, in 2020.
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Lyrics, Spoken Word Poetry|CHUNG Yung-feng
\n\nCHUNG Yung-feng is a writer, poet and lyricist best known for his partnership with singer-songwriter and fellow Meinung native LIN Sheng-Xiang. The son of a tobacco farmer, CHUNG teamed up with LIN to write lyrics for the Labor Exchange Band's seminal record Let Us Sing Mountain Songs (2000), which was a grassroots sensation across Taiwan and earned him a Best Producer accolade at the Golden Melody Awards, the Chinese-speaking world's highest music honor. He received several Golden Melody Awards for Best Lyricist for LIN's album Getting Dark (2005) and Planting Trees (2006), and was nominated for Best Lyricist for Sheng Xiang & Band's 2014 album I-Village. CHUNG continues to work with LIN today as lyricist and co-producer. Their latest release is Water Snowflake Goes to Market (2020), which touches upon the cultural significance of food from a rural perspective, and is a bookend to their "I-Village" trilogy of albums.
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Composition & Orchestral Arrangements|CHANG Shiuan
\n\nDescribed as "spiritual, light and comforting." by Classic Agenda (FR), CHANG Shiuan's music has appeared internationally at Carnegie Hall, Lincoln Center Merkin Hall, Suntory Hall, Chicago Symphony Center, Moscow Philharmonic Chamber Hall, Berlin Philharmonic Chamber Hall, Hungary Bartok Hall, Taiwan National Concert Hall, Geneva Archipel Festival, Royaumont, and more. He has worked with and received commissions from the Cloudgate Contemporary Dance Company, National Symphony Orchestra, Taipei Symphony Orchestra, Chicago Civic Symphony Orchestra, Neue Vocalsolisten Stuttgart, Ek-meles Ensemble, Les Métabole, Princeton Singers, TANA Quartet, Atlas Ensemble, Ensemble Multilaterale, Earplay Ensemble, Ictus Ensemble, maestro Péter EÖTVÖS and Gilbert VARGA.
\n\nCHANG's the founder of Innuan, an non-profit organization dedicated to exploring the critical role of live music performance in the new directions for the twenty-first century.
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Conductor|FAN Kai-hsi
\n\nFAN Kai-hsi was born in Taiwan 1983, where she began learning music at a young age. In 2001, she attended Taipei National University of the Arts to study violin with Prof. SU Shien-ta. From 2006 to 2009, she continued her Master's studies in conducting at Taipei National University of the Arts with Prof. HSU Sung-jen. In 2010, she furthered her studies in conducting in the class of Prof. Per Borin at the Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart, Germany; where she received her Artist Diploma (Konzertexamen) in 2012.
\n\nPrizewinner of many international conducting competitions such as "First Prize" in the Conducting Masterclass and Competition by Michael Dittrich in Budapest, Hungary in 2012, one of the last five Candidates in the world renowned Besancon International Competition for Young Conductors in September 2013, "Orchestra Prize" in the Opera Nice Cote D'azur Conducting Competition in 2018. She is going to conduct the Opera Nice during the 2021/22 season. Over the years, he has accumulated a wealth of performance experience, and has cooperated with domestic and foreign orchestras many times such as the Stuttgart Chamber Orchestra, Württembergische Chamber Orchestra Heilbronn, Württembergische Philharmonic Reutlingen, Stuttgart Philharmonic Orchestra, and Philharmonic Orchestra “Oltenia” Craiova (Romania) and National Taiwan Symphony Orchestra. She has participated in the Conducting Masterclass by Jorma PANULA, Bernard HAITINK, Jin WANG, Günther HERBIG, Michael DITTRICH and André DE QUADROS.
\n\nAfter returning to Taiwan in 2015, she immediately took up the post of assistant conductor of National Taiwan Symphony Orchestra. During her tenure, she has won many outstanding performances and praises from members and fans. Performances in collaboration with the National Taiwan Symphony Orchestra include the parent-child concert "Symphony Elf" in May 2016, "The Poseidon Family and the Giant" in January 2017, the parent-child concert "Crutch Dog" in April 2017, and the "Artist" in May 2017. From the Philharmonic, May 2017, "Voice and Voiceless", September 2017, "Romantic Symphony Concert on the Third Line of Traveling Taiwan", October 2017 "Zeng Yuqian Concerto Concert", October 2017 "2017 Taichung Flower City" Art Season NTSO Zhen Ai Centennial Opening Musical-Homecoming", December 2017 "Sheng Can Sunflower-NTSO 72nd Anniversary Group Celebration Concert", March 2018 "2018 Taiwan Lantern Festival in Chiayi" and April 2018 Parent-Child Music "Music, Noise, Mute" and so on. In May 2018, she was invited to conduct "Presidential Palace Concert-My Hometown Scenery" at Yuanlin Performing Arts Hall; in October 2018, the two halls were invited to conduct "Children's Animation Concert-Searching for a New World"; in January 2019, she conducted "Music for Food Charity Concert Series-Winter Sun", widely acclaimed.
\n\nFAN Kai-hsi was the violist of Jade Quartet in Stuttgart, Germany (2013/2014), Music Director of the Chamber Orchestra Collegium Artium Stuttgart (2014/2015 season). assistant Conductor of the National Taiwan Symphony Orchestra (2015- 2018). Currently she is the Conductor of Tunghai University and Tainan National University of the Arts Department of Music.
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National Symphony Orchestra
\n\nFounded in 1986, the National Symphony Orchestra (NSO), also known as Taiwan Philharmonic, has been the resident orchestra of the National Concert Hall, and an artistic affiliate of the National Performing Arts Center in April 2014. The orchestra has benefited from the leadership of many music directors and princi-pal conductors, including Gerard Akoka, Urs Schneider, Tsang-houei HSU, Da-Shen CHANG, Jahja LING, Wen-Pin Chien, Güther Herbig and Shao-Chia LÜ. The NSO works regularly with internationally acclaimed musicians, including Lorin Maazel, K. Penderecki, Rudolf Barshai, Kek-Tjiang Lim, G. Schwarz, Uri Mayer, Joseph Silverstein, Leonard Slatkin, Christopher Hogwood, Christopher Poppen and many others. Tour performances were also regularly offered throughout Taiwan and in overseas, in places such as Vienna, Paris, Berlin, Brussels, Singapore, Kuala Lumpur, Sapporo, Tokyo, Yokohama, Hong Kong, Shanghai, Bei-jing, Costa Mesa, and Vancouver.
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Presenter National Kaohsiung Center for the Arts (Weiwuying)
\n\nCo-commissioned by National Theater & Concert Hall, Hakka Affairs Council and Cultural Affairs Bureau, Tainan City Government. World premier on April 16th, 2021, at National Concert Hall, Taipei.
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Photo ©劉振祥
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\n\n
衛武營國家藝術文化中心為南臺灣藝術發展重要基地,擁有全亞洲最大的管風琴及全臺唯一葡萄園式座席設計音樂廳。為能讓全國學生有機會進入如此具有特色的國際表演廳院,並透過藝文欣賞的體驗,讓美感教育潛移默化,本計畫邀請專業表演團隊精心設計演出腳本,將「劇場禮儀」、「國際廳院介紹」融入精采表演中,期望師生透過親身蒞臨藝文場館與表演欣賞,達到培養學生對於表演藝術美學的感受力與接觸美感場域之目的。
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推廣場次
\n2022下半年共計12場,各場次日期時間如下表:
\n
國小高年級場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 10/18(二) | \n\t\t\t10:30-11:30 | \n\t\t
2 | \n\t\t\t\n\t\t\t 10/18(二) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t\n\t\t\t 10/25(二) | \n\t\t\t10:30-11:30 | \n\t\t
4 | \n\t\t\t\n\t\t\t 10/25(二) | \n\t\t\t14:00-15:00 | \n\t\t
6 | \n\t\t\t\n\t\t\t 11/22(二) | \n\t\t\t10:30-11:30 | \n\t\t
7 | \n\t\t\t\n\t\t\t 11/22(二) | \n\t\t\t14:00-15:00 | \n\t\t
8 | \n\t\t\t11/29(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
9 | \n\t\t\t11/29(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
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國中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 10/17(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 10/18(二) | \n\t\t\t10:30-11:30 | \n\t\t
3 | \n\t\t\t\n\t\t\t 10/18(二) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t\n\t\t\t 10/24(一) | \n\t\t\t14:00-15:00 | \n\t\t
5 | \n\t\t\t\n\t\t\t 10/25(二) | \n\t\t\t10:30-11:30 | \n\t\t
6 | \n\t\t\t\n\t\t\t 10/25(二) | \n\t\t\t14:00-15:00 | \n\t\t
7 | \n\t\t\t\n\t\t\t 11/21(一) | \n\t\t\t14:00-15:00 | \n\t\t
8 | \n\t\t\t\n\t\t\t 11/22(二) | \n\t\t\t10:30-11:30 | \n\t\t
9 | \n\t\t\t\n\t\t\t 11/22(二) | \n\t\t\t14:00-15:00 | \n\t\t
10 | \n\t\t\t11/28(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
11 | \n\t\t\t11/29(二) \n\t\t\t(國小+國中) | \n\t\t\t10:30-11:30 | \n\t\t
12 | \n\t\t\t11/29(二) \n\t\t\t(國小+國中) | \n\t\t\t14:00-15:00 | \n\t\t
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高中場次
\n\n序 | \n\t\t\t日期 | \n\t\t\t演出時間 | \n\t\t
1 | \n\t\t\t\n\t\t\t 10/17(一) | \n\t\t\t14:00-15:00 | \n\t\t
2 | \n\t\t\t\n\t\t\t 10/24(一) | \n\t\t\t14:00-15:00 | \n\t\t
3 | \n\t\t\t11/21(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
4 | \n\t\t\t11/28(一) \n\t\t\t(國中+高中) | \n\t\t\t14:00-15:00 | \n\t\t
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體驗內容
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國際廳院介紹:實際走進衛武營音樂廳,認識全亞洲最大管風琴以及葡萄園式座席,感受國際廳院的魅力。
\n\n劇場禮儀:實際體驗驗票進場流程、尋找票面上的座位入席,並在演出過程中學習遵守國際劇場禮儀。
\n\n精彩表演體驗:衛武營藝企學每年邀請音樂、舞蹈、馬戲、傳統戲曲四大類型的專業表演團隊,並精心設計適合該年齡層的演出腳本,並搭配精美學習單,培養學生對於表演藝術美學的感受力。
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體驗時間
\n\n各場次約90~120分鐘
\n\n上午場 | \n\t\t\t下午場 | \n\t\t\t流程 | \n\t\t
09:30~10:00 | \n\t\t\t13:00~13:30 | \n\t\t\t集合整隊、發放票券及學習單 | \n\t\t
10:00~10:30 | \n\t\t\t13:30~14:00 | \n\t\t\t驗票入場、活動介紹、使用洗手間 | \n\t\t
10:30~11:30 | \n\t\t\t14:00~15:00 | \n\t\t\t正式演出 | \n\t\t
*因各場次人流眾多,等待時間可能較長,造成不便敬請見諒
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申請流程
\n\n\n\n
申請對象
\n\n全國各縣市之國小五年級生至高中職生
\n\n\n\n
\n\n
媒合與公告時程
\n\n各場次演出前兩週發送詳細行前通知與演出內容簡介。
\n\n\n\n
聯絡窗口
\n\n衛武營國家藝術文化中心 行銷部學習推廣組
\n\nlearning@npac-weiwuying.org
\n\n\n\n
贊助單位
\n\n\n\n
\n',team:""},createdAt:1654650864,updatedAt:1669291507,updatedBy:"李詠嫣",host:!0},{_id:"62b57056f54874000a2bcc17",catalogs:["5d08a4a8d6da88000647288c"],dateTime:{first:1661394600,discrete:[{time:1661394600},{time:1661407200},{time:1675317600}],type:"discrete"},activity:{type:"free",free:{description:"線上報名,媒合參與"}},attachment:{key:"599fcc10d025bc658aa8c803b49ea076",name:"附件:藝起來尋美-劇場體驗課程申請表(1).docx",ext:"docx"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"3275bdb5e877de689e3e4f714ecbba29",title:"111學年度體驗課程"}],related:[],title:"衛武營【劇場藝術體驗教育計畫】 111學年度體驗課程",cover:"d1860b824111be8c753032f8bf9e7e22",site:{isOther:!0,site:"5aec47eeb01ea6000520f665",other:"衛武營"},cautions:'
►錄取名單公告 | \n\t\t
\n\n
計畫概述
\n\n衛武營國家藝術文化中心自2018年開幕以來,致力於提升南臺灣藝術文化環境,期盼帶給青年學子嶄新的學習體驗。2019年因新課綱的啟航,首度辦理「劇場藝術體驗教育-體驗課程」,從演前體驗、演出欣賞、演後分享,讓教室成為「劇場藝術體驗教育」的場域,培養溝通互動、社會參與及自主行動等三項九面核心素養。截至2022上半年,已有將近60個班級、2000多位學生參與體驗課程,未來將持續帶給青年學子更多元、豐富的體驗課程,引領學子進入場館,提升劇場藝術和美學教育。
\n\n\n\n
合作單位
\n\n高雄市政府教育局
\n\n\n\n
申請日期
\n\n2022年6月29日(三)起 至 2022年7月29日(五)止
\n\n\n\n
課程規劃
\n\n►請詳閱「111學年度體驗課程申請簡章」
\n
推廣對象
\n\n一、國小、國中、高中職學生
\n\n以國小四年級以上及國中、高中職學生為主,不限藝術相關科系。
\n\n二、學校教師
\n\n不限藝術相關領域教師與課程,鼓勵學校教師進行課程實驗與創新,發展多元適性的學校本位特色課程,活化教學,提供適當且均衡學習量的教材,以達成藝術體驗教育之目標。
\n\n\n\n
申請資格
\n\n\n\n
申請流程
\n\n\n\n
\n\n
錄取名額
\n\n※因節目年齡層限制,每學期正取2所國小、10所國中及高中學校。
\n\n\n\n
\n\n
聯繫窗口
\n\n衛武營國家藝術文化中心 學習推廣組
\n\n連映涵小姐 (07)262-6935 ida.lian@npac-weiwuying.org
\n\n\n\n
高雄市教育局窗口(高雄市新甲國民小學)
\n\n楊博文主任 (07)766-8170*8031
\n\n黃美真老師 (07)766-8170*8053 hsinart110@gmail.com
\n\n\n\n
贊助單位
\n\n主要贊助:
\n\n協力贊助:
\n\n\n\n
\n\n
資料下載
\n\n\n',team:""},createdAt:1656057942,updatedAt:1668740838,updatedBy:"林蔚行",host:!0},{_id:"62b57058f54874000a2bcc18",catalogs:["5d08a4a8d6da88000647288c"],dateTime:{first:1661481e3,discrete:[{time:1661481e3},{time:1675391400}],type:"discrete"},activity:{type:"free",free:{description:"線上報名,媒合參與"}},attachment:{},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d61eda0fcdac386f067481fa372371cf",title:"111學年度讀劇課程"}],related:[],title:"衛武營【劇場藝術體驗教育計畫】 111學年度讀劇課程 ",cover:"2787fe4af4f10e0f340b5accb11345e6",site:{isOther:!1,site:"5b1029cdda0322000751e9ad",other:""},cautions:'
►錄取名單公告 | \n\t\t
\n\n
計畫概述
\n\n衛武營國家藝術文化中心自開幕以來,致力於提升南臺灣藝術文化環境,期盼帶給青年學子嶄新的學習體驗。因108課綱的啟航,校方在多元選修與彈性課程的需求量提升,故衛武營於同年辦理「劇場藝術體驗教育計畫」,設計符合學校課綱之藝術教育課程,陪伴學生們在新課綱的領航下,培養溝通互動、社會參與及自主行動等三項九面核心素養。
\n\n自2020年起,衛武營由「劇場藝術體驗教育計畫」向下延伸,於每學期辦理為期13週的「讀劇課程」,由學校教師與劇場專業業師共同備課完善教學架構,再透過業師進入校園,結合發聲練習、議題教學、肢體開發與感知體驗,讓學生們深度體驗戲劇生產的過程與趣味,並於學期末登台演出呈現。
\n\n「讀劇課程」於每年開放高雄市國小、國中與高中職學校申請,盼能補足各級學校的教材資源,並拓展本計畫之豐富性與多元性。
\n\n\n\n
合作單位
\n\n高雄市政府教育局
\n\n\n\n
課程初步規劃
\n\n1. 寒/暑期共學工作坊
\n\n為建立課程共識並完善教學架構,錄取本計畫之教師須於寒/暑期參與1日共備課程,與劇場業師共同討論教學架構與課程內容,並協助計畫入校等相關行政程序。
\n\nI. 時間:
\n\nII. 地點:衛武營國家藝術文化中心 演講廳
\n\n\n\n
2. 讀劇課程
\n\n於開學後至讀劇發表會前,安排13週讀劇課程,平均每週2堂課,實際授課日期依各校排課狀況而定。
\n\n\n\n
►請詳閱 111學年度讀劇課程簡章
\n\n\n\n
申請日期
\n\n2022年6月29日起 至 2022年7月29日止
\n\n公告日期:2022年8月5日前於衛武營官網公告
\n\n\n\n
申請對象
\n\n開放高雄市國小五年級以上、國中與高中職學校報名參與,以班級為單位,每班學生數至多不可超過40人。
\n\n\n\n
申請方式
\n\n\n\n
錄取名額
\n\n上學期:正取高中職2所、國中2所、國小2所、偏鄉1所(含偏遠、特偏、極偏,若無擇由市區學校遞補名額)
\n\n下學期:正取高中職2所、國中2所、國小2所、偏鄉1所(含偏遠、特偏、極偏,若無擇由市區學校遞補名額)
\n\n\n\n
聯繫窗口
\n\n衛武營國家藝術文化中心 學習推廣組
\n\n連映涵小姐 (07)262-6935 ida.lian@npac-weiwuying.org
\n\n翁玉芬小姐 (07)262-6934 yufen.weng@npac-weiwuying.org
\n\n\n\n
高雄市教育局窗口(高雄市新甲國民小學)
\n\n楊博文主任(07)766-8170*8031
\n\n黃美真老師(07)766-8170*8053 hsinart110@gmail.com
\n\n\n\n
資料下載
\n\n\n\n
相關實記
\n\n2020 春季讀劇發表會 | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
2020 秋季讀劇發表會 | \n\t\t\t\n\t\t\t\n\t\t\t | \n\t\t
2021 春季讀劇發表會 | \n\t\t\t線上讀劇精華 | \n\t\t
\n\n
贊助單位
\n\n主要贊助:
\n\n協力贊助:
\n\n\n\n
\n',team:""},createdAt:1656057944,updatedAt:1668740859,updatedBy:"林蔚行",host:!0},{_id:"62beba27afe2d7000ae416a1",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1668166200,discrete:[{time:1668166200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3,1600,2200,3e3],link:"https://www.opentix.life/event/1539149065721307141"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4a9f6fce752a1a0c0d28939baa85c78d",title:"《炫技巴洛克-Shunske Sato╳巴洛克獨奏家樂團》"}],related:[],title:"《炫技巴洛克-Shunske Sato╳巴洛克獨奏家樂團》",cover:"80782935482f4e6c8c0e71d04aad516f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
影片來源:YouTube(Baroque Camerata)
\n\n\n\n
"Shunske Sato的演出令人驚艷,展現出極高水準的自信及音樂水平。"——《紐約時報》重量級音樂評論家Allan Kozinn
\n\n\n\n
巴洛克獨奏家樂團攜手全球最具個人特色巴洛克小提琴家Shunske Sato同台炫技,Shunske Sato,目前任教於阿姆斯特丹音樂學院,並擔任尼德蘭巴赫協會藝術總監,以其獨特魅力演奏古樂器、詮釋巴洛克音樂而聞名,更是眾多國際知名交響樂團合作音樂家,至今已出版數十張專輯,每年演出百場音樂會與留下許多音樂演奏及教學影片,是全球最重要巴洛克音樂演奏家之一。不論做為演奏家和教育家皆受到廣大的喜愛,此次演出,將帶給樂迷絢麗且令人驚喜的巴洛克音樂饗宴。
\n\n\n\n
演出曲目
\n\n柯賴里:第六號第四首D大調大協奏曲
\n\n巴赫:第一號D小調小提琴協奏曲,作品一〇五二R
\n\n韋瓦第:「四季」小提琴協奏曲
\n\n\n\n
演出暨製作團隊
\n\n特邀小提琴|Shunske Sato
\n\n巴洛克獨奏家樂團
\n\n\n\n
\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"4a9f6fce752a1a0c0d28939baa85c78d",title:"《炫技巴洛克-Shunske Sato╳巴洛克獨奏家樂團》"}],related:[],title:"「Dazzling & Enchanting」Shunske Sato╳Baroque Camerata",cover:"9d391a16e90f98c0c4323d769634feec",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
© YouTube(Baroque Camerata)
\n\n\n\n
Shunske Sato, Artist Director of the Netherlands Bach Society and faculty of the Amsterdam Conservatory. Sato, who is well-known for his playing on baroque instruments, has performed hundreds of concerts every year. Engaging with modern music language, his Baroque music interpretation is not very unique, but also very stylish.This is the first time that Sato performs in Taiwan with Baroque Camerata, we proudly presents to you a refreshing, enlighting and splendid Baroque music celebration.
\n\n\n\n
Program
\n\nA. Corelli:Concerto grosso in D Major, Op. 6, No. 4
\n\nJ.S. Bach:Violin Concerto in D Minor, No. 1, BWV1052R
\n\nA. Vivaldi:Quattro Stagioni,“Four Seasons”
\n\n\n\n
Creative and Production Team
\n\nSolo Violin|Shunske Sato
\n\nBaroque Camerata
\n\n\n\n
\n\n
\n',team:""},createdAt:1656666663,updatedAt:1664164904,updatedBy:"林蔚行",host:!1},{_id:"62cbdc54869db0000721d162",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1669894200,discrete:[{time:1669894200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[800,1e3,1500],link:"https://ticket.com.tw/application/UTK02/UTK0201_.aspx?PRODUCT_ID=N21FJ4BV"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a51ab1ceae2fcbd209fa1ae583efb037",title:"《2022黃詩雅小提琴獨奏慈善音樂會-昇華的感動》"}],related:[],title:"《2022黃詩雅小提琴獨奏慈善音樂會-昇華的感動》",cover:"0a303a0dcd62eba8f7128057e18530e3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
本場音樂會將帶領大家一起欣賞巴洛克、古典及浪漫時期的音樂。上半場將帶來韓德爾的巴洛克精緻音樂以及貝多芬的經典曲目,而下半場則為帕格尼尼及薩拉薩帝耳熟能詳的曲目。將由青年小提琴家黃詩雅及知名鋼琴家朱泳達,為大家帶來浪漫的音樂饗宴。
\n\n此場慈善音樂會的一半收入,將會捐贈給弱勢團體、回饋母校(提供清寒獎助)
\n\n\n\n
演出曲目
\n\n韓德爾:第一號A大調小提琴奏鳴曲,作品一之三
\n\n貝多芬:第一號D大調小提琴奏鳴曲,作品十二
\n\n帕格尼尼:小提琴奇想曲第二十四首,作品一
\n\n薩拉薩泰:卡門幻想曲
\n\n\n\n
演出暨製作團隊
\n\n小提琴|黃詩雅
\n\n鋼琴|朱泳達
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"a51ab1ceae2fcbd209fa1ae583efb037",title:"《2022黃詩雅小提琴獨奏慈善音樂會-昇華的感動》"}],related:[],title:"Shih-Ya Huang Violin Recital",cover:"0a303a0dcd62eba8f7128057e18530e3",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
This concert will lead everyone to appreciate the music from the Baroque, Classical and Romantic period. Handel, Beethoven, Paganini and Sarasate famous piece will be performed by young violinist, Shih-Ya HUANG, and renowned pianist, Yung-Ta CHU.
\n\n\n\n
Program
\n\nG. F. Handel: Violin Sonata No. 1 in A major, Op.1-3
\n\nL. Beethoven: Violin Sonata No. 1 in D major, Op. 12
\n\nN. Paganini: Caprice for Solo Violin, Op. 1, No. 24
\n\nP. Sarasate: Carman Fantasy
\n\n\n\n
Creative and Production Team
\n\nViolin|Shih-Ya HUANG
\n\nPiano|Yung-Ta CHU
\n\n\n\n
\n',team:""},createdAt:1657527380,updatedAt:1657876806,updatedBy:"林蔚行",host:!1},{_id:"62d0cdfd7d37500007486f0e",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1668164400,discrete:[{time:1668164400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},attachment:{key:"d3ebbbd2c608b4654a740727857c781e",name:"【2022臺灣舞蹈平台】葉名樺 x 高雄城市芭蕾舞團《跳芭蕾》節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d386fb2f8956af8b27eb35f965fe92fa",title:"【2022臺灣舞蹈平台】葉名樺 x 高雄城市芭蕾舞團《跳芭蕾》"}],related:[{from:"programs",key:"62d6612b7d375000074b4da1",title:"【2022臺灣舞蹈平台】 講座 | 身體與少女:女性藝術的創作"},{from:"programs",key:"62985ec8cd649e00076ffecb",title:"【2022臺灣舞蹈平台】田孝慈×李世揚×戴孜嬣《連篇歌曲》+蘇品文《少女須知》"}],title:"【2022臺灣舞蹈平台】葉名樺 x 高雄城市芭蕾舞團《跳芭蕾》",cover:"8b1c16153f00b0aeca345489ac7d9bd1",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
節目全長約50分鐘,無中場休息。
\n\t無年齡限制觀賞。
\n\t\n\n
「跳舞的女孩在成年以前,總是喜歡先穿好膚色的褲襪,期待學校下課後舞蹈課前胡亂塞一口點心,等著爸媽騎來的摩托⾞,戴上安全帽就可直奔練舞的天堂⋯⋯」—— 葉名樺《跳芭蕾》
\n\n\n\n
你曾經在路上看見穿著舞衣和蓬蓬裙的小孩坐在摩托車上嗎?雙腿穿著膚色褲襪與舞鞋、頭梳著包包頭,他們可能是要去跳舞或是下課的路上,這是高雄常見的城市風景之一,也是編舞家葉名樺在這座城市成長的真實場景 。
\n\n\n\n
住在南臺灣郵遞區號 822的小女孩冬天在窗邊小聲的祈禱:「聖誕老公公,聖誕老公公,請你聖誕夜時在我家外面下雪.....」只是,高雄會下雪嗎 ? 而芭蕾舞在臺灣的發展風景,是否有如下雪那樣,難以遇見卻仍走在期盼的路上。
\n\n\n\n
在臺灣,學舞成為了一種藝術培養的選擇,許多小孩都曾經進入舞蹈的世界,特別是女孩,但為什麼是女孩?許多人依舊想問:「男孩你為何舞蹈?然後再問芭蕾舞如何生存 ? 」舞者只能淺淺地一笑,背上包包繼續往教室走去....
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《跳芭蕾》是2022臺灣舞蹈平台的委託創作,邀請出生於高雄的編舞家葉名樺,與今年30年周年的「高雄城市芭蕾舞團」共同合作。舞團是她在高雄習舞成長的啟蒙之地,而芭蕾舞訓練也深深影響她的身體語彙,創作發展出獨有的姿態。這次葉名樺將透過她自身成長經歷與當代創作的視野,梳理創作出芭蕾舞在臺灣的風景。
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作品將由舞團不同年齡的學員,與團員舞者和老師們同台共創共演,是葉名樺《跳芭蕾》創作的第一部篇章。
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周邊活動
\n\n►9/23(五)19:00
\n【2022臺灣舞蹈平台】 講座 | 南臺灣的芭蕾舞是從摩托⾞開始的
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演出暨製作團隊
\n\n編舞|葉名樺
\n\n藝術總監|張秀如
\n\n藝術顧問|林璟如
\n\n音樂統籌|王榆鈞
\n\n燈光設計|郭建豪
\n\n製作統籌|李聚慧
\n\n排練指導|吳和儒
\n\n舞台監督|林孝鍇
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演出團隊|高雄城市芭蕾舞團
\n\n客席演出|劉淑玲、陳怜妏、葉淑萍
\n\n團員|夏嘉徽、許佳蓉、郭蓉安、劉諭萱、廖炎勇、蘇紹明
\n\n儲備團員|吳沁瑀、何語婕、陳妍臻、王筠晴、王宜穠、楊婕希
\n\n成⼈芭蕾|李翠玉、李寧栩、郭玉芬、柯嵐馨、謝婉筠、林欣儀、林紜靚、許雅慧、吳素鋆
\n\n小舞者|葉芯瑜、洪紫玲、劉雅祈、李承音、林宥廷、王芮淇、陳柚羽、曾珮瑜、林妤欣、王若語、黃梓涵、鄭詩俞、呂宓橖、陳奕臻
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製作單位|衛武營國家藝術文化中心
\n\n策展人|周書毅
\n\n節目專員|羅仕儒
\n\n專案執行|薛梅珠
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藝術家介紹
\n\n葉名樺
\n\n出生於高雄,11歲進入張秀如舞蹈中心,畢業於台北藝術大學舞蹈學院。
\n\n近年創作以身體、感官詮釋來思考時間與空間,並以媒材、跨領域的演出實踐回應敘事與事件。
\n\n2019-2020年受邀衛武營國家藝術文化中心「四國駐地交流計畫」發表實驗型公共場域創作。
\n\n2020年受台北市立美術館委託製作《牆後的院宅》,並獲得第19屆台新藝術獎年度大獎肯定。
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高雄城市芭蕾舞團
\n\n高雄城市芭蕾舞團是由藝術總監張秀如於1992年8月成立於南部的第一個芭蕾舞團,迄今已進入第30年,結合南部地區芭蕾專業舞者,為共同提升芭蕾舞蹈藝術而努力。
\n\n1996年起開始巡迴演出全臺,多元專業的演出成功地將高雄市精緻藝術介紹給全國觀眾,特別是於臺灣首演的1997~1998年古典芭蕾全劇《舞姬 La Bayade`re》,後陸續製作2000年的神話芭蕾舞劇《哪吒鬧海 Na-Za》、2001年與中國遼寧芭蕾舞團合作之《梁祝 Lianzhu》、2002年《海盜 Le Corsaire》、2002年《四季 The Four Seasons》、2003年《祭禮 Rite》。2003年更應韓國的邀請於首爾市盛大演出創作芭蕾《蓮花 Lotus》兩場,2004年則推出浪漫芭蕾全劇《仙女 La Sylphide》,2005年代表國家參加德國所舉辦的「2005年世界運動會」閉幕典禮演出,並巡演德國與法國共5場。舞團在2005年創作芭蕾《傾城之戀》、2006年古典芭蕾《帕吉達 Paquita》&創作芭蕾《綻》、2007年古典文學芭蕾舞劇《牡丹亭》、「2008年Yes, Ballet」、「2008年總統就職國宴」、「2009年第二屆世界佛教論壇晚宴」、「2009年高雄世界運動會」閉幕典禮、2010年芭蕾舞劇《彼得與狼》、「2010年古典芭蕾之父──佩提帕逝世100年紀念演出」、2011年芭蕾舞劇《仙履奇緣 Cinderella》、2012年芭蕾舞劇《三太子──哪吒》、「2012年國際 Youth Ballet 芭蕾之夜~新加坡VS高雄」、2013年芭蕾舞劇《野天鵝 The Wild Swans》、2014年芭蕾舞劇《柯碧莉亞 Coppelia》、2015年芭蕾舞劇《胡桃鉗 The Nutcracker》、2016年芭蕾舞劇《牡丹亭 The Peony Pavilion》、2017年創作芭蕾《光Light》、2018年《19世紀浪漫芭蕾》、2019年創作芭蕾《水 Water》、2020年創作芭蕾《火Fire》、2021年創作芭蕾《風 Wind》等持續帶來精湛演出; 2004~2022年起更為發掘年輕編舞人才,推出創作芭蕾「點子鞋 Dance Shoe」系列一~十九,巡演於臺北、臺南與高雄,獲得很高評價。
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d386fb2f8956af8b27eb35f965fe92fa",title:"【2022臺灣舞蹈平台】葉名樺 x 高雄城市芭蕾舞團《跳芭蕾》"}],related:[],title:"【2022 Taiwan Dance Platform】YEH Ming-hwa X Kaohsiung City Ballet - Dancing Ballet",cover:"8b1c16153f00b0aeca345489ac7d9bd1",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
Duration is 50 minutes without intermission.
\n\tAll ages.
\n\tHave you ever seen kids in dance clothes and puffy skirts sitting on motorcycles on the road? They are probably on their way to dance or on their way to class. This is one of the common city scenes in Kaohsiung, and a real scene of choreographer YEH Ming-hwa growing up in this city.
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The little girl who lives in the South Taiwan postal code 822 whispers a prayer at the window in winter: "Santa Claus, Santa Claus, please make it snow outside my house on Christmas Eve .....". But, will it snow in Kaohsiung? And is the development of ballet in Taiwan the same as snow?
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Many children have entered the world of dance, especially girls, but why girls? Many people still want to ask: "Why do you dance as a boy? And then ask how ballet can survive? "The dancers can only smile lightly, put on their bags and continue to walk to class ....
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Dancing Ballet " is a commissioned creation of 2022 Taiwan Dance Platform, inviting Kaohsiung-born choreographer YEH Ming-hwa to collaborate with "Kaohsiung City Ballet", which is celebrating its 30th anniversary this year. The company is the inspiration for her dance training in Kaohsiung, and her ballet training has deeply influenced her body vocabulary and the development of her unique gestures. This time, through her own experiences and contemporary creative vision, Yeh will create a landscape of ballet in Taiwan.
\n\nThe work will be created and performed by the company's students of different ages, along with the company's dancers and teachers, and is the first chapter of YEH Ming-hwa's "Dancing Ballet" creation.
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Creative and Production Team
\n\nChoreographer|YEH Ming-hwa
\n\nArtistic Director|CHANG Hsiu-Ru
\n\nArtistic Advisor|LIN Jing-ru
\n\nMusic Coordinator|WANG Yu-jun
\n\nLighting Designer|GUO Jian-hao
\n\nProduction Coordinator|LEE Chu-hui
\n\nRehearsal Director|WU Ho Ju
\n\nStage Manager|LIN Xiao-kai
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Performing Team|Kaohsiung City Ballet
\n\nGuest Performers|LIU Shu-ling, ChEN Ren-wei, YEH Shu-ping
\n\nCompany Members|XIA Jia-hui , HSU Chia-rong, HUO Rong-an, LIU Fu-xuan, LIAO Yan-yong, SU Shao-ming
\n\nReserve Members|WU Qin-yu, HE Yu-jie, ChEN Yan-zhen, WANG Yun-qing, WANG Yi-yi, YANG Jie-xi
\n\nAdult Ballet|LI Cui-yu, LI Ning-xu, GUO Yu-fen, KE Lan-xin, XIE Wan-qun, LIN Xin-yi, LIN Shuang-liang, XU Ya-hui, WU Suhua
\n\nYoung dancers|YEH Xin-yu, HONG Zi-ling, LIU Ya-qi, LI Cheng-yin, LIN Yu-ting, WANG Rui-qi, CHEN Yu-yu, ZENG Pei-yu, LIN Yu-xin, WANG Ru-yue, HUANG Zi-han, ZHENG Shi-yu, LU Mi-hua, CHEN Yi-zhen
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Produced by|National Kaohsiung Center for the Arts (Weiwuying)
\n\nCurator|CHOU Shu-yi
\n\nProgram Specialist|LO Shih-ju
\n\nProject Execution|HSUEH Mei-chu
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Artists Introduction
\n\nYEH Ming-Hwa
\n\nYEH Ming-Hwa was born in Kaohsiung in 1983, and graduated from the School of Dance, Taipei National University of the Arts. A choreographer and dancer, her creative practice in recent years revolves around using body and sensory interpretation to explore time and space while combining mediums with interdisciplinary performance to respond to narratives and events. Some of her recent works include serving as the stage director for Jérôme Bels The Show Must Go On in the 2019 Taipei Arts Festival; being invited by National Kaohsiung Center for the Arts (Weiwuying) to present an experimental public site creation for Museum of Human Emotions, an international contemporary creation exchange program from 2019 to 2020; and The House Behind the Wall commissioned by Taipei Fine Arts Museum in 2020.
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Kaohsiung City Ballet
\n\nKaohsiung City Ballet is the first ballet company established in August 1992 by Artistic Director Hsiu-Ru Chang in southern Taiwan. It has entered its 30th year, combining professional ballet dancers from the southern region to work together to enhance the art of ballet dance.
\n\nSince 1996, Kaohsiung City Ballet has been touring throughout Taiwan, and has successfully introduced Kaohsiung's exquisite arts to audiences throughout the country with its diverse and professional performances. In 2003, he was invited by Korea to present two performances of the creative ballet Lotus in Seoul, and in 2004, he presented the full-length romantic ballet La Sylphide. In 2005, she represented her country to participate in the closing ceremony of the "2005 World Games" held in Germany and toured Germany and France for five performances.
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Learn More
\n\n\n\n\n\n\n',team:""},createdAt:1657851389,updatedAt:1668045526,updatedBy:"林蔚行",host:!0},{_id:"62d51f7a7d375000074a9f62",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1668252600,discrete:[{time:1668252600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,500,700,900,1200,1600,2e3],link:"https://www.opentix.life/event/1546472310853459973"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6dc753896ab5b414e1b227eefc3a6b8c",title:"《經典.浪漫-呂紹嘉×嚴俊傑×KSO》"}],related:[],title:"《經典.浪漫-呂紹嘉×嚴俊傑×KSO》",cover:"8767df05806d2b865361f93fc231d036",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
臺灣當代最代表性的指揮家─呂紹嘉執棒領銜高雄市交響樂團,鋼琴家嚴俊傑同場演出,帶來《孟德爾頌:芬加爾洞窟》序曲、《舒曼:鋼琴協奏曲》以及《布拉姆斯:第二號交響曲》,用微光般的浪漫樂音點亮世界和你我相距之間的悠悠情愫。
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演出曲目
\n\n孟德爾頌:《芬加爾洞窟》序曲,作品26
\n\n舒曼:a小調鋼琴協奏曲,作品54
\n\n布拉姆斯:D大調第二號交響曲,作品73
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演出暨製作團隊
\n\n指揮|呂紹嘉
\n\n鋼琴獨奏|嚴俊傑
\n\n高雄市交響樂團
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6dc753896ab5b414e1b227eefc3a6b8c",title:"《經典.浪漫-呂紹嘉×嚴俊傑×KSO》"}],related:[],title:"KSO - LÜ Shao-chia & YEN Chun-chieh",cover:"8767df05806d2b865361f93fc231d036",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Gathering the most emblematic Conductor LÜ Shao-chia and Pianist YEN Chun-chieh, the Kaohsiung Symphony Orchestra will bring a night with charming melody.
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Program
\n\nF. Mendelssohn: Die Hebriden Overture, Op. 26
\n\nR. Schumann: Piano Concerto in a minor, Op. 54
\n\nJ. Brahms: Symphony No.2 in D Major, Op. 73
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Creative and Production Team
\n\nConductor|LÜ Shao-chia
\n\nPiano Solo|YEN Chun-chieh
\n\nKaohsiung Symphony Orchestra
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\n',team:""},createdAt:1658134394,updatedAt:1658298354,updatedBy:"林蔚行",host:!1},{_id:"62d54bab869db0000723a721",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667302200,discrete:[{time:1667302200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,900,1200,1600,2e3,2500],link:"https://www.opentix.life/event/1544656811971649541"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d5d88d44912d6b8c10a576670395299f",title:"2022朱宗慶打擊樂團年度音樂會《俠飛春光》晨鐘暮鼓蔣渭水"}],related:[],title:"2022朱宗慶打擊樂團年度音樂會《俠飛春光》晨鐘暮鼓蔣渭水",cover:"534d4a50aaaddf71526da8f0b7584954",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
導演李小平、編劇施如芳、聯手四位作曲家—洪千惠、櫻井弘二、楊祖垚、蔡昀恬共同創作。透過幾個富有聲響想像的生命情境,聚焦臺灣知識啟蒙時光,引領觀眾翱翔於屬於蔣渭水、也屬於那個時代澎湃的天空。振筆疾書的窸窣作響、鐵鍊鐐銬的鋃鐺碰撞……豐富的擊樂音色,展現的不只是文化協會的時代聲響,更是代表著蔣渭水跨越百年,向著現代人的文明呼喊!透過加入合唱團等多元表演型態及劇場元素運用,器樂與人聲交織出一片共振迴響,也邀請觀眾以聲音為線索,追尋歷史的痕跡,省思前人是如何透過不斷的奮鬥與啟迪,造就了我們能自由謳歌的當代!
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演出曲目
\n\n洪千惠:《委託創作》
\n\n櫻井弘二:《委託創作》
\n\n蔡昀恬:《委託創作》
\n\n楊祖壵:《委託創作》
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演出暨製作團隊
\n\n朱宗慶打擊樂團與20位合唱協演
\n\n王宣惟、呂季泓、李明照、林維、夏振軒、張羽和、梁詠鈞、許郁晨、陳光展、陳俊男、陳宣卉、陳潔儀、舒克理、黃奎霖、廖子堂、劉羽謙、潘致允、鍾易修、魏新祐(依姓氏筆畫排序)
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藝術總監|朱宗慶
\n\n導演|李小平
\n\n編劇|施如芳
\n\n音樂創作|洪千惠、櫻井弘二、楊祖垚、蔡昀恬
\n\n舞台設計|陳慧
\n\n燈光設計|車克謙
\n\n服裝設計|林秉豪
\n\n合唱指導|陳麗芬
\n\n臺語指導|許澤耀
\n\n視覺設計|吳姿儀
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\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"d5d88d44912d6b8c10a576670395299f",title:"2022朱宗慶打擊樂團年度音樂會《俠飛春光》晨鐘暮鼓蔣渭水"}],related:[],title:"2022 Ju Percussion Group Annual Concert - A Hero's Radiance––Chiang Wei-shui Awakens Taiwan",cover:"534d4a50aaaddf71526da8f0b7584954",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
Fearlessly forging ahead
\n\nceaselessly pursuing freedom and justice
\n\nthe hero shines a brief but radiant light
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A hundred years ago, during the Japanese Taisho Democracy period that followed World War I, intellectuals of the Taiwanese Cultural Association drew up various blueprints for creating an ideal homeland, enriching Taiwanese society with nutrients drawn from diverse thought trends. It was a period of cultural transition between old and new, a golden age of intellectual awakening!
\n\nDirector Lee Hsiao-ping, scriptwriter Shi Ru-fang, and composers Hung Chien-hui, Koji Sakurai, Yang Tsu-yao, and Tsai Yun-tien revisit that glorious era, presenting scenes from the life of democracy pioneer Chiang Wei-shui in music. The rich sounds and imaginative scenarios recapture the years of Taiwan's intellectual awakening, immersing audiences in the world of Chiang Wei-shui's life and the times.
\n\nThe brisk rustle of the writing brush, the metallic clang of prison chains and shackles… The rich, percussive tonalities not only represent the historic Taiwanese Cultural Association but also embody Chiang Wei-shui's century-spanning call to modern society. Choral and theatrical elements, instrumental music, and vocals intertwine and resonate, inviting us to follow sonic clues and trace history's vestiges, urging us to ponder how our forbears' ceaseless struggles and penetrating insights opened the way for the freedom of expression we enjoy today.
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Program
\n\nHung,Chien-Hui: New Commissioned Work
\n\nKoji Sakurai: New Commissioned Work
\n\nTsai, Yun-Tien: New Commissioned Work
\n\nYang,Tsu-Yao: New Commissioned Work
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Creative and Production Team
\n\nPerformers:
\n\nJu Percussion Group & Ensemble
\n\nWANG, SHIUAN-WEI
\n\nLYU, JIHONG
\n\nLEE, MING-JAW
\n\nLIN WEI
\n\nHSIA, CHENG-HSUAN
\n\nCHANG, YU-HO
\n\nLIANG, YUNG-CHUN
\n\nHSU, YU-CHEN
\n\nCHEN, KUANG-CHAN
\n\nCHEN CHUN NAN
\n\nCHEN, XUAN-HUI
\n\nCHEN, Jessie-Linda
\n\nSU, KO-LI
\n\nHUANG, KUEI-LIN
\n\nHUANG, CHIEH-LING
\n\nLIAO, ZI-TANG
\n\nLIU, YU-CHIEN
\n\nPAN, CHIH-YUN
\n\nCHUNG, YI-HSIU
\n\nWEI, SIN-YOU
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Artistic Director|JU,Tzong-Ching
\n\nDirector|LEE, Hsiao-Ping
\n\nPlaywright|SHIH, Ju-Fang
\n\nComposer|HUNG, Chien-Hui、Koji Sakurai、YANG, Tsu-Yao、TSAI, Yun-Tien
\n\nSet Designer|CHEN, Hui
\n\nLighting Designer|CHE, Ko-Chien
\n\nCostume Designer|LIN, Bing-Hao
\n\nChorus Instruct|CHEN, Li-Fen
\n\nTaiwanese Instruct|HSU, Tzer-yaw
\n\nGraphic Designer|WU, Zi-Yi
\n\n\n\n
\n',team:""},createdAt:1658145707,updatedAt:1658814919,updatedBy:"林蔚行",host:!1},{_id:"62d8d594869db00007243c48",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1668218400,discrete:[{time:1668218400},{time:1668304800}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},attachment:{key:"2dcfe45acc6cc52279f7aedca401f903",name:"【2022臺灣舞蹈平台】左涵潔《小孩筆記-身體是我的搭檔》節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"aa3d5e57d910f231b1c43d987140a5cd",title:"【2022臺灣舞蹈平台】《小孩筆記-身體是我的搭檔》"}],related:[{from:"programs",key:"62985ec8cd649e00076ffecb",title:"【2022臺灣舞蹈平台】田孝慈×李世揚×戴孜嬣《連篇歌曲》+蘇品文《少女須知》"},{from:"programs",key:"62989b04c9bbe00007288949",title:"【2022臺灣舞蹈平台】翃舞製作《Birdy》+秋杉所在《採 身》"}],title:"【2022臺灣舞蹈平台】左涵潔《小孩筆記-身體是我的搭檔》",cover:"560de2a098f26f64bafc94f45bbab21a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
「斑馬線的間距對我來說有點寬!」──看我用跳的
\n\n「洗手台太高我構不到?」──看我踮起腳尖
\n\n「這門太重我推不動~」──啊~~看我使出風力拳
\n\n\n\n
觀察孩子在城市中的身體日常,在還沒有長大成人之前,他們需要面對許多的挑戰,在這些有趣的誤差之下,孩子的身體也被刺激著開始創造,只是...大人們如何允許與陪伴這樣的創造嗎?
\n\n\n\n
《小孩筆記-身體是我的搭檔》是 【2022臺灣舞蹈平台】委託創作計畫,邀請高雄在地的「両両製造聚團」藝術總監左涵潔發起階段性身體創作工作坊,集合6-12歲的小孩,透過她多年從寶寶劇場與兒童藝術創造的實踐,開啟她這次創作的想像。
\n\n\n\n
藝術家左涵潔在陪伴兩個孩子成長的過程中,發現城市中雖然設置了大量的塑膠罐頭遊具,安全至上卻沒有任何的身體趣味與刺激;步行空間的設置與生活慣常漠視人行道的結果,更將孩子們在城市中的移動被框線在角落;大量的舞蹈活動多半以整齊劃一的比手畫腳存在於幼教體系之中。身體的創造,沒有太多空間得以發展,於是,我們開展了一個長時間的創作計畫,邀請孩子一起從生活空間出發,以身體為單位,回應社會運作體制與自己的內在世界。
\n\n\n\n
在這個藝術計畫中,我們將使用三個概念作為主要執行內容,有身體丈量、感官練習、環境與創作,從實體測量,了解身體這個我們每天必須要使用的工具,其生理的面向;再進行到五感的討論,神經系統的運作既抽象卻又直接影響我們內在的情緒,挖掘每一個人的獨有的感受,建構身體表達的多樣性、可能性;最後,我們將在不同的空間語彙中進行各種的練習,找到對各環境有興趣、能對應的元素,慢慢發展成一段簡單的身體表演,留住創作的痕跡。
\n\n\n\n
演後座談
\n\n2022/11/12(六) 10:40-11:00於榕樹廣場舉行
\n\n2022/11/13(日) 10:40-11:00於榕樹廣場舉行
\n\n\n\n
演出暨製作團隊
\n\n計畫發起人|左涵潔
\n\n協同藝術家|朱殷秀
\n\n專案經理|馬嘉佳
\n\n行政協力|李芳華
\n\n共同創作/演出|朱錞珈、吳貝萱、吳芷辰、李昀珊、李姝瑛、邱沛芸、柯琦安、孫瑞莃、馬可倫、張楀若、莊庭熙、傅孜雁、黃垛菈、黃筠媛、葉芮妍、劉皓允、劉硯庭、潘奕心
\n\n攝影紀錄|口天吳影像紀錄所
\n\n現場樂手|薛詠之
\n\n執行舞台監督|邱劉亞婷
\n\n特別感謝|于芯婕、王乙棠、王晨睿、林芮安、梁華庭、莊芮齊
\n\n\n\n
製作單位|衛武營國家藝術文化中心
\n\n策展人|周書毅
\n\n節目專員|陳雯真、陳雲翊
\n\n專案執行|黃健欣
\n\n\n\n
藝術家介紹
\n\n左涵潔
\n\n從小跳舞,長大做劇場;當了媽之後,帶著女兒和兒子,一起在劇場中尋找更多創造的可能。
\n\n2003年加入稻草人現代舞蹈團擔任表演者,自2009年陸續發表編舞作品;2007年一腳踏入執行製作與節目策畫的領域,深深被從無到有的創造歷程給吸引著。 2015年有了第一個小孩,也因為帶著寶寶進出排練場與劇場一起工作,逐漸發展出「寶寶劇場」的基礎樣貌。
\n2016年文化部藝術新秀補助,創作了專屬0-2歲的寶寶劇場作品《我們需要一朵花》;2018年獲得 Contakids 國際師資認證,並於高雄總圖舉辦「寶寶劇場國際交流計畫」;2019年發表theater for young audience新作《H2O》,將關注對象延伸至0-6歲;2020年發起「台灣寶寶劇場藝術家平台計畫」;2022年獲選成為日本ASIAN TYA NETWORK的參與藝術家,分享近年在嬰幼兒與親子的藝術實踐過程。
\n\n
協同藝術家-朱殷秀
\n\n樹德科技大學/表演藝術系
\n\n土生土長下港在地人,現為自由劇場工作者,遊走濁水溪以南,時常與各個不
\n\n同團隊合作,碰撞不一樣的火花,喜歡參與各種有趣的事,臺灣紅鼻子醫生。
\n\n\n\n
攝影 © 吳柏源
\n\n\n\n
了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"aa3d5e57d910f231b1c43d987140a5cd",title:"【2022臺灣舞蹈平台】《小孩筆記-身體是我的搭檔》"}],related:[{from:"programs",key:"62985ec8cd649e00076ffecb",title:"【2022 Taiwan Dance Platform】TIEN Hsiao-tzu × LEE Shih-yang × TAI Zih-ning - Liederzyklus & SU Pin-wen - Girl's Notes"},{from:"programs",key:"62989b04c9bbe00007288949",title:"【2022 Taiwan Dance Platform】Hung Dance - Birdy & Autumn Cedar Sóo-Tsāi - Picking the Corpus"}],title:"【2022 Taiwan Dance Platform】Tso Hanchieh - Kid's Notes-My body, My partner",cover:"560de2a098f26f64bafc94f45bbab21a",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
"The spacing between the crosswalk stripes is too large for me!" ─ Watch me hop
\n\n"The sink is too high for me to reach?" ─ I'll stand on my tiptoes
\n\n"This door is too heavy. I can't push it." ─ Let me exert my air punch
\n\n\n\n
\n\n
Observing the everyday movements of children in the urban setting, we are aware that they face multiple challenges in the process of growing up. While undergoing interesting trials and errors, children are also stimulated to be creative with their physicality. Nevertheless, how can adults acknowledge such needs and accompany them in their creative process?
\n\n\n\n
Kid's Notes-My body, My partner is a project commissioned by the 2022 Taiwan Dance Platform, inviting TSO Han-chieh , the artistic director of Kaohsiung-based Double & Cross Theater Group, to lead a movement workshop for children between the ages of 6 and 12. Using her years of experience in baby theater and children's art as the foundation for this project.
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A mother of two, artist Tso Han-chieh noticed that although the abundance of play facilities made of plastic and steel are of paramount safety, there is nothing interesting and stimulating for children's bodies. Limited passage space and the design of urban sidewalks has further confined the movements of children in the city corners. In the preschool education system, a large number of dance activities involve rigid copying of movements. Seeing that children are not allowed much room for creative development of their physicality, we launched a long-term creative project, inviting children to use their body as a vehicle to create in their living space, to guide them to respond to the social operational mechanism as well as their inner world.
\n\nIn this art project, we will incorporate three concepts as our main execution components, including body measurement, sensory practice, and space & creation. We will start with physical measurement to understand the physiological aspects of the body as an everyday instrument. Then, we will move on to the discussion of the five senses. The operation of the nervous system is not only abstract, but also directly affects our inner emotions. We will explore the unique feelings of every child and construct the diversity and potential of their movement languages. In the last stage, we will carry out various exercises in different spaces, look for interesting elements that correspond to each environment, and gradually develop them into a simple sequence of body performance as a documentation of the creative practice.
\n\n\n\n
Post-talk
\n\n2022/11/12(Sat) 10:40-11:00 Banyan Plaza
\n\n2022/11/13(Sun) 10:40-11:00 Banyan Plaza
\n\n\n\n
Creative and Production Team
\n\nArtistic Director|TSO Han-chieh
\n\nArtist Assistant|ZHU Show
\n\nProject Manager|Ma Chia-chia
\n\nExecutive Producer|Lee Fang-hua
\n\nPerformers|CHU Chun-chia, WU Pei-hsuan, WU Zhi-chen, LI Yun-shan, LI Shu-ying, CHIU Pei-yun, KE Qi-an, SUN Rui-xi, MA Ke-run, CHANG Yu- jo, CHUANG Ting-his, FU Zi-yan, HUANG Duo-la, HUANG Yun-yuan, YEH Ruei-yen, LIU Ho-wan, LIU Yan-ting, PAN Yi-hsin
\n\nPhotographer|Po Yuan Photography Studio
\n\nLive Musician|HSUEH Yung-chih
\n\nDeputy Stage Manage|Palahu Istanda
\n\nSpecial Thanks to|YU Xin-jie, WANG Yi-tang, WANG Chen-rui, LIN Rui-an, LIANG Hua-ting, ZHUANG Rui-qi
\n\n\n\n
Production|National Kaohsiung Center for the Arts (Weiwuying)
\n\nCurator|CHOU Shu-yi
\n\nProgram Coordinator|Sandy CHEN, CHEN Yun-yi
\n\nProject Administrator|May WONG
\n\n\n\n
Artists Introduction
\n\n\n\n
TSO Han-chieh
\n\n\n\n
TSO Han-chieh is a theater producer, performer, and a mother. In 2014, she founded Double & Cross Theater Group in Kaohsiung (Taiwan), and created the first baby theater production in Taiwan, we called Ci Vuole Un Fiore (2016). In order to fulfill the future vision of baby theater in Taiwan, we cooperated with Starcatchers (Scotland, UK) since 2018. In 2020, TSO established "Taiwan Baby Theater Lab (TBTL)". Its mission is to explore and to expand the development of baby theater in Taiwan; internationally, we connect with three Asian baby theater groups from Hong Kong, Singapore, and Macau to share each one's experiences and missions and to work together for the following five years.
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Artist Assistant - ZHU Show
\n\nShu-Te University Department of Performing Arts
\n\nA native of Southern Taiwan, ZHU is a freelance theater practitioner and Doctor Rednose
\n\nbased south of the Zhuoshui River, who collaborates with various companies to create all
\n\nsorts of artistic chemistry and enjoys participating in all kinds of fun.
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Photo © 吳柏源
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Learn More
\n\n\n\n\n\n\n',team:""},createdAt:1658377620,updatedAt:1668045597,updatedBy:"林蔚行",host:!0},{_id:"62de4bec869db0000725167b",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1670067e3,discrete:[{time:1670067e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[400,600,800],link:"https://www.opentix.life/event/1547162280442056709"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6d44397df4a04cacb1017811d431e28f",title:"《巴赫與舒曼永駐的青春-宋允鵬2022鋼琴獨奏會》"}],related:[],title:"《巴赫與舒曼永駐的青春-宋允鵬2022鋼琴獨奏會》",cover:"a77cf759fe64efefa76ec4a9af7a9e4f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
巴哈的《觸技曲》有著如幻想曲一般卻包含宗教警示的內容。舒曼的鋼琴作品偏愛套曲形式,《狂歡節》以20首小曲來描述節慶最後一天化妝舞會上登場的各種人物。觸技曲是要表現出對於鍵盤的「觸動」,進而展現出華麗的技巧。然而巴哈的《觸技曲》作品有著如幻想曲一般卻包含宗教的內容。巴哈藉由音樂不僅呈現快樂的人生,更包含著善與惡、天使的話語、上帝的訓誡、以及天國之門等的積極提示。舒曼的鋼琴作品偏愛套曲形式,《狂歡節》就是以20首小曲來描述如節慶最後一天化妝舞會行列上登場的各種人物。
\n\n\n\n
演出曲目
\n\n《升F小調觸技曲》作品910
\n\n巴赫:《D大調觸技曲》作品912
\n\n舒曼:《狂歡節》作品9
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演出暨製作團隊
\n\n鋼琴|宋允鵬
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6d44397df4a04cacb1017811d431e28f",title:"《巴赫與舒曼永駐的青春-宋允鵬2022鋼琴獨奏會》"}],related:[],title:"Alexander Sung 2022 Piano Recital",cover:"a77cf759fe64efefa76ec4a9af7a9e4f",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The aim and final end of all music should be none other than the glory of God and the refreshment of the soul - J. S. BachTo send light into the Darkness of men's heart - such is the duty of the artist - Robert Schumann.
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Program
\n\nJ. S. Bach: Toccata in f# minor BWV 910
\n\nJ. S. Bach: Toccata in D major BWV 912
\n\nR. Schumann: Carnaval Opus 9
\n\n\n\n
Creative and Production Team
\n\nPiano|Alexander Sung
\n\n\n\n
\n',team:""},createdAt:1658735596,updatedAt:1660895159,updatedBy:"通泰系統管理員",host:!1},{_id:"62df413e4a57e700089288d6",catalogs:["5aec418cb01ea6000520f635"],dateTime:{first:1669462200,discrete:[{time:1669462200},{time:1669530600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,900,1400,1800,2200,2600,3e3],link:"https://www.opentix.life/event/1493497636445831173"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7bbe672e2a33a93d99c01ca809db3540",title:"《暗戀桃花源》"}],related:[],title:"《暗戀桃花源》",cover:"7ee22051468a69155978305b5736c2ea",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
「華人世界最受歡迎之作品」 ——《紐約時報》
\n\n「該劇當之無愧的在世界舞臺上占一席位外,在號稱戲劇之都的紐約上演,更使不少百老匯上的演出黯然失色。」——《紐約僑報》
\n\n\n\n
這一朵遍開華語劇場最奇異的一朵花,1986年由賴聲川發想規劃,並率同李立群、金士傑、丁乃竺、顧寶明、劉靜敏(現名劉若瑀)、金士會、管管、陳玉慧、游安順、施心慧、蘇婉玲等人在陽明山所完成之經典作品,演出至今深獲好評,紐約時報稱此劇為「華人世界最受歡迎之作品」;1991年、1999年、2006年曾三度重返舞台,1992年電影版更打破劇場框架被拍攝成電影,國際上獲獎無數;2015年美國奧勒岡莎士比亞戲劇節以世界經典之名,推出80場英文版《暗戀桃花源》,演出後深獲好評,此舉亦創下華人劇場新里程碑。在睽違十年後,2016年《暗戀桃花源》重回臺灣劇場舞台,國內外演出超過50場,近五萬名觀眾見證經典!
\n\n\n\n
演出暨製作團隊
\n\n導演|賴聲川
\n\n編劇|賴聲川規劃、完成,李立群等原始劇組共同參與之創作
\n\n執行導演|丁乃箏
\n\n演員|蕭艾、樊光耀、屈中恆、唐從聖、張本渝、范瑞君等
\n\n監製|丁乃竺
\n\n製作人|藍大鵬
\n\n版權所有|賴聲川、李立群
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"7bbe672e2a33a93d99c01ca809db3540",title:"《暗戀桃花源》"}],related:[],title:"Secret Love in Peach Blossom Land",cover:"7ee22051468a69155978305b5736c2ea",site:{isOther:!1,site:"5aec47eeb01ea6000520f665",other:""},cautions:'
A masterwork of contemporary Chinese theatre, this hilarious yet poignant production tells the story of two drama troupes who find themselves mistakenly booked into the same theatre space. One group is rehearsing Secret Love, a romantic memory play about a couple separated by the Chinese Revolution, while the other company is preparinga farcical period comedy, Peach Blossom Land.Despite initial disdain for each other's productions, the cast of these two wildly different plays slowly, almost magically, merge as the performers complete each other's lines and intertwined themes emerge. By the end, the audience is left to contemplate the burdens of memory, history, longing, love and the power of theatre itself.
\n\n\n\n
Creative and Production Team
\n\nCreative Director|Stan LAI
\n\nDirector|Ismene TING
\n\nPlaywright|Stan LAI, along with improvisationfrom the cast of 1986’s production
\n\nCopyright of Script|Stan LAI, LEE Lichun
\n\nCast|HSIAO Ai, FAN Kuang-yao, CHU Chung-heng, TANG Tsung-sheng, CHANG Pen-yu, FAN Jui-chun,
\n\nOriginal Set Designer|NIEH Kuang-yen
\n\nSet Designer|Stan LAI, Ron CHANG
\n\nArtistic Consultant|KUO Chia-ming
\n\nLighting Designer|CHIEN Lee-zen
\n\nOriginal Costume Designer|William Chang Suk Ping
\n\nCostume Designer|Klintonn
\n\nCostume Executive|LIN Yu-ling
\n\n\n\n
\n',team:""},createdAt:1658798398,updatedAt:1659000162,updatedBy:"林蔚行",host:!1},{_id:"62f07520e924a300074cc803",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667302200,discrete:[{time:1667302200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400],link:"https://www.opentix.life/event/1547031954443100161"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5a1f277c6b84c2a83d5f514b0f8c7b0c",title:"《張雅晴2022小提琴音樂會-海翁繪続》"}],related:[],title:"《張雅晴2022小提琴音樂會-海翁繪続》",cover:"98b0ef6cdc609ea7b5ffdc84264f64b8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
張雅晴與王文娟的演奏「無論是小品奏鳴曲或連篇組曲,小提琴與鋼琴都能合作無間,既各自揮灑、又相互扶持,充分表現完美的二重奏精神。」——金曲獎評論
\n\n\n\n
由張雅晴製作的《海翁繪続》,是繼2018年獲得傳藝金曲獎最佳專輯的《海翁繪》後原班人馬再一力作。"続"是"續"之意,蔡淩蕙的《海翁樂繪》以十數首排灣族古調為素材,打造出足以代表臺灣文化、邁向國際的小提琴協奏曲;音樂會以畫作與音樂做結合呈現,有別於概略的搭配畫面與音樂,本場音樂會畫作與音樂是從深層的文化面理解後所做的製作。劉聖賢的《福爾摩沙》組曲來自於不同族群的音樂素材,呈現臺灣多元文化樣貌。音樂會也將包含極少被演奏的極簡主義音樂《鏡中鏡》。
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演出曲目
\n\n帕特 《鏡中鏡》
\n\n劉聖賢 《福爾摩沙》組曲為小提琴與鋼琴(世界首演)
\n\n蔡淩蕙 《海翁樂繪》小提琴協奏曲(世界首演)
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演出暨製作團隊
\n\n製作人|張雅晴
\n\n作曲者|蔡淩蕙、劉聖賢
\n\n小提琴|張雅晴
\n\n鋼琴|王文娟
\n\n美術指導|曾媚珍
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"5a1f277c6b84c2a83d5f514b0f8c7b0c",title:"CHANG Ya-ching 2022 violin concert - The Hai-ang Paint II"}],related:[],title:"CHANG Ya-ching 2022 violin concert - The Hai-ang Paint II",cover:"98b0ef6cdc609ea7b5ffdc84264f64b8",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
The program include Arvo Pärt : Spiegel im Spiegel, Sheng-hsien Liu : Taiwanese Folk Songs for violin and piano, and Ling-huei Tsai : "The Hai-ang Paint II" violin concerto.
\n\n\n\n
Program
\n\nArvo Pärt : Spiegel im Spiegel
\n\nSheng-hsien LIU : Taiwanese Folk Songs for violin and piano
\n\nLing-huei TSAI : "The Hai-ang Paint II" violin concerto
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Creative and Production Team
\n\nChoreographer|CHANG Ya-ching
\n\nComposer|TSAI Ling-huei, LIU Sheng-hsien
\n\nViolin|CHANG Ya-ching
\n\nPiano|WANG Wen-chuan
\n\nArt Director|TSENG Mei-chen
\n\n\n\n
\n\n
\n',team:""},createdAt:1659925792,updatedAt:1660620585,updatedBy:"通泰系統管理員",host:!1},{_id:"62f37750e924a300074d3a56",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1668234600,discrete:[{time:1668234600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1e3],link:"https://www.opentix.life/event/1549645792771289090"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ec39001458c03f81598ebb710c142565",title:"《M. T. R 深琴對話 葉孟儒、謝琦雯 雙鋼琴音樂會》"}],related:[],title:"《M. T. R 深琴對話 葉孟儒、謝琦雯 雙鋼琴音樂會》",cover:"807c5bf8ee21353a46f27c2b411fce99",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
鋼琴家葉孟儒與謝琦雯將帶三首不同時代亦耳熟能詳的雙鋼琴作品:包含莫札特雙鋼琴奏鳴曲K.448、拉赫曼尼夫交響舞曲及充滿無比童趣的柴可夫斯基胡桃鉗組曲。此次音樂會, 留俄鋼琴家葉孟儒與謝琦雯將帶來三首不同時代作品,包括莫札特雙鋼琴奏鳴曲(K.448)、拉赫曼尼夫作品45交響舞曲,皆為雙鋼琴音樂會中常見經典作品。另外,根據柴可夫斯基著名芭蕾舞劇所改編的《胡桃鉗組曲》則是聖誕節深受各地劇院喜愛之劇碼,充滿無比童趣,由主人翁夢境中活潑動人的異國舞蹈,串連編織色彩繽紛的夢幻王國之遊。
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演出曲目
\n\n莫札特︰D大調雙鋼琴奏鳴曲,作品448
\n\n柴可夫斯基:胡桃鉗組曲,作品71a
\n\n拉赫瑪尼諾夫:交響舞曲,作品45
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演出暨製作團隊
\n\n鋼琴|葉孟儒、謝琦雯
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"ec39001458c03f81598ebb710c142565",title:"《M. T. R 深琴對話 葉孟儒、謝琦雯 雙鋼琴音樂會》"}],related:[],title:"Andrei Yeh v.s. Vanessa Hsieh Piano Duo Concert",cover:"807c5bf8ee21353a46f27c2b411fce99",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Andrei and Vanessa bring these favorites of classic piano duos. In Mozart's Sonata for Two Pianos (K.448) and Rachmanev's Suite No.1 for Two Pianos. The Nutcracker Suite, adapted from Tchaikovsky's famous ballet.This concert will bring together different eras through three pieces of work. In Mozart's Sonata for Two Pianos (K.448) and Rachmanev's Suite No. 1 for Two Pianos, Andrei and Vanessa masterfully bring new life to these favorites of classic piano duos. The Nutcracker Suite, adapted from Tchaikovsky's famous ballet, is loved the world over and enjoyed by audiences particularly at Christmas time. Our pianists (Andrei and Vanessa) skillfully take you on a tour of this children’s winter wonderland.
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Program
\n\nW. A. Mozart: Sonata for Piano Duo in D Major KV. 448
\n\nP. I. Tchaikovsky: The Nutcracker Suite, Op. 71a Arranged for Piano Duet
\n\nV. Rachmaninoff: Symphonic Dance Op. 45
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Creative and Production Team
\n\nPiano|Andrei Yeh、Vanessa Hsieh
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\n',team:""},createdAt:1660122960,updatedAt:1660620481,updatedBy:"通泰系統管理員",host:!1},{_id:"62f5b98c9601d60007214099",catalogs:["6010ca1afb81540009f438e6"],dateTime:{first:1667628e3,discrete:[{time:1667628e3},{time:1668232800},{time:1670047200},{time:1670652e3},{time:1671256800}],type:"discrete"},activity:{type:"free",free:{description:"線上報名(保證金 500)"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"0c683d346aebdbc9cf772ea55516f220",title:"【2022衛武營場館友善計畫】大耳朵肢體工作坊"}],related:[],title:"2022【衛武營場館友善計畫】大耳朵肢體工作坊",cover:"12d634375e96b6498f4cbba0770258ce",site:{isOther:!0,site:"",other:"衛武營1182、1186排練室"},cautions:'
建議7歲以上大耳朵朋友參與。
\n\t因應「嚴重特殊傳染肺炎(COVID-19)」防疫措施,請配合入館防疫措施。
\n\t參與3堂課以上之學員,將於活動結束後1個月內退還保證金,參與堂數低於3堂則不退還保證金。
\n\t本課程部分場次有活動攝錄影紀錄,影像紀錄以藝文推廣或非營利性之目的為限,現場將提供「肖像權同意書」予參與者填寫。
\n\t退費機制:報名人需於活動前10天主動聯絡主辦單位申請退費(learning@npac-weiwuying.org);取消報名將酌收報名費10%的手續費,逾期恕不受理。
\n\t主辦單位保留本活動變更權利。
\n\t相關問題請洽learning@npac-weiwuying.org
\n\t大耳朵肢體工作坊特別邀請「林靖嵐聽障舞蹈團」,由感覺震動、自我察覺等方式,開發聽障朋友的肢體律動,凝聚運用身體技巧,讓每位聽障朋友展現跳舞的熱情!
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課程時間:14:00-16:00
\n\n堂數 | \n\t\t\t日期 | \n\t\t\t課程主題與內容 | \n\t\t
第一堂 | \n\t\t\t11/5 | \n\t\t\t【隔山打牛】 \n\t\t\t講師將使用木板,和大家介紹如何透過木板來拍出精準的拍子。 | \n\t\t
第二堂 | \n\t\t\t11/12 | \n\t\t\t【默契遊戲】 \n\t\t\t透過「想像」,練習用肢體詮釋接收與傳送物品到手上的感覺。 | \n\t\t
第三堂 | \n\t\t\t12/03 | \n\t\t\t【大自然模仿】 \n\t\t\t大自然如此神奇,本堂課我們將學習如何用肢體來描述大自然的景象與狀態。 | \n\t\t
第四堂 | \n\t\t\t12/10 | \n\t\t\t【舞蹈戲劇】 \n\t\t\t經過了前面三堂課,大家已經可以成為一位小編舞家了!接下來老師將帶領參與者將前面的課程結合,讓它變成一支舞作! | \n\t\t
第五堂 | \n\t\t\t12/17 | \n\t\t\t成果分享 | \n\t\t
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授課團隊
\n\n林靖嵐|林靖嵐聽障舞蹈團 團長
\n\n林靖嵐聽障舞蹈團是匯集聽不到的舞者們所組成,由團長林靖嵐帶領,為了能使和我們一樣聽不到的人,能從舞蹈上培養自信、一展長才,給予表演機會,因而創立「林靖嵐舞蹈團」,以熱誠的心化作輔助的力量,將帶領所有的聽障朋友們,挑戰極限,化不可能為可能。
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報名對象與方式
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課程注意事項
\n\n\n\n
贊助單位
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\n',team:""},createdAt:1660270988,updatedAt:1666238555,updatedBy:"林蔚行",host:!0},{_id:"62fa0f429601d600072214f7",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1670049e3,discrete:[{time:1670049e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,1800,2e3],link:"https://www.opentix.life/event/1555414283099590659"}},attachment:{key:"26740f020027ee3a99b033c49146fc32",name:"林肯中心室內樂協會《歐陸的古典與浪漫》電子節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1661140800,end:4816857599},tabs:[],onShelf:!0,sliders:[{type:"image",key:"6a5f049263f72aebee5558c7dd1781f2",title:"林肯中心室內樂協會《歐陸的古典與浪漫》"}],related:[],title:"「節目異動」林肯中心室內樂協會《歐陸的古典與浪漫》",cover:"83cee77ddf152d33064b5c02fe880e6d",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"由吳菡與芬柯領軍的林肯中心室內樂協會,攜手頂尖的亞裔提琴家,為樂迷帶來博可利尼耳熟能詳的五重奏、蘇克充滿旋律性的四重奏及蕭頌細膩浪漫的鋼琴弦樂作品。",introduction:'\n\t\t\t ※原訂2022年12月3日(六)14:30於衛武營音樂廳演出之林肯中心室內樂協會《歐陸的古典與浪漫》,演出人員小提琴家林品任因個人因素無法參與演出,將改由今年甫獲美國印第安納波利斯小提琴大賽金獎華裔小提琴家黃凱珉(Sirena HUANG)演出。 \n\n\t\t\t※因節目異動,已購票觀眾可持原票券入場,或辦理全額退票,退票方式請詳異動公告。 \n\t\t\t | \n\t\t
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「音樂蒼穹下的一顆耀目明星。」——《華爾街日報》(The Wall Street Journal)
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由吳菡與芬柯(David FINCKEL)夫妻檔領軍的林肯中心室內樂協會,此次攜手頂尖亞裔提琴家成員,為樂迷帶來三首美妙的室內樂作品。古典時期的義大利作曲家博可利尼,擅長優雅的宮廷曲風,同時也是一名優秀的大提琴家,博可利尼最赫赫有名的作品段落,便是本場演奏的E大調弦樂五重奏第四樂章,一首相當輕快、耳熟能詳的小步舞曲。情緒飽滿、充滿民族色彩的a小調鋼琴四重奏,是由捷克作曲家及小提琴家蘇克所寫,蘇克早期作品深受他的老師德弗札克的影響,而此曲又在老師的指導下完成,三個樂章充滿著高度的旋律性,更乘載著迥然不同的情緒。下半場的蕭頌D大調協奏曲,既強調樂手們合作無間的默契,且無論是鋼琴或提琴,又需具備獨奏家收放自如的情感詮釋,聽上去酣暢淋漓,令人驚嘆作曲家高超的寫作技巧,並懾服於其豐沛又細膩的浪漫情懷。
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演前導聆
\n\n2022/12/3(六)13:50 音樂廳三樓大廳
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演出曲目
\n\n路易吉.魯道夫.博可利尼: E大調弦樂五重奏,作品11第五號
\n\n約瑟夫.蘇克:a小調鋼琴四重奏,作品1
\n\n厄內斯特.蕭頌:D大調協奏曲,作品21
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周邊活動
\n\n11/5(六)14:00 演講廳
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文章閱讀
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演出暨製作團隊
\n\n鋼琴|吳菡
\n\n小提琴|陳思蕾、嚴丹苾、黃凱珉
\n\n中提琴|黃心芸
\n\n大提琴|大衛.芬柯、秦立巍
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藝術家介紹
\n\n鋼琴|吳菡
\n\n鋼琴家吳菡自2004年起擔任林肯中心室內樂協會(CMS)聯合藝術總監,是當今世界最受人尊敬的、最具影響力的古典音樂家之一。她曾被權威音樂雜志《音樂美國》(Musical America)授予2012「年度音樂家」稱號,該獎項是美國音樂界的最高榮譽之一。
\n\n不同於過往以音樂會和巡演為主的樂季,在2020-2021樂季中吳菡主持協會製作了超過270項數字節目,其中包含她演奏的大量二重奏及室內樂曲目和面向全美播出的講座。自2020年3月起,她與大衛·芬克爾(David Finckel)在疫情中全面佈局新的節目編排,領導CMS通過六組拓展或新創建的系列和主舞台音樂會替代原定於艾莉絲·塔利音樂廳(Alice Tully Hall)舉辦的現場演出。他們還獨創了「前排聆聽」項目,為近60家美國室內樂演出主辦方及其觀眾提供了約400場CMS音樂會和活動的數字資源。
\n\n吳菡還是舊金山硅谷地區首屈一指的門羅室內樂音樂節及學院(Music@Menlo)的創始人及聯合藝術總監,同時也是狼阱表演藝術基金會(Wolf Trap Foundation)穀倉劇院室內樂(Chamber Music at the Barns)系列和棕櫚灘四藝協會(Society of the Four Arts in Palm Beach)的藝術顧問。
\n\n1997年,她與大提琴家大衛·芬克爾共同創立了ArtistLed品牌,使之成爲古典音樂界第一家以音樂家爲導向並基于互聯網的唱片公司,其發行的逾20張專輯廣受評論界贊譽,主打鋼琴與大提琴二重奏和室內樂。通過CMS LIVE、Menlo LIVE和ArtistLed等廠牌,吳菡已製作了超過160張CD,其中85張包含其演奏。
\n\n\n\n
大提琴|大衛.芬柯
\n\n大提琴家大衛•芬柯自2004年起擔任林肯中心室內樂協會(CMS)聯合藝術總監,曾獲得權威音樂雜志《音樂美國》(Musical America)授予的2012「年度音樂家」稱號,這是美國音樂界最高榮譽之一。他的藝術生涯成就斐然,集音樂會演奏家、錄音室藝術家、教育家、藝術管理者和文化倡導人于一身。
\n\n不同於過往以音樂會和巡演為主的樂季,在2020-2021樂季中大衛•芬柯主持協會製作了超過270項數字節目,其中包含他演奏的大量二重奏及室內樂曲目和面向全美播出的講座。自2020年3月起,他與吳菡在疫情中全面佈局新的節目編排,領導CMS通過六組拓展或新創建的系列和主舞台音樂會替代原定於艾莉絲.塔利音樂廳(Alice Tully Hall)舉辦的現場演出。他們還獨創了「前排聆聽」項目,為近60家美國室內樂演出主辦方及其觀眾提供了約400場CMS音樂會和活動的數字資源。
\n\n他與吳菡一起創辦了舊金山硅谷地區首屈一指的門羅室內樂音樂節及學院(Music@Menlo)並擔任聯合藝術總監,2022年將迎來其第20個樂季。1997年,他和吳菡共同創立了ArtistLed品牌,使之成爲古典音樂界第一家以音樂家爲導向並基于互聯網的唱片公司,其發行的逾20張專輯廣受評論界贊譽,主打鋼琴與大提琴二重奏和室內樂。
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小提琴|陳思蕾
\n\n美國小提琴家陳思蕾身上具備「非凡的成熟度」,其演奏「清新而有靈動性,情感上深刻且結構合理」(《耶路撒冷郵報》)。她因奪得2019年伊麗莎白女王國際小提琴比賽冠軍而獲得全球範圍的關注,2020年又獲得艾弗里·費舍爾職業大獎(Avery Fisher Career Grant)和林肯中心新興藝術家獎(Lincoln Center Emerging Artist Award)。
\n\n2020-2021樂季她隨馬爾他愛樂樂團舉行歐洲巡演,其中包括在維也納金色大廳的協奏曲首秀;還會赴中國、亞美尼亞、意大利和德國演出協奏曲獨奏;另有法國巴黎香榭麗舍劇院、美國華盛頓菲利普美術館和德國克朗伯格音樂學院的獨奏音樂會。2021-2022樂季,她正式加入林肯中心室內樂協會「鮑爾斯項目」(The Bowers Program),還將首次在卡內基音樂廳舉辦獨奏音樂會。
\n\n她最近的活動包括與比利時國家管弦樂團、布魯塞爾愛樂樂團和盧森堡愛樂樂團的首度合作,在薩爾茨堡莫扎特音樂大學、拉維尼亞音樂節和克朗伯格學院音樂節的首次亮相,還有歐洲、亞洲多地的演出。原定與芝加哥交響樂團、茱莉亞管弦樂團的合作因疫情推遲。作為室內樂演奏家,她曾參演帕爾曼音樂項目(Perlman Music Program)、門羅室內樂音樂節及學院(Music@Menlo)、薩拉索塔音樂節(Sarasota Festival)、黃穀倉室內樂音樂節(Yellow Barn)。
\n\n陳思蕾是哈佛大學羅伯特·萊文獎(Robert Levin Award)的首位獲獎者、蒂博爾·瓦爾加國際小提琴比賽(Tibor Varga International Violin Competition)的最高獎項得主、梅紐因小提琴比賽的有史以來最年輕獲獎者。
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小提琴|嚴丹苾
\n\n小提琴家嚴丹苾被英國《史特拉提琴雜誌》 譽為「極致耀眼」的藝術家,並被《紐約古典評論》盛讚擁有「出色的表演及精湛的技巧」和「令人著迷的優雅」,她的卓越琴技、獨特音色和詮釋敏感度深深吸引著大眾的目光。身為梅紐因國際青少年小提琴比賽銀獎得主,嚴丹苾曾於 2018 年獲得紐約著名的《大師沙龍》 職業補助獎金,近來更獲得瑙姆堡國際小提琴比賽的最高獎項。她在獨奏會上及與交響樂團、室內樂音樂家的合作中,均有出色的藝術表現。
\n\n嚴丹苾在本樂季與吉他手吉姬(Jiji)於斯科特斯德表演藝術中心及庫珀斯敦音樂節上演出二重奏,並在聖塔菲室內音樂節舉辦個人獨奏會,另外,她也受克萊本音樂中心之邀,與芬蘭鋼琴家波赫約寧(Juho Pohjonen)及男高音蘇萊曼(Karim Sulayman)舉辦三重奏音樂會。其他演出包括與費城室內樂團合作的音樂會,與林肯中心室內樂協會的全美巡演,以及在狼陷藝術公園、薩拉托加表演藝術中心、棕櫚灘四藝協會、帕蘭斯室內樂集、福和室內樂和芝加哥的海絲音樂會等表演。 而近來她曾與美國鋼琴家魏斯(Orion Weiss)聯手於卡拉莫爾夏季音樂節及門羅室內樂藝術節演出。2018年,嚴丹苾首次在紐約林肯中心舉辦獨奏會,由林肯中心室內樂協會主辦。
\n\n在贏得 2014 年《西方音樂學院比賽》後,嚴丹苾與由韋倫斯坦(Joshua Weilerstein)指揮的節慶管弦樂團首演她第一場協奏曲音樂會,並在音樂會上演奏英國作曲家華爾頓的小提琴協奏曲。之後也陸續與以色列交響樂團、奧克蘭愛樂、佛蒙特交響樂團和達特茅斯交響樂團合作。嚴丹苾近年也於甘迺迪中心、費城金梅爾中心、波士頓的伊莎貝拉・斯圖爾特・加德納博物館、芝加哥哈里斯劇院、倫敦的威格摩爾廳和特拉維夫博物館等場域演出獨奏會及室內樂。
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小提琴|黃凱珉
\n\n「無可挑剔的技巧⋯深刻的表達⋯和詩意的重量」(《巴爾的摩太陽報》),黃凱珉是她的世代重要的小提琴家之一。她不僅將耀目的技術和強大的藝術性呈現於舞台,並且和聽眾有深刻的連結。
\n黃凱珉獲獎無數,其中包括2022年美國印第安納波利斯國際小提琴大賽金獎、2017年埃爾馬.奧利維拉國際小提琴比賽首獎、2013年瑞士韋爾比耶音樂節的漢洛瑟小提琴獎、2011年庫珀國際比賽首獎和觀眾獎、2009年第六屆柴可夫斯基國際音樂大賽青少年組首獎等。
9歲即與臺灣交響樂團合作演出,並在三大洲的 20個國家演出。作為獨奏家曾與50多個著名樂團合作,包括紐約愛樂樂團、克利夫蘭管弦樂團、印第安納波利斯交響樂團、巴爾的摩交響樂團、上海交響樂團、俄羅斯交響樂團、新加坡交響樂團、德國威瑪國家管弦樂團等。她的獨奏會足跡遍及柏林愛樂樂團音樂廳、卡內基音樂廳、林肯中心、甘迺迪迪中心、克拉維斯中心、濱海藝術中心、上海音樂廳和臺灣國家音樂廳等重要場館。她也是許多重要音樂節邀約的藝術家,包括韋爾比耶音樂節、萬寶路音樂節、拉維尼亞音樂節、亞斯本音樂節、紐波特音樂節、山區音樂節、東方音樂節、薩拉索塔藝術系列等。
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中提琴|黃心芸
\n\n華裔知名中提琴演奏家黃心芸為國際中備受推崇的中生代中提琴演奏家。曾獲1993慕尼黑國際音樂大賽(ARD International Music Competition in Munich)中提琴首獎;日本文化村音樂廳大獎(Bunkamura Orchard Hall Award)。1988年,她更成為萊諾特堤斯國際大賽(Lionel Tertis International Competition)最年輕的金牌得主。擁有如此傲人的成績,使其演出邀約不斷,曾於慕尼黑與巴伐利亞廣播交響樂團協奏演出,並由電視台轉播。其他合作過的樂團包括Zagreb獨奏家合奏團(Zagreb Soloists)、東京愛樂管絃樂團、柏林廣播交響樂團、俄羅斯國家愛樂交響樂團、台北愛樂管絃樂團、國家交響樂團、臺北市立交響樂團、長榮管絃樂團等。
\n\n出生於臺灣的黃心芸,目前定居紐約,是位活躍的獨奏家,在歐美等地舉辦多場獨奏會、室內樂,更多次受邀於介壽館音樂會演出。黃心芸同時也是世界知名的室內音樂節常客,包括萬寶路(Marlboro)音樂節、羅馬室內音樂節(Rome Chamber Music Festival)、英國普魯夏柯夫(Prussia Cove)音樂節、艾帕索(El Paso)國際室內音樂節室、溫哥華室內音樂節等。1997年秋,她參與了小提琴家林昭亮召集的「'97國際巨星音樂節」,與多位重量級演奏家同台演奏,包括馬友友、傑米拉雷多(Jamie Laredo)、麥克特利(Michael Tree)、蓋瑞霍夫曼(Gary Hoffman)等。
\n\n1994年至2000年間,黃心芸為伯羅米歐絃樂四重奏(Borromeo String Quartet)一員,並與該團參與了義大利斯波萊托音樂節(Spoleto Festival)、科羅拉多的柏拉弗音樂節(Bravo Festival)、法國迪沃納音樂節(Festival de Divonne)、荷蘭奧蘭多音樂節、波特蘭的西北室內音樂節等,也曾在紐約艾莉絲杜利廳、倫敦維格摩音樂廳、柏林愛樂廳、日本卡薩爾斯廳、阿姆斯特丹皇家大會堂等著名場地演出。黃心芸2013-2015年也曾任韓國Sejong國際音樂節藝術總監。與小提琴家 Jenny Koh和大提琴家Wilhelmina Smith組了Variation 弦樂三重奏,經常獲邀演出。黃心芸於2012年錄製「中提琴 中提琴」(Viola Viola),其中包括由Elliott Carter和 George Benjamin等作品,此專輯曾獲留聲機和BBC音樂雜誌特別榮譽。
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大提琴|秦立巍
\n\n秦立巍是傑出的大提琴家,以獨奏家和室內樂演奏家身份與許多國際知名樂團及指揮家均有合作。在獲得第十一屆柴科夫斯基國際大賽的銀獎後,秦立巍於2001年在紐約贏得著名的瑙姆堡國際大提琴比賽(Naumburg Competition)金獎。「一個時尚且敏感的表演者,對音樂投以無與倫比的專注」——這是《留聲機》雜誌對秦立巍與倫敦愛樂樂團合作演奏的埃爾加/布里頓/沃爾頓協奏曲專輯的評價。
\n\n秦立巍曾兩度以獨奏家的身份在倫敦皇家艾爾伯特音樂廳「逍遙音樂會」上表演。他與世界上很多交響樂團都有過成功的藝術合作,包括英國BBC機構下所有交響樂團、洛杉磯愛樂樂團、倫敦交響樂團、柏林廣播交響樂團、北德廣播交響樂團、維也納廣播交響樂團、大阪愛樂樂團、香港管弦樂團、中國愛樂樂團、悉尼交響樂團和墨爾本交響樂團等。與他合作的著名指揮家包括:弗拉基米爾·阿什肯納齊,馬立克·雅諾夫斯基、梵志登、迦南德里亞·諾塞達、漢斯·格拉夫、余隆、譚盾、呂嘉、馬塞洛·維奧蒂、貝洛拉維克、梅紐因等。他還曾亮相倫敦逍遙音樂節、萊茵高音樂節、倫敦城市音樂節、德國石荷音樂節、梅克倫堡音樂節等著名音樂盛會。作為創始成員,秦立巍與小提琴家呂思清、寧峰在龍四重奏和美傑三重奏都有頻繁合作。
\n\n秦立巍現任教於新加坡國立大學YST 音樂學院,在此之前,他在英國皇家北方音樂學院擔任大提琴教授,同時還是上海音樂學院客座和中央音樂學院的榮譽教授。作為藝術總監,秦立巍在2018年創辦了年度青島國際大提琴節。秦立巍目前使用的是一把由吳毓遜博士夫婦特別贊助的1780年約瑟夫•瓜達尼尼大提琴與一把2016年唯陳大提琴。
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演出單位:林肯中心室內樂協會
\n\n協辦單位:巴哈靈感音樂文化協會
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照片版權由 LisaMarieMazzucco 提供
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※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:"The CMS led by WU Han and David FINCKEL, together with top Asian musicians, presents BOCCHERINI's famous quintet, SUK's melodious quartet, and CHAUSSON's romantic concerto.",introduction:'※The program has been changed. For more information, please contact +886-07-2626666. | \n\t\t
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The Chamber Music Society of Lincoln Center, led by the artistic director couple WU Han and David FINCKEL, will be featuring a group of elite Asian musicians performing three master chamber works. BOCCHERINI, an Italian composer, was skillful in writing elegant courtly music. His most well-known work is the fourth movement of this Quintet in E Major, a cheerful minuet. The expressive Quartet in A minor, written by Czech composer and violinist SUK, was deeply influenced by and composed under the guidance of SUK's teacher, DVOŘÁK. Each of the three melodious movements carries different emotions. The second half of the program features the master work of CHAUSSON's Concerto in D Major, which not only emphasizes the tacit understanding between musicians, but also demands virtuosity of the solo piano and violin. Its hearty sound makes one marvel at the composer's superb writing skills and become captivated by its rich and delicate emotion.
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Pre-talk
\n\n2022/12/3(Sat)13:50 Concert Hall 3F
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Program
\n\nLuigi Rodolfo BOCCHERINI: Quintet in E Major for Two Violins, Viola, and Two Cellos, G. 275, Op. 11, No. 5
\n\nJosef SUK: Piano Quartet in a minor for Piano, Violin, Viola and Cello, Op. 1
\n\nErnest CHAUSSON: Concerto in D Major for Violin, Piano, and String Quartet, Op. 21
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Creative and Production Team
\n\nPiano|WU Han
\n\nViolin|Stella CHEN、Danbi UM、Sirena HUANG
\n\nViola|HUANG Hsin-yun
\n\nCello|David FINCKEL、QIN Li-Wei
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Artists Introduction
\n\nPiano|WU Han
\n\nPianist Wu Han, recipient of Musical America's Musician of the Year Award, the highest honor bestowed by the organization, enjoys a multi-faceted musical life that encompasses performing, recording, and artistic direction at the highest levels. Currently co-artistic director of the Chamber Music Society and Music@Menlo, Silicon Valley's innovative chamber music festival, she also serves as artistic advisor for Wolf Trap's Chamber Music in the Barns series and for Palm Beach's Society of the Four Arts. Her recent concert activities have taken her from New York's Lincoln Center stages to the most important concert halls in the United States, Europe, and Asia. In addition to countless performances of virtually the entire chamber repertoire, her recent concerto performances include appearances with the Philadelphia Orchestra, the Atlanta Symphony, and the Aspen Festival Orchestra. She is the founder and artistic director of ArtistLed, classical music's first artist-directed, internet-based recording label (1997) which has released her performances of the staples of the cello-piano duo repertoire with cellist David Finckel. Her more than 80 releases on ArtistLed, CMS Live and Music@Menlo Live include masterworks of the chamber repertoire with numerous distinguished musicians, the latest being Schubert's Winterreise with baritone Nikolay Borchev. During the past season, Wu Han designed and produced more than 200 digital media projects, including concerts and innovative educational programs, which have sustained the art of chamber music in dozens of communities across the United States. At CMS, she was instrumental in transforming the CMS Two Program into today's Bowers Program, which admits, through rigorous and highly competitive auditions, stellar young musicians to the CMS roster for a term of three seasons.
\n\nPassionately dedicated to education for musicians of all ages and experience, she directs the Chamber Music Institute at Music@Menlo, which immerses some 40 young musicians every summer in the multi- faceted fabric of the festival. Wu Han was privileged to serve on multiple occasions as a faculty member of Isaac Stern’s Chamber Music Encounters in Israel, New York, and Japan. A recipient of the prestigious Andrew Wolf Award, she was mentored by an elite selection of some of the greatest pianists of our time, including Lilian Kallir, Rudolf Serkin, and Menahem Pressler. Married to cellist David Finckel since 1985, Wu Han divides her time between concert touring and residences in New York City and Westchester County.
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Cello|David FINCKEL
\n\nCo-artistic director of CMS since 2004, cellist David Finckel leads a dynamic musical career that has included performances on the world's most distinguished stages as well as ground- breaking entrepreneurial projects. As cellist of the Emerson String Quartet for 34 seasons, he leaves a legacy of performed and recorded chamber music that includes virtually the complete string quartets of Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Dvorák, Brahms, Bartók, and Shostakovich, as well as the additional collaborative masterpieces and discoveries that he performs annually. His solo and duo discography is equally comprehensive, including all the standard literature for cello and piano. Fascinated since student days by recording technology, he created ArtistLed with pianist Wu Han in 1997, the first internet-based classical label to allow artists complete control over repertoire, sound engineering, editing, packaging, and presentation. His discography includes works composed for him by George Tsontakis, Gabriela Lena Frank, Bruce Adolphe, Lera Auerbach, Augusta Read Thomas, and Pierre Jalbert, and his orchestral recordings include both the Dvorák and Harbison Concertos. His commitment to living luthiers is evidenced through his performances, since 1993, on a cello made for him by the Brooklyn maker Samuel Zygmuntowicz, a copy of the "Duport" Stradivari cello of 1711. At age ten, deeply inspired by the Russian cellist Mstislav Rostropovich, he committed himself to life as a cellist, and at age 16 became Rostropovich's first American student. After first playing with pianist Wu Han in 1981, he added to his already busy career the responsibilities and opportunities of a professional cello-and-piano duo, both in the recording studio and on the concert stage. Finckel co-directs CMS's Bowers Program, and as founder and artistic director of Music@Menlo, the festival's annual Chamber Music Institute. He teaches cello and chamber music at both the Juilliard School and Stony Brook University.
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Violin|Stella CHEN
\n\nPraised for her "phenomenal maturity" and "fresh and spontaneous, yet emotionally profound and intellectually well-structured performance” (Jerusalem Post), American violinist Stella Chen garnered worldwide attention with her first-prize win at the 2019 Queen Elisabeth International Violin Competition, followed by the 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award. After debuts with the Chicago Symphony and Chamber Orchestra of Europe in summer 2021, her auspicious 2021-22 season sees her recital debut at Carnegie Hall and recital, concerto, and chamber music appearances throughout Europe, Asia, and North and South America, including debuts with Kremerata Baltica, German State Philharmonic, and New Japan Philharmonic. She also appears with the Chamber Music Society of Lincoln Center both in New York and on tour as a member of CMS's Bowers Program. Her most recent engagements include appearances with the Belgian National Orchestra, Brussels Philharmonic, and the Luxembourg Philharmonic and at the Phillips Collection in Washington, DC, Salzburg Mozarteum, Ravinia, and Kronberg Academy Festivals. She has appeared as a chamber musician in festivals including the Perlman Music Program, Music@Menlo, the Sarasota Festival, and Yellow Barn. She is the first recipient of the Robert Levin Award from Harvard University, the top prize winner of the Tibor Varga International Violin Competition, and youngest ever prize winner of the Menuhin Competition.
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Violin|Danbi UM
\n\nPraised by The Strad as an "utterly dazzling" artist, violinist Danbi Um captivates audiences with her virtuosity, individual sound, and interpretive sensitivity. She is a Menuhin International Violin Competition Silver Medalist, winner of the prestigious Salon de Virtuosi Career Grant, and a top prizewinner of the Naumburg International Violin Competition. This season she joins guitarist Jiji for a duo program at the Scottsdale Performing Arts Center and Cooperstown Music Festival, and travels to The Cliburn in Fort Worth for a program with pianist Juho Pohjonen and tenor Karim Sulayman. Other recent and upcoming engagements include solo appearances with the Chamber Orchestra of Philadelphia at the Kimmel Center, a national tour with the Chamber Music Society, and performances at premier national series including Wolf Trap, Saratoga Performing Arts Center, Society of Four Arts in Palm Beach, Parlance Chamber Series, Chamber Music Society of Fort Worth, and Chicago’s Dame Myra Hess Concerts. Notable recent recitals include an appearance on Music@Menlo’s "Carte Blanche" series and her New York recital debut at the Chamber Music Society, where she is a former member of The Bowers Program. Born in Seoul, South Korea, Um moved to the United States to study at the Curtis Institute, where she earned a bachelor's degree. She also holds an Artist Diploma from Indiana University. Her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She plays a 1683 "ex-Petschek" Nicolo Amati violin, on loan from a private collection.
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Violin|Sirena HUANG
\n\nPraised by The Baltimore Sun for her "impeccable technique…deeply expressive phrasing…and poetic weight," Sirena Huang is one of her generation's most celebrated violinists. She brings not only technical brilliance and powerful artistry to the stage, but also a profound sense of connection to her audience.
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\nSirena has been the recipient of numerous accolades and awards. She is the 2022 Gold Medalist of the 11th Quadrennial International Violin Competition of Indianapolis. In 2017, she was awarded First Prize at the Elmar Oliveira International Violin Competition. In 2009, she won First Prize Gold Medalist of the 6th International Tchaikovsky Competition for Young Musicians. She won First Prize and the Audience Award at the Cooper International Competition in 2011. In 2013, she was awarded the Hannloser Prize for Violin at the Verbier Music Festival in Switzerland.
\nSirena made her solo debut with the National Taiwan Symphony Orchestra in 2004 at the age of nine and has performed in twenty countries across three continents. She has been featured as a soloist with more than fifty prestigious ensembles, including the New York Philharmonic, Cleveland Orchestra, Indianapolis, Baltimore, Shanghai, Russian, and Singapore symphony orchestras, and the Staatskapelle Weimar in Germany. She has performed in leading venues including Berliner Philharmonie, Carnegie Hall, Lincoln Center, The Kennedy Center, the Kravis Center, Esplanade-Theatres on the Bay, Shanghai Concert Hall, and the Taiwan National Concert Hall, among many others. She has appeared as a guest artist at the Verbier Music Festival, Marlboro Music Festival, Ravinia Music Festival, Aspen Music Festival, Newport Music Festival, Music in the Mountains Festival, Eastern Music Festival, Sarasota Arts Series.
\n\n
Viola|HUANG Hsin-Yun
\n\nViolist HUANG Hsin-Yun has forged a career performing on international concert stages, commissioning and recording new works, and nurturing young musicians. She has been a soloist with the Berlin Radio Orchestra, Tokyo Philharmonic, China NCPA Orchestra, Taiwan Philharmonic, Russian State Symphony, Zagreb Soloists, Bogota Philharmonic, Brazil Youth Symphony, Puerto Rico Symphony, International Contemporary Ensemble, and the London Sinfonia. She performs regularly at Marlboro, Santa Fe, Music@Menlo, Seoul Spring, and Spoleto USA. She also tours extensively with the Brentano String Quartet. Recent highlights include concerto performances under the batons of Osmo Vänskä, David Robertson, Xian Zhang, and Max Valdés, and appearances with the Shanghai and Guangzhou Symphonies. She has commissioned compositions from Steven Mackey, Shih-Hui Chen, and Poul Ruders. Her 2012 recording for Bridge Records, titled Viola Viola, won accolades from Gramophone and BBC Music Magazine. Upcoming projects includes FantaC with the Ashkenazy Ballet as well as the world premiere of a duo with pipa virtuoso Wu Man written by Lei Liang. Gold medalist in the 1988 Lionel Tertis International Viola Competition and the 1993 ARD International Competition in Munich, Huang was awarded the Bunkamura Orchard Hall Award. She has been a contributor to Strad magazine and was featured in one of its podcasts discussing time and space. A native of Taiwan and an alum of Young Concert Artists, she was inspired to play the viola by Haydn quartets. She currently serves on the faculties of The Juilliard School and the Curtis Institute of Music.
\n\n\n\n
Cello| QIN Li-Wei
\n\nOne of the most sought-after cellists of his generation, Chinese-Australian Li-Wei Qin has appeared all over the world as a soloist and chamber musician. After being awarded the Silver Medal at the 11th Tchaikovsky International Competition, he won First Prize in the prestigious 2001 Naumburg Competition in New York. Gramophone Magazine described him as "a superbly stylish, raptly intuitive performer" in his recording of Elgar and Walton concertos with the London Philharmonic. Two-time soloist at the BBC Proms in London's Royal Albert Hall, he has enjoyed successful collaborations with many of the world's great orchestras including all the BBC symphony orchestras, Los Angeles Philharmonic, London Symphony, London Philharmonic, Rundfunk-Sinfonieorchester Berlin, NDR-Sinfonierorchester Hamburg, Konzerthaus Orchester Berlin, La Verdi Orchestra Milan, ORH Vienna Radio Orchestra , Finnish Radio Orchestra, Osaka Philharmonic, Hong Kong Philharmonic, China Philharmonic, and Sydney and Melbourne symphonies. Leading conductors with whom he has worked include Vladimir Ashkenazy, Andrew Davis, Marek Janowski, Jaap van Zweden, Gianandrea Noseda, Hans Graf, Yu Long, Lü Jia, Tan Dun, Machello Viotti, Jirí Belohlávek, and Yehudi Menuhin.
\n\nPrior to teaching at the National University of Singapore, Mr. Qin taught at the Royal Northern College of Music, Manchester. He is also a guest professor at Shanghai and Central Conservatory of Music in China. As artistic director, he founded the annual Qingdao International Cello festival in 2018. He plays a 1780 Joseph Guadagnini cello, generously loaned by Dr. and Mrs. Wilson Goh.
\n\n\n\n
\n\n
PHOTO© LisaMarieMazzucco
\n\n\n\n
\n',team:""},createdAt:1660555074,updatedAt:1669952608,updatedBy:"林蔚行",host:!0},{_id:"62fb5b60c1055d0007e4186a",catalogs:["5fe2bffdde1961000737545c","5aec4184b01ea6000520f633"],dateTime:{first:1668321e3,discrete:[{time:1668321e3}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,600,900,1200,1600,2e3],link:"https://www.opentix.life/event/1560169764534206467"}},attachment:{key:"b3b1d03b0b39cc483e867f72f54d9a58",name:"《伊格爾・列維特鋼琴獨奏會》電子節目單 .pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:1662609e3,end:4818326399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"65ceb67a5f36f00cce734759ca4ad841",title:"《伊格爾・列維特鋼琴獨奏會》"}],related:[],title:"《伊格爾・列維特鋼琴獨奏會》",cover:"4fb7780aca6321e4ec0bb4f09e38e322",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
衛武營會員綁定OPENTIX
\n\n邀請您註冊「OPENTIX兩廳院文化生活」帳號並綁定衛武營會員卡,即可享有會員購票優惠。綁定教學
\n\n優惠方案
\n\n※300元(含)以下票級不提供折扣。
\n\n團票優惠
\n\n購票同場次:
\n\n※300元(含)以下票級不提供折扣。
\n\n※相關優惠請洽07-262-6666
\n',benefits:"",description:"「不希望當個只會彈奏琴鍵的人」...",introduction:'\n\n\n\n影片來源:YouTube(音樂家的無聊人生 Musician Seacow)
\n\n\n\n
生於俄國,後移民至德國的猶太裔鋼琴家伊格爾・列維特,是少數積極參與政治,用藝術及社群媒體倡議社會議題的音樂家。列維特可謂是鋼琴神童,3歲時啟蒙於母親,4歲便舉辦第一場獨奏會。全家在他8歲時移民德國,18歲時,列維特便拿下魯賓斯坦大賽銀牌。優異的鋼琴表現並沒讓他局限在舒適圈,列維特曾在訪問時表示「不希望當個只會彈奏琴鍵的人」,他不僅參與各種社會抗爭的表演,也透過曲目設計傳達理念。此次音樂會將演奏貝多芬四首撫慰人心,如人生亦如四季變化的鋼琴奏鳴曲:《暴風雨》展現面對困境的堅忍不拔,《悲愴》看見最真實的內心世界,在作品79,別號「杜鵑」中聽見生機盎然,在《華德斯坦》感受如黎明般嶄新的力量。
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演前導聆
\n\n2022/11/13(日)13:50 音樂廳三樓大廳
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演出曲目
\n\n貝多芬 : d小調第17號鋼琴奏鳴曲《暴風雨》, 作品31 No. 2
\n\n貝多芬 : c小調第8號鋼琴奏鳴曲《悲愴》,作品13
\n\n貝多芬 : G大調第25號鋼琴奏鳴曲,作品79
\n\n貝多芬 : C大調第21號鋼琴奏鳴曲 《華德斯坦》,作品53
\n\n\n\n
文章閱讀
\n\n►異數的藝術:伊格爾・列維特(Igor LEVIT)的貝多芬
\n\n\n\n
藝術家介紹
\n\n憑藉精準敏銳的思維,列維特將自己的藝術陳列於社會事件的背景之中,並將其二者緊密相連。《紐約時報》曾評析伊格爾・列維特為「他這個世代中最重要的藝術家之一。」
\n\n作為一名音樂會獨奏家,列維特經常在世界上最著名的音樂廳和音樂節上演出,更密集與世界一流的交響樂團合作,包括克里夫蘭管絃樂團、萊比錫布商大廈管絃樂團、荷蘭皇家大會堂管絃樂團和維也納愛樂樂團等。 2021年春季,琉森音樂節宣布與合作多年的列維特共同策劃了全新鋼琴音樂節,節目將由列維特策展,並於 2023年5月首次亮相。
\n\n出生於俄國的下諾夫哥羅德,列維特於漢諾威拿到鋼琴學位,並以學校有史以來最高分畢業。 2019年春季,他被任命為母校漢諾瓦音樂、戲劇與媒體學院的鋼琴教授。
\n\n列維特積極捍衛人權,參與政治議題,並以此在2019年獲得了第5屆國際貝多芬獎,隨後於2020年1月獲得了國際奧斯威辛委員會頒發的「*雕像B獎」。在2020年春季的疫情封鎖期間,他在推特上直播了53場音樂會,成功吸引了全世界觀眾的目光,在孤立和絕望之際,提供了一種守望相助的感動和希望。
\n\n2020年10月,列維特被授予德意志聯邦共和國功績勳章。 而在他現居的柏林,列維特也獲得一台由沙德勒之井劇院獨立歌劇團的理事會捐贈的史坦威D型平台鋼琴。
\n\n註:B字型雕像象徵「To B remembered(永誌不忘)」,告誡世人記取納粹大屠殺的歷史悲劇。
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\n\n
藝玩伴計畫 ART-FUN-PLAY
\n\n爸媽看戲、孩子玩戲
\n\n發現很想看衛武營的節目,但沒有人幫您陪伴孩子嗎?
\n\n衛武營特別推出『藝玩伴計畫』,在您欣賞演出節目的同時,規劃各種活動,讓孩子們在等待父母看戲的同時,與您在平行時空同步接收演出節目的精彩內容...
\n\n\n\n\n\n
\n',team:""},english:{onShelfRange:{start:1662609e3,end:4818326399},tabs:[],onShelf:!0,sliders:[{type:"image",key:"65ceb67a5f36f00cce734759ca4ad841",title:"《伊格爾・列維特鋼琴獨奏會》"}],related:[],title:"Igor LEVIT Piano Recital",cover:"4fb7780aca6321e4ec0bb4f09e38e322",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
※Discounts are not applicable for tickets tier at NT$300 and lower.
\n',benefits:"",description:' "I don\'t just want to be the man striking the keys,"',introduction:'\n\n\n\n© YouTube(Musician Seacow)
\n\n\n\n
The Russian-German pianist Igor LEVIT is one of the few musicians who actively participates in politics and uses art and social media to speak for social issues. One can say that LEVIT is a piano prodigy. First taught by his mother at the age of three, he was already giving his first recital at the age of four. The family immigrated to Germany when he was eight years old, and at eighteen LEVIT won a silver medal in The Arthur Rubinstein International Piano Master Competition. Despite his excellent performing career, he does not limit himself to his comfort zone. Having once commented in an interview, "I don't just want to be the man striking the keys," he must take practical actions. Not only does he participate in performances for various social causes, but also conveys his ideology through his repertoire. This concert will perform BEETHOVEN's four famous piano sonatas, which echo different aspects of life, just like the changing of the seasons. The Tempest shows perseverance while facing adversity. Pathétique reveals the deep inner emotional world. Opus 79, also known as "Cuckoo," demonstrates vitality in life. From Waldstein, one can feel the powerful, dawn-like sentiments.
\n\n\n\n
Pre-talk
\n\n2022/11/13(Sun)13:50 Concert Hall 3F
\n\n\n\n
Program
\n\nL. v. BEETHOVEN: Piano Sonata No. 17 in d minor, Op. 31 No. 2 The Tempest
\n\nL. v. BEETHOVEN: Piano Sonata No. 8 in c minor, Op. 13 Pathétique
\n\nL. v. BEETHOVEN: Piano Sonata No. 25 in G Major, Op. 79
\n\nL. v. BEETHOVEN: Piano Sonata No. 21 in C Major, Op. 53 Waldstein
\n\n\n\n
Artists Introduction
\n\nPiano|Igor LEVIT
\n\nWith an alert and critical mind, he places his art in the context of social events and understands it as inseparably linked to them. The New York Times describes Igor LEVIT as one of the "most important artists of his generation".
\n\nAs a recitalist Igor LEVIT regularly performs at the world's most renowned concert halls and festivals. He is regular soloist with the world's leading orchestras such as the Cleveland Orchestra, the Gewandhausorchester Leipzig, the Royal Concertgebouw Orchestra and the Vienna Philharmonic. In spring 2021 Igor LEVIT and the Lucerne Festival announced a multi-year collaboration for a new piano festival curated by Igor LEVIT, its first edition to take place in May 2023.
\n\nBorn in Nizhni Novgorod, Igor LEVIT completed his piano studies in Hannover with the highest score in the history of the institute. In spring 2019 he was appointed professor for piano at his alma mater, the University of Music, Theatre and Media Hanover.
\n\nFor his political commitment Igor LEVIT has been awarded the 5th International Beethoven Prize in 2019 followed by the award of the "Statue B" of the International Auschwitz Committee in January 2020. His 53 Twitter-streamed live house concerts during the lockdown in spring 2020 garnered a worldwide audience, offering a sense of community and hope in a time of isolation and desperation. In October 2020 Igor LEVIT was recognized with the Order of Merit of the Federal Republic of Germany. In Berlin, where he makes his home, Igor LEVIT is playing on a Steinway D Grand Piano kindly given to him by the Trustees of Independent Opera at Sadler's Wells."
\n\n\n\n
\n',team:""},createdAt:1660640096,updatedAt:1668072187,updatedBy:"林蔚行",host:!0},{_id:"62fcb5fbf571db0007e3fa37",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1669548600,discrete:[{time:1669548600}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1200,1800,2400,3200,4e3,4800],link:"https://www.opentix.life/event/1542871739526356994"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"987da1d294f676d1146e528576ddecc3",title:"《大師系列—約夏.貝爾小提琴獨奏會》"}],related:[],title:"《大師系列—約夏.貝爾小提琴獨奏會》",cover:"43db92dcd01a5e1f9ed4c7f690f783f5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2022年巴哈靈感音樂文化協會推出「大師系列」,邀集古典音樂領域最具影響力的大師級演奏家,與臺灣觀眾分享撼動人心的音樂演出。本次邀請縱橫樂壇近40年,受到國際樂壇高度矚目的美國小提琴家—約夏.貝爾(Joshua Bell),他是所身處時代最受人尊崇的小提琴家之一,曾與國際幾乎所有的主要交響樂團同台合作,並持續以協奏、獨奏、室內樂演奏、指揮等身分受邀演出,他同時擔任著名的聖馬丁學院管弦樂團的音樂總監一職。睽違多年,小提琴家巨星約夏.貝爾再度訪臺,今年11月將在臺北國家音樂廳、衛武營音樂廳,為臺灣觀眾帶來最精湛難忘的演出。
\n\n\n\n
演出曲目
\n\n舒伯特:D大調第一號小提琴奏鳴曲,作品三百八十四
\n\n貝多芬:C小調第七號小提琴奏鳴曲,作品三十
\n\n布洛赫:〈曲調〉選自《巴爾興組曲》,作品四十七
\n\n拉威爾:G大調第二號小提琴奏鳴曲,作品七十七
\n\n\n\n
演出暨製作團隊
\n\n小提琴|約夏.貝爾
\n\n鋼 琴|彼得.杜根
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"987da1d294f676d1146e528576ddecc3",title:"《大師系列—約夏.貝爾小提琴獨奏會》"}],related:[],title:"The Master Series— Joshua Bell Violin Recital 2022",cover:"43db92dcd01a5e1f9ed4c7f690f783f5",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In 2022, Bach Inspiration Music & Culture Association will launch the "The Master Series", With a career spanning almost four decades, Joshua Bell is one of the most celebrated violinists of his era. Having performed with virtually every major orchestra in the world, Bell continues to maintain engagements as soloist, recitalist, chamber musician, conductor and Music Director of the Academy of St Martin in the Fields. After many years, Joshua Bell is visiting Taiwan again. In November, he will bring the most exquisite and unforgettable performances to audiences at the Taipei National Concert Hall and Weiwuying Concert Hall.
\n\n\n\n
Program
\n\nSchubert: Violin Sonata No.1 in D Major, D.384
\n\nBeethoven: Violin Sonata No.7 in C Minor, Op.30
\n\nBloch: 'Nigun' from "Baal Shem", B.47
\n\nRavel: Violin Sonata No. 2 in G Major M.77
\n\nWorks announced from the stage
\n\n\n\n
Creative and Production Team
\n\nViolin|Joshua Bell
\n\nPiano|Peter Dugan
\n\n\n\n
\n',team:""},createdAt:1660728827,updatedAt:1660885371,updatedBy:"林蔚行",host:!1},{_id:"62fcccf7f571db0007e3fd7a",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1670135400,discrete:[{time:1670135400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[600,800,1200,1800,2400,3200,4e3,4800],link:"https://www.opentix.life/event/1544567202190962688"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"669c916b45bb5762a1ee50837c4fa821",title:"《天籟系列—2022國王歌手亞洲巡演》"}],related:[],title:"《天籟系列—2022國王歌手亞洲巡演》",cover:"5309fe016a6b30970a37b0866a44880f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
2022年巴哈靈感音樂文化協會首次推出「天籟系列」,聚焦世界級的絕美人聲團體,演繹聲音的各種變化與可能性。本次邀請全球最受歡迎的無伴奏美聲天團—國王歌手(The King's Singers),其歷年的錄音作品贏得多座大獎,包含2座葛萊美獎及1座艾美獎,並於《留聲機》雜誌「名人堂」佔得一席之地,2018年為了慶祝成團50週年,除了發表週年特別紀念專輯《榮耀時刻》,也開啟一系列世界巡迴演出,該專輯收錄合唱團歷年演出的重要作品,並委託鮑伯·契爾考特、約翰·魯特、尼可·慕禮等創作新曲。2022年底即將再度來臺,與臺灣觀眾分享頂級音樂饗宴。
\n\n\n\n
演出曲目
\n\n重構古頌系列、愛在聖誕節、和聲系列、節慶系列、聖誕襪系列等
\n\n\n\n
演出暨製作團隊
\n\n國王歌手人聲團體
\n\n假聲男高音|派翠克·杜納奇、愛德華·巴頓
\n\n男高音|朱利恩·葛果利
\n\n男中音|克里斯朵夫·布魯爾頓、尼克·艾許比
\n\n男低音|強納森·霍華
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"669c916b45bb5762a1ee50837c4fa821",title:"《天籟系列—2022國王歌手亞洲巡演》"}],related:[],title:"The Celestial Series - The King's Singers 2022 Asia Concert Tour",cover:"5309fe016a6b30970a37b0866a44880f",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
In 2022, Bach Inspiration Music & Culture Association will launch the "The Celestial Series" for the first time, focusing on world-class beautiful vocal groups, interpreting various changes and possibilities of sound.This time we invite the world's most popular vocal ensemble - The King's Singers. The King's Singers' extensive discography has led to numerous awards including two Grammy Awards, an Emmy Award, and a place in Gramophone magazine's inaugural Hall of Fame. As part of their 50th anniversary celebrations in 2018, the group undertook a series of major tours worldwide, supporting the release of a special anniversary album GOLD (also nominated for a Grammy Award), which featured important works in the group's history and new commissions by Bob Chilcott, John Rutter and Nico Muhly.
\n\n\n\n
Program
\n\nAncient carols reimagined, Love at Christmastime, Finding Harmony, Music for festive cheer, The Christmas Stocking Series
\n\n\n\n
Creative and Production Team
\n\nThe King's Singers
\n\nCountertenor|Patrick Dunachie、Edward Button
\n\nTenor|Julian Gregory
\n\nBaritone|Christopher Bruerton、Nick Ashby
\n\nBass|Jonathan Howard
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\n',team:""},createdAt:1660734711,updatedAt:1660885129,updatedBy:"林蔚行",host:!1},{_id:"62fdbe4dcc080f00075947a4",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1668231e3,discrete:[{time:1668231e3},{time:1668317400}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},attachment:{key:"683238f81cea68bac92f1b51c78e13de",name:"【2022臺灣舞蹈平台】蒂摩爾古薪舞集X林文中《去排灣》選粹節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"81693c3329b979a7dff412abd8525b9d",title:"【2022臺灣舞蹈平台】蒂摩爾古薪舞集《去排灣》選粹"}],related:[],title:"【2022臺灣舞蹈平台】蒂摩爾古薪舞集X林文中《去排灣》選粹",cover:"733555abbff02d9d73954f5e3d4d4537",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
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《去排灣》展演於部落內外,對比傳統樂舞,《去排灣》不僅打開劇場空間、打開觀眾,更是打開身體。——表演藝術評論台/紀慧玲
\n\n《去排灣》非僅為一齣可看、可跳、可拍、可參與的作品,更是藉由欣賞舞蹈劇場的行為過程來回應觀演關係與當代原住民族創作的身體空間。——表演藝術評論台/楊智翔
\n\n這份「傲然」的姿態,或可便稱為此作的基調。看似「親民」的表面,卻是最大成功的地方!蒂摩爾古薪長年的舞者訓練和舞團一貫的昂然風格,也是此「貴族」氣的因素之一吧。——ARTALKS/鄒之牧
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我們大聲唱排灣族古謠,與大家遙想部落的過去
\n\n我們用盡全力呼吸,用生命跳出排灣族可能的未來
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蒂摩爾古薪舞集在2020年時,首度邀請客席編舞家林文中的創作《去排灣》,開創排灣族當代劇場的可能性。這次是作品在高雄首次演出,挑戰衛武營榕樹廣場的公共空間,創造一次不同過往的聲響視覺經驗。
\n\n在《去排灣》中,表演者們的聲音就是音樂,由聲線發展出表演者們獨立及群體的身體發展,在排灣族傳統古謠與肢體中,交織出獨一無二的排灣族當代語彙,於非典型劇場的演出模式。
\n\n《去排灣》顧名思義,就是一個參訪部落的作品;也是一個試圖「去除」關於原住民舞蹈刻版印象的全新當代排灣樂舞創作,是專為國內外的實驗或特定空間設計的舞蹈節目。駐團藝術家林文中盼望大家看到貼近生活的、沒有裝扮的、去風情化的排灣樂舞,也順帶提出「傳統樂舞的辨別/定義」、「欣賞異文化的距離/心態」、「原民樂舞與社會/政權的關係」等等問題跟大家討論。誠如他在排練時,常叮嚀舞者:「要跟觀眾在一起!」,《去排灣》是個平易近人的當代排灣樂舞創作,也是一個表演者與觀眾一起完成的互動作品。我們由衷希望看完這個作品,你離排灣的距離更近了、關係也更親密了,即是創作這個作品最大的意義。
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本作品獲選參與2022杜塞道夫國際舞蹈博覽會演出。
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演出暨製作團隊
\n\n團長暨藝術總監|路之.瑪迪霖
\n\n舞蹈總監|巴魯.瑪迪霖
\n\n駐團編舞家|林文中
\n\n排練指導暨演出者|楊淨皓、舞祖.達卜拉旮茲
\n\n演出者|江聖祥、賈西亞、康書瑄、王秋茹
\n\n服裝設計|林文中
\n\n劇照攝影|巴卅席
\n\n團務經理|邱書婷
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藝術家介紹
\n\n蒂摩爾古薪舞集
\n\n蒂摩爾古薪舞集(Tjimur Dance Theatre)是臺灣第一支以排灣族當代為主體的職業舞團,2006年由團長暨藝術總監路之.瑪迪霖(Ljuzem Madiljin)創立,巴魯.瑪迪霖(Baru Madiljin)擔任舞蹈總監暨編舞家,舞團堅持以古謠的律動舞出當代,以歌入舞、以舞引歌,展現專屬排灣的身體符號,成為臺灣獨樹一格的當代舞團。
\n\n創團15年來,蒂摩爾每年舉辦駐館計畫、部落巡演、校園巡演及劇場演出,累積至今國內正式演出119場、海外演出126場、推廣演出300場,持續開啟臺灣藝術傳播的可能性,同時在部落舉辦「蒂摩爾藝術生活節」,引領國際藝術家走進部落,對蒂摩爾而言,表演藝術不再只限於舞台,藝術同時在部落裡,在生活裡。
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駐團編舞家-林文中
\n\n曾擔任過國內外許多舞團舞者,包括世界著名的比爾提.瓊斯舞團。紐約村聲週報讚譽為「超級舞者」,美國舞蹈雜誌稱其「無比的力量與控制能力」,2008年創立林文中舞團,發表「小」、「南管」與「流體」等系列作品,並帶領舞團前進許多重要國際性藝術節,台北時報稱其「擁有頂尖編舞家所具備的才華,其舞作與舞團更為台灣其它的小型表演團隊,提昇了標竿」。作品《長河》榮獲第13屆台新藝術獎年度作品,並於2015年獲選為臺灣表演藝術雜誌年度人物,稱其「從『小』到『大』,理性前進,務實不華,冷然獨特」。譯作有〈舞蹈意象與身體訓練〉、〈伸展解剖〉,現為南華大學民族音樂學系專任助理教授。
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攝影|巴卅席
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"81693c3329b979a7dff412abd8525b9d",title:"【2022臺灣舞蹈平台】蒂摩爾古薪舞集《去排灣》選粹"}],related:[],title:"【2022 Taiwan Dance Platform】 TJIMUR DANCE THEATRE X LIN Wen-chung - GO PAIWAN",cover:"733555abbff02d9d73954f5e3d4d4537",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
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We sing ancient Paiwan tunes aloud and recall the past together with everyone.
\n\nWe breathe with all our strength to create a future for Paiwan using the dance of life.
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In 2020, the Tjimur Dance Theatre invited guest choreographer LIN Wen-chung to choreograph GO PAIWAN to explore the possibility of contemporary theatre for the Paiwan Tribe. In this Kaohsiung premiere, the performers will take on the challenge of performing in Weiwuying's Banyan Plaza to create a brand-new aural and visual experience.
\n\nAs implied by the title, GO PAIWAN is a piece about visiting a tribe, as well as a brand new contemporary Paiwan dance and music piece trying to "remove" the stereotypes of indigenous dances. It is a dance program designed for domestic or foreign experimental or specific spaces. WenChung wanted to show people Paiwan dances that are close to real life and without fancy dresses and romanticization. He also proposed issues such as "the identification/definition of traditional dances", "the distances to and attitudes toward appreciating other cultures", and "the relationship between indigenous dances and the society/regime" for discussions. This is consistent with what he always says to dancers during rehearsals, "you have to be with the audience!" GO PAIWAN is an approachable contemporary Paiwan dance piece, as well as an interactive piece completed by the performers and the audience together. We sincerely hope that after watching this piece, you will feel being closer to the Paiwan culture with a more intimate relationship. This is the most important purpose of creating this piece.
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Creative and Production Team
\n\nFounder and Artistic Director|Ljuzem Madiljin
\n\nDance Director|Baru Madiljin
\n\nRisident Choreographer|LIN Wen-chung
\n\nRehearsal Directors and Performers|YANG Ching-hao, LJAUCU Tapurakac
\n\nPerformers|CHIANG Sheng-hsiang, GARCIA, AL bernard velarde、KANG Shu-hsuan, WANG Chiu-ju
\n\nCostume Designer|LIN Wen-chung
\n\nStill Photographer|BA Sa-xi
\n\nCompany Manager|CHIU Shu-ting
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Team Introduction
\n\nTjimur Dance Theatre
\n\nFirst Dance Company in Taiwan Dedicated to Contemporary Paiwan Cultural Aesthetics
\n\nIt was founded in 2006 by the head of company and artistic director, Ljuzem Madiljin, with Baru Madiljin as the dance director and choreographer. Based on the roots of Tjimur Tribe of the Paiwan people, we attempt to transform the integrated Paiwan melodies and dances into modern body aesthetics through the learning process of traditional Paiwan music and dance. We are committed to retaining the traditional cultural foundation while seeking out the core essence of the Paiwan culture, where songs are infused to dance and dance inspires music, to showcase one of the most unique and distinctive contemporary dance companies in Taiwan.
\n\nThroughout its 15-year history, the Tjimur Dance Theatre has held residence programs, indigenous tribal tours, campus tours, and theater performances every year. So far, the group has engaged in 119 domestic performances, 126 overseas performances, and 300 arts promotion events. As a part of their advocacy for the arts in Taiwan, they also hold the Tjimur Arts Festival in their tribal homeland to introduce artists that are active on the international stage to Paiwan arts and culture. To the Tjimur Dance Theatre, the performing arts are not limited to the stage; they are integral both to the tribe and to life.
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Risident Chreographer|LIN Wen-Chung
\n\nLIN Wen-Chung received his MFA from the University of Utah and BFA from the Taipei National University of the Arts. Hemore than 14 evening length works since then. In 2015, he won the 13th Taishin Arts Award and was select had performed professionally with Bill T. Jones/ Arnie Zane Dance Company (2001-2007) in New York. Dance Magazine praised him as having "remarkable strength and control". He founded WCdance in 2008 and created ed as "People of the Year" by Performing Arts Magazine in Taiwan. He has completed two translated books, Conditioning for Dance and Stretching Anatomy. He is currently an assistant professor at Nanhua University Ethnomusicology Department.
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©巴卅席
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Learn More
\n\n\n\n\n\n\n',team:""},createdAt:1660796493,updatedAt:1668045556,updatedBy:"林蔚行",host:!0},{_id:"62fdd88df571db0007e42226",catalogs:["5fe2bffdde1961000737545c","5c1f073a5a5bea0006f3eb11"],dateTime:{first:1668243600,discrete:[{time:1668243600},{time:166833e4}],type:"discrete"},activity:{type:"free",free:{description:"自由參與",englishDescription:"Free Entry"}},attachment:{key:"41520f88790ca356ef7c5429bdc9fcb5",name:"【2022臺灣舞蹈平台】賴翠霜舞創劇場《他們的故事─白晝》節目單.pdf",ext:"pdf"},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9464bc73b51ac5947cead7dd1f813f00",title:"【2022臺灣舞蹈平台】賴翠霜舞創劇場《他們的故事─白晝》"}],related:[],title:"【2022臺灣舞蹈平台】賴翠霜舞創劇場《他們的故事─白晝》",cover:"eaf3d977bb3915f8c47f97970193475f",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
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《他們》所展現的身體,在彷若毫無浮木可安身的空臺裡,顯露耀眼、開闊的自信,以及使人悸動的純粹魅力。身體已不只是動作的載體,更是蓄積能量的場域,準備給人生再次發光的動力。——擷取自表演藝術評論台專欄〈動起來的記憶,不只屬於自己《他們的故事》〉
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《他們的故事》匯集素人獨奏會的整合式表演,即便如此,整體的呈現是是令人愉悅的、是引起共鳴的、是沉浸式的,更是體驗行銷導向的表演藝術呈現。
\n\n更令人讚嘆如何利用二年的時間能夠幫助素人們將身體歸零、幫助他們放掉過去不同身體的經驗並讓他們更加投入肢體與表演之間的連結與傳達。賴翠霜舞創劇場《他們的故事》在臺南帶領並創造出另外一種庶民進入劇場的風潮與對於表演藝術欣賞的新視野,更大大地提升了臺南的文化與美學。――擷取自ARTalks:〈評論的展演:2021臺南藝術節-賴翠霜舞創劇場《他們的故事》
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《他們的故事─白晝》是一個大量參雜戲劇與舞蹈肢體的作品,出生於臺南的編舞家賴翠霜與11位素人表演者的共同合作,從各自對生命不同時期的脆弱以及自我性格探索的過程,拼湊出屬於這作品的形狀,以寫實與非寫實方式出現在作品中。透過時空交錯的手法作為故事的連結,音樂的選曲則是依故事內容與個人特質去做搭配,例如憂鬱、柔軟、陰暗、急躁、詩意、講述內心情境等⋯⋯,連結故事情境的起承轉合再給予不同的詮釋。
\n\n2022年《他們的故事─白晝》受邀臺灣舞蹈平台,將原本劇場版進行重新編制,在衛武營榕樹廣場的「開放舞台」演出,觀眾可以從不同視角欣賞這個作品,述說著關於過去、現在、未來以及自我的旅程。
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*作品創作源自台江文化中心「2020-2021素人雙年演出計畫」
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演出暨製作團隊
\n\n編舞|賴翠霜
\n\n表演者|吳孟渝、蘇琬婷、沈萱姿、涂慧珠、小愉兒、葉美娥、陳曜銘、彭揚閔、梁瓊芬、蘇意琪、吳淑棉
\n\n舞團行政|陳思妤
\n\n排練助理|陳盈琪
\n\n燈光設計與執行|沈玉晏
\n\n燈光設計|邱郁雯
\n\n執行舞台監督|李聚慧
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主辦單位|衛武營國家藝術文化中心
\n\n演出單位|賴翠霜舞創劇場
\n\n特別感謝|臺南市政府文化局-台江文化中心
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藝術家介紹
\n\n賴翠霜舞創劇場
\n\n2011年由台新藝術獎第七屆百萬首獎得主,旅德編舞家賴翠霜創立。以開發藝術的多元可能性為宗旨,致力於舞蹈藝術的普及。成立迄今,已廣納來自各領域對舞蹈表演具有高度熱忱及實力的專業人士,每年固定推出全新舞碼。並以客座名義,為國內外舞團及藝術展演單位,編創令人耳目一新的作品,並在舞蹈藝術推廣方面不遺餘力。
\n\n以生活化的肢體創作更貼近人心的作品,這是賴翠霜舞創劇場努力的方向,未來希望以舞蹈劇場形式,拉近群眾與藝術創作的距離。
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舞團近年創作與演出作品
\n\n2022《Dream Me》舞蹈影像創作實驗計畫 於線上播映
\n\n2022 雙年製作計畫 Ⅱ《倒.影》 —於戲曲中心正式演出
\n\n2022 獲選文化部媒合場館進駐計畫雙年製作《舞蹈劇場地方深耕計畫》於臺南台江文化中心
\n\n2021 獲選文化部媒合場館進駐計畫《他們的故事》素人雙年計畫Ⅱ參與台南藝術節演出
\n\n2020 應邀樹林幕起系列演出《家.溫°C+》重製作品
\n\n2020《倒.影》雙年計畫I—〈身身默契實驗計畫〉於空軍三重一村呈現
\n\n2020 獲選文化部駐館計畫雙年製作《他們的故事I》於臺南台江文化中心呈現
\n\n2019 雙年計畫《異鄉人》受邀台南藝術節以及臺北主辦演出
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藝術總監|賴翠霜
\n\n畢業於臺灣文化大學以及德國福克旺大學。曾擔任北藝大兼任現代舞教師、Colorado College客席舞蹈教師以及各大專院校短期客座教師。
\n\n曾在德國碧娜鮑許舞蹈劇場二團(FTS)、蒙斯特市立城市劇院、卡塞爾國家劇院擔任主要獨舞者。
\n\n2011年創立賴翠霜舞創劇場。在2009年以《囲》這支作品拿下第七屆台新藝術獎首獎。曾經客席編創於舞蹈空間、首都芭蕾舞團、組合語言舞團、廖末喜舞蹈劇場、Ormao Dance Copany、Colorado College、 Colget College 邀約、兩廳院委託創作、北藝大Dance Cross國際藝術交流、巴黎音樂影像多媒體合作案、美國ACDF藝術節、台南藝術節、臺灣德國雙作品交流⋯⋯等等。
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了解更多
\n\n\n\n\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"9464bc73b51ac5947cead7dd1f813f00",title:"【2022臺灣舞蹈平台】賴翠霜舞創劇場《他們的故事─白晝》"}],related:[],title:"【2022 Taiwan Dance Platform】Their Stories - Daylight",cover:"eaf3d977bb3915f8c47f97970193475f",site:{isOther:!1,site:"5be1594c77d0790006d80c56",other:""},cautions:'
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Their Stories-Daylight is a work in which drama and bodily expression abound. Tainan-born choreographer LAI Tsui-shuang collaborated with 11 amateur performers to put together this work using both representational and non-representational approaches that mirror the vulnerabilities and fragility of different periods of the performers' lives and support the process of self-exploration. Fragments of stories are connected through the interweaving of time and space, while the music is alternately melancholic, soft, dark, harsh, poetic, or introspective in a reflection of the storyline and the performers’ personality traits. The music parallels the highs and lows of the stories, adding a deeper layer of interpretation.
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The performers of Their Stories-Daylight have been invited to reprise the piece on the Taiwan Dance Platform in 2022. Originally designed for the theater, it will be re-tooled to fit the open stage at Weiwuying's Banyan Plaza, where the audience can see the performance, which depicts a journey of the past, present, future, and the self, from multiple angles.
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*This work was created as part of Taikang Cultural Center's 2020-2021 Amateur Biennale Performance Project
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Creative and Production Team
\n\nChoreographer|LAI Tsui-shuang
\n\nPerformer|WU Meng-yu, SU Wan-ting, SHEN Syuan-zih, TU Hui-chu, YU Emile, YEH Me-or, CHEN Yao-ming, PENG Yang-min, LIANG Chiung-fen, SU Yi-chi, WU Shu-mien
\n\nCompany executive|CHEN Ssu-yu
\n\nRehearsal Assistant|CHEN Ying-chi
\n\nLighting Design and Executive|SHEN Yu-yen
\n\nLighting Design|CIOU Yu-wun
\n\nDeputy Stage Manager|LEE Chu-hui
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Presenter|National Kaohsiung Center for the Arts (Weiwuying)
\n\nPerformance|Lais Creative Dance Theater
\n\nSpecial Thanks|Taikang Cultural Center
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Team Introduction
\n\nLais Creative Dance Theater
\n\nLais Creative Dance Theatre was founded by the million-dollar-winner of the 7th Taishin Arts Award, Tsui-Shuang Lai, in 2011. Lai focuses on discovering and universalising the possibilities of dance art. They have been welcoming professionals from various backgrounds with high interest and skills in dancing from the day of the establishment. They release new choreography every year. They have also been making new and refreshing pieces as a guest choreographer for dance groups and art associations both domestically and internationally; they also promote dance art whole-heartedly.
\n\nWith day-to-day body language, these close-to-heart artworks are the focus of Lais Creative Dance Theater. They wish to bring art closer to the audience via the form of dance theater
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LAI Tsui-shuang
\n\nLAI Tsui-shuang graduated from the Folkwang University of the Arts in Germany. She was a part-time lecturer in modern dance at Taipei National University of the Arts, visiting dance lecturer at Colorado College and has given short-term courses as a visiting lecturer at numerous colleges and universities.
\n\nDuring her years in Germany, she worked as a solo dancer for Folkwang Tanzstudio, Städtische Bühnen Münster and Staatstheater Kassel.
\n\nShe founded Lais Creative Dance Theater in 2011. Her dance production Surround won First Prize at the 7th Taishin Arts Awards in 2009. As a visiting choreographer, Lai has worked with Dance Forum Taipei, Capital Ballet Taipei, Assembly Dance Theatre, Liao Mo-Si Dance Theatre, Ormao Dance Company and Colorado College. She was also invited by Colgate University, commissioned by National Theater and Concert Hall and collaborated in NTUA's Dance Cross project, multi-media project in Paris, American College Dance Festival (ACDF), Tainan Arts Festival and Taiwan-Germany artistic exchange.
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Learn More
\n\n\n\n\n\n\n',team:""},createdAt:1660803213,updatedAt:1668045347,updatedBy:"林蔚行",host:!0},{_id:"630c8778189adc00075dfe23",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1669444200,discrete:[{time:1669444200}],type:"discrete"},activity:{type:"ticket",ticket:{price:[300,400],link:"https://www.opentix.life/event/1559745381819711494"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1e8b39573ff85ffc20f49b06f7091a4e",title:"《世紀之交的唯美琴音-2022陳維音小提琴獨奏會》"}],related:[],title:"《世紀之交的唯美琴音-2022陳維音小提琴獨奏會》",cover:"e58d70b2aa092e2876eed12bf637ae25",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
小提琴學派透過時間和歷史的堆積,交互激盪出各種燦爛。
\n\n本場獨奏會選擇三位同是十九、二十世紀之交的偉大音樂家:尤金.易沙意(Eugène Ysaÿe,1858-1931)、喬治.埃奈斯庫(Georges Enesco,1881-1955),和佛里茲.克萊斯勒(Fritz Kreisler,1875-1962)。他們不只是當時的音樂巨匠,更被後世稱作永遠不朽的小提琴演奏家、教育家與作曲家,為小提琴學派留下偉大的歷史印記。
\n\n這場音樂會將串連起這三位偉大音樂家的作品,與我們一同回到十九世紀末、二十世紀初,進入百年前小提琴界的璀璨時光。
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演出曲目
\n\n尤金.易沙意:狂喜,作品21
\n\n喬治.埃奈斯庫:第二號小提琴奏鳴曲,作品6
\n\n佛里茲.克萊斯勒:浦亞尼風格的前奏曲及快板
\n\n佛里茲.克萊斯勒:維也納隨想曲,作品2
\n\n佛里茲.克萊斯勒:牧羊人的牧歌
\n\n佛里茲.克萊斯勒:吉普賽幻想曲
\n\n佛里茲.克萊斯勒:古維也納舞曲(愛之喜、愛之悲、美麗的羅絲瑪琳)
\n\n佛里茲.克萊斯勒:中國花鼓
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演出暨製作團隊
\n\n小提琴︱陳維音
\n\n鋼琴︱潘祖欣
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"1e8b39573ff85ffc20f49b06f7091a4e",title:"《世紀之交的唯美琴音-2022陳維音小提琴獨奏會》"}],related:[],title:"Wei-In Chen Violin Recital",cover:"e58d70b2aa092e2876eed12bf637ae25",site:{isOther:!1,site:"5aec4800b01ea6000520f668",other:""},cautions:'
Eugène Ysaÿe, Georges Enesco and Fritz Kreisler are great violinists, educators and composers. This concert will connect the works of these three great musicians and lead the audience into the dazzling time one hundred years ago.
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Program
\n\nE. YSAŸE: Extase, Op. 21
\n\nG. ENESCO: Violin Sonata No.2, Op. 6
\n\nF. KREISLER: Praeludium and Allegro in the style of Pugnani
\n\nF. KREISLER : Caprice Viennois, Op. 2
\n\nF. KREISLER : Shepherd’s Madrigal
\n\nF. KREISLER : Gipsy Caprice
\n\nF. KREISLER : Old Viennese Dances
\n\nF. KREISLER : Tambourin Chinois, Op. 3
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Creative and Production Team
\n\nViolin︱CHEN Wei-In
\n\nPiano︱PAN Tsu-hsin
\n\n\n\n
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來自韓國,現年18歲的任奫燦(Yunchan Lim)是2022年范‧克萊本國際鋼琴大賽金牌得主,也是該大賽有史以來最年輕的金牌得主,同時囊括最佳觀眾票選獎與最佳新作品演奏獎,卓越非凡的深度表現與令人目眩神迷的演奏技巧,讓他一躍成為國際古典樂壇最受矚目的超級新星。大師藝術很榮幸與范‧克萊本國際鋼琴大賽合作,邀請任奫燦首度訪臺巡演,他將為臺灣樂迷帶來浪漫樂派大師布拉姆斯、孟德爾頌與李斯特等極富挑戰性與音樂表現力的鋼琴代表作。
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演出曲目
\n\n布拉姆斯:四首敘事曲,作品10
\n\n孟德爾頌:升f 小調幻想曲,作品28
\n\n李斯特:
\n兩首《傳奇》,作品S.175
\n第一首〈向鳥兒傳道的聖方濟〉
\n第二首〈在水面上行走的保羅聖方濟〉
〈但丁詩篇讀後感 - 奏鳴曲風幻想曲〉,選自《巡禮之年第二年:義大利》,作品161之7
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演出暨製作團隊
\n\n鋼琴|任奫燦
\n\n\n\n
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Pianist Yunchan LIM, Gold Medal winner at this year's Van Cliburn Competition, is the youngest performer ever to do so. Now just 18, at his debut concert in Taiwan, Yunchan LIM plans to perform Brahms's four Ballades, Mendelssohn's Fantasie in F-sharp Minor, the renowned piece "Dante Sonata" and late famous piano works of Franz Liszt.
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Program
\n\nBrahms: 4 Ballades, Op.10
\n\nMendelssohn: Fantasie in F-sharp Minor, Op.28
\n\nF.Liszt:
\nTwo Légendes, S. 175
\nNo.1 "St. François d’Assise, La prédication aux oiseaux"
\nNo.2 "St. François de Paule: marchant sur les flots"
Après une Lecture de Dante: Fantasia quasi Sonata from "Années de pèlerinage, Deuxième Année:Italie", S.161/7
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Creative and Production Team
\n\nPiano|Yunchan LIM
\n\n\n\n
\n',team:""},createdAt:1661829395,updatedAt:1664767967,updatedBy:"林蔚行",host:!1},{_id:"630d855d189adc00075e6781",catalogs:["5aec4184b01ea6000520f633"],dateTime:{first:1667561400,discrete:[{time:1667561400}],type:"discrete"},activity:{type:"ticket",ticket:{price:[500,800,1200,1500,1800,2300],link:"https://www.opentix.life/event/1560549096893038599"}},sliders:[],showInProgramList:!0,chinese:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79b2613140383db6a46cfbd20d58c1ab",title:"《對位與大師有約-VI 大提琴詩人Sung-Won Yang梁盛苑》"}],related:[],title:"《對位與大師有約系列VI - 國際知名大提琴家 Sung-Won Yang》",cover:"835f6dbb6f597e3e6b7b6d47dcf10143",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
「梁盛苑的表演富想像力,技巧超凡卓越、精準…音色宏亮多彩」——《華盛頓郵報》
\n\n「極度傑出之藝術家,擁有抒情而又宏亮的演奏」——《星期日泰晤士報》
\n\n「Sung-Won Yang,一位技巧超卓、大膽具表現力的樂手,才能表達出Kodaly獨奏奏鳴曲的雄偉壯麗!」——《留聲機》
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國藝會Taiwan Top「演藝團隊年度獎助專案」團隊之一的對位室內樂團,今年將邀請於國際樂壇履獲好評之大提琴家,法國布爾代西耶爾城堡Owon音樂節藝術總監、錄製16張專輯,現為韓國EMI專屬藝術家 Sung-Won YANG來臺演出。《泰晤士報》譽為「極度傑出之藝術家」,擁有抒情而又宏亮的演奏」! 樂團並將演出柴可夫斯基以西歐傳統古典音樂的曲式融入俄羅斯民謠的《C大調弦樂小夜曲》,及臺灣作曲家楊聰賢的作品,一場東西方特色之聽覺饗宴!
\n\n\n\n
演出曲目
\n\n楊聰賢:《聽風、聽雨、也聽晴》為琵琶與十支弦樂 (2017)
\n\n柴可夫斯基:C大調弦樂小夜曲,作品48
\n\n舒曼:A小調大提琴協奏曲,為弦樂團
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演出暨製作團隊
\n\n客席大提琴|Sung-Won YANG
\n\n演出團隊|對位室內樂團
\n\n藝術總監|梁孔玲
\n\n樂團首席|林佳霖
\n\n客席琵琶|趙怡然
\n\n\n\n
\n',team:""},english:{onShelfRange:{start:null,end:null},tabs:[],onShelf:!0,sliders:[{type:"image",key:"79b2613140383db6a46cfbd20d58c1ab",title:"《對位與大師有約-VI 大提琴詩人Sung-Won Yang梁盛苑》"}],related:[],title:"Master Cellist Sung-Won Yang",cover:"835f6dbb6f597e3e6b7b6d47dcf10143",site:{isOther:!1,site:"5aec47d3b01ea6000520f663",other:""},cautions:'
"Sung-Won Yang offered performances loaded with imagination, technical brilliance and pinpoint accuracy in intonation. Contours were skillfully shaped, scalar nuances were crafted with exquisite care and the whole rang with a resounding richness."——《Washington Post》
\n\n\n\n
"…an immensely accomplished artist with a huge sound and a way of playing that is lyrical and intense without a hint of preciousness."——《The Sunday Times》
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Program
\n\nTsung-Hsien, YANG: < Hearing Serenity in Weathers Stormy and Sunny > (2017)
\n\nTchaikovsky: Serenade for String Orchestra in C Major, Op. 48
\n\nSchumann: Cello Concerto in A minor, arr. for String Orchestra
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Creative and Production Team
\n\nCello Solo|Sung-Won YANG
\n\nPerformance|Counterpoint Ensemble
\n\nArtistic Director|LIANG Kung-Ling
\n\nViolin|LIN Bonnie
\n\nPipa|CHAO I-Jan
\n\n\n\n
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零樂理基礎也OK!
\n\n想自己做音樂?想玩玩數位音樂?沒有經驗怎麼辦?歡迎報名參加衛武營【數位音樂創作工作坊】!無需任何背景與知識,歡迎大家一起體驗音樂創作的樂趣!
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課程內容將以「Bandlab」線上DAW (Digital Audio Workstation, DAW) 為主進行教學,從音樂的地基-節奏開始進行樂曲分析、學習、模仿,並進一步能夠自行編輯與創作出屬於自己的節奏。
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課程內容
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堂數 | \n\t\t\t日期 | \n\t\t\t課程主題與內容 | \n\t\t
第一堂 | \n\t\t\t\n\t\t\t 12/3 (六) \n\n\t\t\t10:00-13:00 \n\t\t\t | \n\t\t\t\n\t\t\t 【做音樂的第一步——數位音樂創作的認識與操作】 \n\n\t\t\t數位科技發達的現在,音樂創作已不斷蛻變產生各種形態,創作已不像過去一樣困難。此堂將以數位音樂工作站(DAW)「Bandlab」開始介紹,帶領大家一步一步操作,了解Bandlab的基本功能、原理與介面使用。 \n\t\t\t | \n\t\t
第二堂 | \n\t\t\t12/10 (六)\n\t\t\t 10:00-13:00 \n\t\t\t | \n\t\t\t\n\t\t\t 【音樂積木–音樂中的元素與組合】 \n\n\t\t\t聽音樂的時候,是不是常常有些旋律會讓你印象特別深刻?是不是有些節奏會讓身體一起擺動?這就是音樂組成要素—節奏、和聲、旋律,達到完美混合的魔力!這三者不同的搭配組合,就能夠讓聽者產生不一樣的聽覺的能量感受。 \n\n\t\t\t本堂課將藉由多首範例曲目,帶領大家分析討論了解平常常聽的歌曲是如何使用與變化這三要素。分析完後,將帶領學員嘗試創作屬於自己的元素,並且加以疊加組合,試試看大家能否做出腦中所想像的音樂! \n\t\t\t | \n\t\t
第三堂 | \n\t\t\t12/17 (六)\n\t\t\t 10:00-13:00 \n\t\t\t | \n\t\t\t\n\t\t\t 【起承轉合–用音樂說故事】 \n\n\t\t\t延續上週課程,本堂課將著重在分析與討論範例曲目的「情緒段落鋪陳」,了解一首曲子如何用聲響帶出起承轉合, 並讓大家嘗試用音樂寫出自己想說的故事。 \n\t\t\t | \n\t\t
第四堂 | \n\t\t\t12/25 (日)\n\t\t\t 10:00-13:00 \n\t\t\t | \n\t\t\t\n\t\t\t 【成果分享】Feat. 聖誕大來賓—加拿大知名DJ/音樂製作人:無尾熊小子 \n\n\t\t\t想知道科幻電影中震撼人心的聲響效果是怎麼做出來的嗎?電音派對上許多特殊音效又是怎麼做出來的?本週將會帶著大家遊歷音場與效果器的世界,讓自己的創作更豐富精彩!並邀請學員分享自己的作品。 \n\n\t\t\t此外,亦邀請來自加拿大知名DJ、音樂製作人—DJ無尾熊小子,到課堂上和大家分享他的音樂與創作經歷,與大家共度美好的聖誕假期! \n\t\t\t | \n\t\t
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授課老師
\n\n周宣宏|作曲家
\n美國紐約大學(NYU, Steinhardt)電影與多媒體配樂碩士。
現為高雄市管樂團駐團作曲家、六藝樂集藝術總監、高雄師範大學藝術學院 —數位音樂創作等課程講師。
\n\n致力於音樂會等器樂作曲、數位音樂創作、與演出製作等,近期重要作品為:《城市濾鏡》獲選為2021年全國學生音樂比賽—管樂合奏國中組指定曲、衛武營「【高雄雄厲害】周宣宏X魏肇儀 影像聲景音樂會《樹仔聲》」等,並於多部紀錄片、廣告、電影、遊戲配樂等製作案擔任配樂、編曲、及配器師,同時並致力於音樂教育與推廣。
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報名對象與方式
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課程注意事項
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資源下載
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